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Denial is a 2016 film that dramatises the libel suit brought against American historian Deborah Lipstadt (Rachel Weisz) - as well as her British publishers, Penguin Books - by British writer David Irving (Timothy Spall) after Lipstadt called him a Holocaust denier and an anti-Semite in one of her books. Since British law places the burden of proof on the defendant in libel cases, Lipstadt has to prove that she did not slander Irving by saying he created false evidence and misinterpreted existing evidence to deny the truth of the Holocaust.

Lipstadt is helped by an ace team of British lawyers, including solicitor Anthony Julius (Andrew Scott) and barrister Richard Rampton (Tom Wilkinson). When Lipstadt wants to testify on her own behalf and bring Holocaust survivors to the stand, however, the lawyers see Irving—who is acting as his own lawyer—as too dangerous a manipulator to allow him a chance at a cross-examination. And outside of the courtroom, the trial also gains a wealth of attention from the media, which spin the cases into a trial about the truth of the Holocaust.

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Denial contains the following tropes:

  • Appeal to Flattery: Deborah's lawyers want to have the case decided by the judge rather than a jury because they fear Irving can influence a jury more easily with his grandstanding techniques. However, Irving has to agree to trial by a judge. They get him to agree by appealing to his vanity.
    Julius: We all know that Mr. Irving has devoted his life to the study of the Third Reich. I admit myself to having sometimes struggled with the demands of the material. I wonder if Mr. Irving really believes it's fair to ask the regular Joe or Joan who walks in from the street to grasp in a mere few weeks what he himself has taken a lifetime to master?
    Irving: <beat> I agree. The issues before the court are sufficiently complex to require the attention of a learned judge, and too complex to confront a jury with.
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  • Armor-Piercing Question: After Irving makes an argument that the gas chamber at Auschwitz was only used to delouse the corpses of people who had already died of typhus, Rampton asks him what happened to the corpses next. After Irving confirms that they were taken to the crematorium for disposal, Rampton asks:
    Rampton: What is the point in gassing a corpse that is about to be burnt?
  • Army of Lawyers: For once, this is actually used on the good side. Deborah winds up with a dozen people working on her case, thanks to its historic importance, while Irving is alone on his side of the room, representing himself. Irving is somewhat Genre Savvy about this trope, however, as he's compared himself to David vs Goliath a few times, and is aware of how it will look to the reporters.
  • Attention Whore: David Irving, oh so much. The first time we see him he's jumping up in the audience of Deborah's lecture, waving money around and offering free copies of his books. He made sure to have a friend set up his camera to video the whole incident before he started too.
  • Based on a True Story: The film is based on Lipstadt's memoir of the trial, which took place in the spring of 2000. Much of the dialogue in the courtroom scenes is taken word-for-word from the transcript of the actual trial.
  • Blatant Lies: Irving in his post-trial interview actually tries to claim that the verdict means that he won the judgement. Deborah immediately refers to him as a "verdict denier"
  • Compliment Backfire: Deborah tells Anthony Julius that she hired him because a friend told her that he's a real "junkyard dog". She means this in a good way, but he doesn't quite get that. After she explains him what she actually meant, he then explains he's not actually going to be her "junkyard dog", as he is a solicitor, thus he will only prepare the case for a barrister (in this case Richard Rampton) to actually defend in court.
  • Conviction by Contradiction: Irving tries to disprove the Holocaust in this exact way, as Julius notes: he looks for some tiny inconsistency in the testimonies, then makes the whole case seem to stand or fall on it. For instance, historian Robert Jan van Pelt (Mark Gatiss) shows blueprints of the Auschwitz gas chambers as described by the man who designed them, including holes in the roof used to drop in cyanide gas. Irving points out that no holes were found in the ruins of the chamber roof, and loudly declares: "No holes, no Holocaust!".note 
  • Courtroom Antics: The word "antics" is directly used when Deborah's team express their fear of what Irving might do if he had a jury to play to, hence their Appeal to Flattery above to get him to agree to having it decided by a judge.
