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Film / Mighty Joe Young

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Mighty Joe Young is the name shared by a 1949 film and its 1998 remake. The original film combined live action and Stop Motion animation. The designs for the animation and effects are credited to Willis O'Brien, better known for King Kong (1933). In practice, much of the actual animation was completed by his protege Ray Harryhausen. This was the first major film work of the younger animator. The remake used animatronic models and puppets, with some CGI animation.



The film was produced by RKO Radio Pictures and directed by Ernest B. Schoedsack, who is best known for co-directing King Kong. The film starts somewhere in Africa. A little girl, Jill Young (Lora Lee Michel), asks her father to buy her a baby gorilla. He does so, against his better judgment. Jill names her new pet "Joe" and treats him like any other baby, feeding him milk from a bottle and singing him to sleep.

The scene shifts to twelve years later. Max O'Hara (Robert Armstrong), a theatrical impresario, is preparing to have a safari in Africa. He plans to collect animals to use for his next project, an exotic Hollywood nightclub. He is need of a decent animal handler. He hires Gregg Johnson (Ben Johnson), a rodeo roper. He is the first of several Cowboys hired by Max, who figures he could give a western theme to his nightclub. Weeks later, their expedition unknowingly enters the lands owned by the Young family. An enraged Joe is there to meet them and defend his territory. The baby has grown into an enormous ape. He is followed by a furious Jill (Terry Moore), now All Grown Up. Max manages to calm her down and later convinces her to join him in Hollywood. She and Joe are to become the headliners at his Golden Safari nightclub.


While the duo debuts to great success, Jill is disturbed that her "friend" has to be caged every night. She wants to resign, but Max convinces her to wait until a replacement act could be found. Weeks later, the duo are still waiting. Jill has a new reason to be reluctant to leave - she and Gregg have fallen for each other. At this point, a trio of drunken customers find amusement in performing animal abuse. An intoxicated Joe is sufficiently enraged to go on a rampage. While it doesn't last long, the authorities mark Joe as dangerous and sentence him to death. Jill, Gregg and Max have to co-operate to rescue him.

The film was a commercial flop, one of several that plagued RKO under the administration of Howard Hughes (term 1948-1955). There were plans for a sequel, but these were terminated early. However, the effects were impressive for the time and the film gained an Academy Award for Special Effects. While essentially a tamer and more humorous take on King Kong, the film would later find its audience on television. For decades, it was broadcast alone or with other "giant ape" films, gaining a reputation as a classic.


The film was co-produced by RKO Pictures (a corporate successor which mostly handles old properties) and Walt Disney Pictures. The director was Ron Underwood, better known for Tremors (1990) and City Slickers (1991). The film established a new back story for Joe and Jill. As a little girl, Jill Young (Charlize Theron) witnessed the death of her mother (a zoologist) and a female gorilla at the hands of Evil Poachers. Their leader Andrei Strasser (Rade Serbedzija) loses two fingers in the process and has to retreat to get medical help. Joe, the orphaned baby gorilla, is left in the care of Jill.

In the present day, Joe has grown into an enormous gorilla and Jill is worried about his status as a target for more poachers. She is contacted by Gregory "Gregg" O'Hara (Bill Paxton), a wildlife refuge director, who convinces her to move to the United States with Joe. Joe is a great favorite with the staff of the reserve and even attracts the attention of the press. This alerts Strasser to the current whereabouts of the gorilla. He has spent all these years blaming the creature for crippling him. He now wants revenge.

Strasser poses as an enviromentalist who is interested in returning Joe back to Africa. He has a henchman of his use a noisemaker to have Joe go on a rampage. In the process, Joe recognizes Strasser and attacks him. For attacking a human, the authorities condemn Joe to death. Jill wants to smuggle him out of the country and assigns Strasser with the mission. She realizes too late who Strasser actually is. Joe and Jill have to fight their way out of Strasser's hands while Gregg searches for them-partially out for their safety, partially out of falling for Jill.

This film was a box office bomb. It earned an estimated 50,632,037 dollars in the United States market and underperformed elsewhere, failing to even cover its budget. It settled at only the 44th most successful film of its year, though it eventually sold well on home video. It was nominated for an Academy Award for Best Visual Effects, but lost to What Dreams May Come. While some critics praised the added depth to the characters and the special effects, most complained about the rather melodramatic poacher storyline.

