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Adaptational Nice Guy

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This trope is when a character is made nicer (or at least a bit more sympathetic) in an adaptation than they were in the source material. For instance, a character who is a Jerkass in the source material becomes a Jerk with a Heart of Gold or even a Nice Guy in the adaptation of said material.

While there may be some overlap with Adaptational Heroism, the key difference is that the character doesn't necessarily become heroic if they were villainous or neutral in the source material, and doesn't make them more heroic if they were heroic in the first place. Characters affected by this trope will generally stay on their respective alignments (whether good, evil, or neutral), but they will become a bit more approachable in the adaptation.

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Its inverse is Adaptational Jerkass.

A subtrope of Adaptation Personality Change. Compare Took a Level in Kindness (which is basically what this trope does to a character in an adaptation), and by extension contrast Took a Level in Jerkass.


Examples:

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    Multiple Media 
  • In Disney's Peter Pan movie, Tinkerbell is overly jealous about Peter and has a temper. To make her a more likable and more rounded protagonist, in the sequel series Disney Fairies she is a sweet Plucky Girl instead.
  • Both Miles Morales's father Jefferson Morales, and his uncle/Jeff's brother Aaron Davis:
    • In the Ultimate Spider-Man comics, Aaron is introduced as a greedy bastard who only sees his nephew Miles Morales as a means to an end, and dies cursing Miles. With that said, it was a Comic Book Death, and in his a second shot at life, Aaron has worked to be a better man, with varying degrees of success. His incarnations in Spider-Man: Homecoming and Spider-Man: Into the Spider-Verse, while still criminals, genuinely love Miles. In Homecoming, Aaron informs Peter of a meeting between the Vulture's gang and Mac Gargan because he didn't want Toomes's weapons on the street where they could hurt Miles, and in Into the Spider-Verse, he becomes horrified when he realizes he's been trying to murder Miles, resulting in his boss Wilson Fisk fatally shooting him for refusing to kill Miles.
    • In the Ultimate comics, Jefferson started off despising anyone with superpowers, only warming up to Spider-Man some time after learning that he's Miles. In Marvel's Spider-Man, he's supportive of both Peter and Miles right out of the gate, while Spider-Man (PS4) not only sees Jeff supportive of Spidey, but gladly working with him. It's also worth mentioning that in the PS4 version of the story, Jefferson supplants Peter Parker as the heroic figure who dies tragically and motivates Miles towards heroism. In Into the Spider-Verse, Jefferson's dislike of Spider-Man is only due to the latter being a vigilante who interferes with Jeff's work as a cop, rather than any Fantastic Racism; he clearly feels bad about the death of his universe's Peter; and ends up willing to work with Miles's Spidey at the end.
  • Most adaptations of X-Men tend to downplay or outright omit Professor X's manipulative streak and portray him as more of a saintly, benevolent father figure, in contrast to the Stern Teacher he is in the comics. He's still a father figure to most of the X-Men in the source material, albeit one that's a bit more "prickly" most of the time. They also tend to omit his infatuation with his student Jean Grey (who was underage at the time), though that plot point was largely dropped from the comics after the Silver Age, save for in the alternate universe Ultimate X-Men series.
  • The protagonist of the book Logan's Run was a ruthless Consummate Professional who had no problems killing people in brutal ways, and was initially motivated to find the Runner Sanctuary in order to die a legend for destroying it. The film toned it down to being a Jerk with a Heart of Gold; Logan would use lethal force, but was drafted into the job of finding Sanctuary and turned against his society when he found out that life past thirty was possible. The TV series softens the character further to a soft-spoken Hitman with a Heart who had come to be disturbed by his profession and was questioning his society well before his decision to throw his lot in with Jess.
  • Many versions of The Joker have had his worst attributes downplayed. Tellingly, out of these versions, the one for The Batman is the only one of the Joker listed here that is currently one of the many Jokers listed under Complete Monster, whereas the others don't meet the qualifications to be listed there.
    • The Suicide Squad (2016) version of the Joker actually seems to genuinely care for Harley and even pushing her out of a helicopter to save her life when he goes crashing, though Joker being Joker, he survives. Note that this was a deliberate choice made to soften the film during reshoots, as the original cut of the movie apparently depicted the Joker's treatment of Harley in a much more negative and abusive light.
    • While he'll still lash out at Harley and leave her to rot, the Joker in The Batman isn't physically abusive to Harley and he shows her more genuine affection such as stealing a diamond the size of a softball for their Valentine's Day, something his DCAU counterpart would consider a waste of time. Additionally, while he's still Faux Affably Evil, he's more affable than usual.
    • The Joker seen on Batman: The Brave and the Bold genuinely respected the Weeper and wanted to team-up with him; didn't seem to be abusive to Harley; and during an Enemy Mine with Batman, he (begrudgingly) saved a child.
    • The Joker — or as he's currently known in season 1, John Doe — of all people gets this treatment in Batman: The Telltale Series. He seems to genuinely consider Bruce his friend, and has Swapped Roles with Harley Quinn in that he's the one in love with her while she just finds him annoying. At the end of the second episode of the second season, if Harley is left behind, John will be visibly distressed, and demand to go back to help her.
    • Joker (2019) sees its version of the titular Clown Prince of Crime, Arthur Fleck, nowhere near as monstrous as other Jokers, starting off as a well-meaning man in a Crapsack World so damaging, it forces him to retreat into his mental issues. Additionally, outside of the Arkham doctor at the end, all of the people he killed wronged him and he even spared former co-worker Gray because he was the only one at his old job who was nice to him and Word of Saint Paul is that Sophie also survived, whereas other Jokers would've killed them both just for the hell of it.
  • In the original Lupin III manga from Monkey Punch, the title character was a coldblooded murderer with a penchant for raping beautiful women. Beginning with Hayao Miyazaki's run on the the original 70s TV show, Lupin has been softened to varying degrees. While he's still willing to use lethal force, it's almost always against other, WORSE criminals, and usually only in self-defense to begin with. He's also never depicted as a rapist in these adaptations, even the Darker and Edgier ones that otherwise veer a little closer to the original manga, like The Woman Called Fujiko Mine. The adaptations also have a habit of giving Lupin Pet the Dog moments where he goes out of his way to rescue innocent people who are being victimized (most famously in The Castle of Cagliostro), another trait that would seem severely out of character for Monkey Punch's depiction of the character.
  • Like the Joker, many versions of Norman Osborn have downplayed his worst aspects. While Osborn only became his most nasty (including being depicted as a Neo-Nazi) post-The Clone Saga, even before then, he's had some skeletons in the closest, including framing Mendel Stromm.
    • While an ally of the Kingpin, Spider-Man: The Animated Series depicted Norman as a deeply-regretful absentee father and his transformation into the Green Goblin as part of a victim of circumstance.
    • Likewise, the Spider-Man Trilogy version of Osborn is more sympathetic and is a put-upon man dealing with a general and board who clearly don't like him and at least makes attempts to be a good father.
    • While still a Corrupt Corporate Executive (and in this case, a Corrupt Politician as he's mayor), the Osborn of Spider-Man (PS4) not only genuinely cares for Harry, many of his actions both in the backstory and in the present were done to save the lives of first his wife and later Harry from a disease they suffered.
    • The Osborn of Ultimate Spider-Man starts off as this as he cares about Harry, though he later becomes a case of full-blown Adaptational Heroism as both times he's the Iron Patriot, they're genuine attempts at being The Atoner as opposed to an act as in the comics.

