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Lack of Empathy

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Now comes the most entertaining part: the wait.
Inuyasha: Do you know how many villages were destroyed just so you could lure Kikyō out?!
Hakudōshi: Oh, please. Is that what you're so upset about?

Empathy is the ability to share in another person's emotions. The capability to be happy because someone else is happy, sad because they are sad, and so on. It is closely linked to love and compassion. Furthermore, guilt to a large extent arises from the ability of a character to put themselves in the shoes of someone they've hurt.

A lack of empathy is a major character trait, one that drives many others. A villain will often have this trait, and will be denounced sometimes as a psychopath, or a sociopath. Real-world disorders with the same names inform this trope, but the relationship is very loose.

These characters may feel fear, but not the fear of others, regardless of the situation.

Note that a character who lacks empathy can still be perfectly capable of cognitive empathy; that is, the ability to recognise and identify an emotion — they might not be able to share in somebody's happiness or sadness, but they have learnt well enough what happiness or sadness looks like, and coupled with the lack of remorse, this tends to result in a ruthlessly effective Manipulative Bastard.


On the flip side, just because a character has empathy does not mean that they possess one ounce of compassion or sympathy, though the lack of either usually coincides with at least a diminished sense of empathy. For instance, someone with narcissistic or antisocial personality disorder should not be confused with someone with Asperger's or another form of autism. Narcissists and sociopaths usually have perfect cognitive empathy, but utterly lack the affective empathy necessary for genuine compassion. Those with Asperger's or Autism sometimes have defective cognitive empathy, but normal or even hyper-effective emotional or compassionate empathy. In short: narcissists and sociopaths are generally superficially charming and polite, but their pretense of empathy is simply that, a mere ruse to attain a tangible end. Autistic people, on the other hand, more or less invert this: they're perfectly capable of feeling other people's triumphs and tribulations — often quite intensely — but you wouldn't necessarily know it from their face or tone of voice, and that's assuming they have learned to identify them.


Jerkasses, the Moral Myopic, Straw Nihilists, Empty Shells, and The Soulless tend to express this. When taken to its logical conclusion, it leads to It's All About Me. Often an integral part of Comedic Sociopathy. Sometimes characters with a Lack Of Empathy have a Freudian Excuse up their sleeve. Sometimes, they just laugh and say Virtue Is Weakness as their justification. These characters often shrug off charges of their actions with But for Me, It Was Tuesday.

Not to be confused with No Sympathy, which refers to characters who supposedly do have an ability to empathize, but completely fail to demonstrate it. Kids Are Cruel, Troubling Unchildlike Behavior, Teens Are Monsters, and Adults Are Useless often have this trope, though these can be (partially) excused by the cognitive faculties required for empathy having had insufficient time to develop (the former more so than the latter; anyone who's been around toddlers will tell you that they can be selfish little bastards/bitches). The person in question doesn't have to be human per-se, but if empathy is an entirely foreign concept to the character because they don't see things the way that we/the character do, it may be a form of Blue-and-Orange Morality instead where the goal-posts of "empathy" have shifted from what one would expect.

Contrast with The Empath, who is able to empathize with another due to feeling their emotions due to psychic powers, but may still be evil due to what that power can do.

No Real Life Examples, Please! General real-world notes are on the Useful Notes page.

Example subpages:

Other examples:

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    Comic Books 
  • From Batman, James Gordon Jr. sees empathy as a weakness. His main plan in Batman: The Black Mirror involves turning children into sociopathic murderers like him.
  • A vast majority of supervillains from DC and Marvel comics have this trait. Norman Osborn a.k.a. the Green Goblin is a notable case. This trait is highlighted in "The Green Goblin's Last Stand", Spider-Man's (original) showdown with his arch-nemesis, where Spider-Man destroys Osborn's prized glider. Gobby fights with renewed anger, vowing to make Spider-Man pay for this travesty, while pointedly brushing off the fact that he just murdered Spidey's girlfriend an hour ago.
  • The Indigo Tribe, a relatively new element in the Green Lantern mythos, represents the emotion of compassion. While on the side of the good guys, they're mysterious and kind of creepy. It's eventually revealed that the tribe is made up of those who lack compassion and need it forced on them.
  • Captain America: Depending on the Writer, the Red Skull is either the second- or third-worst selfish bastard in all of Marvel comics, or a disturbingly unselfish and even more dangerous Nazi true believer who will run roughshod over millions to avenge Hitler's death and restore his idea of the perfect fascist utopia. Either way, he won't be stopped by any appeals to mercy or pity.
  • Eightbillion Genies: As cheery, friendly, and helpful the genies are, they don't really care what happens as a result of people's wishes. A woman accidentally igniting all of downtown Detroit is met with a shrug. The fact that 2 billion people have died directly or indirectly as a result of the wishes the genies granted in a mere eight days doesn't register to them in the slightest.
  • Several of the Endless from The Sandman (1989) have this trait. Despite being Anthropomorphic Personifications of concepts very much tied to emotions, only Death and Destruction seem to hold much appreciation for how others feel. In Dream's case, it's probably his most noticeable character flaw after his obsession with duty, although his second incarnation seems to be slightly better in that regard. Destruction notably is the only Endless who quit his job and wanders creation to try and be something besides Destruction incarnate. Death makes a point of becoming mortal for a day every now and then to avoid losing touch with her charges.
  • Sonic the Hedgehog:
    • Sonic the Hedgehog (Archie Comics): In the past, Breezie eagerly helped Eggman with a scheme that endangered Tails, blowing off Sonic's words by openly stating she cared more about her own life and well-being. During the Shattered World Crisis, her main concern is solely how to make a profit out of the fact that the planet is falling apart.
    • Sonic the Hedgehog (IDW):
      • Dr. Eggman himself. Best shown in Issue #25, when Silver shows up from his failed attempt to rescue the citizens of Ice Paradise from the Zombots and bemoans that his future may very well be doomed due to his failures in the present. Eggman flippantly asks if Silver is always so melodramatic, to which Amy appropriately tells him off.
      • Dr. Starline, fittingly a Loony Fan of Eggman himself, isn't much better. When Eggman unleashes the Metal Virus on an innocent village, his only reaction is admiration for the doctor's cruelty, and when listening to Belle the Tinkerer's Dark and Troubled Past, the only thing he cares about is the data he's getting from Belle's emotions and advanced AI systems as she details what happened to her, and how he can apply it to his projects.
  • The New 52 version of Superboy shows this trait, although in Issue #6, he suspects that he's starting to feel a spark of it, and he eventually evolves into an All-Loving Hero.
  • Superman: During the New Krypton storyline, there is a scene where two Kryptonians take a walk down the street, discussing Superman and his bizarre desire to protect these Puny Earthlings. When a car crashes, the bystanders, recognizing them as Kryptonians, beg them to help — the duo doesn't even react to them and continue their talk, eventually flying away.
  • Atrea from Ultimate Fantastic Four. Thanos' parenting style didn't lend itself well to considering the thoughts and feelings of others. She kills her own pet just for growling at Ben, then shrugs it off because it was old and "boring".
  • The Ultimates:
  • Wonder Woman (2006): The ability to identify with others was not part of Genocide's programming, in fact she hates everyone and wants humanity to suffer and die.
  • X-Men:
    • Magneto cultivates a lack of empathy for lowly "flatscans" and teaches his followers to do the same. Though, Depending on the Writer, he can vacillate on this, but usually the vacillation is only in his own mind — for example, X-Men (vol. 2) #85 features Mags on the cusp of starting another bid at exterminating humanity and deciding to "test" whether or not humanity deserves extinction by finding a random man to serve as his "average specimen of humanity" and then testing his prejudices. But when this random man, Bill Jones, doesn't take his Fantastic Racism bait and proves to not be the slobbering racist that Mags subconsciously wants him to be, he can't accept it and pushes Bill harder, eventually getting him to confess to wanting him, Magneto, dead (by threatening his family), which Mags takes as the proof he's looking for that "even an everyman with a kind heart becomes a rabid beast at the sight of that which he does not understand." That, of course, was the conclusion Magneto had drawn from the start, and Bill was just the excuse he was looking for to justify his fundamental... well, Lack of Empathy.
    • This is an inherent biological trait of the Brood race — unsuprisingly, given that their method of reproduction requires them to kill other species in a rather gruesome manner. All Brood are screened for compassion at birth, and those who "fail" are killed. However, with the recent mass extinction due to the Annihilation Wave this policy was dropped. It's also possible for Brood, such as No-Name, to learn compassion, but to gain it suddenly (such as by psychic projection), is such a shock that it is instantly fatal to the Brood in question.

    Comic Strips 
  • Calvin and Hobbes: Calvin expects everyone to bend over backward to accommodate his whims, yet refuses to do any work that doesn't have immediate benefits for himself. Moreover, he deliberately annoys people around him, yet is incensed when someone else deliberately slights him. This isn't just hypocrisy; Calvin genuinely believes that he is the most important person in the world, and that different standards of behavior apply to him. This is all pretty standard for a small child, the difference being that Calvin has the ability to cleverly articulate his worldview without ever seeing the inconsistencies within it.
  • Everyone in Dilbert, except maybe Asok and Ratbert, who are portrayed as naïve. The most outstanding examples are Dogbert, Wally, the Pointy-Haired Boss and Catbert. Scott Adams has joked that he himself might be a sociopath.