  • Crouching Moron, Hidden Badass: While no-one should ever consider a QC a moron, this is played with with Rampton. He drinks wine in his office (from plastic cups! He even jokes he prefers plastic!), he cracks jokes, he shows up late when they visit Auschwitz, then swears loudly when he gets a bit of barbed wire stuck in his shoe, he offers decidedly non-kosher foodstuffs (black pudding, which is made with pig's blood) to Deborah, he seems to be avoiding eye-contact with Irving in court... and we discover that he was late because he was pacing off the distance from the barracks to the gas chambers in anticipation of Irving's argument that they were air-raid shelters, he keeps the fragment of barbed wire on his desk as a reminder of why he is doing the job, and he is avoiding eye contact with Irving because he knows it drives the man up the wall. See The Unfought, below, for more of his verbal badassery.
  • Culture Clash: The film has some fun with the contrast between the outspoken Queens girl and her Stiff Upper Lip British lawyers. More seriously, she has trouble understanding the different attitude toward free speech, which makes it so hard to defend oneself in a libel case.
  • Deader Than Disco: Invoked in-universe. This is what ended up happening to Irving after the trial. He went from a highly successful popular historiannote  to a bankrupt bigoted Holocaust-denying Neo-Nazi discredited "historian".
  • Deadpan Snarker: Deborah Lipstadt, mostly about how the only thing her legal team allows her to decide on is who to ask for donations for funding the legal case.
  • Death Glare:
    • Deborah gives Irving some good ones over the course of the film, but subverted in the case of Rampton; Deborah notices that he, rather than glaring at Irving, barely meets his eye at all during the trial, and broadcasts contempt and disgust with his voice and body language rather than passionate outrage. She acknowledges that it's very effective at getting under the skin of a man who thrives on conflict and expects to be challenged, but doesn't know what to do when people simply don't take him seriously.
    • Irving himself hands out a strategically placed one to Deborah and her team during the "verbal yellow star" speech.
  • Door Stopper:
    • David Irving's diary spanning 20 years. It occupies all the top shelf cases of a single division in his home, and he says it's between 10 and 20 million words long. Deborah's team have to hire extra legal researchers and history students to actually find the useful material in there.
    • The judge's verdict is no lightweight either, being 334 pages long.
  • Dumbass Has a Point: In both real life and in the film Irving was one of the first to correctly call out the Hitler diaries as fakes. To prove it was a fluke he reversed his opinion a few days later, saying that there was much that was authentic in the diaries and the documents in its accompanying collection, likely because the forged diaries don't mention the Holocaust.
  • Due to the Dead: The preparation for the trial includes a visit to Auschwitz, which both Deborah and van Pelt treat as a "shrine", eventually praying and singing a Hebrew hymn over the ruins of the gas chamber where so many were killed.
  • Even Evil Has Loved Ones: When two legal assistants go to Irving's house to gather evidence, they find him on the floor playing adoringly with his young daughter. The sweetness of the scene is rather soured later when it's revealed that he sings her a ditty about how she'll never marry outside the White race.
  • Faux Affably Evil: Irving, while making jaw-droppingly racist speeches to groups of like-minded individuals, is generally perfectly courteous to whoever he's speaking to at the moment.
  • Fiery Coverup: Auschwitz is in ruins because the Nazis wrecked it at the end of the war to cover up the Holocaust, van Pelt explains. This is why hard physical evidence of what happened there is difficult to come by.
  • A Fool for a Client: Irving acts as his own lawyer, and he does an impressive job of it...for a while.
    • This is the main reason Julius is adamant that survivors not be brought in to testify; a dispassionate cross-examination by a professional lawyer might just about be acceptable, but the thought of them being directly questioned by Irving, who will be doing everything he can to trip them up, humiliate them and accuse them of lying is the one thing that makes the composed Julius lose his cool.
  • Frivolous Lawsuit: The very lawsuit Irving launched against Lipstadt and Penguin that is the subject of this movie. Lipstadt and Penguin took it very seriously - perhaps more seriously than Irving had intended originally.