    Anime and Manga 
  • Aggressive Retsuko: In the original shorts, Haida, the hyena, is a playboy that coasts on his looks to make women around the office do his work for him. In the Netflix series, Haida is a kind-hearted guy who is close friends with the protagonist and never hits on anyone, having a devoted love for Retsuko.
  • Doraemon: Nobita in the Wan-Nyan Spacetime Odyssey: While he is by no means a full-blown Jerkass, in the manga, Hachi acts more hostile to Nobita and the gang and even scolds Duc for nearly revealing their secret by pulling his tail, and only acknowledges Nobita as his friend after the drill incident. In the movie adaptation, he befriends Nobita after the chase scene, and even going as far to wish him luck in his quest to find Ichi right in that moment. He does retain his distrust at the gang at first regarding their secret in the movie though— however, the scene of him pulling Duc’s tail was cut from the movie.
  • Dragon Ball.
    • Jiren's heroic traits are much more clearly shown in the manga version of Super where he is first introduced into stopping a criminal riot and saves the other Pride Troopers from a monster they were struggling on, even postponing a talk with his leader until all the citizens are safe. He is also unwilling to join the Tournament of Power since that would mean the erasure of 7 other universes and only relents when Belmod offers him a wish from the Super Dragon Balls but even then, he is fully willing to withdraw if there is any trouble that happens in the universe. This is in contrast to how is represented in the anime where all we know of him is that he is an Arrogant Kung-Fu Guy who does not hesitate to show them just how superior he is to everyone, doesn't seem to care for his comrades when they are defeated, insulting his leader for his less-than-stellar performance and even tries to murder all of Goku's friends and family just to spite him.
    • In the manga and the original Japanese version of the Dragon Ball Z anime, Vegeta is a bloodthirsty, amoral villain who slowly develops into a Nominal Hero, and then an Anti-Hero. In some English dubs of the anime, while he's still definitely a bad guy at first, Dub Text makes him more pragmatic and less sadistic, to the point where he even makes a We Can Rule Together offer to Goku. The dub of the Namek arc even gives him a Freudian Excuse (that he was raised by Freeza to be evil with no choice in the matter), which he didn't have in the original. From that point on in the dubbed version, he's more of a straight Anti-Hero.
    • Goku himself. The English dub tends to play-up his heroic side while somewhat downplaying his less noble aspects that are present in the Japanese version. A prominent example is after the fight with Vegeta during the Saiyan Saga, when Goku convinces Krillin to spare Vegeta's life; in most versions of the English dub, Goku invokes If You Kill Him, You Will Be Just Like Him while also wanting to give Vegeta the same chance for a Heel–Face Turn that Piccolo got, whereas in the original Japanese, Goku does so only because he found the fight with Vegeta exciting and wanted to fight him again even at the risk of the Earth's safety, which he openly admits is a selfish desire.
    • According to Toriyama this holds true even for the original Japanese anime. He was dissatisfied by the “righteous hero”-type portrayal the anime gave him. In the manga, Goku is supposed to be depicted as someone who doesn't fight for others, but fights for himself to get stronger. He wanted to depict someone who isn't a classic hero and can even be seen as not being a good person because of his selfish desire (a little bit of poison that sneaks through his character as Toriyama puts it). However, even going purely off the manga, this depiction of Goku is lost in translation since most of Goku's motives still nonetheless pertain to protecting or avenging his family and friends, and he does help people he barely knows when it didn't completely relate to fighting; like storming Muscle Tower to repay Suno for saving him from freezing to death and avenging Upa's father who was murdered by Tao before taking down the Red Ribbon Army, and getting the Dragon Balls to revive him. He wanted to fight the Saiyans not because they were powerful, but because they were going to murder everyone he knew. He didn't want to help fight Buu, despite having the power to do so, because he didn't want his friends to depend on him to save them, which if he was completely selfish he wouldn't care and fight Buu for the sake of having a good battle. It could be said that Toriyama's original intentions for Goku ended up evolving into something slightly different as Character Development took over. Basically, Goku is a hero who at his core has a good, kind heart that cares for others and wants to protect them, but he also has selfish personal motives that can override his better judgement. Goku even sums this up to 17 by saying that he isn't fully aware that he's saving the world, he just wants to fight strong people. However, he can't stand by and watch others suffer.
    • Chi-Chi actually gets this to in the anime, in the manga while she of course still loves her husband and sons Toriyama still puts more focus on her Hair-Trigger Temper towards Goku with even Master Roshi joking that Goku is refusing to come back to earth because he’s scared of his wife. In the anime it’s made very clear Chi-Chi adores Goku as seen when he recovers from the heart virus and she runs into his arms crying with joy before he spins her around. This scene does not exist in the manga. Unfortunately Dragon Ball Super inverts this bringing Chi-Chi back to full angry housewife mode whose more willingly to painfully armlock her husband and ignores the Character Development she had in the Buu Saga like how she was the one who trained Goten in marital arts.
    • Bardock gets this in Dragon Ball Minus and Dragon Ball Super: Broly, in his debut TV special and most DB media after Bardock is an Anti-Hero at best being a ruthless warrior who doesn’t care very much for his sons, only wanting Goku to avenge the Saiyans. In the Minus and Broly version he’s much softer being the Saiyan equivalent of a Family Man who personally makes sure Goku leaves Planet Vegeta before Frieza destroys it.
  • Elfen Lied: While still a murderous Villain Protagonist, Lucy is considerably less sadistic and Ax-Crazy in the anime than in the manga, where she was prone to Evil Laughs and Slasher Smiles while literally tearing people to shreds.
  • The titular character of King of Bandit Jing is a lot more noble and gentlemanly in the Anime than in the Manga.
  • Little Witch Academia (2017): In the films, Diana is a fairly jerkish Academic Alpha Bitch who is prejudiced again Akko for not being from a magical family, never misses a chance to berate her for lack of skill when it comes to magic, and refuses to help her when there's nothing for her to gain. In the TV series, Diana is helpful to the other students and a very hard worker when it comes to learning magic, while her criticisms of Akko comes from a genuine but condescending desire that she be a better student.
  • Pokémon:
    • Generally speaking, any Pokémon species that's sinister, a jerkass, or insanely violent even by Pokémon standards in the games, can and will get those traits toned down or outright omitted in the anime. Dark-type Pokémon (which includes the likes of Tyranitar, Hydreigon, and Hoopa Unbound) get hit with this more often than not.
    • Clair's anime personality is far nicer than her Jerkass game one.
    • This happens with Gladion:
      • In the Pokémon Sun and Moon games, Gladion is an enforcer for Team Skull who is incredibly abrasive in conversation and a perfectionist in battle due to being disowned by Lusamine as a result of not wanting to follow her example. While his counterpart in the Sun and Moon series has shades of these traits, he is also shown to have a more noble attitude towards his relationships with people; such as treating Ash in a more friendly manner and fighting off Team Rocket and the recurring Team Skull grunts.
      • He also doesn't seem to have any relation to Team Skull and has a different reason for running away from home, which may imply the anime version of the character may be an even more morally-gray rival than his video game counterpart.
    • Both Charizard and Pikachu get this treatment in Pokémon: I Choose You!. In the main continuity, Charmander lost his respect and loyalty towards Ash when he evolved into Charmeleon and it takes a long time for Ash to earn his respect again. In I Choose You, he keeps his friendly personality even after evolving. On Pikachu's part, he kept his original personality from before the Spearow attack, however he lost most of his other bratty or jerkish moments from the Original Series. Ash's personality in the film also doesn't resemble his personality during the Kanto arc. He lacks Ash's brattier and more immature elements that disappeared after his Character Development. Instead he's more like his Hoenn or Sinnoh character.
  • This happens with Silver in Pokémon Adventures. His game counterpart from Pokémon Gold and Silver is the most Jerkass rival thus far, literally pushes you around, and is mean to his Pokemon prior to his Character Development. Silver in the manga is aloof but not as confrontational or aggressive.
  • School-Live!: The anime changes The Reveal that Megu-nee has been Dead All Along and Yuki hallucinates her presence to happen much later than it did in the manga, and has Miki be a character from episode 1 instead of being rescued early on (thus adding her into certain scenes and having certain chapters become flashbacks). To avoid spoiling Megu-nee's death the anime removed all of Miki's confrontations with Yuki and Rii early on, making her a far more subdued character.
  • Aquarius in Fairy Tail was a virtually through-and-through Jerkass who belittled, threatened, and sometimes even attacked Lucy whenever the two appeared together, with just a few Pet the Dog moments to show that she wasn't totally heartless. The anime adaptation sprinkled in a few more kind gestures towards Lucy and toned down her harsh attitude, particularly in the Filler arc leading up to her Heroic Sacrifice in the manga's next major arc, which helped make the scene more poignant.
  • Saint Seiya's Saori Kido was often a cruel Jerkass to the Bronze Saints charged with protecting her during her younger years and was not above manipulating Seiya. In the movie Saint Seiya: Legend of Sanctuary, all of her negative traits have been removed in favor of making her into a Plucky Girl. She is seen being far nicer even at a young age, as she used her power to heal Seiya after he protects her from a feral dog.
  • Knuckles in Sonic the Hedgehog: The Movie. Compared to how Knuckles of the games was usually portrayed back then, he's pretty much just close friends with Sonic and Tails, and there is no hinted animosity past or present.
  • Sailor Moon Crystal:
    • Sailors Uranus and Neptune in Sailor Moon Crystal are nowhere near as antagonistic towards in the Inner Senshi like they were in the original anime despite remaining prideful overall. In the end of the Death Busters story arc, they outright attempt to kill Sailor Moon because they couldn't stand her idealism, forcing Sailor Moon to outsmart them before they admitted defeat. In Crystal, no such thing happens and they part ways from the Inners on peaceful terms.
    • Professor Tomoe was a full-on Mad Scientist in the manga, happily experimenting on his daughter Hotaru and serving Pharoh 90 without any remorse. The classic anime instead gave him a tragic backstory of his wife being killed in a lab experiment and Tomoe trying to find a cure for Hotaru's condition, working with Pharoh 90 being his only reason for doing so.
    • Chibiusa, who was bratty in the original anime, is more civil, mature, level-headed and friendly in Crystal. She had some Character Development and Took a Level in Kindness afterwards, seeing as she and Usagi get along even better here.
  • Illya in Fate/kaleid liner PRISMA☆ILLYA is a total far cry from the Creepy Child Anti-Hero that she was in Fate/stay night. This version of Illya is a Born Lucky Magical Girl. Her attraction to Shiro also devolves from a creepy obsession to Big Brother Worship. Justified in that in this Alternate Timeline, so she doesn't go through the same events as the one in FS/N along with the fact the darker side of her personality was sealed away and eventually manifested in her clone Chloe.
    • Likewise, Kirei is just a ramen (read: mapo tofu) shop owner and he apparently satisfies his sadist urges by serving hellishly spicy mapo tofu. It turns out he's from Miyu's universe, not Illya's universe (where his counterpart implicitly died in the Fourth Holy Grail War, so he had about the same level of Character Development into a villain-to-be up to Fate Zero), and he's been helping Shirou protect Miyu from the Ainsworth.
  • Inner Moka from Rosario + Vampire was a very prideful piece of work and it took a long time for anyone to get on her good side, especially Tsukune. In the anime, she warms up to everyone much quicker and her remembering all the good Tsukune did for her Outer Self motivates her to save him from being executed by Kuyou. She since puts on more of an effort to get along with everyone and also lacks the haphephobia of her manga counterpart, making her every bit as touchy-feely as her love rivals.
  • Gen from Barefoot Gen, in the manga he was more of a Jerk with a Heart of Gold, he was very short tempered and violent and often picked fights with adults, but he did care a lot about his family and people who were suffering from the effects of the atomic bomb, the anime has him being much nicer and he only gets violent once when he's repeatedly mistreated by the painter he was taking care of who was badly burned.
  • In the anime adaptation of Another, while Akazawa does blame Misaki for causing the "calamity," which resulted in the deaths of their teacher and several of their classmates, because she didn't do her role as the "non-existent student" (someone no one can speak with or even acknowledge) well enough, Akazawa also takes responsibility for what happened. In the original novel and manga, she not only scapegoats Misaki, but also takes Sakakibara to task.
  • Persona 5: The Animation
    • Ryuji is already a good person, but unlike in the game, he doesn't threaten Ren out of fear of being ratted out to Kamoshida. Before going to Kamoshida's Palace for the third time, he doesn't yell at Ann to stay out, even if his intention was to make sure she didn't put herself in danger. Also, when Morgana left as a result of his insecurities, Ryuji is the most concerned and tries to genuinely apologize for calling him useless, whereas in the game, he was forced to do it, and the backhanded nature of his apology ended up protracting the conflict.
    • Sojiro is a lot less harsh with Ren in his first appearance and reprimands him far less harshly after his first day at school. He also doesn't need to be convinced to let Ren keep Morgana like he did in the game, despite the fact that as the owner of a café, he has a legitimate reason to not want a pet. Later, when he finds Futaba's calling card, he waits until they've both calmed down from the initial shock before discussing it with her and Ren in a very polite, civil manner, unlike the game where his Anger Born of Worry causes Futaba to break down in tears. That said, he does apparently drive her into a days-long Heroic BSoD by harshly confronting her about the calling card.
    • During the food buffet scene in Episode 5, Ann does not briefly lash out at Ren and Ryuji like in the game, since she's more hurt than angry as over the incident. Instead, the three reasonably talk things out concerning the adults' mistreatment of them. Ann is not as resentful towards Makoto as in the game, and more readily admits that she couldn't do anything for Shiho, either.
    • Yusuke doesn't blackmail the Phantom Thieves with trespassing charges in order to get Ann to pose nude for him. When Ann shows up to pose nude, Yusuke apologizes for losing his temper and telling them to Get Out! during their previous meeting.
    • Eiko in Makoto's Confidant. In the game, she gets angry with Makoto after Makoto tries to convince her to break up with Tsukasa, mistakenly believing that Makoto wants to steal Tsukasa from her, and is cold toward Makoto the next time they meet. In the anime, she simply asks Makoto for money and repeats her request when Makoto finds her in Shinjuku. While in the game, Eiko's last heard from when Makoto mentions that they made up at the start of the Rank 10 event, in the anime, she proceeds to post Tsukasa's misdeeds to the Phan-Site, turning Tsukasa into a Mementos target. Afterwards, she texts an apology to Makoto and invites her to come to her house and share her Buchimaru collection.
    • While Hifumi's mother is still an overbearing Stage Mom, since the confrontation with her Shadow isn't shown, she may not have actually taken extreme and illegal measures to build up her daughter's career.
    • Several of the Shadows end up being downplayed examples:
      • In the game, Shadow Kaneshiro's final warning about Black Mask sounds like he's taunting the Phantom Thieves; in the anime, it sounds more like a Villain's Dying Grace.
      • Shadow Kunikazu in particular is a much more sympathetic character. In the game, he merely mourns his utopia with his dying words, but in the anime, he dies with tears in his eyes, lamenting that he'll never get to rekindle his relationship with Haru. Additionally, in flashbacks, Kunikazu was shown to be at least happy during his father's time as a kind cafe owner, and when the happy customers came to offer flowers for the shop's closing, he was crying Tears of Joy from the compliments of the customer before he started going down a dark path. Most of these weren't heavily implied within the game. Finally, during the encounter, thanks to Morgana's angst problem being simplified, Shadow Kunikazu doesn't resort to the Crocodile Tears and an I Surrender, Suckers strategy, so when he's apologizing, he's not faking at all. It also helps that the game omits most of the scenes with the Phantom Thieves observing the cognitive versions of Okumura's workers as robots, along with Haru confirming that she knows about the abuses of the workers happening in real life.
      • While Shadow Sae still pulls her Moving the Goalposts trick at the Bridge of Judgement, and forces Ren to fight three Rangdas in the first round of the Battle Arenanote , the rest of her Palace isn't as blatantly rigged as it is in the game. Her boss battle is even fought fair and square, skipping the opening phase with the rigged roulette wheel. However, this does cause some of her speeches about how everything is rigged in her favor to ring somewhat hollow.
  • Naofumi Iwatani from The Rising of the Shield Hero is far less embittered and angry about everything in the manga, and more prone to acting light-hearted. The anime makes him come across as overall a better person due to not being able to truly adapt his internal thoughts and views on people like the original Light Novel did. Taking this full circle, instead of demanding for the King and Malty's execution when they were finally exposed, he has their names forcibly changed as an act of Cruel Mercy, mostly to spare the Queen from being forced to execute her husband and eldest daughter.
  • In the early parts of Ascendance of a Bookworm the main character Maine was pretty contemptuous of her family because they lived a (dirty) medieval lifestyle fitting for commoners. She was also quite the leech, tending to get in the way of their work and showing no gratitude for how much they did for her. However, she gradually comes to understand her position and tries to be better. In the anime, they downplay her entitled behavior and almost completely eliminate her distaste for the poor hygiene, which makes her look less stuck up.
  • In the original manga version of Ranma ½, Ranma's other suitors are treated as fairly generic villain characters—if not from the start, then they rapidly devolve into it. In the anime version, Shampoo, Ukyo and Kodachi all receive a much softer touch and are presented in a more positive light—they still do many villainous things, but there is a much greater emphasis on the sincerity of their feelings for Ranma, and they also get to show off more benevolent, even heroic, sides to themselves. Shampoo is shown doing things like being willing to put her life on the line for Ranma's sake, and helping him train to overcome Happosai even without any stake in the matter, whilst Kodachi shows a genuine kindness and desire to help Ranma that would be unthinkable for the lunatic Self-Proclaimed Love Interest of the manga.
  • In the anime adaptation of Asteroid in Love, Misa's personality as Mira's supportive Cool Big Sis mostly stays intact, but with one change. Misa doesn't flick Mira in the forehead for falling asleep during the speech that Mira, as Student Council President, gives to Mira's incoming first-year class at their high school.
  • In Queen's Blade, Elina Vance is one of the most jerkassy of all the jerkass characters in the series, being a Spoiled Brat and a Psycho Lesbian for her sister Leina and treats everyone else like dirt, especially those who are of lower class. In the Queen's Blade Unlimited OVA, she is much, much nicer, and it's easy to see it. She still holds a high opinion of Leina but it's much more subdued, and she is shown treating commoners more decently.
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    Asian Animation 
  • Wolffy in the Pleasant Goat and Big Big Wolf spin-off Pleasant Goat Fun Class. He doesn't do anything nearly as evil or harmful as he does in the original show.

