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Franchise Killer

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https://static.tvtropes.org/pmwiki/pub/images/franchisekiller_2015.png
And then they had to reboot it again, seven years later.

"I think we might have killed the franchise."
George Clooney on Batman & Robin (and until 2005, he was right)
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Sometimes a sequel sucks. Sometimes it sucks, but leaves the possibility open that the followup will be better and that this is just a blip in the quality of the franchise. Then sometimes it sucks so much that it kills the franchise stone dead, destroying the producers'/publishers' hopes for further sequels. In a variation, maybe the sequel was genuinely decent, but not enough to erase the sins of the previous entries and win back the favor of the crowd. In the most extreme cases, it can even take the producer/publisher down with it. Or even the entire genre itself.

Occasionally a few Franchise Killers over too short a period (or one really bad one) can put a whole genre out of favour for a while. Even the executives could tell when it's time to stop following the leader.

Note that sometimes the franchise turns out to be Not Quite Dead, and can be salvaged with a Continuity Reboot. If the franchise experiences what should have been a Franchise Killer but carries on regardless, it's a Franchise Zombie. Occasionally it's a Stillborn Franchise, an all-new product for which plans for sequels were made and then scrapped when it was discovered that the product was crap, or so hyped up that the creators have unrealistic expectations of its success. Or it just didn't profit enough, even though it was a Cult Classic.

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For many Video Game companies, shipping a Franchise Killer is also a Creator Killer, either through bankruptcy, no-one wanting to forward them the funding to continue making games, or in the modern world of mega-corporations owning every studio as a subsidiary of the larger corporation, the executives in charge of the conglomerate deciding to shut the studio having wrung the last vestiges of profit out of the intellectual property the studio was bought for, or using them as scapegoats for poor performance financially speaking. Or in some cases, actual poor performance as a studio.

Compare Torch the Franchise and Run, where a writer is deliberately trying to kill a franchise by making such a big mess of it that no one can continue it without using Prequels, Retcons or just rebooting the whole thing. See also Tough Act to Follow, where one work in a series is seen as so good that subsequent installments are seen as not worth the time and money.

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Examples

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    Anime and Manga 

Gundam

  • The Gundam franchise had been on shaky grounds for several years, in part due to low ratings, but also the conflicted leadership of Sunrise, the studio behind the series. Victory Gundam, the last televised installment to take place in the Universal Century continuity, was under massive pressure from main sponsor Bandai, resulting in a reshuffling of early episodes to showcase the titular mecha of the show earlier, and the addition of several toyetic mechs later in the show's run. Yet the show did not prove to have satisfactory sales, and combined with Sunrise being bought out by Bandai, was replaced with the extremely different Alternate Universe G Gundam, which featured many, many Gundams, and has an extensive toyline. The ratings for the series did not improve, but the toy sales went up, setting a precedent for future TV shows to always be set in alternate universes. The Universal Century still lives on though, quite successfully at that, with OVAs like The 08th MS Team and Gundam Unicorn setting sales records.
  • Gundam X's ratings almost killed the franchise, presumably due to there having been Gundam on screen every week for 4 years at that point. The series disappeared off TV for 3 years until the similarly unsuccessful ∀ Gundam (although the series continued on Video and Film with The 08th MS Team and Endless Waltz). It was not until the massively successful Gundam SEED that the series was revitalized. Gundam X is one of only two Gundam TV series to be cut short of a full two-season run. The first? The original Mobile Suit Gundam; it's easy to forget given what a massive franchise it has become when the original installment had poor ratings.
  • In America, it was Gundam SEED that killed the franchise. In this case, one can blame the heavy edits Toonami made. Desperate to air the show in a daytime slot, Cartoon Network's cuts turned the show into a complete mess, most notably by forcing the series to Never Say "Die", drastically changing battle scenes, and featuring the use of the notorious "Disco Guns." In spite of the show's serious nature, the bizarre and drastic edits caused the fanbase to not take the show seriously and it showed in the ratings. By episode 26, the series could only be seen at Friday at midnight. After its shaky run, Gundam would go back to being only seen on DVD until Sci Fi Channel revived the franchise by airing Mobile Suit Gundam 00, and Toonami didn't air any new Gundam series until 2016, when they got Mobile Suit Gundam: Iron-Blooded Orphans.note .
    • Gundam SEED Destiny managed to kill Sunrise's official English-language Gundam message board (the centerpiece of the English language website), despite not even airing outside of Japan until years later (and even then it only aired in Canada). Numerous American fans were watching fansubs of the SEED Destiny episodes within days of their air dates (or even sooner in the case of American fans who speak Japanese, which in the Gundam fandom turns out to be a surprisingly large number) and thus it was the biggest topic of discussion the message board (without, of course, the fansub aspect being mentioned; it was the official message board after all). The extremely divided fan opinion about SEED Destiny is well known, but the disagreements were kept mostly civil. And then the final episode aired, and the opinions voiced on the message board were almost universally (and often quite vehemently) negative, even among those who'd generally approved of the way the story had gone in the second half. Shortly afterward (and without advance notice), Sunrise pulled the plug on the message board entirely, leaving GundamOfficial.com little more than an empty shell that to this day no longer gets updated (when Gundam 00 aired on Sci Fi, it was given its own separate English-language website).note  In fact, given that the SEED Destiny finale aired in Japan less than six months after the SEED finale aired in North America (many Gundam fans, especially those newly-introduced to the franchise, went straight from watching SEED in English to watching fansubs of SEED Destiny), this incident may have even played a role in Gundam's long disappearance from American TV broadcasts, with Sunrise drawing the ridiculously false conclusion that negative reaction to the SEED Destiny finale meant that Americans just didn't like Gundam.
    • Seed's success once even started talks that the Cosmic Era timeline could become the new Universal Century in terms of production of sequels and side-stories. However, production troubles involving Destiny and the subsequent release and success of non-CE series Gundam 00 have since dashed those hopes. A movie meant to tie up the Cosmic Era timeline has been stuck in Development Hell for years (due to the declining health and in 2016, eventual death of head writer Chiaki Morosawa, the wife of SEED and SEED Destiny director Mitsuo Fukuda), and its fate is uncertain.
  • There was Toonami's broadcast of the original Mobile Suit Gundam, a series that was made in 1979 and had yet to receive any sort of modernization. It didn't help that Mobile Suit Gundam was following on from Mobile Suit Gundam Wing, a series that (at the time) was one of the most modern Gundam series (made in the 90s and all). The result? Mobile Suit Gundam never finished its initial run, with Cartoon Network using 9/11 as an excuse to pull the show a good chunk of episodes from the end. That being said however, it was briefly revisited during a New Year's Eve special, in which series belonging to favorite Toonami block villains (as voted upon by fans) were broadcast on the Midnight Run. Surprisingly, Char Aznable was voted near the top slot (beating out The Joker as he appeared in Batman: The Animated Series, no less), and as a result Toonami ran the final episode of the series in his honor.

Zoids

  • Zoids: Fuzors is often accused of being one of these by the Zoids fanbase in North America, but it was in fact the fan-favourite Zoids: Chaotic Century that killed the franchise, having gotten such low ratings during its run on Cartoon Network that it was cancelled, with the final four episodes only being shown after complaints from the fanbase. Fuzors was more of a last-ditch effort to salvage what was already a doomed franchise.
  • In Japan, Zoids: Genesis got a so-so reception, but The Merch failed to sell, effectively dooming the chances of another Zoids anime being made any time soon, and causing Tomy to change its marketing strategy by pandering exclusively to Otaku rather than general audiences as they did before. The announcement of a new series titled Zoids Wild 12 years later surprised many to say the least.

Pokémon

  • In Japan, between Volcanion and the Mechanical Marvel (and the XY movies as a whole) performing poorly at the box office, and the next one, I Choose You! setting itself in an Alternate Universe (one which continues into its own sequel), it seems that Volcanion may be the last Pokémon movie set in continuity with the main anime for the foreseeable future.

