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Box Office Bomb cleanup

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laserviking42 from End-World Since: Oct, 2015 Relationship Status: You're a beautiful woman, probably
#76: Aug 30th 2022 at 1:58:37 PM

It has taken a bit, but I'm getting around to D.

If the entry has no note it means keep (it's repetitive AF to keep typing it out)

    Big D 
  • Damnation Alley (1977) — Budget, $17 million. Box office, $4 million. This film adaptation of the Roger Zelazny novel was expected to be Fox's big summer movie but it was delayed to the fall due to extensive post-production. By that point, Fox's actual big summer movie made its mark and Damnation Alley was left in the dust. Its mixed reviews and dismissal by Zelazny himself for straying from the novel didn't help either.
  • A Damsel in Distress (1937) — Budget, $1,035,000. Box office, $1,465,000. Recorded loss, $65,000. This musical adaptation of P.G. Woodhouse's novel, and the second film version overall, was Fred Astaire's first film for RKO without Ginger Rogers, with Joan Fontaine co-starring instead. This was the final film for songwriter George Gershwin, who died during production, and the final film to win the short-lived Oscar for Dance Direction (for Hermes Pan's Stiff Upper Lip).not enough of loss, cut
  • Dance Flick (2009) — Budget, $25 million. Box office, $25,662,155 (domestic), $31,439,140 (worldwide). This Wayans Family vehicle is the last directing credit to date for Damien Dante Wayans.made its money worldwide, cut
  • Dangerous Game (1993) — Budget, $10 million. Box office, $23,671 (domestic). It's understandable, considering that it played for one week in one theater.
  • Dangerous Ground (1997) — Budget, $28 million. Box office, $5,406,722. This action thriller sent Darrell Roodt's directing career in remission for six years.
  • Dante's Peak (1997) — Budget, $116 million. Box office, $67,127,760 (domestic), $178,127,760 (worldwide). Buried the screenwriting career of Leslie Bohem for seven years, by which point the Michael Eisner/John Lee Hancock killer The Alamo buried it for another seven years. Dante also knocked Terminator vet Linda Hamilton out of the A-list.made its money worldwide, cut
  • Dark Blue (2002) — Budget, $15 million. Box office, $12,150,301. This debuted at the Noir in Festival in 2002 before its general release in February 2003. This and Hollywood Homicide would send director Ron Shelton's career into remission for over a decade.
  • Dark City (1998) — Budget, $27 million. Box office, $14,378,331 (domestic), $27,200,316 (worldwide). Although Roger Ebert called Alex Proyas' sci-fi thriller the best of the year, most critics gave it average reviews largely due to its Executive Meddling mandated cuts. It quickly became a Cult Classic and its subsequent director's cut allowed it to become Vindicated by History.made its money worldwide, cut
  • The Dark Half (1993) — Budget, $15 million. Box office, $10.6 million. This George A. Romero adaptation of the Stephen King book was finished in 1991 but was held back by Orion Pictures' bankruptcy.
  • Dark Phoenix (2019) — Budget, $200 million (production costs), $343 million (total costs including marketing). Box office, $65,845,974 (domestic), $252,442,974 (worldwide). According to Deadline, this was the biggest bomb of 2019, losing about $133 million. Expensive reshoots, bad buzz, a looming Continuity Reboot due to the Disney-Fox deal, and tepid reviews all combined to produce a franchise low from the opening weekend onward. Not only does it seem to be the last film to be made in the X-Men Film Series (outside of the horror-centric spin-off The New Mutants, which finished filming before Dark Phoenix but ended up being delayed for over 2 years), but it squashed any last hopes of independence for Fox under their new parent company Disney, with them citing Fox’s low earnings, and the failure of Dark Phoenix in particular, as a factor in them falling short of their Q3 earning projections despite the record-shattering success of Avengers: Endgame, and deciding to take a more direct role in greenlighting their films, canning many of their projects in pre-production.keep, but I feel this entry should be shorn of the natter
  • Dark Shadows (2012) — Budget, $150 million. Box office, $79,727,149 (domestic), $245,527,149 (worldwide). While the foreign intake made it barely profitable, opening soon after The Avengers (2012) made it part of a string of flops for star Johnny Depp, and a bad misstep for famed director Tim Burton.made its money worldwide, cut
  • Dark Tide (2012) — Budget, $25 million. Box office, $432,274. The movie received an extremely limited release before getting dumped to video. The last film that production company Magnet Media Groupnote  has worked on to date.
  • The Dark Tower (2017) — Budget, $60 million. Box office, $50,701,325 (domestic), $111,757,995 (worldwide). After a decade-long Development Hell followed by a Troubled Production, this adaptation of Stephen King's book was released to critical savaging and a weak opening weekend, and its numbers didn't get any stronger. It likely didn't help that it was up against Dunkirk, which had been out for three weeks already.made its money worldwide, cut
  • The Darkest Minds (2018) — Budget, $34 million. Box office, $12,695,691 (domestic), $41,142,379 (worldwide). This adaptation of Alexandra Bracken's young-adult novel series of the same name was the live-action debut of DreamWorks Animation veteran Jennifer Yuh Nelson (of Kung Fu Panda 2 and 3 fame). Critics dismissed it as a Cliché Storm but the few audience members who saw it were more forgiving.made its money worldwide, cut
  • Darling Lili (1970) — Budget, $25 million. Box office, $3.25 million. One of a series of flops that sent Paramount Pictures into financial trouble in the early 70s. Director/Writer Blake Edwards was faced with continual Executive Meddling from the studio, who re-edited the film without his input and badly mismanaged the marketing. It didn't help that it came out when movie musicals were on the decline. Edwards and his star/wife Julie Andrews rebounded years later with The Return of the Pink Panther and Victor/Victoria, respectively. Edwards' co-writer William Peter Blatty had the quickest turnaround when he wrote The Exorcist and its subsequent film adaptation. The film was not released on video until 2006, but only in a half-hour shorter Director's Cut.
  • Date with an Angel (1987) — Budget, $8 million. Box office, $1,988,962. This film sent Tom McLoughlin's cinematic writing and directing career to Hell. He didn't get another story credit on another theatrical film for a full decade, and never directed another theatrical film for the rest of the 20th century, sticking with mainly TV movies.
  • Daylight (1996) — Budget, $80-90 million. Box office, $33,023,469 (domestic), $159,212,469 (worldwide). Director Rob Cohen's next two movies were both TV movies, but he would return to cinema in 2000. This movie and Leslie Bohem's next writing job, Dante's Peak, blacked out his writing career until The Alamo from Touchstone in 2004.made its money worldwide, cut
  • The Dead (1987) — Budget, $3.5 million. Box office, $4,370,078. John Huston's final film was this adaptation of a James Joyce short story from Dubliners. This got glowing reviews but never left a limited release. This is the second and last screenplay by Huston's son Tony, who's currently a lawyer.
  • Dead Bang (1989) — Budget, $14.5 million. Box office, $8,125,592. One of the last films produced by Lorimar Productions, which released its last theatrical film the following year, though the company's acquisition by Warner Bros. that same year had more to do with it than anything.
  • Dead Heat (1988) - Budget: $5 million. Box office: $3,588,626.
  • Dead Ringers (1988) — Budget, $13 million. Box office, $8,038,508. Put a dent in David Cronenberg's producing career; he didn't take a producer credit again for 8 years. Also a bad start to co-writer Norman Snider's career. (That said, it's a serious contender for the title of Cronenberg's magnum opus.)
  • Dead Silence (2007) — Budget, $20 million. Box office, $16,809,076 (domestic), $22,217,407 (worldwide). Co-writer Leigh Whannell regrets making the movie due to apparent Executive Meddling when it came to writing the script. Any plans for a sequel/franchise were shot down. It was also the first of two films directed by James Wan to flop in the same year, followed by Death Sentence.made its money worldwide, cut
  • Dead Man Down (2013) — Budget, $30 million. Box office, $18,074,539. This WWE-produced thriller was chased out of theaters after six weeks.
  • Deadfall (1993) — Budget, $10 million. Box office, $18,369. Its gross came from a whopping two theaters. Between this and the same year's Gunfight at Red Dog Corral, it would be six years before Christopher Coppola (brother of star Nicolas Cage) would direct another film.
  • Deadly Friend (1986) — Budget, $11 million. Box office, $8,988,731. This was shot as a bloodless thriller but Executive Meddling turned it Bloodier and Gorier after a poor test screening. This resulted in a disjointed mess that critics gave a thrashing. Director Wes Craven stayed afloat but writer Bruce Joel Rubin waited four years before his next credit, Ghost.
  • Deal of the Century (1983) — Budget, $10 million. Box office, $10,369,481. Paul Brickman’s next writing credit came seven years after this one.made its money worldwide, cut
  • Dear Evan Hansen (2021) — Budget, $27-28 million. Box office, $15,002,646 (domestic), $17,246,176 (worldwide). While nowhere near as big a fiasco as Universal's previous attempt at adapting a hugely popular Tony-winning musical, it was still negatively received by critics for its casting decisions and the liberties taken in adapting its controversial plotline, and became hugely contentious with the show's fanbase, quickly falling by the wayside in theaters.if the worldwide gross is in addition to domestic then cut, otherwise keep
  • Dear God (1996) — Budget, $22 million. Box office, $7,138,523. It debuted at number eight on its opening weekend and its universal panning from critics, including Siskel & Ebert, helped send it further down. Director Garry Marshall waited three years before he made his next films, The Other Sister and Runaway Bride.
  • Death and the Maiden (1994) — Budget, $12 million. Box office, $3,103,716. Roman Polański's film version of Ariel Doffman's play received great reviews but a limited release which topped out at 572 theaters. Polanski waited five years to make his next film, The Ninth Gate.
  • Death of a Nation (2018) — Budget, $6 million. Box office, $5,870,044. This is the first of Dinesh D'Souza's political documentaries to fall short of its budget. It was heavily panned by critics, getting a 0% approval rating on Rotten Tomatoes and a Metacritic score of 1.not enough of a loss, cut
  • Death Race (2008) — Budget, $45 million. Box office, $36,316,032 (domestic), $75,677,515 (worldwide). Its poor box office reception didn't stop two direct-to-DVD sequels from getting made.made its money worldwide, cut
  • Death Sentence (2007) — Budget, $20 million. Box office, $16,974,459. The second of two films directed by James Wan to flop in the same year, the first was Dead Silence.
  • Death to Smoochy (2002) — Budget, $50 million. Box office, $8,382,938. One of two films in the 2002/2003 schedule that killed Danny Devito's directing career after 1996's Matilda wounded it; Duplex is the other movie. This also completely incinerated Adam Resnick's cinematic writing career completely; he's only done a few TV jobs since.
  • Death Wish V: The Face of Death (1994) — Budget, $5 million. Box office, $1,702,394. This movie killed off the Death Wish franchise after five installments. This was also Charles Bronson's last theatrical starring role; he only did three Direct to Video movies before his retirement from acting in 1999, and his death four years later.
    • Death Wish (2018) — Budget, $30 million. Box office, $34,017,028 (domestic), $48,578,407 (worldwide). This remake of the 1974 film was delayed from its planned Thanksgiving 2017 release after the Las Vegas shooting, only to land two weeks after the Parkland shooting. The film's poor timing bore the brunt of its scathing reception from critics, and it also killed Bruce Willis's mainstream career, with him only appearing in low-budget Direct to Video action films before retiring from acting altogether in 2022 due to his aphasia diagnosis.made its money worldwide, cut
  • D.E.B.S. (2004) — Budget, $3.5 million. Box office, $97,446. The film was only released in 45 theaters, and closed after 21 days.
  • Deception (2008) — Budget, $25 million. Box office, $17,741,298. This was heavily panned by critics and was promptly buried in the box office once Iron Man opened the next week.
  • Deck the Halls (2006) — Budget, $51 million. Box office, $47,231,070. The film suffered a Troubled Production mainly due to its stars Matthew Broderick, Danny Devito, Kristin Chenoweth and Kristin Davis suffering from some form of Creator Breakdown. The end result was lambasted for its not-so jolly demeanor and crashed and burned at the box office.not enough of a loss, cut
  • Deconstructing Harry (1997) — Budget, $20 million. Box office, $10,686,841. Another Acclaimed Flop from Woody Allen.
  • The Deep End Of The Ocean (1999) — Budget, $38 million. Box office, $28,121,100. The film version of Jacquelyn Mitchard's novel received mixed reviews from critics. It was the last film directed by Ulu Grosbard before his death in 2012.
  • Deep Rising (1998) — Budget, $45 million. Box office, $11,203,026. The semi-final film from Cinergi Pictures; Disney had already ended their deal with the production company, and Burn Hollywood Burn would finish burning down the label by the end of the year.
  • Deepstar Six (1989) — Budget, $8 million. Box office, $8.1 million. Part of a string of underwater thrillers released in the same year, including The Abyss and Leviathan (1989). Barely making its money back, Tristar was disappointed in the box office results. Talks of a sequel were halted, and this is so far the last theatrical film that Sean S. Cunningham has directed.made its money worldwide, cut
  • Deepwater Horizon (2016) — Budget, $156 million (one estimate), $110-120 million (another estimate). Box office, $61,433,527 (domestic), $119,463,870 (worldwide). Despite great reviews from critics, the Deadline press website accused Lionsgate of dropping the ball on marketing this film, which was released past the 2016 Summer Bomb Buster and with a handful of other major fall films such as Miss Peregrine's Home for Peculiar Children, The Magnificent Seven, and Sully.
  • Def Jam's How to Be a Player (1997) — Budget, $12 million. Box office, $14 million. One of only two theatrical films music video director Lionel C Martin has directed (and the other is a smaller production), it also put a major dent in Def Jam and co-founder Russell Simmons' move into filmmaking.made its money worldwide, cut
  • Defiance (2008) — Budget, $32 million. Box office, $28,644,813 (domestic), $51,155,219 (worldwide). In spite of big names (actors Daniel Craig and Liev Schreiber, plus director Edward Zwick), struggled to find a place against Gran Torino, Dump Months releases, or actual award contenders (the film's score ended up nominated for an Oscar... but Slumdog Millionaire and The Curious Case of Benjamin Button, which would dominate the ceremony, were on the rise).made its money worldwide, cut
  • Delgo (2008) — Budget, $40 million. Box office, $915,840. No, that's not a typo. It had one of the worst openings ever for a film playing in over 2,000 theaters, earning just $511,920 at 2,160 sites. It's also one of the most critically panned films of 2008 and only spent a single week in theaters before it vanished, and this is after director/writer Marc Adler spent a full decade getting the film through Development Hell. In the end, it's the only credit for Adler and production companies Electric Eye and Fathom Studios.
  • Delirious (1991) — Budget, $18 million. Box office, $5,546,826. The final theatrical film directed by Tom Mankiewicz and his final film credit. He spent the rest of his life in television.
  • De-Lovely (2004) - Budget, $15 million. Box office, $13.3 million (domestic), $18.3 million (worldwide). Irwin Winkler's biopic of Cole Porter was his penultimate film as director. It was panned by critics and it only went as wide as about 400 theaters.made its money worldwide, cut
  • Denial (2016) — Budget, $10 million. Box office, $4.2 million. Was an Acclaimed Flop, however, with an 81 on Rotten Tomatoes.
  • Desire Me (1947) — Budget, $4,149,000. Box office, $2,576,000. Recorded loss, $2,440,000. The film's Troubled Production saw various directors come and go and none of them took credit for the finished film note .
  • Desperate Hours (1990) — Budget, $18 million. Box office, $2,742,912. A remake of the 1955 Humphrey Bogart classic, this was Michael Cimino's third failed attempt to recover his fame from the fallout of Heaven's Gate.
  • Desperate Measures (1998) — Budget, $50 million. Box office, $13,806,137. This critically panned thriller was chased out of theaters after three weeks. This contributed to Michael Keaton's career downturn for several years and part of a string of several flops for director Barbet Schroeder.
  • Destroyer (2018) — Budget, $9-12.4 million. Box office, $1.5 million (domestic), $5.6 million (worldwide). Despite decent reviews and a gritty performance by Nicole Kidman this bleak film failed to gain an audience, opening in only three domestic theatres and topping out at only two hundred and thirty five. The overseas take was somewhat better but still not enough to rescue the film.
  • Deterrence (2000) — Budget, $800,000. Box office, $145,000 (domestic). Originally set to be a TV movie, the studios were so impressed they tried a minor theatrical release; it backfired. Ended Sheryl Lee Ralph's theatrical acting career and she's mainly done straight-to-video movies since.
  • Detroit (2017) — Budget, $34 million. Box office, $21,096,357. The first film distributed (as opposed to co-produced) by Annapurna Pictures, it was praised by critics but came out at the tail-end of a mostly lackluster summer. Further harming its box office was negative word-of-mouth on social media, as activists branded director Kathryn Bigelow as racist for her white perspective and tone-deaf treatment of the 1967 Detroit race riots. The prior film of Bigelow, Zero Dark Thirty, had also attracted controversy for being "CIA agitprop".
  • Detroit Rock City (1999) — Budget, $16 million. Box office, $4.2 million. While this rock comedy died at the box office after four weeks, it has since become a Cult Classic.
  • Deuces Wild (2002) — Budget, $10 million. Box office, $6,282,446. Its universal panning from critics and that it opened the same day as Spider-Man killed it financially. It was rubbed out of theaters after four weeks.
  • The Devil and Max Devlin (1981) — Budget, $7.1-$7.2 million. Box office, $16 million. Disney was forced to write off $4 million when this take-off on the Faust legend failed to perform at the box office. Was part of a string of box-office duds for Bill Cosby and Elliott Gould; though he would rebound on TV with The Cosby Show, the former would wind up destroying his movie career spectacularly within a decade of this film's release thanks to Leonard Part 6 and Ghost Dad.
  • Devil in a Blue Dress (1995) — Budget, $27 million. Box office, $16,140,822. The first and only film appearance of Walter Mosley's detective character Easy Rawlins. It was an Acclaimed Flop, though.
  • Devilman (2004) — Budget, ¥1 billion ($9.4 million). Box office, ¥520 million (approx $5 million). The live-action version of Go Nagai's classic manga received a rancid reception from critics and audiences, primarily for its poor acting from its inexperienced cast, lackluster visual effects, and nonsensical story. This was the final film for director Hiroyuki Nasu, who died a few months later. His wife, Machiko Nasu, the film's screenwriter, saw her career slow down soon after.
  • The Devil's Double (2011) — Budget, $19.1 million. Box office, $1,361,512. A biopic of Yatif Yahia, the reluctant Body Double of Saddam Hussein's son Uday. The critics were mixed about it, though they lauded Dominic Cooper's performance as Yatif and Uday, while the film itself lingered in limited release. Director Lee Tamahori waited five years to make another film.
  • The Devil's Own (1997) — Budget, $90 million. Box office, $42,868,348 (domestic), $140,807,547 (worldwide). This served as the final film for director Alan J. Pakula, as he was killed in a car accident the next year after its release.made its money worldwide, cut
  • Diabolique (1996) — Budget, $45 million. Box office, $17,100,266. The second of 3 career-zapping bombs for director Jeremiah Chechik, and the last film Marvin Worth produced before his death.
  • Diana (2013) — Budget, $15 million. Box office, $335,359 (domestic), $21,766,271 (worldwide). In its native UK, this Princess Diana biopic received overwhelmingly negative reviews from critics and just barely broke even; as a result, distributor Entertainment One quietly dumped the film in a few theaters when it was brought over across the pond, before bringing it straight to DVD a mere three months later.
  • Diary of a Wimpy Kid: The Long Haul (2017) — Budget, $22 million. Box office, $20,541,739 (domestic), $33,561,079 (worldwide). The negative backlash over this adaptation replacing all of the cast from the previous three films (spawning the #NotMyRodrick meme), combined with the hiatus between the movies (even creator Jeff Kinney stated there wouldn't be more films starring said cast due to the child actors growing older; this resulted in Dog Days being severely rushed), critics panning it far more severely than the original trilogy and competition from Guardians of the Galaxy Vol. 2, dealt quite the damage to this film's overall performance. The chances of another Wimpy Kid movie are slim to none at this point. After Fox was acquired by Disney, they announced an animated Continuity Reboot for streaming on Disney+ .made its money worldwide, cut
  • Dick (1999) — Budget, $13 million. Box office, $6.3 million. It got pretty good reviews, but this comedy about two girls who get involved in Watergate suffered from an Uncertain Audience. It got Vindicated by Video and became a Cult Classic.
  • Did You Hear About the Morgans? (2009) — Budget, $58 million. Box office, $29,580,087 (domestic), $85,280,250 (worldwide). This unfortunately got released the same day as Avatar and it was left stranded on Earth. The negative critical reception didn't help either. Director Marc Lawrence wouldn't have another film credit until 2014's The Rewrite.made its money worldwide, cut
  • Diggstown (1992) — Budget, $17 million. Box office, $4,836,637. The start of a series of busts that ended the directorial career of Michael Ritchie.
  • The Dilemma (2011) — Budget, $70 million. Box office, $69,721,966. The trailers to this Ron Howard comedy caused controversy due to Vince Vaughn's character's gay joke, especially so since they were released during a rash of suicides by gay teens. While the offending line was excised in later trailers, it remained untouched in the finished film. Vaughn also caused problems by taking control from Howard and forced numerous rewrites. The end result derailed Vaughn's career when it opened to tepid reviews and some of the weakest results of his career. It also didn't help Kevin James' movie career, either.not enough of a loss
  • Dirty Dancing: Havana Nights (2004) — Budget, $25 million. Box office, $27.7 million. This movie got called out on its attempt to remake the original 80's film. Director Guy Ferland was sent down to the TV stage, and the producers and writers also saw their careers pushed into the background for several years. Finally, it was the penultimate film from Artisan Entertainment prior to being absorbed into Lionsgate (their previous film was Uwe Boll's House of the Dead, and their next and last film was The Punisher (2004))made its money worldwide, cut
  • Dirty Love (2005) — Budget, $9 million. Box office, $36,099. This dirtied Jenny McCarthy's cinematic career. The Razzies said that giving Worst Picture among other "honors" to this was like how the Academy Awards also "spot a small, worthy title among better known but less deserving films".
  • A Dirty Shame (2004) — Budget, $15 million. Box office, $1,914,166. This very dirty movie's ugly box office returns and mixed reviews was cited by John Waters as to why he has yet to sit in the director's chair again.
  • Dirty Work (1998) — Budget, $13 million. Box office, $10,023,282. Bob Saget didn't direct another film until 2006's Farce of the Penguins, and killed Norm Macdonald's film career before it could get off the ground. This is also known for being the last film of Chris Farley. Fortunately, this movie was Vindicated by Video, and it would later become a Cult Classic.