    Films — Animation 
  • Balto: Steele starts out as a rude, arrogant and egotistical bully who abuses Balto for his part wolf-heritage and hanging out with Jenna. But when Balto takes his place as lead dog to deliver the medicine, Steele is so determined to stop him that he sabotages Balto's trail, clearly not caring about the poor sick children who'll die without the medicine. And he doesn't even shed even the slightest sign of guilt whatsoever.
  • Frozen (2013): Prince Hans faked loving Anna just to get close to the Arendellian throne and even mocks her when he drops the act. It leaves her gloomy, but Anna eventually realizes that Elsa, Kristoff, and Olaf do care about her. Having been denied the respect and attention he felt he deserved in youth, he craves seizing power at all costs. The creators have confirmed Hans is a sociopath and a subversion of the Prince Charming trope. When Anna calls him out for being the only person with a "frozen heart," he's left perplexed.
  • The Boov from Home (2015), embracing a Dirty Coward mentality for their whole society, have absolutely no regard for any of the natives they forcibly relocate as they conquer Earth. When Oh finally gets that perspective and the courage to stand up to Captain Smek about what they are doing to humanity, everything changes for them.
  • The Incredibles:
    • Syndrome cares for nobody except himself and is willing to murder a bunch of innocent superheroes to replace them in his image. When he mocks Mr. Incredible over the supposed death of his family, the latter grabs Mirage and threatens to kill her if Syndrome doesn't release him, only for Syndrome to tell him to "go ahead" and then call him weak when he doesn't go through with it. When Mirage calls him out for endangering her life, Syndrome is still confused about why she is upset.
    • Gilbert Huph, Bob Parr's Mean Boss, is willing to scam people out of the insurance claims they're rightfully entitled to so he can earn more money. When Bob informs him a man is getting mugged across the street from his window, he coldly responds they shouldn't cover him, and then threatens to fire Bob if he goes out to help.
  • Sierra from LBT VII: The Stone of Cold Fire shows some traits of this. Namely, how he casually discusses feeding the children to the sharp teeth once they take over.
  • The Lion King (1994): Scar. He is perfectly willing to murder his brother, and have his nephew (a cub) killed in order to take over the Pride Lands, then gorge himself at the expense of both the pride and the hyena clan, without even a shred of remorse.
  • Megamind: Hal Stewart/Titan doesn't care who gets injured or killed during his rampage. Even before gaining powers, he was indifferent to Metro Man's alleged death and decided to use it as an opportunity to hook up with Roxanne — while she was grieving for Metro Man.
  • ParaNorman: The film's whole plot happens in the first place because the seven Puritans being this trope very much. They took Agatha Prenderghast, a sweet little girl who shared Norman's gift of speaking to ghosts, away from her mother, and as Judge Hopkins told her how she was to be hanged by the neck until she dies, they were eerily calm when the little girl was sobbing out of fear. They later subvert this after they had a Heel Realization.
  • Pinocchio: The Coachman never shows pity or compassion for his victims. When poor Alexander begs to be set free, the Coachman nonchalantly and very harshly throws him in the pen with the other donkeys who can still talk. Then the other donkeys beg him to be sent home, crying that they "don't want to be donkeys," but he viciously cracks his whip and shouts to be quiet.
  • Hannah-Marie's cousin Jimmy in Scary Godmother is over this for he conspired to leave her to frighten in the Spook House and abandon her to go trick-or-treating. While his friends gained remorse, he didn't care one bit of that he hurt his own cousin's feelings.
  • The Secret of Kells: When the leader of the Northmen reads the Book of Iona (a.k.a the Book of Kells), the book that has touched everyone who's read it (even Cellach), his response was to tear out the pages, throw said pages in Aidan's and Brendan's faces and walk off with the gold cover.
  • Megatron from The Transformers: The Movie, as shown when he coldly executes a mortally-wounded Ironhide still trying to fight him even in his death throes.
    Megatron: Such heroic nonsense. [blam]

