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Creator Backlash

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"I've come to hate my own creation. Now I know how God feels."
Homer Simpson (on his song "Everybody Hates Ned Flanders"), The Simpsons, "Dude, Where's My Ranch?"

Fandom is an interesting entity. Nobody can quite tell how people will react to anything, making the creation of a popular work a crapshoot. However, it's assumed that most creators hold an equal or greater amount of affection for their work than their fans. After all, they had to actually make it in the first place. So obviously, anything that's popular must be something the creator likes, right?


Not quite. See, the creators are people too, and even if they're the origin of a particular work, that doesn't stop them from holding a negative opinion about it. This is what is referred to as creator backlash. It's the most high profile form of hatedom possible, since it's the very creator(s) of the work denouncing it. As they bring up their feelings of hatred for their work in interviews, public forums, and their other creations, it brings a certain amount of discord into being a fan when the very source has denounced it. It might even trigger feelings of betrayal, or resentment that the author has (apparently) become a holier-than-thou hypocrite.

It can take on many forms and for many reasons. Many creators feel their work has been ruined by executive meddling. Perhaps the creator didn't really intend for it to become so popular, only making it to pay the bills and fund their more serious work (perhaps even getting forced into continuing it). Perhaps people completely miss the point. Perhaps it has them typecast to a sickening level. Perhaps the project that he puts a lot of effort on gets pathetic reactions from fans. Perhaps they were going through a rough time while making it. Perhaps they thought it was great at the time but, in hindsight and with a more "mature" perspective, think otherwise. Perhaps it has become their only work that is generally known, casting them as a "one hit wonder" in the eyes of the majority. Maybe they thought they could have done better. Maybe they begin to think The World Is Not Ready. Perhaps it's all of the above.


It is quite common for creators who start early to simply grow out of their early work. Added to which is the common artistic trait of always wanting to move on: the criticism is just an expression of boredom; been there, done that.

Or perhaps they just really do hate the work they created after all this time; maybe their personality (or the effect the work has on today's society) really has changed that much. The reasons are as myriad as the reasons a fan might choose to like their work in the first place.

Not all creator backlash is permanent, though. They can just as easily choose to later embrace their work when they get over whatever was troubling them in the first place. This seems to be quite rare, however. When it does happen, it usually seems to occur after a lengthy period of time has passed between appearing on the show and the present.


And, of course, no matter how bad the backlash is, the artists rarely return any of the cash they've made from a work.

Compare Old Shame, where the work in question neither caught on nor has many redeeming qualities in the first place; compare and contrast Bleached Underpants, where the work in question has questionable history which its creators would like to dispose of.

Not be confused with Creator Breakdown or Artist Disillusionment, though they can definitely overlap with this. Artist disillusionment is against fans while this is against works. Magnum Opus Dissonance is a Sister Trope, as is Disowned Adaptation. And definitely not to be confused with creators getting their backs lashed.

This can sometimes result in creators going uncredited for their part in the work.

Example Subpages:


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    Anime and Manga 
  • Boku wa Tomodachi ga Sukunai author Yomi Hirasaka is said to have begun to despise the series the more he wrote it, feeling that it wasn't very fun or interesting to write, and as such had the characters make very stupid, annoying decisions in the later novels that caused an outcry from many fans. This has led many to wish that if there is ever a third season adapted, that it would stray from the source material in favor of a more likeable continuation.
  • Kyoko Mizuki (writer of the original novel as well as the manga) and Yumiko Igarashi (illustrator) have come to despise Candy Candy, due to all the legal fights between each other caused by it. Allegedly, in 2006 Mizuki claimed that she got headaches every time she thought of Candy Candy itself.
  • The creator of the Slayers franchise, Hajime Kanzaka, stated a few times in interviews that, despite working on it, he had come to dislike the third season (Try) of the anime adaptation, which was one of the first divergences from the plot of the light novels. When the belated season 4 came out, a Discontinuity Nod noted this: on the plane chart that lists the numerous Big Bads of the verse, the two that were slain in season 2 were dented, noting their destruction, but one of the higher-level demon lord's spots on the chart was intact—this particular lord, Dark Star Dugradigdu, was slain in season 3.
    • Strangely enough, characters from season three were depicted in the eyecatches of the final episode (which depicted the various heroes and villains of the series). Filia is especially given a prominent background shot in the "Heroes" eyecatch.
  • Yoshiyuki Tomino has had a love-hate relationship with his most famous work, Gundam. Depending on the time and his current mood, he'll either consider it his greatest achievement or he'll think of it in the light of this trope:
    • Some fans theorized this to be the reason behind Mobile Suit Gundam ZZ's beginning, which, in complete contrast to its predecessor Mobile Suit Zeta Gundam's bleak and serious storytelling, focused more on comedy, specifically of the So Unfunny, It's Funny variety; the theory runs that Tomino was intentionally trying to sabotage the series so that he wouldn't have to make another sequel. note  For what it's worth, ZZ's story shifted back to the dark and serious tone of its predecessor in the middle of its run.
    • He is rumored to have despised working on Victory Gundam. In an interview, he outright said that people shouldn't watch it. This hasn't stopped several fans from naming it their favorite Gundam show. Victory was under production when Bandai bought up Sunrise, and their desire to sell toys resulted in a good degree of Executive Meddling, including the first 5 episodes of the show being reshuffled with very little new footage, resulting in what was intended to be episode 4 being shown as episode 1. This was done to expose audiences to the titular Victory Gundam, with the hope of boosting the toy sales. Worth pointing out is the manga Crossbone Gundam, which Tomino worked on shortly after Victory ended, and is one of the most hopeful entries into the franchise as well as a fan favorite.
    • He later warmed back up to Gundam though. He loved working on ∀ Gundam and wrote a memoir about it and how it cured him of depression. Just as well for the cast, as characters tend to die messily when Tomino gets depressed.
    • And his opinion flipped over again with Gundam: Reconguista in G, as he believes the final result was poorly written and had a very confusing plotline (most fans agree on the second point). Tomino even gave himself a score of 15/100 for it. As of this writing, he is working on a film version of Reconguista, in which it is believe he hopes to address those mistakes.
  • In a series of translated blogs, Takeshi Shudo, original head writer of the Pokémon anime, stated how he disliked the Strictly Formula that was pushed upon it, which led to his resignation... and then after he left, he disliked how his own prize creations Jessie, James, and Meowthnote  of Team Rocket were going way past Ineffectual Sympathetic Villain and into harmless territory.
    • The Japanese voice actors for the Team Rocket trio were quite vocal in how they disliked their characters' change in personality during Best Wishes.
    • Eric Stuart, the dub voice of Brock, was initially accepting of his role; but he grew tired of how people would seldom acknowledge his other work and only talk to him about voicing Brock. This was seen as a significant decision of his to retire from anime voice acting to focus on his music career. To a lesser extent, Veronica Taylor (Ash) and Rachael Lillis (Misty) were also weary of how fans would bring up voicing Ash and Misty when they both had many other anime roles; they, however, at least seem pleased that people enjoy watching Pokémon.
  • According to a commentary on one of the 60s Astro Boy DVD boxsets, Osamu Tezuka hated one particular episode, "Midoro Swamp" aka "The Beast from 20 Fathoms". He farmed out the episode to a group of young anime/manga students, and the results dissatisfied him so much, that he personally destroyed every possible copy he could find. Unfortunately for him, a copy of that episode had already been shipped to the U.S. and dubbed (and would later resurface as a "Lost Episode" of the series on VHS), and the Japanese soundtrack (but not the footage) still exists and was included as an extra in the episodes release on the Astro Boy DVD sets. Also, there are a handful of stories he wrote that he permanently pulled from circulation (i.e. not available, even in compilation form) due to said stories not being up to his usual standards.
  • For reasons unknown, the author of the manga Hyouge Mono along with the editorial staff quit as consulting staff or distanced themselves from the anime project. And in a pseudo Alan Smithee fashion, Yoshihiro Yamada also asked his credit be changed. He did not demand he take his name off the series nor did he adopt a pseudonym but rather changed the credit from Original Story to Original Concept (or Original Work to Original Scheme depending on the translation).
  • In-universe on two occasions in Bakuman。. Mashiro and Takagi dislike Tanto, even though it has some degree of popularity among children and most of the other characters besides Eiji and Nanamine like it, as it's difficult for Takagi to write gags and not popular enough to get an anime. After some difficulty, they persuade the editors to let them end it. Eiji eventually wants Crow to end, so he invokes his right of ending it at the height of its popularity on his terms. He's stated he could easily keep it going for some time, but wants to end the highest rated manga at its highest point, instead of simply going on and on.
  • Brad Swaile, after gaining mainstream success with Death Note; has since spoken at convention appearances that he dislikes many of his pre-Light Yagami roles; including Lan Hikari in MegaMan NT Warrior and Kicker Jones in Transformers Energon.
    • Speaking of Death Note, did you know that Tsugumi Ohba disliked Near?
  • CLAMP was very dissatisfied on how the anime adaptation of Tsubasa -RESERVoir CHRoNiCLE- turned out due to Executive Meddling. They even made the original storyboard of the second season's opening but Bee Train rejected it. Because of this, CLAMP pulled the plug for a possible third season and have Production I.G continue it in a form of the OVAs.
  • Several Hungarian voice actors have admitted how much they hated dubbing anime series that have been imported in the '90s. Notably, the voice actors or actresses of Sailor Moon, Vegeta (2nd), Android 18 and Krillin have either disliked or outright loathed their roles and practically had to be forced into the recording room for every episode. Some of them couldn't believe these shows have fans, much less they themselves for having worked on them. Admittedly, a lot of this stems from the abysmal working conditions back in the day.
  • It's reported that Nobuhiro Watsuki disliked the Rurouni Kenshin Reflection OVA as he wasn't involved with its production, going so far as to dub it as Canon Discontinuity.
  • Eric Stuart has frequently admitted that he and the other folks at 4Kids Entertainment weren't happy with what they did to One Piece. 4Kids themselves never wanted the show to begin with, and only did it to get the licenses to shows they actually wanted.
  • Hayao Miyazaki was not fond of how Nausicaä of the Valley of the Wind was edited for the initial North American release, to the point that he and Studio Ghibli mandated all of his films would never be edited again for international distribution.
  • Yumi Kuroiwa tweeted about how much she hated working on Kuroko no Basuke and, at one point, admitted that she animated Kuroko from memory after losing his character sheet. Along with posting yaoi fanart of Haikyu, she was fired from Production I.G.
  • Tite Kubo made it abundantly clear he was not pleased with Bleach Hell Verse, the fourth movie installment of his popular Bleach series. In the small interview that came with collectors edition of the DVD in Japan, Kubo stated that he requested his name be removed from the credits (a request that was denied) as he rather passive-aggressively stated that he felt that hadn't contributed enough to the film to be acknowledged in the credits...because the studio had rejected all of his ideas. Many fans share Kubo's sentiment (which is amazing given any circumstance, given Kubo's status as the Trolling Creator), labeling the fourth movie the weakest of the bunch.
  • High School DXD creator Ichiei Ishibumi and its anime adaptation's first director Tetsuya Yanagisawa confessed that the anime's third season, BorN, wasn't the season they was hoping for due to Ishibumi changing elements of the light novel's fifth through seventh volumes for the season so that he could write the EX spin-off. Ishibumi also said that after the backlash the season got, the anime series would continue to adapt the light novels more closely going forward.
  • Masashi Kishimoto of Naruto grew to regret creating the character Sakura Haruno, who became a Creator's Pest as the series went on. He hadn't originally intended to create her in the first place, because he doesn't view himself as good at writing female characters.
  • Between the harassment and the Spaniard dub being bashed back and forth by the Latin-American fans, all of the Latin American cast of Dragon Ball lost their love for the franchise entirely. Albeit, this won't prevent them from dubbing the series in any way because they need the money.

  • While on his death bed, British illustrator Aubrey Beardsley begged friends to destroy his large oeuvre of pornographic line drawings. Thankfully they did not comply.
  • Despite being one of his most famous paintings, Vincent van Gogh considered "The Starry Night" to be a failure. Some of his critiques can be found in his letters to his brother, Theo, and to contemporary artist Émile Bernard.

    Comic Books 
  • Mark Millar went on a record saying he hates Trouble and considers it his worst work. Might apply to The Unfunnies as well, since his official website doesn't seem to acknowledge its existence.
  • Robert Crumb has come to hate Fritz the Cat, especially after the movie came out and he felt it ruined his work forever, so in a follow up comic he killed Fritz off and discontinued the books.
    • His single most hated work, however, is the "Keep on Truckin'" comic; mainly because of how well-known and overused it became, how closely identified he became with it, and the fact that no one else realized it was supposed to be a satire.
    • In a live appearance, he spoke about how much money other people have made off of that one work, screening it onto posters, shirts, the works, none of which he ever saw a dime from. He advised the audience to never ever ever ever so much as mention the words Keep On Truckin to him.
    • He's also indicated that he resents the cover of Big Brother and the Holding Company's Cheap Thrills because he was never paid for it.
  • Pierre "Peyo" Culliford hated The Smurfs, but continued to work on it because it was a Cash Cow Franchise. He had a lot of pressure from his publishing company, from the team that did the cartoon version, from some French TV animators (for those of you who remember French TV in the '90s: Dorothee), and from kids.
  • James O'Barr came to hate The Crow because it glorified revenge (though the fact that the comic's popularity and success indirectly resulted in Brandon Lee's death probably didn't help either). All royalties he received from the movie were donated to charity. However, the Special Edition released in 2011 shows that O'Barr has come to terms with the work, seeing it as about true love and the importance of self-forgiveness. This is thanks in no small part to Brandon Lee's fiancée Eliza Hutton, with whom O'Barr became close with.
  • Mark Waid has said he regrets his Deadpool mini-series from the '90s, and would not have agreed to write it had he known what a "creep" the character was. He's not a fan of '90s Anti-Heroes.
  • Warren Ellis grew to despise Planetary and its fans after they constantly sent him e-mails asking when the new issue was coming out. However, the situation came to a boil after the death of Ellis's father. When he asked his fans not to contact him while he was in mourning, they kept e-mailing him anyway. There's probably a good reason the later issues were so slow to come out. Though the backlash never seems to extend to the work itself, which never wavers in quality. He even wrote a final issue years after the series was thought to have been finished.
  • Dave Sim, the creator of Cerebus the Aardvark, gradually began to regret the female characters he created in the series (feeling they were idealistic and unrealistic depictions of women).
  • Sim's collaborator Gerhard really doesn't enjoy looking at his background art from Church and State and has flat-out stated that he didn't like the writing in the later story arcs, saying that by that point, Sim had lost him as a reader.
  • Similarly, Sonic the Comic writer Nigel Kitching expressed dislike for Amy Rose's development in the comic (which was actually the result of Executive Meddling insisting on having a more suitable female role model), resenting not having the freedom to develop her and leaving her somewhat flat compared to her more interesting and flawed male comrades.
  • For Archie Comics' Sonic the Hedgehog writer Ian Flynn later admitted his attempt to revert Charmy to his game counterpart persona note  via an injury from the Egg Grapes was a case he Didn't Think This Through, and was left unable to do anything with the character without inflicting an unsettling undertone due to the implication of brain damage.
    • Ian started the book wanting to undo the damage caused to Sonic and Sally's relationship and get them back together, which he did. By the time of the soft reboot, he was sick of the shipping wars and made them just friends.
    • Even he seems disappointed with the Sonic 30 Years Later arc, and he's Jeph Loeb Polarizing.
  • Alan Moore seems to loathe all of his old works because of their hand in creating The Dark Age of Comic Books.
    • It gets to an extent where he really has it in for DC. He has compared his relationship with the company to having a child you love, then having it kidnapped by gypsies in the night and every once in awhile they send you photographs of the kid working as a prostitute.
    • His loathing of the film adaptations of those same comics is particularly well-known; Moore asks for his name to be uncredited.
    • As one might guess, the perfect storm of the above points is Watchmen, where the original contract would have reverted the rights to Watchmen to Moore if it went out of print, but then they reprinted it, created a prequel, and then finally integrated it into the main DC universe, effectively "kidnapping" the comic.
    • A more specific example is Barbara Gordon getting crippled in The Killing Joke; Moore deeply regrets including it (he feels like it was pointless since he didn't put any focus on how it affected Barbara) and while he doesn't hate the story as a whole, he feels that if he were able to go back and change anything about it, he would change this.
    • For the Man Who Has Everything appears to be the one exception. He doesn't complain about it when asked, and its Animated Adaptation as an episode of Justice League is the only adaptation of his work that he's allowed to credit him.
  • At conventions, Kurt Busiek accompanies his signature on copies of Spider-Man/X-Factor: Shadowgames with the refrain, "I'm sorry, I'm sorry, I'm sorry..."
  • Although Joe Quesada was the true diabolical mastermind behind Spider-Man: One More Day, it was written by J. Michael Straczynski, who absolutely hated it even as he was being paid to write it. He had asked that his name not be put on the infamous final issue (a request that was ignored) and tells people at conventions where to find Quesada as his own personal vengeance.
    • JMS also hoped he could use OMD to undo Sins Past, another story he wrote under protest (in his version the Goblin Twins were Peter and Gwen's kids; Quesada didn't like the idea of two teenagers having sex, and proposed the much less squicky idea of one teenager having sex with Norman Osborn, a much older man). He was told he couldn't.
  • Tintin: After World War II creator Hergé started a magazine named after his creation. It became a Cash Cow Franchise, but the stress took his toll on him to the point that he literally fled to another country for a few months to take a rest. He played with the idea of quitting the comic altogether, but he never quite did. Yet new "Tintin" albums became less and less frequent as the decades progressed and most of the work was done by his assistants. A big reason for the delays in later Tintin installments was that Hergé suffered a severe lack of confidence after Tintin in Tibet, believing that he wouldn't be able to surpass what he thought was the best, and most personal, work he had ever done. The later installments were also highly experimental, as Hergé's belief that he would not be able to top Tibet meant he used them as an opportunity to experiment with the characters.
    • Hergé later regretted explicitly showing the alien spaceship at the end of Flight 714, although he also admitted he didn't know how else he would've ended the story.
  • Suske en Wiske: Willy Vandersteen also suffered from this, but with all his comic strip series. He usually started a new series, but after a handful of albums he became bored with them and passed them on to his assistants, while he started a new project. In the final two decades of his life he was just a creative advisor to most of the series he started.
  • Piet Pienter en Bert Bibber: Creator Pom refused to be interviewed about his comic strip throughout most of his life. He despised that period of his life and could not be humoured about it.
  • Nero: Creator Marc Sleen never quite understood why so many of his fans prefer the old, crudely drawn black-and-white albums to his later, better drawn albums in color.
  • De Kiekeboes: Creator Merho sees his oldest albums as an Old Shame, with a lot of naïve and childish ideas and jokes that don't resemble the comic strip as it is today at all.
  • James Stokoe, creator of Orc Stain, has decided to cut himself off from Sullivan Sluggers comics he did to Mark Andrew Smith's script, made it clear he doesn't want to get involved with the book anymore and asked for his name to be removed from it.
  • As Matt Wagner's long-running Grendel mythos has progressed, so has the original 20th-century Grendel, Hunter Rose, descended from Magnificent Bastard to simply a hateful, arrogant, murderous git. Wagner has been quoted as saying that every time he writes about Hunter, he likes him a little less.
  • The collected edition of Evan Dorkin's The Eltingville Club comics (a dark satire on stereotypical Fanboys) states that Dorkin stopped writing the comic when exposure to the internet revealed to him that the Fan Dumb he was satirising was far more common and infinitely worse than he imagined.
  • Jim Shooter is credited as a co-plotter of the infamous issue #200 of the Avengers. Even he hates it, and took responsibility despite not remembering how much he contributed. Most of the other creators involved have barely mentioned it.
  • David Mazzucchelli, the artist of Batman: Year One, has expressed distaste and regret, in an afterword to later collected editions of the story, for its controversial Post-Crisis origin for Catwoman as a former sex worker. He now considers that it adds unduly sleazy and adolescent content to a genre essentially aimed at children. (Although this is a bit ahistorical, as Catwoman was created in the Golden Age at a time when superhero comics were intended for both a child and adult audience and often contained quite a bit of sex and violence, and she was Exiled from Continuity for much of the Silver Age precisely because she was considered too sexualised for children.)
  • Matt Furie originally created Pepe the Frog as a character in his comic Boy's Club, which turned into a popular meme by 4chan. Although this started off fairly innocently, it eventually began to be associated with the "Alt-Right" movement and Neo-Nazis, to the point where the Anti-Defamation League officially declared it a hate symbol. Unsurprisingly, Furie wasn't particularly happy about this, and drew a comic about it before eventually killing off the character in 2017's free comic book day.
  • While John Byrne himself doesn't seem to regret The Supergirl Saga, Dan Jurgens, who along with his The Death of Superman cohorts, took over from Byrne (and even did material built off its ending) hated how the story ended with Superman executing General Zod, Zaora, and Quex-Ul after depowering them—though less for the idea of Superman killing itself and more out of the belief that if Superman were to kill, it'd be more in-character for him to do it while protecting people from an immediate threat as opposed to outright executing someone. He subsequently considers how Man of Steel handled Superman killing Zod (to save a family Zod was actively threatening) an improvement.
  • Len Kaminski left Iron Man before The Crossing, which was hated by fans for many reasons, chief among them being it tried to retcon that Tony was a Manchurian Agent for Kang the Conqueror—and in fact that's exactly why Kaminski left, as he wasn't fond of that plot point, either, and chose to leave rather than be blamed for it.
  • By Frank Miller's own admission, Holy Terror was written from a place of anger and hatred and he's expressed regret over that and comments he made around the same time related to its contents.