    Comic Books 
  • While still antagonists, Jem and the Holograms toned down The Misfits compared to the original Jem. Their antics are a lot less outlandish and they no longer get away with obviously criminal or career ruining things, like destroying property every other episode. While they still can be mean, the comic puts much more emphasis on their friendship and Hidden Depths. Jetta in particular also changed fom the least sympathetic Misfit who barely cared for her band to a rather nice ladette.
  • Ultimate Marvel:
    • Unlike a crapton of other characters in the universe (including Betty Brant), J. Jonah Jameson in Ultimate Spider-Man underwent this, as he was more reasonable, ultimately realizing that Spider-Man is trying to help, and starts trying to better Spidey's public image. And unlike when he learned it in Civil War, when this Jonah learned Peter is Spider-Man, he not only rehired Peter, he wanted to pay for Peter going to college and refused to act against Miles Morales.
    • In the comics, Thor was banished to Earth because Odin decided to teach him humility after Thor got too big for his britches. In the reverse of the Avengers (and X-Men) getting the Adaptational Jerkass treatment as the Ultimates, here, Thor came to Earth to help it.
  • Wonder Woman (Rebirth): Barbara-Ann Minerva, aka Cheetah, goes from an amoral collector of historical artifacts who gladly gained horrific powers to a much kinder archeologist who was friends with Diana before being horrifically transformed into a Tragic Villain.