  • Golden Mean Fallacy: Prior to Lipstadt writing her book that Irving would sue over, she notes that several student newspapers (some of which are even run by Jews) run adverts proclaiming Holocaust denial, under the reasoning that "both sides deserve to be heard". Which ignores that one side is demonstrably wrong.
  • Graceful Loser: Irving attempts to do this, congratulating and extending his hand to Rampton. Rampton completely ignores him, demonstrating that his contempt for the man was not just a court tactic to get under Irving's skin, but also completely genuine. Irving is less graceful after they exit the court, where he makes a ridiculous attempt to claim that the verdict is actually in his favour.
  • The Heckler: Irving acts as this to Deborah in an early scene when he disrupts her lecture by challenging her to a debate and offering $1,000 to anyone who can provide him with a written order from Hitler authorizing the Holocaust. Naturally, he's having the whole thing filmed.
  • Historical Beauty Update:
  • Hoist by His Own Petard:
    • David Irving, in bringing the libel lawsuit, forced the court to render a legal judgement that not only was he a Holocaust denier (and thus Deborah Lipstadt was not defaming him by calling him one) but that he was an anti-Semite and generally racist, and that he had in fact engaged in mistranslations and falsifying of research in order to cast Adolph Hitler in the best possible light in his work. The judgement destroyed any possibility of continuing his career as a historian and the legal payments (he was required to pay Lipstadt's legal costs) bankrupted him.
    • Imagine what Irving would have made of the whole situation if Lipstadt had not disputed the claims (and were stuck with a default verdict, where she basically admited Irving was right), or settled with him (giving the idea that the Holocaust was negociable as a fact, as well as possibly having to apologize for having called him the Holocaust denier he was and withdraw her book from the market).
  • Hollywood Law: A minor example. In England the phase of the trial where both parties present their evidence and respond to the other party's requests for evidence is not called "discovery", but "disclosure", ever since a 1996 reform (strangely they use the term "litigant in person" instead of pro se, which was also adopted in the same reform).
  • Implausible Deniability: Irving claims he's not racist even as the court reads his own diaries and views recorded speeches that show him making blatantly racist statements.
    Rampton: You sued because you said that we had called you a racist and an extremist.
    Irving: Yes, but I'm not a racist.
    Rampton: Mr. Irving, look at the words on the page.
  • Ironic Name: Joe Crooks is the name of Emory University's chief legal counsel who immediately offers to help fund Lipstadt soon after Irving begins the lawsuit.
  • "Just Joking" Justification: Irving uses this to deny his racism when the defense attorneys show video clips of him making racist jokes at past lectures.
  • Meaningful Name: Deborah says that her mother named her after the Biblical judge, charging her with the obligation to stand up and fight when her people are attacked.
  • Moving the Goalposts: Irving continuously redefines things to suit himself, both in his history books and in court. Afterwards he tries to argue to a disbelieving Jeremy Paxman that the verdict was actually quite favourable to him.
  • Not So Stoic: Julius is generally very composed, but he is visibly emotional at the thought of letting Irving undermine and humiliate survivors on the stand.
  • O.O.C. Is Serious Business: Julius is normally a very reserved, self-confident man, who exerts control over any situation, including taking the defence in any direction he wants and calmly, even smugly shooting down some of Lipstadt's desired ideas or strategies. However, he gets visibly agitated and emotional whenever the idea of letting Irving question Holocaust survivors comes up. The second time Lipstadt bring it up, Julius loses it and shows Lipstadt a video of Irving gloating about asking a survivor how much money she has made from the Holocaust.
    Julius: Oh you want that do you?! You think that's helpful?!
  • Oh, Crap!:
    • Deborah has this when the Judge questions whether Irving honestly believing what he says because he is a racist and anti-Semite can refute their claim that he's deliberately lying. To make it worse, this question is pretty much the last thing the Judge says before retiring to consider his verdict, leaving her to stew for weeks.
    • There's no relief for her when her printed copy of the verdict is delivered, either; per standard procedure, she only gets the 333 pages detailing the Judge's legal reasoning, not the final page with his actual finding in the case. Her lawyers get the finding, but are not permitted to tell her what it is, which further exasperates her but, again, is standard procedure.