Other Series

  • Anime no Chikara, A-1 Pictures and TV Tokyo's joint original anime project in 2010 (inspired by Fuji TV's noitaminA timeslot), was scrapped after the mediocre ratings and BD/DVD sales of its three original anime (Sound of the Sky, Night Raid 1931, and Occult Academy). Regardless of the project and the timeslot's failure, it did inspire creators to release more original anime in 2011 where some of them (Puella Magi Madoka Magica, Tiger & Bunny, Ano Hana, Penguindrum, Hanasaku Iroha, etc.) became very successful. Aniplex president, Koichiro Natsume, mentioned in his ANN interview that a lot of lessons were learned from the project and they were able to make more successful original anime.
  • The Troubled Production of the fourth Bleach movie, Bleach Hell Verse, combined with the decline of the anime's overall success at the time the movie was made, killed any future plans for the series to have any more movies made. Tite Kubo was very upset at how the movie turned out and basically only had his name credited because he was required to do so, and it's clear the final product had bigger ambitions but simply couldn't achieve them. It's uncertain if the movie ended up helping to push the anime to end, but regardless the series never produced another animated work besides finishing the anime. That said, it was announced on March 18th of 2020 that the anime would return.
  • The decline of the virtual pet craze caused Digimon to take a few major knocks in the merch sales, and it wasn't helped by Digimon Tamers underperforming in its target demographic (though it did end up Vindicated by History when older audiences rediscovered it). Digimon Frontier attempted to reverse the decline by retooling itself as a Henshin Hero series, but this alienated a chunk of existing fans and failed to create enough new ones, putting the franchise on ice until Digimon Data Squad four years later.
  • Anime International Company's El-Hazard: The Alternative World had such low ratings to the point that AIC pulled the plug with the show's way too many plots being wrapped up (very poorly) in only a single episode. It also killed off the El Hazard franchise, with no further work of any kind being done in the decade since. And we never get to see the Stable Time Loop established in the original The Magnificent World through to its completion. But in 2018, AIC announced a crowdfunding campaign for The Dual World, which will take place years after the end of The Alternative World.
  • The mixed-to-negative reception and low BD/DVD sales of Blood-C nearly killed the Blood franchise. The movie, Blood-C: The Last Dark, attempted to fix the damage. While it performed modestly with home viewers, it flopped at the Japanese box office. Five years later, an Interquel entitled Blood-C: The Last Mind was released as a stage play written by Junichi Fujisaku, co-writer of the Blood-C and Blood+ and a live-action prequel of the series was released on August 2017. The stage play was released well but the live-action movie completely bombed in Japan. To this day, Production IG doesn't have plans for any new anime adaptation of Blood.
  • Full Metal Panic! and the first two seasons of its anime adaptation are still well-regarded as classic Mecha works, but the final three novels will likely never be adapted into anime thanks to the commercial bomb that was the third season of the anime. This anime, released in 2018, 15 years after the second season and 8 years after the novel series itself had ended, flopped because fans of the older series had mostly moved on since the end of the books and newer anime fans were generally not interested in watching a sequel to such older prior shows, especially those who had never had any exposure to the franchise before, along with the relative low quality of XEBEC's animation as opposed to Kyoto Animation's Awesome Art.
  • God Eater as a franchise is still going strong, but the God Eater anime killed any chance of the series getting any more major anime series. This was because ufotable was working it on it around the same time as Fate/stay night [Unlimited Blade Works], causing them to go over-budget and have serious financial problems. This resulted in a rushed product with notable strange animation choices that made it difficult to sell to viewers, which was not helped by the production being so difficult the episodes could not be released weekly, but instead almost monthly instead. The result was that the anime despite having a Sequel Hook, fell by the wayside and the team has abandoned any attempts at a second season.
  • After the first season originally aired in 2006, The Melancholy of Haruhi Suzumiya became one of the most popular anime franchises of the 2000s. Fans clamored for a sequel for years. Then the sequels finally happened... three years later, in 2009/2010 with a second seasonnote  and the well-received Disappearance movie. However, a combination of Schedule Slip of the light novels, Kyoto Animation realizing that self-owned IPs would be economically more profitable for them in the long run than animating Kadokawa's IPs (of which Haruhi Suzumiya is one) and the demotion of Atsushi Ito, the Kadokawa executive who primarily pushed for Haruhi Suzumiya in anime form, all resulted in the death of the franchise. Even the first anime adaptation to be greenlit in years was an adaptation of one of its spinoffs, which did very little to rekindle interest in the franchise. While the fandom's disappointment over the underwhelming second season calmed down after a while, Haruhi Suzumiya is no longer the phenomenally popular Cash Cow Franchise it once was, and the possibility of any of the post-Disappearance books being adapted to anime seemingly become more and more unlikely with every passing year.
  • Infinite Stratos will probably never get a third anime season thanks to the second season's declining ratings and the light novel releases being delayed because of Izuru Yumizuru's health problems.
  • The poor reception and behind-the-scenes issues plaguing Jewelpet: Magical Change forced it to become the final Jewelpet anime. It was also Cut Short to only 39 episodes.
    • The successor to Jewelpet, Rilu Rilu Fairilu, had even worse ratings as the show progressed, leading to the third season of the show being aired on cable TV in Japan only, which isn't as popular in Japan as it is in other parts of the world, which lead to the show only running for 26 episodes and being replaced by Okko's Inn shortly afterward.
  • While the Pretty Cure series has avoided this fate, there have been aspects that have been killed off during its 11+ year run:
  • Robotech saw itself in freefall thanks to the failure of its toy line, which also resulted in its midquel Robotech II: The Sentinels getting only a feature-length pilot set between the events of The Macross Saga and The Robotech Masters (and happened to be a phenomenon that took down quite a few of its Western-made contemporaries, as the Genre-Killer page can attest to), and a severe miscalculation of the audience for Robotech: The Untold Story at its test screenings in Texas. While it proved to be rather successful, being a fair match for Aliens and beating the hell out of Cannon stablemate Pirates, it was discovered that more adults went to the screenings than did children, and so Cannon pulled the film until it could be further retooled. Unfortunately, it happened at a time when Cannon was drowning in its excesses, and so a proper North American release ultimately never materialized.
  • Fans are probably never going to see an adaptation of the Jinchuu arc of Rurouni Kenshin all thanks to the Reflections OVA which got a lot of backlash from fans including Nobuhiro Watsuki who declared it non-canon. Of course, the TV series ended 3 years before Reflections and by then, the last episodes were purely filler which wasn't received well by fans leading the show to be axed. Though years later, the success of the live-action movies made fans hoping that the Jinchuu arc will be adapted and movie producers are keen enough that they would probably show it in the future. Watsuki released a spinoff manga set after the end of the original manga in 2017 just to keep the franchise alive. The future of the franchise was put in further jeopardy after Watsuki was charged with possession of child pornography, halting production of the manga for the time being.
  • The poor reception and Troubled Production of the anime adaptation of Schwarzesmarken not only doomed the series, but killed off any chance of any other part of the Muv-Luv franchise receiving an animated adaptation for the foreseeable future.
  • Shugo Chara!'s third season, Party!, bombed so badly that it killed off any chances of adapting the remainder of the manga, and may have even had a hand in the abrupt demise of the manga itself.
  • The third season of the Slayers anime, which diverged from the continuity from the light novels, wasn't as well-received when it came out, but even then, most prefer it now, because the new fourth and fifth seasons that came out eleven years after it were received poorly (and not well-made - Continuity Snarl, bad CGI, and extreme Flanderization of the leading heroine, all thrown together with a sloppy plot).
  • Super Dimension Cavalry Southern Cross, from which The Robotech Masters was derived, proved to be the final season of the Super Dimension anthology series due in no small part to low ratings which resulted in an early cancellation and a hasty conclusion. Unsurprisingly, it's the only installment in the series, and also the only one from which Robotech was adapted, that's not yet been released on Blu-ray as of writing.
  • Tenchi Muyo!, another Anime International Company franchise, barely escaped this fate in 1997 with Tenchi in Tokyo. Despite having a worse reception as opposed to El-Hazard: The Alternative World in most regards, Tenchi in Tokyo managed to last for a full 26 episodes, and only set back the franchise by 5 years instead of killing it altogether. In the same timeframe, attempts to adapt Tenchi Universe to film were financial and critical failures, and the release of numerous alternate-timeline Tenchi media created a massive Continuity Snarl note . Even the negative reception of Tenchi Muyo GXP and OVA 3 (both of which went back to Masaki Kajishima's original OVA timeline) consequently caused the traditional Tenchi lineup to be put on ice for eleven years. Meanwhile, Sasami: Magical Girls Club prompted AIC to scrap any plans for a future Pretty Sammy series. After that, AIC produced War on Geminar, which didn't feature any returning characters from the franchise, and was only vaguely connected with any other part of the series. Eventually, AIC successfully revived the series when they produced shorts to promote tourism in 2014 and later produced a fourth OVA series in 2016, bringing Kajishima back to the fold as chief director.
  • Toriko spent most of the early 2010s being pushed by Shounen Jump as an A-list series, even receiving multiple crossovers with One Piece and Dragon Ball that put it on level pegging with them. The results of this were put to the test with the 2013 Non-Serial Movie, Toriko the Movie: Bishokushin's Special Menu, which opened at 11th place in the Japanese box office. (For comparison, that same weekend, a Gintama film that had been in theaters for five weeks ended up in ninth place.) This put the series in a spiral from which it never really recovered; the anime ended up being shuffled off to cancellation less than a year later for more Dragon Ball Kai, while the manga trundled along for another two before quietly ending.
  • The Animated Adaptation of CLAMP's Tsubasa -RESERVoir CHRoNiCLE- by Bee Train ended abruptly in November 2006 after a lackluster second season consisting of Filler episodes when there was so much more material left to adapt. Bee Train pulled the plug on the series and Production I.G retconned it in the Tokyo Revelations OVA (the adaptation of the Acid Tokyo arc in the manga). Bee Train going inactive since 2012 and its founder and director Koichi Mashimo retiring from the anime industry made any future adaptation of the series uncertain.
  • The Umineko: When They Cry anime received negative reception and low DVD sales, putting any further adaptations of Umineko or any 07th Expansion Visual Novel series on hold... until a new anime based on Higurashi was announced in January 2020, meaning the When They Cry series is far from over.
  • Studio 4°C was planning on adapting more of the Berserk story into movies, starting with a trilogy for the Golden Age arc. Sadly all three films didn't receive much box-office success; the first film being the only one to do well enough according to some sources. As a result, despite general reception being mixed, the plans for the Berserk film adaptations ended with the third film of the Golden Age arc. This ironically lead to the production of the Berserk (2016) adaptation, which has turned around peoples perceptions of the original films.
  • Maple Town's change to Palm Town for its second season was extremely unpopular with the fanbase (particularly the Patty/Bobby shippers) and practically doomed the series and signed off the demise of the franchise.
  • The failure of F-Zero: Legend of Falcon, in addition to killing off the F-Zero video game series, killed off any future anime adaptations of any Nintendo properties not named Pokémon as, other than the obscure Animal Crossing movie that only remained in Japan, the only anime so far have been promotional shorts for both Kid Icarus: Uprising and Star Fox Zero. And even then, they seemed more like Poorly Disguised Pilots than anything else. However, the announcement of a Super Mario Bros. movie with Illumination Entertainment, combined with Nintendo willing to make more media projects beyond that, has given hope to fans who want a new anime based on a Nintendo IP that doesn't involve Ash or Pikachu.
  • The Tama & Friends franchise hit this with Tama and Friends: Search For It! The Magic Puni-Puni Stone. Taking the simple Slice of Life animal series and turning it into a Funny Animals series set in a bizarre magical land. The change was not received well. The negative reception would help drive original producers Group TAC out of business, and the franchise would remain dormant for the next 10 years.