The films provide examples of:

  • A Boy and His X: A girl and her (giant) gorilla. Jill has been taking care of Joe most of her life.
  • Admiring the Abomination: In the remake, Gregg's reaction to seeing Joe for the first time is sheer delight. When the outmaneuvers his group's attempts to catch him, all Gregg does is gush about Joe's intelligence.
  • Alone with the Psycho: In the remake, Jill realizes part way through the truck drive to the airport the man right next to her is the Evil Poacher who murdered her and Joe's mothers and is very likely planning to kill her.
  • Animal Nemesis: Joe is this to Strasser after having bitten two of his fingers off.
  • Asshole Victim: You hardly feel sorry for Strasser when Joe tosses him to some wires over a transformer, on which he falls and is electrocuted to death.
  • Benevolent Boss: In the original there's a scene where O'Hara steps in to defend one of his cigarette girls against a trio of loutish drunks, assuring them that all of her cigarettes that they just ruined will be coming out of their tab and not her paycheck.
  • Bring It Back Alive: In both versions, Joe is taken from Africa to the United States.
  • Bullying a Dragon: The original film has a trio of drunkards give the titular giant gorilla alcohol — enough to inebriate him. This clears them out of booze and in retaliation, one of them burns his hand as Joe begs for more. Joe then bursts out of his cage for a drunken Roaring Rampage of Revenge through a nightclub.
  • Bus Full of Innocents: Played straight to perfect effect in the 1949 version, with the added bonus of the title character saving himself from Death Row. Who would want to shoot him after he saves several orphans from a burning building?
  • Chekhov's Skill: Joe playing hide and seek in the '98 version helps him to evade police copters.
  • Credits Gag: Two from the 1949 version:
    • (Opening credits): "And Mr. Joseph Young As Himself"
    • The only closing credit is the message "Good Bye From Joe Young"
  • Cruella to Animals: Strasser is a male version.
  • Deconstruction: The 1998 version is arguably a deconstruction of King Kong. The ape isn't an island-dwelling monster, but an otherwise normal mountain gorilla with extreme giantism. Joe is treated like a scary monster by some, but is entirely harmless and friendly unless he feels threatened. The female lead has more in common with Jane Goodall than the screaming Damsel in Distress of Kong. And when Joe finally does go on his "rampage" it's because he's confronted with the poacher that killed his mother.
  • Didn't Think This Through:Strasser and Garth were planning to provoke Joe into simply frightening the guests at the benefit. They apparently didn't consider the possibility of Joe breaking out of his enclosure. When this happens, Joe almost kills Strasser, before getting tranquilized.
  • Disney Death: The 1998 version has this happen to Joe himself.
  • Distressed Dude: As opposed to the original film's Bus Full of Innocents in the burning orphanage, the '98 version has a single boy who is trapped in a burning Ferris wheel.
  • Egomaniac Hunter: Strasser combines this trope with Evil Poacher.
  • Escaped Animal Rampage: In both versions, Joe escapes the facility he's kept in. The 1949 has him run amok in a safari night club, and in the 1998 film he escapes into Los Angeles after the transport truck he was in overturns. But calling either a rampage is a bit of an exaggeration. The majority of the damage in the 1949 film was caused by a fight between Joe and several escaped lions Joe was trying to protect people from. 1998 film mostly consists of Joe being a big confused animal wandering around and scared out of his mind.
  • Even Evil Has Standards: Strasser's henchman, Garth, looks genuinely horrified when Strasser is about to shoot Jill in cold blood.
    • Earlier in the movie, he is also the one who insists they should help Jill's mother. So he's clearly a cruel man when it comes to animals, but draws the line at killing people.
  • Evil Poacher: Andrei Strasser and his followers. The former has no problem gunning down humans who get in his way as much as he doesn't hesitate cruel practices like killing mother gorillas to sell the babies.
  • Family Unfriendly Karmic Disney Villain Death: Strasser meets his end when Joe stops him from shooting Jill and then flings him on some wires over a transformer. Strasser, being too fingers short of holding the wire, loses his grip and he falls into the transformer electrocuting him to death, leaving only his half-glove hanging from the wiring.