  • One Dose Fits All: Deborah points out that Fred Leuchter, the supposed "execution expert" who claimed to debunk Auschwitz as being an extermination camp because more gas was used to delouse lice than kill prisoners, assumed this when comparing them. In reality, it takes twenty times more gas to kill lice than humans.
  • One-Word Title: The film's title is a lot more concise than the book's, which was History On Trial: My Day in Court With a Holocaust Denier.
  • Politically Incorrect Villain: David Irving is not just a Holocaust denier, he is an all-purpose hater: Jews, blacks, women, you name it.
  • Pull the Thread: Used to GREAT effect against Irving during the examination about Auschwitz. So the gas chamber was built to delouse corpses? And it has a gas-proof door with a peep hole with double 8mm glass and a metal grill on the inside because...it doubles as an air raid shelter for the guards... who were garrisoned two and a half miles away? And it was built with those features at a time they weren't under threat of air raids? Also, why delouse a corpse you're about to incinerate? Irving is eventually forced to admit that he's a Hitler historian rather than a Holocaust historian.
    Rampton: Then why don't you keep your mouth shut about the Holocaust?
  • Rewatch Bonus: Though muted, there are some hints that the Judge has long decided the case in favour of Lipstadt and Penguin. Before the Judge starts the trial he is reading a copy of Irving's book Hitler's War and closes it with a disgusted sigh. When Iriving says pompously and proudly that the gas chambers at Auschwitz were 'for fumigating cadavers' the Judge barely holds back a sneer of contempt and uncharacteristically asks a question that is later more directly and forcefully asked by Rampton.
    Judge Gray: I'm sorry, this seems a crude question, but what is the point in gassing a corpse?
  • Riches to Rags: The discrediting of David Irving also brought him real-life financial ruin. He was saddled with a £2 million (US$3.2 million) bill in Penguin's legal feesnote  and what had been Penguin's attorneys had him declared bankrupt over this in 2002.
  • Some of My Best Friends Are X: Irving uses a more-clueless-than-usual version of this when he argues that he can't be racist because he employs black and Asian servants, and "they were all very attractive girls with very nice breasts." The dumbfounded reporter has to ask him to repeat it.
  • The Spock: Deborah's legal team maintain a degree of emotional distance that Deborah finds frustrating, especially during their visit to Auschwitz, mistaking it for heartlessness or disrespect for the dead. Later she accepts that they are simply focusing their passion into doing the most professional job they can.
  • Stiff Upper Lip: It takes a while for Deborah to see that British reserve is not heartlessness or apathy.
  • Teeth-Clenched Teamwork: The case is sometimes like this for Deborah, who is frustrated with many of the decisions that her lawyers make about how to win, which leads to some noisy arguments.
  • Title Drop: The word "denial" is repeatedly used in the context of Holocaust-denial, but it is also used when Rampton finally convinces Deborah to be The Unfought, and calls it "an act of self-denial".
  • The Unfought: Deborah never actually goes head-to-head with Irving in a cross-examination, and indeed the only time she speaks directly to him is when he gatecrashes her lecture and heckles her. This is because Deborah is convinced (albeit very reluctantly) not to take to the stand herself, or allow survivors to do so, on the grounds that it would look like there was actually a legitimate debate to be had on the subject. Deborah is well aware that this will make it easy for Irving to say she's a coward (and indeed he does after he loses), but she trusts that her legal team know what they're doing.
    Rampton: I mean, by all means, stand up, look the devil in the eye, tell him what you feel. Why not? It's very satisfying. See what happens. And risk losing. Not just for yourself, for the others. For everyone. Forever. Or...Stay seated. Button your lip. Win. An act of self-denial.
  • Would Be Rude to Say "Genocide": Proved to be the grist of Irving's argument during the trial.
  • You Have Got to Be Kidding Me!: Deborah's face has this written all over it when Irving's opening statement describes the label of "denier" as being "a verbal yellow star".

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