    Comic Books 
  • An odd case concerning Supergirl - the Box Office Bomb that was her movie ended up souring DC so badly that they allowed Marv Wolfman to kill her during Crisis on Infinite Earths. This also had the effect of DC declaring a "Superman is the sole survivor of Krypton" mandate that also exiled characters like Krypto the Superdog and popular villain General Zod. While a Supergirl would show up a few years later, the concept of Supergirl being Kara Zor-El, Clark's Kryptonian cousin, would not happen for 18 years afterwards.
  • Sonic the Hedgehog/Mega Man: Worlds Unite, the second crossover between Sonic and Mega Man, ended up pulling a hat trick and did this for four comic book series. The intention was that the crossover would use character from other Sega and Capcom series, but this meant Archie comics had to sink a lot of money into licensing fees and paying various artists to do so with the hope it would make back the money. It was also a last ditch attempt to save the Mega Man comic, which was suffering in sales by that point. Sadly, however, the response was lukewarm at best and Archie was barely able to recoup their losses. As such, the Mega Man comic was put in indefinite hiatus. Sonic Boom was cancelled shortly after due to negative reception from the Rise of Lyric game. Ultimately, this even ended up affecting the main Sonic comic and its spin off Sonic Universe, since the crossover ended up stalling the main storylines of those series and contributed to poor sales, though the comic suffering from the Ken Penders lawsuits didn't help. With all the cuts Archie was doing due to the relaunch of their own comics, July of 2017 saw them lose the publishing rights for the North American Sonic and Mega Man comics to IDW Publishing and Boom! Studios respectively, who enacted a full Continuity Reboot and effectively put an end to both Archie franchises. It was also the End of an Age for any concepts and elements from Sonic the Hedgehog (SatAM) used in American Sonic media outside the comics up until the release of Sonic Adventure enforced the franchise worldwide to follow the Japanese continuity completely, given how Sonic the Hedgehog (IDW) does not feature any characters from the show and the old comic (even the ones Ian Flynn created). As for Mega Man, the license went from Archie to UDON (the publishers behind the Street Fighter comic) who choose to reprint Mega Man Megamix in color, but it wasn't until when Boom Studios picked up the license to the Mega Man franchise that a new comic book series began, and even then it was a adaptation of the short-lived Mega Man: Fully Charged cartoon.
  • Similarly to Supergirl above, Star Trek (IDW) had its comics put on ice after the failure of Star Trek Beyond made the possibility of a fourth film very uncertain.
  • The 33rd Asterix album, The Falling Sky, was lambasted by both fans and critics in 2005, essentially for being a xenophoby-tainted rant against mangas by Albert Uderzo and for being too outlandish compared to the series' core concept. Uderzo then made Asterix and Obelix's Birthday: The Golden Book only because the series needed a Milestone Celebration in 2009. It took until 2013 to see a new proper adventure and the series' relaunch, Asterix and the Picts, by a new team of creators (Jean-Yves Ferri and Didier Conrad).
  • With Avengers: The Initiative and Avengers Academy having moderate success it was looking like "Avengers run a School" was gonna become vital part of The Avengers line. Then Avengers Arena pissed away all the fan goodwill and with follow-up Avengers Undercover selling so bad, out of planned 12 issues only 10 saw light of day, the concept has been buried for good.
  • Marvel attempted to resurrect its romance comics as an imprint. Sadly, the first series they launched for it was Trouble, a book that became so hated and infamous it quickly also become the last book in that imprint.
  • Despite selling well for a comic based on an animated series, Adventure Time: Season 11 not only was cancelled due to sales not meeting expectations from Cartoon Network, but it also killed the franchise in the comic book market. No other comic book series was announced after Adventure Time: Marcy and Simon finished its run, excluding one final graphic novel featuring Fionna and Cake and trade paperback re-releases of old issues. Plus the annoucement of Adventure Time: Distant Lands miniseries on HBO Max made Season 11 look redundant and unnecessary.