    Fan Works 
  • Bagel Brain, the author of Garfield in: "Along Came a Splut", revealed to a friend that he only wrote the story as a joke, and was shocked to find out it got its own trope page. He also disowned the story, oddly not for its absurd nature, but for its more morbid, dark aspects (e.g. Abe Lincoln getting brutally killed off for laughs, a Black Comedy bit which he felt was incredibly mean spirited and unfunny). He said if he would ever write a sequel (which he is unsure if he'll do) he would make it Lighter and Softer, do things like bring Abe Lincoln back to life and give him a prominent role in the story, Retcon out the darker elements of the original story, or just write a story that actually made sense instead. Instead, he eventually deleted the story altogether.
  • Nimbus Llewelyn, author of The Wizard in the Shadows and Child of the Storm, has expressed somewhat ambivalent views (at best) on the former. This is because it was essentially the product of both his steady development as a writer and a fairly epic Creator Breakdown in his mid-teens (the story was started when he was 14, first published when he was 15, and completed when he was 17), in which he apparently poured a lot of his issues at the time into the Shadows. For the most part, he's vaguely embarrassed by it, only keeping it around because it's still popular and because like a lot of his older stuff, it serves as a reminder of how far he's come as both person and writer. As for its tropes page, he's stated that he's also considered removing that too (he's known to both reference his works' tropes pages, and sometimes meddle in for his own amusement), but left it on the grounds that, flaws and all, he still thinks that Shadows is better than some of the other serious stories that have pages.
    • As for Child of the Storm, he's consistently a bit embarrassed by the earlier chapters, and occasionally tries to clean them up somewhat. The problem is less writing quality, more that their tone reflects the story's original intent - a Lighter and Softer Fix Fic. Around chapter 20 or so, it took a sharp turn into Darker and Edgier territory and steadily developing into an intricately plotted and very lengthy saga rife with Black and Grey Morality. Unfortunately, however, a lot of things are set up early on, meaning that there's only so much one can change 'without bringing the whole tower of Jenga bricks down around one's ears'.
  • Post's reposting of his popular Teen Titans epic, "These Black Eyes", begins with this summary- "Noir, an incredibly overpowered Gary Stu, joins the animated Teen Titans. During his tenure with the heroic youngsters, many grammatical errors are made, many gross atrocities of the first-person narrative are committed, and a bunch of bloody drama is spilt in the name of lifeless nerdiness. Act One consists of his beating up the Titans and the Titans loving him for it. Act Two consists of predictable villains coming back to battle the Titans in a huge cataclysm of page length and sound effects. Act Three shall never again see the Internet because it sucks major donkey rectum. This has not been edited, but it has been preserved—not so much by me but by those few generous (depraved?) souls who felt this fic needed to stay in existence."
    • He deleted his earlier X-Men: Evolution fanfic, Between the Walls, for similar reasons. He never reposted it.
  • Since becoming a published writer, Cassandra Clare has disavowed The Draco Trilogy and here it is.
  • Many writers have written a Lemon story, and come to hate it, as it becomes more reviewed, written and popular than any of their other works.
  • Greg X, one of the staff members of The Gargoyles Saga has, on several occasions, publicly disowned his TGS work. Many of his issues stem from story structure, to characterization (ask him how he feels about what TGS did to Demona some time), and too many fan-created characters who no one but their fan creator had an interest in. That, and he just prefers Greg Weisman's plans and comics. A very diplomatically written blog post can be found here detailing how he feels.
  • After completing the series and moving on to webcomics, Cassie "Alohilani" Thomas has several times affirmed her dislike of Both Syllables. Despite this, she still gets asked about it, to her great displeasure.
  • With thousands of reviews and numerous people saving docs of Fierce Deity's The Legend of Zelda fanfic series, you'd think that he'd be heartened. Nope, he wants nobody to ever mention those "pieces of crap" ever again, despite the latter story, "Eternal Ark" being reasonably written with an engaging plot and interesting original characters.
  • FF.Net and author Meowth Rocket/Meowth's Toon Dragon is known for his A New Face in Ponyville story, considered one of the better 'Human In Equestria' stories, as well as some decent Pokémon and Sonic the Hedgehog stories and the famous "Payback from a Pipe" Family Guy fic. He's also written a couple stories that he considered so bad he purposely refused to transfer them over to his harddrive, all but erasing their existence forever. But nearly COMPLETELY averted with Payback from a Pipe. Even though he hopes it's not the only fanfic he's ever known for, he still loves it and all the recognition he's gotten, as well as all the fans of it.
  • Gregg Landsman, once a prolific and well-liked fic author, essentially gave up on the Eva fandom and disowned his most popular fic, Nobody Dies, after severe fan backlash regarding a Wham Episode that Retconned several dozens of chapters.
  • Shinnok, author of the New Look series isn't too fond of Naruto's New Look.
  • DarthLink22, the author of The Nuptialverse, has stated that the popularity of Post Nuptials makes him uncomfortable, due to feeling that it's not as good as the rest of the series.
  • Though Magica Madoka Veneficus Puella remains the fifth-most favorited and followed Puella Magi Madoka Magica story on FFN, its creator has declared it a Dead Fic, and noted it to be fundamentally flawed and really, really stupid. Given the switch from the near-Rated M for Manly MMVP to more character-driven stories like Soul Intercourse and Sayaka Quest, he's practically The Atoner. The story itself remains a Berserk Button.
  • The author of Twilight Pretty Cure used to enjoy working on the story. But, after receiving backlash for parts of it that got interpreted in ways she didn't intend, she came to dislike her debut fan series (not unlike another polarizing fan series). One part of it might be that she intended for the story to promote neurodiversity and to teach lessons about acceptance, the value of life, and overcoming hardship, but it came off more like internalized ableism and cheap drama. In response she set out to rewrite the story to make it less offensive, but, no matter what she tried, her detractors continued to find fault to the point where she quickly lost her motivation for working on the fic. Eventually, she gave up on it altogether and vowed never to write for the Pretty Cure fandom again. She also deleted another Pretty Cure fic which she had started and announced via her profile that she planned to rewrite it as original fiction.
  • The author of the infamous Homestuck Troll Fic "Daddy Dearest" (You Do NOT Want To Know what it's about) has declared on her Tumblr that she's come to hate the fanfic, regrets ever having written it in the first place and is angry at the fandom for turning it into a meme. It's not hard to see why.
  • The author of Equestrylvania has admitted that the first arc in the companion book Equestrylvania Adventure was a very boring excuse at World Building and laying groundwork for the rest of the stories proper in the series, and that if he could, he'd go back and rewrite it (but won't because it'd be a waste of time and effort).
  • An example between two related works: despite what you may think, and despite providing material for it, the author of Turnabout Storm was not pleased with the novelization. She had a long and productive discussion with one of the authors of the novelization, the contents of which remain private. What came out of that is that what happened in the novelization (most likely the Interspecies Romance between Twilight and Phoenix) was due to a series of miscommunications or lack of communication on both sides. A second, more faithful novelization has also been brought up, and is a possibility.
  • Starman Ghost, author of The Conversion Bureau: Not Alone, deleted the story from Fimfiction. He explained in a blog post (which has since been deleted) that his dislike came from his overall dislike of The Conversion Bureau and its derivatives and refusal to write anything for the genre anymore. His decision was met with angered criticism from fans, which only intensified after Starman requested that Dalek IX, author of the fan written sequel The Conversion Bureau: Conquer the Stars, stop using one of his Original Characters, necessitating a rewrite. As a result of his disowning of Not Alone as well as the drama in the link provided, other authors in the "Anti Conversion Bureau" genre have undergone quite the Broken Pedestal regarding Starman, as Not Alone did help codify a lot of "Anti-TCB" tropes.
  • Mass Effect Human Revolution's author IgnusDei has declared his dislike for the length of the Noveria arc.
  • Kingdom Hearts: Heather's Story, a crossover between Kingdom Hearts and Total Drama, was fairly well received and even got a recommendation on the Fanfic Recs page. However, a few years after it was finished, the author took it down due to no longer being pround of the work due to numerous reasons, which he goes into more detail here.
    And thus, even after the good memories, the more than awesome friends I made with my fic, it's time for this fic to not be online anymore. There are some things you write that you shouldn't put online and this fic is one of them.
  • Some of the contributors to The Great Starship Battle expressed frustration at the fact that the person chosen to finish the story ignored pretty much everything that had been written before, resulting in a lack of resolution for the plot threads they had introduced.