  • The Disappointments Room (2016) — Budget, $15 million. Box office, $5.6 million. The film living up to its title and them some with critics, Relativity Media having to deal with Chapter 11 bankruptcy protection led to them switching release dates before dumping it at the very end of the 2016 Summer Bomb Buster, and then having a 97.4% drop in box office from week two to week three (beating Gigli's drop and earning a rare snark from The Other Wiki) has a good chance of putting actor Wentworth Miller's writing career in a prison cell and doing serious damage to the careers of the producers (director D.J. Caruso at least bounced back the following year with Xx X Return Of Xander Cage).
  • Disaster Movie (2008) — Budget, $20 million. Box office, $14,190,901 (domestic), $31,683,375 (worldwide). Considered to be the movie that started slowing the infamous Seltzer and Friedberg director duo.
  • Disorganized Crime (1989) — Budget, $20 million. Box office, $7 million. Director/Writer Jim Kouf waited four years to write another film, Another Stakeout, and another four to direct again.
  • Distant Thunder (1988) — Budget, $8 million. Box office, $156,000. Despite being critically acclaimed, it ended up having the overall worst results of a major movie in 1988. Director Rick Rosenthal wouldn't direct another theatrical film for ten years, and this was the last theatrical movie written by Robert Stitzel.
  • The Divergent Series: Insurgent (2015) — Budget, $110 million. Box office, $130,179,072 (domestic), $297,276,329 (worldwide). While its international returns were enough to keep it from being a complete failure, it still didn't do anywhere near the business its predecessor raked in, was met with indifference even from fans of the franchise, and made journalists curious as to why something so big could seem so irrelevant. Still, this is relatively light, compared to...made its money worldwide, cut
  • D.O.A. (1988) — Budget, $29 million. Box office, $12 million. A loose remake of the 1949 Film Noir of the same name, this directorial debut of Max Headroom creators Rocky Morton and Annabel Jankel kept their careers alive by its relatively positive reviews. Their next directorial effort was Super Mario Bros.
  • DOA: Dead or Alive (2006) — Budget, $21 million. Box office, $480,813 (domestic), $7,516,532 (worldwide). This movie only spent 3 weeks in the North American market before succumbing to the Video Game Movies Suck backlash mixed with Invisible Advertising. It killed the directing career of Corey Yuen and inflicted a near-fatal wound on the writing career of co-writer J.F. Lawton, the latter of whom has written just one other film after this.
  • Doctor Detroit (1983) — Budget $8 million. Box office, $10,375,893. Fortunately for star Dan Aykroyd, his big hit Trading Places came out a month after this dire comedy about a literature professor masquerading as a pimp so he was unaffected. Director Michael Pressman was less fortunate, he was knocked back to television directing for thirteen years.made its money worldwide, cut
  • Doctor Dolittle (1967) — Budget, $17 million. Box office, $6.2 million. An infamous Troubled Production, part of a string of musical bombs for 20th Century Fox that killed the live-action musical, the Fox careers of Darryl Zanuck and his son Richard (Richard bounced back as a producer; his father didn't), and put the studio in a financial black hole until Star Wars in 1977 and the move to embrace VHS as an alternate viewing method, thanks in part due to negative reception from critics and competition from Disney's The Jungle Book for family audiences. Rex Harrison sunk his career with his prima donna attitude on the set. Despite this, the film was still nominated for nine Academy Awards (in which it won two for Best Original Song and Best Visual Effects), and an animated series adaptation produced by DePatie-Freleng Enterprises (of The Pink Panther fame) was produced in 1970. Another film version with Eddie Murphy eventually surfaced in the 90's, which spawned a series of mostly Direct-to-DVD sequels.
    • Dolittle (2020) — Budget, $175 million. Box office, $77,047,065 (domestic), $223,343,452 (worldwide). The third Hollywood adaptation of the character, which starred Robert Downey Jr. (who also produced) as the doctor in his first major role after sending off Tony Stark in Avengers: Endgame, suffered a Troubled Production and Executive Meddling from Universal and Downey that had Oscar-winning director Stephen Gaghan's more mature cut reshot into a sillier and more kid-friendly film that received scathing reviews, primarily for the added humor, and opened to a disappointing $28 million over MLK Day weekend against Bad Boys for Life and Universal's own 1917, and its international take was severely hampered by the quickly spreading COVID-19 Pandemic. The film bombing wasn't great news for Universal, who had just suffered the failure of Cats only a month earlier.made its money worldwide, cut
  • Doctor Sleep (2019) — Budget, $47 million. Box office, $31,494,813 (domestic), $71,794,813 (worldwide). Despite good critical reception, Mike Flanagan's adaption of Stephen King's sequel to The Shining fell well below studio projections, making only $14.1 million on opening weekend as opposed to the expected $25 million, lost the top spot to Midway, and had a ghastly 69% drop in its 3rd week. In the end, the film made less money in the States than what Stanley Kubrick's version of The Shining made unadjusted in 1980. Box office analysts pinned the film's underperformance on the marketing focusing too much on imagery from its predecessor, which alienated younger audiences unfamiliar with the horror classic, and coming out after Halloween, when there's much less of a demand for horror movies. The second of three consecutive attempted franchise revivals to bomb within a week of each other, sandwiched between Terminator: Dark Fate and Charlies Angels.made its money worldwide, cut
  • Doctor T and the Women (2000) — Budget, $23 million. Box office, $22,844,291. Part of a 2000/2001 slate that put production company Artisan Entertainment on life support; they would rebound the next year before being absorbed by Lionsgate.not enough of a loss, cut
  • Domestic Disturbance (2001) — Budget, $53 million. Box office, $54,249,294. Director Harold Becker has not directed since this movie, and it put a dent in producer Jonathan D. Krane's career that remained until he died in 2016. This didn't hurt Steve Buscemi, one of this film's stars, one bit, as he rebounded after he lent his voice to Randall Boggs in Pixar's Monsters, Inc., which came out the same day as Domestic Disturbance.made its money worldwide, cut
  • Dominion: Prequel to The Exorcist (2005) — Budget, $30 million. Box office, $251,495. Paul Schrader's Exorcist prequel was hit with Invisible Advertising and an extremely limited release, not helped by it opening opposite Revenge of the Sith. However, it received slightly better reviews and an endorsement from William Peter Blatty.
  • Domino (2005) — Budget, $50 million. Box office, $22,944,502. This dramatization of the life of bounty hunter Domino Harvey saw its release date shuffled around multiple times, including at least once when the real Harvey died that June. The end result got scathing reviews from critics and was greeted apathetically by audiences. Director Tony Scott considered it one of his favorite films while Keira Knightley had better luck that year with Pride & Prejudice (2005).
  • Donnie Darko (2001) — Budget, $6 million. Box office, $1,270,522. The movie flopped thanks to being released a month after 9/11. However, thanks to DVD, the movie gained a cult following, and it kickstarted the career of its director and writer, Richard Kelly.
  • Don't Be Afraid of the Dark (2011) — Budget, $25 million. Box office, $24,046,682 (domestic), $39,126,427 (worldwide). The film's release was delayed due to Disney's sale of Miramax.made its money worldwide, cut
  • Don't Kill It (2016) — Budget: $3,500,000, Box office: $8,196. Although the domestic box office is unknown, AMC Theatres hosted this film for an unspecified amount of time, what we do know is that the $8,196 above came from the United Arab Emirates. It was an Acclaimed Flop with 92% on Rotten Tomatoes.
  • Don't Tell Her It's Me (1990) — Budget, $6.7 million. Box office, $1,171,762. Part of a string of star-derailing roles for Steve Guttenberg and one of the many films that drove Shelley Long back to television after leaving Cheers.
  • Doogal (2006) — Budget, $20 million. Box office, $7,417,319 (domestic), $26,691,243 (worldwide). An American dub of The Magic Roundabout, it was critically panned for its poor, pop-culture reference-filled writing, weak voice acting, and for lacking the charm of the original series. Worst of all, the movie was already dubbed in English, making this version even more unnecessary. It was the last time anyone in America heard anything about The Magic Roundabout.made its money worldwide, cut
  • Doom (2005) — Budget, $60 million. Box office, $55,987,321. An attempt to counter Video Game Movies Suck by even being R-rated to try making justice to the bloody games, only to instead alienate the fanbase for being more of a generic action sci-fi, with the only positively received part being the scene that actually emulated the classic First-Person Shooter (which in turn got the scorn of those unfamiliar,, specially reviewers; Roger Ebert famously said it was like "some kid came over and is using your computer and won't let you play note ). When this intended Grand Premiere installment got gunned down by critics and the box office, the planned sequels were cast into the fire; Universal would revisit the property in 2019 with the direct-to-video reboot Doom: Annihilation.not enough of a loss, cut
  • Doomsday (2008) — Budget, $33 million. Box office, $22,211,326. This received mixed reviews from critics, who generally accused the film of being a Post-Apocalyptic Cliché Storm, but audiences who saw it were more forgiving.
  • Double Dragon (1994) — Budget, $7.8 million. Box office, $2,341,309. Another case of Video Game Movies Suck, it also helped put Gramercy Pictures in a bad spot (this would not be the last video game-based movie to do serious damage to Gramercy). This came out before another beat'em up/fighting game-based film from Gramercy co-parent Universal, Jean-Claude Van Damme's Street Fighter, which fared well at the box office, but not with critics. It proved to be a Star-Derailing Role for leads Mark Dacascos and Robert Patrick (who mostly stuck to television, and the former plays the Chairman on Food Network's Iron Chef), and knocked off some of the health bars belonging to producers Jane Hamsher and Don Murphy, who did not produce another film for 4 years, director James Yukich, who didn't direct another film for 5 years and otherwise stuck to TV, screenwriters Michael Davis and Peter Gould (the latter eventually moved on to Breaking Bad), and story men Paul Dini and Neal Shusterman (the former has only dealt with animated/comic book/video game material since, and the latter was written for TV and done novels since).
  • Double Team (1997) — Budget, $30 million. Box office, $11,438,337. This and Knock Off led to director Tsui Hark remaining in Chinese cinema, and it didn't help out Jean-Claude Van Damme or Dennis Rodman's careers too much, either (both of them earned Razzies for this film).
  • Down with Love (2003) — Budget, $35 million. Box office, $20,305,251 (domestic), $39,468,111 (worldwide). It opened in wide release on the same day as The Matrix Reloaded and was promptly buried that summer. Critics gave it a mixed-to-positive reception but time has been kinder to it.made its money worldwide, cut
  • Downsizing (2017) — Budget, $68 million. Box office, $52,694,653. Alexander Payne's sci-fi satire debuted to a packed holiday season and came up short. Critics didn't greet this as warmly as his other films, citing the wasted potential of the premise as their biggest concern.
  • Downtown (1990) — Budget, $10 million. Box office, $2,346,150. The movie was released during one of the fiercest seasons in movie history at the time, and suffered from barely any promotion. It almost ended director Richard Benjamin's career, though another movie he did later that year, Mermaids, did well enough to keep him steady.
  • Dr. Jekyll & Ms. Hyde (1995) — Budget, $8 million. Box office, $3,039,634. Robert Shapiro did not produce another movie for 4 years. Also one of the last leading roles for Sean Young.
  • Dracula (1979) — Budget, $12 million. Box office, $20 million (domestic), $31.2 million (worldwide). John Badham's take on the literary count was praised for Frank Langella's (reprising his role from the concurrent Broadway revival of the 1924 play) performance in the title role but had to contend with Nosferatu the Vampyre and the spoof Love at First Bite. Its box-office gross was healthy but was still deemed a disappointment by Universal.made its money worldwide, cut
  • Dracula 3D (2013) — Budget, $7.7 million. Box office, $643,758 (worldwide). Dario Argento's take on the infamous count was burned at the stake at its 2012 Cannes premier for its cheap looking 3D effects, unintentional humor and clichéd take on the source material. It would take a year for the film to be picked up for distribution; it only saw a limited run in Europe and went direct-to-video elsewhere, racking up a paltry score of 14% on Rotten Tomatoes. The last in a string of underperforming and critically skewered films from Argento, who hasn't directed a film since this failure.
  • Dracula: Dead and Loving It (1995) — Budget, $30 million. Box office, $10,772,144. Where Life Stinks failed (since that was followed by Robin Hood: Men in Tights, which despite negative reception was a moderate box office success), Dracula: Dead and Loving it succeeded in ending Mel Brooks' movie career after a previous record of accomplishments. He later found success in Broadway, notably stage versions of The Producers and Young Frankenstein.
  • Dracula Untold (2014) — Budget, $70 million. Box office, $56,280,355 (domestic), $217,124,280 (worldwide). Universal wanted this movie to kickstart their new Universal Horror franchise/universe, but poor reviews and audience reception caused the movie to turn into a Stillborn Franchise. Universal would try to start the franchise again with The Mummy three years later, though that film's box office results didn't help, either. This also killed the career of director Gary Shore, who hasn't done anything except for a segment in the poorly received anthology film, Holiday, with this movie being his only feature-length film.made its money worldwide, cut
  • Draft Day (2014) - Budget, $25 million. Box office, $29 million (worldwide). Despite getting the NFL's blessings, this Football drama couldn't score a touchdown in a box office dominated by Captain America: The Winter Soldier and Rio 2. This would be the final film Ivan Reitman would direct before his death in 2022.made its money worldwide, cut
  • Dragonball Evolution (2009) — Budget, $30 million. Box office, $9,362,785 (domestic), $57,497,699 (worldwide). Hated by fans for being an In Name Only adaptation, it killed any chance of a live action film based on the sequel series, Dragon Ball Z. The Dragon Ball franchise rebounded with the release of Dragon Ball Z Kai and never looked back.made its money worldwide, cut
  • Dragonfly (2002) — Budget, $60 million. Box office, $52,323,400. Writer David Seltzer wrote one more film before sticking with television.not enough of a loss, cut
  • Dragonslayer (1981) — Budget, $18 million (estimated). Box office, $14,110,013. The last of two films in Walt Disney Productions' co-production deal with Paramount (following Robert Altman's Popeye); this film had more mature themes that weren't associated with Disney at the time. This film's creation and subsequent failure, along with several other films, would lead to the creation of Touchstone, which had released Splash by the time Paramount executives Michael Eisner and Jeffrey Katzenberg took Disney away from CEO Ron Miller. Dragonslayer is also the semi-final film from co-producer Hal Barwood before he jumped ship to LucasArts and started working on video games instead, and his final movie would come four years after Dragonslayer.
  • Dramatic School (1938) — Budget, $602,000. Box office, $433,000 (domestic), $664,000 (worldwide). Recorded loss, $206,000. This was the last film Luise Rainer made for MGM. She was brought in as a replacement for Greer Garson, who was supposed to make her MGM debut here. She made one more film, Hostages, in 1943, before she stuck to mainly TV for the rest of her life.
  • Dream House (2011) — Budget, $50 million. Box office, $38,502,340. Director Jim Sheridan and stars Daniel Craig and Rachel Weisz hated it so much they refused to promote it. The critics agreed with their disdain.
  • Dreamcatcher (2003) — Budget, $68 million. Box office, $33,715,436 (domestic), $75,715,436 (worldwide). The film's disappointing take prompted Lawrence Kasdan to spend nine years without taking any more film credits. It also forced superauthor William Goldman (who wrote Marathon Man and The Princess Bride), to withdraw from Hollywood until The New 10's.made its money worldwide, cut
  • Dredd (2012) - Budget, $50,000,000. Box office, $41,037,742. This take on the 2000 AD character got a considerably warmer reception from critics and fans than the prior attempt, but Invisible Advertising and lingering audience distaste from the 1995 film led to this being an Acclaimed Flop. It became a Cult Classic and did much better on home video sales, though apparently not enough to get a sequel greenlit.
  • Drillbit Taylor (2008) — Budget, $35 million. Box office, $32,862,104 (domestic), $49,690,625 (worldwide). This was John Hughes' last screen work before his death in 2009; he was credited with the pseudonym Edmond Dantès.not enough of a loss, cut
  • Drive Angry (2011) — Budget, $50 million. Box office, $41,042,583. One of several busts in The New 10's for Nicolas Cage. It also derailed director Patrick Lussier's career, whose next credits note  were co-writing Terminator Genisys and directing an episode of Scream.
  • Driven (2001) — Budget, $72 million. Box office, $54,744,738. This was Sylvester Stallone's first film to open at number one since Cop Land, but he came to regret ever doing it. It also did no favors for director Renny Harlin.
  • The Driver (1978) — Budget, $4 million. Box office, $4.9 million (worldwide). Walter Hill's second directing job after Hard Times. Contemporary reviews from American critics sent it to the car crusher, deriding its minimalism as a pretentious attempt to imitate French neo-noir films and its car chases as excessive, while Roger Ebert scolded Hill for making characters symbols rather than people. Hill's career survived thanks to The Warriors, but Isabelle Adjani blamed it for sabotaging her American film career, and it was the beginning of a downturn for Ryan O'Neal. International critics and audiences were much more positive, and it would later be Vindicated by History and regarded as one of Hill's best films, influencing directors such as Michael Mann, Quentin Tarantino, and Nicolas Winding Refn.made its money worldwide, cut
  • Drop Zone (1994) — Budget, $45 million. Box office, $28,735,315. After this film, one of the writers, John Bishop, never wrote another original screenplay (he did do rewrites over the next few years). The other writer, Peter Barsocchini, didn't write another film for 14 years, but he eventually moved on to the High School Musical series. Part of a string of flops for director John Badham.
  • D-Tox (2002) — Budget, $55 million. Box office, about $12,000 (domestic, and there is no mistake), $6,337,141 (worldwide). This film derailed Sylvester Stallone's film career, which was already damaged by the failures of Get Carter and Driven just a year ago. The film was shelved for a few years, Ron Howard and Brian Grazer took their names off of the film (they were the executive producers), and the test screenings were so bad that Universal decided not to release it. The film was subsequently picked up by DEJ Productions, who gave the film an EXTREMELY limited release before sending it to video (said company was owned by Blockbuster Video).
  • DuckTales the Movie: Treasure of the Lost Lamp (1990) — Budget, $20,000,000. Box office, $18,100,000. The film's disappointment led to the cancellation of other Disney Afternoon movies in development (except A Goofy Movie). Both this and The Rescuers Down Under later that year also ensured all Disney Renaissance films for the rest of the decade would be musicals; it would be a while before adventure animation came back to the forefront. DuckTales: The Movie is the sole made-for-cinemas film and one of only two cinematic films DC/Warner veteran Alan Burnett worked on; Batman: Mask of the Phantasm was originally meant to go Direct to Video.
  • Dudley Do-Right (1999) — Budget, $70 million. Box office, $9,974,410. Its failure along with that of the later released companion film The Adventures of Rocky & Bullwinkle ultimately killed off plans for a Mr. Peabody & Sherman Live-Action Adaptation. That project was later rebooted instead as a CGI adaptation at DreamWorks Animation, and that ended up underperforming as well (although unlike Rocky and Bullwinkle and Dudley Do-Right, it at least made back its budget). This and Blast from the Past also blasted director Hugh Wilson's career into the wall for 5 years, and cast member and Monty Python vet Eric Idle has not appeared in another live-action film in an extended capacity after this and Burn Hollywood Burn.
  • Duets (2000) — Budget, $16 million. Box office, $6,620,242. This was the final film directed by Bruce Paltrow and the only film where he worked with his daughter, Gwyneth.
  • Duma (2005) — Budget, $12 million. Box office, $994,790. This was a critical darling but it never left a limited release of 42 theaters.
  • Dune (1984) — Budget, $40 million. Box office, $30,925,690 (domestic). This adaptation of Frank Herbert's legendary novel was derided by critics for its incomprehensible plot and quickly died at the box office, taking plans to adapt the sequel novels with it. Although it is now a Cult Classic and Frank Herbert gave his approval of the final product, it became an Old Shame for David Lynch thanks to an infamously Troubled Production and lack of creative control, and Lynch resented the experience so much that he demanded his name taken off the extended cut. It also put producer Raffaella De Laurentis in the B-list of producers before she made a comeback with Backdraft. It would be over three decades before Hollywood would try once again to adapt the novel.
  • Dungeons & Dragons (2000) — Budget, $45 million. Box office, $33,807,409. Director Courtney Solomon blamed this movie's failure on an outdated script and Executive Meddling from D&D's copyright holders forcing him into the director's chair. This film had sequels, but they were sent straight to the home entertainment field and do not directly continue this film's story. Solomon did return for the first sequel, but he did not direct that one (as a matter of fact, he didn't direct or get another screen credit until 2005, and he's only directed two movies since). It would take 23 years for the property to get another crack at the big screen, with Dungeons & Dragons: Honor Among Thieves, a more earnest production which attracted notable stars like Chris Pine, Regé-Jean Page, and Hugh Grant.
  • Dunston Checks In (1996) — Budget, $16 million. Box office, $9,871,066. Managed to send ideas of making movies with apes into the dumpster unless they are gorillas. It and Beautician and the Beast also left director Ken Kwapis's career lost in space until the mid-2000's (after a successful TV run with The Office (US), The Bernie Mac Show and Malcolm in the Middle), and it dealt serious damage to the careers of all the actors in the movie who are not named Glenn Shadix and Faye Dunaway. That list includes Jason Alexander, Rupert Everett and Paul Reubens, the last of whom was still recovering from the nudie theater fiasco.
  • Duplex (2003) — Budget, $40 million. Box office, $19,322,135. One of two films in the 2002/2003 schedule that killed Danny Devito's directing career after 1996's Matilda wounded it; Death to Smoochy is the other movie.
  • Duplicity (2009) — Budget, $60 million. Box office, $40,572,825 (domestic), $78,146,652 (worldwide). This was Julia Roberts's first starring role since Mona Lisa Smile and it was one of a series of busts that would cost Universal chairman Marc Smuger his job. The critics generally liked it, though, and Roberts got a Golden Globe nomination.made its money worldwide, cut
  • Dutch (1991) — Budget, $17 million. Box office, $4,603,929. The second and last theatrical film directed by Peter Faiman, who went back to TV after producing FernGully: The Last Rainforest.
  • Dylan Dog: Dead of Night (2011) — Budget, $20 million. Box office, $4,634,062. Producer Scott Mitchell Rosenberg, who is a Marvel alumni and the founder of Malibu Comics and Platinum Studios, has not had his name or Platinum's name attached to any film since thanks to this and Cowboys & Aliens. The other producer, Gilbert Adler, also does not have his name attached to another cinematic release past this point, and director Kevin Munroe and co-writer Thomas Dean Donnelly had the lights go out for their cinematic careers for 5 years. It also didn't help former Superman Brandon Routh's career either.