    Literature 

    Live-Action TV 
  • Battlestar Galactica (1978) was destroyed by its Sequel Series Galactica 1980, which met utterly scathing reviews and was hated by its own writers, to the point where they were actively hoping its ratings would fall far enough for ABC to cancel it (it ultimately took them ten episodes). Two attempts were made in the late '90s to revive the show, one by Richard Hatch with a thirty-minute Pilot Movie called The Second Coming that would've disregarded Galactica 1980, the other a feature film by Glen A. Larson that would've kept it in continuity; ultimately, the decision was made to reboot the show instead.
  • Likewise, while Battlestar Galactica (2003) had already seen a fairly polarizing finale, what really killed any hope of it becoming a long-running franchise was its 2010 prequel series Caprica. Despite a much better reception than Galactica 1980 had, a steep ratings drop in the second half of the first season ensured that it would be the only season. The Made-for-TV Movie Blood & Chrome has been the only BSG-related work made since outside of comics.
  • CNN's long-running (1982-2005) current events debate program Crossfire, by the admission of former co-host Paul Begala, was destroyed by a single notorious interview with The Daily Show host Jon Stewart in 2004. During that interview, Stewart accused Begala and his co-host Tucker Carlson of being partisan hacks whose confrontational attitude with each other served only to foster division and hatred rather than actually debate the issues, comparing the show more to the violent spectacle of Professional Wrestling than anything. While this interview is often held as one of the defining moments in Stewart's career and a key Growing the Beard moment for The Daily Show as a whole, it ruined Crossfire's reputation, especially after it went viral; Begala is quoted as saying that, as the interview went on, he went from hoping that his wife (a fan of Stewart's) was watching the show to hoping that she wasn't watching. Three months after the Stewart interview, CNN announced the cancellation of Crossfire and its intent to move away from what it called "head-butting debate shows". CNN later revived the series in late 2013, albeit toning it down to a less confrontational setting, only to cancel it again the following year after two lengthy hiatuses.
  • CSI: Cyber did not necessarily kill the CSI franchise, but it was the final nail in the coffin. The franchise's popularity had waned in recent years, with the original show and spin-offs being shuttered in the four years leading up to Cyber's premiere. Cyber launched concurrent with the flagship's final seasons and struggled from the beginning with mixed reviews and low ratings. As many fans noted it’s not the same as the original CSI and there are a lot of mistakes which would made an IT expert (or in some cases, anyone who uses a computer) roll their eyes. Changes in the second season failed to bring in viewers and Cyber closed out the sixteen-year-long franchise with a reduced season.
  • Double Dare had a respectable seven year run and even continued for a few years afterward in re-runs. Then came Double Dare 2000, which was cancelled after two half-seasons and panned for having an overly loud overbearing host/announcer team who paled in comparison to the iconic Marc Summers/Harvey. The show wouldn't appear again for another 18 years, when Nickelodeon announced a revival effort for Summer 2018.
  • Major League Baseball's Saturday afternoon Game of the Week went on a two year hiatus (1994-95) after CBS, who took over from long runner, NBC in 1990 lost half a billion dollars off of their contract. During the CBS period (1990-93), they didn't air a Saturday afternoon game for all 26 weeks of the regular season (instead covering about 18 on an inconsistent or sporadic basis). On the weeks that they didn't cover a baseball game, they would air other sports programming like golf. Even when FOX received an MLB package beginning in 1996 (following the failure of a joint venture between Major League Baseball, ABC and NBC called The Baseball Network), they didn't start their baseball coverage until Memorial Day weekend. It wasn't until 2007 (18 years after NBC aired their final GOTW), that the Game of the Week was once again broadcast for each week of the regular season.
  • Heroes Volumes 3 and 4 (both making up season 3) qualify as such. The second season was a major letdown compared to the strong premier season, but people forgave it because half the season had been derailed by the 2008 WGA strike and The Powers That Be did the best they could. When season three came along, they expected a return to form; what they got was a Random Events Plot with characters acting wildly Out of Character as the writers seemed to change their minds on key plot points three times per episode. The best-known example is Sylar's Heel–Face Revolving Door, but it was like that with everything. By the end of that season, most of the fans had given up on it. There was a fourth season (Volume 5), and while it still had problems, many of the remaining fans felt it to be something of a return to form, but by that point few people cared about the show anymore. Not only was the TV series cancelled at the end of that season, but the graphic novels were also scrapped as well, and the writers and producers couldn't even get a greenlight for a miniseries to give Heroes a proper last hurrah. NBC rebooted it in 2015 as Heroes Reborn, which is set several years later and features Noah Bennett as the nominal main character alongside a mostly new cast... which was then 'concluded' after a single season that received low ratings and mixed reviews.
  • The weak reviews and bad ratings of Law & Order: Los Angeles (despite NBC's Wolverine Publicity of the show) served to kill off that franchise in the US. However, the UK remake of the show fared better, lasting for seven seasons. Law & Order: Special Victims Unit continues to carry the torch in the US, but its continued existence seems to be almost entirely a function of ratings impotence from the rest of the network.
  • The Wubbulous World of Dr. Seuss was shoved in awkward time slots and premiered in 1996, the same year as two other Nickelodeon shows note , which were higher-rated and publicized. It only lasted two seasons and was the only show based on Dr. Seuss' works after it ended until The Cat in the Hat Knows a Lot About That! premiered in 2010, twelve years later.
  • Let's Make a Deal (original run: 1963-77, plus revivals in 1980-81 and 1984-86), frequently averted this effect:
    • 1990-91: The year was flooded with mediocre game shows, many of which were one-season revivals. With original Deal host Monty Hall in semi-retirement (although he stayed on as executive producer), the 1990 Deal revival was hosted by Bob Hilton, who was far more experienced as an announcer than a host, and considered a poor fit. Due to falling ratings, Hall stepped out of retirement and hosted the rest of the season with intentions to scout out a new host for Season 2, but the show was canceled instead.
    • 1996: An "edgier" remake called Big Deal (hosted by Mark DeCarlo) lasted a whopping six episodes on FOX in 1996 (although it was slated to be Un-Cancelled in March 1997), and it went down quickly due to phony attempts at being "hip" and "modern" (and constantly being preempted for NFL doubleheaders).
    • 1998: A pilot hosted by Gordon Elliott was proposed by Buena Vista TV (Disney) but also fell through.
    • 2003: Hosted by Billy Bush for NBC, and canned after three episodes for many of the same reasons as Big Deal.
    • 2009-present: With Wayne Brady as host, Let's Make a Deal has finally started thriving again on CBS daytime. Between 1993 and this version's debut, daytime television had no game shows at all other than The Price Is Right (also a CBS property).
  • In 1986, ABC decided to have Lucille Ball star in a third spiritual successor to I Love Lucy, Life with Lucy, in which Ball's character helped run a hardware store she inherited after her husband died. ABC was so confident of Ball's track record—even though she was now 75 years old—that they gave her full creative control, and greenlit it without any pilots or market research beforehand. With Ball and a slew of I Love Lucy alumni among the cast and crew, what could possibly go wrong? Firstly, ABC scheduled the series on Saturday nights at 8 p.m., which had recently become a death slot for the network. An executive also insisted on incorporating the slapstick comedy that was a trademark of her earlier sitcoms; rather than fuel nostalgia for I Love Lucy, the notion of the 75-year-old Ball performing comedic stunts made critics and viewers fear for her life instead. Ratings for the premiere were fairly good, but when ratings began to steadily fall, ABC cancelled the series after 8 episodes; 13 were produced in total, but Ball was not informed about the cancellation until production wrapped. She was emotionally devastated, believing she was no longer wanted on TV. She died three years later.
  • Lingo was one of GSN's most popular original shows (albeit a revival of an obscure 1980s show), lasting from 2002-2007 with popular host Chuck Woolery, and seeing a hefty amount of reruns after that. However, in 2011, they decided to revive it again with comedian Bill Engvall as host — with multiple pointless gameplay changes that diluted the format, incredibly dumb contestants, and an overall Hotter and Sexier approach (the Engvall version was TV-14). Negative reception killed not only this incarnation, but also reruns of the Woolery version.
  • By 2008, Little Britain was already suffering badly from Seasonal Rot and the Ricky Gervais-led backlash against classic Brit Coms and sketch shows. However, the Little Britain USA series proved to be the final nail in the coffin, getting awful viewing figures and critical reactions on both sides of the Atlantic, and being heavily criticized for worn-out characters and situations, the new characters being even less funny than the existing ones had become, and over-use of the Laugh Track.
  • Although Kamen Rider has avoided this fate,note  the same cannot be said for the show that used to hold the position of airing alongside the Sentai series on TV Asahi, Metal Heroes.note  Tetsuwan Tantei Robotack, which increased the Lighter and Softer elements that had been introduced with B-Robo Kabutack and was aimed more towards kids, had such low ratings that Toei ultimately decided to pull the plug. While the series has seen new movies as of late, said movies are revivals of already existing shows, and no new TV series have been made since.