    Films — Live-Action 
  • In The 6th Day, CEO Michael Drucker is involved in illegal human cloning experiments that he claims are aimed towards the final goal of extending life. However, his fine words fall apart when Drucker (who is already a clone of his original self) suffers fatal injuries and his next clone is activated while the previous Drucker isn't actually dead yet. The 'new' Drucker not only strips his dying predecessor of his clothes, but when Adam Gibson- who has spent the last few days trying to protect his family from Drucker's minions- confronts the two Druckers, the new Drucker attempts to convince Adam that his vendetta is with the dying Drucker while the newly-created clone technically hasn’t done anything to Adam himself, demonstrating a shocking lack of empathy for himself.
  • Jack Nicholson's Joker in Batman (1989) lacks any empathy. This is especially apparent in the climax when, after Batman revealed that The Joker murdered his parents, and thus was responsible for creating him, started to mock Batman's choice of words of explaining this fact, and dares to say "How childish can you get?!" when summing it up.
  • Big Game: Hazar seems completely devoid of empathy whilst being extremely polite, when he makes a civilian aware he's going to use him for target practice with a missile launcher or when he's captured his "prey" and doesn't care for Morris' horrified reaction to the idea of stuffing the President. Even when Morris complains when it appears they're victorious, Hazar encouraging him to be happy instead of anxious comes off as Hazar getting annoyed at Morris' behavior ruining the atmosphere. However, given that Hazar was actually a CIA operative loyal to a Well-Intentioned Extremist plot the entire time, it's ambiguous just how genuine this is.
  • In Blade Runner, lack of empathy is an Informed Attribute of replicants. Blade Runners use an empathy test to separate humans from robots. The replicants we see are quite ruthless and occasionally sadistic, but only toward people they see as enemies. We also see several instances of obvious empathy from Roy Batty, their leader.
  • Bumblebee: Tina shows no sympathy towards Charlie's grief over her dead father and even has the nerve to mock her over it to her face. Of course, this comes to bite her later on.
    Tina: This car is an embarrassment. You should have your dad get you a better one.
  • Chip 'n Dale: Rescue Rangers (2022): Sweet Pete couldn't care less about dooming the lives of numerous innocent toons who have done nothing wrong to him.
  • A Cinderella Story:
  • Contracted:
    • In the first film, there's Nikki. She's utterly callous toward Sam throughout the film. After learning Sam had been with a man (it was rape) she's disgusted and dumps her (it's uncertain if she realizes this, but if so doesn't care at all).
    • In the second film this apparently was BJ's entire reason for spreading the virus. Although he also claims to have Knight Templar motive.
      BJ: A new beginning, an eternal night, wrath like never before cleansing society and all I ever wanted was to feel. To feel anything, pain, love, anger.
  • The late Heath Ledger's summation of his role as the Joker in The Dark Knight, a "psychopathic, mass-murdering, schizophrenic clown with zero empathy."
  • In Downfall, during the battle of Berlin, numerous Volkssturm soldiers that had been drafted just hours before unknowingly run into the crossfire between the German and Soviet positions. General Mohnke goes to complain that using random civilians with no military training just adds to the body count, and hampers any real combat effectiveness since they just get in the way. Joseph Goebbels, who controls the Volkssturm, says that he won't disband the Volkssturm, and outright says he feels no pity them, and blames them for the situation they're in since they supported the Nazis' rise to power.
  • In Ex Machina, Nathan's becomes increasingly apparent, and peaks when Caleb discovers videos of his previous creations breaking down and begging to be let out and it becomes clear that he doesn't care about the suffering of others.
  • Girl, Interrupted: Lisa is in the asylum for this reason. A great example, when Susanna finds Daisy's body, Susanna breaks down, starts crying and flies into a panic, while Lisa goes "Well this is annoying" and searches Daisy's pockets for cash to steal.
  • Angel Eyes of The Good, the Bad and the Ugly. In a movie filled with people who are empathy-impaired, he's unquestionably the worst, lacking all emotions and desires save perhaps, Greed.
  • Halloween's Michael Myers never displays any sort of emotion. This even goes so far as to make him seem impervious to his own pain.
  • Pick any of the Big Bads in the James Bond franchise. They tend to be wealthy but criminally insane, greedy, and sociopathic Diabolical Masterminds. Some are even willing to kill millions For the Evulz. Notable examples include:
  • Iosef from John Wick kills the title character's puppy out of spite and shows no remorse for it. Even after his father explains to him that the puppy was a gift from his late wife, he still couldn't care less. When John finally catches up to him, all he could do is tell him that it was no big deal. Of course, this gives him an earnest Boom, Headshot! courtesy of John himself.
  • Little Sweetheart gives us Thelma, a nine year old girl who will blackmail, stalk, rob, frame or kill you to get her way. She does not care if you are in pain, she does not care if you're having your life ruined, she wants whatever she wants. When her "friend" gets hurt early on, she shows no concern at all. It only gets worse from there.
  • Marvel Cinematic Universe:
    • Captain America: The First Avenger and Avengers: Infinity War: Johann Schmidt a.k.a. the Red Skull views other humans as ants. Why should a superior being care about something so insignificant? Ultimately, this ends up being his Fatal Flaw when it keeps him from ever being able to claim the Soul Stone for himself.
    • Ant-Man: Darren Cross does not seem to care at all that he killed a number of his own employees trying to kill Scott, and even less that completely innocent people would likely die as a result of him selling the Yellowjacket to HYDRA.
    • Guardians of the Galaxy: Even by Kree standards, Ronan is brutal and shows no empathy towards others.
    • Guardians of the Galaxy Vol. 2: Going hand-in-hand with his narcissistic personality, Ego's regard for lives other than his own is decidedly limited; he killed thousands of his own children when he realized they couldn't help his goal, he gave Meredith Quill a brain tumour when he realized he cared about her (considering that a weakness), and he thinks nothing at all of the countless lives that would be destroyed by his ultimate plan. That he describes the sensation of meeting life other than himself as "disappointing" speaks volumes.
    • Thor: Ragnarok: Hela displays no empathy at all for any other being save her wolf, Fenris. She wants to rule or kill everything that is not her and will not hesitate to kill entire worlds or her own people.
    • Avengers: Endgame: Both the past and present versions of Thanos completely fail to truly understand why people don't appreciate his "gift" of killing half of all life, (when it consisted of murdering their friends and family, and destroying their homes), nor why it didn't result in the universe being prosperous. He doesn't take it well.
    • Spider-Man: Far From Home: The Big Bad, Mysterio cares nothing for the potential lives that could be lost because of his machinations. On the contrary; he thinks their deaths will attract more coverage.
  • The Mechanic (1972). The sociopathy of the two hitman protagonists is shown in various ways. Arthur realizes Steve has what it takes to be his understudy when the latter watches a former girlfriend who's slit her wrists to get his attention bleed over the course of several hours (she lives, but only because they give her the car keys so she can drive herself to the hospital). In another scene when Arthur is at the hospital, he walks past a young boy with an artificial leg without even a sympathetic glance.
  • The Boglodite, Boris the Animal (and presumably all his other world stripping brethren), in Men in Black 3 is definitely this. When he goes back in time to correct the mistakes by aiding his younger self in killing Agent K and preventing the energy shield that would protect the Earth in the present day leading to his entire races' extinction, the first thing he does upon meeting his 1960s self is loudly proclaim him a "pathetic waste of Boglodite flesh" and voices killing him right then and there if he didn't value his own life. In turn, the younger Boris accuses the present one of weakness for being defeated by a human, despite planning to do the exact thing that led to his defeat in the first place if not for the older one's intervention.
  • MonsterVerse:
    • Godzilla: King of the Monsters (2019): Alan Jonah. This is a man who, in his very first scene attacking and massacring a Monarch outpost, looks over one scientist who's pleading for surrender and then looks him dead in the eye before shooting him point-blank. To say nothing of how his plan involves engineering the deaths of millions to billions of people around the world at any cost. He gets some extra points in the novelization for almost-casually threatening his supposed Reluctant Mad Scientist's daughter more than once when he himself was once a father whose child was tragically murdered in his Backstory.
    • Godzilla vs. Kong: Walter Simmons, very much. He claims he built Mechagodzilla in the name of Muggle Power, but his actions betray his true colors. He's responsible for knowingly continuing to instigate Godzilla's rampages and deliberately making sure Godzilla attacks densely-populated areas, putting thousands to millions of innocent people in Godzilla's warpath, and when Madison actually calls him out on how his motives don't actually amount to helping ANYONE besides himself, he isn't fazed in the slightest. Also, if he was made aware before his death that he'd outlived his daughter Maia, he doesn't show any signs of being fazed by that either.
  • Lou from Nightcrawler does not care one iota about anybody else other than himself, nor does he care what he has to do in order to get the best news footage possible. Naturally, considering that he's a sociopath.
  • Freddy Krueger from A Nightmare on Elm Street. All he cares about is mutilating and murdering people, whether in real life or in their dreams.
  • Rollo and the Spirit of the Woods: The erratic rolleys like to portray themselves as scary meanies, and they're not good at taking others into account, taking the village of elves as their new home and refusing afterwards to coexist peacefully with them. However, Lackey, the glib adviser of the tribe's old chieftain, takes the cake. He's right from the start the most vocal about showing hostility to the elves, and even the other rolleys' feelings don't concern him unless he can somehow exploit them. He convinces the new chieftain Rolli to wage war on the elves, and when Rolli tries to launch the attack by shooting a burning arrow into the sea, Lackey doesn't think this is mean enough and intentionally causes the arrow to set the elves' tents ablaze. When Millie's death causes the sun to be covered by the moon, Lackey marvels at this while everyone else is unsettled and dismayed. He plays this even further in the deleted scene in which he gleefully looks forward to making things worse as his tribe's new chieftain even though everyone else is still unsettled by the permanent darkness, and he mocks Rolli for mourning Millie's death.
  • Shaun of the Dead: After Shaun reluctantly shoots his zombified mother, all his friends console him, while David just says this:
    David: Well, I think we all agreed you did the right thing there.
  • SHAZAM! (2019):
    • Doctor Sivana doesn't bat an eye when his head researcher gets disintegrated in front of him, only caring that he finally found what he was searching for his entire life. He would follow up on this with a massacre of his father's board members, none of whom have done anything wrong to him.
    • The Breyer Brothers not only have zero qualms against physically assaulting a disabled kid, but they are perfectly willing to mock said disabled kid for not having a mom.
  • In Sherlock Holmes: A Game of Shadows, Holmes diagnoses Professor Moriarty with "acute narcissism, a complete lack of empathy, and a pronounced inclination toward moral insanity." As usual, he's spot-on.
  • Jame (sic) Gumb from The Silence of the Lambs. A good example of this is the "It rubs the lotion on its skin" scene; when his victim realizes there are human fingernails embedded in the walls of her cell from failed escape attempts, she starts screaming. He just starts screaming along in sort of a grotesque parody.
  • Dr. Rutledge in Source Code treats Colter less like a human and more like a machine. His attitude comes off like someone who doesn't believe Colter is even capable of normal human emotion, even though that flies in the face of his own conversations with the man.
  • Spider-Man 3 has Peter unintentionally do this to Mary Jane as a result of his Acquired Situational Narcissism. When she rants to him about her life falling apart, getting bad reviews for her Broadway performance, he claims he knows what she means with a big smile on his face, saying it's just like Spider-Man trying to deal with the pressures of fame. This, naturally, makes Mary Jane feel worse by seemingly trivializing her issues.
  • Star Wars
    • Obi-Wan Kenobi is a heroic example, so much so, that he found Qui-Gon's sidequests to help others than those they were assigned to help, annoying. It also largely contributed to his uneasy Master-Apprentice relationship with Anakin, who was very emotional and rather unstable.
    • Emperor Palpatine/Darth Sidious on the other hand is the villainous incarnate of this trope, with everything that comes with it.
  • Ryunosuke in The Sword of Doom rarely concerns himself with the effects his actions have on others. This results in an ever-growing list of people who want him dead.
  • Discussed in The Thin Red Line: due to experiencing "combat numbness", people fail to feel anything for the suffering of their fellow men.
  • Tragedy Girls: The titular Tragedy Girls. Both have none aside from for each other, along with their parents, and will stop at nothing to get what they want. To them, murder is a mere stepping stone to fame.
  • Ultraman Belial from Ultra Galaxy Legends and its sequel. It should come as no surprise since he is (canonically) the first ever, inherently, evil Ultra in the Universe. Not only did he start off by endangering the lives of his home planet (and himself]]) by being a brash power-hungry young warrior, after he got exhiled, he came back enfused by the power of Alien Reiblood AND winding a weapon that has him control an army of monsters to ravage the planet that exiled him, under the belief that they betrayed him and left him to die.
  • X-Men Film Series:
    • In X-Men: First Class, while Sebastian Shaw professes to act on behalf of other mutants, he has little (if any) regard for his "colleagues" in the Hellfire Club whom he views as expendable assets for his plot to trigger a nuclear holocaust and seize power over what remains for himself. Likewise, he shows no regret whatsoever for his crimes against other mutants such as Erik (aka Magneto) and Darwin.
    • Bolivar Trask's main character flaw in X-Men: Days of Future Past. Suffice to say, when someone with such high goals isn't the least bit stirred with Body Horror and other suffering, there's a bit of a problem...