    Films — Animation 
  • Ralph Bakshi isn't fond of the released version of Hey Good Lookin' due to Warner Bros. forcing numerous changes to the film (the original cut was a mix of live-action and animation) and delayed the film for seven years before finally dumping the film in select markets. When interviewed in 2010 on the film, Bakshi spoke positively about the first cut but had little to say about the released version. He also wasn't happy with the Executive Meddling Cool World underwent from Paramount, which led to Bakshi retiring from filmmaking (until 2013).
    • Ralph was not happy that he wasn't allowed to make a follow-up to complete his Lord of the Rings animated film, or for being forced to drop the "Part 1" from the films title, feeling it cheated the audience into thinking they were getting the whole story, as opposed to just the first two books.
    • And in general, Ralph strongly disliked using rotoscoping in films like it, only using it out of desperation because it was the only possible way to make the film at the time—a triple whammy of low budgets, the realistic tone warranted by the story, the older animators he worked with dying off or retiring (and unlike with Wizards, he didn't have as much access to animator Irv Spence to help carry the workload) and the new animators he was hiring weren't skilled enough to animate on their own yet, forced him to rely heavily on the tool.
    • He's not fond of the 1989 Made-For-Tv pilot "Hound Town". In his biography "Unfiltered", he mentioned it in passing, saying "It's an embarrassing piece of shit," and also said "I did it to keep the money flowing." It only aired once on NBC, and was quickly forgotten.
    • As John Kricfalusi found out while working for him, do not so much as ask Ralph about what it was like working on Rocket Robin Hood.
  • Richard Williams was so devastated by what happened to his masterpiece The Thief and the Cobbler that for years he refused to discuss the film or take part in the fan restoration of it. However, he made peace with the film around the time he wrote The Animator's Survival Kit (despite avoiding mentioning the film in the book) and on Dec. 10th, 2013, he finally screened his own director's cut of Thief, saying he was finally satisfied with his work.
  • Disney Animated Canon:
    • At the time of its release, Robin Hood was not well-regarded by its own creators.
    • They've never been excited about The Black Cauldron, which only occasionally pokes its head out of the Disney Vault and gets little to no mention of even existing. This has a lot to do with its Troubled Production and it being a representation of a dark period of Disney's history (the result of studio mismanagement) that existed until Michael Eisner and Jeffrey Katzenberg took over.
    • They mostly pretend Song of the South, about a Reconstruction-era freed slave telling folk stories to two young white children on a plantation, never happened because of racial characterizations which seem offensive to modern audiences. Under current CEO Robert Iger, they seem to keep flip-flopping between deciding to release it on DVD and deciding to let it rest.
    • Walt Disney claimed he disliked how the Alice in Wonderland film turned out, that Alice herself had no heart, and was glad that it failed at the box office. In fact, unlike others of his films, it would never be re-released to theaters in his lifetime, instead airing every so often on Walt's TV anthology series. It would not get a theatrical re-release until 1974, more than twenty years after its release.
    • Walt was displeased with Dumbo, apparently. It was a low-budget, cartoon-like, hour-long movie that he had had very little to do with; and it ended up making more money than the high-budget, realistic, feature length films like Pinocchio, Fantasia, and Bambi that he was heavily involved in. Never mind that it was released at a time when he was trying to prove that animation was more than just cartoons (see the second Fantasia example below). According to Neal Gabler, in response to the critical praise of the film, Walt dismissed Dumbo as "just one of those little things that we knocked out between epics."
    • Disney's Peter Pan fared better at the box office than Alice in Wonderland, but Walt didn't care for that film either, claiming that the titular character was unsympathetic and unlikeable. However, unlike Alice, Peter Pan did well enough in its initial run for Walt to allow it a theatrical reissue during his lifetime, which came in 1958. However, that was the only reissue of the film when Walt was alive; its next reissue would not come until 1969, eleven years after its first reissue and three years after Walt's passing.
      • Milt Kahl grew to dislike his work on the movie. The majority of his scenes were with Peter and Wendy; he said that Wendy was very difficult to animate and he would've rather animated Captain Hook instead because that character was more fun.
    • Fantasia suffered from this in not one but two respects:
      • The Pastoral Symphony segment initially featured a full-on 'darky' caricature named Sunflower as one of the 'centaurettes'. She was removed in 1969 and, despite the presence of old, uncensored prints, Disney denied her existence until the release of the re-mastered edition in 2000.
      • When Walt appeared during the 1942 Academy Awards to accept the Irving Thalberg Award, he brought up this film. Trying to hold back tears, he said, in reference to making Fantasia, "Maybe I should have a medal for bravery. We all make mistakes. I shall now rededicate myself to my old ideals." He was ashamed of Fantasia, not so much of making the film as of its pitiful box office performance. He felt that audiences were ready for a film like that in the wake of Snow White, but when it flopped (and was right on the heels of Pinocchio being a flop as well), Walt's self-confidence was shattered. Fantasia's performance discouraged Walt from making anything else too artistic, which was why any films made thereafter, such as Cinderella or Peter Pan, were safer, more mainstream fare.
    • James Baxter was embarrassed by most of his animation of Ariel from The Little Mermaid particularly the scene where she says "Daddy I love him!", in his own words he said he made her look like a fish-eyed freak and apologized to her head animator Glen Keane for drawing her too Off-Model.
    • Animator Will Finn stated on his blog that he was also embarrassed at almost all of his animation of Grimsby in the film save for one or two scenes.
    • Downplayed with Andreas Deja for Bambi II, since he did enjoy the experience and was impressed by the level of effort by Brian Pimental's team, but still thought the very concept of a sequel to Bambi (a film he himself held dearly) was extremely questionable.
  • Like his fans, Don Bluth dislikes his post-All Dogs Go To Heaven, pre-Anastasia films of the early-to-mid-1990s.
    • The Pebble and the Penguin is one that turned out really bad for him, primarily for its terrible animation. He actually got wholly fed up with the production towards the end of it and he and Gary Goldman outright abandoned it for Fox as it continued to crash and burn, and he even renounced his directorial credit for it. In the November 2001 issue of "Toon Talk", he had this to say about it;
    “Penguin had story problems. We knew it. The crew knew it. (Once the crew came under ownership by Media Assets), the story and the film were now compromised. Hence, neither of us stayed to complete the motion picture."
    • In the July 2001 issue of "Toon Talk", Don Bluth admitted A Troll in Central Park was a terrible film, and apologized for how badly it turned out;
    “As it is never a good thing that a child is born prematurely, so it is with producing a film. Development of a script is like the development of a child in the womb; It takes time and must be done right. Building the movie, “A Troll In Central Park”, taught us this lesson, but indeed, the hard way. I tell you all this in the hope that you might benefit from our foolish mistakes. Scrutinizing your own work is so important, but let's face it, we all are afraid of not measuring up, so we stubbornly cling to our own opinions, shutting out all others. Stanley could have been a richer character with more levels to his personality. Maybe he could have had a dark side, a troll side that he struggled with.”
    • In an interview, Don Bluth mentions in passing that he only worked at Filmation to pay the rent, and didn't enjoy the shows or working there at all.
    "After that, my church called me and asked if I wanted to go on a mission trip to Argentina. So I quit the Disney studio, flew off to Argentina, and was there for two and a half years. When I came back I worked at Filmation Studios just to earn money to pay my rent. I didn’t like it (at) all."
    • In issue 26 of the magazine "Animator", he also expressed dissatisfaction with working on Disney's Robin Hood;
    "I drew with great excitement, thinking how good it was to work on a Disney feature. When Robin Hood was completed I decided it did not look the greatest of films. The heart wasn’t in it. It had technique, the characters were well drawn, the Xerox process retained the fine lines so I could see all of the self indulgence of the animators, each one saying, “Look how great I am,” but the story itself had no soul."
    • He was also dissatisfied with The Fox and the Hound for watering down the content of the book and rehashing what Disney had already done before. The film was arguably the breaking point that led him and several other animators to jump ship from Disney during its production and form his own studio.
    "We felt like we were animating the same picture over and over again with just the faces changed a little. In contrast, Walt always found something new to delight an audience. For example, they've gutted all of the meaning from THE FOX AND THE HOUND. It's become a cute story instead of a meaningful one."
  • The few of the crew who worked on The Chipmunk Adventure do not have pleasant memories of the experience of making it.
    • David Pruiksma, an animator on the film and future Disney pro, does not have good memories of working on it and refuses to rewatch it.
    "It was hell to make. Story was a mess. The Bagdasarians were complete assholes. They were idiots. Extremely difficult to work with. They were, for the most part reviled by the entire crew. And the process for production was insane. But some nice work did shine though."
    • Bill Plympton, who also worked on the film but was uncredited, listed the film as one of his least favorite movies ever in his book "Independently Animated".
  • Animator Rodolphe Guenoden said that We're Back! A Dinosaur's Story was the most difficult movie he ever had to work on his entire career in animation, due to its messy production and the tight deadline (they had to rush the film down the pipeline so it could directly coincide with the release of Jurassic Park as a family-friendly alternative to it) keeping them from making the film better, and said that the final product reflects its turbulent creation.
  • Orson Welles, who played Unicron in Transformers: The Movie, apparently couldn't even remember what it was called, and stated that his role was that of "a huge toy that does horrible things to other toys." And he died five days after completing his work on the movie. That is some rapid Creator Backlash.
  • Dan Harmon, one of the screenwriters of Monster House, wrote a apology letter to a young girl after her mother, a friend of a friend, wrote him explaining the girl's nightmares over the movie, a letter in which he complained about the Executive Meddling on the movie.
    "And next time Monster House is on, just remember that the guy that wrote it told you it was dumb."
  • Peter Sallis, voice of Wallace in Wallace & Gromit stated that he preferred the original shorts such as The Wrong Trousers to the duo's big screen debut in The Curse Of The Wererabbit, making him one of the movie's few critics. Nick Park has also stated that while he holds no regrets over the movie, he feels personally that Wallace and Gromit are better suited to the short films, rather than feature-length.
  • The Road to El Dorado:
    • Animator Will Finn, who directed the bulk of the film, has stated on his Facebook that he does NOT have good memories of working on the movie, saying it was a bloodbath to make it behind the scenes, and that he has nightmares to this day about all the behind the scenes problems. One example he gave was the game sequence, which he had to fight for to get in the film because it was one of the few actual references to something indigenous in the film, but originally it was only a brief background visual—he said he didn't understand why it was such a struggle to put in but a lot of the backstage struggles on the movie made no rational sense. He ended up resigning later in production and going back to Disney, and had his name removed from the credits, leaving Don Paul and Eric "Bibo" Bergeron (and even an uncredited Jeff Katzenberg) to finish the job. Of the movie itself, he merely considers it to be a largely forgettable film, and he also felt that the script was awful (he distinctly remembered bringing the script to writer David Swift, with the latter remarking "You're never going to make a good movie with shit like this for writing!", and Will believes that he was right).
    "Great crew - fantastic dedication of talented people but a doomed mess from concept on. I "directed" on it for almost 3 years but resigned ultimately. The movie has its moments but as a piece of entertainment it's utterly innocuous and forgettable. Yet unless you were there, you'd never know the sheer madness and bloodbath it was to make. If they made a movie of the making of it it would be a cross between Mutiny on the Bounty and The Producers!"
    • Rick Farmiloe, who animated on Tulio for the film, didn't think much of the final film either.
    "Part of my opinion of the movie is tied in with the crazy making of it. I have no particular fondness for it. It was a big missed opportunity as far as I'm concerned. The MAKING of it would make a much more compelling film!"
    "For me there were two major problems with The Road to El Dorado. First, it was a period piece set in South America — I thought at the time that that combination would be box office poison. There are certain settings and time periods that I don’t think modern audiences are interested in, even if the film is fantastic. Second, the film didn’t know what it wanted to be. Buddy movie? Action adventure? Romantic comedy? Musical? Historical tragedy? Romance? For adults? For kids? I think the project was like the proverbial elephant being examined by the blind scientists. Different directors, writers, and producers all tried to make different movies, and it ended up a mish-mash."
  • Zigzagged with animator Kevin Koch on working on Sinbad: Legend of the Seven Seas. On his Synchro Lux blog, he made it clear that while he enjoyed working on the film, he thought it was the least favorite animated film he ever saw, taking it to task for its story flaws (too much focus on a vaguely explained MacGuffin that kicks off the whole plot and unwittingly deflates the films tension by raising the stakes to a level that makes it impossible to suspend your disbelief) and claiming the lead characters were boring and unengaging (pointing out that Sinbad is basically the biggest asshole in the universe for wanting to steal a book that would send the whole world spiraling into chaos in the wrong hands).
  • Flushed Away got hit by this for the entire studio of Aardman, as the Executive Meddling the film underwent and its subsequent box office failure caused them to break off ties with Dreamworks and move to Sony.
  • Downplayed with The Powerpuff Girls Movie. While Craig Mc Cracken doesn't dislike the movie, he regrets that his negative feelings towards the Misaimed Marketing of the show presenting the series as a "girly" girl show caused him to make the film excessively dark, and wishes that he had made it more in line with the show's usual tone.
  • Paul Bolger, the director of Happily N'Ever After said he didn't like the product due to Executive Meddling that made the movie more Lighter and Softer than it was intended to be.

    Music Videos 
  • To this day Sammy Hagar is practically alone in disliking Van Halen's video for "Right Now". He wanted it to be less of a concept and more of a straightforward interpretation of the lyrics, since he had worked hard on them and wanted listeners to hear them. In fact, he was so angry that he refused to sing most of the lyrics in the video, even when the titles say "right now, we should pay attention to the lyrics." The director liked that take anyway and kept it.
  • No Doubt have made a official statement apoligising for their questionable video to "Looking Hot" for its politically incorrect undertones. It's actually been deleted from their VEVO channel and all subsequent videos of it deleted for a rather stereotypical portrayal of Native Americans.
  • Fred Durst was so embarrassed by the video for "Take A Look Around" that he banned it in the US.
  • Journey was highly dissatisfied with their music video for "Separate Ways (Worlds Apart)"; to the point that they refused to do any videos for their next album, Raised On Radio.
  • Billy Squier has forever blamed the music video for his hit song "Rock Me Tonite" for bringing about the downfall of his music career, as the then-questionable and erotic content within did much to destroy his public image. Squier was so disgusted with the final product that he and his colleagues attempted to prevent the video's release, but it was too little, too late and Squier has since blamed the director for allegedly tampering with his original concept.
  • Phil Collins reportedly finds the Genesis video for the title track of A Trick Of The Tail, featuring a miniature Phil dancing on an upright piano while Tony Banks plays the song and the other members of the band gather around, to be the most embarrassing one of his career. A bit of Special Effects Failure (this was 1976) didn't help matters.
  • George Strait hated his first music video, for "You Look So Good in Love", so much that he had it withdrawn from rotation. He also largely refused to do music videos at all, to the point that only about 15 of his 100+ singles have videos, and most of the ones that do are live performances.
  • Madonna has gone on record as saying that she hates the official (and never-released) music video for "Holiday" so much that she hopes it never sees the light of day.

    Myths and Religion 
"And God saw that the wickedness of man was great in the earth, and that every imagination of the thoughts of his heart was only evil continually. And it repented the Lord that he had made man on the earth, and it grieved him at his heart. And the Lord said, I will destroy man whom I have created from the face of the earth; both man, and beast, and the creeping thing, and the fowls of the air; for it repenteth me that I have made them." (Genesis 6:5-7)
  • As far as Bible translations in general, Eugene Peterson, the main translator behind the paraphrase edition called The Message, isn't very fond of that translation being used and read aloud by pastors in the pulpits during sermons. He intended for his translation to be the first translation for beginners of the Christian faith to read and then be weaned away from to other translations.

  • The Mc Elroy brothers of My Brother, My Brother and Me have expressed some vitriolic distaste for the earlier episodes of their own podcast, at times suggesting that new listeners skip the first hundred or so. Aside from the natural awkwardness, lower quality and underdetermined direction that any improvised media suffers starting out, the brothers believe they were more ignorant then, which resulted in what they consider some offensive or even meanspirited humor. They blame this partly on their limited worldviews at the time and partly on not having yet realized the audience they would reach and the impact their words would have. Their earnest efforts to communicate with listeners and willingness to apologize and do better have made up for past mistakes in their fans' eyes, but the brothers themselves are still quick to denounce their earlier work.

    Puppet Shows 
  • Longtime Sesame Street writer and puppeteer Joey Mazzarino (most famous for performing Murray Monster) left the show after its 46th season, unsatisfied with the changes that the show was going through.
    • While neither Jim Henson nor Frank Oz dislike Sesame Street (both devoted at least a few weeks a year, Jim until he died and Frank until the late 1990s, to shooting new material with their respective characters), Henson disliked how it typecast him as a children's performer, even telling creator Joan Ganz Cooney over the phone that "[she] ruined [his] life." Similarly, Oz was very hesitant to discuss it or his Muppet projects until recently, as he was worried that it would overshadow the work he has done as a director.
  • Some longtime puppeteers (including some no longer affiliated with the chief group of Muppets, such as Frank Oz and Kevin Clash) supposedly expressed dissatisfaction during the production of The Muppets, feeling that it was too serious for the Muppets. Rumor has it that former Kermit the Frog performer Steve Whitmire threatened to have his name taken off the film if the original ending (Tex Richman being revealed to be Kermit in disguise the whole time, as a way to bring the crew back together) had been used.
  • Kevin Clash had some major problems with Muppets Tonight. When his character, Clifford became the host, he went through some big changes. The most particular thing he hated was that Clifford's sunglasses were removed and replaced with regular Muppet eyes. He hated it so much, that he refused to perform as Clifford again unless he had his sunglasses on. Unlike other examples, the producers did listen to this and returned Clifford to his old look after the show ended.

  • In-universe example in a sketch on John Finnemore's Souvenir Programme, which portrays Johann Pachelbel as utterly sick of his Canon in D, and constantly protesting that he has written other works. (This is Rule of Funny; in Real Life, Pachelbel's opinion of the Canon is unknown, and it only achieved its current popularity in The '70s, some 270 years after his death, following a 1968 recording by the Jean-François Paillard Chamber Orchestra.)note 

  • Henrik Ibsen was not happy about having to change the ending of A Doll's House. The term he used was "barbaric atrocity". Ironically, due to changing values, the original ending is now perfectly acceptable. The redo is something of a Writer Cop Out. He also did not react well when feminists began lauding him for the play's support of their movement, which he denied.
  • A similar thing happened with Pygmalion - higher-ups wanted to change the ending to one in which Eliza and Higgins got married, so it could have a standard happy ending, rather than letting Eliza leave Higgins to marry Freddy. Needless to say, George Bernard Shaw would not be happy about the musical adaptation.
  • The Broadway flop 1600 Pennsylvania Avenue by Leonard Bernstein and Alan Jay Lerner was Bernstein's last and least successful musical; he was so ashamed of it that he didn't let it be recorded in his lifetime. As with Saint-Saëns and "Carnival of the Animals," one number escaped the ban: "Take Care of This House." Years after Bernstein's death, a concert version was issued titled A White House Cantata.
  • Love Life, a vaguely similar (and somewhat more successful) musical Alan Jay Lerner wrote with Kurt Weill, could not be revived in Lerner's lifetime because of his personal disdain for it.
  • Older Than Radio: William Gilbert and Arthur Sullivan really came to resent their trademark comic operettas, claiming they would have liked to have been remembered for their serious works, too.
  • A despairing outburst by Richard Wagner from 1878 (while he was working on Parsifal), as recorded by his wife Cosima in her diary:
    Oh! I shudder at all this ado of costumes and make-up; when I reflect how characters like Kundry shall be mummed now, I'm put in mind of these disgusting artists' parties, and after creating the invisible orchestra I want to invent the invisible theatre! And the inaudible orchestra.