  • The downfall of NBC's Thursday night "Must See TV" block, can be attributed to the combination of oversaturation of sitcoms all across NBC's line-up (to put things into proper perspective, during the 1997-98 season, NBC had about 18 sitcom slots on Mondays-Thursdays and Sunday), which for the most part seemed nearly identical to one another (i.e. multi-camera shows about young, affluent white people living in New York City), the mismanagement of Jeff Zucker (which on its own, can be considered a Dork Age of NBC), who because of his "super-sizing" concept for Friends, made it much harder to nurture another show right after it, the lack of strong shows to replace staples like Seinfeld, Frasier and Friends (which in the meantime, were usually sandwiched in-between otherwise mediocre or forgettable shows like The Single Guy, Suddenly Susan, Caroline in the City and Veronica's Closet) such as the disastrous American adaptation of Coupling, other networks' (i.e. CBS and ABC) Thursday night line-ups becoming increasingly stronger by around 2004, and The Apprentice moving into the 9 p.m. timeslot.
  • The failure of Power Rangers Operation Overdrive was the defining factor in Disney's grinding the Power Rangers franchise to a halt and selling it back to Saban in 2010.note  The only reason Power Rangers Jungle Fury and Power Rangers RPM were made (2007-08 and 2009 resp.) was because Jetix Europe and Bandai respectively asked them to for each series.
  • Series 7 of Robot Wars is often considered to be what got the show canceled. It replaced the popular pit reporter Philippa Forrester with Jayne Middlemiss, whom the fans saw as clueless and annoying. The producers also managed to alienate the fans even further with Executive Meddling, doing everything they could to keep the Boring, but Practical Storm 2 from winning. Storm 2 made it to the finals anyway, whereupon they lost to Typhoon 2 in a controversial judges' decision that the producers pretty obviously rigged. The show wouldn't get picked up for Series 8 until 2016 (with an entirely new cast) and the judges later apologized to Team Storm. The Revival lasted three seasons before being cancelled due to declining ratings. The reasons for this are mixed but generally the criticism focuses on the lack of Craig Charles and his replacements just not being as interesting - whatever led to him not returning appears to have been a central cause to killing the franchise for a second time.
  • Stargate Universe was a Soap Opera IN SPACE! that couldn't be less like Stargate. Unlike many of these examples, it had a nice little fanbase, but not enough to keep it afloat, and with its failure came the official announcement of the indefinite hiatus of the awaited Stargate SG-1 and Stargate Atlantis projects - the kind of 'hiatus' that means you start dismantling sets.
  • Star Search ran in syndication from 1983 through 1995, launching the careers of many celebrities in its 12 seasons on the air. Several years after it ended, American Idol became a smash hit in response to the exploding genre of reality television. CBS brought back Star Search in 2003 with Arsenio Hall hosting, much fewer talent categories, celebrity judges and home viewer voting. Idol pummeled it in the ratings, and no attempt has been made to revive the series since its 2004 cancellation.
  • Star Trek: With the 1987 premiere of Star Trek: The Next Generation, Star Trek was once again a TV staple, and thanks to Star Trek: Deep Space Nine and Star Trek: Voyager, the franchise was still healthy in 2001. Then came Star Trek: Enterprise. Plagued with Executive Meddling, a title ambiguous to the general public,note  a horrible theme song that only comparatively improved when it was remixed, and two rather weak seasons, the third and fourth seasons, though drastically improved, couldn't keep the show on the air, and it was cancelled in 2005, meaning there was no new Star Trek television for fans to anticipate for the first time in 18 years. And on top of that, Enterprise was given an infamously awful final episode that essentially served as a giant middle finger to the fans and cast via making it a nonsensical tie-in to The Next Generation instead of any sort of actual ending to the Enterprise story. Both The Agony Booth and Chuck Sonnenburg of SF Debris points to the episode "A Night in Sickbay" as the breaking point for both Enterprise and the franchise as a whole, referring to how the episode in question received fairly high ratings when it aired, but the show's overall ratings started plummeting after its airing and never managed to recover from this downwards spiral, despite attempts to retool the show, and the otherwise well-received fourth season would turn out to be the last.
  • Super Sentai Series:
    • As detailed here, the series had been on a gradual ratings slump from 1986's Choushinsei Flashman until its nadir in 1990's Chikyuu Sentai Fiveman, not helped by some serious mismanagement killing toy sales.note  However, just when Toei was ready to pull the plug on Sentai, the next season became a smash hit, with high ratings due in part to a Periphery Demographic and toy sales.
    • Years later, Tokumei Sentai Go-Busters did so poorly in sales- and ratings-wise that it was rumored that Bandai actually approached Toei and Saban Brands and asked them to skip it in favor of Zyuden Sentai Kyoryuger, leading to the creation of Power Rangers Dino Charge.note  Not only that, but the annual crossover essentially derailed it from being a crossover between Go-Busters and Kyoryuger to basically "hey, let's get the other two Dinosaur Sentai together!", with the Go-Busters getting little-to-no additional closure. This is additionally telling with that crossover's post-credits scene where an upgraded version of Go-Busters' Big Bad shows up, completely late for the movie and ends up getting defeated by the passing-by Sentai cameo from Ressha Sentai ToQger. However, the announcement of Power Rangers: Beast Morphers suggests that while ratings and toy sales might've caused Saban to pass over it initially, ultimately Bandai themselves were the ones who stopped Gobusters from being adapted, mainly due to the fact that the series was so different from traditional Sentai, and more akin to a Marvel/DC superhero movie (the toys for the former comic company being published by Hasbro, who replaced Bandai as the toy maker for Power Rangers after Super Ninja Steel), that Bandai feared that kids wouldn't buy into the spy theme, and opted for the much safer bet of dinosaurs instead.
  • The apparent suicide of Steven Dymond after he was a guest on The Jeremy Kyle Show caused ITV to suspend the programme and then, after the death caused outrage over Kyle's treatment of vulnerable guests to reach boiling point, ultimately cancel it.
  • The extremely poor reception of the 1990 revival of Tic-Tac-Dough (which had previously run from 1956-59, and again from 1978-86) seems to have killed that particular franchise, as no attempts to revive it have been made since. Points of contention include a cheap and ugly set, unnecessary and often tacky or budget-saving format changes (including a Totally Radical rapping dragon in the Bonus Round), and a cheesy theme song which was a total waste of Henry Mancini. But worst of all was the memetically execrable hosting job of Patrick Wayne; he would hold most of the game in a dry insincere monotone, and then scream "YOU WIN!" or "YOU BLOCK!" out of nowhere, coming across more like an actor playing a game show host on a bad sitcom. Finally, the show made the decision to hold a Divorced Couples week, which had divorcees competing against each other; at the end of this week, Wayne made an extremely tactless comment about how "divorced couples can still have fun together, riiiiiight?"
    Music 
  • The violence at Altamont killed not only Meredith Hunter but the whole idea of the "peace, love and music" late-'60s outdoor rock festival that Monterey had pioneered and Woodstock made legendary.
  • Similarly, after the violent and criminal tragedies of Woodstock '99, the owners of the Woodstock name have gone on record to say it will never be used again, and indeed it would be a full decade before the name was used in connection with a reunion tour featuring many performers from the original Woodstock. There were talks of using the Woodstock name for a 50th anniversary event in 2019, but the event ended up getting cancelled.
  • The death blow to The Love Parade was delivered by the stampede at the 2010 event, where bad design of the location led to the deaths of 21 people.
  • Australia's Big Day Out festival seems to have been killed by its disastrous 2014 shows. Two shows were planned for Sydney, but the second was cancelled after Blur pulled out and many people accepted the offer of a refund. Most ticketholders treated the event as a very expensive Pearl Jam and Arcade Fire double bill. The festival's director AJ Maddah then stepped down and sold his share to the Texan company C3 Presents, which was already a part owner. C3 has not staged a Big Day Out since.
  • Hello! Project had wanted to set up overseas groups around Asia and attempted to break into the Chinese market by setting up Hello! Project Taiwan in 2008. However, Hello! Project Taiwan's flagship group, Ice Creamusume, bombed so badly that their career only lasted for three months (plus a concert appearance in July). This caused Hello! Project to scale back on expanding overseas.
    Tabletop Games 
  • Although Dungeons & Dragons recovered and is even stronger than it was before in the 2010's, the 2008 4th Edition was very nearly a franchise killer. The pantheon, magic system, and Forgotten Realms primary setting were completely overhauled. The rules had a distinct focus on "tactical" combat encounters and miniatures, with few provisions for playing in the "theater of the mind" style. Major changes made to balance out character types by giving all of the classes sets of powers that recharged by encounter or game day were seen as attempts to appeal to video game fans by making D&D more like an MMO. A lot of official rulebooks were published rather quickly, which meant players needed to spend a lot of money to keep up with the game. That was on top of how the 3.5 revision of the 3rd edition had come out only five years before, meaning many players had only just recently sunk their money into 3.5 were now being told to switch to the new 4.0 system. All of these changes offended many fans of the last edition. This was compounded by Pathfinder continuing to use a version of the very popular 3.5 rules, but now as a direct competitor to the 4th edition. Many players simply switched to the more familiar Pathfinder rather than learn the new rules system. The end result was that 4th edition had the shortest lifespan (six years) of any edition of D&D and the 5th Edition has been seen very much as an Author's Saving Throw.
  • The 7th Edition Daemons of Chaos army book of Warhammer, which was so thoroughly overpowered and broken that it required the game to undergo a massive shakeup in the form of an edition change. 8th Edition's attempt to fix the system failed, leading to Warhammer being discontinued and replaced with the sequel Warhammer: Age of Sigmar.