  • While several of the characters in And Then There Were None fit this to some extent, Anthony Marston is a particularly good example: he's The Hedonist, devoted to his own pleasures but unable to consider the wishes of others. Interestingly, the murderer generally kills from "least guilty to most", and while Marston committed a pretty terrible crime (running over and killing two children), he's actually killed first on the logic that he's amoral and has no comprehension of right and wrong.
  • Battle Royale: Kazuo Kiriyama. See Anime & Manga example above. Minor difference between the Manga and Literature version, Kiriyama's reason for not feeling empathy is due to a birth defect rather than an accident that left him damaged.
  • Most of the villains in The Belgariad and The Malloreon, including Taur Urgas, Zandramas, Brill, and Ctuchik. Demons have a Lack Of empathy as a race trait, with both Nahaz and Mordja having nothing but contempt for one another, their fellow demons, and the entire human race.
  • The vampire subspecies' in Peter Watt's Blindsight most disturbing personality trait is a complete lack of empathy. Because they needed to eat fellow humans to acquire necessary proteins, they would have never evolved if they felt bad about doing it. Every last one of them is a sociopath. If you're still in one piece around one of them, it's just because you are being more useful this way at the moment.
  • Clocks that Don't Tick has the immortal oligarchs known as the Bosses. They've no issue with allowing billions to die on account of their apathy. At one point, the protagonist guesses that they stay isolated in their mountain mansions in order to stave off what tiny, tiny amount of empathy they might have left.
  • A Clockwork Orange: Alex, a dyed-in-the-wool sadist. Even in the final chapter of the British version, where Alex gives up being a delinquent, he never explicitly develops a sense of empathy. He simply gets bored with violence and desires to start a family.
  • Alisa, the Villain Protagonist of the first part of Day Watch not only lacks empathy toward others, but is pretty casual about doing things like causing her mother to miscarry in an attempt to repair her parents' marriage. While the philosophy of Dark Others (celebrating individualism/selfishness) explains some of her behavior, it's also true that Others in general no longer think of themselves as being like Muggles, and so she can't really care about them. What makes her character interesting is despite all of the loathsome things she does, the reader gets the impression that she actually does have normal human feelings, but they are deeply suppressed, and she is in her late teens, and her behavior is what you'd expect when someone immature and with an unhappy home life is given massive amounts of power.
  • In Delirium by Lauren Oliver, love is considered a disease. At age 18 everyone is required to get a surgery that removes the capability to love from their brain. As a result, most adults show and understand very little emotion, and in some cases get so emotionally detached that they will kill their children.
  • The Diabolic: Diabolics are born without empathy, though they have to have that section of their brain strengthened when they are imprinted on their charge. Sidonia points out that you can't laser-focus empathy like that; "civilized" Diabolics are capable of general empathy, but constantly being told that they aren't keeps those instincts mashed down. Nemesis jumps down into a fighting pit to save a dog monster that is being forced to kill an innocent slave.
  • Discworld Elves are explicitly described as lacking empathy. They would break the universe if they thought it would make a pretty noise.
    • In Feet of Clay, the villain's response upon being told that his plan to poison the Patrician killed several innocents (including a child) is "Were they important?" Carrot is extremely disappointed to hear this.
  • This is the defining trait of the replicants of Do Androids Dream of Electric Sheep?. They are artificial people and have no empathy. Testing a person's empathy is in fact how bounty hunters distinguish real humans from replicants. However, the story also shows that humanity is losing its own empathy and becoming more like machines. Deckard's wife, like many other people, uses a machine to give her artificial emotions. The replicants are a chilling indication of where humanity itself might be headed.
  • From The Dresden Files, vampires have to a degree the ability to empathize with each other, but almost all lose the ability to empathize with humans — even the comparatively nice White Court see mortals as little more than walking snacks, and the other two Courts are if anything worse. Lack of empathy is also a requirement to join the Denarians, and if you do still have any after joining up, your brand-new Fallen Angel bond creature will fix that in no time...
  • Family Skeleton Mysteries: Roxanne Beale is so obsessed with completing her mess of a dissertation she doesn't even really care that her sister committed suicide or that she framed an innocent woman, one who was actually helping her finish the work, just that her work kept getting delayed. In fact, the only reason Roxanne murders Kendall is because Kendall had the audacity to mess up her life by bullying her sister to death.
  • Girls Don't Hit: Joss feels absolutely nothing toward most people, her targets especially, except for annoyance.
  • Caine from Gone, almost to a humorous extent, especially when contrasted with his love interest, who, although a bit of a Manipulative Bitch, has her limits. He's honestly puzzled as to why she wouldn't want to watch coyotes feeding on young children when there was no good reason not to stop them, and a bit annoyed that she objects to crashing a helicopter with a toddler inside. And in Book 4, he thinks that, rather than being upset that he used her for sex, lied to her, and dragged her into plans of world domination, she'll be happy to be his queen. Yeah...
    • Drake is an even worse example, being so psychopathic that even Caine is nervous around him.
    • Gaia, too.
  • Harry Potter
    • Lord Voldemort, and almost all of his Death Eaters — but particularly Bellatrix, who seems to be a sadist as well as mentally unbalanced in general. When Narcissa (Bellatrix's sister) is reduced to a nervous wreck by Voldemort sending her son on a dangerous mission, Bellatrix insists she should be proud.
    Bellatrix: If I had sons, I would be glad to give them up to the service of the Dark Lord.
    • Professor Umbridge, whose idea of detention involves students writing lines in their own skin.
    • Snape is this way as well. He bullies Harry and Neville mercilessly even though the same happened to him as a kid. He’s also very condescending about Tonks’s relationship woes causing her Patronus to change when the same thing happened to him.
  • Galbatorix in Inheritance Cycle definitely lacked empathy. Ironically, the first time he ever experiences empathy in any way, it gets him killed.
  • Journey to Chaos: When Eric accuses Tasio of apathy towards victims of mana mutation the trickster replies, "My heart bleeds for every poor, tragic, hilarious victim". He's empathetic and compassionate in so far as fits his chaos god mentality. He's constantly helping mortal people and understands both their troubles and triumphs; just as often he's making a nuisance of himself.
  • Most if not all the antagonists in any Dean Koontz novel.
  • Seems to be a feature of immortals and cats in The Last Unicorn. In the case of unicorns at least it's not that they lack the capacity so much as they have a differing value system; as the unicorn states, both cruelty and kindness are concepts for mortals, that don't really apply to unicorns or their ilk (Schmendrick, cursed with immortality himself, reckons she's full of shit).
  • In Jane Austen's Love and Freindship, the narrator has acquired this.
    "Tho' indeed my own Misfortunes do not make less impression on me than they ever did, yet now I never feel for those of an other."
  • Max Barry's Machine Man has Dr. Charles Neumann. He has virtually no empathy whatsoever at the start. This goes further as he starts replacing his body parts with Better Parts.
  • Nevermoor: Very common in the villains.
    • Inspector Flintlock is a xenophobic cop who hates all immigrants, especially "illegals." Never mind that the Free State is so isolationist that even if someone sincerely wanted to immigrate legally, they probably can't, and many people, including Morrigan, came because their lives were endangered back home. His hatred of "outsiders" is so extreme, he spends the entire first book trying to have Morrigan deported, even though he's been repeatedly informed that she'll probably die if she goes back, and she's a child.
    • The Mole in the second book is revealed to be Henry Mildmay, meaning he spent a whole year with a group of children in his care, and was still able to sell them to the Ghastly Market without a care, all to line his own pockets.
    • The Big Bad, Ezra Squall, outright admits he doesn't care about anyone else, and is very adamant that "Wundersmiths don't have friends." He's purely out for himself and his own self-interest. He does have some genuine Villain Respect for Morrigan, but it's mostly due to their similarities, and he repeatedly demonstrates he has no actual regard for her feelings or welfare. He also created the Hollowpox, an engineered disease specifically designed to target and kill Wunimals, as a means of extermination. This is already disturbing, but it gets creepier when he reveals that he was hired to do so by President Wintersea, and he has no moral objections... but he also didn't do it because he hates Wunimals like she does. He doesn't hate them so much as he is entirely apathetic to them; their entire population, like all living creatures, are so far out of his interest that he couldn't care less whether they live or die.
  • Mr. Men:
    • When Little Miss Trouble sees the result of her lies about Mr. Small (Him getting two black eyes courtesy of Mr. Uppity and Mr. Clever), she laughs at the result.
    • Mr. Happy of all people displays this trope in Mr. Men: Adventure In China when Mr. Bump falls into the moat in the Forbidden City by smiling at what happens while Little Miss Brainy, Little Miss Lucky and Mr. Jelly all show concern.
  • The narrator of spoof self-help book Oh, the Humanity definitely qualifies. The general impression is that he understands empathy in an abstract sense but has no ability to actually experience or apply it. During his Hilariously Abusive Childhood he considered "empathy" to involve a bully trampling his science fair project and saying "That must suck for you, dorkhole", so at least it's kind of understandable that he has trouble with it.
    "That reminds me, I've been meaning to call you and tell you how much you have to live for. I'm sorry, I've just been doing so much gardening as of late."
  • Paladin of Shadows: Katya. Jay says this is what prevents her from being a truly good spy.
  • Happens to most humans on Earth in Perry Rhodan's "Aphilia" arc. It's a very gradual process caused by the new sun the planet is orbiting at the time, so society more or less adapts — the world resulting from it isn't a nice one at all, and people immune to the effect become essentially hunted outcasts, but self-interest and very strict law enforcement with robotic backup manage to hold things together more or less well.
  • In L. Jagi Lamplighter's Prospero Lost, Miranda evinces a serious limited ability to empathize. Her siblings think their father used a spell on her to stifle it. Surprising moments of empathy appear, and shock her with the realization that her siblings might be right, and the spell is now breaking down. OTOH, at all times, she fully averted A Million is a Statistic and is grieved and disappointed in herself when she is unable to prevent natural disasters and so the deaths of thousands.
  • In Psy Changeling, as a result of the Silence Protocol, this is a defining trait of the Psy race.
  • Count Olaf in A Series of Unfortunate Events, who relentlessly pursues the Baudelaire siblings around the world and causes them all manner of pain and suffering in pursuit of their inheritance, killing numerous innocent people along the way.
  • Richard Lopez and Blue Eyes of Ship Breaker have no empathy for anybody. Richard more or less profiles as a sociopath while Blue Eyes is an emotionless monster.
  • Mandos in The Silmarillion is a rare good example. As the judge and the overlord of the realm of the dead (dead elves anyway) empathy would get in the way of his job.
  • The Hirogen alpha in Demons of Air and Darkness, who like most Hirogen relates to other sapient beings only as prey. At one point, he reflects on how one of his victims cried that she had a husband and children, "as if the family structure of prey was of any relevance".
  • Mark from That Was Then... This Is Now is compared several times to a lion — attractive, charismatic, and utterly incapable of caring about the people he hurts. This seems to be innate rather than environmental, and the narrator observes that it's unlikely he could ever be treated or convinced not to harm others, only put in jail for who and what he is.
  • In This Immortal, Evilutionary Biologist George exhibits a lack of sympathy both towards people and especially towards other living creatures, e.g. he dissects the last living dog on Earth just because he can and For Science!.
  • In Wen Spencer's Tinker series, it is a distinct trait of the oni. Fortunately, their half-human children don't evince it; if they had, the elves would have had to kill them all, and actually done it.
  • Victoria has numerous examples among its villains, but the eminent example is perhaps the Cascadian goddess. When she notices that one of her faithful attendants has been shot dead with an arrow, she is upset — because the feathers on the arrow come from a holy owl, and mortals have no right to harvest them.
  • World War Z implies this with Paul Redeker, an Amoral Afrikaner who devised a plan to save the already overrun South African nation from the zombie hordes by creating decoy safe zones to draw zombies away from the true safe zone set up to house the government and necessary laborers. At least one military officer charged with overseeing his nation's version of the plan was Driven to Suicide after giving an order to pull military support from one of the decoy zones. Interestingly, the interviewee retelling Redeker's story suggests that Redeker was actually an inversion of the trope, and that he forced himself to push aside his emotions in order to avoid a mental breakdown due to being over-empathetic. Because the interviewee is Paul Redeker, having literally forgotten his own identity and assumed another after a mental break, this may actually be the case.