    Video Games 
  • Factor 5, the developers of the Rogue Squadron series, reportedly got sick of making them by the time they finished the third entry. While working on Lair, someone on the staff made a public comment about being glad that they didn't have to make X-Wings or yet another rehash of Hoth. Lair was the last game made by Factor 5.
  • Will Wright defended the changes in SimCity Societies, saying that the series had gotten too complex, and that he enjoyed each one less and less. That didn't go over well.
  • Keiji Inafune, who is best known for his work on the Mega Man series and played a large role in the Onimusha and Dead Rising franchises, has gone on record say that he absolutely hates his job and wants nothing more than to retire. He also constantly rants about how the Japanese gaming industry is in serious decline.note 
    "I had honestly planned to for 'X5' to be the last title in the series, but somehow I found myself with 'X6.' I feel like I owe the fans an apology, but I have to admit the series was starting to go in a direction that was out of my control. I plan to reexamine the situation and be more careful with how I handle the Mega Man name from now on."
  • Masahiro Sakurai has said that he regrets aiming Super Smash Bros. Melee so strongly towards the hardcore gamer crowd, making it inaccessible to newer fans, and calling it a mistake he wouldn't repeat again. Given that most tourney players favor Melee over Brawl (or only prefer heavily-modded versions of Brawl that are specifically designed to make it like Melee), he successfully followed through on this.
  • Shigeru Miyamoto stated in an interview that he considered Zelda II: The Adventure of Link to be the least favorite game he ever made, for reasons as follows;
    "I wouldn't say that I've ever made a bad game, per se, but a game I think we could have done more with was Zelda II: The Adventure of Link. When we're designing games, we have our plan for what we're going to design but in our process it evolves and grows from there. In Zelda II: The Adventure of Link, unfortunately all we ended up creating was what we had originally planned on paper. I think specifically in the case of Zelda II we had a challenge just in terms of what the hardware was capable of doing. So one thing, of course, (that he would have liked the game to been like) is, from a hardware perspective, if we had been able to have the switch between the scenes speed up, if that had been faster, we could have done more with how we used the sidescrolling vs. the overhead [view] and kind of the interchange between the two.note  But, because of the limitations on how quickly those scenes changed, we weren't able to. The other thing is it would have been nice to have had bigger enemies in the game, but the Famicom/NES hardware wasn't capable of doing that. Certainly, with hardware nowadays you can do that and we have done that, but of course nowadays creating bigger enemies takes a lot of effort."
    • Both Zelda creator Shigeru Miyamoto and director Eiji Aonuma have expressed their regrets in the production of The Legend of Zelda: Twilight Princess. They don't dislike the game at all, but feel that it never turned out the way they had envisioned it. Miyamoto simply stated that he felt it was "missing something", and Aonuma felt that he didn't create the game that was intended to be "120% of what The Legend of Zelda: Ocarina of Time was".
    • On that note, Miyamoto had shown a similar contempt over the sheer amount of elements removed from his original vision of Ocarina, which were impossible to fully form due to the limitations of the N64. Much of these features were planned to be added in an expansion, referred to as 'Ura Zelda', but ended up being cancelled after the failure of the 64DD. You might recognize Ura Zelda as Master Quest, which only had its remixed dungeons finished (although debatably, this was a separate project).
    • Miyamoto wasn't exactly too fond of his involvement in Star Fox 64 either, as stated in an interview found in the official Player's Guide. Again, he didn't hate it (actually listing it as one of the games he most wanted on the Wii's Virtual Console prior to the system's release), but felt it wasn't what he'd have liked it to be.
    • Amusingly, Miyamoto isn't very fond of Toad. Ironically, so many copies of them were featured in both Paper Mario: Sticker Star and Paper Mario: Color Splash, both under his involvement in one way or another. Make of that what you will.
    • Miyamoto isn't fond of F-Zero GX's direction. He stated that he thought gamers were tired of F-Zero, because he feels that it hadn't evolved sufficiently from F-Zero X.
    • Miyamoto expressed that he isn't very fond of Super Mario Bros.: The Lost Levels (known in Japan as Super Mario Bros. 2) due to it being a more difficult rehash of the first game, and that he actually prefers the American Super Mario Bros. 2. note 
  • Portal's writer, Erik Wolpaw, is absolutely sick of "The Cake Is a Lie" jokes that spawned nonstop from the game. He said he wouldn't be making any references to it in Portal 2 (which turned out to be a lie, although the two references to it in Portal 2 are much subtler than the original).
  • Sonic the Hedgehog's co-creator Yuji Naka (who has left Sega) has stated that he considers recent games in the series to not be as fun as earlier titles in the series. He says that the main reason he thinks so is that he feels the games have become too easy.
  • One of the main developers at Gearbox quit from not just the company, but the gaming industry as a whole out of disgust towards Borderlands getting much of its plot axed.
  • Computer Gaming World's preview of Max Payne 2: The Fall of Max Payne included the phrase "a breathtaking, original ballet of death", which was promptly plastered over the boxart and every advertisement for the game in existence. The writer of said preview, in his "Scorched Earth" back-page column some time after the game's release, expressed his dissatisfaction that Rockstar had taken a phrase from a preview and attempted to use it to sell people a finished game.
  • Noa was displeased over the response Elona got on Kongregate, and the people it brought to the main boards. Many of the people coming in after the first couple weeks would not have the patience to properly learn Elona controls and quirks.
  • Running With Scissors has all but disowned Postal III and now refuses to sell it. One has to wonder if this isn't due to the delays, the regenerating health and cover system, inclusion of DRM and many other things...
  • There is an easter egg in Fallout 2 which contains the text "Yes, we know Descent to Undermountain was crap." Both games were released by Interplay.
  • Al Lowe, creator of Leisure Suit Larry was booted off Sierra some time after the release of Love For Sail. The next two games, Magna Cum Laude and Box Office Bust were both made without his involvement. He was very grateful. Especially in this case of Box Office Bust.
    Lowe's Website: Thank you, VU Games, for keeping me completely away from this latest disaster!
  • Shinji Mikami apparently loathes being called the "father of Resident Evil". This was likely due to the fact that after the success of the first game in the series, Mikami was assigned as the producer of the series, which gave him fewer opportunities to work as a game director in subsequent projects, as he explains in this interview.
  • Yager Development hates the multiplayer mode for Spec Ops: The Line, as it was included as part of a corporate checklist, goes against the themes in the game's campaign, and was made by a different studio. Cory Davis, the game's lead writer, has this to say about it:
    It sheds a negative light on all of the meaningful things we did in the single-player experience. The multiplayer game's tone is entirely different, the game mechanics were raped to make it happen, and it was a waste of money. No one is playing it, and I don't even feel like it's part of the overall package — it's another game rammed onto the disk like a cancerous growth, threatening to destroy the best things about the experience that the team at Yager put their heart and souls into creating.
  • Suda51 was severely disappointed with Shadows of the Damned and how much the final product strayed from his original proposal, Kurayami, which was planned to be an adventure game based on the Franz Kafka novel The Castle. When Electronic Arts got involved with the project, they thought Suda's proposal wasn't profitable enough and retool his idea into a horror-themed third-person shooter that barely resembled what Suda had in mind.
  • Yasuhiro Wada, the creator of the Harvest Moon franchise, has stated that he dislikes how romance-oriented the series has gotten in recent years. He went on to make a Spiritual Successor in Hometown Story which, while marriage is a part, is more like older titles.
  • Bill Williams, longtime gaming programmer, was hired to work on The Simpsons: Bart's Nightmare. He considered it the worst working experience of his life, nicknaming it "Bill's Nightmare", and handed it to an outsourced designer just before completion because he couldn't take it anymore. It ended up being the last game he ever did full programming for.
  • The phone game Flappy Bird was the center of much controversy after becoming one of the biggest game crazes in smart phone history. Dong Nguyen, the game's creator, couldn't stand the controversy and just wanted it to end. He pulled the plug and removed the game within 2 weeks after it started picking up popularity. The controversy surrounded how the graphics were extremely similar but not actually the same as some game sprites from Super Mario World, and how he earned $50,000 a day from the ad revenue the game generated. It wasn't specifically negative towards him or the game, but he was totally overwhelmed and just wanted it to stop.
  • Erik Salter, one of the translators for the semi-infamous Fan Translation of Final Fantasy IV, looks back on his work with regret. Upon discovering that Clyde "Tomato" Mandelin had began to tear into the translation on his website, he tweeted in response "... I can't say I disagree."
  • Naoki Yoshida, head producer of Final Fantasy XIV: A Realm Reborn, trashed the original version of the game and listed why 1.0 failed so spectacularly; the development team during 1.0 had little to no experience with an MMORPG, which led to them creating ideas for the game that either made little sense or greatly annoyed players (such as reducing experience points gained if the player tried to level up too quickly). The developers were also obsessed with graphical presentation for the sake of making the game look really great, which led to many people being unable to run the game on their PC. The graphics were also coded poorly as Yoshida pointed out that a flowerpot had as many polygons and shader codes as a character model. Yoshida also noted that the original dev team believed that any problems that popped up in the game could easily be patched, which meant that there was no future proofing at all. Yoshida wanted the game to be fun for everyone, easy for newcomers to get into, and have content and patches be planned in advance so that problems are minimized. Yoshida's direction made Final Fantasy XIV a critical success.
  • Treasure supposedly isn't too happy about the Japan-only shooter Dragon Drive: D-Masters Shot. It was the only game they released that never got acknowledged on their own official site, even to this day.
  • Netherrealm Studios, formerly part of Midway Games, have little love for the Mortal Kombat games they produced in the latter half of Midway's lifespan. It's easy to tell because so many of the characters who were introduced in those games were viciously murdered or otherwise mocked in Mortal Kombat X. Notable examples include Hsu Hao dying to Scorpion without a fight in the first issue of the comics, and former Idiot Hero Shujinko being beaten to death by Cassie Cage in her Arcade ending.
  • Chris Avellone isn't overly proud of Knights of the Old Republic II: The Sith Lords. His main problem being that he feels the game's story came off as being a lot more bitter and heavy-handed than he had really intended it too, with the result that it reads like a childish Hate Fic at times.
  • Jonochrome suffered a pretty sad one when One Night at Flumpty's became big. He stated that he wanted to make great video games, not just great fan games. After which, he took both games down and refused to mention the character Flumpty ever again. After a revolt in the fanbase however, he reluctantly put both of the games up on Game Jolt.
  • The development team of Fallout 4 still clearly love their work on the game and appreciate the love seen for it by the fan community, downplaying this trope. However, Todd Howard has admitted in interviews that he and the team regret the implementation of the heavily cut-down dialogue system. Howard also went on to admit that the developers had too many quests focus too heavily on violent solution in lieu of peaceful options (another common complaint given to the game, although Howard chalks this issue up more to miscommunication within the developers themselves than any one person's fault).
  • PAYDAY 2 had a few rough patches between its own co-founders. Bo Andersson became CEO of Starbreeze (which owns Overkill, the developers of the game) while his brother Ulf Andersson continued his role of voicing the character Wolf. Over the years, the game had gotten a ton of paid DLCs in the form of weapon packs. When fans started to complain about it and other problems that the game had, Bo mocked them for it. Ulf grew disgusted by his brother's behavior and attitude and decided to quit his job in protest while going on to form a new indie game studio with other former Overkill developers.note 

    Web Animation 
  • Matt Wilson, creator of Bonus Stage, seems to hate his most famous creation, or at least, all of the fans. He had stated after the end of the series that he hardly, if ever, plays video games any more. Also, he is embarassed by the poor animation quality of many of the episodes, and doesn't find a lot of the jokes funny anymore.
  • Alvin-Earthworm, creator of Super Mario Bros. Z, has been incredibly annoyed by fans constantly asking him to work on new episodes, to the point where he has completely stopped working on the series. He claims that it's not forever. He wasn't lying. He's started making him again and most of his fans are listening, seeing as it seemed like they made him quit the internet. He still updates his DeviantArt account, although you may wish to be cautious before observing it. The comments sections still partially consist of SMBZ fans asking for more. He created a second account as well. His first post stated that so much as mentioning SMBZ on that account is a blockable offense.
  • Not the straightest example, but Brian Kendall has apparently a love/hate relationship with that one flash movie he made, The Demented Cartoon Movie. Much of the "hate" part comes from the amount of effort he thought he could put more into this movie.
  • Homestar Runner parodies it with this comment:
    Strong Bad: You internet types ruined Trogdor! Just like you did zombies, pirates, ninjas, and Strong Bad! Er, wait, no. Yeah!
  • Benthelooney pretty much disowns every video that he has made during the first season of his Rant series. Before he started using a script, and also disowns a fair amount of his pre-cancellation rants.
  • Jon Graham, creator of Arby 'n' the Chief, stated on his blog while working on Season 6 that since learning some things in film school, he now looks back on the first 3 seasons of the series with regret due to how unrealistic and overly-silly they are in comparison to his work on the more drama-based series it became towards its end. As a result, he implored fans to simply disregard the events of the earlier season for said reason. This however made the series's abundant plotholes that much more confusing and unexplainable.
  • Robert Benfer seems to have grown into this as his KlayWorld series drew to a close. While it was clear he enjoyed doing it for a number of years, he eventually changed the name of his youtube channel and stopped producing these videos completely, despite their popularity. In a video he released explaining that the series was going to end, he sounds exhausted with the Klay World series and even mentions that the only reason he kept making them was to fund his other projects.
  • Misteroo of Arfenhouse fame had the message "I despise my creations" plastered all over the Disaster Labs website.

    Web Comics 
  • Kittyhawk of Sparkling Generation Valkyrie Yuuki fame started out with a fairly popular webcomic called The Jar. Sometime around when she was having problems with her domain because of traffic, she took the whole website down. During the downtime between it and SGVY, she came to really, really hate The Jar and absolutely refused to put the archives back up. This seems to have faded recently due to her now selling it on CD format.
  • In-story example: Justin in Punch an' Pie submitted an absurd story about a bat with a gun to a publisher. They published it. People ate it up. Now he's one of the most popular writers around, and he's sorry he ever wrote that story.
  • Before Ben "Yahtzee" Croshaw gained fame as a video game critic, he wrote several webcomics. In his words, they "came out of a dark time in his life from which he has determinedly moved on without a backward glance." Moreover, just to make sure no-one would be fooled into thinking he cares about his old works, he has gone on to officially disown them, including every webcomic he ever made, every game made before The Trials of Odysseys Kent and every work of fiction he has written before the age of twenty, encouraging his readers to dispose of them in the nearest possible natural disaster should they ever get their hands on his old work. Makes sense, given his utter hatred of most gaming webcomics, especially Ctrl+Alt+Del.
  • This is the rule, not the exception, for virtually any Matt Wilson production (namely, High Score and its animated spin-off Bonus Stage) to date.
  • A humorous parody happens in an issue of Mac Hall. During a con recap in which about twenty webcomic artists are on stage at once, the others give non sequitur-esque answers (Sluggy Freelance was my grandma's nickname), Ian simply holds up a sign that has "YOUR MOM" on it.
  • Josh Lesnick seems to feel this way about his older webcomic Wendy, seeing as he's just recently taken the whole thing offline since it's already been there long enough in his opinion. The characters themselves, however, continue to live on in comics such as Girly and whatever22.
  • This is actually the reason for the creation of Exterminatus Now; the four writers once made a Darker and Edgier version of Sonic the Hedgehog by adding Warhammer 40,000 elements, and later realised how stupid the concept was and decided to make fun of it.
  • The creator of Arcana abandoned the project completely and reinvented her online identity so bitter fans wouldn't bother her about it, according to those who know her in Real Life.
  • The main reason RPG World ended prematurely when it was on the verge of finishing. Creator Ian J. came to resent the direction he had taken the comic and in the end just flat out abandoned it. He did offer anyone interested to come finish it, but when the fans voiced their opinion, he told them to "F** K OFF!" and retracted the offer. Leaving the series to rot with No Ending.
  • Rick Fortner and Rebecca Burg hate the original Job Hunting, the second story in their A Loonatic's Tale series. The final form was hastily edited with unfortunate restrictions on the amount of weapons and violence (ie there couldn't be any) in order to make it fit a school assignment. They're currently drawing a remake, Rehired, which is the canon version. They use the original version as a barometer of peoples' ability to detect quality and/or speak frankly; anyone who says they liked the original Job Hunting lacks the capacity to offer meaningful criticism.
  • Bittersweet Candy Bowl, The author got rather fed up at the unsettling number of fan characters in the community and the amount of focus they got.
  • Jay Naylor has expressed his disdain for his old comic Better Days:
    "Better Days was created when I was a very different person. I had very different views, values, and priorities, and I evolved as a person as I was doing Better Days over the course of six years. There's a lot in Better Days that I wouldn't include if I was doing it today. There's a lot of things that I wrote that I wouldn't have written that way, now. I don't like looking at the old pages. I don't like looking at the old art. It's embarrassing and bad in my eyes. I don't like lingering on the past. It's enough that I've left the archive in place, and find myself having to explain some of the themes and events depicted in Better Days, by a much younger, less mature creator, compared to who I am today."
  • It is no secret that Tim Buckley ultimately came to utterly despise the characters of Scott the Linux guy and his pet penguin, Ted. Not only has he effectively written them out of the comic, he's gone to increasingly severe lengths to ensure no one knows who they were or even remembers that they even existed, up to and including banning anyone who says that they do remember them or even mentions them in any way.
    • Word of God claims it's less despising Scott and more the fact that he was a one-note character that Buckley didn't know what to do with, beyond Linux jokes and his final The Reveal storyline.
  • James Kochalka discusses it with his son in this American Elf comic.
  • Shin-Goji has been slowly purging his website of connections to the K-Girls, which he initially introduced during a "darker period" of his life (before meeting his wife) as an attempt to boost traffic to his comic, culminating in his recent announcement of completely deleting all of their galleries from his server in favor of focusing on his own artistic efforts. Considering that almost all of the girls' creators had long disavowed them as Old Shame as well, this is not entirely surprising.
  • Scott Kurtz hates his early works, which aren't printed, and has actually called fans stupid for liking them.
  • KC Green has expressed large dislike in recent years for his earlier webcomic Horribleville and his short-lived series Literally All I Do All Day. He says he made them at a time where he felt too negative about life. He also recently tweeted "i have one last copy of horrible ville and i want to set it on fire ".
  • Lewis Lovhaug has stated multiple times the early chapters of Lightbringer were not very good considering them to have poor artwork and wordy, opinionated, monologues. Later chapters he considers to be a big improvement.
  • Michael Shelfer, the artist for Vampire Cheerleaders since vol.3, admitted he didn't like Heather's character, by saying he thought she was "one-dimensional" and said he didn't even like drawing her. Which was the main reason she was written out near the beginning of volume 4.
    Shelfer: "It was mostly because I didn't like her, nor do I like drawing her ha-ha! (Cleveland laugh) and she's far too 1-dimensional compared to Suki, or Katie, being along for the space-ride."
  • David Willis has grown to really dislike his original webcomic Roomies!, sometimes the art, but mostly how much of a different person he is from then. Instead of distancing himself from it, he has chosen to republish it daily, often gleefully pointing out in the author's commentary how terrible certain elements are. At the very least it's a positive example though.
  • Hiimdaisy has long retired from making video game comics and feels that the memes surrounding them have become tired out. In response to an unofficial Kickstarter campaign for an unofficial continuation of her comics:
    "i made a vague tweet about it last night, so here is a clearer one: there's a KS campaign attempting to raise money to continue hiimdaisy" [1]
    "i have no connection to it and i absolutely do not endorse it" [2]
    "yes, it was me. i wrote those old comics and i have been tired of them for 4 years. i also killed mufasa, etc." [3]
    "why would anybody want to be known as "the person who created that meme" [4]