  • Faux Affably Evil: Compared to his outwardly thuggish demeanour when he was younger, Strasser seems rather kind and grandfatherly, which is how he gets Jill to trust him. Indeed his living revolves around getting people to trust him to look after animals at a phoney wildlife reserve, before selling them on the black market.
  • Ferris Wheel of Doom: The burning orphanage is replaced by a burning carnival in the 1998 remake, with a young boy trapped on the Ferris wheel and Joe going to save him before it collapses. The rescue is considered one of the most memorable scenes of the film.
  • Fingore: Andrei loses two fingers to Joe after the gorilla bit it off.
  • Gentle Giant: Joe is a very docile giant gorilla, unless you give him a reason to be mad at you.
  • Gentle Gorilla: In stark contrast to King Kong, Joe is a docile, friendly and playful giant gorilla who only attacks people when he's pushed too far.
  • Humans Are the Real Monsters: Strasser is a monstrous poacher who's far more evil than Joe.
  • King Kong Copy: Joe himself is a giant gorilla very similar to Kong (albeit both somewhat smaller and friendlier), who is also taken to the city and exhibited to the public, then escapes and goes on a rampage.
  • Lighter and Softer: Compared to King Kong. The giant gorilla is much more gentle and causes very few fatalities, and even rescues a child trapped on a Ferris wheel. O'hara is even played by the same actor as Denham, but is a much more Benevolent Boss and realizes the error of his greed, helping the heroes get Joe back home.
  • My God, What Have I Done?: Jill has this moment after she realizes who Strasser really is.
    Gregg: Jill! Are you okay?
    Jill: What did I do? Those are the guys who killed my mother! We gotta go, Joe’s in trouble!
  • Nice Hat: Strasser's hunting hat that he wears near the climax.
  • Nice Job Breaking It, Hero: In the Disney version Morris the panda’s owner gives him to Strasser unaware that he’s really a poacher, although what happened to Morris afterward is unknown.
  • Organ Grinder: Joe is involved in a humiliating performance playing an organ grinder's monkey with Jill, acting as a little girl, turning the handle.
  • Orphanage of Love: The orphanage in the original film seems to have been one of these, a kindly, concerned staff and a large, well kept building. Unfortunately, it catches fire. Luckily, thankfully Mighty Joe Young is there to ensure all the children are saved.
  • Reasonable Authority Figure: O'Hara is greedy, a blowhard, and a bit unscrupulous, but he ultimately has a good heart.
  • Remake Cameo: The 1998 remake featured an elderly couple played by Terry Moore (Jill Young in the 1949 original) and Ray Harryhausen (who did the original's special effects).
    Terry: "Doesn't that beautiful young lady remind you of anyone, dear?"
    Ray: "Yes... you when you were her age!"
  • Red Right Hand: Andrei Strasser and his missing fingers a young Joe bit off years ago.
  • See You in Hell: Strasser's last words.
    Strasser: "Goodbye, Jill. Meet your mother... in Hell."
  • She Knows Too Much: Strasser attempts to murder Jill because she knows he is a poacher and that he killed her mother. This is because he fears that his cover operation as a faux wildlife protector will be ruined if she tells other people who he really is.
  • The Sociopath: Strasser is not only a ruthless and greedy poacher but also a cold blooded murderer who is not against in killing humans as well.
  • Spiritual Successor: Not related in plot to King Kong (1933), but obviously inspired by it, featuring a similar premise - large ape from an exotic jungle is brought to civilization as a tourist attraction - and the same creative team: Director Ernest B. Schoedsack, producer Merian C. Cooper, screenwriter Ruth Rose, special effects artist Willis O'Brien, and star Robert Armstrong.
  • Stock Animal Diet: In one scene in the remake Joe is seen eating a banana tree.
  • Ungrateful Bastard: In the original film, Joe saves one of the men who harassed him from a lion. When he runs into Gregg, Jill, and Max later on he claims that Joe tried to kill him.
  • What Happened to the Mouse?:
    • For the 1949 film, the men who got Joe drunk, thereby causing his rampage, escape the angered gorilla and are never shown again.
    • Regarding the 1998 remake: Garth furiously turns against Strasser when his boss attempts to shoot Jill, but Strasser knocks him out with his gun. Garth is not seen again for the rest of the film, leaving his fate unknown.
  • You Killed My Father: "You Killed Our Mothers" in this case. Both Joe and Jill have this attitude towards Strasser.