    Fan Works 
  • In Amazing Fantasy, Peter suffered through many of the same pitfalls as Peter B. Parker in Spider-Man: Into the Spider-Verse. Despite being similarly bitter about how Comes Great Responsibility ran his life into the ground, he's far more mature, friendly, and open to the idea of mentoring Izuku. Part of this was pragmatism in hopes of getting a better place to stay in a country where he doesn't even speak the language. But this is also attributed to him being a father and seeking some solace while being a universe away from all of his friends and family.
  • In Avatar: Legend of Diamond Tiara, Silver always came off as less mean then Diamond, but here she's presented as a shy, sweet, Nice Girl. It's subverted in the end, though.
  • Celadon's New Blossom:
    • Erika's Adaptational Jerkass behavior is treated as an Out-of-Character Moment. She's written more in-line with her game persona.
    • Charmander evolves into Charmeleon, but he keeps his nice personality. He trusts Ash too much to treat him badly.
  • The Child of Azkaban:
    • The various Death Eaters in Azkaban, while established as being fully loyal to their Dark Lord at first and making attempts at Harry's life, slowly grow to be fond of the boy and wind up becoming a Family of Choice to him and Sirius. It is revealed later that this is because Harry possesses a rare magical ability that causes him to emit an aura of reason, causing those around him for long periods of time to think rationally and heals mental trauma, as well as providing an immunity to the Dementor's psychovoric presence.
    • While he was at first dismissive and hostile to Harry, Snape backs off and starts treating him better when Harry prevents serious injury from a botched potion mixture in-class. This is also implies to be a side-effect of Harry's aura.
    • While Minister Fudge in-canon is an opportunistic politician that would go to great lengths to secure the public's faith in the Ministry, here he seems more interested in doing the right thing, allowing Sirius to have a real trial and willingly reimburses him when he is found innocent despite how it may reflect on the Ministry's track-record.
  • Codex Equus:
    • Golden Scepter is the complete opposite of his character inspiration, the Emperor of Mankind. The Emperor of Mankind was a very intelligent and well-meaning man, but was also a ruthless and hypocritical Jerkass who was a neglectful parent who more or less treated most of his Primarch sons like tools at best. Here, Golden Scepter became a genuinely nice guy and highly beloved ruler after realizing the full scope of his mistakes and becoming The Atoner, undertaking a long, arduous process of Character Development that allowed him to become much kinder.
    • Meanwhile, many of Golden Scepter's sons became much kinder versions of the Emperor's Primarchs, as Golden Scepter Took a Level in Kindness that had a huge impact on how he raised his children after he decided to settle down.
      • While Leman Russ was a good guy and completely loyal to his father, the Emperor of Mankind, he had an extremely combative and aggressive personality, and would come to blows with some of his brothers for not taking shit from them. He also acted like a Jerkass towards his brother, Magnus the Red, because of his deep hatred and distrust of psykers and Psychic Powers in general. Here, Fanged Paw, Russ's Codexverse counterpart, would still have an extremely strained relationship with Crimson Star, but would soon realize the error of his ways after taking his hatred too far and getting himself exiled from the Terran Empire as punishment. Once he achieved Character Development and his exile ended, Fanged Paw would come back an Alicorn and enjoy a happy (albeit vitriolic) relationship with Crimson Star after they reconciled as brothers.
      • Magnus the Red was too, an Insufferable Genius who preferred to shift the blame on others instead of acknowledging his own flaws and mistakes, which is what partially and ultimately led to him turning to Chaos (among other things). Crimson Star, who was based on Magnus, was broken out of his behavior when he was completely blinded saving a classmate in a carriage accident, and ultimately became a heroic and benevolent character thanks to the positive influence of his friends and loved ones.
      • Lorgar pre-Horus Heresy was a very altruistic, kind, and religiously devout man... but he also idolized the Emperor of Mankind and worshiped him as a god to excessive degrees. And at least one Primarch, Roboute Guilliman, described him as a Psychopathic Manchild whose volatile outbursts are akin to childish tantrums the moment someone offends him, which could partially explain how Lorgar behaved towards the Emperor after Monarchia was completely torched. Here, as Written Word, he has no such behavior, due to Golden Scepter being a good father and finding better ways to curb his son's nastier behavioral traits, as well as show him the true folly of his religious worship.
    • Here, Prince Blueblood is a loving family man who cherishes the mares and stallions in his life, and a beloved war hero who never abandons his fellow soldiers. The unpleasant behavior he showed towards Rarity in canon is actually the result of a facade he put up to get around Canterlot's incompetently cruel and selfish nobility and protect himself from more heartache, after being pursued by ambitious socialites who only wanted him for his money, title, and power yet turned against him for being quite not what they wanted.
  • Despair Island: Canon Ezekiel's cluelessness and poor social skills made him prone to rudeness and jerkassery, especially later on. Here, he's got much stronger social skills, which combined with his religious upbringing, makes him surprisingly compassionate towards everyone.
  • In the Miraculous Ladybug fanfic Fox Rain Lila goes exactly the inverse character development than in canon, becoming nicer rather than a villain, owed to Trixx' influence keeping her more rational and from] being manipulated by Papillon and getting her closer to Marinette and Ladybug.
    • From Surfboards to Diapers: Courtney maintains her canonical professionalism and bossiness, but her arrogance and temper are toned down to make her into a much more supportive friend towards the pregnant Bridgette.
  • Nathan in Fur And Photography is still an unstable Jerkass, but here he seems to be more self-aware and is genuinely looking for help. He even apologizes to Kate for feeding off of her when he finds out that she knew he was a vampire and didn't begrudge him for it.
  • The basic premise of Game Theory (Lyrical Nanoha) is that, while her goals remain unchanged, Precia is no longer an Abusive Parent to Fate, regarding her not as a mere failed Replacement Goldfish to Alicia, but as a second daughter and a person in her own right.
  • In the modern AU fic Give In, Give In [and Relish Every Minute of It], Frollo is still a conservative man who lusts for Emeralda, but he isn't racist towards her. He also waits for her consent instead of trying to force himself onto her, making their relationship full of Belligerent Sexual Tension instead.
  • Harbinger (Finmonster) (Danny Phantom, ParaNorman):
    • Mitch. While he's already a nice guy in the film, here he seems to be fine with his brother Neil's friendship with Norman. He even tells Danny personally that he appreciated him saving Norman.
    • Likewise, Courtney is nicer to her brother. She's also shown to be upset when everyone, including her boyfriend Dash, ridicules Norman.
  • In Here By Accident, Staying On Purpose, Vicky was Chloe's perfectly ordinary babysitter. Vicky being a Babysitter from Hell was just exaggeration.
  • In the Persona 4 fanfiction Into The Fog, Ai is far less of a jerk than she is in canon.
  • Legend Of The Monkey God: Bulma is less of a Spoiled Brat than she was in early Dragonball canon, such as happily helping Turtle get back to the ocean rather than complaining about the detour.
  • Lost Boy:
    • In the film, Astrid does not officially become anything to Hiccup other than an unrequited crush who is apathetic to him until she discovers Toothless, and Fishlegs does not officially become his friend until Dragons: Riders of Berk. Here, they become his friend as soon as they meet him, and become two of the few people in the village who see him more than just a bed-slave.
    • On-top of the many Pet the Dog moments they give to Hiccup, Stoick and Gobber seem much more willing to listen to himnote , even finding his uncanny skills at pacifying dragons without hurting them something that could be useful in their war against them. Mulch and Bucket seem to side with them on this as well, rebuking all of Mildew's claims against Hiccup along with Stoick and Gobber.
  • The Masks we Wear (JiggleWigs): Without her upbringing as a Fire Nation princess, Azula is much, much kinder. She still has an edge to her character but isn't as violent or malicious.
  • Mr and Mrs Gold: In the series, Gaston was a minor character that was unceremoniously disposed of (later revealed to be a real jackass many seasons later). Here, he is portrayed as being an understanding and compassionate man, having seen how much Belle and Rumpelstiltskin care for one another and holding no ill will even after Rumpel turned him into a rose and him losing his legs after Belle trimmed the stem. The same applies to his Storybook counterpart Gaspard.
  • Bakugou in My Hero Academia Marvel-verse. While in the main series he was a constant jerkass towards Izuku for being Quirkless to the point he told him to go kill himself because of it, and continued to antagonize him after Izuku got One For All, here his Establishing Character Moment shows that he at least has standards. When his two lackeys mock Izuku for his dad dying and insinuate that his dad died because of him, he is openly enraged and threatens them to never mess with Izuku again. After he learns how Izuku got powers from a spider bite he is also much friendlier to him to the point they become friends again.
  • In A Northern Dragoness, Aegon Targaryen is still The Pornomancer who Really Gets Around, but he is far more devoted to Naerys and Daeron than his canon portrayal ever was.
  • In the A Song of Ice and Fire fanfic Our Blades Are Sharp, Sansa is much less of an Alpha Bitch to Arya than she was in the books and even apologizes for it.
  • Teenage Mutant Ninja Turtles: Out of the Shadows: While still a villain and taking after her 2012 incarnation, Karai nonetheless gets this treatment. She's appalled and disgusted when she discovers what Krang's men did to Hisako for the first ten years of her life, and horrified when Shredder considers an Enemy Mine with them.
  • Pokémon Reset Bloodlines:
    • Unlike in the anime, Lt. Surge doesn't get his jollies from "beating up babies", bringing him more in line with his in-game portrayal.
    • Iris is nowhere near as bratty or condescending as she was in the Black & White anime.
    • Burgundy, instead of being an antagonistic, Small Name, Big Ego wannabe, is a full-fledged, much calmer Connaisseuse.
    • Blake, compared to his Adventures counterpart, is more considerate to Yancy's feelings and more honest about his reasons to not to pursue a relationship with her, admitting that he does like her, instead of dating her just to investigate if she was a member of Team Plasma and dumping her once he learns she isn't.
  • Predator and Prey: In canon, the little we saw of Blaineley's co-host Josh suggested he was every bit as sleazy and shameless as her. In this story, he's an Ascended Extra who is much friendlier towards the contestants and despises Blaineley as much as they do.
  • Brutally averted in Purple Days. Joffrey Baratheon starts as the same asshole he was in canon, and his evolution into a better person is triggered by repeated suffering and mistakes, time after time, until he finally gives up on most of what he thought he knew and starts listening to others, starting with Ned Stark. Even then, this does not stop him from sliding back and fighting to claw his way out of the monster he remembers being.
  • Rick and The Loud House
    • Rick is a highly Downplayed example. He remains the snarky and cynical Mad Scientist that he is in his respective show, but some of his more overtly negative traits are lessened. For example, Rick saves Lincoln from falling off a cliff, injects Lincoln with a serum that would negate the effects of the mega seeds dissolving in his butt, and admits that the whole love potion incident was partially his fault. None of which Rick does in the original show.
    • Some of the Loud siblings also have some of their negative traits lessened as well, albeit by virtue of Character Development. Lori begins genuinely connecting with Lincoln more often, Luan vows to stop with the April Fools Day pranks, Lola's anger and bratty demeanor slowly go away, and the siblings in general begin to treat Lucy with more respect.
  • In The Road to be a Pokemon Master, Charmander never stops obeying Ash after it evolves all the way to Charizard. Though as a Charizard, it will sometimes refuse to fight if it doesn't consider its opponent worthy.
  • Ruby and Nora has several examples, the most prominent being Winter. While a good person in canon, this version is an openly affectionate and loving to sister to Weiss (who was also given this treatment).
  • RWBY Alternate: Weiss is changed from a Lovable Alpha Bitch to a Nice Girl who isn't particularly fond of her social class. She's also less snippy than in canon.
  • Service with a Smile:
    • While Roman Torchwick is still a ruthless thief, he does get quite a few moments of genuine charity and generosity. Vale's criminal underground as whole portrayed as Affably Evil people who respect those on their turf.
    • Adam Taurus is still a terrorist who believes in violence, but not the psychopathic Yandere supremacist he was in canon, and only uses that violence against human beings who deserve it.
  • Son of the Sannin has a couple of examples, justified in-story:
    • While Neji retains his initial fatalist philosophy from canon, he no longer uses it to put others down. This is due to the fact that his father Hizashi isn't killed in the Hyuga affair, instead bearing witness to the death of Hinata's father Hiashi during the Uchiha's Insurrection.
    • Sasuke retains much of his Part I personality from canon, but the major factor that keeps him firmly on the side of good is the fact that he has Itachi around to act as his Morality Chain and is fully aware of his clan's intentions to take Konoha over by force. By the time Part II rolls around, his animosity with Naruto is virtually non-existent, having a more traditional Friendly Rivalry with him.
  • While retaining most of her canon personality traits, Haruhi Suzumiya in The Superheroics of Haruhi Suzumiya is shown to be a lot friendlier to Izuku Midoriya than she was to Kyon early on in her canon series. It's implied that being born Quirkless and living in a world where superheroes are real somewhat curbed her attitude about humans being boring in general.
  • Total Drama Superstars: Sugar, whose villainy and arrogance are entirely forgotten, and she’s even shaping up to be Noah’s main love interest. Never mind that he has a girlfriend at this point in the timeline.
  • Total Drama What If Series Scott. Although he's still a jerk, he's not as nasty as he was in canon Revenge of the Island and is capable of being nice. He was even disgusted with Sugar's sabotage in Action.
  • Total Shuffled Island Series:
    • Duncan is much kinder in Pahkitew Island than he ever was in canon, as his Hidden Heart of Gold shines through much more often. This is due to his frequent bullying targets (Harold and Cody) participating in different seasons, meaning there isn't as much opportunity for him to be a bullying jerkass as there was in canon.
    • Thanks to Character Development, Jo also acts much kinder in Action than she was in canon, in an attempt to lose her negative reputation from Island, while in canon she simply doubled down on her jerkass attitude in her second appearance.
    • This also applied to Lightning in All-Stars, who unlike his canon counterpart, receives substantial Character Development. He acts supportive and nice in order to prove his role to the Heroic Hamsters. Good karma hits him and he wins the season.
  • While still more pragmatic than likable like his canon counterpart, Aizawa in Waiting is worth it goes easy on Izuku for not having records, sympathizing with him since he too was a student with physical disabilities.
  • White Sheep (RWBY):
    • White Sheep's Salem is still a brutal ruler who has underlings ranging from manipulators and sociopaths to outright psychopaths, but she is a doting parent to her children, loves her husband, and has switched her focus to merely conquering the world instead of destroying it. Gets progressively played up as the story progresses, until she executes a near-complete Heel–Face Turn when Jaune and his friends convince her of the feasibility of their goal for peace; she decides to give up on her own to take over the world, simply live a peaceful life with her family instead, and find a way to die so that she can be buried beside her husband.
    • Cinder is still Salem's ruthless minion, but appears to be far from the pure sociopath she was in canon; she has hints of genuine affection for Jaune (good luck spotting it through her usual treatment of him, though).
    • Through Character Development, Mercury actually becomes a better person, even getting a girlfriend.
  • In The Home We Built Together, Astrid learns to like Hiccup long before she discovers Toothless, is dedicated to being his wife (even if they just start out learning to like each other platonically), her anger is based more out of worry and she is more willing to give Toothless a chance when she finds out about him.
  • Monoma in My Hero Academia was a conceited jerk who spends all of his free time mocking 1A out of an envy for their in-story fame. In The Norse Hero: Fenrir, he possesses a hatred for people who pretend to be good, only to act in the contrary out of spite, his best friend having died when a hero ignored him because he had a "villainous" quirk.