    Web Original 
  • Apparently, Kirbopher has taken this attitude towards Tv Tome Adventures, as he has been known to call it hokey on his Facebook page and has stated that "It's what [he] would expect from a 15-year-old." Still, Kirbopher was OK with it enough to make a remake.
  • Lucas Cruikshank, creator and star of Fred, said in an an article in Variety that he ended production because he wanted to do something else and not be forever typecast as Fred. (However, given the absolute failure of his post-Fred work, it seems this isn't working so far…)
  • McMaNGOS, creator of the "This Video Contains Win" YouTube Memetic Mutation, has apparently now come to despise it, to the point of irreversibly replacing the audio with some random song that nobody knows of. This may have something to do with all the imitations it has spawned, and the fact that the fad was forced by McMaNGOS making sequels and demanding that people follow in his footsteps (although some of them were pretty funny).
  • This tends to occur to a lot of YTP videos. Most poopers despise the "PINGAS", stating that it is overused and not funny anymore, and Stegblob has said that he only keeps the "Hotel Mario (nouns replaced with PINGAS)" video up because his fans love it so much. Lots of people have incredibly popular poops that they just made as a test or one of their older videos that are filled with things such as unoriginal humour, memes and poor editing. Often, they edit the video title to be something like, "THIS VIDEO SUCKS, STOP WATCHING IT" and block it with annotations. Ironically audioswapping a video and plastering annotations over it has become a small fad too.
  • Serris, the creator of the Darwin's Soldiers universe hates the rebooted Furtopia RP. In fact he has this to say:
    Serris: One of the characters is a Fur-dragon in a diaper! Scenes of diaper changing and baby care do not fucking belong in a dark high octane RP! And of course, it under-emphasized the role that the terrorists played in the invasion and gave too much spotlight to the rogue scientists. In addition, he seems very loath to discuss the original RP, which originated in Furtopia.
  • That American Slacker has said that he began to hate making Pwnies because not only was it the only thing most people were subscribing for, but they also threatened to unsubscribe if he stopped making it. In April 2014 Slacker announced that the remake of Episode 26 was finished and he would not be returning due to a larger focus on more original projects.
  • John Solomon, the webmaster of the "Your Webcomic Is Bad And You Should Feel Bad" blog, came to loathe his own creation. He made it perfectly clear that he loathed fanboyism, even when it was his own, and was bothered by fans parroting his opinions. He finally deleted the blog entirely. When he learned that The Bad Webcomics Wiki had archived his reviews, he got a little peeved.
  • A Something Awful user who claims to have created the "Deal With It" meme posted in the comments of the Know Your Meme article that he hates how widespread it became and regrets ever posting it.
  • Troy Wagner and Joseph DeLage, the creators of Marble Hornets - better known as 'the guys who play J and Alex Kraile' - absolutely HATE the 'Gimme 20 Dollars' meme that spawned from a parody of one of their entires. It's now impossible to go into a Slender Man video without seeing at least one reference to that song in the comments. Troy and Joseph have said they refuse to acknowledge the meme in their videos, and have asked fans to stop referencing the joke to them in emails and responses.
    • The boys from Everyman HYBRID, however, don't seem to mind, and in fact referenced the meme in the episode One step forward, two steps back. (Although Jeff, the writer of the series, said this scene was written a lot earlier in the series and didn't know it would become so hated.)
    • Adam Rosner, creator of Tribe Twelve decided to reference this in a self-parody of his creation, "There's A Monster In My Closet".
    • The Marble Hornets guys have finally come to terms with the meme enough to finally acknowledge it... but only in Slender: The Arrival. Put your textures up to maximum quality and look to the right when you enter the cave filled with scribbles in the level "The Arrival."
    • According to Troy, they actually had no idea that text was in the game. The MH crew has also made a couple of vague jabs towards the experience of working on the game on Tumblr and Reddit, claiming that Blue Isle studios are a nightmare to work with and used only a small portion of their plot ideas.
  • It is not uncommon for creators of Abridged Series to grow dissatisfied with early episodes as their series progresses and they become better writers/editors/etc. Often they will remake their old episodes with updated voice acting and visuals, and sometimes the old episodes are completely rewritten.
  • Chuggaaconroy to Steve, and to his early Lets Plays, as he revealed in his Fifth Anniversary-video, stating that they suck pretty bad because, back then, he was so afraid to be himself.
  • Joel Vitch of, creator of the "Viking Kittens sing 'The Immigrant Song' by Led Zeppelin" flash video, became annoyed by the way the viking kittens became so much more famous than everything else he did put together. The original Viking Kittens/Immigrant Song video has been taken down from his website, and the video he made for Electrix Six's "Gay Bar" had the viking kittens removed and replaced with a hippo and a gorilla.
  • Doug Walker:
    • He loves doing Ask That Guy with the Glasses, but due to the ultra-Black Comedy style, can't watch any of the videos without hating himself.
    • He has a bit of disdain for his very early Nostalgia Critic videos as well. In particular, he spends the entire commentary track for his Cartoon Allstars To The Rescue review openly criticizing his own performance, while when discussing his "Top Eleven Favorite Nostalgia Critic Videos," he mentions that he doesn't understand why his Batman & Robin review is so popular among fans. The Christmas with the Kranks review sends most of his 2007/2008 output to the garbage dump.
  • According to the Channel Awesome Wiki, Bennett the Sage retired his "Masterpiece Fanfic Theatre" series because it "wasn't enjoyable for him anymore and he didn't want to spend the energy editing and producing it."
  • Pan Pizza stated several times on his tumblr that he hated all of his videos that came before his MLP:FiM review.
  • The Cinema Snob: Brad Jones has admitted on Radiodrome that he doesn't like his early episodes in his basement, because he had to work under a time limit, was still searching for his style and his timing was way off too. Still, he has no plans of removing or doing them again.
  • Youtuber Filthy Frank resents the Harlem Shake fad, which he started in this video. It probably has something to do with how the fad became so inexplicably massive, which resulted in it getting tired and unfunny extremely quickly.
  • Spoony starts his review of Final Fantasy XIII by apologizing for his negative review of Final Fantasy VIII. He says that even though he still thinks that Final Fantasy VIII is not a good game, he feels that it was better than later installments in the franchise and that he let his personal history with the game cloud his judgement. He also apologized for opening the review with a cheap gay joke and says that he deserves flack for that.
  • MoBrosStudios regretted making his top 20 worst SpongeBob episodes videos due to how miserable they made him, how the videos attracted flamers and trolls, and how people started labeling him as a "Ranter". He even went as far as taking down his countdowns, his Atlantis SquarePantis review, and canceled his top ten best SpongeBob episodes video.
  • Youtuber ilove1994 was attacked so much and had a lot of his commentaries on his 90s nostalgia videos that for a period, ilove1994 completely disowned everything that he made, before his own revival of his Dubs. The Creator Backlash got so severe that he completely deleted the majority of his videos from back then. However in recent times, he has come to love and appreciate them in a way, though he still hates his rants.
  • A mild example with James Rolfe on The Angry Video Game Nerd: James has gone on record that the first few videos (especially the reviews he did when he was still known as "The Angry Nintendo Nerd") were made when James was still unsure of what to do with the Nerd character and was still trying to establish himself as a filmmaker. When he got picked up by ScrewAttack, he later gave more thorough reviews to the games he covered before in the "Nintendo Days Revisited" series, talking about things he didn't before with more time and better writing and editing.
  • Evan Burse from the YouTube drawing tutorial channel "cartoonblock" has admitted that his first tutorial, How to Draw Timmy Turner, wasn't the best work he had ever done.
  • YouTuber and walkthrough creator PhantomDarkness135's first and most viewed video is his 2009 walkthrough of "Causality", with over 500,000 views; however, he has made the video private due to disliking his immaturity, particularly a joke he makes about the Canadian Army.
  • Ryan Haywood quickly became tired of his "I'm still in the air!" line. He's since calmed down about it, but seems to have transferred most of his hate to "Give me your milk!" Doesn't help that his coworkers turned both those quotes into shirts and promoted them heavily. Definitely doesn't help that they later did this.
  • Eric "CBoyardee" Shumaker (Better known as that guy who created the So Bad, It's Good Dilbert trilogy, among others) has grown ashamed of the videos that he created for his YouTube channel to the point where he eventually took them all down. When asked for a statement as to why he did this, he responded with "fuck you is my official statement". Eventually, he ended up with a whole other backlash towards the crowds of people coming up to him and asking about his videos that caused him to scrub clean his Twitter, Tumblr, and a few other social media profiles. Very few of his videos are still available today, and he has even filed copyright claims against some reuploads of them.
    • Recently however, his statement has changed on this. According to him on a comment he left on this video, his channel got banned and he didn't know why, leaving him depressed for a while. He's also insinuated that the copyright claims weren't by him. Whether this was just a change of heart or not is another story, though he has been much happier to discuss his older videos lately.
  • Nathan Rabin has now regretted naming the trope for Manic Pixie Dream Girl, saying "I'd like to take this opportunity to apologize to pop culture: I'm sorry for creating this unstoppable monster. Seven years after I typed that fateful phrase, I'd like to join Kazan and Green in calling for the death of the "Patriarchal Lie" of the Manic Pixie Dream Girl trope."
  • Before Jeopardy! clues were archived on the J! Archive fansite, a prior Jeopardy! archive existed on an AOL site known as the Jeoparchive in the early 2000s. It was taken down in 2004 when its lone archivist grew disillusioned with the show once Ken Jennings started winning game after game.
  • Joel Heyman of Rooster Teeth went on record to say that he doesn't look fondly on his time filming Past Cast, since he had to play Adolf Hitler.
  • None of the Yogscast members (specifically Lewis, Simon Lane, Sips, Sjin and Duncan Jones) who worked on the Jaffa Factory series are really fond of the bee breeding and power supply part of it. In part 7 of MoonQuest, Simon explicitly says that once the Jaffa Cakes started being shipped onto the truck, the series after that got "really boring". They've said that if they can find a way to breathe life back into the series and freshen it up, they will, but tell us not to hold our breath. They go back to the factory in Episode 96 of Moonquest.
    • Lewis Brindley has gone on record saying that he was not fond of GameChap and Bertie's time in the Yogscast, explicitly calling them "assholes" during a 2014 livestream. Other members have spoken out against them, too, but Lewis has been more vocal.
    • Christopher "Trottimus" Trott of Hat Films has a bit of a love/hate relationship with his Minecraft walrus skin; the walrus has become a beloved Mascot amongst their fans, the "Hatters", but Trott has admitted in several episodes that he's tired of being compared to the animal and fed up of various bad jokes.
    • If a fan of Zoey Proasheck complains that they've been seriously offended by her comments on something, such as fat jokes, she has a tendency to look unfavourably on works of hers containing them.
    • Due to the editing of the Minecraft series Trials of Derpulies, both Hannah Rutherford and Smith and Ross of Hat Films criticised the editing for the series, which gave Sips, Lewis and Sjin considerably more screentime than the others and made Team Hat Films look much more grumpy and bitter than they actually were.
    • Sjin ultimately decided to wrap up Cornerstone because he felt that the show was running out of steam, in no small part reflected by the declining number of views for all channels bar Strippin and Hat Films.
  • Youtuber Mr Aspiring Actor is not fond of his first series, Mr Aspiring Actor Presents. He feels that the first few episodes were very amateurish in quality plus, after he started actually having a lot of acting experience in short films himself, he regrets doing a web series making fun of acting performances because, seeing as he has now experienced how hard it is to make a film, he is a lot more sympathetic towards actors, which makes him regret doing a show where all he did was make fun of them in the first place. He has since deleted every episode off of his channel. He also dislikes the series because, at the time he was making it, he thought that nitpicking was a good way to criticize films but, after becoming more analytical and less nitpicky, he realized that it wasn't, so the fact that he pretty much criticized their performances by nitpicking the actors' performances doesn't help make his opinion of his old show any stronger.
    • That being said, he feels that the episode where he criticized Brenda Song's performance in The Social Network was the absolute worst. At the time, he thought that her performance was pretty much the same performance she gave in The Suite Life of Zack and Cody and made that the whole focus in his video without watching the film again. After watching the clips, he realized he was wrong about that but, because he had filmed the footage, he decided to make the video anyway. Needless to say, he had no problem deleting it later on.
    • He's also not fond of his Snow Day review, as he was editing that review using his new Macbook, which made the editing of the review a bit wonky as he was still learning how to use iMovie. Not only that but he feels that there were things he wish he talked about but, because he spent some of the review nitpicking really little things or talking about some trivia about the movie that didn't matter, he didn't have the time to do so, as it would have made the review even longer. Funnily enough, this review actually had the most views on his channel, before it was taken down by Viacom.
  • Allison Pregler does not think highly of To Boldly Flee. Aside from the writing problems (including believing that the Walker brothers can't write women very well), there were more than a few problems on set that made the entire film not worth it. She has gone on to say that her experience with the Atop the Fourth Wall movie was much preferable.
  • Many, many remixers in YouTube say their remixes are crap, even if their audience likes them.
  • YouTube music critic The Double Agent, being an absolute master of Self-Deprecation, has disowned many of his previous videos, both older and more recent. His least-favorite is his list of the worst love songs of the 1960s, which suffered from poor editing and a bad script; he put it at #1 on his list of videos he hated and subsequently made it private.
  • According to the commentary of Episode 20 of The Music Video Show, Harrison Laine says that said episode is "the worst episode of the show".
    • During the third season of the show, he jokes about how bad season 2 was. It was rather blatant in the last two minutes of Episode 75 when he is talking to his season one self, who brings up a dead body that was right in front of him, which is his season 2 self, which was possibly there for the entire third season of the show and denies that there is anything in front of him, despite saying, "What body? There is no body in front of me!" and spraying something to cover the smell of the rotting body. That being said, he doesn't think highly of season 2.
      • Overtime, however, he has softened up to the season, saying in his apology video that seasons five, six and seven make him look back at season two and stated it's not a great season but at least he tried different things.
    • If the speech given to him from his season 2 self is any indication, he regrets his Linkin Park episode, for obvious reasons.
    • His movie reviews have become this for him. He says that no one watches his new show and flat out pisses him off since his movie reviews rip off The Nostalgia Critic. His commentary for his Shark Tale review references this trope, complete with Cluster F-Bombs.
    • During a livestream, he has apologized for ALL of seasons five through seven due to Creator Breakdown, with the exception of a Paula Abdul episode. He even made an apology video for those seasons. Something he didn't even do for season two.
  • Sherrod DeGrippo created Encyclopedia Dramatica as an offshoot of LJDrama, initially as a serious attempt to create a wiki devoted to chronicling internet drama, originally LiveJournal drama. Then 4chan discovered it, and ED became the wiki for trolls. DeGrippo came to hate the new direction of the site and the culture that had developed around it so much that, in 2011, she nuked the entire thing and relaunched it as Oh Internet, a safe-for-work site which was closer to her original intention. The ED community responded furiously, with mirrors of the site soon sprawling across the internet, while Oh Internet mostly failed to take off and folded after a few years.
  • LPer ProtonJon expressed regret, anger, and annoyance over his Superman 64 lets play where he's been the butt of jokes that made fun of his Schedule Slip in regards to the project. In the March 1st 2017 Twitch stream, a viewer asks Jon when he was going to upload the next part of the project. Jon exploded and proceeded to go on a huge rant on why the jokes and requests were annoying and how the project itself wasn't fun anymore while he was now doing said project to shut up the people that said he would never finish it.
  • Unrelated to quality, but when he committed suicide, a number of tributes to Justin "JewWario" Carmical were made. However, when the #ChangeTheChannel movement happened and Channel Awesome's attempt at a response resulted in it being revealed Carmical was a sexual predator, a number of producers, who only learned about it through making the document, ended up regretting doing their tributes:
    • Kaylyn Saucedo, who composed the document at the heart of the movement, originally made Farewell, FamiKamen Rider as a tribute movie. She contemplated taking it down, but kept it up because she felt it would have been unfair to everyone else that worked on it, though she also added a disclaimer in the description, disowning the movie.
    • Lewis Lovhaug moved up the review of Gameboy #3 when it was originally scheduled for a bit later. Like Kaylyn, Lewis edited the description of the YouTube upload for the Gameboy #3 review to say he wouldn't have done the tributes if he'd known.
    • Many others, including Phelan Porteous, are pulling the Un-person treatment on Carmichal, taking down videos with him in it, or reediting them to either remove or replace him. Lovhaug and Bennett White also removed JewWario hats they'd kept in honor of Carmichal.
  • Team Four Star has expressed regret over some of the decisions made for Hellsing Ultimate Abridged, including depicting Rip Van Winkle spouting memes in almost every line; a rape joke in the first episode; referring to Epic Meal Time in episode two; and if a line of dialogue in the finale about hating on a book series aimed at teenaged girls being stupid is to be believed, opening the series with a jab at Twilight.