    Web Original 
  • In 2009 and 2010, EQAL, the production company behind lonelygirl15, ran a contest called The Show Is Yours for fans of the show to create an officially-sponsored, canonical spinoff. With the Great Recession causing them to struggle financially, EQAL had to put LG15: the resistance (the franchise's flagship show at the time) on hiatus, leading to this effort to crowdsource the show — which was already struggling under the weight of a Kudzu Plot and multiple spinoffs — and use it as a springboard to launch a social network called Umbrella. The first spinoff produced through The Show Is Yours, LG15: The Last, mostly came and went uneventfully, but the second one, LG15: Outbreak, was a disaster that suffered from a heavily Troubled Production. Gregory Austin McConnell, the creator of Outbreak, made a video going into detail about what went wrong. After Outbreak, LG15: the resistance' hiatus became permanent, and the only new material that has been so much as announced has been a one-off video in 2016.
  • In the late 2000s and early '10s, Slender Man was one of the biggest names in creepypasta, a style of ghost stories and Urban Legends born from the internet and rooted in its culture. First created on the Something Awful forums in 2009 as a paranormal hoax, it took on a life of its own afterwards as a modernized fey figure and developed an elaborate lore, with fan art, cosplay, web shows like Marble Hornets, and games like Slender popularizing it. All of that came to a halt with an infamous stabbing incident in Waukesha, Wisconsin on May 31, 2014, in which two adolescent girls who believed that Slender Man was real stabbed one of their friends as an attempted Human Sacrifice to demonstrate their loyalty to him and become his "proxies". The negative publicity from this and other incidents that were connected to Slender Man (including another stabbing in suburban Cincinnati, Ohio, an arson in Port Richey, Florida, and an epidemic of suicide attempts on the Pine Ridge Indian Reservation) left a black mark on the entire creepypasta community (also weakened because its fanbase increasingly either turned to more hardcore conspiracy theories or recanted from them), and Slender Man's popularity rapidly faded, irrevocably associated with people who Cannot Tell Fiction from Reality. A 2018 film adaptation even wound up attracting controversy in light of the tragedy, with people (including the father of one of the culprits in the stabbing) criticizing it as insensitive and some theaters in the Milwaukee area choosing not to show it. This article by Carli Velocci for The Verge goes into more detail on Slender Man's decline, calling the 2018 film "a nail in the coffin of a dying fandom".