    Films — Animation 
  • Damian Wayne in the comics is a sociopathic and arrogant brat who feels he's entitled to Bruce's favor just because he's blood, and even kills a few criminals. The Damian in Batman Unlimited: Mech vs. Mutants is a much nicer person, though he still has a chip on his shoulder due to being new to the role of Robin.
  • Captain Underpants: The First Epic Movie:
    • George and Harold are still pranksters, but are given more heroic moments compared to their borderline-Designated Hero counterparts. That being said, they're also still Anti-Heroes who do have their less-than kindhearted moments...
    • While Mr. Krupp is still a Dean Bitterman, he is given a Freudian Excuse of secretly being lonely rather than just plain cruel like the books. George and Harold secretly set him up on a date with the lunch lady that he has a crush on during the ending, which improves his mood dramatically and even causes him to give the kids the comics that he's confiscated while admitting that he found them funny.
  • Coraline:
    • In the book, the cat is extremely egotistical and aloof, only helping Coraline if he happened to be in the area anyway and if helping her didn't hinder him in any way. In the film, he's her Mysterious Protector and Servile Snarker, often going out of his way to watch over her, warn her against and save her from the Other Mother even when she's very rude to him.
    • The video game on the other hand, just splits the difference between the book and the movie. Coraline is considerably nicer and nowhere near as sarcastic and rude as her movie counterpart, but the cat on the other hand is much more aloof than the movie version, but still goes out its way to help her (and the player) in the end.
  • DC Animated Movie Universe:
  • Disney Animated Canon:
    • The Fox and the Hound: In the novel, Tod intentionally lured Chief to the tracks to be killed. In this adaptation, it was a genuine accident on his part.
    • Hercules:
      • By modern standards, the Hercules of Greek Myth wasn't exactly a paragon of heroic virtue though Values Dissonance is in play here as well. He killed more than one innocent person simply for being too close when his temper got the better of him (although he was always remorseful when this happened), and he would go stage a HUGE war for a mere verbal insult one day, although he did go to great lengths to help his friends and his deeds did the world a lot of good. The fact that his volcanic temper was usually the result of Hera's doing is also a big factor. The Hercules in this movie is a wide-eyed boy scout who doesn't have many if any, vices. The worst thing he does is lash out at Phil for trying to warn him about Meg being in league with Hades, but he immediately comes to regret that.
      • As mentioned before, most of Hercules' original flaws came from his rage curse inflicted on him by Hera, who did this out of revenge against Zeus. This is all ignored on the account of Hera being the birth mother of Hercules in this movie, and thus all animosity towards him is non-existent, instead loving him like a mother would.
    • In the original The Jungle Book, while Baloo genuinely loved Mowgli, he was a Stern Teacher to the man-cub who did not shy away from Corporal Punishment to discipline him. In Disney's The Jungle Book (1967), he's a laid-back Big Fun character who would never hurt Mowgli.
    • Pinocchio:
      • Pinocchio lacks the mean traits of his literary counterpart.
      • Geppetto was clearly a loving father in the book, but rather mean and grumpy. Geppetto is far nicer and better tempered in the film.
      • The Talking Cricket is more personable and cheerful than the stern, serious one of the book.
    • The Hunchback of Notre Dame: While still a heroic character, book Quasimodo was much more asocial and inclined to violence, displaying a softer side only toward Frollo and Esmeralda due to them being the only human beings to treat him somewhat decently. This incarnation pretty much is a Nice Guy with no resentment​ or animosity toward anyone.
    • Eeyore in the original Winnie-the-Pooh books is a Deadpan Snarker and has the tendency to guilt-trip his friends into feeling sorry for him. The Disney cartoons omit this side of his personality, making him more of The Woobie.
    • Big Hero 6 has GoGo Tomago. Her comic counterpart was a criminal who was forced into the team to avoid imprisonment. In the film, she is a noble and kind Action Girl who willingly joined the team.
  • While still somewhat insensitive in How to Train Your Dragon, Gobber is nicer in comparison to his book counterpart, who was a great deal nastier.
  • A behavioral example with Mr. Peabody in Mr. Peabody & Sherman. In the original cartoon, he was a strict and distant authority figure towards Sherman, and considered himself Sherman's master, not his father. He also treated Sherman like his pet and lowly assistant rather than his son. In the movie, while still aloof and insisting that he be reffered as "Mr. Peabody" instead of "Dad", he clearly shows he cares about Sherman, specially when we see the flashbacks set to "Beautiful Boy".
  • The Peanuts Movie: Snoopynote  and the kids are certainly nicer to Charlie Brown than they were in the strips or TV specials (with the exception of Lucy, who is as much of a jerk as always).note  Probably a case of Society Marches On as the sort of behavior and circumstances Charlie Brown endures would be even less funny in the time of the film's release.
  • Disney Fairies: Vidia in the animated films is a Jerk with a Heart of Gold who's rude at worst. In the books she's much, much meaner and is a Token Evil Teammate.
  • In LEGO DC Batman: Family Matters, Jason Todd, also known as Red Hood, is no murderer, but instead more of a slacker who just wanted to be loved by Bruce Wayne. He then became Red Hood when he thought otherwise, and pulls a heel face turn to help him save Gotham when he sees the truth.
  • Pinocchio (1992)
    • Pinocchio himself, since his bratty demeanor was edited out, pretty much like the Disney version.
    • The Cricket is more friendly than the stern, serious cricket of the book.
  • The film version of A Silent Voice had to remove a lot of scenes and elements in order to fit the story into such a short timespan. Kawai in the manga is an Academic Alpha Bitch and a narcissist, while Satoshi is a violent Bully Hunter. The film had to tone down or remove these elements.
  • The Ultimate Avengers movies have several examples:
    • The films notably soften the character of Hank Pym. While he's very impulsive, egotistical and hotheaded, he's not a violent, unstable Domestic Abuser like he was in The Ultimates. In fact, his relationship with Jan is far less volatile here, and he ultimately dies a hero in the second film, in contrast to the comics, where he was kicked off the team in disgrace after the other Ultimates found out what he did to his wife.
    • Captain America is essentially a Composite Character, having the appearance and backstory of his Ultimate counterpart, but with a personality much closer to the classic, mainstream Cap. Thus, he's depicted as an optimistic Cape who believes in America's ideals, rather than a sexist, racist, homophobic bully like he was in The Ultimates.
    • Nick Fury is still shady and secretive, but is far less of a Manipulative Bastard than his Ultimate counterpart.
  • White Fang (2018):
    • The titular wolf-dog from the novel endures a lot of abuse, becoming a twisted and angry animal before The Power of Love transforms him. The 2018 movie has him be more heroic, the abuse from Beauty Smith making him wary of kind humans at first before bonding quickly with Weedon Scott and his wife. He also learns from Kiche that helping the people in the Native American village brings positive reinforcement, so he works very hard to earn their trust.
    • Gray Beaver gets this too. In the novel, he's stern at best towards White Fang and beats him at worst for misbehaving. He even gives White Fang away to Beauty Smith due to being addicted to alcohol (as Beauty Smith had planned). In the 2018 movie, he's a kinder man who encourages White Fang to try his best, and he only gives White Fang to Beauty Smith (and gives away Kiche earlier) in exchange for money to save his tribe's land.