    Western Animation 
  • In an episode of American Dad! Roger and Hayley want to test their attention abilities so Klaus challenges them to watch the movie "bicycle" by Ken Burns. He describes it as "a movie so unwieldy and meandering Burns himself has disavowed it". Behind the tape, Burn's commentary reads "unwatchable".
  • Dan Harmon has said that "Vindicators 3: The Return of World Ender" was the worst episode of Rick and Morty the crew ever made.
  • According to John Canemaker's Felix the Cat history book Felix: The Twisted Tale of the Worlds Most Famous Cat, Otto Messmer said he regretted recommending Burt Gillett to direct the Van Beuren Studios Felix the Cat cartoons in his steed—while Burt had worked on the original Felix cartoons, Otto felt his time in Hollywood working for Disney (having directed hit films like The Three Little Pigs) had gone to his head by the time he directed the cartoons, and also because he felt Gillett poorly utilized the character, turning Felix into a meek shadow of his former self and overshadowing the cat with his own cast of characters. It didn't help that when Otto tried to get work on the Van Beuren Felix cartoons (having initially passed on the offer), Burt refused to hire him because he considered his style "out of step" with his newer, slicker cartoons.
    "Felix was just a little figure in the background, instead of being the center figure. He [Burt Gillett] tried to push his own characters in there. Gillett tried to push himself, rather than the cat."
    • The second season of The Twisted Tales of Felix the Cat, which tried to retool the show into being more like the Joe Oriolo era Felix the Cat cartoons instead of the surreal black and white Felix cartoons, was considered a disaster by the staff who worked on it (not helping that it was a total flop in ratings and got the show canned just 8 episodes into the season). Even during production, most of the staff absolutely hated the retool (mainly because they despised the Oriolo era Felix and had heavily pushed to use the tone of the classic Felix cartoons in the first season) and episodes were made in retaliation for it, such as "Attack of the Robot Rat", which parodies the Joe Oriolo Felix formula, and "Phoney Felix", a Stealth Parody of the second seasons retool.
  • Chuck Jones grew to hate almost all of his pre-1948 cartoons (barring his more experimental works at the time, like The Dover Boys), so much that he said if he had the choice he would have burned the negatives to all of them.
    • An interview with him also made it very clear that he thought Space Jam was a terrible movie and totally misunderstood the personalities of the Looney Tunes characters. He was pretty vocal to the then-current Warner Bros creative team about their handling of the franchise. He was apparently frank enough about it in one case that he was escorted from the premises.
    • In the book Chuck Jones Conversations. Chuck also expressed a strong dislike of Who Framed Roger Rabbit, a film that he worked on, citing the main lead as an obnoxious, unlikable character (exasperated that the human leads were more sympathetic than the cartoon), and was critical of Robert Zemeckis for robbing Richard Williams of any real creative input on the film, and also for meddling with the piano duel that Jones and Williams had storyboarded.
    • Also both he and Bob Clampett grew to hate the cartoon The Daffy Doc, not because they thought it was a bad cartoon, but because it used an iron lung as a gag prop during a time when polio deaths were on the rise.
    • Many Warner Bros. animators grew to dislike much of their early work, especially the sappy Disney-like cartoons and Buddy cartoons they made from the mid-to-late 1930s.
    • Additionally several WB staff such as Frank Tashlin expressed dislike for Porky Pig, due to having less flexibility and humor value compared to zanier characters such as Daffy Duck and Bugs Bunny. According to animator Mike Fontanelli, this resentment still stands with many modern executives at Warner Bros and is partly why the character is so sparsely used in revival features or merchandise (and not because the Moral Guardians think Porky's stuttering is offensive to those with speech impediments). When he shows up at all, he tends to be given the Butt-Monkey treatment by those around him. Even his own creator, Friz Freleng, made fun of how much more boring he was to utilise:
    Freleng: Nobody liked working with Porky Pig much because he was sort of a square.
    • Similarly some Warner staff such as Friz Freleng hated using Elmer Fudd, believing he was such an incompetent adversary for Bugs Bunny that it became difficult not to cast the latter more as a bully than a Karmic Trickster. Freleng created more abrasive foes such as Yosemite Sam so he could deal with the rivalry less (though he still used Elmer in other non-Bugs roles). Some sources also claim Freleng to have disliked Speedy Gonzales.
    Freleng: Elmer was just too dumb. He was naïve and childish and Bugs outwitted him. It didn't take much brains to outwit Elmer. Sometimes you felt sorry for Elmer. He'd break down and cry. But that's why I didn't quite feel that Elmer filled the bill. He wasn't really a villain. He was a pitiful character. He had a duty to perform as a hunter. He had to go shoot a rabbit. But there wasn't a mean streak. He didn't really like to shoot the rabbit. You wondered why you didn't hate Bugs for doing what he did to him. It took a little more sharpness to outsmart Yosemite Sam than a chicken-brained Elmer Fudd.
    • Also of note is the little-known Looney Tunes director Norm McCabe; according to historian and animator Mark Kausler, in his later years, Norm was extremely modest about his time directing Looney Tunes shorts, dismissing them all as terrible—when a screening was held as ASIFA for his shorts along with him, it was painful for him to watch his own cartoons. Sort of justified, as most of McCabe's works are World War II cartoons and contain a lot of offensive caricatures of the Japanese (Tokio Jokio is often used as the prime example of this).
    • Bob Bergen, the current voice of Porky Pig, admitted on the Toonzone Forums (now the Anime Superhero Forums) that he does NOT think highly of the Larry Doyle-produced shorts made in the 2000s and that he had an awful time working on them before being fired and replaced with Billy West as the voices of Porky and Tweety. For one thing, the shorts originally had a LOT of adult humor that didn't belong in a Looney Tune - he specifically mentioned a lot of jokes about sex and bodily functions. While Bob is aware that the original Looney Tunes shorts were never intended to be exclusively for kids, as he pointed out they were CLASSY, not crude. Thus, he let Larry know that he wasn't comfortable with the adult humor, but it didn't do any good (ironically, the higher-ups at Warner Bros. took out all the adult humor in the shorts after Larry was fired). As if that wasn't enough, Larry wanted Bob to change the way he played Porky - he slowed down a bunch of old Porky shorts to how Mel sounded before they sped him up, then told Bob to "do" Mel, then they would speed him up to the same percentage. Despite the fact that Bob does Porky fine naturally and has done it that way for years. In addition, as Bob pointed out his voice is much higher than Mel's was - and the microphones used in those days were much different than the ones they were using on these shorts... and on top of that, Larry slowed down those original Porky shorts too much. When Bob attempted to do Porky the way Larry wanted and was sped-up, the result sounded like a stuttering Alvin the Chipmunk. Bob finally decided to call up his agent and quit the project - a very difficult decision for him, as he's wanted to voice Porky since he was a kid, but if this was the direction that they were going to take the characters in he wanted no part in it. However, when he told his agent that he wanted off the project, his agent informed him that he'd actually just been fired. Fortunately, it didn't take long for him to get the role of Porky back, just not in the shorts.
  • Chuck Jones also had a mixed opinion of his contribution to the Tom and Jerry series, claiming he didn't quite fully understand the characters' dynamic and would have likely done many things different if given another chance. On the other hand, Chuck Jones' work on the Tom and Jerry cartoons can be seen as practice for when he created the TV adaptation of How the Grinch Stole Christmas!, which, unlike his take on the Tom and Jerry cartoons, is well-liked and well-remembered to this day.
  • Shamus Culhane disliked his sole Popeye cartoon "Popeye Meets William Tell"; in his autobiography, he likened the final product to "putting a bow on a wild boar"—apparently his attempt to bring the polished, disciplined approach of Disney animation into the more comical east coast style of animation Popeye used just didn't mix well, resulting in a very uneven, bizarre short, and this was quite frustrating to him. It may have also been because he never wanted to make a regular Popeye cartoon in the first place, instead wanting to make a short centered around Wimpy, which was vetoed by the Fleischers.
    • Shamus also wasn't proud of his work in the early Fleischer Studios Talkartoons shorts, which he considered primitive compared to his later work.
    • Culhane was also not proud of how his animation on Fleischer's Gulliver's Travels was ruined by sloppy inkers and bad in-between work, and that he would have quit if it wasn't for his contract. He also expressed disappointment in how Mr. Bug Goes to Town turned out, believing the film didn't live up to its full potential.
    • Culhane also despised working on the Hearst Krazy Kat cartoons he did inking work on. In his biography "Talking Animals and Other People", he likened the screening of their first sound cartoon ("Ratskin", 1929) with the character as being akin to a tornado in a boiler factory. "It was sheer cacophony." The staff gave no reaction to the film, save Culhane himself, who spited it with a sarcastic laugh (which got him left behind when the studio moved elsewhere). In the book "Enchanted Drawings", Culhane's once again gave his humble thoughts on the shorts;
    "The films were atrocious, the worst crap you can imagine. They never used the characters. Offisa Pup rarely appeared, Ignatz Mouse was not in love with Krazy note ; they never used the desert landscapes. The staff just batted the stuff out as fast as they could for something like 750$ apiece."
  • Max Fleischer considered Mr. Bug Goes to Town to be a failure, and refused to acknowledge the film as one of his achievements in a 1950s interview—although it may have been because it was the film that contributed to destroying Fleischer Studios and getting him booted out; the fact that he and David Fleischer had a terrible falling out while they were making the film probably didn't help matters either.
    • He also hated the Made-For-TV Out of the Inkwell cartoons, and was horrified when he first watched them.
  • Strange as it sounds, some sources claim that Bill Hanna and Joe Barbera hated Scooby-Doo, and only kept the show running because of how insanely popular (and profitable) it was.
  • Hugh Harman of the Harman and Ising duo claimed late in his life that he grew to hate all but three of the shorts he made—"The Old Mill Pond", "Blue Danube", and "Peace on Earth". And even then, Hugh admitted that he wasn't completely satisfied with how Peace On Earth turned out, and felt that the film needed to be far longer than it was.
    "Peace on Earth was a tough one to animate and to write. We shouldn't actually have made that as a one-reeler, we should have made it in about three to five reels. We cut it and cut it and cut it; we didn't cut footage that was animated—nobody in his right mind does that, unless it's bad. But cutting the storyboard and switching around. It has some flaws. I just got tired of it near the end. That's always been a weakness with me, that I get so fed up on it at the end of a picture that I would just as soon turn it over to the Girl Scouts to make. Unless it were a feature that would warrant going on with costs forever. I've observed that as a weakness in myself, that I often end up with a weak, insubstantial ending for a picture."
  • Former Rugrats co-creator Paul Germain has mixed feelings for The Rugrats Movie. At the time of the movie's release, Germain had left Klasky-Csupo to work on Disney's Recess. While Germain doesn't exactly hate or disown the film, he still has a few problems with it: thinking that some moments, such as Stu giving the watch to Tommy, didn't work, as the babies and adults weren't supposed to communicate, and that he was upset that now Dil was introduced at the beginning, as Tommy is supposed to be the youngest (one of his proposed ideas for the movie back in the early `90s, when 20th Century Fox made a deal to distribute Nicktoon-based movies (a deal that did not go anywhere) was for Tommy to get a younger sibling at the very end).
  • Despite the acclaim and legacy of Batman: The Animated Series, there were several episodes that were either promising misfires, or outright duds, and were regarded as such by the shows team. They gave their thoughts on several of these episodes in an issue of Animato Magazine;
    "I think that if we hadn't gotten Alan Burnett to come over, we would have had a lot more shows like this one," noted director Frank Paur of the producer who stepped in to take control of the show's script process first season. Paur also disliked arming Batman with a screwdriver, but had his hands full wrestling with an as yet unsatisfying storyboard crew. "I had to get rid of most of these boards and start from scratch," he said. "It was very time-consuming. Our schedule was so tight, that small things got by." Noted producer Bruce Timm, "I can't even watch that show. It's the epitome of what we don't want to do with Batman. Strangely enough kids like it. The script came in and it was terrible. Normally, I tell the director to do what he can to make it interesting, and nobody could figure out a way to make it interesting. The storyboard artists didn't care, and it shows."
    • While the episode was based on a good story from the comics and having decent animation, "The Cape and Cowl Conspiracy" was considered a misfire, namely for its lackluster gimmick villain, and Batman having no real motive to play mind games with him.
    "I tried to kill this show, but they didn't let me," said director Frank Paur. "We had a lot of storyboard artists who wanted to rebel on this one. The best metaphor is kicking a dead horse. It arrived dead and no matter how hard you kick it, it ain't going to give you a ride."
    • "The Underdwellers" was likewise considered a dud, namely for censorship problems, bad story elements and very Off-Model animation.
    "It was my first episode as director, and there are still things in it that I cringe at," said director Frank Paur. Usually when we get an episode, we get to use a lot of discretion and change things. I wish I had been able to spend more time on that script. Another problem at the time, was that we had storyboard people who made things difficult. I found myself going back two or three times to fix scenes. They didn't quite understand we were shooting for a higher standard. So there was always a constant drain on my time. That whole opening sequence of the kids playing chicken with the train should have been cut. That was what we had to contend with at the beginning of the season. We had these little public service announcements worked into the scripts, a concept we nixed real quick." "It's Junio's weakest episode," said producer Bruce Timm. "We almost didn't use them after that. It was the first one that came back that really looked totally unlike our show. It was very Japanese. But I'm glad we did use them again, they've done great work. BS&P took a lot out of this show. Originally, the kids were to be victimized by the Sewer-King, but he was not allowed to be mean or tortorous to any of them. The impact is watered down. If we were doing it today, we probably would have decided not to do the show."
    • "Lock-Up" was also considered a failure, due to its awful script, blatant plot holes and bloopers (Batman changing into his costume out in the open, not letting us figure out how he escaped), and slow, aimless scenes.
    • "Prophecy of Doom" was already considered a very average episode, but its criticism was mainly singled out for its terrible animation by AKOM.
    "If that whole end sequence with the spinning worlds in the observatory had gone to Junio or any other studio, it might have come off, but it went to AKOM," said Bruce Timm. "They just weren't able to pull off that level of animation." "That broke my heart," said director Frank Paur. "I designed those planets using a circle template. How hard is it to animate circles? It was done by hand, and if we had done it now, it would have been done on computer and would have looked spectacular. When I knew the show was going to AKOM, a studio I'd had a long history with, I knew they weren't going to be able to pull it off. Admittedly, it was a tough sequence, but they should have been able to do it."
    • While not considered a "bad" episode, Bruce Timm was not satisfied with the episode "What Is Reality?", although he ironically complimented AKOM's work on it.
    "Virtual reality is too science fictiony for our show. While it may be conceivable that it will work in four or five years, Batman transforming himself into a black knight and flying around on a chessboard is unfathomable to me. Strangely enough, it's one of AKOM's better shows. They pulled off all the special effects really well."
    • "The Mechanic" was also considered dissatisfying, save for some nice action and some of AKOM'S better animation.
    "This was one of those stories in development hell for a long time," said producer Bruce Timm. "We needed scripts. I think it's a stinker, but it has some of AKOM's better animation in it." Noted director Kevin Altieri, "It was the first show that AKOM laid out itself. It's not as good as their 'The Last Laugh,' but had far fewer retakes (almost 80% of 'The Last Laugh' needed retakes.) I think they were threatened that they might lose the work, so they put their A-Team on it. It actually is a script that is similar to the '60s series, but when you do something like this comedy, you must remember that even thought the script may be goofy, you have to show that the characters are living it. When Earl drops the tires on Penguin's henchmen, he thinks Batman's dead and he's crying."
    • "Nothing to Fear", despite having some of the series best moments and nice animation work by Dong Yang (whose only glitch was straightening the Scarecrow's crooked posture), was considered to have bad pacing, a cliche way of beating Scarecrow, and an all around mediocre script.
    "It was written by Henry Gilroy, who had never written cartoons before," said producer Bruce Timm. "He was a film editor here and always wanted to get into writing. At the time we didn't have a story editor, so we gave it a go. When he turned in his first draft, which wasn't bad, we had hired our first story editor, Sean Derek. We immediately came to loggerheads over this show. Some of the dialogue she changed wasn't changed for the better."
    • "The Forgotten" was another misfire, mainly for being a message show put forth by the original story editors.
    "I didn't want to do this show from the very beginning," said producer Bruce Timm. "Sean Derek was big on doing shows with social messages. And my big problem with message shows, is that you can't solve the world's problems in a half hour cartoon. If you raise the issue of homelessness, what can you do? It makes the episode look very exploitive, because you're just using the problem as an exotic background. You can't discuss the problem on any meaningful level in a 22-minute action cartoon. So I put in the dream sequence with Bruce in the barracks where these multitudes of people are looking to Bruce for a handout, and he doesn't have enough money for them all, and they're surrounding him and suffocating him. It's not enough for him to put a band-aid on the problem at the end, by offering the two guys a job. It just doesn't work." BS&P undercut the script's essential message, as director Boyd Kirkland explained: "There was a sequence at the beginning where Batman is wandering around the city, trying to find out why people were disappearing. It was staged with homeless people hanging around on sidewalks: families, mothers and kids. They made us take all that out of the boards. They said it was too much for kids to see that maybe a woman or a family can be out on the streets. They specifically asked that we only show men as homeless."
    • "The Cat and the Claw: Part 2" was considered a dud, namely for its many plot holes, a lame villain and downright abysmal animation by AKOM.
    "The whole end sequence was geared around the explosions, and they were some of the worst you'll ever see," said producer Bruce Timm. "We retook all of them two or three times. They were still awful, but we ran out of time and had to air them."
    • Bruce Timm really came to regret the Joker's redesign in the New Batman Adventures revamp; it looked good in concept, but he felt it was followed on too literally, and it robbed the Joker of a lot of his fearsome personality.
    • Bruce Timm has stated that he considers "The Terrible Trio" to be not just the worst episode of Batman: The Animated Series, but the worst episode of the DC Animated Universe in general.
  • Ian Pearson and Gavin Blair of ReBoot fame were once famous for the computer animation in the Dire Straits Money For Nothing music video. They were proud of their work... at the time, but they despised that they had the suffix title of "Those guys who did Money for Nothing." They showed their feelings in an episode of ReBoot, where two look-alikes for the CGI movers from the video audition at Enzo's birthday party, only to get sandbags dropped on them from high offstage.
  • Donald F. Glut was one of the few members of The Transformers staff who openly expressed distaste for the series, lambasting its quality as actual art (including the episodes he wrote) and claiming that he only worked on it for the money.
  • Several staffers at Filmation have not had kind things to say the company or its shows. John Kricfalusi described how lousy it was working there;
    "Ironically, my first job at an "entertainment studio" came a decade and a half later at the dreaded Filmation. They hadn't changed their style or approach in all that time. They believed in boredom. They went on throughout their 30 or so year life span barely changing their monotonous bland ways. Working there, I finally saw why and how. You literally were not allowed to draw anything unless you were in the model department. In layout, animation and assistant animation you had to trace the model sheets. Or xerox them off the model sheets. Each character had maybe 3 pre-designed poses and if the show went on for 10 years, you'd have 130 half hours of the same 3 drawings of each character."
    • Disney Animator Will Finn likewise described his tenure at Filmation as a sour experience.
    My first week on HE-MAN, the cleanup crew were given model sheets of "Ram Man" where the designer had drawn his thumbs on the wrong side of his hands. In his "full front" pose and side pose, the thumbs were right, but in the rear pose, they were drawn incorrectly, it was an obvious mistake. When we pointed this out to the clean up supervisor, she went ashen and told us we had to follow it anyway, until the proper protocol had been addressed to look into the problem. Whenever he turned his back, we had to have "Ram Man's" thumbs inbetween around to the wrong side of his hand to be perfectly "on model." I swear to God I am not making this up. It took a couple of weeks, but we were eventually given new "corrected models" and the crew went into overtime to re-do all the incorrect clean up we had been doing in the interim. If Kafka had ever written pure farce, even he could not have topped FILMATION."
    I had the worst trouble drawing one of the damned bad guys. I can't remember which one it was, but the background guys had to be able to use the drawings, and the animation was so limited that stuff hardly moved. Every time I sent drawings of the damned bad guy through, they would return them to me and say "Not on character, please do over." But it was as close as I could get to on-character. Every morning that fucking thing would come back. So, I went in to see Joe, and I said, "Joe, you know how to draw this character, show me what I'm doing wrong." And he picked it up and looked at it, and he drew it. And I said "Is that correct? If I turn that in, I won't have any problems?" It was Joe who was sending the stuff back to me everyday. And he said, "No, that's perfect." So I took it back to my desk and put all the scene numbers on it. I sent the drawing back in and the son-of-a-bitch sent it back the next day. It said "Do over, not on character." He rejected his own drawing! So I said "Screw this, I gotta get out of here." There was clearly no way I was going to win.