    Western Animation 
  • The failure of The Avengers: United They Stand was the final nail in the coffin of the (loosely defined, but still there) Marvel animated universe that aired on Fox Kids throughout the '90s. All subsequent Marvel cartoons have taken place in other continuities and aired on other networks. It wouldn't be until Ultimate Spider-Man that Marvel would nurture the idea of a shared animated universe againnote .
  • Transformers:
    • After Beast Machines there was supposed to be a sequel series (complete with prototype toys made) called Transtech and it would have continued even further into the series timeline. While Beast Machines still had solid ratings, the reception was mediocre and the toys themselves were subpar and didn't sell. Recognizing they had taken the Beast era franchise as far as it could go, Hasbro scrapped Transtech and imported Transformers: Robots in Disguise while they worked on a complete Continuity Reboot with Transformers Armada. This did have the interesting effect of splitting Transformers into many Alternate Universes rather than just Alternate Continuities.
    • And this was itself facilitated by the failure of Beast Wars Neo in Japan, which was created to fill space between the third season of Beast Wars—like Beast Machines, the ratings were fine, but the toyline was notoriously a bit of a mess. The very fiddly designs, weird beast modes, and overcomplicated transformations weren't at all popular with kids, which led to it mostly crashing and burning. Worse, when Beast Wars did come back, it sold poorly due to kids remembering Neo. This motivated Takara to do a Soft Reboot in the form of the Car Robots anime rather than import Beast Machines... which would then be dubbed as Robots in Disguise.
  • Ben 10: Omniverse: While the ratings for it were an improvement over Ultimate Alien, the show's Denser and Wackier tone, questionable story decisions and dumbing down of the main character (all of which were intended to appease fans of the first series) resulted in a less than stellar reception from the fanbase. Adding to the toy sales not doing very well, Cartoon Network chose to make the next series a continuity reboot that Man of Action Studios, the original creators of the franchise, returned for. While Omniverse didn't kill the franchise itself, it did end up killing the original continuity of Ben 10.
  • Blue's Clues suffered from two major moments that are considered to have killed the show. The first was Steve Burns leaving in 2002. Both parents and kids found themselves less invested in new host Donovan Patton (AKA Joe), who would admit years later that Steve was clearly the superior host. However, the show managed to pull on for another two years with Patton as host. The second, much clearer one, was the Spin-Off, Blue's Room, in 2004. Many inexplicable changes were made for the spin-off: specifically, the non-appearance of many characters from the main show, Blue now being able to speak, the change to puppetry as well as the revamp of the notebooknote . It didn’t help that episodes of Clues now ended with a Room segment, which likely caused fans to stop watching out of sheer revulsion. Production of both shows ceased in 2004 and 2007, respectively. However, the show still remained a staple of the Nick Jr. brand over the next ten years thanks to on-demand and streaming services in the US and Europe, and DVD sales remained strong in all markets, paving the way for a reboot known as Blue's Clues & You!, which premiered late-2019.
  • Ever wondered why you don't hear much about Felix the Cat anymore outside of merchandising or that 2004 direct-to-video film? You can pin the blame on the failure of 1988's Felix the Cat: The Movie. Filling the Silence, poor animation and lip-syncing, a Random Events Plot (and a poorly executed one at that) and numerous plot holes can make this movie painful to watch for even the most avid Felix fan. The '90s cartoon The Twisted Tales of Felix the Cat attempted to revive the franchise, but poor ratings for the first season, prompting an unsuccessful retool in the second season (which did even worse in ratings), quickly brought Felix to an early grave yet again. Don Oriolo, who formerly held the rights to the character and related intellectual property, then tried to bring Felix to the CGI world in the form of another cartoon, but that went nowhere and the rights to Felix and related properties were eventually passed on to DreamWorks Animation and Universal. Neither studio has a concrete plan to resurrect Felix at the moment besides licensing merchandise, and the character's 100th anniversary in 2019 went by without even so much as a Google Doodle.
    • Even before those was the failure of the early 30's sound cartoons; Pat Sullivan made little effort to upgrade the Felix cartoons to sound (not helped by his private life being in shambles due to his wife's alleged suicide and his heavy alcoholism) and when he did, they were rushed, sloppy, and far behind the times, resulting in the Felix cartoon series getting forgotten by the far more popular Mickey Mouse shorts—Sullivan's subsequent death put the final nail in the coffin for his animation studio. An attempt to revive the cartoons was done in the mid-1930s by Van Beuren Studios; while the cartoons were seemingly well received despite having little in common with the character's previous appearances, when RKO negated Van Beuren's contract in favor of distributing Disney, it caused Van Beuren to go belly-up, thus sending Felix to an early grave yet again, after only three color shorts. What caused the franchise to not fully die out, is that despite the cartoons being put on ice, Felix still ran in newspaper and magazine comics for quite a long time.
  • After the second season of Gargoyles, creator Greg Weisman jumped ship, and a third season called Gargoyles: The Goliath Chronicles sank the franchise on TV. Greg wrote a comic series to replace the third season, but unfortunately it didn't sell well enough to keep up once Disney hiked up the licensing fee.
  • The Holly Hobbie and Friends direct-to-DVD series has an interesting case of this when the producers of the show decided to change several aspects of the franchise from the fifth DVD on. Said DVD, Fabulous Fashion Show, was so badly reviewed across the board, with an overall 1.3/5 on Amazon with 18 reviews, compared to 4+ star averages for the others, that it all but killed the franchise. The subsequent DVD, Marvelous Makeover, rebounded to 3.3 stars, but the various changes that had been made to the series, such as moving to 22 minute stories and replacing most of the voices, were still generally poorly regarded. Making things worse was the shoddy voice replacement job- the new cast sounds nothing like the old one, and while they opted to use a Non-Singing Voice for the titular character, the singing voice and speaking voice wasn't even matched either. Aside from that, the characterizations were all botched and the characters were passing the Idiot Ball around. The show's final picture book release was seen a bit later in 2008, and afterwards, production on all media was discontinued entirely until 2017, where the franchise was rebooted into a live-action series.
  • Universal and Hanna-Barbera released Jetsons: The Movie in 1990, complete with CGI, a Green Aesop played out with a Gang of Critters that was essentially a rewrite of an old episode of Star Trek, and reuniting nearly all of the surviving original cast membersnote  save for Judy Jetson being voiced not by Janet Waldo but by '80s pop starlet Tiffany thanks to Executive Meddling. The film also marked the last performance ever of noted voice artist Mel Blanc (Mr. Spacely), who was still recording while in the hospital (as he had years before then) and died before the film was completed, as well as George O'Hanlon (George), who by that point had to have the lines read and acted to him before recording, who also passed away before he could quite finish the film. Both Blanc and O'Hanlon's remaining lines had to be completed by Jeff Bergman. Penny Singleton did not die during production like Blanc and O'Hanlon, but the movie remained her last acting role until her death thirteen years later. Coming on the heels of the 1980s Jetsons revival (the new syndicated episodes and two TV movies), this film's disappointing box office and harsh critical reviews were apparently enough to send the franchise back into hibernation. It has stayed there (despite rumors of a potential live-action film occasionally floating about, which ultimately has never been made) until a direct-to-video film crossing over with WWE was released in 2017, which received mixed reception.
  • The critical failure of Pinky, Elmyra & the Brain was this not just to Pinky and the Brain, but to Tiny Toon Adventures and Animaniacs as a whole. The show was created as a result of Executive Meddling, which was even pointed out in its theme song ("It's what the network wants, why bother to complain?"). In 2020, Pinky and the Brain would make a triumphant return in the Hulu exclusive Animaniacs (2020), along with the Warner Siblings themselves. On October 28, 2020, a Tiny Toon Adventures reboot called Tiny Toons Looniversity was announced for HBO Max and Cartoon Network, and on November 1, 2020, Cree Summer confirmed that Elmyra will dropped from the reboot.
  • The critical and ratings bomb that was Planet Sheen killed off all interest in the Jimmy Neutron franchise for the foreseeable future, despite the original show continuing to enjoy sporadic reruns on sister channel Nicktoons to this very day.
  • The abrupt cancellation of Ren & Stimpy "Adult Party Cartoon" put the series on the kibosh for well over a decade. The lackluster sales of the DVD sets didn't help this. It also helped put an early end to the entirety of the then-new Spike TV's animation block, thus taking down Stripperella (which was also hampered by a lawsuit) and Gary the Rat along with it, although the former was at least popular enough once it hit DVD... only to see more negative reception pile on over the years. It would be 17 years before Viacom would try again with reviving or rebooting Ren and Stimpy, when a revival was announced for Comedy Central in August.
  • For Yogi Bear and the Funny Animals of Hanna Barbera Yo Yogi! did this extremely to the point Yogi and them never had an animated series again and was possibly the biggest reason NBC ended their Saturday morning cartoons. He and Magilla Gorilla did appear in Scooby-Doo in Arabian Nights, as this was Magilla's last animated appearance, the TBS special couldnt help the characters be loved as much again as the damage was done. As well Yogi had an easter special that wasnt that big either and the final cartoon to feature Yogi Bear officially by Hanna Barbera. Yogi Bear has since had a few new cartoons by John Kricfalusi, but hardly anybody's seen them, as well as a financially successful, but critically ravaged, live-action/CGI film released in 2010. Also Top Cat had 2 movies in Mexico as he and his crew are famous there. Then, in 2019, it was announced that a new series titled Jellystone! was being made for HBO Max, starring the Funny Animal Hanna-Barbera characters with Yogi, Boo Boo, Top Cat, Magilla, and even Ruff and Reddy and Mildew Wolf.