    Films — Live-Action 
  • In The Amazing Spider-Man, Flash is a much nicer guy than in the comics and the previous films. When Uncle Ben dies, Peter goes sullen and violent in his grief, and when he gets violent at Flash, Flash just takes it and then asks, "Feels good, doesn't it?", implying that he has gone through something similar.
  • Zigzagged with the Beast in Beauty and the Beast (2017). On one hand, his animated portrayal imprisoned Maurice as soon as he found the old inventor at the fireplace, while this version of the Beast leaves the man alone until he tries to steal a rose. On the other hand, in this version it's the servants who give Belle a room, rather than the master.
  • In Elektra, Stick is a nicer, more caring person than the cynical hustler who put Matt through Hell while training him.
  • X-Men Film Series:
    • Wolverine can often be a bloodthirsty anti-social jerk in the comics, the films keep the loner attitude but tone down his more unsavoury traits.
    • The movie version of Bobby Drake is much sweeter and more mature than his comic book counterpart's Jerk with a Heart of Gold/Manchild persona.
    • Emma Frost gets this in X-Men Origins: Wolverine, in the comics, X-Men: First Class and in most media she’s a haughty Ice Queen who only begrudgingly cares for her teammates. In the movie she uses her diamond powers to stop bullets hitting her fellow prisoners, showing a great deal of self sacrifice.
    • In The Wolverine, Harada is far less of a Jerkass than his comic counterpart, who is a foreigner-hating bigot.
    • Mystique is a bitch queen femme fatale even when she’s on the good side in the comics. The Jennifer Lawrence version while somewhat mean at times, she’s still very compassionate to her loved ones and is Team Mom in X-Men: Apocalypse and X-Men: Dark Phoenix.
    • While Deadpool is still as crude and violent as ever, the movie version removes a lot of the selfish dickery comic Deadpool has in full. Movie Deadpool also doesn’t side with the villains like comic Deadpool often does.
      • The sequel does this with freaking The Juggernaut of all people. Sure he’s still a brutish unstoppable asshole but this version of Juggs actually wants to help poor Rusty get revenge on those who abused him at the orphanage. Such compassion is pretty much non-existent for comic Juggernaut.
    • Logan's version of Zander Rice is nicer than his comics counterpart. They both see Laura as a weapon, but comics Rice also delighted in torturing her and went out of his way to make her life pure hell. (Now, movie Rice is utterly without mercy and a strong contender for the worst villain in the film franchise. However, comic Rice is known for a level of sadism-for-its-own-sake that isn't to be found in movie Rice's Pragmatic Villainy.)
      • Caliban in the comics and X-Men: Apocalypse is a sketchy creep, in Logan he’s a Retired Monster who genuinely cares for Logan and Charles.
      • X23 gets a bit of this like her dear o’l genetic template. In the comics being a Tyke Bomb she’s killed innocent people even as a little girl and remains stoic and aloof even with she’s with her loved ones as an adult. In the movie X-23 cares greatly for Charles, her fellow experiment children and her father Logan by the end and comes of as more innocent than her comic counterpart (several decapitated goons notwithstanding).
  • Diary of a Wimpy Kid: In the books the titular wimpy kid is a huge Unsympathetic Comedy Protagonist. In the movies, many of his Kick the Dog moments are removed and others are made more justified by the circumstances. Because of this, Greg's rivals (Patty, Chirag) act worse in order to make Greg's actions more understandable.
    • His older brother Rodrick was a Big Brother Bully in the books, in the movie, he still has shades of this, but after going through some Character Development in the later movies, their relationship became a lot more harmonic.
    • Holly Hills is a borderline example. In the books, she's only seen from afar, since Greg was never able to directly talk to her, but she generally seems like she preferred her own social circle, only seen interacting with Greg once and that backfired horribly. In the movies, she's a lot more social, bordering on All-Loving Hero, and actually returns Greg's affections.
  • In Avatar: The Last Airbender, Master Pakku is a sexist prick who initially refuses to teach Katara water bending and only warms up when it turns out Katara is his ex-fiancée's granddaughter. In The Last Airbender, Master Pakku immediately accepts both Aang and Katara as his students without any hesitation.
  • Punisher: War Zone:
    • The Bulats serve as normal Russian criminals types, and Cristu is also a smuggler in New York City though Tiberiu is referred as being a Retired Monster. In the comics they were former war criminals who became human traffickers.
    • Pittsy and Ink are now father and son rather being those two henchmen and serve as Jigsaw's good teammates. In the comics they were equally as unhinged as their boss in the comics, Nicolas Cavella.
    • Finally, Maginty is now the gang leader in a Urban Freeflow Gang who do their thing with Le Parkour. In the comics he was involved in a gang war where he kidnapped an elderly former "cleaner" for the Irish Mob and made him slowly slice up a living rival.
  • DC Extended Universe:
    • Suicide Squad (2016):
      • While he posed as an anti-hero early on, the comic book Deadshot's mostly motivated by nihilism and money. However, the film Floyd Lawton, while still nihilistic, avoids hurting women and children, even going after other criminals.
      • While he enjoys conflict, Captain Boomerang isn't actively provoking people like he does in the comics. The film also downplays his racism, misogyny, and homophobia, which were frequent sources of tension in the original series — However, the racism and misogyny was meant to be included in the form of his Stalker with a Crush fixation on Katana, it just got cut from the movie.
    • SHAZAM! (2019):
      • Though heavily inspired by the controversial New 52 reboot of the character, this version of Billy Batson is far less of a jerk. He still has a chip on his shoulder and is quite sarcastic, but it's greatly toned down this time.
      • Likewise, Freddy isn't a lying con artist like he was in the New 52 comics.
  • Who Framed Roger Rabbit: All three of the main characters (Roger, Jessica and Eddie) have been made much more heroic and genuinely likeable than their counterparts in the original book. Notably, the two sequels to the book softened them all up considerably to resemble their movie counterparts a lot more, particularly Jessica.
    • Roger in the book is very much a Bitch in Sheep's Clothing — he seems like a friendly, if somewhat overeager goof, but this persona is an act — in reality he's a bit of a Manipulative Bastard who thinks nothing of using people for his own gain. It even turns out that he actually is guilty of the crime he was being accused of, and was planning on framing Eddie for it all along. In the movie he's a genuinely Nice Guy who only wants to entertain people.
    • Jessica in the book is a true blue Femme Fatale and Gold Digger who never loved Roger and only married him because a genie made her. She dumps him for a richer man after the spell wears off. In Who Framed Roger Rabbit, she's a subversion of a Femme Fatale. She has all the surface characteristics but is a genuinely nice woman who loves her husband.
    • The Eddie Valiant of the book is probably the closest to his movie counterpart when it comes to morality, though even he's notably more of a jerk, as well as more casually racist against Toons. The movie gives him a past as a bit of a defender and champion of Toons, and provides him with a Freudian Excuse for why he doesn't like them anymore. The Eddie of the movie also undergoes some Character Development that his book counterpart does not.
  • In the film adaptation of Starter for 10, Rebecca retains something of her Deadpan Snarker personality but loses the harsher Tsundere-esque tendencies of her book counterpart.
  • Marvel Cinematic Universe:
    • In the films, Thanos is a Well-Intentioned Extremist, believing that if he doesn't do something, the universe will suffer from overpopulation, environmental damage, and wars for resources, and leaving half of Gamora's species alive. In the comics, he worshiped Death the entity, was a nihilist, killed half the universe to as an offering to Death and actually enjoyed reliving his crimes when subjected to Ghost Rider's Penance Stare. Though in the films and Gamora’s people were decimated by Thanos who abducts her from her mother, whilst in the comics Thanos rescues Gamora from the genocide of her people at hands of zealots and adopts her.
    • While Robert Downey Jr.'s take on Tony Stark / Iron Man is still a Jerk with a Heart of Gold like in the comics, there's much more emphasis on the "heart of gold" than the "jerk" part (in particular, he's surprisingly good with kids). For one thing, while comics Tony still initially remained an arms dealer even after becoming Iron Man, this version began shutting down that part of the business the moment he got back to America. This difference particularly comes through in Captain America: Civil War; in the original Civil War comic, Tony willingly adopts ever more extreme (to the point of downright villainous) methods in order to enforce the Superhero Registration Act, while in the film, he's visibly bothered by the more extreme means used by the government to enforce the Sokovia Accords.
    • Similar to Tony, Hank Pym is much nicer in the Ant-Man movie than in the comics, where he’s a deranged Fallen Hero whose hurt everyone close to him. In the movie while grouchy Hank is a Cool Old Guy who loves his wife Janet and daughter Hope and will do anything for them. In comics Hank has infamously troubled relationship with Janet which led to a divorce and never even met his daughter Nadia.
      • Hope is also much nicer than comic version, where she’s the psychotic Red Queen who tried to kill the Avengers.
    • Loki in the comics was Chaotic Evil and did his best to bring about Ragnarok and also cause mayhem on Earth as well. In the films while he’s still villainous for most part, Loki genuinely loves his brother Thor, his mother Frigga and father Odin. In comics he had no qualms trying to kill his Asgard family multiple times.
    • In Black Panther, T'Challa is a charming, friendly, and charismatic politician who gets along with most people he meets. This is in stark contrast with the comic book version, who is often smug, secretive, and standoffish towards non-Wakandans (especially Westerners).
    • Adrian Toomes aka The Vulture is a despicable old man in the comics who is always out for himself. In Spider-Man: Homecoming though he’s still a criminal Toomes only wants to support his family and actually has Villain Respect for Spider-Man to extent where he doesn’t give Spidey’s identity away to the Scorpion when questioned.
    • In Captain Marvel (2019), Yon-Rogg is a sincere Kree nationalist who wants to protect his people and serve their interests, however ruthless and deceptive that requires him to be. His comic counterpart was a jealous backstabber who betrayed his subordinates for personal gain and was eventually outed as a traitor.
  • Venom (2018): In the comics, Eddie Brock's fall from grace was a result of his dealing in morally dubious journalism by writing about a fake serial killer. His previous appearance in Spider-Man 3 was not much better, writing a hit piece on Spidey using doctored photographs. In this movie, however, Eddie is a genuinely dutiful and diligent man whose stubborn pride and disregard for the rules costs him his job and his relationship. Driven home further later in the movie, when the Venom symbiote reveals that Eddie's good nature convinced it to forego its original plan to wipe out humanity with Riot.
  • Bram Stoker's Dracula: The titular Count receives a sympathetic backstory as a Fallen Hero that defended Christianity from Ottoman invaders and after her wife committed suicide following false news of his death, he became incensed that she was damned to Hell that he rose as a vampire to avenge her. Despite still being the Big Bad, he is given some positive qualities (like genuinely loving Mina Harker, his wife's reincarnation) whereas the original Dracula from the books never had any beyond his superficial polite veneer. In addition, his supposed plan to spread vampirism to England is completely omitted in the movie (though to be fair, this is never outright confirmed in the book).
  • Ready Player One: Alice, Wade's aunt, abuses her nephew in the book, pawns his stuff to pay for the apartment, and is a heavy drug addict. She is in all-out unpleasant person. All of her negative traits are instead passed down to her boyfriend in the movie and any jerkass moments she has are almost justifed. This was most likely done on purpose in order to add drama when she’s killed by Sorrento’s bomb.
  • Harry Potter:
    • Due to the compressed nature of the film adaptations, several of the meaner moments of Severus Snape are cut, making him look more like a Stern Teacher, rather than a Sadist Teacher.
    • There are a few of these in the film adaptation of Harry Potter and the Goblet of Fire:
      • In Harry Potter and the Goblet of Fire, Barty Crouch Sr. has been described as a very stern and serious man, who, in his heyday as head of magical law enforcement, was known for his merciless approach towards Death Eaters and his ceaseless ambition. He would even sentence his own son to life imprisonment to further his career. In the film version, he comes over as a slightly socially awkward but amicable man, who even engages in a friendly conversation with Harry after the latter succeeds at the Second Triwizard Task. Film Barty is also shown to be emotionally devastated when his son is revealed to be a Death Eather, while his book counterpart shows nothing but contempt and hatred for him.
      • Amos Diggory, a boastful and impolite man in the books, portrayed as much more quiet and amicable; he does not boast about Cedric in any way and when he meets Harry, Amos is very pleased and shakes his hand happily, never once giving Harry a hard time.
      • A minor one for Draco and his Slytherin crew. In the book they talk disrespectfully throughout Dumbledore's eulogy for Cedric. In the filmnote , they're just as silent and solemn as everyone else.
    • Fleur's initial persona in the books is coming across as haughty and rude, before she Took a Level in Kindness when Harry tried to save her sister in the Second Task. And even when she stays at the Burrow before her wedding to Bill, she openly complains about how boring it is. In the film she just comes across as a bit aloof before thanking Harry, and the scenes at the Burrow are removed. Additionally the films cut out her being half-Veela and using her powers to seduce a couple of the boys.
    • Similar to Snape, several of the more morally questionable acts of Minister for Magic Rufus Scrimgeour aren't shown in the films. In the books, it is frequently said Scrimgeour acts ruthlessly to give the populace the illusion the Ministry is successful in the fight against the Death Eaters. He also butts heads with Harry on several occasions, desiring him to become the Ministry's poster child, which Harry disagrees with. In the films, the above is never brought up and the only time he's seen interacting with Harry is when he hands over Dumbledore's will. This conversation also doesn't almost escalate into a fight, as it does in the books.
    • Cornelius Fudge's role in the films hasn't exactly changed, but he doesn't appear to be as harsh as in the books due to many scenes involving him being altered or removed. His role in the Goblet of Fire film merely boils down to him not wanting to cancel the Triwizard Tournament so people won't see him as a coward, and his conflict with Harry and Dumbledore in Order of the Phoenix is toned down due to several interactions with them not being shown.
    • Hermione's stubborn arrogance and ruthlessness are also greatly toned down in the movies.
    • Sirius Black counts as this in the film adaptation of Harry Potter and the Order of Phoenix where he shows Harry concern and even comforts him after seeing Voldemort's snake Nagini attack Arthur Weasley, while in the book there are a few times where he doesn't show Harry concern.
  • Wonder (2012): In the book, Julian Albans remained the jerk he was at the beginning an changed schools. But in the film adaptation, he's still a jerk at the beginning, be becomes a nicer person at the end and stayed at Beecher Prep.
  • Matilda - Book Hortensia is a mean student who bullies Matilda and Lavender. Movie Hortensia is friendly and warns them not to anger the Trunchbull.
  • Child's Play (2019): Instead of a serial killer who has his soul trapped in a doll and wanting a new human body, Chucky is an A.I. who genuinely wants to be friends with Andy. Unfortunately, a disgruntled factory worker shut off his safety protocol and Chucky becomes violently attached to the boy.
  • Stargirl:
    • Leo and Stargirl’s fallout and breakup is lessened in the movie with Leo realizing the errors of his way and makes up with Stargirl at the winter dance. But this doesn’t stop her from leaving. Leo realizes his error too late and they never do make up but the book ends on an ambiguous, but hopeful note.
    • Hillari Kimble was just Mica High’s Alpha Bitch in the book. The movie gave her an understandable reason to dislike Stargirl and, at the very least, acknowledges Stargirl’s apology.
  • Joker (2019): Most depictions portray him as a remorseless maniac who maims people for shits and giggles. This version of the Joker starts out as a harmless, but mentally troubled, man who genuinely wanted to make others laugh, and actively sought treatment for his mental health problems. His descent into madness is triggered by losing access to his treatment and a mixture of bad luck and abuse. And while he does eventually go on a killing spree, it is born from anger rather than psychopathic joy.