I didn't choose the troping life, the troping life chose me
laserviking42 from End-World Since: Oct, 2015 Relationship Status: You're a beautiful woman, probably
#77: Sep 8th 2022 at 6:31:23 PM

Gonna bump this in hopes that this cleanup hasn't died off yet.

I didn't choose the troping life, the troping life chose me
harryhenry It's either real or it's a dream Since: Jan, 2012
It's either real or it's a dream
#78: Sep 8th 2022 at 9:07:24 PM

[up] Apologies, been busy/distracted for a while.

gjjones Musician/Composer from South Wales, New York Since: Jul, 2016
Musician/Composer
#79: Oct 3rd 2022 at 7:22:43 PM

I think the Fantasia entries might need to be looked at.

  • Fantasia (1940) — Budget, $2,280,000. Box office, $361,800 (original theatrical release tally only). The outbreak of World War II plus the cost of movie theaters having to install Disney's new "Fantasound" technology to properly show Fantasia hurt this film badly, and, along with Pinocchio and Bambi's initial disappointing releases and a bitter strike from animators, defeated the dream of turning Fantasia into a concert/animation film series for decades and resulted in Walt Disney having to make package films for the remainder of the 40s until Cinderella brought animation back to mainstream. It's also one of a handful of RKO Pictures-distributed flops in the early 40's that dealt damage to the studio. Fantasia has since been considered one of Walt's best, along with Pinocchio and Bambi.
  • Fantasia 2000 (2000) — Budget, $80 million. Box office, $60,655,420 (domestic), $90,874,570 (worldwide). It was announced around the same time as the Walt Disney Classics VHS release of Fantasia and the premiere of Beauty and the Beast, and was a massive production that took nine years to finish. Disney released the movie to celebrate the new millennium. The reasons for the low gross was Executive Producer Roy Disney's decision to release the film only in IMAX format, amongst other marketing moves such as building a temporary IMAX theater that cost $4,000,000 and having the show's orchestra tour the country. The IMAX-only showings severely reduced the potential box office gross due to the format still being in relative infancy, having less than 100 theaters in North America at the time. It became the highest grossing IMAX feature up to that point and helped further development of the format, plus it was received well from critics, but it still lost money due to this decision, even after it was released in regular theaters in the summer. The overall box office underperformance ended the dream of Fantasia becoming a concert film series a second time, with a planned third film canceled and several shorts meant for it instead being released on the Platinum Edition DVDs of The Lion King and The Little Mermaid. All major features released in IMAX by Hollywood now have regular theater showings released simultaneously with the IMAX release.

Thoughts?

He/His/Him. No matter who you are, always Be Yourself.
badtothebaritone (Life not ruined yet) Relationship Status: Snooping as usual
#80: Oct 3rd 2022 at 7:23:48 PM

Fantasia looks fine, Fantasia 2000 needs to go.

RallysCheckers Since: Sep, 2022
#81: Nov 21st 2022 at 6:41:19 AM

Hi, I came across this thread that was inactive for over a month and was wondering: May I help out? Based on the date this thread started, this feels like something that should've been done by now.

(Sorry if I've done something wrong; this is my very first thread post.)

themayorofsimpleton Now a lurker. Thanks for everything. | he/him from Elsewhere (Experienced, Not Yet Jaded) Relationship Status: Abstaining
Now a lurker. Thanks for everything. | he/him
#82: Nov 21st 2022 at 7:06:43 AM

[up] Go right ahead. We could always use extra hands.

TRS Queue | Works That Require Cleanup of Complaining | Troper Wall
RallysCheckers Since: Sep, 2022
#83: Nov 21st 2022 at 8:37:42 AM

I went through the #'s folder to see if there was anything missed. If something isn't right, tell me before I (or someone else) cut some entries. Movies not listed are labeled as "keep".

  • 3 Ninjas Knuckle Up (1995) — Budget, unknown. Box office, $407,618. NO BUDGET INFO; CUT
  • 12 Rounds (2009) — Budget, $22 million. Box office, $18,184,083. MADE 82.7% OF BUDGET; DID NOT LOSE ENOUGH; CUT
  • 13 Hours: The Secret Soldiers of Benghazi (2016) - Budget, $50 million. Box office, $69.4 million. MADE BUDGET WORLDWIDE; CUT
  • The 33 (2015) — Budget, $26 million. Box office, $24.9 million. MADE 95.8% OF BUDGET; DID NOT LOSE ENOUGH; CUT

Edited by RallysCheckers on Nov 21st 2022 at 8:40:27 AM

laserviking42 from End-World Since: Oct, 2015 Relationship Status: You're a beautiful woman, probably
#84: Nov 21st 2022 at 11:31:12 AM

Yeah, those are basically the criteria we've been using. Per the trope definition it's not enough that the movie lost money, it has to lose a lot (I've been informally using less that 75%).

If no budget info exists, just cut, if someone else wants to dig upbetter figures and re-add that's on them.

I didn't choose the troping life, the troping life chose me
RallysCheckers Since: Sep, 2022
#85: Nov 22nd 2022 at 5:13:26 AM

[up] Okay, removed [up][up] those movies. Now to double-check the A's.

    A 
  • Æon Flux (2005) — Budget, $62 million. Box office, $52,304,001. MADE 84.4% OF BUDGET; DID NOT LOSE ENOUGH; CUT
  • Ali (2001) — Budget, $107 million. Box office, $87,713,825. MADE 82% OF BUDGET; DID NOT LOSE ENOUGH; CUT
  • Almost Famous (2000) — Budget, $60 million. Box office, $47,383,689. MADE 79% OF BUDGET; IF BELOW 75% IS CONSIDERED BOMBING, THEN THIS SHOULD GET CUT
  • Ambulance (2022) - Budget, $40 million. Box office, $52 million (worldwide). MADE BUDGET WORLDWIDE; CUT
  • Amityville: The Awakening (2017) — Budget, Unknown. Box office, $742 (domestic), $7.7 million (worldwide). NO BUDGET INFO; CUT
  • Angel Eyes (2001) — Budget, $38 million. Box office, $29,715,606. MADE 78.2% OF BUDGET; BARELY DID NOT LOSE ENOUGH; CUT
  • Animal Factory (2000) — Budget, Unknown. Box office, $43,805. NO BUDGET INFO; CUT
  • Annihilation (2018) — Budget, $40 million. Box office, $32,732,301 (domestic), $10,338,614 (China). MADE BUDGET WORLDWIDE; CUT
  • Anything Else (2003) — Budget, $18 million. Box office, $13,585,075. CUT, BUT ONLY BY A HAIR (75.5% OF BUDGET)
  • The Associate (1996) — Budget, Unknown. Box office, $12,844,057. NO BUDGET INFO; CUT
  • Avalon (1990) — Budget, $20 million. Box office, $15,740,796. MADE 78.7% OF BUDGET; BARELY DID NOT LOSE ENOUGH; CUT

The other A's can be kept.

RandomTroper123 She / Her from I'll let you guess... (Not-So-Newbie) Relationship Status: [TOP SECRET]
She / Her
#86: Nov 22nd 2022 at 11:23:00 AM

[up]I agree with those cuts for the reasons you stated.

RallysCheckers Since: Sep, 2022
#87: Nov 22nd 2022 at 6:27:59 PM

[up]Okay, removed those A movies. Now to look through the B folder.

Once again, movies not listed are staying.

    B 
  • Babe: Pig in the City (1998) — Budget, $90 million. Box office, $69,131,860. MADE 76.8% OF BUDGET; BARELY DID NOT LOSE ENOUGH; CUT
  • Bad Company (2002) — Budget, $70 million. Box office, $65,977,295. MADE 94.3% OF BUDGET; DID NOT LOSE ENOUGH; CUT
  • Bad Girls (1994) — Budget, $25-35 million. Box office, $15,240,435. THAT’S JUST THE DOMESTIC BOX OFFICE; WORLDWIDE AROUND $23M. ANYWAY, KEEP
  • Bangkok Dangerous (2008) — Budget, $45 million. Box office, $42,487,390. MADE 94.4% OF BUDGET; DID NOT LOSE ENOUGH; CUT
  • The Beans of Egypt, Maine (1994) — Budget, unknown. Box office, $73,956. NO BUDGET INFO; CUT
  • Being Julia (2004) — Budget, $18 million. Box office, $14,339,171. MADE 80% OF BUDGET; DID NOT LOSE ENOUGH; CUT
  • Betsy's Wedding (1990) — Budget, $26 million. Box office, $19.7 million. CUT, BUT ONLY BY A HAIR (75.8% OF BUDGET)
  • Bicentennial Man (1999) — Budget, $100 million. Box office, $87,423,861. MADE 87.4% OF BUDGET; DID NOT LOSE ENOUGH; CUT
  • The Big Blue (1988) — Budget, 80 million French Francs (roughly $14 million or €11.5 million). Box office, $3,580,882.note  YEAH, IT IS CONFUSING; KEEP UNTIL EXACT #S ARE FOUND THAT PROVE OTHERWISE
  • Big Top Pee-wee (1988) — Budget, $20 million. Box office, $15,122,324. CUT, BUT ONLY BY A HAIR (75.6% OF BUDGET)
  • Billy Lynn's Long Halftime Walk (2016) — Budget, $40 million. Box office, $30,930,984. MADE 77.3% OF BUDGET; BARELY DID NOT LOSE ENOUGH; CUT
  • Birth (2004) — Budget, $23 million. Box office, $23,925,492. CUT
  • Black Knight (2001) — Budget, $50 million. Box office, $39,976,235. MADE 80% OF BUDGET; DID NOT LOSE ENOUGH; CUT
  • Blackwood (2001, 2002) — Budget, $3 million. Box office, $1,500 (US only). THE FILM IS ACTUALLY CALLED ''BLACKWOODS''; ANYWAY, KEEP UNTIL INTL. #S ARE FOUND THAT PROVE OTHERWISE
  • Blindness (2008) — Budget, $25 million. Box office, $19,844,979. MADE 79.4% OF BUDGET; BARELY DID NOT LOSE ENOUGH; CUT
  • Boat Trip (2002) — Budget, $20 million. Box office, $15 million. BOXOFFICEMOJO SAYS THE BOX OFFICE IS EXACTLY $15,020,293; THAT IS 75.1% OF BUDGET; CUT ONLY BY A HAIR
  • The Borrowers (1997) — Budget, $29 million. Box office, $22,619,589. MADE 78% OF BUDGET; BARELY DID NOT LOSE ENOUGH; CUT
  • Brick Mansions (2014) — Budget, $28 million. Box office, $20,396,829 (domestic), $68,896,829 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • Bridget Jones' Baby (2016) — Budget, $35 million. Box office, $24.1 million (domestic), $207-$211 million (worldwide). MADE BUDGET WORLDWIDE; CUT
  • The Browning Version (1994) — Budget, Unknown. Box office, $487,391. BUDGET IS $7M; KEEP
  • The Burning (1981) — Budget, $1.5 million. Box office, $270,508 (domestic, original release), $707,770 (domestic, after reissue). Apparently, it did well internationally though, making over $1 million in Japan alone. MADE BUDGET THANKS TO JAPAN #S; CUT

laserviking42 from End-World Since: Oct, 2015 Relationship Status: You're a beautiful woman, probably
#88: Nov 22nd 2022 at 6:31:44 PM

If you would read back through the small archives of this thread, you'd realize we've already done these. In fact, my post for movies under D is still up top, but nobody came back to look through those.

Instead of nitpicking already completed ones, how about moving into new entries?

I didn't choose the troping life, the troping life chose me
RallysCheckers Since: Sep, 2022
#89: Nov 22nd 2022 at 6:40:34 PM

[up] I was just double-checking to see if there was anything you and the other tropers missed, but sure.

Also, feel free to add anything I removed you disagree with.

Edited by RallysCheckers on Nov 22nd 2022 at 6:41:41 AM

laserviking42 from End-World Since: Oct, 2015 Relationship Status: You're a beautiful woman, probably
#90: Nov 22nd 2022 at 6:46:59 PM

My point is that the original cleanup wasn't even finished before it ran out of steam, going back to the beginning is less productive than perhaps picking up where things were left off.

I didn't choose the troping life, the troping life chose me
RallysCheckers Since: Sep, 2022
#91: Nov 23rd 2022 at 4:36:52 AM

Here are the E movies.

    E 
  • The Eagle (2011) — Budget, $25 million. Box office, $19,490,041 (domestic), $37,983,590 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • Early Man (2018) — Budget, $50 million. Box office, $8,267,544 (domestic), $54,622,814 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • Earth Girls Are Easy (1989) — Budget, $10 million. Box office, $3,916,303. KEEP
  • Eastern Promises (2007) — Budget, $50 million. Box office, $17,266,000 (domestic), $56,106,607 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • Ed (1996) — Budget, $24 million. Box office, $4,422,380. KEEP
  • Ed TV (1999) — Budget, $80 million. Box office, $35,319,689. KEEP
  • Ed Wood (1994) — Budget, $18 million. Box office, $5,887,457. KEEP
  • Eddie (1996) — Budget, $30 million. Box office, $31,387,164. MADE BUDGET WORLDWIDE; CUT
  • Eddie the Eagle (2016) — Budget, $23 million. Box office, $15,789,389 (domestic), $46,152,800 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • The Edge (1997) — Budget, $30 million. Box office, $27,873,386 (domestic), $43,312,294 (worldwide). MADE MONEY WORLDWIDE; CUT
  • Edge of Darkness (2010) — Budget, $80 million. Box office, $43,313,890 (domestic), $81,124,129 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • The Edge of Seventeen (2016) — Budget, $9 million. Box office, $14,431,633 (domestic), $19,370,020 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • Edge of Tomorrow (2014) — Budget, $178 million. Box office, $100,206,256 (domestic), $369,206,256 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • Edison (2006) — Budget, $37 million. Box office, $4,143,414. KEEP
  • The Education Of Charlie Banks (2007-2009) — Budget, $5 million. Box office, $15,078. KEEP
  • Eight Crazy Nights (2002) — Budget, $34 million. Box office, $23,833,131. KEEP
  • Eight Legged Freaks (2002) — Budget, $30 million. Box office, $17,322,606 (domestic), $45,867,333 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • Electric Dreams (1984) — Budget, $5.5 million. Box office, $2,193,612. KEEP
  • Elektra (2005) — Budget, $43 million. Box office, $24,409,722 (domestic), $56,681,556 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • Eleni (1985) — Budget, $12 million. Box office, $305,000. KEEP
  • Elizabeth: The Golden Age (2007) — Budget, $55 million. Box office, $16,383,509 (domestic), $74,237,563 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • Elizabethtown (2005) — Budget, $45 million. Box office, $26,850,426 (domestic), $52,034,889 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • Ella Enchanted (2004) — Budget, $35 million. Box office, $22,918,387 (domestic), $27,388,767 (worldwide). MADE 78.3% OF BUDGET; BARELY DID NOT LOSE ENOUGH; CUT
  • Elvira, Mistress of the Dark (1988) — Budget, $7.5 million. Box office, $5,596,267. KEEP
  • Elysium (2013) — Budget, $115 million. Box office, $93,050,117 (domestic), $286,140,700 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • The Emperor's New Groove (2000) — Budget, $100 million. Box office, $89,302,687 (domestic), $169,327,687 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • Empire of the Sun (1987) - Budget, $25 million. Box office, $22.24 million (domestic), $66.7 million (worldwide). MADE BUDGET WORLDWIDE; CUT
  • Empire Records (1995) — Budget, $10 million. Box office, $303,841. KEEP
  • The Empty Man (2020) — Budget, $16 million. Box office, $4.8 million. KEEP
  • The End of the Affair (1999) — Budget, $23 million. Box office, $10,827,816. KEEP
  • End of Days (1999) — Budget, $80-100 million. Box office, $66,889,043 (domestic), $211,989,043 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • The End Of Violence (1997) — Budget, $5 million. Box office, $386,673. KEEP
  • Ender's Game (2013) — Budget, $110 million. Box office, $61,737,191 (domestic), $125,537,191 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • Endless Love (2014) — Budget, $20 million. Box office, $23,438,250 (domestic), $34,718,173 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • Enemy at the Gates (2001) — Budget, $68-85 million. Box office, $51,401,758 (domestic), $96,976,270 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • Enemy Mine (1985) — Budget, $40 million. Box office, $12,303,411. KEEP
  • Enough (2002) — Budget, $38 million. Box office, $40,007,242 (domestic), $51,801,187 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • Envy (2004) — Budget, $40 million. Box office, $13,562,325 (domestic), $14,581,765 (worldwide). KEEP
  • Equilibrium (2002) — Budget, $20 million. Box office, $1,203,794 (domestic), $5,359,645 (worldwide). KEEP
  • Eraser (1996) — Budget, $100,000,000. Box office, $101,295,562 (domestic), $242,295,562 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • Ernest Rides Again (1993) — Budget, $5.5 million. Box office, $1,450,029. KEEP
  • Escape from L.A. (1996) — Budget, $50 million. Box office, $25,477,365. KEEP
  • Escape from Tomorrow (2013) — Budget, $650,000. Box office, $171,962. KEEP
  • Escape Plan (2013) — Budget, $50 million. Box office, $25,132,228 (domestic), $137,324,564 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • Eskimo (1934) — Budget, $935,000. Box office, $1,312,000. Recorded loss, $236,000. MADE BUDGET; CUT
  • Eulogy (2004) — Budget, $10 million. Box office, $75,076 (domestic), $89,781 (worldwide). KEEP
  • EuroTrip (2004) — Budget, $25 million. Box office, $20,796,847. MADE 83.2% OF BUDGET; DID NOT LOSE ENOUGH; CUT
  • Evan Almighty (2007) — Budget, $175 million. Box office, $100,462,298 (domestic), $173,418,781 (worldwide). MADE 99.1% OF BUDGET; DID NOT LOSE ENOUGH; CUT
  • Eve of Destruction (1991) — Budget, $13 million. Box office, $5,451,119. KEEP
  • Even Cowgirls Get The Blues (1994) — Budget, $8 million. Box office, $1,708,873. KEEP
  • The Evening Star (1996) — Budget, $20 million. Box office, $12,767,815. KEEP
  • Event Horizon (1997) — Budget, $60 million. Box office, $26,673,242. KEEP
  • An Everlasting Piece (2000) — Budget, $14 million. Box office, $75,228. KEEP
  • Everybody Wants Some!! (2016) — Budget, $10 million. Box office, $3,400,278. KEEP
  • Everybody Wins (1990) — Budget, $16 million. Box office, $1,372,350. KEEP
  • Everybodys All American (1988) — Budget, $22 million. Box office, $12,638,294. KEEP
  • Everybody's Fine (2009) — Budget, $21 million. Box office, $16,443,609. MADE 78.3% OF BUDGET; BARELY DID NOT LOSE ENOUGH; CUT
  • Everyone Says I Love You (1996) — Budget, $20 million. Box office, $9,759,200. KEEP
  • Everyone's Hero (2006) — Budget, $40 million. Box office, $16,627,188. KEEP
  • Evil Angelsnote  (1988) — Budget, $15 million. Box office, $6.9 million. KEEP
  • Evolution (2001) — Budget, $80 million. Box office, $38,345,494 (domestic), $98,376,292 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • Excess Baggage (1997) — Budget, $20 million. Box office, $14.5 million. KEEP
  • Excessive Force (1993) — Budget, $13 million. Box office, $1,152,117. KEEP
  • Existenz (1999) — Budget, $31 million Canadian Dollars/$15 million U.S. Dollars. Box office, $2,856,712. KEEP
  • Exit to Eden (1994) — Budget, $25-30 million. Box office, $6,841,570. KEEP
  • Exodus: Gods and Kings (2014) — Budget, $140 million. Box office, $65,014,513 (domestic), $267,281,036 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • Exorcist: The Beginning (2004) — Budget, $50 million. Box office, $41 million (domestic), $78 million (worldwide). MADE BUDGET WORLDWIDE; CUT
  • Exorcist II: The Heretic (1977) — Budget, $14 million. Box office, $30.7 million. Although this sequel to The Exorcist technically made a profit, even becoming Warner Bros' highest opening weekend at the time, it was still deemed a failure as it grossed nowhere near the amount its predecessor did. THAT LAST SENTENCE DOES NOT MATTER, IT MADE ITS BUDGET; CUT
  • The Expendables 3 (2014) — Budget, $90 million. Box office, $39,322,544 (domestic), $206,172,544 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • Explorers (1985) — Budget, $20-25 million. Box office, $9,873,044. KEEP
  • Exposed (1983) — Budget, $18 million. Box office, $1,352,083. KEEP
  • The Express (2008) — Budget, $40 million. Box office, $9,808,124. KEEP
  • Extraordinary Measures (2010) — Budget, $31 million. Box office, $15,134,293. KEEP
  • Extreme Measures (1996) — Budget, $38 million. Box office, $17,380,126. KEEP
  • Extreme Ops (2002) — Budget, $40 million. Box office, $10,959,475. KEEP
  • Extreme Prejudice (1987) — Budget, $22 million. Box office, $11,307,844. KEEP
  • Extremely Loud & Incredibly Close (2011) — Budget, $40 million. Box office, $31,847,881 (domestic), $55,247,881 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • Eye Of The Beholder (1999) — Budget, $35 million. Box office, $17,589,705. KEEP
  • Eyewitness (1981) — Budget, $8.5 million. Box office, $6.4 million. CUT, BUT ONLY BY A HAIR (75.3% OF BUDGET)

RandomTroper123 She / Her from I'll let you guess... (Not-So-Newbie) Relationship Status: [TOP SECRET]
She / Her
#92: Nov 23rd 2022 at 9:02:33 AM

[up]I agree with keeping the films that you said to keep and removing the flicks that you said to cut. EDIT: This is because the flicks you said are keepers didn't earn enough money, while the movies you said should be cut earned too much money to count as box-office bombs.

Edited by RandomTroper123 on Nov 24th 2022 at 1:58:21 AM

RallysCheckers Since: Sep, 2022
#93: Nov 24th 2022 at 1:40:12 PM

[up]Okay, but I am going to wait for more feedback before I remove those; I don't just want 'I agree with these'.

Anyway, F:

    F 
  • Factory Girl (2006) — Budget, $7 million. Box office, $3,572,632. KEEP
  • Fair Game (1995) — Budget, $50 million. Box office, $11,534,477. KEEP
  • Fair Game (2010) — Budget, $22 million. Box office, $9,540,691 (domestic), $24,188,922 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • Faithful (1996) — Budget, $13 million. Box office, $2,101,580. KEEP
  • The Falcon and the Snowman (1985) — Budget, $12 million. Box office, $17 million. MADE BUDGET; CUT
  • The Fall of the Roman Empire (1964) — Budget, $19 million. Box office, $4.75 million. KEEP
  • The Fan (1981) — Budget, $9 million. Box office, $3,082,096. KEEP
  • The Fan (1996) — Budget, $55 million. Box office, $18,626,419. KEEP
  • Fanboys (2009) — Budget, $3.9 million. Box office, $960,828. KEEP
  • Fandango (1985) — Budget, $7 million. Box office, $91,666. KEEP
  • Fantasia (1940) — Budget, $2,280,000. Box office, $361,800 (original theatrical release tally only). ALREADY DISCUSSED
  • Fant4stic (2015) — Budget, $155 million (not counting marketing costs), $200 million (counting them). Box office, $56,117,548 (domestic), $167,397,693 (worldwide). MADE 83.7% OF BUDGET; DID NOT LOSE ENOUGH; CUT
  • Fantastic Mr. Fox (2009) — Budget, $40 million. Box office, $21,002,919 (domestic), $46,471,023 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • The Fantasticks (2000) — Budget, $10 million. Box office, $49,666. KEEP
  • Far Cry (2008) — Budget, $30 million. Box office, $700,000. KEEP
  • A Farewell to Arms (1957) — Budget, $4.1-4.3 million. Box office, $5 million (domestic rentals), $6.9 million (worldwide rentals), $20 million (worldwide gross). MADE BUDGET WORLDWIDE; CUT
  • Farewell To The King (1989) — Budget, $16 million. Box office, $2,420,917. KEEP
  • The Fast and the Furious: Tokyo Drift (2006) — Budget, $85 million. Box office, $62,514,415 (domestic), $158,468,292 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • Faster (2010) — Budget, $24 million. Box office, $23,240,020 (domestic), $35,626,958 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • Fat Man and Little Boy (1989) — Budget, $30 million. Box office, $3,563,162. KEEP
  • Father Figures (2017) — Budget, $25 million. Box office, $17,501,244 (domestic), $25,601,244 (worldwide). MADE BUDGET WORLDWIDE, IF NOT CLOSE; CUT
  • Fathers' Day (1997) — Budget, $85 million. Box office, $35,681,080. KEEP
  • The Favor (1994) — Budget, $13 million. Box office, $3 million. KEEP
  • Faust (1926) - Budget: 2,000,000 reichsmarks. Box office: 1 million reichsmarks. KEEP
  • Fear and Loathing in Las Vegas (1998) — Budget, $18.5 million. Box office, $10.6 million. KEEP
  • FeardotCom (2002) — Budget, $40 million. Box office, $18,902,905. KEEP
  • Felicias Journey (1999) — Budget, $15 million. Box office, $824,295. KEEP
  • Femme Fatale (2002) — Budget, $35 million. Box office, $16.8 million. KEEP
  • Ferdinand (2017) Budget, $111 million. Box office, $84,410,380 (domestic), $296,069,199 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • Fever Pitch (1985) — Budget, $7 million. Box office, $618,847. KEEP
  • Fierce Creatures (1997) — Budget, $25 million. Box office, $9,381,260. KEEP
  • The Fifth Estate (2013) — Budget, $28 million. Box office, $8,555,008. KEEP
  • The 5th Wave (2016) — Budget, $38 million. Box office, $34,294,936 (domestic), $106,484,451 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • Fight Club (1999) — Budget, $63 million. Box office, $37,030,102 (domestic), $100,853,753 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • Fighting Back (1982) - Budget, $9 million. Box office, $6.4 million. KEEP
  • The Fighting Temptations (2003) — Budget, $30 million. Box office, $32,750,821. MADE BUDGET; CUT
  • Final Analysis (1992) — Budget, $32 million. Box office, $28,590,665. MADE 89.3% OF BUDGET; DID NOT LOSE ENOUGH; CUT
  • Final Fantasy: The Spirits Within (2001) — Budget, $135-167 million. Box office, $85,131,830. KEEP
  • Find Me Guilty (2006) — Budget, $13 million. Box office, $2,636,637. KEEP
  • A Fine Mess (1986) — Budget, $15 million. Box office, $6,029,826. KEEP
  • The Finest Hours (2016) — Budget, $70-80 million. Box office, $52,099,090. KEEP
  • Finian's Rainbow (1968) — Budget, $3.5 million. Box office, $11.6 million. Domestic rentals, $5.1 million. MADE BUDGET; CUT
  • Fire & Ice (1983) — Budget, $1.2 million. Box office, $760,883. KEEP
  • Fire Birds (1990) — Budget, $22 million. Box office, $14,760,451. KEEP
  • Fire Down Below (1997) — Budget, $60 million. Box office, $16,228,448. KEEP
  • Fire with Fire (2012) — Budget: $10,400,000, Box office: $2.4 million. KEEP
  • Fired Up! (2009) — Budget, $20 million. Box office, $18,599,102. MADE 93% OF BUDGET; DID NOT LOSE ENOUGH; CUT
  • Firestarter (2022) - Budget, $12 million. Box office, $9.5 million (domestically), $14.5 million (worldwide). MADE BUDGET WORLDWIDE; CUT
  • Firestorm (1998) — Budget, $19 million. Box office, $8,165,212. KEEP
  • Firewall (2006) — Budget, $50 million. Box office, $48,751,189 (domestic), $82,751,189 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • The First 20 Million Is Always The Hardest (2002) — Budget, $17 million. Box office, $5,491. KEEP
  • First Daughter (2004) — Budget, $30 million. Box office, $10,592,180. KEEP
  • First Knight (1995) — Budget, $75 million. Box office, $37,600,435 (domestic), $127,600,435 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • First Love Last Rites (1998) — Budget, $300,000. Box office, $42,953. KEEP
  • First Man (2018) — Budget, $59 million. Box office, $44,936,545 (domestic), $100,546,153 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • Five Corners (1987) — Budget, $5.5 million. Box office, $969,205. KEEP
  • Five Days One Summer (1982) — Budget, $15 million. Box office, $199,078. KEEP
  • The Five-Year Engagement (2012) — Budget, $30 million. Box office, $28,835,528 (domestic), $53,909,751 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • Flags of Our Fathers (2006) — Budget, $90 million. Box office, $65,900,249. KEEP
  • Flakes (2007) — Box office, $778. NO BUDGET INFO; CUT
  • Flash Gordon (1980) — Budget, $35 million. Box office, $27,107,960 (domestic), at least $50 million (worldwide). MADE BUDGET WORLDWIDE; CUT
  • Flash of Genius (2008) — Budget, $20 million. Box office, $4,802,953. KEEP
  • Flatliners (2017) — Budget, $19 million. Box office, $16,883,115 (domestic), $44,449,372 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • Flawless (1999) — Budget, $27 million. Box office, $4,485,485. KEEP
  • Fled (1996) — Budget, $25 million. Box office, $17,193,231. KEEP
  • Flesh+Blood (1985) — Budget, $6.5 million. Box office, $100,000 (domestic). KEEP UNTIL WORLDWIDE #S PROVE OTHERWISE
  • Flight of the Intruder (1991) — Budget, $35 million. Box office, $14,587,732. KEEP
  • The Flight of the Phoenix (1965) — Budget, $3.8-5.3 million. Box office, $3 million (rentals). IFFY; THOUGHTS?
  • The Flight of the Phoenix (2004) — Budget, $45 million. Box office, $34,586,264. MADE 76.9% OF BUDGET; BARELY DID NOT LOSE ENOUGH; CUT
  • The Flintstones in Viva Rock Vegas (2000) — Budget, $83 million. Box office, $59,468,275. KEEP
  • Flipped (2010) — Budget, $13.5 million. Box office, $1,755,212. KEEP
  • The Flock (2007) — Budget, $35 million. Box office, $7,119,846. KEEP
  • The Flowers Of War (2012) — Budget, $94 million. Box office, $311,434 (domestic), $97,311,434 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • Flushed Away (2006) — Budget, $149 million. Box office, $64,488,856 (domestic), $176,319,242. MADE BUDGET WORLDWIDE; CUT
  • Fly Me to the Moon (2008) — Budget, $25 million. Box office, $13,816,982 (domestic), $41,721,414 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • Flyboys (2006) — Budget, $60 million. Box office, $17,834,865. KEEP
  • Foodfight! (2012) — Budget, $45 million (others say $65 million). Box office, $73,706. KEEP
  • Fool For Love (1985) — Budget, $2 million. Box office, $900,000. KEEP
  • For Love Of The Game (1999) — Budget, $50 million. Box office, $46.1 million. MADE 92.2% OF BUDGET; DID NOT LOSE ENOUGH; CUT
  • For Love or Money (1993) — Budget, $30 million. Box office, $11,146,270. KEEP
  • For Queen And Country (1988) — Budget, $3.5 million. Box office, $191,051. KEEP
  • For Richer or Poorer (1997) — Budget, $35 million. Box office, $32,748,995. MADE 93.6% OF BUDGET; DID NOT LOSE ENOUGH; CUT
  • For The Boys (1991) — Budget, $40 million. Box office, $23,202,444. KEEP
  • The Forbidden Dance (1990) — Budget, $10 million. Box office, $1.8 million. KEEP
  • Forces of Nature (1999) — Budget, $75 million. Box office, $52,888,180 (domestic), $93,888,180 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • Forever Lulu (1987) — Budget, $3 million. Box office, $36,786. KEEP
  • The Founder (2017) — Budget, $25 million. Box office, $24,036,928. MADE 96.1% OF BUDGET; DID NOT LOSE ENOUGH; CUT
  • The Fountain (2006) — Budget, $35 million. Box office, $15,978,422. KEEP
  • The Four Feathers (2002) — Budget, $35 million. Box office, $29,882,645. MADE 85.4% OF BUDGET; DID NOT LOSE ENOUGH; CUT
  • Four Horsemen Of The Apocalypse (1962) — Budget, $7.1 million. Box office, $4.1 million. KEEP
  • Four Rooms (1995) — Budget, $4 million. Box office, $4,257,354. CUT
  • The Fourth War (1990) — Budget, $14.5 million. Box office, $1,305,887. KEEP
  • Frances (1982) - Budget, $8 million. Box office, $5 million. KEEP
  • Francis Of Assisi (1961) - Budget, $2,015,000. Box office, $1.8 million. MADE 89.3% OF BUDGET; DID NOT LOSE ENOUGH; CUT
  • Frankenhooker (1990) — Budget, $2.5 million. Box office, $205,000. KEEP
  • Frankenstein Unbound (1990) — Budget, $11.5 million. Box office, $334,748. KEEP
  • Frankenweenie (2012) — Budget, $39 million. Box office, $35,291,068 (domestic), $81,491,068 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • Freaked (1993) — Budget, $12 million. Box office, $29,296. KEEP
  • Freaks (1932) — Budget, $316,000-$350,000. Box office, Unknown. WIKIPEDIA LISTS BUDGET: ~ $310K, BOXOFFICE: $341K; CUT
  • Freaks of Nature (2015) — Budget, $33 million. Box office, $70,958. KEEP
  • Fred Claus (2007) — Budget, $100 million. Box office, $97,838,349. MADE 97.8% OF BUDGET; DID NOT LOSE ENOUGH; CUT
  • Freddy Got Fingered (2001) — Budget, $14 million. Box office, $14,254,993 (domestic), $14,333,252 (worldwide). MADE BUDGET, IF NOT CLOSE; CUT
  • Free Birds (2013) — Budget, $55 million. Box office, $55,750,480 (domestic), $110,150,480 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • Free Fire (2017) — Budget, $7 million. Box office, $3,793,754. KEEP
  • Free State of Jones (2016) — Budget, $50 million. Box office, $25,035,950. KEEP
  • Freedomland (2006) — Budget, $37.7 million. Box office, $14,655,626. KEEP
  • Freeheld (2015) - Budget, $7 million. Box office, $1.7 million. KEEP
  • Freejack (1992) — Budget, $30 million. Box office, $17,129,026. KEEP
  • Freeway (1996) — Budget, $3 million. Box office, $295,493. KEEP
  • Fresh Horses (1988) — Budget, $14 million. Box office, $6,640,346. KEEP
  • Friend Request (2017) — Budget, $10 million. Box office, $3,759,078 (domestic). BOXOFFICEMOJO SAYS BUDGET: $9.9M, WORLDWIDE BOXOFFICE: $10,975,390; CUT
  • Fright Night (2011) — Budget, $30 million. Box office, $18,302,607 (domestic), $41,002,607 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • The Frighteners (1996) — Budget, $26 million. Box office, $16,759,216 (domestic), $29,359,216 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • From Beyond (1986) - Budget: $4,500,000. Box Office: $1,261,000. KEEP
  • From Hell (2001) - Budget: $35 million. Box Office: $31.6 million (domestic), $74.6 million (worldwide). MADE BUDGET WORLDWIDE; CUT
  • From Justin to Kelly (2003) — Budget, $12 million. Box office, $4.9 million. KEEP
  • From Paris with Love (2010) — Budget, $52 million. Box office, $24,077,427 (domestic), $52,826,594 (worldwide). MADE BUDGET WORLDWIDE, IF NOT CLOSE; CUT
  • From The Hip (1987) — Budget, $14 million. Box office, $9,518,342. KEEP
  • Frontier(s) (2007) — Budget, $3,000,000. Box office, $2,425,535. MADE 80.9% OF BUDGET; DID NOT LOSE ENOUGH; CUT
  • Frozen Assets (1992) — Budget, $5 million. Box office, $376,008 (domestic). KEEP
  • Full Of It (2007) — Budget, $15 million. Box office, $486,722. KEEP
  • Fun Size (2012) — Budget, $14 million. Box office, $10.9 million. MADE 77.9% OF BUDGET; BARELY DID NOT LOSE ENOUGH; CUT
  • The Funeral (1996) — Budget, $12.5 million. Box office, $1,306,233. KEEP
  • Funny Games (2008) — Budget, $15 million. Box office, $7,938,872. KEEP
  • Funny People (2009) — Budget, $75 million. Box office, $71,585,235. MADE 95.4% OF BUDGET; DID NOT LOSE ENOUGH; CUT
  • Fur: An Imaginary Portrait of Diane Arbus (2006) — Budget, $16.8 million. Box office, $2,505,841. KEEP
  • Furry Vengeance (2010) — Budget, $35 million. Box office, $17,630,465 (domestic), $36,236,710 (worldwide). MADE BUDGET WORLDWIDE; CUT

RandomTroper123 She / Her from I'll let you guess... (Not-So-Newbie) Relationship Status: [TOP SECRET]
She / Her
#94: Nov 24th 2022 at 1:58:51 PM

[up]Ok [tup] and I tried to expand on [up][up] more.

RallysCheckers Since: Sep, 2022
#95: Nov 25th 2022 at 4:59:49 PM

Now time for J:

    J 
  • Jack and Jill (2011) — Budget, $79 million. Box office, $74,158,157 (domestic), $149,673,788 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • Jack Frost (1998) — Budget, $85 million. Box office, $34.5 million (domestic). KEEP
  • Jack the Giant Slayer (2013) — Budget, $195 million (production alone), $295 million (marketing included). Box office, $65 million (domestic), $197.5 million (worldwide). KEEP
  • The Jacket (2005) — Budget, $29 million. Box office, $21,126,225. KEEP
  • Jade (1995) — Budget, $50 million. Box office, $9,851,610. KEEP
  • Jakob the Liar (1999) — Budget, $45 million. Box office, $4.9 million. KEEP
  • James and the Giant Peach (1996) — Budget, $38 million. Box office, $28,946,127. MADE 76.2% OF BUDGET; BARELY DID NOT LOSE ENOUGH; CUT
  • Jane Got a Gun (2016) — Budget, $25 million. Box office, $1,513,793. KEEP
  • Jarhead (2005) — Budget, $72 million. Box office, $62,658,220 (domestic), $96.9 million (worldwide). MADE BUDGET WORLDWIDE; CUT
  • Jaws: The Revenge (1987) — Budget, $20 million (not counting marketing costs), $23 million (counting them). Box office, $20,763,013 (domestic), $51,881,013 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • Jefferson in Paris (1995) — Budget, $14 million. Box office, $2,442,542. KEEP
  • Jem and the Holograms (2015) (2015) — Budget, $5 million. Box office, $2,333,684 (worldwide). KEEP
  • Jennifer Eight (1992) — Budget, $20 million. Box office, $11,390,479. KEEP
  • Jennifer's Body (2009) — Budget, $16 million. Box office, $16,204,793 (domestic), $31,556,061 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • Jersey Girl (2004) — Budget, $35 million. Box office, $25,268,157 (domestic), $36,098,382 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • Jexi (2019) — Budget, $5 million (without marketing costs), $12 million (with marketing costs). Box office, $7.2 million. KEEP
  • Jimmy Hollywood (1994) — Budget, $30 million. Box office, $3,783,003. KEEP
  • Jinxed (1982) — Budget, $13.4 million. Box office, $2,869,638. KEEP
  • Joan of Arc (1948) — Budget, $4,650,506. Box office, $5,768,142. Recorded a loss of $2,480,436. MADE BUDGET; CUT
  • Joe Somebody (2001) — Budget, $38 million. Box office, $24,516,772. KEEP
  • Joe Versus the Volcano (1990) — Budget, $25 million. Box office, $39.4 million. MADE BUDGET; CUT
  • Joe's Apartment (1996) — Budget, $13 million. Box office, $4,619,014. KEEP
  • John Carter (2012) — Budget, $250 million (not counting marketing costs), $350 million (counting them). Box office, $73,078,100 (domestic), $284,139,100 (worldwide). MADE 81.2% OF BUDGET; DID NOT LOSE ENOUGH; CUT
  • Johnny Be Good (1988) — Budget, $22 million. Box office, $17,550,399. MADE 79.8% OF BUDGET; BARELY DID NOT LOSE ENOUGH; CUT
  • Johnny Dangerously (1984) — Budget, $9 million. Box office, $17.1 million. MADE BUDGET; CUT
  • Johnny Got His Gun (1971) — Budget, $500,000. Box office, $767,794 (domestic rentals). MADE BUDGET; CUT
  • Johnny Handsome (1989) — Budget, $20 million. Box office, $7,237,794. KEEP
  • Johnny Mnemonic (1995) — Budget, $26 million. Box office, $19,075,720. KEEP
  • Jonah: A VeggieTales Movie (2002): Budget, $14 million. Box office, $25,615,231. MADE BUDGET; CUT
  • Jonah Hex (2010) — Budget, $47 million. Box office, $10,547,117. KEEP
  • Jonathan Livingston Seagull (1973) — Budget, $1.5 million. Box office, $1.6 million. MADE BUDGET; CUT
  • Josh and S.A.M. (1993) — Budget, $18 million. Box office, $1,640,220. KEEP
  • Joshua (2002) — Budget, $9 million. Box office, $1,461,635. KEEP
  • Josie and the Pussycats (2001) — Budget, $22 million. Box office, $14.8 million. KEEP
  • Joy (2015) — Budget, $60 million. Box office, $56,451,232 (domestic), $101,134,059 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • Joy Ride (2001) — Budget, $23 million. Box office, $21,974,919 (domestic), $36,642,838 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • Jude (1996) — Budget, $7 million. Box office, $409,144. KEEP
  • The Judge (2014) — Budget, $50 million. Box office, $47,119,388 (domestic), $84,419,388 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • Judge Dredd (1995) — Budget, $90 million. Box office, $34,693,481 (domestic), $113,493,481 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • Judgment Night (1993) — Budget, $21 million. Box office, $12 million. KEEP
  • Judy Moody and the Not Bummer Summer (2011) — Budget, $20 million. Box office, $15,013,650. CUT, BUT ONLY BY A HAIR (75.1% OF BUDGET)
  • Junior (1994) — Budget, $60 million. Box office, $36,763,355 (domestic), $108,431,355 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • Jupiter Ascending (2015) — Budget, $175 million. Box office, $47,387,723 (domestic), $183,887,723 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • The Juror (1996) — Budget, $44 million. Box office, $22,754,725. KEEP
  • Jury Duty (1995) — Budget, $21 million. Box office, $17,014,653. MADE 81% OF BUDGET; DID NOT LOSE ENOUGH; CUT
  • Just Getting Started (2017) — Budget, $22 million. Box office, $7,634,022. KEEP
  • Just Like Heaven (2005) — Budget, $58 million. Box office, $48,318,130 (domestic), $102,854,431 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • Just Looking (2000) — Budget, $3 million. Box office, $39,000. KEEP
  • Just My Luck (2006) — Budget, $28 million. Box office, $17,326,650 (domestic), $38,159,905 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • Just the Ticket (1999) — Budget, $12 million. Box office, $434,404. KEEP
  • Just Visiting (2001) — Budget, $35 million. Box office, $16,176,732. KEEP
  • Justice League (2017) — Budget, $300 million (not counting marketing costs, interest expenses and guild fees), $500 million (counting them). Box office, $229,024,295 (domestic), $657,924,295 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • Justine (1969) — Budget, $7,870,000. Box office, $2.2 million (domestic rentals). Recorded loss, $6,602,000. KEEP

RallysCheckers Since: Sep, 2022
#96: Nov 26th 2022 at 4:58:09 PM

K, here is k:

    K 
  • K-19: The Widowmaker (2002) — Budget, $100 million (not counting marketing costs), $135 million (counting them). Box office, $65,716,126. KEEP
  • Kafka (1991) — Budget, $11 million. Box office, $1,059,071. KEEP
  • Kalifornia (1993) — Budget, $8.5 million. Box office, $2,395,231. KEEP
  • Kansas City (1996) — Budget, $19 million. Box office, $1,356,329. KEEP
  • Kazaam (1996) — Budget, $20 million. Box office, $18,937,262. MADE 94.7% OF BUDGET; DID NOT LOSE ENOUGH; CUT
  • Keanu (2016) — Budget, $15 million. Box office, $20.7 million (domestic). MADE BUDGET; CUT
  • The Keep (1983) — Budget, $6 million. Box office, $4,218,594. KEEP
  • Keeping Up with the Joneses (2016) — Budget, $40 million. Box office, $29,786,594. KEEP
  • Khartoum (1966) — Budget, $6 million. Box office, $3 million (rentals). KEEP
  • Kickin' It Old School (2007) — Budget, $25.7 million. Box office, $4.7 million. KEEP
  • The Kid Who Would Be King (2019) — Budget, $59 million. Box office, $32,140,970. KEEP
  • Kidnapping, Caucasian Style! (2014) — Budget, $3.5 million. Box office, $179,843. KEEP
  • Kill Me Again (1989) — Budget, $4 million. Box office, $283,694. KEEP
  • Killer Elite (2011) — Budget, $70 million. Box office, $56,383,756. MADE 80.5% OF BUDGET; DID NOT LOSE ENOUGH; CUT
  • The Killer Inside Me (2010) — Budget, $13 million. Box office, $3,977,192. KEEP
  • Killer Joe (2011, 2012) — Budget, $10 million. Box office, $3,665,069. KEEP
  • Killers (2010) — Budget, $75 million. Box office, $47,059,963 (domestic), $98,159,963 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • Killing Zoe (1994) — Budget, $1.5 million. Box office, $418,961 (domestic). KEEP
  • Kin (2018) — Budget, $30 million. Box office, $10 million. KEEP
  • The King and I (1999) — Budget, $25 million. Box office, $12 million. KEEP
  • King Arthur (2004) — Budget, $120 million. Box office, $51,882,244 (domestic), $203,567,857 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • King Arthur: Legend of the Sword (2017) — Budget, $175 million (not counting marketing costs), $250 million (counting them). Box office, $39,175,066 (domestic), $148,675,066 (worldwide). KEEP
  • King David (1985) — Budget, $21 million. Box office, $5,111,099. KEEP
  • King Kong Lives (1986) — Budget, $18 million. Box office, $4,711,220. KEEP
  • King Lear (1987) — Budget, $1 million. Box office, $61,821. KEEP
  • The King of Comedy (1983) — Budget, $19 million. Box office, $2,536,242. KEEP
  • The King of Fighters (2010) — Budget, $12 million. Box office, $2,370,600. KEEP
  • King of New York (1990) — Budget, $5 million (estimated). Box office, $2.5 million. KEEP
  • King of the Hill (1993) — Budget, $8 million. Box office, $1,214,231. KEEP
  • King Richard (2021) - Budget, $50 million. Box office, $15 million (domestic), $36 million (worldwide). KEEP
  • The Kingdom (2007) — Budget, $70 million. Box office, $47,536,778 (domestic), $86,658,558 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • Kingdom of Heaven (2005) — Budget, $130 million. Box office, $47,398,413 (domestic), $211,652,051 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • The King's Daughter (2022) - Budget, $40 million. Box office, $1.8 million. KEEP
  • The King's Man (2021) - Budget, $100 million. Box office, $37.2 million (domestic), $125.7 million (worldwide). MADE BUDGET WORLDWIDE; CUT
  • King's Ransom (2005) — Budget, $15 million. Box office, $4,143,652. KEEP
  • A Kiss Before Dying (1991) — Budget, $15 million. Box office, $15,429,177. MADE BUDGET, IF NOT CLOSE; CUT
  • Kiss Kiss Bang Bang (2005) — Budget, $15 million. Box office, $15.8 million. MADE BUDGET, IF NOT CLOSE; CUT
  • Kiss Me, Stupid (1964) — Budget, $3.5 million. Box office, $5 million. MADE BUDGET; CUT
  • Kiss of Death (1995) — Budget, $40 million. Box office, $14,942,422. KEEP
  • The Kitchen (2019) — Budget, $38 million. Box office, $14,484,235. KEEP
  • Knight and Day (2010) — Budget, $117 million. Box office, $76,423,035 (domestic), $261,930,436 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • A Knight's Tale (2001) — Budget, $65 million. Box office, $56,569,702 (domestic), $117,487,473 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • Knock Knock (2015) — Budget, $3 million. Box office, $36,336. KEEP
  • Knock Off (1998) — Budget, $35 million. Box office, $10,319,955. KEEP
  • KPAX (2001) — Budget, $68 million. Box office, $50,338,485 (domestic), $65,001,485 (worldwide). MADE 95.6% OF BUDGET; DID NOT LOSE ENOUGH; CUT
  • Krull (1983) — Budget, $27 million (not counting marketing costs), $50 million (counting them). Box office, $16,519,460. KEEP
  • Kubo and the Two Strings (2016) — Budget, $60 million. Box office, $48 million (domestic), $69.9 million (worldwide). MADE BUDGET WORLDWIDE; CUT
  • Kuffs (1992) — Budget, $10-12 million. Box office, $21 million. MADE BUDGET; CUT
  • Kull the Conqueror (1997) — Budget, $20 million. Box office, $6.1 million (domestic), $22 million (worldwide). MADE BUDGET WORLDWIDE; CUT
  • Kundun (1997) — Budget, $28 million. Box office, $8,684,789. KEEP

Edited by RallysCheckers on Nov 26th 2022 at 5:27:30 AM

RallysCheckers Since: Sep, 2022
#97: Nov 29th 2022 at 6:51:48 PM

L

    L 
  • Lady Jane (1986) — Budget, $8.5 million. Box office, just $277,646. KEEP
  • Labor Day (2013) — Budget, $18 million. Box office, $20,275,812. MADE BUDGET; CUT
  • Labyrinth (1986) — Budget, $25 million. Box office, $12,729,917. KEEP
  • The Ladies Man (2000) — Budget, $24 million. Box office, $13.7 million. KEEP
  • Lady in the Water (2006) — Budget, $70 million. Box office, $42,285,169 (domestic), $72,785,169 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • Ladybugs (1992) — Budget, $20 million. Box office, $14.8 million. KEEP
  • Ladyhawke (1985) — Budget, $20 million. Box office, $18.43 million. MADE 92.2% OF BUDGET; DID NOT LOSE ENOUGH; CUT
  • Land of the Lost (2009) — Budget, $142 million. Box office, $69,548,641. KEEP
  • Lara Croft: Tomb Raider – The Cradle of Life (2003) — Budget, $95 million. Box office, $65,660,196 (domestic), $156,505,388 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • Larger than Life (1996) — Budget, $30 million. Box office, $8,315,693. KEEP
  • Lars and the Real Girl (2007) — Budget, $12 million. Box office, $11,293,663. MADE 94.1% OF BUDGET; DID NOT LOSE ENOUGH; CUT
  • Last Action Hero (1993) — Budget, $85 million. Box office, $50 million (domestic), $137.3 million (worldwide). MADE BUDGET WORLDWIDE; CUT
  • The Last Castle (2001) — Budget, $72 million. Box office, $27,642,707. KEEP
  • The Last Days of Disco (1998) — Budget, $8 million. Box office, $3 million. KEEP
  • The Last Duel (2021) — Budget, $100 million. Box office, $10,853,945 (domestic), $30,494,876 (worldwide). KEEP
  • The Last Five Years (2015) — Budget, $2 million. Box office, $145,427. KEEP
  • The Last Full Measure (2020) — Budget, $20 million. Box office, $3.4 million. KEEP
  • Last Holiday (2006) — Budget, $45 million. Box office, $43,343,248. MADE 96.3% OF BUDGET; DID NOT LOSE ENOUGH; CUT
  • The Last Kiss (2006) — Budget, $20 million. Box office, $15,852,401. MADE 79.3% OF BUDGET; BARELY DID NOT LOSE ENOUGH; CUT
  • The Last Legion (2007) — Budget, $67 million. Box office, $25,303,038. KEEP
  • Last Man Standing (1996) — Budget, $67 million. Box office, $47,267,001. KEEP
  • Last of the Dogmen (1995) — Budget, $25 million. Box office, $7,024,389. KEEP
  • The Last of the Finest (1990) — Budget, $12 million. Box office, $1,531,489. KEEP
  • The Last Stand (2013) — Budget, $30-45 million. Box office, $12 million (domestic), $48.3 million (worldwide). MADE BUDGET WORLDWIDE; CUT
  • The Last Temptation of Christ (1988) — Budget, $7 million. Box office, $8.9 million. MADE BUDGET; CUT
  • The Last Time I Committed Suicide (1997) — Budget, $4 million. Box office, $46,367. KEEP
  • The Last Tycoon (1976) - Budget, $5.5 million. Box office, $1.8 million. KEEP
  • The Last Witch Hunter (2015) — Budget, $70-90 million. Box office, $27,367,660 (domestic), $140,396,650 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • Late for Dinner (1991) — Budget, $14 million. Box office, $8.9 million. KEEP
  • Late Night (2019) — Budget, $4 million, but Amazon Studios paid $13 million for U.S. distribution rights and $35 million for marketing. Box office, $15,499,454 (domestic), $22,367,121 (worldwide). KEEP
  • The Law of Enclosures (2001) — Budget, CDN $2 million. Box office, CDN $1,000. KEEP
  • Lawnmower Man 2: Beyond Cyberspace (1996) — Budget, $15 million. Box office, $2,409,225. KEEP
  • Laws of Attraction (2004) — Budget, $32-45 million. Box office, $30,016,165. BOXOFFICEMOJO SAYS BUDGET: $32M; MADE 93.8% OF BUDGET; DID NOT LOSE ENOUGH; CUT
  • Leatherheads (2008) — Budget, $58 million. Box office, $41,299,492. KEEP
  • Leave It to Beaver (1997) — Budget, $15 million. Box office, $10,925,060. KEEP
  • Leaves of Grass (2009) — Budget, $9 million. Box office, $1,018,753. KEEP
  • Left Behind (2000) — Budget, $4 million. Box office, $4.2 million. MADE BUDGET; CUT
    • Left Behind (2014) — Budget, $16 million. Box office, $14,019,924 (domestic), $19,682,924 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • Legend (1985) — Budget, $30 million. Box office, $15,502,112 (domestic), $23,506,237 (worldwide). MADE 78.4% OF BUDGET; BARELY DID NOT LOSE ENOUGH; CUT
  • Legend (2015) — Budget, $25 million. Box office, $1,872,994 (domestic), $38.7 million (worldwide). MADE BUDGET WORLDWIDE; CUT
  • The Legend of Bagger Vance (2000) — Budget, $80 million. Box office, $39,459,427. KEEP
  • The Legend of Hercules (2014) — Budget, $70 million. Box office, $61,279,452. MADE 87.5% OF BUDGET; DID NOT LOSE ENOUGH; CUT
  • The Legend of Lylah Clare (1968) — Budget, $3,490,000. Box office, less than $1 million (domestic rentals). KEEP
  • The Legend of Tarzan (2016) — Budget, $180 million. Box office, $126.6 million (domestic), $356.7 million (worldwide). MADE BUDGET WORLDWIDE; CUT
  • Legend Of The Guardians The Owls Of Ga Hoole (2010) — Budget, $80 million. Box office, $55,675,313 (domestic), $140,073,390 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • The Legend of the Lone Ranger (1981) — Budget, $18 million. Box office, $12.6 million. KEEP
  • The Legend of Zorro (2005) — Budget, $75 million. Box office, $46,464,023 (domestic), $142,400,065 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • Legendary (2010) — Budget, $5 million. Box office, $200,393. KEEP
  • Legends of Oz: Dorothy's Return (2014) — Budget, $70 million. Box office, $18,662,027. KEEP
  • The LEGO Ninjago Movie (2017) — Budget, $70 million. Box office, $59,281,555 (domestic), $123,081,555 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • Leonard Part 6 (1987) — Budget, $24 million. Box office, $4,615,255. KEEP
  • Let It Ride (1989) — Budget, $18 million. Box office, $4,973,285. KEEP
  • Let Me In (2010) — Budget, $20 million. Box office, $12,134,935 (domestic), $24,145,613 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • Letters to God (2010) — Budget, $3 million. Box office, $2,908,893. MADE 97% OF BUDGET; DID NOT LOSE ENOUGH; CUT
  • The Liberation Of LB Jones (1970) — Budget, $3.5 million. Box office, $1.3 million (domestic rentals). KEEP
  • The Libertine (2004) — Budget, $22 million. Box office, $10,852,064. KEEP
  • Licorice Pizza (2021) - Budget, $40 million. Box office, $29.8 million. KEEP
  • Life (1999) — Budget, $80 million. Box office, $73,345,029. MADE 91.7% OF BUDGET; DID NOT LOSE ENOUGH; CUT
  • Life (2017) — Budget, $58 million. Box office, $30,234,022 (domestic), $100,541,806 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • The Life Aquatic with Steve Zissou (2004) — Budget, $50 million. Box office, $34,808,403. KEEP
  • Life as a House (2001) — Budget, $27 million. Box office, $23,903,791. MADE 88.5% OF BUDGET; DID NOT LOSE ENOUGH; CUT
  • The Life Before Her Eyes (2007, 2008) — Budget, $13 million. Box office, $7,248,490. KEEP
  • Life During Wartime (2010) — Budget, $4.5 million. Box office, $744,816. KEEP
  • Life Itself (2018) — Budget, $10 million. Box office, $5,067,393 (worldwide). KEEP
  • A Life Less Ordinary (1997) — Budget, $12 million. Box office, $4,366,722. KEEP
  • The Life of David Gale (2003) — Budget, $38 million. Box office, $19,955,598 (domestic), $38,955,598 (worldwide). MADE BUDGET WORLDWIDE, IF NOT CLOSE; CUT
  • Life or Something Like It (2002) — Budget, $40 million. Box office, $16,872,671. KEEP
  • Life Stinks (1991) — Budget, $13 million. Box office, $4,102,526. KEEP
  • Lifeforce (1985) — Budget, $25 million. Box office, $11,603,545. KEEP
  • The Light Between Oceans (2016) — Budget, $20 million. Box office, $12.5 million (domestic), $24.3 million (worldwide). MADE BUDGET WORLDWIDE; CUT
  • Light Sleeper (1992) — Budget, $5 million. Box office, $1,050,861. KEEP
  • Lightyear (2022) - Budget, $200 million. Box office, $117.7 million (domestic), $219.6 million (worldwide). MADE BUDGET WORLDWIDE; CUT
  • Like A Boss (2020) — Budget, $29 million. Box office, $22,169,514 (domestic), $29,753,143 (worldwide). MADE BUDGET WORLDWIDE, IF NOT CLOSE; CUT
  • Limbo (1999) — Budget, $8-10 million. Box office, $2,160,710. KEEP
  • Limelight (1952) — Budget, $900,000. Box office, $1 million (US box office), $8 million (Worldwide). MADE BUDGET; CUT
  • Lion of the Desert (1981) — Budget, $35 million (estimated). No accurate box office numbers seem to exist, but the revenue could be around $1–1.5 million. IFFY; THOUGHTS?
  • Lions for Lambs (2007) — Budget, $35 million. Box office, $15,002,854 (domestic), $63,215,872 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • A Little Bit Of Heaven (2011) — Budget, $12.5 million. Box office, $1,296,937. KEEP
  • Little Black Book (2004) — Budget, $35 million. Box office, $22,034,832. KEEP
  • Little Boy (2015) — Budget, $24 million. Box office, $17.4 million. KEEP
  • Little Buddha (1993) — Budget, $35 million. Box office, $4,858,139. KEEP
  • Little Children (2006) — Budget, $26 million. Box office, $14,821,658. KEEP
  • The Little Drummer Girl (1984) — Budget, $12-20 million. Box office, $7,828,841. KEEP
  • Little Giants (1994) — Budget, $20 million. Box office, $19,306,362. MADE 96.5% OF BUDGET; DID NOT LOSE ENOUGH; CUT
  • Little Man (2006) — Budget, $64 million. Box office, $58,645,052 (domestic), $101,595,121 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • Little Monsters (1989) — Budget, $7 million. Box office, $793,775. KEEP
  • Little Nemo: Adventures in Slumberland (1989) — Budget, $35 million. Box office, $1,368,000. KEEP
  • Little Nicky (2000) — Budget, $85 million. Box office, $58,292,295. KEEP
  • Little Nikita (1988) — Budget, $15 million. Box office, $1,733,070. KEEP
  • A Little Princess (1995) (1995) — Budget, $17 million. Box office, $10,015,449. KEEP
  • Little Shop of Horrors (1986) — Budget, $25 million. Box office, $39 million. MADE BUDGET; CUT
  • The Little Vampire (2000) — Budget, $35 million. Box office, $27,965,865. MADE 79.9% OF BUDGET; BARELY DID NOT LOSE ENOUGH; CUT
  • Live by Night (2017) — Budget, $65 million. Box office, $21,675,886. KEEP
  • Lock Up (1989) — Budget, $24 million. Box office, $22,099,847 (domestic). MADE 92.1% OF BUDGET; DID NOT LOSE ENOUGH; CUT
  • Lockout (2012) — Budget, $20 million. Box office, $14,326,864 (domestic), $32,204,030 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • The Loft (2014) — Budget, $14 million. Box office, $10.1 million. KEEP
  • Logan Lucky (2017) — Budget, $29 million. Box office, $27,780,977 (domestic), $47,400,777 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • Lolita (1997) — Budget, $62 million. Box office, $1,071,255. KEEP
  • The Lone Ranger (2013) (2013) — Budget, $215–275 million (not counting marketing costs), $380–$450 million (counting them). Box office, $89,302,115 (domestic), $260,502,115 (worldwide). KEEP
  • The Lonely Lady (1983) — Budget, $5 million. Box office, $1,223,000. KEEP
  • The Long Kiss Goodnight (1996) — Budget, $65 million. Box office, $33,447,612 (domestic), $89,456,761 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • Long Shot (2019) — Budget, $40 million. Box office, $30,316,271 (domestic), $44,559,581 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • The Longshots (2008) — Budget, $23 million. Box office, $11,767,866. KEEP
  • Look Who's Talking Now (1993) — Budget, $22 million. Box office, $10,340,263. KEEP
  • Lookin' to Get Out (1982) — Budget, $17 million. Box office, $946,461. KEEP
  • Looney Tunes: Back in Action (2003) — Budget, $80 million. Box office, $68,514,844. MADE 85.6% OF BUDGET; DID NOT LOSE ENOUGH; CUT
  • Loose Cannons (1990) — Budget, $15 million. Box office, $5,585,184. KEEP
  • Lord of War (2005) — Budget, $50 million. Box office, $24,149,632 (domestic), $72,617,068 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • Lords of Dogtown (2005) — Budget, $25 million. Box office, $13,411,957. KEEP
  • Lorenzo's Oil (1992) — Budget, $30 million. Box office, $7,286,388. KEEP
  • Loser (2000) (2000) — Budget, $20 million. Box office, $18.4 million. MADE 92% OF BUDGET; DID NOT LOSE ENOUGH; CUT
  • The Losers (2010) — Budget, $25 million. Box office, $23,591,432 (domestic), $29,379,723 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • Losin' It (1983) — Budget, $7 million. Box office, $1.2 million. KEEP
  • Losing Isaiah (1995) — Budget, $17 million. Box office, $7.6 million. KEEP
  • The Loss of a Teardrop Diamond (2008, 2009) — Budget, $6,500,000. Box office, $119,790. KEEP
  • The Lost City of Z (2017) — Budget, $30 million. Box office, $17,122,336. KEEP
  • Lost Highway (1997) — Budget, $15 million. Box office, $3.7 million. KEEP
  • Lost Horizon (1973) — Budget, $12 million. Box office, $3 million. KEEP
  • Lost in Space (1998) — Budget, $80 million. Box office, $69,117,629 (domestic), $136,159,423 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • Lost in Yonkers (1993) — Budget, $15 million. Box office, $9,285,189. KEEP
  • The Lost Medallion: The Adventures of Billy Stone (2013) — Budget, $2.5 million. Box office, $705,854. KEEP
  • Lost Souls (2000) — Budget, $28 million. Box office, $16,815,253 (domestic), $31,355,910 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • A Lot Like Love (2005) — Budget, $30 million. Box office, $21,845,719 (domestic), $42,886,719 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • Love And Monsters (2020) — Budget, $30 million. Box office, $1.1 million. KEEP
  • Love Affair (1994) — Budget, $60 million. Box office, $18,272,894. KEEP
  • Love Crimes (1992) — Budget, $8,500,000. Box office, $2,287,928. KEEP
  • Love Field (1992) — Budget, $18 million. Box office, $1,014,726. KEEP
  • The Love Guru (2008) — Budget, $62 million. Box office, $40,863,344. KEEP
  • Love in the Time of Cholera (2007) — Budget, $48 million. Box office, $31,337,584. KEEP
  • The Love Letter (1999) — Budget, $20 million. Box office, $8,302,478. KEEP
  • Love Ranch (2010) — Budget, $25 million. Box office, $137,885. KEEP
  • Love Wrecked (2005) — Budget, $11 million. Box office, $3,505,963. KEEP
  • The Lovely Bones (2009) — Budget, $65 million. Box office, $44,114,232 (domestic), $93,621,340 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • Loverboy (1989) — Budget, $8.5 million. Box office, $3,960,327. KEEP
  • Love's Labour's Lost (2000) — Budget, $13 million. Box office, $299,792. KEEP
  • Loving (2016) — Budget, $9 million. Box office $7,592,362. MADE 84.4% OF BUDGET; DID NOT LOSE ENOUGH; CUT
  • Lucas (1986) — Budget, $6,000,000. Box office, $8,200,000. MADE BUDGET; CUT
  • Lucky Number Slevin (2006) — Budget, $27 million. Box office, $22,495,466 (domestic), $56,308,881 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • Lucky Numbers (2000) — Budget, $63 million. Box office, $10,890,222. KEEP
  • Lucky You (2007) — Budget, $55 million. Box office, $8,382,477. KEEP
  • Lucy in the Sky (2019) — Budget, $27 million. Box office, $319,976. KEEP
  • Lust in the Dust (1984) – Budget, $2.5 million. Gross, $727,659. KEEP

RallysCheckers Since: Sep, 2022
#98: Dec 4th 2022 at 3:55:57 PM

M

    M 
  • Mac and Me (1988) — Budget, $13 million. Box office, $6,424,112. KEEP
  • Macbeth (1971) — Budget, $3.1 million. Box office, $3 million. MADE 96.8% OF BUDGET; DID NOT LOSE ENOUGH; CUT
  • Macbeth (2015) — Budget, $15-$20 million. Box office, $1,110,707 (domestic), $16,322,067 (worldwide). CUT
  • MacGruber (2010) — Budget, $10 million. Box office, $9,322,895. MADE 93.2% OF BUDGET; DID NOT LOSE ENOUGH; CUT
  • Machete Kills (2013) — Budget, $20 million. Box office, $15,008,161. CUT, BUT ONLY BY A HAIR (JUST ABOVE 75% OF BUDGET)
  • Machine Gun Preacher (2011) — Budget, $30 million. Box office, $3,338,690. KEEP
  • Mad City (1997) — Budget, $50 million. Box office, $10,541,523. KEEP
  • Mad Dog and Glory (1993) — Budget, $19 million. Box office, $10,688,490. KEEP
  • Mad Dog Time (1996) — Budget, $8 million. Box office, $107,874. KEEP
  • Mad Money (2008) — Budget, $22 million. Box office, $20,668,843 (domestic), $26,412,163 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • Madame Sousatzka (1988) — Budget, $9 million. Box office, $3,548,238. KEEP
  • Made (2001) — Budget, $5 million. Box office, $5,480,653. MADE BUDGET, IF NOT CLOSE; CUT
  • Made in Heaven (1987) — Budget, $13 million. Box office, $4,572,845. KEEP
  • The Magic Flute (2006) — Budget, $27 million. Box office, $1.9 million (worldwide). KEEP
  • The Magnificent Ambersons (1942) — Budget, $1.1 million. Box office, $1 million (domestic rentals). Recorded loss, $620,000. MADE 90.9% OF BUDGET; DID NOT LOSE ENOUGH; CUT
  • The Magnificent Seven (2016) — Budget, $90 million. Box office, $93,432,655 (domestic), $160,437,812 (worldwide). MADE BUDGET; CUT
  • Magnolia (1999) — Budget, $37 million. Box office, $22,455,976 (domestic), $48,451,803 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • The Magus (1969) — Budget, $3,775,000. Box office, $2,450,000 (domestic rentals). KEEP
  • The Majestic (2001) — Budget, $72 million. Box office, $37,317,558. KEEP
  • Major League: Back to the Minors (1998) — Budget, $18 million. Box office, $3,572,443. KEEP
  • The Malay Chronicles: Bloodlines (2011) — Budget, $2.2 million. Box office, $1.9 million. MADE 86.4% OF BUDGET; DID NOT LOSE ENOUGH; CUT
  • Malignant (2021) - Budget, $40 million. Box office, $13.3 million (domestic), $33.2 million (worldwide). MADE 83% OF BUDGET; DID NOT LOSE ENOUGH; CUT
  • Mallrats (1995) — Budget, $6.1 million. Box office, $2,454,447. KEEP
  • Malone (1987) — Budget, $10 million. Box office, $3,060,858. KEEP
  • The Mambo Kings (1992) — Budget, $15.5 million. Box office, $6,742,168. KEEP
  • Mame (1974) — Budget, $12 million. Box office, $6.5 million. KEEP
  • The Man (2005) — Budget, $20 million. Box office, $12,382,362. KEEP
  • A Man Apart (2003) — Budget, $36 million. Box office, $26,736,098 (domestic), $44,350,926 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • The Man from U.N.C.L.E. (2015) — Budget, $75 million. Box office, $45,312,930 (domestic), $100,412,930 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • Man of La Mancha (1972) — Budget, $12 million. Box office, $3.8 million (domestic rentals). WIKIPEDIA SAYS BOXOFFICE: $11.5M; MADE 95.8% OF BUDGET; DID NOT LOSE ENOUGH; CUT
  • Man of Tai Chi (2013) — Budget, $32 million. Box office, $5,400,144. KEEP
  • Man of the House (2005) — Budget, $40 million. Box office, $21,577,624. KEEP
  • Man on a Ledge (2012) — Budget, $42 million. Box office, $18,620,000 (domestic), $46,201,189 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • Man on the Moon (1999) — Budget, $82 million. Box office, $47,434,430. KEEP
  • Man-Thing (2005) — Budget, $7.5 million. Box office, $1.1 million. KEEP
  • Man to Man (2005) — Budget, 21.7 million Euros. Box office, $3.5 million U.S. Dollars. KEEP
  • Man Trouble (1992) — Budget, $30 million. Box office, $4,096,030. KEEP
  • The Man Who Killed Don Quixote (2018) — Budget, €16 million. Box office, $391,963 (domestic), $1.8 million (international). KEEP
  • The Man Who Knew Too Little (1997) — Budget, $20 million. Box office, $13,717,039. KEEP
  • The Man Who Loved Women (1983) — Budget, $19 million. Box office, $10,964,231. KEEP
  • The Man Who Wasn't There (2001) — Budget, $20 million. Box office, $18,916,623. MADE 94.6% OF BUDGET; DID NOT LOSE ENOUGH; CUT
  • Man with a Plan (1996) — Budget, $100,000. Box office, $33,402. KEEP
  • The Man with One Red Shoe (1985) — Budget, $16 million. Box office, $8,645,411. KEEP
  • The Man with the Iron Fists (2012) — Budget, $15 million (not counting marketing costs), $20 million (counting them). Box office, $15,634,090 (domestic), $19,721,245 (worldwide). MADE 98.6% OF BUDGET; DID NOT LOSE ENOUGH; CUT
  • The Man with the Iron Heart (2017) - Budget €27.8 million (about $33 million). Global box office gross: a little over $4 million. KEEP
  • The Manchurian Candidate (2004) — Budget, $80 million. Box office, $65,955,630 (domestic), $96,105,964 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • Mandela: Long Walk to Freedom (2013) — Budget, $35 million. Box office, $8.3 million (domestic), $27.3 million (worldwide). MADE 78% OF BUDGET; BARELY DID NOT LOSE ENOUGH; CUT
  • Manderlay (2005) — Budget, $14.2 million. Box office, $675,000. KEEP
  • Mandy (2018) — Budget, $6 million. Box office: $1,214,525. KEEP
  • Manhattan Murder Mystery (1993) — Budget, $13.5 million. Box office, $11,330,911. MADE 83.9% OF BUDGET; DID NOT LOSE ENOUGH; CUT
  • The Manhattan Project (1986) — Budget, $18 million. Box office, $3.9 million. KEEP
  • Manhunter (1986) — Budget, $15 million. Box Office, $8.6 million. KEEP
  • Mannequin Two: On the Move (1991) — Budget: $13 million. Box office: $3,752,428. KEEP
  • The Many Saints of Newark (2021) — Budget: $50 million; box office gross: $8,220,603 (domestic), $4.1 million (international). KEEP
  • Maradonia and the Shadow Empire (2016) — Budget: Unknown, but it was expensive enough to get the creators evicted from their house. Box office: Unknown, but can safely be assumed to be tiny, as the film was only showed once in one theater (which the creators had to rent out). LITERALLY ALMOST NO INFO; CUT
  • Marci X (2003) — Budget, $20 million. Box office, $1,675,706. KEEP
  • Margaret (2011) — Budget, $14 million. Box office, $623,292. KEEP
  • Marie Antoinette (1938) — Budget, $2.9 million. Box office, $2,133,000. KEEP
  • Marie Antoinette (2006) — Budget, $40 million. Box office, $15,962,471 (domestic), $60,917,189 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • Marmaduke (2010) — Budget, $50 million. Box office, $33,644,788 (domestic), $83,761,844 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • Married to It (1993) — Budget, $14 million. Box office, $2,059,832. KEEP
  • The Marrying Man (1991) — Budget, $26 million. Box office, $12,454,758. KEEP
  • Marooned (1969) — Budget, $8–10 million. Box office, $4.1 million. KEEP
  • Mars Attacks! (1996) — Budget, $80-100 million. Box office, $37,771,017 (domestic), $101,371,017 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • Mars Needs Moms (2011) — Budget, $150 million. Box office, $38,992,758. KEEP
  • Marshall (2017) — Budget, $12 million. Box office, $10,051,659 (domestic). WORLDWIDE BOXOFFICE: $10.1M; MADE 84.2% OF BUDGET; DID NOT LOSE ENOUGH; CUT
  • Martian Child (2007) — Budget, $27 million. Box office, $9,351,744. KEEP
  • Marvin's Room (1996) — Budget, $23 million. Box office, $12,803,305. KEEP
  • Mary of Scotland (1936) — Budget, $864,000. $1,276,000. MADE BUDGET; CUT
  • Mary Reilly (1996) — Budget, $47 million. Box office, $12,379,402. KEEP
  • Mary Shelley's Frankenstein (1994) — Budget, $45 million. Box office, $22,006,296 (domestic), $112,006,296 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • The Master (2012) — Budget, $32 million. Box office, $26,248,232. MADE 82% OF BUDGET; DID NOT LOSE ENOUGH; CUT
  • Master and Commander: The Far Side of the World (2003) — Budget, $150 million. Box office, $93,927,920 (domestic), $212,011,111 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • Masterminds (2016) — Budget, $25 million. Box office, $17,368,022 (domestic), $29,148,224 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • Masters of the Universe (1987) — Budget, $22 million. Box office, $17,336,370. MADE 78.8% OF BUDGET; BARELY DID NOT LOSE ENOUGH; CUT
  • The Matador (2005) — Budget, $12.5 million. Box office, $17.3 million. MADE BUDGET; CUT
  • Matchstick Men (2003) — Budget, $62 million. Box office, $36,906,460 (domestic), $65,565,672 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • Material Girls (2005) — Budget, $15 million. Box office, $16,907,725. MADE BUDGET; CUT
  • Matilda (1996) — Budget, $36 million. Box office, $33,459,416 (domestic), $62.1 million (worldwide). MADE BUDGET WORLDWIDE; CUT
  • Matinee (1993) — Budget, $13 million. Box office, $9,532,895. KEEP
  • The Matrix Resurrections (2021) — Budget, $190 million. Box office, $37,481,470 (domestic), $153,681,470 (worldwide). MADE 80.9% OF BUDGET; DID NOT LOSE ENOUGH; CUT
  • Max Keeble's Big Move (2001) — Budget, $25 million. Box office, $18,634,654. KEEP
  • Max Payne (2008) — Budget, $35 million. Box office, $40,689,393 (domestic), $87,066,930 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • Max Schmeling (2010) — Budget, $7 million. Box office, $96,456 (Germany). KEEP UNTIL WORLDWIDE #S PROVE OTHERWISE
  • Max Steel (2016) — Budget, $10.4 million. Box office, $6,272,403. KEEP
  • Maximum Overdrive (1986) — Budget, $10 million. Box office, $7.4 million. KEEP
  • Maximum Risk (1996) — Budget, $25 million. Box office, $14,502,483 (domestic), $51,702,483 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • McHale's Navy (1997) — Budget, $42 million. Box office, $4,408,420. KEEP
  • Me and Earl and the Dying Girl (2015) — Budget, $8 million. Box office, $6.8 milllion (domestic), $9.1 million (worldwide). MADE BUDGET WORLDWIDE; CUT
  • Me and Orson Welles (2009) — Budget, $25 million. Box office, $2,336,172. KEEP
  • The Mechanic (2011) — Budget, $40 million. Box office, $29,121,498 (domestic), $62,040,498 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • The Medallion (2003) — Budget, $41 million. Box office, $34,268,701. MADE 83.6% OF BUDGET; DID NOT LOSE ENOUGH; CUT
  • Medicine Man (1992) — Budget, $40 million. Box office, $45 million. MADE BUDGET; CUT
  • Meet Dave (2008) — Budget, $60 million. Box office, $50,650,079. MADE 84.4% OF BUDGET; DID NOT LOSE ENOUGH; CUT
  • Meet Joe Black (1998) — Budget, $90 million. Box office, $44,619,100 (domestic), $142,940,100 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • Meet the Deedles (1998) — Budget, $24 million. Box office, $4.3 million. KEEP
  • Meet the Robinsons (2007) — Budget, Undisclosed (figures estimate it at $150-$195 million, including marketing costs). Box office, $97,822,171 (domestic), $169,333,034 (worldwide). CUT
  • Megaforce (1982) — Budget, $20 million. Box office, $5,675,599. KEEP
  • Megiddo: The Omega Code 2 (2001) — Budget, $21 million. Box office, $6,047,691. KEEP
  • Memoirs of an Invisible Man (1992) — Budget, $40 million. Box office, $14,358,033. KEEP
  • Memories of Me (1988) — Budget, $12 million. Box office, $3,965,604. KEEP
  • Men, Women & Children (2014) — Budget, $16 million. Box office, $1,705,908. KEEP
  • The Merchant of Venice (2004) — Budget, $30 million. Box office, $21,417,725. KEEP
  • Mercury Rising (1998) — Budget, $60 million. Box office, $32,935,289 (domestic), $93,107,289 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • The Messenger: The Story of Joan of Arc (1999) — Budget, $60 million. Box office, $14,276,317 (domestic), $66,976,317 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • Metallica Through the Never (2013) — Budget, $18 million. Box office, $7,972,967. KEEP
  • Meteor (1979) — Budget, $16 million. Box office, $8,400,000. KEEP
  • The Meteor Man (1993) — Budget, $30 million. Box office, $8,023,147. KEEP
  • Metro (1997) — Budget, $40 million. Box office, $32,000,301 (domestic), $74,400,000 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • Metropolis (1927) — Budget, 5,100,000 German Reichsmarks. Box office, 75,000 German Reichsmarks. KEEP
  • Miami Vice (2006) — Budget, $135 million. Box office, $63,450,470 (domestic), $163,794,509 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • Michael Collins (1996) — Budget, $25 million. Box office, $11,092,559 (domestic), $28,092,559 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • Mickey (2004) — Budget, $6 million. Box office, less than $300,000. KEEP
  • Mickey Blue Eyes (1999) — Budget, $40 million. Box office, $33,864,342 (domestic), $54,264,342 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • Middle Men (2010) — Budget, $20 million. Box office, $754,301. KEEP
  • Midnight Crossing (1988) — Budget, $5 million. Box office, $1.3 million. KEEP
  • Midnight in the Garden of Good and Evil (1997) — Budget, $35 million. Box office, $25,105,255. KEEP
  • Midnight Madness (1980) — Budget, $7 million (estimated). Box office, $2.9 million. KEEP
  • The Midnight Meat Train (2008) — Budget, $15 million. Box office, $3,533,527. KEEP
  • Midnight Special (2016) — Budget, $18 million. Box office, $6,212,282. KEEP
  • A Midsummer Night's Dream (1935) — Budget, $981,000. Box office, $1.229 million. MADE BUDGET; CUT
  • Midway (2019) — Budget, $100 million. Box office, $56,846,802 (domestic), $123,131,991 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • Mighty Aphrodite (1995) — Budget, $15 million. Box office, $6,468,498. KEEP
  • A Mighty Heart (2007) — Budget, $16 million. Box office, $9,176,787 (domestic), $18,935,657 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • Mighty Joe Young (1949) — Budget, $1.8 million. Box office, $1.9 million. Recorded loss, $675,000. MADE BUDGET; CUT
  • Mighty Joe Young (1998) — Budget, $90 million. Box office, $50,632,037. KEEP
  • The Mighty Macs (2009) — Budget, $7 million. Box office, $1,891,936. KEEP
  • Mike's Murder (1984) — Budget, $6.3 million. Box office, $1,059,966. KEEP
  • The Milagro Beanfield War (1988) — Budget, $22 million. Box office, $13,825,794. KEEP
  • Mile 22 (2018) — Budget, $50 million. Box office, $36.1 million (domestic), $66.3 million (worldwide). MADE BUDGET WORLDWIDE; CUT
  • Milk Money (1994) — Budget, $20 million. Box office, $18,137,661. MADE 90.7% OF BUDGET; DID NOT LOSE ENOUGH; CUT
  • Miller's Crossing (1990) — Budget, $14 million. Box office, $5,080,409. KEEP
  • Million Dollar Arm (2014) — Budget, $25 million. Box office, $36,457,627 (domestic), $39,227,580 (worldwide). MADE BUDGET; CUT
  • Million Dollar Mystery (1987) — Budget, $10 million. Box office, $989,033 (domestic). KEEP
  • Mimic (1997) — Budget, $30 million. Box office, $25 million. MADE 83.3% OF BUDGET; DID NOT LOSE ENOUGH; CUT
  • Mind Hunters (2005) — Budget, $27 million. Box office, $21,148,829. MADE 78.3% OF BUDGET; BARELY DID NOT LOSE ENOUGH; CUT
  • Miracle at St. Anna (2008) — Budget, $45 million. Box office, $9,323,833. KEEP
  • Miracle Mile (1989) — Budget, $3,700,000. Box office, $1,145,404. KEEP
  • Misconduct (2016) — Budget, $11 million. Box office, $2,124,005. KEEP
  • The Misfits (1961) — Budget, $4 million. Box office, $4.1 million (rentals). MADE BUDGET; CUT
  • Mishima A Life In Four Chapters (1985) — Budget, $5 million. Box office, $502,758. KEEP
  • Miss Bala (2019) — Budget, $15 million. Box office, $15,006,824. MADE BUDGET, IF NOT CLOSE; CUT
  • Miss March (2009) — Budget, $6 million (estimated). Box office, $4,543,320 (domestic), $48,309 (international), $4,591,629 (worldwide total). MADE 76.5% OF BUDGET; BARELY DID NOT LOSE ENOUGH; CUT
  • Miss Sloane (2016) — Budget, $13 million. Box office, $3,500,605. KEEP
  • The Missing (2003) — Budget, $60 million. Box office, $38,364,277. KEEP
  • Missing Link (2019) — Budget, $102.3 million. Box office, $26,249,469. KEEP
  • The Mission (1986) — Budget, £16.5 million. Box office, $17 million. MADE 83.8% OF BUDGET; DID NOT LOSE ENOUGH; CUT
  • Mission to Mars (2000) — Budget, $90-100 million. Box office, $60,883,407 (domestic), $110,983,407 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • Mixed Nuts (1994) — Budget, $20 million. Box office, $6.8 million. KEEP
  • Mobsters (1991) — Budget, $23 million. Box office, $20,246,790. MADE 88% OF BUDGET; DID NOT LOSE ENOUGH; CUT
  • The Mod Squad (1999) — Budget, $50 million. Box office, $13,263,993. KEEP
  • The Moderns (1988) — Budget, $3.5 million. Box office, $2 million. KEEP
  • Mohammad, Messenger of God (1976) — Budget, $10 million. Box office, $15 million. MADE BUDGET; CUT
  • Molly (1999) — Budget, $21 million. Box office, $17,650. KEEP
  • The Molly Maguires (1970) — Budget, $11 million. Box office, $2.2 million. KEEP
  • Mom and Dad Save the World (1992) — Budget, $14 million. Box office, $2 million. KEEP
  • Moment by Moment (1978) — Budget, $8 million. Box office, $10,963,824. MADE BUDGET; CUT
  • Mommie Dearest (1981) Budget, $10 million. Box office, $19 million (domestic gross), $8 million (domestic rentals), $39 million (worldwide). MADE BUDGET; CUT
  • Money for Nothing (1993) — Budget, $11 million. Box office, $1,039,824. KEEP
  • Money Train (1995) — Budget, $68 million. Box office, $35,431,113 (domestic), $77,224,232 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • Monkey Shines (1988) — Budget, $7,000,000. Gross, $5,344,577. MADE 76.4% OF BUDGET; BARELY DID NOT LOSE ENOUGH; CUT
  • Monkeybone (2001) — Budget, $75 million. Box office, $7,622,365. KEEP
  • Monsieur Verdoux (1947) — Budget: $2,000,000. Gross USA: $325,000. Cumulative Worldwide Gross: $1,500,000. MADE EXACTLY 75% OF BUDGET; CUT
  • Monsignor (1982) — Budget, $10 million. Box office, $6.5 million (domestic). BOXOFFICEMOJO SAYS BOXOFFICE: $12,408,066; MADE BUDGET; CUT
  • A Monster Calls (2016) — Budget, $43 million. Box office, $3,740,823 (domestic), $43,456,127 (worldwide). MADE BUDGET WORLDWIDE, IF NOT CLOSE; CUT
  • Monster House (2006) — Budget, $75 million. Box office, $73,661,010 (domestic), $140,175,006 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • Monster Hunter (2020) — Budget, $60 million. Box office, $15,104,790 (domestic), $40,783,539 (worldwide, excluding China). THENUMBERS SAYS WORLDWIDE BOXOFFICE: $44,453,937; KEEP
  • The Monster Squad (1987) — Budget, $12 million. Box office, $3.8 million. KEEP
  • Monster Trucks (2017) — Budget, $125 million. Box office, $64,493,915. KEEP
  • Monument Ave (1998) — Budget, $11 million. Box office, $333,760. KEEP
  • Moon over Parador (1988) — Budget, $20 million. Box office, $11,444,204. KEEP
  • Moonfall (2022) - Budget, $138-146 million. Box office, $18,978,784 (domestic), $39,403,856 (worldwide). KEEP
  • Moonlight Mile (2002) — Budget, $21 million. Box office, $10,011,050. KEEP
  • Morbius (2022) - Budget, $75–83 million. Box office, $73.8 million (domestically), $163.8 million (worldwide). MADE BUDGET WORLDWIDE; CUT
  • Morgan (2016) — Budget, $8 million. Box office, $3,915,251 (domestic), $8,810,591 (worldwide). MADE BUDGET WORLDWIDE, IF NOT CLOSE; CUT
  • Morgan Stewarts Coming Home (1987) — Budget, $6 million. Box office, $2,136,381. KEEP
  • Morituri (1965) — Budget, $6,290,000. Box office, $3,000,000. KEEP
  • Morning Glory (2010) — Budget, $40 million. Box office, $31,011,732 (domestic), $60,040,976 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • Mortal Engines (2018) — Budget, between $100–150 million. Box office, $15.9 million domestic, $83.2 million worldwide. IFFY, BUT LEANING ON KEEP; THOUGHTS?
  • The Mortal Instruments: City of Bones (2013) — Budget, $60 million. Box office, $31,165,421 (domestic), $90,565,421 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • Mortal Kombat: Annihilation (1997) — Budget, $30 million. Box office, $35 million (domestic), $51 million (worldwide). MADE BUDGET; CUT
  • Mortdecai (2015) — Budget, $60 million. Box office, $7,696,134 (domestic), $47,275,695 (worldwide). MADE 78.8% OF BUDGET; BARELY DID NOT LOSE ENOUGH; CUT
  • The Mosquito Coast (1986) — Budget, $25 million. Box office, $14,302,779. KEEP
  • A Most Violent Year (2014) — Budget, $20 million. Box office, $6 million. KEEP
  • Most Wanted (1997) — Budget, $25 million. Box office, $11,838,218. KEEP
  • mother! (2017) — Budget, $30 million. Box office, $17,800,004 (domestic), $44,400,272 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • Mother and Child (2009) - Budget, $7 million. Box office, $4 million. KEEP
  • Motherhood (2009) — Budget, $10 million. Box office, $726,354. KEEP
  • Motherless Brooklyn (2019) — Budget, $26 million. Box office, $8.8 million (domestic), $10.6 million (worldwide). KEEP
  • Mothers Boys (1993) — Budget, $8 million. Box office, $874,148. KEEP
  • The Mountain Between Us (2017) — Budget, $35 million. Box office, $30,348,555 (domestic), $62,587,178 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • Mountains of the Moon (1990) — Budget, $19 million. Box office, $4,011,793. KEEP
  • Movers and Shakers (1985) — Budget, $3.5 million. Box office, $372,438. KEEP
  • Moving (1988) — Budget, $10 million. Box office, $10,815,378. MADE BUDGET, IF NOT CLOSE; CUT
  • Mozart and the Whale (2006) — Budget, $12 million. Box office, $84,444. KEEP
  • Mr. 3000 (2004) — Budget, $30 million. Box office, $21.8 million. KEEP
  • Mr. Baseball (1992) — Budget, $40 million. Box office, $20,883,046. KEEP
  • Mr. Bug Goes to Town note  (1941) — Budget, $713,511. Box office, $214,000. KEEP
  • Mr Jones (1993) — Budget, $25 million. Box office, $8,345,845. KEEP
  • Mr. Magoo (1997) — Budget, $30 million. Box office, $21.4 million. KEEP
  • Mr. Magorium's Wonder Emporium (2007) — Budget, $65 million (not counting marketing costs). Box office, $32,061,555 (domestic), $69,474,661 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • Mr. Nobody (2009) — Budget, $58 million. Box office, $3,547,209. KEEP
  • Mr. Peabody & Sherman (2014) — Budget, $145 million. Box office, $111,506,430 (domestic), $272,912,430 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • Mr. Saturday Night (1992) — Budget, $43 million. Box office, $13,351,357. KEEP
  • Mr Wonderful (1993) — Budget, $13 million. Box office, $3,125,424. KEEP
  • Mr Wrong (1996) — Budget, $19 million. Box office, $12.3 million. KEEP
  • Mrs. Parker and the Vicious Circle (1994) — Budget, $7 million. Box office, $2,144,667 (domestic). KEEP
  • Mrs Soffel (1984) — Budget, $11 million. Box office, $4,385,312. KEEP
  • Mrs. Winterbourne (1996) — Budget, $25 million. Box office, $10,082,005. KEEP
  • Mulan (2020) — Budget, $200 million. Box office, $70 million worldwide. KEEP
  • Mulholland Falls (1996) — Budget, $29 million. Box office, $11,526,099. KEEP
  • Multiplicity (1996) — Budget, $45 million. Box office, $21 million. KEEP
  • Mumford (1999) — Budget, $28 million. Box office, $4,555,459. KEEP
  • Munich (2005) — Budget, $70 million. Box office, $47,403,685 (domestic), $130,358,911 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • Muppets from Space (1999) — Budget, $24 million. Box office, $22.3 million. MADE 92.9% OF BUDGET; DID NOT LOSE ENOUGH; CUT
  • Muppets Most Wanted (2014) — Budget, $50 million. Box office, $51,183,113 (domestic), $80,383,290 (worldwide). MADE BUDGET; CUT
  • Murder at 1600 (1997) — Budget, $40-50 million. Box office, $25,804,707 (domestically). WIKIPEDIA LISTS TOTAL BOXOFFICE: $41.1M; CUT
  • Murder By Numbers (2002) — Budget, $50 million. Box office, $31,945,749 (domestic), $56,714,157 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • Music (2021) — Budget, $16 million. Box office, $641,783. KEEP
  • Music of the Heart (1999) — Budget, $27 million. Box office, $14,859,394 (domestic). KEEP
  • The Musketeer (2001) — Budget, $40 million. Box office, $34,585,771. MADE 86.5% OF BUDGET; DID NOT LOSE ENOUGH; CUT
  • Mutiny on the Bounty (1962) — Budget, $19 million. Box office, $13,680,000. KEEP
  • My All-American (2015) — Budget, $20 million. Box office, $2,246,000. KEEP
  • My Boyfriend's Back (1993) — Budget, $10 million. Box office, $3.3 million. KEEP
  • My Favorite Martian (1999) — Budget, $65 million. Box office, $36,850,101. KEEP
  • My Little Pony the Movie (1986) — Budget, Unknown. Box office, $5,958,456. WIKIPEDIA LISTS BUDGET: $5.5M; MADE BUDGET; CUT
  • My Neighbors the Yamadas (1999) — Budget, ¥2 billion. Box office, ¥1.56 billion. MADE 78% OF BUDGET; BARELY DID NOT LOSE ENOUGH; CUT
  • My Soul to Take (2010) — Budget, $25 million. Box office, $20,976,402. MADE 83.9% OF BUDGET; DID NOT LOSE ENOUGH; CUT
  • My Stepmother Is an Alien (1988) — Budget, $26 million. Box office, $13,854,000 (domestic). KEEP
  • Myra Breckinridge (1970) — Budget, $5.385 million. Box office, $4 million. KEEP
  • Mystery, Alaska (1999) — Budget, $28 million. Box office, $8,898,623. KEEP
  • Mystery Men (1999) — Budget, $65 million. Box office, $33,461,011. KEEP