  • J. Michael Straczynski expressed a similar opinion for his work on He-Man and the Masters of the Universe (1983).
  • John Kricfalusi also described working at DiC Entertainment as a bad experience (especially since they butchered and then abruptly cancelled his attempted Beany and Cecil revival there), and that the studio was even worse to work for than Filmation.
  • Trey Parker and Matt Stone don't seem particularly proud of the early seasons of South Park, which had the highest ratings of the show's run and a glut of memorable episodes for those who prefer the older, more Toilet Humor-based episodes to the later episodes which have abandoned toilet humor for social satire.
    • They weren't happy with the way "A Million Little Fibers" turned out, feeling the two subplots of the episode didn't work together because it was "weirdness on top of weirdness". They have stated if they could go back and redo any episode, it would be this one.
    • The episode "Marjorine" was painful for them to watch, because they felt the three subplots (Butters pretending to be a girl, the boys treating the girl's paper fortune teller as a real scientific device, and Butters's parents believing they had brought Butters back to life a la Pet Sematary) should have been their own episodes, and were wasted as is.
    • They also have a fair amount of disdain for Season 8, claiming they were going through a bout of writer's block due to the grueling schedule they were under while filming Team America: World Police. In particular, "Good Times With Weapons" was deemed a weak episode by them, despite being one of the show's most fondly remembered episodes.
    • They regret their portrayal of Gary Condit and the Ramseys in "Butters' Very Own Episode", due to portraying them as guilty until proven innocent.
    • Also, they were not happy about the "201" censorship.
  • The Simpsons
    • "The Principal and the Pauper", which retconned Principal Skinner's past, saying instead he had assumed the life of the "real" Skinner and then brushed these revelations under the rug in a blatant reset button. Both Matt Groening and Skinner voice actor Harry Shearer have publicly criticized the episode. The later "Behind the Laughter" episode referred to this one as "gimmicky" and "nonsensical."
    • "A Star Is Burns", a crossover with The Critic forced upon the show by the network. Groening removed his name from the episode in protest and doesn't appear on the DVD Commentary for the episode. This was because he felt that the episode was basically just an advertisement for The Critic, and didn't want to seem like he was associated with it. Despite this, the episode is still considered to be a classic.
    • Groening also expresses embarrassment for the Tracey Ulmann shorts for their crudeness. He and the staff were also so appalled by the original attempt at the pilot of the original series "Some Enchanted Evening" (due to its similar cruder, more abstract animation) that they had it reanimated (the original cut is shown on DVD with commentary from the staff, in which none of them have a single nice thing to say about it between them).
    • An in-universe example: In "Dude, Where's My Ranch?", Homer wrote Flanders a hate song. Said song eventually became an in-universe meme. Its popularity rose to the point where even Homer himself had enough (see quote at top of page).
  • Speaking of The Critic, Jay Sherman has an in-universe outburst about a film he wrote, Ghostchasers III, begging the Crips and Bloods to stop killing each other and go kill network executives.
  • Disney director Wilfred Jackson was so ashamed of his first directorial effort, a Mickey Mouse short called "The Castaway", that he vowed never to make a film that didn't feel like a Disney picture again.
    • Walt Disney (the man) hated the 1935 Silly Symphonies short "The Golden Touch". After he finished it, he never directed a short again. According to Jack Kinney's autobiography, he allegedly blasted an animator over a mistake and the animator, intending to take his boss down a peg, shot back that he was the one who directed The Golden Touch. An enraged Walt stormed out — but came back later and angrily warned him to never, ever mention the cartoon again.
    • Walt also had some dislike of Goofy, as mentioned in Neal Gabler's biography on Walt. According to Gabler, Walt "threaten[ed] constantly to terminate [the Goofy series of shorts] before relenting, largely to provide work for his animators." The dislike most likely stemmed from a bitter falling out that Walt had with Goofy's voice actor Pinto Colvig in the late 1930s. After Disney and Colvig reconciled in the early 1950s, there was evidence that Walt had warmed up to the character, even dedicating an episode to him on the Wonderful World of Color television show. It should be noted, however, that Gabler's book cites no source for the claim of Walt hating Goofy. Some of his alleged hatred of Goofy may have also stemmed from his dislike of the character's primary animator, Art Babbitt, who had instigated the infamous 1941 Disney animators' strike and thus made enemies with his boss for life.
    • There is also an unsubstantiated rumor that Walt hated Donald Duck; however, according to "Of Mice And Magic", many of the staff such as director Jack Hannah really did hate working on Donald Duck shorts.
  • Thurop Van Orman HATED a handful of episodes from the second season of The Marvelous Misadventures of Flapjack. So he added a Laugh Track to them, along with a "drawn in front of a live audience" gag.
  • The Bananaman cartoon series was hated by virtually every cast member that starred in it, as well as Steve Bright, who wrote the Bananaman comic strip. To a lesser extent, this also applies to the strip's original artist, John Geering, who liked the series overall but wasn't fond of how his characters had been redesigned.
  • Tex Avery expressed a dislike for his character Screwy Squirrel, even going so far as to kill him off for real at the end of Screwy's fifth and final short. In a BBC documentary, one former animator once told Avery he sent him letters with drawings of Screwy Squirrel on them in the hope that his hero would be more prone to open and read them. As it turned out, Avery simply threw each letter with Screwy's face on it in the trash can!
    • This was implied to be his desire to move on from his "screwball" work he did with Warner Bros. Justified given his bitter falling out with Schlesinger over The Heckling Hare.
  • An in-universe example from Rocko's Modern Life: Ralph Bighead has Wacky Deli created so that he will be released from his contract in order to become a real artist. It doesn't work.
  • John Kricfalusi of Ren & Stimpy fame has warned his fans not to study his cartoons from the original series. He summed it up saying "For one thing that we did right, there was a million mistakes". However, when using examples of a well-constructed story and good dialogue, he uses the cartoon "Stimpy's Invention" quite a lot. In general, John is actually pretty critical of the original show, to where he claimed once that he can't really enjoy watching his own cartoons, because all he can see are the mistakes he made on them. He also felt the original show in its initial seasons (sans the Carbunkle episodes) were very inconsistent from a drawing and animation perspective, and had many bad drawings in them (hence why he discourages his students from studying them). Some episodes he singled out for criticism include;
    • "Nurse Stimpy" was an episode that turned out so bad, that John flat out disowned it and refused to put his name on it (crediting himself as "Raymond Spum" instead)—mainly for the cuts Nickelodeon wanted (who axed a good chunk of footage out of the cartoon) and many artistic failings; "The timing was bad. The drawings are bad. The colors are bad. From an artistic standpoint, to me, it's a really ugly cartoon."
    • "The Littlest Giant", mainly for its very slow pacing and sparse gags. He derogatorily nicknamed it "The Littlest Jokes".
    • "Marooned"; he felt that the premise had merit, but was undermined by the episodes horrible timing (which was freelanced to another company) and some artistic mistakes that came from having to rush aspects of the episode.
    John K:"Marooned had great ideas, but the execution fell short; the timing was horrible. We freelanced the timing on that one and it was just way too slow...We just rushed through it, and so you see a lot of really bad mistakes. You see the aliens at the end, the giant brain guys. They're on overlays, but we were rushing through it so fast that you can see the tear lines around them—they're on cut-out pieces of paper glued to cels. It looks awful."
    • He also considered the episode "Black Hole" a failure for several reasons;
    John K:"Its a complete failure. In every aspect it's bad; it's drawn bad, there's no direction to it at all, the timing's bad. It's a winner by default; somehow the premise managed to get through, even though the specific story points don't illustrate the premise very well. It was lucky."
    • Later on, he singled out the cartoon for criticism again, but this time for its poor structure;
    John K:"I produced a cartoon that really suffered from poor structure: Black Hole. The premise of the story was simple. Ren and Stimpy get sucked through a black hole into another dimension where the physical laws are different than ours. Thus, they begin to mutate into weirder and weirder forms. Or...they should have. Instead they morph randomly and not in a building progression. The funniest morphs are early on, and then later they are less weird, so I considered that cartoon quite a failure. I've made other crap too, but my goal is always to have good solid structure and momentum."
    • "Monkey See, Monkey Don't". While the episode wasn't directed by him, he singled out this particular episode as "the worst Ren and Stimpy cartoon ever made." (of the first two seasons)
    • While he liked how "A Visit to Anthony" turned out, he was dissatisfied at how undirected the acting of Anthony's dad turned out, and he felt the sound effects and music (added by Games) were "clumsy and inappropriate".
    "I directed the recordings of all the characters EXCEPT my Dad, ironically and was very disappointed when I heard it. It sounded like the actor didn't know the story and was reading it for the first time, so he didn't give it the meaning that the drawings conveyed. It was a professional live-action actor and I think whoever directed him was afraid to actually give him any direction. And also didn't know my Dad." "I think the animation was done at Rough Draft and it was amazing. The fireplace scene was especially impressive with all the cool effects. The sound effects and music was clumsy and inappropriate as per usual in the Games episodes. That's something they just never got, even though I sent them a long treatise on how to make the sound match the moods of the story."
    • John stated in a web chat that he felt the early Games episodes had good art, background and story ideas, but were ultimately mangled by lousy direction. In the DVD Commentary for "Stimpy's Cartoon Show", he criticized some aspects of how the final cartoon was handled, namely for muddling its "Artist Vs. Non-Artist" message by changing Ren from executive to producer—while he did submit it in the cartoon as that in an attempt to avoid executive scrutiny, he felt Games used it as a chance to turn the cartoon into an attack on him instead of meddling executives (although he was ok with that), and that there were weird expressions that didn't really work in context. He also criticized the Games episodes for their mean spiritedness and ruining the chemistry between the two leads.
    "Elinor Blake and I wrote Stimpy's Cartoon Show and I had planned for that to be an epic, but the direction was pretty bungled. I explain it all on the commentary. The first Games DVD is coming out soon. I'd say it's definitely worth getting. Lots of good artwork, great backgrounds and some good stories-alas, no discernible direction."
    "Incidentally, this cartoon suffers from some piss-poor timing, because we had just started the new episodes and were trying out a new system of shooting storyboards and timing them to music. A lot of the gags would play better if I could go back and cut them tighter. I apologize in advance! (Just run it in fast forward!)"
    • Billy West does not like talking about working on the show and refuses to work with John Kricfalusi ever again, citing having a bad experience with him on and off it. In particular, Kricfalusi demanded West quit the show alongside him in order to force the network to hire him back even though West needed the job and could have been blacklisted alongside Kricfalusi had he done it and failed.
    • To a lesser extent Bob Camp, while he enjoyed working on the show, he has similar bad memories working with Kricfalusi and executive demands, and wasn't satisfied with a lot of his directed episodes during the Games Animation seasons.
    • Animator/character designer Robertryan Corey best known for his work on Spongebob Squarepants and Gravity Falls worked for Kricfalusi on Adult Party Cartoon, stating it was a dream of his come true having wanted to work on Ren and Stimpy since he was a kid, but he said Kricfalusi was very demanding of him and didn't treat him very well.
    • On a non-Ren and Stimpy note, He is equally critical of his work on Mighty Mouse: The New Adventures. He talks about it on this blog post.
      • He also detested his work with Heathcliff and the Catillac Cats, which he deemed "mediocre." Other people who worked on that series, including Chuck Lorre, Scott Shaw and Eddie Fitzgerald share his sentiments despite the cartoon being fondly remembered among those who grew up watching it.
    • The Ripping Friends is also apparently very hard for him to watch because of all the Executive Meddling.
  • One seems to get that impression watching the 3rd Family Guy Star Wars special It's A Trap!. In the opening scene, the entire family groans and an annoyed Peter says "Let's get this over with." followed by the opening scroll that turns into a massive rant about how they (they being Seth MacFarlane and the rest of the crew) never wanted to do this nor Something Something Something Dark Side and only did so so Seth could do other projects without them (them being 20th Century Fox) complaining. Given that Family Guy does a lot of throwaway lines, it can be hard to tell they really meant it (though admittedly this seemed even more hostile than usual), at least until you listen to their DVD commentaries; turns out they meant every word of it.
    • Episodes of Family Guy use tons of Self-Deprecation gags about the show or other works the creators are responsible for (the Star Wars specials also include several jibes to Seth Green's Robot Chicken). Granted given the overall tone of such gags (and the fact they are expressed by less than sound individuals in the show) it may also count as Take That, Critics!.
    • Seth MacFarlane outright admitted that he stopped voicing Tim the Bear after a single season of The Cleveland Show because he felt the character was horrifically unfunny. Incidentally, when Cleveland Show was cancelled and the characters returned to Family Guy, Cleveland's introductory scene was a few straight minutes of MacFarlane's other characters lampooning the show.
  • Phil Vischer - upon giving an interview regarding the series Jelly Telly - mentioned that he now considers his earlier series, VeggieTales, as something of a failure because it stressed basic morals while largely downplaying the Christian beliefs behind those morals; Vischer says that Jelly Telly was created to rectify this problem. Though in a later podcast Phil posted (which no longer exists), he says that he still like working with the show, and knows that it's in good hands with Doug TenNapel.
  • Though the Awdrys co operated a lot with early seasons of Thomas & Friends, they voiced some dislike for some of the show's original stories, due to the unrealistic plot points occasionally used (particularly the episode "Henry's Forest"). Wilbert Awdry in particular wrote letters of disgust to series writers David Mitton and Britt Allcroft, accusing them of becoming "big headed" with his work. Christopher Awdry also resented having to write new installments of The Railway Series with Thomas as the main character to tie in with the show's popularity. He wrote "More About Thomas The Tank Engine" solely to give the show more material for episodes, and was rather dissatisfied with it.
  • Tom Ruegger, creator of The 13 Ghosts of Scooby-Doo, once said that he could not stand Flim-Flam, claiming that he made him appreciate Scrappy-Doo.
  • Ken Spears and Joe Ruby hated Scooby-Doo! Mystery Incorporated a lot. Their reason for the hatred was basically because it didn't get the spirit of the original show and was too dark and cynical.
    • Irene Jimenez, the Latin American long-time voice actress for Velma, also said she really disliked the way the character was portrayed in this series.
  • Lauren Faust has expressed regret for the episode "Feeling Pinkie Keen" of My Little Pony: Friendship Is Magic, over the fact that the moral was badly written and came across as anti-intellectual. She has also expressed disapproval of the decision to make Cadance and Twilight into alicorns, citing Uniqueness Decay on the part of Celestia and Luna. She also didn't care for "Magic Duel", a Season 3 episode that was originally written for Season 2. She wanted to do something else for Trixie, even wanting the episode pulled.
    • She also came to dislike the "Equal Fights" episode of The Powerpuff Girls, feeling that she had tried too hard to incorporate adult-oriented subject matter (namely how to distinguish genuine feminism from Straw Feminism) into a children's show in a way that didn't do it justice.
    • She has also disowned the Foster's Home for Imaginary Friends episode "Everyone Knows It's Bendy", citing that the title character was an unlikable and unsympathetic Karma Houdini. She hated the episode as much as the fanbase did, and the character was then permanently written out of the series.
    • She has also made tweets expressing disgust for My Little Pony: Equestria Girls's dolls, and an interview with her husband said that she's "not a fan" of Equestria Girls, and apparently that would have made her leave if Hasbro approached her with it.
  • My Little Pony: Friendship Is Magic
  • My Little Pony: Equestria Girls:
    • In response to fan complaints to the majority of the villains being Easily Forgiven, Director Ishi Rudell revealed that he's also sick of this trend and he would gladly do otherwise if he couldnote .
    • Although he liked how My Little Pony: Equestria Girls – Spring Breakdown turned out, writer Nick Confalone did not like how Comic Con hyped up the Equestria aspect of the movie, since it was meant to be about the girls coming to terms with being heroes. He even apologized for anyone who was disappointed.
  • Co-creator David X. Cohen has stated that he feels that he "went too far" with the Futurama episode "In-A-Gadda-Da-Leela", in which the last scene consists of Leela trying to force herself onto Zapp.
  • Judging by the Credits Gags, the writers of Tiny Toon Adventures didn't care all that much for some of their episodes; to list some of them;
  • Craig Bartlett really detests the infamous Hey Arnold! episode "Arnold Betrays Iggy", which created a tidal wave of fan backlash. It was rumoured that as a result of it, he made the staff issue a public apology for making it (though he debunked this rumour in an interview), the character Iggy was almost permanently written out of the series (he never appeared in a speaking role again until the final season), and it was barred from airing on television until it was seen again on The '90s Are All That.
  • Similar to the examples from Tiny Toon Adventures, after the third "Muscular Beaver" episode of The Angry Beavers the first of the many Credit Gags seems to indicate what the writers thought of said episode:
    "Something stinks! Oh, wait, it's just 'Muscular Beaver 3'"
  • In part due to the fans' backlash over the season and their own distaste for having to incorporate more character development instead of the usual brand of off-the-wall humor or violent montages, Stephen Warbrick and Christy Karacas of Superjail! fame have all but disowned season 2 and have grown more vocal about how they disliked that portion of the show. One interview also stopped short of Karacas blaming a writer "John" (likely John J. Miller, who'd written "Lord Stingray Crash Party" and "Hot Chick") for issues with season 2.
    • Tellingly and fittingly with the show's Negative Continuity stance, some revelations in season 2 were later disregarded or overwritten in the following two seasons. In particular, "Jailbot 2.0" had caused very vocal backlash due to confirming Alice as a transgender woman rather than letting fans guess her gender, causing Karacas to regret ever making the reveal. "Special Needs" subtly altered her backstory to suggest she always had a more feminine identity (thus trying to rectify the unfortunate implications that she only transitioned to not be seen as gay to her boss), while "The Superjail Six" retconned her and Jared's arrivals at the jail and presented her as a lot more feminine than her present-day nature.
  • Andy Thom, who was the art director for Little Einsteins, has admitted his extreme distaste for working on Ultimate Spider-Man.
  • The Hobgoblin was a popular villain on both the comics and Spider-Man: The Animated Series—but this is a sentiment not shared by producer John Semper, who absolutely hated the character and thought the Hobgoblin was useless, and only included him because of decisions made by his predecessor as show runner and toys being made based on that decision.
  • Derrick J. Wyatt came to dislike his experience working on Ben 10: Omniverse, due to both how the network screwed the show over and its widely negative reception among fans as the worst of the Ben 10 sequels.
  • Thomas Astruc, the creator of Miraculous Ladybug, has made clear a disdain for a lot of things:
    • He is on record as loathing Felix, the proto-Chat Noir from the promotional video. Among the reasons for this is because the plan was for Félix to be jackass towards Marinette in civilian life and manipulative towards her when she's Ladybug, and even said that if the 2D version does get made, it'd still be Adrien from the series proper, not Félix.
    • He also isn't happy with a lot of things being spoiled, including Alya, Chloe, and Nino wielding the Fox, Bee, and Turtle Miraculous respectively.
  • Batman Beyond: Max Gibson was hated by the production team. Going by interviews, the only reason they added her to the show was that the higher ups demanded a character girls could identify with.
  • Mark Newgarden, one of the original people involved in creating the Garbage Pail Kids trading cards, has voiced his distaste for the unaired (in the US) Garbage Pail Kids Cartoon, which he considers even worse than The Garbage Pail Kids Movie.
  • Total Drama:
    • Despite preferring Gwuncan over Duncney, allegedly Drew Nelson (Duncan) wasn't too keen on the way that the former couple came to be in World Tour.
    • Similarly, Megan Fahlenbock (Gwen) has supposedly said that she wasn't proud of Gwen's overall behavior in that season, mainly her handling of the love triangle.
    • Christine Thompson (an employee at Fresh TV in charge of their social media profiles) was greatly against the producers' decision to have Gwen and Courtney's friendship fail once more in All-Stars, in order to keep the drama between them going.
  • Gary Chalk didn't like how Optimus Primal was written in Beast Machines, comparing how Primal was there to a cult leader.
  • Alex Hirsch has admitted that "Dipper Vs. Manliness" is in fact the weakest episode of Gravity Falls. That said, he is still proud of it overall since it's still had some memorable jokes, and how the message hasn't aged in the current climate of gender identity.
  • One of the storyboard artists for Avengers, Assemble!, Ben Bates, said in an episode of the webseries Cutshort regarding a failed Captain Marvel spinoff, that he "didn't like" any of the Marvel cartoons in The New '10s, and that was part of why he pitched Captain Marvel.