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    Live-Action TV 
  • Game of Thrones:
    • Sansa Stark doesn't do things like calling Arya cruel names, such as "Horse-face", the way she did in the novels.
    • Septa Mordane is much less stern towards the Stark girls, and any time she reprimands them it's shown as justified. The show also gives her a Dying Moment of Awesome where she heads off four Lannister guards to get Sansa to safety when they start massacring Stark servants.
    • While Barristan Selmy was always a decent person, in the books he despised Jaime for being the Kingslayer and thought "he should switch that white cloak for a black one". In Season 1, he shares a mentor-student Friendship Moment with Jaime in which the younger knight hero-worships him and Selmy compliments him on being a Child Prodigy.
    • Tywin Lannister is a Chessmaster Pragmatic Villain Jerkass who mistreats his own children in both versions, but his scenes with Arya in Harrenhal in the show bring out a softer and paternal side that's not present in the books. Also, Book!Tywin is an all-out misogynist who locks Cersei out of the Small Council because she's a woman. In the show he's still dismissive of her, but when she accuses him of sexism, he says he distrusts her not because she's a woman, but because she's a fool.
    • Arya Stark has warmer relationships with Gendry, Hot Pie and even Sandor Clegane than she does in the books.
    • Loras Tyrell is much more mild-mannered and level-headed than the arrogant hothead of the books, as shown by his sympathy for Sansa and his intention to be a decent husband instead of simply treating her with empty chivalry as in the novels.
    • His sister, Margaery Tyrell, became nicer and friendlier to Sansa in the show where after her planned engagement to Loras was foiled by Tywin, who decided to have her wed to Tyrion. Margaery comforted her and reassures her that marrying Tyrion might not be bad. However, her book counterpart shuns Sansa after the plot to marry her to one of her brothers fell through out of political necessity (though still feeling bad for her), with only her Adapted Out middle brother, Garlan the Gallant, continuing to interact with her in a meaningful way.
    • Daenerys Targaryen never holds any grudges against the Starks in the show unlike in the books where she considers Ned Stark's as "the Usurper's dog". She also condemns what her father, Aerys the Mad King, did to Rickard and Brandon Stark and tells Jon Snow that she won't be like her father to the point of expressing sympathy to Jon for losing his two half-brothers (or cousins) much like how she felt for losing her own two brothers. In the books, she has a limited view about her father and when Barristan tries to tell her about him, she refuses to listen until she's in a better mood.
  • Gotham
    • Victor Zsasz as an Affably Evil merc for Carmine Falcone and the Penguin rather than the homicidal Ax-Crazy maniac of the comics.
    • The show's incarnation of Poison Ivy is a much nicer Genki Girl, if a bit dumb, instead of the human hating vamp that she is in most of her other incarnations. Then again this version of Ivy is still just a child.
    • Downplayed with Professor Pyg, who targets the corrupt cops of the GCPD, but mere as an excuse to indulge his twisted fantasies.
  • The titular Raffles was a Villain Protagonist in the original stories, albeit of the sympathetic Lovable Rogue variety; in the (more light-hearted) TV show based on the books, he is a straight-up Anti-Hero who never flirts with the idea of more serious crimes and is much nicer and less manipulative towards his sidekick Bunny.
  • 13 Reasons Why:
    • While Clay does undergo Adaptational Jerkass, he also does more in getting justice for Hannah than he did in the book.
    • Jenny Kurtz's show counterpart Sheri Holland is shown to feel genuine remorse for her actions - accidentally knocking down a Stop sign with her car, resulting in an accident later - and is one of Clay's few allies.
  • The 2017 series adaptation of the film She's Gotta Have It makes Jamie into a nicer guy simply by omitting the scene where he rapes Nola. In this series, his major flaw instead is being married while dating Nola.
  • In Kamen Rider Ryuki, Ren is one of the first cynical Secondary Riders to be introduced, and as such he refuses to be friendly with Shinji because they are both in a brutal There Can Be Only One tournament, meaning that they would eventually have to fight each other. In the American adaptation Kamen Rider Dragon Knight Len is much friendlier than his Japanese counterpart and becomes The Mentor to Kit.
  • Daredevil (2015): In the comics, Bullseye is an absolute psychopath who can't go a single scene without showing off some misogyny, racism and/or casual violence. In the Netflix adaptation, Benjamin "Dex" Poindexter has severe psychological problems, but he's actually pleasant to all but the worst of people (Wilson Fisk), though this sociopathy begins to rear its head after he begins committing murders for Fisk.
  • Super Sentai to Power Rangers
    • Several Monsters of the Week have much nastier and deadly schemes in Sentai compared to their adapted counterparts in Power Rangers. One example is Dora Sphinx, from Kyoryu Sentai Zyuranger, who trapped four of the Zyurangers and several children inside trees that were about to be chopped down, endangering their lives. King Sphinx from Mighty Morphin' Power Rangers simply wanted to separate Jason from the other rangers, using his wings to blow the others away.
    • Ecliptor from Power Rangers in Space shows enormous devotion to Astronema, acts as her father figure at times and even temporarily defects to the side of the Rangers when Astronema does so. His Denji Sentai Megaranger counterpart Yugande is shown to be devoted to his fellow villains, but not to this extent.
    • Sambash, from Seijuu Sentai Gingaman, is portrayed as a violent hotheaded biker without any redeemable qualities. Villamax from Power Rangers Lost Galaxy more or less resembles a chivalrous knight in terms of personality. He always keeps his end of the bargain and does not want to involve innocents in his battles against the Rangers. In fact, he performs a Heel–Face Turn when Big Bad Trakeena orders him to fire at innocent people.
    • Bucrates, also from Gingaman is shown to be a crafty schemer, to the point of managing to blackmail the Sixth Ranger by keeping his sentient mecha hostage. His counterpart Kegler from Lost Galaxy is nothing more than a bumbling sidekick to the aforementioned Villamax. He's never involved in schemes against the rangers.
    • Tommy Oliver is an overall better person than his first two Sentai counterparts, Burai, who was obsessed with revenge (and in this case, Tommy was an outright case of Adaptational Heroism as he was Brainwashed and Crazy during his time working for Rita, whereas Burai was a willing participant in Bandora's schemes) and Kou, who was a Dirty Kid who groped Rin and lift up her and some schoolgirls' skirts.
  • Dear White People: Kurt in the film was a Jerkass who frequently expressed racist and homophobic statements with pride. In the series version, while still a huge dick and the originator behind the blackface party, his overt racism and and homophobia is absent and is just as horrified as everyone else by the campus police pulling a gun on Reggie at the party. He also tries to reach out to Sam to work together on a statement against the incident and in the Season 1 finale, delivers an Armor-Piercing Question to her about the effectiveness of her outrage-driven tactics. In Season 2, he's come around to understanding what the black students have gone through.
  • The Boys (2019): The Supes are generally more personable than in the comic, where they're all deeply unpleasant.
  • Titans: Slade Wilson, AKA Deathstroke, is still an absolutely terrible human being and a remorseless killer, but this version of the character cares far more about his family than his comic counterpart usually does. This is best exemplified by the circumstances that led to his son Jericho being rendered mute. In the comics, Jericho lost his voice because Slade refused to divulge the name of his employer to a terrorist called the Jackal, which in turn caused the Jackal to have one of his goons slash Jericho's throat. The same set-up occurred in the TV show, but this time, Jericho's throat was cut when Slade tried to fight off the terrorists to rescue his wife and son.
  • In Once Upon a Time, when the character of Gaston is actually fleshed out, he's not a womanizing Egomaniac Hunter, but an adventurous nobleman who's much nicer to Belle and her father than he is in the original. His strife with Belle is caused by his being willing to kill an ogre youth without finding out if it actually has ill will, and after she leaves for Rumplestiltskin's castle and even after his death he clearly regrets it and wants to reconcile with her.

    Podcasts 
  • The Film Reroll version of Frozen skips the entire subplot where Hans tricks Anna into falling in love with him, making him come off as less of an emotionally-manipulative jerkass, but he's still the main villain of the story and still tries to kill Elsa at one point.

     Theatre 
  • Heathers: JD and Veronica are a lot less villainous than in the 1988 movie. The former, while still a killer, is far more sympathetic and troubled than trouble. The latter is less of a willing accomplice to JD's evil schemes.

    Video Games 
  • In Call of Cthulhu: Dark Corners of the Earth, this happens with Obed Marsh. In the original story (The Shadow Over Innsmouth) Obed was implied to have been a Card-Carrying Villain who summoned the Deep Ones to Innsmouth purely out of Greed and who was willing to give them whatever they wanted in exchange for their gold. His journals in the game make him out to be more of a Well-Intentioned Extremist, who only summoned the Deep Ones in order to save his dying city and then had to keep working with them because breaking the deal meant they would slaughter his people. His descendants are still just as evil as they ever were, though.
  • In South Park: The Stick of Truth, this happens with Cartman. In the cartoon, he's always been a racist asshole who only looks out for himself and uses others to get what he wants, but in the game, Cartman is the first one to befriend you and provides tutorials for your character to defend yourself from enemies.
    • Subverted in South Park: The Fractured but Whole, where Cartman (as The Coon) is your mentor figure for most of the game and is the one who unlocks classes. He's eventually revealed to be the true villain of the game (via his Mitch Conner persona) and leaves your party permanently in the final day after it's revealed he kidnapped your parents (and eventually forces you to kill one of them).
    • The Bank Clerk, a.k.a. the "...and it's GONE!" guy plays this straight. He normally robs people out of their money without any remorse at all, and while he does the same to the New Kid he acually helps to return all the lost money with no tricks.
  • In the original Mega Man (Classic), Doctor Wily the Big Bad wants to Take Over the World with his robots because he wants to get back at Dr. Light for being Always Someone Better. In Mega Man Battle Network, Wily is still a resentful villain (perhaps even more so), however he was close friends with Dr. Hikari Sr. (Dr. Light's counterpart), and he also took time to raise a child of his friend when said friend goes to war, and he also disapproves of his son's actions, as he's an even worse Big Bad than Wily.
  • BlazBlue: Cross Tag Battle did this for Weiss Schnee. Weiss in the game retains the haughtiness and bossiness of her Volume 1 incarnation from the show, but she does seems to be fairly friendly with Ruby, whereas in the show she was for a lot of Volume 1 incredibly dismissive of her partner and didn't respect her abilities at all. She also seems to get along well with Blake, even though in the show their early relationship was... rocky. She also seems to hold a lot of respect for Yu by calling it an honor to fight alongside the leader of the Investigation Team, something which he reciprocates. She also shows appreciation to Hyde for helping her against Azrael and Carmine.
  • The material for The Great Giana Sisters makes Giana to be a rude, rebellious teenager. She also outright mocks Super Mario Bros.. The Giana Sisters DS reboot mellows (and ages) her down. Giana is just a Cheerful Child with a Fiery Redhead alter-ego.
  • Pokémon:
  • An interesting example comes with Donkey Kong Jungle Beat. In the original Gamecube release, the plot was given as Donkey Kong wanting to prove himself as the king of the jungle, so he sets off to beat the crap out of any other potential contenders to the title of strongest ape in the country. Apparently that was a bit too antiheroic for Nintendo, as the later Wii release rewrites the plot to say DK is actually helping the monkeys following him around reclaim their land from the various bosses. (In both cases, the story is All There in the Manual, so the games themselves are functionally identical.)
  • Spider-Man (PS4), in addition to the aforementioned Norman Osborn:
    • Even before becoming Doctor Octopus, Otto Octavius was an egotistical blowhard in the comics. Here, he's nice and humble. Or at least at first, considering he's the Final Boss.
    • Harry Osborn lacks his mainstream counterpart's anger issues.
    • Aunt May and Jefferson Morales are supportive of Spider-Man, as opposed to the former hating him and the latter loathing many superheroes.
    • In the comics, Mr. Negative was only out to take over the New York underworld. While he's still ruthless and taking advantage of the Kingpin's fall from grace, the game sees Negative have more sympathetic reasons for his action, namely he gained his powers and accidentally killed his parents after being experimented on during Osborn's attempts to cure his family. Additionally, in the game, Martin Li himself is legitimately trying to do good for New York and came to the country as an immigrant with his parents. In the comics, "Martin Li" was actually a Triad member involved in human trafficking and stole the identity of one of the people the organization intended to sell as slaves.
  • A minor example, but in their home series, Inklings tend to be sore losers who throw ridiculous tantrums when defeated. In Super Smash Bros. Ultimate, they seem to be better sports, happily clapping for the fighter that won the match.
  • Dissidia Final Fantasy: Opera Omnia
    • Faris Scherwiz is an unrepentent pirate in the original, has a Vitriolic Best Buds relationship with Galuf, and is extremely reluctant to admit any kind of sentiment (except towards her sister). OO tones all of that down in favor of having her act Just Like Robin Hood. She is much more prone to openly expressing friendship and affection, when even after her Character Development she would inject some kind of teasing into it.
    • Onion Knight is characterized as a kid who acts like The Spock to cover his insecurities, and who gets really defensive the moment there is a hint that someone is patronizing him. Likely due to him being Demoted to Extra and only popping up now and then to analyze the situation, he behaves more like a straight example of The Spock (although other characters refer to his ill-temper in some cutscenes, so maybe he is still being cranky off-screen).

    Web Videos 
  • Freeza gets this in Dragon Ball Z Abridged. He's still a genocidal tyrant, but he shows much more care and concern for his higher-ranking minions than his canon counterpart ever did.
    • Vegeta has a small moment at the end of the Cell arc — while in the manga and anime he was beating himself up over Goku and Gohan surpassing him, the abridged series has him quietly mourning the death of Future Trunks.
    • Mr. Satan also has a moment during the end of the Cell arc. He was very much a Glory Hound first and a hero second in the manga and anime as he happily stole Gohan's credit for killing Cell. In the abridged series, he almost told the truth of everything that he had witnessed, but he only took the credit for Cell's defeat after he was convinced that doing so would calm down everyone in the world.
  • While Yu-Gi-Oh! The Abridged Series made Kaiba more of a jerk, the Season 0 adaptation goes the other way, making Kaiba a creepy-looking but otherwise friendly Nice Guy, to contrast Season 0 Yami. Naturally, Kaiba being a nice guy ends up being such a dramatic contrast from his usual characterizations that it winds up disturbing everybody.
  • Cell from DevilArtimis's video series is depicted as less evil than his original counterpart and has some Pet the Dog momments.
  • Cid's behaviour towards Shera in Final Fantasy VII: Machinabridged might still be pretty abusive, but unlike in the original game it's a front for their BDSM relationship. He's also less abrasive towards the other members of the team, and quick to give them Rousing Speeches to lift their spirit.