  • "Pretty Vacant" from the Sex Pistols' Never Mind the Bollocks, Here's the Sex Pistols.
  • "I Don't Care" from The Ramones' Rocket to Russia.
  • Daniel Amos' "It's Sick" (from Vox Humana) is about responding to foreign tragedies with complete apathy. The narrator at least has the self-awareness to feel bad that he doesn't feel bad:
    "It's sick! And I got it on my TV
    It's sick! When I don't feel a thing
    It's sick! And I get a little queasy
    When somebody tells me it's only a game, it's sick!"
  • In the audio play, The Grand Cyberpunk Gala of Gabriella Gadfly, the antagonists are a group of AI that had once been human, and are in the process of losing their emotions. This is bad because once they become completely detached from human sympathy, they'll attempt to Ascend to a Higher Plane of Existence in a way that will destroy a populated city.

  • Taako of The Adventure Zone: Balance develops this in response to his time on the Starblaster, after encountering hundreds of worlds only to see them get consumed by The Hunger one after the other; he sees anyone but the Starblaster crew as "dust.

  • Dawn of a New Age: Oldport Blues:
    • Melissa lacks empathy to a sociopathic degree. When her boyfriend hesitates at the idea of siccing a bloodthirsty monster on an apartment full of poor people, she eggs him on. When said monster kills an innocent bystander and his dog, she's only concerned with how long it takes to finish him off. And when the chips are down, she doesn't hesitate to try and commit murder without any hesitation or remorse.
    • To a much lesser degree than Melissa, Jacob has problems empathising with others. Specifically, he cares more about how people might inconvenience him than how they're feeling, which is a direct result of his mother forcing him to adhere to an overly strict regime. When Lenore finally manages to guilt him into helping her defuse a bomb, he's thoroughly confused at what he feels.

    Tabletop Games 
  • The Fae in Changeling: The Lost. The fae's lack of empathy make them seem utterly alien to those they kidnap, enslave, and shape to their own twisted desires. The very few times a fae does develop real feelings for their unwilling playthings they actually lose most of their supernatural power and memories of their previous existence.
  • Dungeons & Dragons:
    • Acererak from the Tomb of Horrors quest. He decides to become immortal by becoming a lich and, when his body begins to fail after several centuries, he begins to plot ascending into becoming the ruler of all dead by building a tomb filled with hideous traps that can (and will) kill even the strongest of adventurers, all in his honor. Then, when it is finished, he kills all the ones who built it and his followers, kidnaps an innocent siren and places her in a cavern, shackled through magical means. Why? Just for his own amusement of seeing adventurers go paranoid over whether she is a trap or a monster. Finally, when adventurers do reach his chamber, he sucks their soul out, just like that.
    • Mind flayers. They learn their emotions from specially enchanted crystals, not from each other. They don't learn how to feel based on others, they learn how to feel from rocks. Other creatures are no more than tools to them, and it's only their devotion to the elder brain that really allows them to have a society. The third edition sourcebook ''Lords of Madness" describes them as "cold" and "clinically detatched" and implies that all the major aberration races described in the book simply never even consider (nor care about) how their victims feel.
    • Dracotaurs are described as being utterly incapable of experiencing compassion towards other beings.
    • The yuan-ti are cold and emotionless Snake People who view other creatures as hunks of meat to be used and discarded as they see fit, and they consider the emotions of such creatures to be an exploitable weakness. They don't even feel empathy for their own kind: while the yuan-ti place a higher intrinsic value on their fellows than they do on everything else, that won't stop a starving yuan-ti from killing and eating its peers without hesitation or remorse.
  • The Fair Folk of Exalted. Due to the nature of the Wyld, where they can summon up and dismiss whole countries full of people with but a thought, many of them have difficulty grasping the idea that people in Creation are independent and sentient beings.
    • The Yozis, too. Malfeas genuinely doesn't understand that people even have opinions, let alone that they might act on them, and it took quite a while for the Ebon Dragon to convince him that the Infernal Exalted would need a source of motivation other than Malfeas shouting at them and slapping them around when they failed. The Dragon himself is a sociopath whose sole ability to relate to others is based upon figuring out how best to a) get what he wants, b) ruin their lives or c) do both at once (usually c). Kimbery cares deeply about others, but this doesn't extend to e.g. not destroying their lives "for their own good", and as soon as they object or fail to live up to her arbitrarily high expectations she hates them to death. Adorjan is very generous, but this is performed through such charming things as murdering her victims' loved ones to teach them the folly of attachment, or simply killing her target horribly to give them the greatest gift — silence — with no concern for whether or not they actually want this enlightenment. The closest She Who Lives In Her Name gets to empathy is a kind of icy and emotionless pity, Cecelyne exists solely to enforce her Social Darwinist views on the universe, Isidoros is willing to not trample people... if going to trample some other people would be more fun, and Metagaos is far too hungry to care whether what he's eating can feel or not.
  • This is one of the drawbacks of blue magic in Magic: The Gathering: blue was already The Spock, but the more villainous blue mages go from disregard for emotions to disregard for everything except achieving their goals. Black can also be like this, although usually it does understand that others have internal lives; after all, that makes them easier to manipulate.
    • Yawgmoth didn't care about the feelings of the victims of his schemes. He eventually extended this trait to the rest of Phyrexia, creating a society of unemphatic half-machine monsters.
  • A common trait for Osirans in Promethean: The Created. As their humor is phlegm, which embodies logic and calm, they tend not to think in emotional terms. Strange Alchemies mentions how one Osiran encountered a dying homeless man whose last words were "Help me"; rather than assist him, the Promethean moved on, and spent a long time wondering why the man thought a stranger would aid him.
  • Practically everyone in Warhammer 40,000, at least as far as their own kind goes.
    • Da Orks don't even make that distinction: seeing other Orks get horribly butchered in droves is more likely to cause another Ork to laugh at how Bloody Hilarious it all is rather than evoke any kind of rage, horror or revulsion.
    • Blanks in particular tend to be on the giving and receiving end of this trope. Being cut off from the Warp, which among other things embodies emotion itself, they are nearly incapable of forming emotional attachments to others and vice versa. Not surprising since they are the closest thing besides Necrons (the majority of which have lost their souls and individuality) to The Soulless that 40k has to offer. Some Blanks seem to be perfectly capable of empathy, which suggests that those who lack it may have turned out that way due to severe abuse or neglect as children, no doubt due to the sense of "wrongness" that normal humans tend to feel while in their presence. There are mentions of Blanks/Pariahs being hunted down and killed on more superstitious planets due to this creep factor, which would lend credence to the idea.
    • Arguably, this was The God-Emperor of Mankind's Fatal Flaw (or at least among one of the more dangerous ones). For all that he did to ensure human supremacy and prosperity, he didn't seem capable of actually connecting with most humans on a personal level, even his own Primarchs. This ultimately brought ruin to everything and everyone around him, including himself, when said Lack Of empathy became one of the major reasons half his sons betrayed the Imperium to Chaos and set off the events that made the Imperium a theocratic hell-hole upon which the Emperor can only watch his dream burn and die by inches for millennia.

    Visual Novels 
  • Quite a few of the villains in the Ace Attorney series are this.
    • One of the earliest is Redd White, from Phoenix Wright: Ace Attorney. He blackmails everyone he possibly can, doesn't give a damn that he's driving countless people to suicide, happily murders Mia so she can't blow the horn on him, has Maya framed for the crime, and doesn't feel the least bit sorry that he just ruined the Fey family's lives in general. His own secretary believes that he'd murder her if she talks. He doesn't actually show concern for the events of his game until he's on the line.
    • Another notable example is Manfred von Karma. All he cares about his his perfect trial record. He doesn't care who he hurts, or if he might be putting innocent people in prison for crimes they never committed. He also doesn't mind that he was playing Edgeworth, Hammond, and Yanni Yogi so he could get what he wanted, which was revenge for a slight against him. He shows no remorse over tazering Phoenix and Maya to steal their evidence. Oh, and he considered murdering Edgeworth's father to be totally justified, because the guy ruined his trial record and all.
    • Among the many murderers in the series, Matt Engarde, Dahlia Hawthorne, Quercus Alba and the phantom probably demonstrate this trope the best. They all care for no one but themselves, and anyone else is just a tool to accomplish their goals. The latter is even a diagnosed sociopath.
    • Frankly, the only villains for whom this trope does not apply are Yanni Yogi, Mimi Miney, Acro, Marlon Rimes and Godot if you count him as one, since they all acted out of revenge/desperation and did not want to hurt anyone except those who ruined their lives and the lives of their loved ones.
    • Apollo Justice: Ace Attorney gives the particularly disturbing example of Kristoph Gavin. Over the course of the game, he completely ruins Phoenix's career as a lawyer, causes Trucy to be orphaned, murders Zak Enigma, tries to frame Phoenix for that crime as well, murders Drew Misham, tries to frame Drew's withdrawn daughter Vera for it, and is revealed to have been trying to poison Vera since she was a child, by way of giving her tainted nail polish while she has a habit of biting her nails. All of this comes from the simple fact that Zak Enigma hired Phoenix instead of him as a defense attorney, and everything he did was either to get twisted revenge on Phoenix or cover his own ass.
  • Fate/stay night:
    • This was part of Saber's Fatal Flaw when she was alive: she adhered to the belief that a perfect king must feel no emotion, allowing them to be impartial and perfectly just. While this allowed her to rule effectively it also alienated her people and contributed to the kingdom's collapse. Granted, she can feel empathy, but she "discarded her own humanity" in order to become the "perfect king". When she actually reconnects with her humanity, she doesn't take it well. The fact that her reign ended so tragically made her come to the conclusion that she simply was not meant to be king, and someone else should've taken her place.
    • Kirei Kotomine has a version of this as well. He only feels happiness from the suffering of others, and literally cannot feel satisfaction in altruism or even simply trying to enjoy himself. This is in contrast to Shirou Emiya, who can only feel satisfaction from making others happy.
    • Female lead Rin Tohsaka is like this as a consequence of her Magus upbringing, though it's not nearly as severe as most examples. She admits to Sakura in the Heaven's Feel route that although she cares for her, she cannot feel the guilt over their father's actions, as well as her inability to save Sakura from her Fate Worse than Death that they both believe she should. She also tends to not really understand how Shirou, Archer, and Saber feel on occasion, though to be fair all three of them are also pretty messed up emotionally.
      • Rin is actually a subversion, as while she herself thinks and believes she doesn't have any empathy, in truth Rin has a fairly strong sense of empathy (especially for a Magus). This is best shown in the prologue when she finds a mortally wounded Shirou and her thoughts immediately drift to her sister Sakura and how heartbroken she would be, prompting her to sacrifice her trump card in a desperate (but successful) attempt to save him.
    • Gilgamesh takes this trope and runs with it, with everything that comes with it. Shirou even comments that it's more like he's staring through himself rather than Gilgamesh looking at him, as if he's not even recognizing him as a human being.
  • The Fruit of Grisaia: Neither Irisu Kiyoka and Sakaki Michiaki is capable for feeling for the people whose lives they ruined or hurt. Neither of them cares for anything but furthering their goals. Michiaki is mostly empty and emotionless while Kiyoka is an otherwise petty human being.
  • Higurashi: When They Cry: Satoko's Evil Uncle Teppei and her aunt Tamae, Rina, and ESPECIALLY Miyo Takano.
  • The Big Bad in Nine Hours, Nine Persons, Nine Doors. Hongou suffered from prosopagnosia, a mental disorder disabling the ability of an individual to recognize faces, and as a result he felt completely disconnected from his fellow man, seeing other humans as nothing more than indistinguishable "monkeys in a zoo". He hated living like this, and became a Mad Scientist and Corrupt Corporate Executive of an evil pharmaceutical company willing to stop at nothing in the hopes of finding a cure.
  • Without the ability to experience love, Kakuya from Spirit Hunter: NG forces people to play her games, tormenting and killing them without any remorse because she only cares to satisfy her own desire for fun.
  • Most of the witches from Umineko: When They Cry. Beatrice seems like this at first but it's shown that despite the number of tortures/murders she commits, she likes Maria to the point where Maria is a Morality Pet of sorts to her. And then later, she's considered an imaginary friend to Natsuhi. Plus, despite how much time she spends fucking with Battler's mind and his life, in Episode 6, Battler and Beatrice end up married. Similarly, Lambdadelta seems heartless at first ( except for Bernkastel), but is shown to genuinely pity Battler when he is trapped in a logic error, knowing fully well how terrifying that situation is.
    • Erika Furudo is not only unfazed, but actually excited by the murders occurring, partly because she "knows" that wherever a detective like her goes, a murder occurs. Needless to say, when questioning witnesses, she doesn't bother with delicacy.
      Battler: You... do you even have a heart?
      Erika: A heart? What is that?

    Web Animation 
  • The Annoying Orange: Orange shows very little concern whenever the other foods get brutally murdered, instead continuing his routine of comedy
  • Wizard from DEATH BATTLE!: He's often incredulous at a fighter's Backstory, especially if they do something that avoids gaining power, like Pikachu's refusal to evolve via Thunder Stone.
  • In the Dingo Doodles "Fool's Gold" campaign the entire race of Foreclaimers lacked both emotions and empathy. Foreclaimers who did develop them were considered "defective" and, unless they had status like Gothi, would be eliminated.
  • Cloud has trouble when it comes to other people's tragedies in Final Fantasy VII: Machinabridged. Given that lack of empathy is a sign of Disassociation, which Cloud has a Mako-induced and drastically exaggerated case of, it makes a lot of sense it'd be one of his biggest flaws.
  • RWBY:
    • Salem clearly feels none of the pain she causes others. When Yang angrily calls her out for failing to handle one bad thing happening in her life as a comparison to how much Salem has taken away from her, Salem's response is to ask in a bored tone who she took from her. The minute Yang clarifies it was Summer Rose, Salem's demeanor changes to a sadistic smile.
    • Cinder Fall has absolutely no compassion for anyone. If she even acknowledges people, they are merely tools pushing her plans further or obstacles that need to be crushed. She looks onto the carnage of Vale by the Grimm and calmly says it's "horrendous" as if it is something to be admired. Jaune even calls her out on it, demanding to know how she could be proud of all the suffering she's caused. The only acknowledgement she has for people's feeling is how she can use them to manipulate or hurt them.
    • Jacques Schnee, Weiss' abusive father, is just as bad, if not worse. As stated by Qrow Branwen, all Jacques cares about is winning and is willing to use others to further his goals. He only hosts a fundraiser for Vale in order to attain good publicity, and goes so far as to flat-out tell Weiss to her face that her dreams and ambitions do not mean a thing to him.
    • Zig-zagged for General Ironwood. Ironwood can act caring and considerate- but only for those who are or could be useful to him. If you aren't, then Ironwood won't hesitate to throw you aside without hesitation and No Sympathy. The members of Ozpin's Benevolent Conspiracy share a Land of Oz theme; Ironwood is the Tin Woodsman, who believed he had no heart.

    Web Comics 
  • Deep Rise gives an example in The Nobles: They rarely if ever, feel or display empathy towards beings of other species, due to feeling that they are superior to all other life.
  • Dragon Ball Multiverse: Frieza and the other villains, of course.
  • Dr. Frost is an Insufferable Genius psychologist who claims that he has no empathy, which according to one of his old colleagues caused the death of one of his first patients and made him a pariah in the medical community. Unusually for a Sherlock House — style protagonist his lack of empathy doesn't translate into abuse towards his assistant (other than making her pretend to like a patient so he can break into his apartment) or his patients, although doing an unwanted Sherlock Scan or stopping a high school girl's anxiety attack by springing at her and clamping his hand over her mouth is unsettling. Frost's lack of empathy even has an organic, explained source: when he was a child he suffered a traumatic brain injury (he later acquires a similarly injured puppy, claiming he's only keeping him for study).
  • In El Goonish Shive, the process of becoming an aberration, and thus a being that feeds off of humans in an attempt to cheat death, is explicitly said to destroy any capacity for empathy.
  • Jan in Gifts of Wandering Ice. He has an antisocial personality disorder.
  • My Deepest Secret: Elios. During a conversation with Emma, his girlfriend, he tries to explain his system of values, pointing out a stray dog has no value to him and thus doesn’t matter. He follows this with saying he loves her and his mom because they have value to him. This scares Emma, making her think that if she weren’t his girlfriend he wouldn’t care about her at all.

    Web Original 

    Web Videos 
  • Ask That Guy with the Glasses, although he cares enough about the narrator to shoot himself in the mouth because he can't live without him... after killing him, obviously.
  • The CollegeHumor video "Livin' Mask-Free (Music Video)" is about a country singer who sings about his stubborn refusal to use a mask when out in public during the COVID-19 pandemic. Near the end of the song, he flat-out admits that he doesn't care about the fact that his decision will increase the risk of the virus spreading and will therefore cause more people to get infected and die.
    Singer: Fuck you! I don't care about all the deaths
    Don't care how much I kill with my stupid breath
    'Cause I'm coughin' freedom out from sea to sea
    But I'm not talkin' about your freedom to live
    I mean your freedom to look at all the shits I give
    'Cause the only guy I care about is me.
  • Critical Role: Wildemount: Taken to its Logical Extreme with Trent Ikithon, an Evil Sorcerer who indoctrinates children into his elite assassin corps. He can't even show empathy for his victims when placed under magical compulsion to do so, revealing that he's completely incapable of it.
  • The Nostalgia Chick. Apart from a couple of Pet the Dog moments, she's not keen on showing that she cares.

    Western Animation 
  • From Adventure Time, we have The Ice King and Lemongrab. The Ice King is insane, and Lemongrab is unable to read social cues.
  • Roger from American Dad!. In the episode "Frannie 911," he tried showing empathy for a change, and it literally almost killed him, after which he reveals that empathy is fatally toxic to his species.
  • Amphibia:
    • King Andrias pretends to understand Marcy's plight and plays along until he got everything that he ever wanted. Zigzagged later on. Andrias shows absolutely no remorse for the mass deforestation his robots are causing to Amphiba, his ancestor's traditional home, even looking forward to draining "this pitiful mud ball" of all its remaining resources, and tasks Yunan with conscripting frogs to build more factories to produce his robots, even outright telling her to terminate any dissenters. However, he does show genuine fondness for Marcy after the Core chooses her as its suitable host and tried to dissuade it from that course of action, even being unwilling to watch as she's possessed in the end. That said, he still helps the Core take her over, showing how sentimental feelings aren't enough to dissuade him from his course of action.
    • In a surprise twist, it turns out one of the protagonists has this: Marcy Wu struggles with relating to other people, often dragging them along on things they don't want. The ultimate example is how she got her friends Trapped in Another World on purpose because she thought they would like it, something they obviously would not. It also shows in her treatment of the people of said world, as she frequently treats them like NPCs in a video game or something to observe and study like one would a fictional setting.
  • Master Shake of Aqua Teen Hunger Force is a raging Jerkass who just plain doesn't give a damn about anyone but himself. He constantly goes above and beyond to torment Meatwad for his own amusement, going so far as to stuff Meatwad's pets into a microwave. One particular example is in the Season 2 episode "Super Squatter," in which he breaks into Carl's house to watch TV, and spends hours watching TV while completely ignoring the fact that Carl shot himself in the foot with a shotgun and was sitting right next to him bleeding out and begging for help the entire time.
  • Arthur: Even for a four-year-old, D.W. tends to be quite unsympathetic to others' well-being, especially to Arthur. She once destroyed his model plane he worked very hard on and told her numerous times not to touch... and she doesn't care whatsoever; instead insisting he didn't make it right. Not that Arthur handled the situation very well himself, though.
  • Avatar: The Last Airbender:
    • Subverted in "The Beach", where Azula apologizes to Ty Lee after insulting her. She also comforted Zuko when she found him at their family's old beach house.
    • Ozai's only goal in life is to be the most powerful man in the world, so he casually tosses aside his father, his brother, his wife, his son, and eventually his prized daughter in the pursuit of ever greater power.
  • Batman: The Animated Series: As a disciplinarian, Temple Fugate doesn't know how to accept not only other human beings, but the Universe: He is a Mean Boss to his employees and he is sure he will lose an appeal because everyone thinks of him as a Jerkass.
    • Ferris Boyle, whose malicious greed hardened him to Victor Fries begging to keep his wife alive.
    • Don't forget The Joker, who was completely insane and kicked the dog on several occasions, but what really cemented him with this trope was during the infamous flashback in Batman Beyond: Return of the Joker, where Joker mocks Batman after learning his Secret Identity from torturing Robin enough to drive him insane while showing Batman that he filmed it all, remarking that Batman's Origin Story "would be funny if it weren't so pathetic," before deciding to laugh about it anyway. When Batman manages to crash through a window and beats him to a pulp, Joker nonchalantly tells him, "If you don't like the movie... I've got slides!" When Batman threatens to "break [Joker] in two", Joker is unafraid, saying that if Batman really wanted to "have that kind of fun", he would have done it years ago. This final comment perfectly displays his fundamental inability to understand human emotions, as any viewer could immediately tell from the context and the tone of Batman's voice that there was a very real chance of him breaking his one rule this time, but the Joker apparently didn't realize that killing strangers and torturing one of Batman's loved ones might cause him to react differently from normal. Or the Joker just didn't care.
  • Kevin Levin in Ben 10. In his debut episode, he deliberately rigs two trains to collide so he can steal all of the valuables on board; when Ben points out that he'll be killing hundreds of innocent people in the process, Kevin flippantly remarks, "Hey, no pain, no gain." He's gotten much better in Alien Force and Ultimate Alien, because he's stopped using his powers to absorb energy, which had made him violently insane in the first place.
    • Vilgax was originally this, then he became a sort of Noble Demon in Alien Force, which was quickly revealed to be an act.
  • Big Hero 6: The Series: Obake has this due to brain damage from an accident in his youth.
  • Bob's Burgers: Louise admits at one point that she doesn't understand emotions such as empathy, and when she realizes she feels sorry for her father Bob, she outright questions her own sanity.
  • Eustace from Courage the Cowardly Dog. Throughout the series the only moment he ever showed true empathy was when he hallucinated Courage as a version of his younger self, and gave him his hat out of pity. It makes the audience wonder what worth his kind wife Muriel sees in him.
  • Danny Phantom:
    • Vlad Masters. He doesn't care if Maddie is already happily married with children, because he wants her to be his wife and her son Danny to be his son. He spends much of the show trying to accomplish this. One episode that examined an alternate future where Vlad and Maddie got married showed that the relationship would not be a happy one; Vlad appeared to treat Maddie more like a trophy that he won from Jack, rather than his wife.
    • Dan Phantom, Danny's evil future counterpart, is even worse in this regard, as a result of being Danny and Vlad's ghost halves merged together without any human element.
  • Family Guy: Stewie and Peter Griffin. Lois may fall under this trope in the later seasons. Though still present to an extent, Stewie started to grow out of this as the series went on, especially after he and Brian became close friends.
  • Bender from Futurama. Notable in that he is capable of love, but not empathy. For example, he loves Fry with all his heart, but in a completely narcissistic fashion, as he only cares about Fry being alive and present so that Bender can love him, not about Fry himself being happy. However, he does have a Heel Realization about this in "Jurassic Bark", when, after being jealous and utterly unsympathetic over Fry's feelings about his old dog Seymour (who Fry is trying to clone) all episode, he throws the corpse in a volcano to eliminate the competition. Fry's grief causes Bender to realize, in a stroke of revelation, that Fry's feelings for Seymour are just like Bender's feelings for Fry, and finally understands what empathy feels like.
    • In the episode "I Second That Emotion", Prof. Farnsworth installs an empathy chip on Bender in order to teach him about empathy. It forces him to feel whatever emotions Leela is feeling at the moment. The episode ends with Bender not learning a thing and continues to be a Jerkass and Leela acting more like a jerk.
  • Van Kleiss from Generator Rex. Is willing to kill EVO henchmen who displease him without a second thought, kidnap a little girl so he could force her EVO father to go on a rampage, and messes with Rex's emotions simply because he can.
    • White Knight also counts. Despite dedicating himself to wiping the threat of EVOs from the earth, he's just as ruthless and uncaring as Van Kleiss. His disregard towards Rex as a mere weapon, willingness to sacrifice his own forces and millions of innocent people to stop one EVO (he even openly states that "Soldiers are replaceable" to the group of soldiers Rex rescued), and use of Dr. Holiday's mutated EVO sister as blackmail to keep her in Providence are proof of this.
    • But at least White Knight has some justification, unlike Van Kleiss. He's the only true human left on the planet, everyone else could mutate into a rampaging EVO at any moment, some of which cannot be cured and must be killed. In his position, he's got some justification for being unfeeling to most other people, he's literally the only person on Earth who can be trusted to never mutate into an EVO.
    • By the end of the series, White Knight has warmed up to Rex, to the point of rescinding Six's standing orders to take out Rex if he ever transforms into a Humongous Mecha again since he trusts Six and Rex. Van Kleiss reveals that he was always a selfish jerk seeking godhood and never cared about anyone but himself.
  • Pete on Goof Troop generally uses other people as means to an end and either doesn't notice or doesn't care how much anguish he causes any of them—on some occasions he even finds it amusing. He does occasionally feel regret for his actions if something drastic happens (such as his wife threatening to leave him or his son almost dying), but then he's motivated more by keeping them in his life than by caring about how they feel. One episode in the entire series showed him caring about another person's feelings out of more than convenience; he understood how the kid who lost at mini-golf felt in "Tee for Two."
  • Infinity Train:
    • Zigzagged with Grace; while she's motherly to the children in the Apex, she doesn't even view the inhabitants of the Infinity Train as sentient beings, calling them "Nulls" and seeing them as nothing more than 'constructs' with no emotions. "The Musical Car" shows that she feigns compassion to the Apex kids by showing appreciation for their objects but merely discards them when they aren't looking. By the second half of Book 3, she's learning to become more empathetic, to the point where she becomes absolutely devastated when Hazel decides to leave her and travel with Amelia instead. She also comes to terms with the mistakes she's made and vows to reform the Apex.
    • Straight with Simon; he happily tells Hazel that he murdered Tuba and that she's better off without her. He also doesn't understand why Grace is frustrated about this, believing that she doubted him even capable of killing Tuba. In later episodes, he can't understand why Grace is "shutting him out" and acts eerily like an abusive boyfriend, getting into her personal space and stating Grace isn't acting "like she should be", traps her in her memories and then kicks her off the train to be wheeled. As Word Of God has pointed out, Simon is a Narcissist and thus only cares about others so long as they live by his rules.
  • Invader Zim:
    • Zim himself doesn't care about anyone's feelings, aside from the rare Pet the Dog moment with GIR.
    • Gaz as a rule doesn't care about anyone except her father, though the movie shows that she does also care about her brother, she just never expresses it.
  • Lucius on Jimmy Two-Shoes, whose job is literally to make people miserable. Heloise on a lesser level, but at least she cares about Jimmy.
  • The Biskit Twins in Littlest Pet Shop (2012) display this in most of their appearances due to their It's All About Me attitudes, although they have the occasional Pet the Dog moment.
  • A lot of characters in Mary Shelley's Frankenhole, but protagonist and immortal Mad Scientist Frankenstein is this ALL THE WAY! Will create horrific abominations, like a flying shark or vampiric horse, just to kill them for his amusement and will happily let his own elderly children get reaped by the Grim Reaper just because he grew bored with them. When he created a robot housing a copy of his brain so he could have better company to talk to, even his robot self couldn't stand how much of a self-centered jerk he was.
  • Moral Orel has Clay Puppington; he accidentally shot his son and not only refused to take responsibility for it, he mocks Orel for crying in pain.
    • Clay is a psychopath/sociopath — or maybe a narcissist. Bloberta, on the other hand, proves to have some capacity for empathy. In the last episode, when Clay says that the family is going to sing Christmas carols, Bloberta says that Orel should be involved in it too. Some might ask when she started caring about Orel. There was an episode that went into her childhood. Her mother would not let her sing with the rest of the family because they already had a soprano and they did not need another one. Fridge Brilliance sets in when you realize that Bloberta remembers the humiliation she suffered when it came to families singing songs and does not want to put Orel through that.
    • A lot of the cast shows traits of this. Stopframe and Dr. Potterswheel both have their moments in "Numb" (regarding Bloberta). The former when he takes back his apology (for taking advantage of her to get to Clay) and the latter when he admits he cares for her, not about her. Joe is a brat who's a jerk to pretty much all the children and most of the adults in the show, Miss Sculptham pretty much just does her job as a teacher and shows no interest in teaching or giving advice outside school hours.
  • My Little Pony: Friendship Is Magic:
    • Discord, the Arc Villain of the first two episodes of Season 2, is a Reality Warper with a very twisted sense of humor. He feels absolutely no empathy for anyone, and the only thing that matters to him is his own amusement. This turns out to be because he has never had a single friend; when Fluttershy befriends him, he reforms.
    • Diamond Tiara, the Cutie Mark Crusaders's school snob is all over this trope in episode Ponyville Confidential, when she gains the name of "Foal Free Press" editor-in-chief, she blackmails the Crusader Trio to write more embarrassing stories about most of the show's cast, or else she'll post private photos. At the end, after the trio write an apology to their victims, Diamond is finally punished by being kicked out of the chief's chair.
    • In the Season 3 episode "Too Many Pinkie Pies", the main thing that differentiates the Pinkie clones from the original is that the clones care only for their own amusement, while the real Pinkie wants her friends to be happy too.
    • "Griffon the Brush-Off" is all about this trope. Pinkie Pie and Rainbow Dash avert it while playing pranks on their friends; they both agree that pranking Fluttershy is out of the question because she's too sensitive and it would hurt her feelings. Then RD's old friend Gilda comes to visit, and plays the trope straight by being a Jerkass to everypony except RD, because she cares only about being cool. RD also wants to be cool, but is so appalled at Gilda's behavior (which includes making Fluttershy cry) that she tell her to "go find some new cool friends someplace else."
      • In "The Lost Treasure of Griffinstone" we see that Gilda originated from Griffinstone, a Griffin kingdom that has fallen on hard times. The loss of a national treasure caused the griffins to lose their national pride, and their society has crumbled as a result. The griffins have reverted to the greedy and selfish jerks they were before the idol's discovery united them. They won't do anything unless someone is willing to cough up some bits for it. Not even if lives are depending on it. Gilda is actually the only good griffin shown in that episode.
    • "Wonderbolts Academy" has Lightning Dust, a pony who has all of Rainbow Dash's drive and ego, but none of her empathy, to the point that she sees nothing wrong with pulling a stunt that nearly kills several ponies.
    • Lord Tirek, the giant centaur, outright declares that he is fully entitled to use magic. To himself only, it is nothing but a source of power. He does not even care for his own brother, who had chose to befriend Star Swirl.
    • The most explicit example is Cozy Glow, the Big Bad in the Season 8 finale. Unlike all previous villains who outright rejected friendship (or at least were unable to understand it), she is aware of the Power of Friendship, and plans to harness it for her own ends. Cozy uses her youth and cute appearance to ingratiate herself to others and form immediate "friendships" with them that amount to nothing more than her convincing them to do things for her. Even when sent to Tartarus as punishment for attempting to drain magic from Equestria, the very first thing she does upon her arrival is attempt to make "friends" with aforementioned Big Bad Tirek.
  • The Powerpuff Girls (1998):
  • A majority of the cast from The Ren & Stimpy Show with Ren being the most blatant example, who lacks any form of empathy towards Stimpy... except when he doesn't.note 
  • Rick and Morty:
    • Zig-Zagged with Rick Sanchez. While he's fully capable of caring for other people in his life, he actively tries (and often succeeds) in treating them as being meaningless. While it is rarely outright stated, the implied reason is that all the horrible things he has seen on his adventures led to him deciding that every decision he makes is ultimately meaningless in the grand scheme of the multiverse. Whether he actually believes that or it's an excuse to justify some of his more morally dark actions is up in the air, but either way, Rick doesn't see it as worth the effort to bond with any particular version of family/friends, since they can be interchanged with any other of the infinite versions of them that exist just one portal-gun trip away.
    • Played straight with the Rick who killed the protagonist Rick's family. As Rick himself points out, this Rick is the "real deal" when it comes to not giving a shit about anyone.
  • South Park:
    • Eric Cartman only cares about himself and getting whatever he wants, and is perfectly willing to lie, cheat, manipulate, and commit mass murder to do so. In one episode, when Kyle is in dire need of a kidney transplant and Cartman is the only match, Cartman blatantly refuses to do so unless he's paid $10 million for it, forcing Stan and the other people of South Park to resort to trickery to get said kidney.
    • Done very frequently, perhaps the most notable involving Kenny's deaths, which, aside from the standard shocked exclamation, are rarely treated with much weight at all and forgotten about quickly. Subverted with "Kenny Dies" when the boys actually treat Kenny's supposedly permanent death with much more sorrow. It doesn't last long, however, and by "A Ladder To Heaven" it's obvious they've all but forgotten about him.
  • Even though he's justified by being Surrounded by Idiots, Squidward from Spongebob Squarepants himself is often shown to be indifferent in later episodes such as refusing to help a man who was handcuffed by Mr. Krabs for not paying. But Mr. Krabs tops the cake more than the aloof Small Name, Big Ego, as his greed takes over his empathy and common sense.
  • M. Bison in Street Fighter don't get why Chun-Li is pissed at him for killing her father. After all, he killed his father too, and you don't hear him whining about it.
  • Slade from Teen Titans (2003) feels no sympathy for all the people he's hurt in his various actions, from mistreated underlings to people he's harmed in his plans. When Robin calls him out for helping Trigon destroy the world, Slade rationalizes his role in it, and when Robin points out that Slade's made people suffer, Slade coolly says "It's what I do best."
  • Captain Tunas in ThunderCats (2011) is obsessed with killing the Ramlak, a monster who destroyed his home, and has no regard for the lives of his crew, who he sees as a bunch of worthless weaklings. He strikes up a rapport with protagonist Lion-O, who also desires vengeance on a villain who destroyed his kingdom. But after seeing where Tunar's actions lead, Lion-O turns from his course.
  • Total Drama:
    • Series host Chris McLean has shown his disdain for teenagers many times, regularly putting the campers through torturous challenges all for ratings sake. As bad as Chris treats the campers, he treats his interns much worse, with some even dying on his watch.
    • Mike's evil Split Personality Mal has this in spades. He laughs at Sam when he's stung by a jellyfish, is fine with leaving Cameron to die in the forest and would have let Zoey get eaten alive by piranhas if that wouldn't have ruined his Hyde Plays Jekyll act.
    • Duncan has also pulled this trope. When Leshawna got voted off in "Super Hero-ld", Duncan just kicks Harold instead of thanking him for helping the guys alliance, or apologizing to him for [Harold's] loss. Later on in "Rock n' Rule", Duncan was the only laughing at Lindsay's mistake in voting herself off. In World Tour, Duncan doesn't forgive or talk to Courtney before cheating on her for Gwen. This move was what put Gwen on the Villainous Vultures and Courtney on the Heroic Hamsters in All-Stars. However, karma bites Duncan in the butt when he destroys Chris McLean's mansion, resulting in his arrest.
    • Though Don from Total Drama Presents: The Ridonculous Race is much less of a sadistic host than Chris, he still shows very little empathy when it comes to his interns. An intern is maimed or killed? No problem. On with the show!

This is the end of the page... but really, does anyone actually care if you've reached it or not?


Video Example(s):


Lightning Dust

She's a pony who has all of Rainbow Dash's drive and ego, but none of her empathy.

How well does it match the trope?

3.86 (7 votes)

Example of:

Main / LackOfEmpathy

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