RallysCheckers Since: Sep, 2022
#99: Dec 5th 2022 at 6:51:44 PM

N

    N 
  • Nadine (1987) — Budget, $12 million. Box office, $5,669,831. KEEP
  • Naked Lunch (1991) — Budget, $17-$18 million. Box office, $2,641,357. KEEP
  • Narrow Margin (1990) — Budget, $15-20 million. Box office, $10,873,237. KEEP
  • Nate and Hayes (1983) — Budget, $12 million. Box office, $1.9 million (domestic). KEEP UNTIL WORLDWIDE #S PROVE OTHERWISE
  • National Lampoon's Gold Diggers (2004) — Budget, $6 million. Box office, $829,140. KEEP
  • National Lampoon's Movie Madness (1983) — Budget, $15 million. Box office, $5,027,193. KEEP
  • The Nativity Story (2006) - Budget, $35 million ($65 million with prints and advertising included). Box office, $46.4 million. KEEP
  • The Navigator: A Medieval Odyssey (1988) — Budget, A$4.3 million. Box office, A$480,344 (Australian box office), $1,333,379 (US Box office). KEEP
  • Near Dark (1987) — Budget, $5 million. Box office, $3.4 million. KEEP
  • Ned Kelly (1970) - Budget, $2.5 million. Box office, $808,000. KEEP
  • Need for Speed (2014) — Budget, $66 million. Box office, $43,511,047 (domestic), $203,211,047 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • The Negotiator (1998) — Budget, $50 million. Box office, $44,748,766 (domestic), $71,848,766 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • The Neon Demon (2016) — Budget, $7 million. Box office, $3,559,803. KEEP
  • Never Let Me Go (2010) — Budget, $15 million. Box office, $9,455,232. KEEP
  • The NeverEnding Story II: The Next Chapter (1990) — Budget, $36 million. Box office, $17 million (domestic), $56,468,971 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • The New Adventures of Pippi Longstocking (1988) — Budget, $8-10 million. Box office, $3,569,939. KEEP
  • New Jersey Drive (1995) — Budget, $5 million. Box office, $3,565,508. KEEP
  • The New Mutants (2020) — Budget, $67–80 million. Box office, $23,845,088 (domestic), $46,378,380 (worldwide), KEEP
  • The New World (2005) — Budget, $30 million. Box office, $12.7 million (domestic), $30.5 million (worldwide). MADE BUDGET WORLDWIDE; CUT
  • New York Minute (2004) — Budget, $30 million. Box office, $21,289,826. KEEP
  • New York, New York (1977) — Budget, $14 million. Box office, $16.4 million. MADE BUDGET; CUT
  • New York Stories (1989) — Budget, $15 million. Box office, $10,763,469. KEEP
  • Newsies (1992) — Budget, $15 million. Box office, $2,819,485. KEEP
  • The Newton Boys (1998) — Budget, $27 million. Box office, $10,452,012. KEEP
  • Next (2007) — Budget, $70 million. Box office, $18,211,013 (domestic), $76,066,841 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • The Next Best Thing (2000) — Budget, $25 million. Box office, $24,362,772. MADE 97.5% OF BUDGET; DID NOT LOSE ENOUGH; CUT
  • The Next Karate Kid (1994) — Budget, $12 million. Box office, $8,751,228 (domestic), $15.8 million (worldwide). MADE BUDGET WORLDWIDE; CUT
  • The Next Three Days (2010) — Budget, $30 million. Box office, $21,148,651 (domestic), $67,448,651 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • The Nice Guys (2016) — Budget, $50 million. Box office, $36,261,763 (domestic), $57,261,763 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • Nicholas and Alexandra (1971) - Budget, $9 million. Box office, $7 million (rentals). MADE 77.8% OF BUDGET; BARELY DID NOT LOSE ENOUGH; CUT
  • Nick of Time (1995) — Budget, $33 million. Box office, $8,175,346 (domestic). KEEP
  • Night and the City (1992) — Budget, $20 million. Box office, $6,202,756. KEEP
  • Night at the Museum: Secret of the Tomb (2014) — Budget, $127 million. Box office, $113,746,621 (domestic), $363,204,635 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • A Night in Heaven (1983) — Budget, $6 million. Box office, $5,563,663. MADE 92.7% OF BUDGET; DID NOT LOSE ENOUGH; CUT
  • Night of the Demons (2009) — Budget, $10 million. Box office, $64,040. KEEP
  • The Night of the Hunter (1955) — Budget, $750,000. Box office, $300,000 (US rentals). KEEP
  • Nightbreed (1990) — Budget, $11 million. Box office, $8.8-8.9 million. DID NOT LOSE ENOUGH; CUT
  • Nightmare Alley (2021) — Budget, $60 million. Box office, $11,231,175 (domestic), $37,431,755 (worldwide). KEEP
  • Nil by Mouth (1997) — Budget, $9 million. Box office, $266,130. KEEP
  • Nine (2009) — Budget, $80 million. Box office, $53,998,806. KEEP
  • Nine Lives (2016) — Budget, $30 million. Box office, $19,700,032 (domestic), $57,814,445 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • Ninja Assassin (2009) — Budget, $40 million. Box office, $38,122,883 (domestic), $61,601,280 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • Nixon (1995) — Budget, $44 million. Box office, $13,681,765. KEEP
  • No Escape (1994) — Budget, $20 million. Box office, $15.3 million. MADE 76.5% OF BUDGET; BARELY DID NOT LOSE ENOUGH; CUT
  • No Good Deed (2002) — Budget, $12 million. Box office, $181,600 (faints). KEEP
  • No Looking Back (1998) — Budget, $5 million. Box office, $222,099. KEEP
  • No Mercy (1986) — Budget, $14 million. Box office, $12,303,904 (domestic). MADE 87.9% OF BUDGET; DID NOT LOSE ENOUGH; CUT
  • No One Lives (2013) — Budget, $2,900,000. Box office, $74,918. KEEP
  • Noah (2014) — Budget, $125 million. Box office, $101,200,044 (domestic), $362,637,473 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • Nocturnal Animals (2016) — Budget, $22.5 million. Box office, $10,663,357 (domestic), $29,252,978 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • Noises Off (1992) — Budget, $12 million. Box office, $2.2 million. KEEP
  • Nomad the Warrior (2007) — Budget, $40 million. Box office, $3,088,685. KEEP
  • Norm of the North (2016) — Budget, $18 million. Box office, $16.9 million (domestic), $22.6 million (worldwide). MADE BUDGET WORLDWIDE; CUT
  • North (1994) — Budget, $40 million. Box office, $7,182,747. KEEP
  • North Country (2005) — Budget, $35 million. Box office, $25,211,175. KEEP
  • The Northman (2022) - Budget, $70-90 million. Box office, $34,233,110 (domestic), $68,621,850 (worldwide). DID NOT LOSE ENOUGH; CUT
  • Not Cool (2014) — Budget, $800,000. Box office, $36,026. KEEP
  • Not Fade Away (2012) — Budget, $20 million. Box office, $427,000. KEEP
  • Not Without My Daughter (1991) — Budget, $22 million. Box office, $14,789,113. KEEP
  • Nothing But the Truth (2008) — Budget, $11 million. Box office, $409,832 (worldwide). KEEP
  • Nothing but Trouble (1991) — Budget, $40 million. Box office, $8,479,793. KEEP
  • Novocaine (2001) — Budget, $6 million. Box office, $2,036,682. KEEP
  • Nurse Betty (2000) — Budget, $35 million. Box office, $29,360,400. MADE 83.9% OF BUDGET; DID NOT LOSE ENOUGH; CUT
  • The Nut Job 2: Nutty by Nature (2017) — Budget, $40 million. Box office, $28,370,522 (domestic), $65,146,020 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • The Nutcracker (1993) — Budget, $19 million. Box office, $2,119,994. KEEP
  • The Nutcracker and the Four Realms (2018) — Budget, $120-133 million. Box office, $54,858,851 (domestic), $173,961,069 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • The Nutcracker in 3D (2010) — Budget, $90 million. Box office, $14,678,086, nearly all of which came from the Russian market. KEEP

RallysCheckers Since: Sep, 2022
#100: Dec 6th 2022 at 4:57:31 PM

    O 
  • The Obama Effect (2012) — Budget, $10 million. Box office, $110,000. KEEP
  • OC and Stiggs (1987) — Budget, $7 million. Box office, $29,815. KEEP
  • Oceans (2010) — Budget, $80 million (marketing included). Box office, $19,422,319 (domestic), $82,651,439 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • Odd Thomas (2013) — Budget, $27 million. Box office, $1.3 million. KEEP
  • Off Limits (1988) — Budget, $12 million. Box office, $7,242,035. KEEP
  • Offending Angels (2002) — Budget, £70,000. Box office, around £89. KEEP
  • Old Dogs (2009) — Budget, $35 million. Box office, $49,492,060 (domestic), $96,753,696 (worldwide). MADE BUDGET; CUT
  • Old Gringo (1989) — Budget, $27 million. Box office, $3,574,256. KEEP
  • Oldboy (2013) — Budget, $30 million. Box office, $4,861,022. KEEP
  • Oliver Twist (2005) — Budget, $60 million. Box office, $42,580,321. KEEP
  • On a Clear Day You Can See Forever (1970) - Budget, $10 million. Box office, $14 million (gross), $5.35 million (domestic rentals). MADE BUDGET; CUT
  • On Deadly Ground (1994) — Budget, $50 million. Box office, $38.5 million. MADE 77% OF BUDGET; BARELY DID NOT LOSE ENOUGH; CUT
  • On the Line (2001) — Budget, $16 million. Box office, $4,403,019. KEEP
  • On the Road (2012) — Budget, $25 million. Box office, $8,784,318. KEEP
  • Once Around (1991) — Budget, $16 million. Box office, $14,851,083. MADE 92.8% OF BUDGET; DID NOT LOSE ENOUGH; CUT
  • Once Upon a Crime (1992) — Budget, $18 million. Box office, $8,669,847. KEEP
  • Once Upon a Forest (1993) — Budget, $13 million. Box office, $6,582,052. KEEP
  • Once Upon a Time in America (1984) — Budget, $30 million. Box office, $5,321,508. KEEP
  • The One (2001) — Budget, $49 million. Box office, $43,905,746 (domestic), $72,689,126 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • One-Eyed Jacks (1961) - Budget, $6 million. Box office, $4.3 million. KEEP
  • One for the Money (2012) — Budget, $40 million. Box office, $36,893,721. MADE 92.2% OF BUDGET; DID NOT LOSE ENOUGH; CUT
  • One from the Heart (1982) — Budget, $26 million. Box office, $636,796. KEEP
  • One Man's Hero (1999) — Budget, $20 million. Box office, $240,067. KEEP
  • One Night at McCool's (2001) — Budget, $18 million. Box office, $13,473,370. KEEP
  • One Night Stand (1997) — Budget, $24 million. Box office, $2,618,335. KEEP
  • One Night with the King (2006) — Budget, $20 million. Box office, $13,728,450. KEEP
  • One True Thing (1998) — Budget, $30 million. Box office, $26,616,840. MADE 88.7% OF BUDGET; DID NOT LOSE ENOUGH; CUT
  • One, Two, Three (1961) — Budget, $3 million. Box office, $4 million. MADE BUDGET; CUT
  • Onegin (1999) — Budget, $14 million. Box office, $206,128 (Ouch). KEEP
  • The Only Game in Town (1970) — Budget, $10 million. Box office, $1.5 million. KEEP
  • Only God Forgives (2013) — Budget, $4.8 million. Box office, $779,188 (domestic), $10,639,616 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • Only the Brave (2017) — Budget, $38 million. Box office, $23,096,888. KEEP
  • Onward (2020) — Budget, $175-200 million. Box office, $61,555,145 (domestic), $141.9 million (worldwide). IFFY; THOUGHTS?
  • The Oogieloves in the Big Balloon Adventure (2012) — Budget, $20 million ($60 million when marketing is factored in). Box office, $1,065,907. KEEP
  • Opportunity Knocks (1990) — Budget, $13 million. Box office, $11,359,129. MADE 87.4% OF BUDGET; DID NOT LOSE ENOUGH; CUT
  • The Opposite Sex (1956) — Budget, $2,834,000. Box office, $1,735,000 (domestic), $2,760,000 (worldwide). Cost MGM $1,513,000. MADE 97.4% OF BUDGET; DID NOT LOSE ENOUGH; CUT
  • The Order (2003) — Budget, $35 million. Box office, $11,559,747. KEEP
  • Original Sin (2001) — Budget, $42 million. Box office, $35,402,320. MADE 84.3% OF BUDGET; DID NOT LOSE ENOUGH; CUT
  • Oscar (1991) — Budget, $35 million. Box office, $23,562,716. KEEP
  • Osmosis Jones (2001) — Budget, $75 million. Box office, $14,026,418. KEEP
  • Othello (1995) — Budget, $11 million. Box office, $2,844,379. KEEP
  • The Other Side of Heaven (2001) — Budget, $7,000,000. Box office, $4,760,014. KEEP
  • The Other Sister (1999) — Budget, $35 million. Box office, $27,807,627 (domestic). MADE 79.4% OF BUDGET; BARELY DID NOT LOSE ENOUGH; CUT
  • Our Brand is Crisis (2015) — Budget, $28 million. Box office, $7 million. KEEP
  • Out Of Bounds (1986) — Budget, $9 million. Box office, $5,099,316. KEEP
  • Out of Reach (2004) — Budget, $20 million. Box office, $104,502. KEEP
  • Out of Sight (1998) — Budget, $48 million. Box office, $37,562,568 (domestic), $77,745,568 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • Out Of The Dark (1989) - Budget, $1.6 million. Box office, $419,428. KEEP
  • Out of the Furnace (2013) — Budget, $22 million. Box office, $15,660,668. KEEP
  • Out of Time (2003) — Budget, $50 million. Box office, $41,088,845 (domestic), $55,495,563 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • The Out-of-Towners (1999) — Budget, $40 million. Box office, $28,544,120. KEEP
  • Out On A Limb (1992) — Budget, $11 million. Box office, $1,659,542. KEEP
  • Out to Sea (1997) — Budget, $33 million. Box office, $30,716,901. MADE 93.1% OF BUDGET; DID NOT LOSE ENOUGH; CUT
  • Outcast (2014) - Budget, $25 million. Box office, $4.8 million. KEEP
  • Outlander (2008) — Budget, $47 million. Box office, $7,033,683, nearly all of which came from overseas. KEEP
  • Over the Top (1987) — Budget, $25 million. Box office, $16,057,580. KEEP
  • Overlord (2018) — Budget, $38 million. Box office, $21,704,844 (domestic), $41,657,844 (worldwide). MADE BUDGET WORLDWIDE; CUT
  • The Ox-Bow Incident (1943) — Budget, $565,000. Box office, $750,000 (US rentals). MADE BUDGET; CUT


Total posts: 169
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