    Western Animation 
  • Since Baby Looney Tunes is a show meant for little kids, the Looneys are much sweeter and innocent than their adult counterparts.
  • In Castlevania, Dracula of all people is far nicer especially compared to his deception in the games and most media for that matter. In the show Dracula never directly kills any innocent women or children and unknowingly spares the old woman who got his wife Lisa burned at the stake. Also unlike the games where Drac has no qualms hurting his son Alucard, in the show Dracula purposely avoids fighting his son in the Final Battle and directs his aggression towards Trevor and Sypha, only retaliating when Alucard gives him no choice. Even then when beating the life out of Alucard, Dracula soon stops horrified that he’s “killing his boy” and actually lets Alucard stake him through the heart.
  • DuckTales (1987):
    • The series' incarnation of Gladstone Gander isn't as self-centered and smug as the comics version. Instead of gloating about his luck to his relatives, his flaw is relying on his luck to solve all of his problems.
    • This show's version of Scrooge McDuck is also more sentimental and jovial than his comic book counterpart who, while not a Jerkass outright, is far more acerbic and has a history of unscrupulous moments.
  • DuckTales (2017):
    • Gladstone returns to his smug persona from the comics, but he still qualifies for this since he's less overt in showing it, and his behavior is implied to be Innocently Insensitive.
    • It also has an example in the Ghost of Christmas Future: while he still looks like The Grim Reaper, he's actually quite mellow, even dancing with Beakley in the past.
    • Thanks in part to the show going Decomposite Character with Darkwing Duck and grafting the original Drake Mallard's ego and self-absorption to Jim Starling, the show's actual version of Drake is more humble and modest (though he still retains his dislike for Gizmoduck) initially, though later appearances does show signs of becoming more like the original Drake
  • Hilda: In the comic books, Hilda is confrontational, a bit of a brat and even more overconfident. In the series, Hilda is much nicer, kinder and friendly.
  • In Justice League Action, while she's still a villain, Killer Frost is nicer than her other incarnations, especially compared to Justice League, Young Justice, and Batman: Assault on Arkham.
    • John Constantine is portrayed differently from the usually smarmy, cynical, self-centered, chain-smoking, alcoholic con-man with a low opinion of superheroes and a habit of pushing people away in the comics. Here, he's much nicer, as he's depicted as a deadpan, wise-cracking sorcerer and paranormal investigator with a much friendlier but still smarmy personality, and he's also a member of the Justice League.
  • In Teenage Mutant Ninja Turtles (2012), this happens with this incarnation of the Shredder, where his love for his daughter, Karai, is very genuine. The problem is that he has rooted himself so deep in his hatred toward the Hamato Clan, even his love for his daughter doesn't seem to matter, culminating in her mutation, which he still blames on the Hamato Clan despite him being the one using her as bait for the trap that did it.
  • This was put on display in the Thomas the Tank Engine special The Adventure Begins which was a readaptation of some of the earliest stories of the The Railway Series books and TV series:
    • Thomas is far more idealistic and innocent than he was in his debut novel in where he would play tricks on the other engines and is something of a Bratty Half-Pint.
    • Henry is far more meek and gentle, and his hatred of the rain is treated more as a phobia (in the books he was merely pompous about getting his paint spoiled, if you don't go by the theory that Henry was actually having mechanical issues that day and had stopped in the tunnel to cover them up).
  • In X-Men, Proteus is very childlike and naive, and more confused and misguided than outright evil. This is in stark contrast to the comics, where Proteus is a violent sociopath who has no problem with killing multiple innocent people for his own gain. As an illustration of how different they are, TV!Proteus' goal was to reconnect with his estranged father, while Comic!Proteus' just killed him.
  • X-Men: Evolution:
  • Sonic Boom:
    • The series' incarnation of Eggman is still a villain who antagonizes Sonic and friends. However, rather than having the plan to Take Over the World, he is more of a Punch-Clock Villain, doing it to cause random mayhem for the lulz. He occasionally helps Sonic without any ulterior motives, gives Tails advice on girls, and even befriends Amy after they find a common interest.
    • Knuckles. In the main universe, he's single-minded, antisocial, and at best is a reluctant ally of Sonic and the gang. Here, he's good buddies not only with Sonic, but a whole group of friends, and is kind and outgoing.
  • In the comics, Miles Morales's father, Jefferson, detested people with super powers and only warmed up to his son's alter ego some time after learning it was Miles. In Marvel's Spider-Man, he's okay with both Peter and Miles's alter egoes from the start.
  • In the X-Men comics, Sunfire's defining character trait is being a standoffish asshole. During his guest spot in Spider-Man and His Amazing Friends, he was instead depicted in a much kinder and friendlier light, and even got Ship Teased with Firestar.
  • DC Animated Universe:
    • Batman: The Animated Series:
      • Several villains whose comics incarnations were essentially doing things For the Evulz gained sympathetic motives or personalities. The Mad Hatter originally had no backstory in the comics, but was introduced in the series as a victim of Love Makes You Evil; minor gimmick crook Mister Freeze's reimagining as an Anti-Villain was so successful it was later imported into the comics, albeit with Darker and Edgier elements.
      • The Crime Doctor was introduced in Detective Comics #77 as an outright villainous character. The Batman: TAS episode "Paging the Crime Doctor" turns the character into a sympathetic figure through portraying him as a good-intentioned doctor who helped his brother (crime boss Rupert Thorne) in the hopes that the latter would use his influence to restore his medical license.
    • Justice League Unlimited:
      • Huntress is a more heroic figure after she resolves her issues with Mandragora.
      • The Cheetah, Wonder Woman's arch-enemy, is portrayed as a Tragic Villain who only desires to become normal again and desires no role in evil whatsoever.
      • Ultra-Humanite is an Affably Evil Anti-Villain who never hurts an innocent rather than the insane conqueror he's usually portrayed as.
      • Hawk and Dove (The original boy pair) get along far better in this series than in their original conception; their ideological differences are expressed more as a brotherly teasing.
    • Though Static Shock still portrays Hotstreak as a Jerkass supervillain and Static's Arch-Nemesis, the show omits his white supremacist leanings. In fact, he works with multiple non-white villains without issue.
    • Justice League vs. The Fatal Five portrays the Alex Trent Bloodsport, much like Hotstreak, without his comic counterpart's white supremacist leanings.
  • The Superhero Squad Show portrays the Hulk as friendlier and more laid back than other incarnations, a strong contrast from the mindlessly destructive and perpetually angry brute he's usually portrayed as.
  • Teen Titans:
    • Terra in the comics was a pretty mean character even before revealing her association with Deathstroke. She calls everyone names and is always fighting with Beast Boy. He sees it as Slap-Slap-Kiss, but she just doesn't like him period. In the cartoon, she is toned down into a genuinely friendly but troubled girl who gets mixed up with Slade.
    • Starfire is still a nice person in the comics, but the cartoon softened her up even more. She's less abrasive and hot-blooded in the cartoon, showing more Adorkable behavior .
  • Transformers: Rescue Bots portrays Blades as a friendly but somewhat timid rescue worker, while his G1 counterpart is generally portrayed as rather bloodthirsty.
  • She-Ra and the Princesses of Power: In the original, every member of the Evil Horde was a ruthless, bloodthirsty monster. In the reboot, while the Horde itself is still terrible, all the soldiers are much more three-dimensional characters. Except Shadow Weaver.
    • Scorpia in the original was a slaver who was constantly at odds with Catra. In the reboot, she is endlessly nice to everyone, has a very strong (though mostly one-sided) friendship with Catra, and is The Glomp.
      Scorpia: Just so you know, I'm a hugger.
      Catra: Wha— [gets scooped up in a giant hug]
    • Even Hordak has some elements of this. While he is still waging a war of conquest against an entire world (and doing it far more competently than in the original), he at least knows how to engender loyalty in his troops. Catra was about five minutes from defecting because of Shadow Weaver's incompetent brutality when Hordak managed to get her to stay with a few compliments and a promotion. He also develops a trusting and respectful relationship with Entrapta when the two collaborate on his portal project. Finally, unlike his 1980s cartoon counterpart, Hordak does not lash out at his minions at the first sign of failure.
  • The Lion Guard: Zira has a tamer and less violent personality than in The Lion King II: Simba's Pride. Instead of being blood-thirsty, she instead tries to get Simba's son Kion to side with her on the supremacy of lions.
  • Total DramaRama does this to a few characters. Duncan is still a bully and a troublemaker, but he is far less cruel towards the other kids and merely just a naughty mischief-maker; Courtney is still very bossy and a huge perfectionist, but she is far less of a major Control Freak and lacks her Hair-Trigger Temper and cutthroat competitive streak; and Chef Hatchet goes from cruel and sadistic Angry Black Man to a strict but fair and well-meaning preschool teacher.
  • Lanolin in Garfield and Friends, while still very disagreeable and bossy, is much nicer compared to her U.S. Acres counterpart, who was extremely negative and at times, downright violent with little to no provocation.
  • Beware the Batman sees its version of Doodlebug from Arkham Asylum: Living Hell be content at being a vandal. His comic conuterpart was a demon-worshipping serial killer who sacrificed Junkyard Dog, his friend in the series, to unleash demons.
  • The Batman, in addition to the aforementioned Joker:
    • Bruce himself. In the comics, he was most reluctant of the Justice League's founders to get involved and has to be talked into teaming up. This version was on board with the League from the get-go, open to working with his fellow Leaguers, and had to talk Superman into joining the League. This version is even more outgoing, having actual friends outside of the cowl.
    • The Wrath took over Killer Moth's role as the protector of Gotham City's criminals. His original counterpart was a Cop Killer.
  • Young Justice:
    • Batman is depicted as more fatherly and expressive than other versions. At least until Outsiders where he does sink to some of the manipulative lows his comics counterpart did.
    • The Light, a.k.a. the Secret Society of Super Villains, are still villains, but they're out to make Earth a universal superpower. Additionally, Vandal Savage and Black Manta aren't as monstrous as their comic counterparts. Lex Luthor started out this way, but much like Batman in Outsiders, the same season saw Luthor descend to the petty vindicativeness his comics counterpart's known for.
  • Muppet Babies (1984) gives Statler and Waldorf of all characters this treatment. They always crack jokes at the Muppets' expense, sometimes going as far as making fun of each other. Here, they're honorary uncles to the Muppets, teaching them about how railroads work and ordering pizza for them.
  • Gwen from Ben 10 gets this treatment in the reboot. In the original series, Gwen was a jerk to her cousin Ben most of the time, always insulting and head-butting with him, even resorting to violence if he goes far with his antics and hardly had any faith in him. When Fourarms and then Heatblast showed up, attacking San Francisco, she instantly accussed him of said attack and becoming a criminal, while failing to notice they lacked the Omnitrix symbol on any part of their bodies. (Left shoulder for Fourarms, and chest for Heatblast) When it is revealed that "Ben" turns out to be none other than Kevin, who gained the ability to change into any of Ben's alien form since his debut, her treatment of him was never brought up. This thankfully could be chalked up to her being just as much of a brat as Ben was since she eventually starts treating him better during their teen years. In the reboot, Gwen was not as insulting and hostile to Ben, and appears to be in good terms with him and is on his side most of the time, no matter what.
  • Harley Quinn (2019) does this to, shockingly enough, Darkseid. He is still the same ruthless dictator who desires the eradication of free will throughout the known universe. Hell, he is introduced crushing the skull of Forager after declaring the conquest of his world. But previous versions of Darkseid would not even entertain the thought of giving an army to anyone unless it would benefit any of his plans, and yet he does just that for Harley with absolutely no signs of backstabbing. He also recognized that she was only doing it to fill a void in her heart, and he genuinely advises that it won't work.

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