  • The ratings failure of Super Mario World, along with the cancellation of Captain N: The Game Master and the closure of NBC's Saturday morning cartoon block, killed off any further attempts to keep the Super Mario Bros. on television. The only subsequent Super Mario Bros.-related television series made since then was The Super Mario Challenge, a live-action game show from the United Kingdom that aired and ended around the same time as World (although one could also count the Donkey Kong Country CGI cartoon, if they considered the Donkey Kong franchise to be part of the Mario franchise). However, Super Mario World may be one of the rarest examples of a cartoon being Vindicated by YouTube Poop, having been a staple of said videos for years.
  • The Rugrats: Tales From the Crib series was a direct-to-DVD series of Fractured Fairy Tale-esque movies, which attempted to make the original series popular again after it ended. However, there were only two entries in the series; "Snow White" and "Three Jacks and a Beanstalk", as the latter failed to impress. This also forced the "Pre-School Daze" spin-off (which had its episodes included as bonuses on the DVDs) to end at only four episodes. The Rugrats franchise would later be revived in 2017 through a comic book. A live-action/CGI hybrid film was announced in 2018, but was later pulled, though a full CGI reboot of the series is still in the works.
  • The failure of Beware the Batman (not helped by lack of advertising and few reruns), along with the success of Teen Titans Go!, led to the death of DC Nation as well as action-adventure series on Cartoon Network (at least, those without heavy comedy elements) in general for the next three years. Regarding family friendly DC animated shows, the creators and producers started relying more on DVD and digital services, along with sites like YouTube, hence the longevity of shows like DC Super Hero Girls. As a result, there barely were any other new family-friendly DC cartoons other than TTG on TV for a few years, aside from Justice League Action, which was barely advertised and ended up being screwed, and a cartoon adaptation of DC Super Hero Girls helmed by Lauren Faust and closer to her earlier DC Super Best Friends Forever shorts which aired on DC Nation. Even then, the latter show was also barely advertised, is only reran on Boomerang (which has less coverage than Cartoon Network) and has new episodes shoved into awkward Sunday afternoon slots (which, granted, is better than what JLA got with its Saturday Morning death slot). DC Universe, meanwhile, leaned in the other direction for darker animated series, giving the Un-Cancelled treatment to Young Justice as being a bit more violent than originally, as well as including Harley Quinn as an adult cartoon.
  • The Boondocks: When series creator Aaron McGruder left after Season 3 due to a contractual dispute with Sony Pictures Television and [adult swim], Season 4 was developed without him. Due to heavy fan backlash against this (seemingly) final season, The Boondocks was (apparently) cancelled in 2014, and the franchise's future was left uncertain. At least until 2019, when Sony confirmed that the animated series would be revived on HBO Max in 2020 (this time with McGruder returning as the showrunner again), albeit as a Continuity Reboot instead of a straightforward continuation.
  • The ratings bomb that was Sonic Underground led to DIC Entertainment losing the license to produce Sonic the Hedgehog television series. The West was left without an animated Sonic series for 15 years (barring the Japanese-made anime Sonic X) until Sonic Boom in 2014. Unlike the previous series, however, Sonic Boom was co-produced by Sega in-house. Sadly, even this wasn’t enough, as the tie-in video game was a notorious failure that casted a dark cloud on the whole sub-franchise, leading to Cartoon Network and Boomerang neglecting it, with Sega joining the neglect later on. After the series ended its run, later Sonic animations were made in short-form, released on the Internet, silent, and largely done in-house by Sega’s artists. Sega later gave Sonic another chance with a crossover with Cartoon Network’s own OK K.O.! Let's Be Heroes, but even then that show too was screwed by CN, with the show’s creator announcing the cancellation shortly after the episode aired. While Sega's Director of Animation Yukio Kusumoto believes the world is ready for a new Sonic TV show, only time will tell if the Blue Blur will return to grace our television screens, seeing that Sega was more focused on the film adaptation at the time. Eventually, a new Sonic cartoon, Sonic Prime, was announced for Netflix, with the involvement of Sega, WildBrain, and Man of Action Studios.
  • The poor scheduling by networks of The Adventures of Teddy Ruxpin led to the death of any new stories being produced for the Teddy Ruxpin franchise, and also had a hand in bankrupting series creator Worlds of Wonder.
  • Hey Arnold!:
    • Despite making five times its budget, Hey Arnold! The Movie was still considered a Box Office Bomb (since the studio spent another $13 million on marketing the film) and was critically panned. This led to the cancellation of Hey Arnold! The Jungle Movie (until it was Uncanceled 15 years later) and likely why the remaining episodes of Hey Arnold! were aired sporadically until the final one aired in 2004, three years after production of the series ended. However, with Nickelodeon rebooting most of its classic Nicktoons in 2015, The Jungle Movie was Saved from Development Hell and released in 2017, with the network suggesting that a revival could be at hand.
    • While The Jungle Movie was critically acclaimed, it floundered in the ratings against Trolls Holiday. This not only meant that a revival was out of the question, but it also led to the cancellation of the entire Nicktoon reboot plans (by this point there were rumors about a "mega-crossover" movie and even a shared universe), with only the Rocko's Modern Life and Invader Zim specials being produced (both of which were eventually released on Netflix, instead of airing on Nick proper) and Rugrats getting a CG/live action film and a revival, although the former was later axed after being removed from Paramount's schedule.
  • The end of the Madeline cartoon franchise tends to be blamed by fans on the 2002 feature-length TV movie, My Fair Madeline, with its upsetting plot that has Madeline unfairly blamed for causing chaos at the Louvre (she was trying to stop an art theft, but no one believes her), sent away from her beloved boarding school and friends to a London finishing school as a result, and later Wrongly Accused of trying to steal the Crown Jewels of England and sent to jail. A final feature-length production, Madeline in Tahiti, was made in 2005, but never released on DVD in the US, only finally getting a digital release in 2017, and with that the franchise ended.
  • The box office failure of The Powerpuff Girls Movie led to the scrapping of all plans for future theatrical films based on Cartoon Network properties. It would take sixteen years, with the release of Teen Titans Go! To the Movies, for another Cartoon Network series to see a theatrical wide-release - and even then, the show it's based on is a DC Comics/Warner Bros. property. While that film performed far better than Powerpuff Girls, it just wasn’t the box office smash hit Warner Bros. expected (not helped by a surprisingly small marketing campaign for the movie), grossing $52 million against a $10 million budget;note any plans for an actual Teen Titans continuation are now in doubt. Following Cartoon Network shows would continue to see television premieres or direct-to-video or streaming releases for their long-form adventures, including the second TTG film, Teen Titans Go! vs. Teen Titans.
  • The overall negative reception to Tom and Jerry: Willy Wonka & the Chocolate Factory did this to the Tom and Jerry Direct-to-Video Film Series as no new installments have been announced since then while Warner Bros. turned its attention to producing the long-stalled live-action/animated film instead. It also caused the Roald Dahl Estate to revoke Warner Bros' film rights to Charlie and the Chocolate Factory (the later having commissioned the movie just to keep the film rights) and instead handed it over to Netflix, along with all the other stories he created, including its sequel in which Dahl himself wrote it in his will that it it may never be adapted in any form.
  • Code Lyoko: Evolution was this for Moonscoop's Code Lyoko franchise. Fans not only lambasted the show's shift to live action but also the wooden performances of its actors and reacted strongly to the new character Laura Gauthier. The show's writing was also heavily criticized, as all of Moonscoop's original ideas and scripts were scrapped by the new staff, leading to Moonscoop disowning the new show. All of this lead to Evolution lasting only 1 season of 26 episodes, with only one episode receiving an English dub. With Moonscoop Entertainment filing for bankruptcy a year after the show’s conclusion and its reorganization into Splash Entertainment (now infamously known for Norm of the North among others) making any follow up unlikely, Evolution has likely ended the franchise for the foreseeable future.
  • The negative reception of the Animated Adaptation of Henry Danger, The Adventures of Kid Danger, alongside creator Dan Schneider's departure the same year it premiered, pretty much scrapped not only plans for future animated adaptations of Nickelodeon's live-action sitcoms, but also killed off Schneider's long-running namesake Schneider's Bakery series of sitcoms (All That reboot notwithstanding).
  • The commercial failure of The Mr. Men Show when it aired on Cartoon Network in the US, including its scant promotion, its awkward timeslot and a Denser and Wackier tone that bore little to no resemblance to the source material (some characters even being In Name Only interpretations of their namesakes, including two existing characters that were gender-swapped), essentially killed off further attempts at an Animated Adaptation of the Mr. Men franchise, since everything that has been released afterwards have been books and merchandise with the original franchise's style.
  • The failure of the short-lived Cloudy with a Chance of Meatballs Canadian animated series is what killed any future for the Cloudy franchise. What didn't help was lack of merchandise and proper marketing. However, the TV series did maintain a small cult following years later, but not even that was enough to save it from cancellation.
  • The cancellation of Cartoon Network's MAD, combined with that of the MADtv revival on The CW, dashed any future attempts to to adapt the satirical MAD Magazine to any form of other media. The former had a successful four-season run, but the Ripped from the Headlines-nature of its comedy meant it was doomed to become an Unintentional Period Piece whose reruns quickly ceased to entertain the network's target demographic. Meanwhile, the revival series only managed eight episodes before being scrapped. With the magazine suffering from Magazine Decay due to being switched to a nearly all-reprint magazine in late 2019 as a result of the AT&T/Time Warner merger, even the future of the magazine itself looks uncertain.

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