  • Vincent Connare, designer of the "Comic Sans" typeface, sympathizes with its detractors. Interestingly, he "credits" the lettering on Watchmen (done by artist Dave Gibbons) with part of the inspiration for the font. Dave Gibbons is... conflicted about it.
  • Charles Schulz grew to dislike the character "Pig-Pen" over the years, due to his one-joke nature and his difficult character design. What prevented the character from being written out of Peanuts like so many other characters that Schulz had grown bored with was the huge amount of fan-mail that he consistently received for him. Though it's telling that "Pig-Pen"'s final appearance in the strip shortly before it ended had the usually proud character show embarrassment for his dirty nature.
  • One of the primary reasons Bill Watterson decided to stop drawing Calvin and Hobbes in 1995 was pressure from Universal Press Syndicate to commercialize his work, with Watterson noting that if Universal wanted to, they could have licensed his characters without his permission or continue drawing Calvin and Hobbes with a new artist, so he decided to discontinue Calvin and Hobbes because he had achieved all he could in the comic strip business. Nevertheless, in spite of his efforts, numerous unauthorized products have made their way into the market, with window decals depicting Calvin praying before a cross, and taking a whizz on various automobiles' and sports teams' logos.
  • DeviantArt
    • There's at least one example of an artist being rather disappointed that they got a Daily Deviation... on a joke piece they made ABOUT Daily Deviations. Understandable in that they had so many examples of attractive, interesting art in their journal that had always been overlooked.
    • Moderately-popular DeviantArt cartoonist BrokenTeapot initially used to draw comics and characters involving kink-driven material, mostly related to Hypnofetishism as either his own pieces or fan-commissions. Somewhere along the line he has since become ashamed of them in general, criticized the attraction and attention he had gotten from said fetishes, and went on to draw almost predominantly video game-related parody one-page comics. Later, he would begin a Castlevania-inspired spoof called "Nosfera" which become relatively popular. Soon after eventually finishing the ongoing comic, he would go on to write a surprising post about how it "sucked" and stated he would begin doing it over. He's currently in the process of doing just this.
    • Similar to BrokenTeapot, cartoonist Tom Preston (creator of So... You're a Cartoonist? fame) used to go under the pseudonym "Catty N" and drew a lot of inflation fetish art during his early years. Preston has since distanced himself from the inflation fetishist community and instead sticks to humor comics, even once saying "yes I was once Catty N, lets just forget that ever happened." His past has become a major Never Live It Down among his detractors though, who often reference his Catty N years in art mocking him. Even some artists in the inflation fetishist community have been vocal about their dislike of Preston, saying Preston did not leave the community on good terms and was supposedly a real Jerk Ass to other fetish artists in his early years. The fact Preston has become infamous for issuing DMCA takedowns of his Catty N art on imageboards and other sites has only contributed to his Hatedom.
  • Dom Fera, of The Lazer Collection fame. The series often completely overshadows the rest of his work. He expressed this sentiment in Lazer Collection 4. That said, he doesn't hate the Lazer Collection, he just thought it was ridiculous that people expected him to put out 4 so soon after 3.
  • Illusionist David Copperfield is reportedly not happy with his 10th TV special "The Bermuda Triangle." On a DVD commentary he mentioned that he didn't like the final illusion (to be fair it is VERY hokey) and that it came "during a very rough part of my career." However, the special did feature one of Copperfield's signature tricks... The Death Saw.
  • Albert Einstein:
    • He considered the cosmological constant term he added to his theory of general relativity to be his "biggest blunder", as he put it in in an attempt to make his theory consistent with a static universe. Shortly after, Edwin Hubble published observations that the universe was in fact expanding, in accordance with the original theory of general relativity… However, as of circa 2000, a nonzero cosmological constant has become part of the standard model for cosmology, as there are stars that are older than the age of the universe as computed using original general relativity (if expansion is accelerating, then it was previously slower, and it would therefore have taken a longer time than predicted by original general relativity for the universe to expand to its present size).
    • Also relevant is Einstein's involvement in quantum mechanics. He expanded on Max Planck's ideas, wrote a paper in 1905 on the photoelectric effect, won a Nobel Prize for his breakthrough, and out of that, the whole field of quantum mechanics was born, which is influential in science and computing to this day. However, once Erwin Schrödinger and Max Born realized that probability and randomness were major factors in quantum mechanics, Einstein turned his back on the whole field, trying to debunk it to his dying day, refusing to accept it long after it had become useful to the rest of the scientific community.
  • Cracked's articles named "6 Classics Despised by the People Who Created Them" and "5 Famous Actors Who Hate Their Most Iconic Roles" detail some examples.
  • Charles Spencer "Spen" King, the designer of the Range Rover, said in an interview in 2004 that his creations had become "oversized toys for pretentious city slickers" and that people who drive 4x4s in town were "pompous and stupid". He added that the Range Rover was "never intended as a status symbol, but later incarnations of my design seem to be intended for that purpose", and that he now drives a Mini Cooper out of frustration with all the 4x4s on the road.
  • For Microsoft:
  • Surrealist artist René Magritte once titled a painting of a pretty blue sky with clouds "The Curse". Scholars have debated what kind of "curse" may have prompted that title, but some believe that it refers to Magritte being thoroughly sick of how his other works featuring pretty blue skies with clouds were the ones that were most popular.
  • Vince Lombardi once said "Winning isn't everything, it's the only thing." He later said "I wish I'd never said the thing. I meant the effort... I meant having a goal... I sure didn't mean for people to crush human values and morality."
  • Anna Jarvis created Mother's Day to protest the First World War. She resented the commercialization the holiday brought, and was even arrested protesting it.
  • There are people who create trope terms, and then come to regret it.
    • Gail Simone hates the term Stuffed into the Fridge and regrets coining it, largely because she feels it's been horribly distorted and over-applied by feminists ever since its creation, being used to insult any work in which a female character gets hurt or dies. It really doesn't help that when she started working for DC Comics, she became friends with Ron Marz (the writer the trope is named in reference to), and was promptly insulted by some "fans" for being nice to him.
    • Likewise, Nathan Rabin, who coined the term "Manic Pixie Dream Girl," wrote an apology for coining it, citing how the term quickly flooded the pop culture discussion, and how critics applied it even where it didn't fit until it lost most of its meaning.
    • Alison Bechdel, namesake of The Bechdel Test, has expressed reservations with the way that it's taken as a simplistic measure of whether or not a work is sexist.
    • Hikaru Ijiun who coined the word Chuunibyou has lost interest in it (note: Tweet in Japanese) due to people online misappropriating its original meaning.
  • Lauren Faust doesn't hate Milky Way and the Galaxy Girls (far from it, actually), but she dislikes their designs and has expressed a desire to redesign them (they were created in the early 2000s, and she's developed as an artist since then).
  • One of the pioneers of television was Philo Farnsworth, who had high hopes of the device being used as an educational tool by society. He eventually came to openly despise television, seeing it used primarily for entertainment, and practically went to his grave wishing he'd never worked on the thing.
  • Chris Rock came to regret his "Black People vs. Niggas" rant when he realized that a lot of actual racists used it to justify their bigotry, claiming to only hate "those" black people.
  • John McAfee, the creator of McAfee antivirus software, has eventually grown to hate the pioneering software that bears his name. He even released a video telling users how to uninstall the software. When McAfee (the company that he is no longer involved with ever since his resignation in 1994) was acquired by Intel in 2010 and was re-branded four years later as Intel Security, he said "I am now everlastingly grateful to Intel for freeing me from this terrible association with the worst software on the planet. These are not my words, but the words of millions of irate users."
  • While Hasbro was trying an experiment with Transformers Aligned Universe, many of the people involved in the various entries didn't want to be part of it, hence the number of Broad Strokes and Continuity Snarls that happened, to the point the Universe Bible was ignored entirely.
  • Some people that cause a Memetic Mutation, either by accident or on purpose, may sometimes regret it and speak out against it. An example of this comes from the Ugandan Knuckles meme where it involves an Off-Model of Knuckles appearing in VRChat speaking in a terrible Ugandan accent asking people if they "know de way", name a random female player as their queen, and making lots of clicking noises. The person who uploaded the model for people to use regrets making the model open to the public and feels responsible for people not being able to enjoy VRChat without others abusing the meme everywhere.
  • As reported by the book Brick by Brick, certain unnamed higher-ups at LEGO felt this way about their non-traditional series like BIONICLE, feeling its story-driven nature, ball joint-based building system and at times overly dark and violent story stood against everything the company represented (some of these were also major concerns regarding their Star Wars sets). Within the BIONICLE franchise itself, writer Greg Farshtey hated Vakama's forced betrayal-arc in the 2005 plot, which was pushed by the team producing that year's Direct-to-Video movie. Greg allegedly yelled at them, but his arguments were ignored, and he had to somehow fit the arc into his book series.
  • In 1988 an Australian breeder named Wally Conron created the "Labradoodle" (Labrador Retriever x Standard Poodle mix) as we know it. He intended to make a new service dog-geared breed meant to be low-maintence, friendly, and easily trainable. However, the popularity of the mix led to others breeding their own Labradoodles and other similar mixes with cute names (Goldendoodles, Cockapoos, etc). Since then, numerous other Poodle mixes have popped up and Labradoodles are still not any closer to being a "real breed" than they were in the 1980s. Wally Conron no longer breeds them and says he regrets starting the "designer dog" fad. He says that he created "a Frankenstein" and that Labradoodles (and similar mixes) are generally poorly bred, having many problems and no breed standard instead of the original intention of fixing the "flaws" of Poodles and Labradors.


Example of: