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Periphery Hatedom

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I hate you, you hate me, we're a screwed-up family, with a great big punch and a kick from me to you! All I say is fuck you too!

Periphery Hatedom is when a character or show receives scorn and hatred from groups it was never meant to appeal to in the first place. It inspires an anti-Periphery Demographic, who respond to them in such a way that you'd think they had committed some unspeakable atrocity.

This is not to say that the dislike is always undeserved. We live in a mass-media world now, and any major pop-culture phenomenon is going to make at least some in-roads into the mainstream and show up on our radar whether it's aimed at us or not. In the worse case scenario, it may become inescapable, or prove so popular in its demographic that those attempting to Follow the Leader choke out any innovation in other programming for a period. Of course, a Periphery Hatedom can help make things even more inescapable, even well after the pop-culture phenomenon's popularity has died down. Given enough time, even an otherwise benign Periphery Hatedom can look fanatical to disinterested third parties, who are as likely to direct their pleas of "Will you just shut up about it already?!" to the haters as to the fans.


Keep in mind that some of the stuff that was marketed towards you when you were a kid had a Periphery Hatedom at the time, and the kids who love a kid-oriented work with a Periphery Hatedom may grow up to become the adults who hate some new kid-oriented work, while still viewing the stuff they themselves enjoyed as kids as pure quality.

Also, keep in mind that just because something is intended for a specific audience that won't recognise the flaws of the work, that doesn't mean the creators have an excuse to be lazy, so, if the Periphery Hatedom proves that even for its intended target audience the work isn't good, then they can have a point ("Just because something is made for kids, that doesn't mean they are free to treat them like idiots").

Compare Bile Fascination, a primary reason for people outside the target demographic to investigate. Contrast Hype Backlash, where a backlash occurs against something people have been told they'd like.


Many music examples overlap with Dead Horse Genre. Can lead to Deader Than Disco when a work's target demographic stops liking it and joins in on the bashing. See also Americans Hate Tingle for regional examples. Can be caused by What Do You Mean, It's for Kids? Moral Guardians are a specific type of Periphery Hatedom, who sometimes subvert the trope by directing their complaints at how they think the work will affect its intended audience. However, they often play it straight by getting the target audience wrong, typically by assuming that everything of a particular genre must be kid-appropriate. Tangentially related are Straw Hypocrite (hating someone for not sincerely holding beliefs that the hater never admired in the first place) and Straw Affiliation (criticizing someone for not being a "true" exemplar of a group to which the critic does not belong). There's also the targeted race in cases of Acceptable Ethnic Targets and National Stereotypes, who all hate said subject matter, which is nearly always justifiable.

Far worse examples in So Bad, It's Horrible.

Remember, this trope is specifically for examples where the hate comes from not pleasing a group that it never planned to reach in the first place. Complaining About Shows You Don't Watch when you're within its intended audience is not this trope. And cases of former fans rejecting newer versions of their preferred work/genre almost never fall here unless the work has a Fleeting Demographic (such as a lot of kids' shows, teen pop music, etc.) and the fan has grown out of it. Otherwise, move it to They Changed It, Now It Sucks!. Also, don't confuse this with the haters of a certain progressive metal band.

Please do not use this page as a place for Complaining About Shows You Don't Like or Complaining about People Not Liking the Show. You have to explain which demographic hates it and why.


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    In-Universe Examples 
  • Much of the content of MAD harshly satirizes franchises, shows, and films that the target readership (mostly young teenage boys) could not be expected to have any real interest in, including soap operas, Hollywood dramas, and children's cartoons. The magazine's iconic comic strip parodies are always written with a tone of exasperated annoyance — even when mocking things that aren't really that omnipresent in the culture.
  • The Hollywood Nerds that make up the main male cast of The Big Bang Theory are sometimes looked down on by Penny the non-nerd in playing tabletop RPGs, MMORPGs, card games, video games, and liking comic books, Star Trek, and Star Wars. As Penny gets to know them better, she develops more respect for their hobbies, even participating in some of them.
  • Mary Moo Cow, the Barney Captain Ersatz of the Arthur universe, is this to the titular character of the show — the theme song itself (which is sung To the Tune of... Frere Jacques, a common trait of shows with Periphery Hatedom) is known to aggravate Arthur. The Tina the Talking Tabby commercial in Arthur's Perfect Christmas and Vidiboobies (one of the many Captain Ersatzs of Teletubbies in the show's universe) has the same net effect on Arthur. As does Quacker's song.
  • Baloney from Animaniacs, a parody of Barney & Friends who is known for inadvertently terrorizing the Warners.
  • The Cinema Snob is this towards exploitation films, porn parodies, and anything else that isn't True Art.
  • Bonky the Dragon from Recess (though Mikey briefly went back into a Bonky phase when he was afraid of turning ten).
  • An early For Better or for Worse story consists of Elly being disappointed with finding out Michael has been playing video games at the arcade, and forbids him from doing so at the end of it, tying into the real-life stigma video games faced, as listed below. A person reading reruns of the story or reading it in a book collection might wonder what the fuss is about if they were born after the 1980s or early 1990s, as also listed below.
  • One FoxTrot mini-arc has Jason freaking out because his mom bought him a Barney lunchbox instead of the Jurassic Park one he wanted. Her logic: They're both dinosaurs. What's the difference? His response: Barney's not a dinosaur! He's a big sappy doofus who sings to little kids!
  • Blarney and Georgie, two Barney parodies from Dinosaurs, have this effect on Earl, Fran, Robbie, and Charlene. Baby seems to be on the verge of having a love-hate relationship with these two shows.
  • Alvin and the Chipmunks: Chipwrecked had a scene where Theodore turns on the TV to a movie aimed at toddlers called "Hello Lolly". Alvin and Simon react in disgust and think Dave is treating them like babies. They then change it to a movie about a jungle monster.
  • Rugrats: The movie The Dummi Bears in the Land Without Smiles from the episode "At the Movies", as throughout the episode, Grandpa Lou spends all his time complaining about the movie's saccharine tone and how he'd rather go bowling.
    ‘’’Grandpa:’’’ "Land Without Brains is more like it."
  • The Show Within a Show Pootan to Yamaguchi from Cromartie High School. He finds the show stupid and trash, but everyone else likes it. Yamaguchi even attempts to watch the show until he finds what makes it so popular.
  • "Asses of Fire" from South Park: Bigger, Longer & Uncut is hated by parents, causing them to murder Terrance and Phillip. The movie isn't even aimed for the main four's targeted audience, which is the main reason Shelia hates the movie.
  • In the Josh Radnor movie Liberal Arts, the 35-year-old protagonist, who has degree in literature, berates a 19-year-old college student for liking the Twilight books. He considers them to be one of the worst examples of English literature, despite not having actually read any of the books. This gets subverted, though: he actually reads the first book, and even though he still hates it, by the end of the movie he ends up recommending it to another student, as he figures out not everything college kids read should be serious literature.
  • The Simpsons:
    • In the episode, "Some Enchanted Evening" from the series' first season, while Lisa and Maggie are big fans of The Smurfs parody "The Happy Little Elves", Bart cannot stand it and refers to it as "The Crappy Little Elves". Grampa Abe isn't a big fan of them either. In the Christmas Episode pilot, "Simpsons Roasting on an Open Fire," he refers to them as "unadulterated pap."
    • At the beginning of the season 7 episode, "Lisa the Vegetarian", the Simpson family goes to Storytown Village, a nursery rhyme theme park intended specifically for one to seven-and-a-half-year-olds, to go somewhere that one-year-old Maggie would like. Naturally, Bart and Lisa are just above the theme park's target demographic, and while Bart doesn't have a lot of fun at the park, Lisa befriends the cutest lamb at the petting zoo, who inspires her to become a vegetarian.
    • In the season 15 episode, "Marge vs. Singles, Seniors, Childless Couples, Teens, and Gays", Bart and Lisa fight over what show they want to watch on TV and accidentally change it to a children's show hosted by the Raffi Expy, Roofi. This starts Maggie's Roofi addiction. Things go From Bad to Worse for Bart, Lisa, and Homer when Marge buys Maggie a Roofi CD and plays it non-stop for her. It gets to the point where Bart actually begs for Mrs. Krabappel to make him stay after school and write something on the chalkboard a thousand times. Meanwhile, Lisa tries to turn off the CD player by unplugging it (only to find out it's backed up by batteries and a solar panel), and Homer tries to smash the CD player in the middle of the night with a hammer. Lisa's dislike of Roofi resurfaces in the season 22 episode, "Elementary School Musical", wherein Marge makes her listen to a Roofi Song on their way back from Arts Camp.
    • Subverted by Sideshow Bob, who really hates the TV show MacGyver — but this was while he was briefly married to Selma Bouvier, who is a big fan of the show, so he was semi-obligated to watch it.
  • In the King of the Hill episode "Get Your Freak Off", Hank highly disapproves the contents in the musics Bobby listens to. (Let alone many other things he dislikes what Bobby likes.) He took Bobby to a boy band concert when he assumed the band was acceptable due to the subtle lyrics and conservative outfits...until he's disgusted when the band strips out of their suits and grab their crotches in front of the preteen crowd. He drags Bobby out of the concert when he is freak dancing with his friends.
  • In the short, "Ruffled Ruffee" from the Tiny Toon Adventures episode, "Music Day", the Raffi Expy Ruffee fits this trope to a T, particularly towards Buster Bunny, who is part of the teenage rock n' roll crowd. Ruffee refuses to let Buster play his electric guitar, which inadvertently interrupts his concert for impressionable children. As a result, Buster gets back at him by attending the concert, dressed in a diaper and a green bonnet, and having to listen to his overly sappy songs simply for the purpose of sabotaging said songs, and the concert as a whole.note 
  • In Nine Months, there is a Barney clone named Arnie that a mom attacks. The weirdest part? Her children, whom are fans of the show, appear to be in early elementary school, which is the age most people learn to hate the show.
  • Rocko's Modern Life has their version of Barney, Bo-Bo the Friendly Bison. Bo-Bo is shown as a criminal by stealing Rocko's wallet. But despite that, Rocko stated everyone loves Bo-Bo.
  • In the SML Movie "Christmas Special!", Bowser Junior gives Chef Pee-Pee a SpongeBob SquarePants toy oven as a present, but he rejects it, claiming that the show the toy is based on teaches kids to be bums.
  • This is discussed in The Nostalgia Critic review of My Pet Monster, which ends with the critic actually calling the director to complain about the video and tell him how much he hated it. We only hear the Critic's side of the conversation, but the director essentially asks him why he was watching a movie geared for young kids and, upon hearing that the Critic does this for a living, takes pity on him. The Critic does not take it well, spirals into a depression where he only wants to watch commercials, and finally has a Nightmare Before Christmas-style epiphany where he goes back to reviewing.
  • Futurama's "Saturday Morning Fun Pit": "Mr. President. Our children are fat and dumb and WE BLAME CARTOONS!"
  • Elf Gonna Make You Smile a Shallow Parody to The Smurfs from Sabrina: The Animated Series. When going to a ride based on this program, Sabrina herself is disturbed by these little critters while Gem on the other hand, actually likes them.
  • Ebony Dark'ness Dementia Raven Way hates every musician she doesn't deem "goffic", dismissing them as "preppy" or "posers". Cited examples are as disparate as Avril Lavigne and N'Sync.
  • Generic Man has Barney as the Big Bad The Master of Evil.

    Anime and Manga 
  • Dragon Ball Z and Sailor Moon qualify, as a truly amazing number of hate-sites appeared in the early days of the Internet, most of which were run by the demographic that the other appealed to. That sure explains all the "DragonMoonX" Rule 34 out there.
  • The moe style and concept, to fans of dark, serious anime and fans who got into anime because of Cowboy Bebop. While many mech fans had their misgivings about a strong focus on moe even when it was shows like K-On! and Lucky Star, most of them took an instant dislike to shows like Strike Witches, Sky Girls, and Infinite Stratos, which merged mecha elements with the moe style. Many fans feel robbed by the ubiquity of moe: where once there was a lot of "traditional" anime on the air, now it is forced onto OVAs; the airtime is filled with Slice of Life and adaptations of Visual/Light Novels which have pushed more "traditional" anime aside. Add in known mecha directors like Yoshiyuki Tomino and Hideaki Anno, who themselves have stated their dislike of the phenomenon. Somewhat ironic, as Rei Ayanami in his Neon Genesis Evangelion is considered the Trope Codifier of moe, if only because of a Misaimed Fandom. Throw in calling out moe as strangling the anime industry's creativity, and you've got all the ingredients for a Periphery Hatedom.
  • Pokémon infamously suffers from this trope:
    • The anime in general is hated a lot, mostly because it's been going on for years and years without being very imaginative, including recycled plots, while catering almost exclusively to young children, after Takeshi Shudo left the show. For instance, the cover of MAD #386 asked readers to vote on ways of killing Pikachunote . Even fans of the games and other aspects of the franchise also aren't too happy that Ash and Pikachu's repetitive adventuresnote  define "Pokémon" in the public consciousness more than the games themselves, the very reason why the franchise was created. It was particularly popular to mock Pokemon in the West during Generation III, which is widely considered even by fans to have been something of a Dork Age for the franchise.
    • Despite this, some parts of the anime avoid this, for various reasons. The first few seasons are well loved in Japan for Takeshi Shudo's trying make the show for kids and their parents alike, and have a very active nostalgia-driven fanbase in the West. Additionally, the Kalos saga (XY through XYZ) is well-loved by older fans (apart from its cop-out ending) for its superior plot and character development and Mega Evolution side stories, although most older fans steer clear of the dub due to its argued shoddy quality. However, other parts of the anime do things that outright alienate older fans,note  which causes them to really come down hard on those parts of the show.
    • During the fad days, people over age of demographic often disliked the show. It was sensational amongst kids, but teens and adults would often mock it as a Merchandise-Driven fad.
  • Yu-Gi-Oh! has a Periphery Hatedom for the Bowdlerized English dub, mostly due to the dub turning the show into a simplistic Merchandise-Driven kids' cartoon. This turned it into ample Snark Bait, allowing for the creation of the popular Yu-Gi-Oh! The Abridged Series, which plays all of the show's and dub's bizarre tropes for laughs.
  • Hamtaro:
    • The most vocal haters of it were people who apparently could never tell that it was a kid's show and carries all the characteristics of kids' shows that adults absolutely hate. Hamtaro was a popular target for the Periphery Demographic of a lot of Shōnen anime, and fans of more "sophisticated" anime (Such as Seinen and Josei) love to hate Hamtaro. One bit of irony is when people hated it for catering to the Animation Age Ghetto and being made for younger kids, even though it was intended for the little kid demographic in Japan. In the United States, Hamtaro aired on Toonami. In the commercials, not even Tom could tell why he was watching it. His exact words were "... Well, at least they're cute."
    • An interview with Jason DeMarco, one of Toonami's original founders and in charge of the recent revival, showed that DeMarco hated the show too. He said that the Cartoon Network executives forced Hamtaro onto the block, and he had no say in it.
  • Anpanman has this in Japan, due to Hype Backlash, to the point where the videos on YouTube for the show have more dislikes than likes.
  • Free! gets flak from people (mostly males) who feel that beefcake Fanservice and Moe boys bleed Squick. Part of the backlash came from Kyoto Animation's reputation for (supposedly) being a reliable source of moe girls, so Free was seen as a betrayal of some sort.
  • Pretty Cure gets this for how sweet and innocent it is, never mind how it's definitely one of the most action-packed Magical Girl franchises out there. It even got to the point where somebody threatened to bomb a theater showing one of the franchise's films.
  • The Shizuku-chan manga and anime gets this for being a show for kids and too cutesy.
  • Most kodomo anime or lighter-toned shonen, and shojo, series aren't even on international anime fans radars. If they are, you can guarantee they will get hate for not being as "mature" as what people expect from anime. As mentioned, Hamtaro and even Pokémon has fallen into this pit over the years (though other more violent adaptations of Pokémon like Pokémon Adventures and Pokémon Origins haven't).
  • The tsundere is probably the most hated of the -dere types. It became so hated in the mid-to-late 2000s when they became increasingly violent and began appearing more. Newer tsundere characters, often generally considered Shana Clones, are also hated by people who prefer 90s tsundere characters such as Asuka Langley Soryu, to the point where there's a Broken Base between "classic tsundere" and "modern tsundere" fans.
  • The Otokonoko Genre, androgynous guys and Wholesome Crossdresser boys in general gets this a lot from people who dislike feminine males or don't understand the appeal. Bifauxnen and masculine girls (outside of outright Butch) don't receive the same amount of hate.
  • The Yaoi Genre has an astonishing amount of hate from both straight men and gay men. Straight men are grossed out by boys in love and tease Yaoi Fangirls, while gay men aren't often drawn to yaoi series because they're aimed at teenage girls and young women, thus they aren't realistic and they delve into uke-seme stereotypes a lot. Making fun of the poor anatomy in a lot of yaoi genre manga (referred to as "yaoi hands") is a favorite thing to do.
  • Yo-Kai Watch is getting this in a similar manner to the video game below from multiple camps: those who are dismayed with its massive popularity in Japan, those put off by the humorous tone as opposed to Darker and Edgier anime with similar subject matter; and fans of the Pokémon anime who don't take kindly to it being hailed as a "Pokémon killer". As a result, a rather nasty Fandom Rivalry has formed because of the series' debut in the US. Hatred from the Pokémon side has further intensified due to changes to the Sun & Moon anime (and games, to a lesser extent) that seem designed to make the franchise more similar to Yo-Kai Watch in order to compete with it.
  • Shojo works, especially of the romance variety, tend to get looked down on by fans of Shonen or Seinen (and even Josei) for many of the same reasons "Chick Flicks" get looked down on by fans of more male-oriented films. In a Shonen work, expect a given female fan to either think she lives in a classic Shoujo romance and be subsequently shot down, or hide her like for it out of fear she may be seen as believing cheesy romance cliches. A given Shoujo series might be more forgiven if they embrace more traditionally "shonen" elements like action or downplayed romance.
  • Shōnen series, on the other hand, tends to be viewed by Seinen fans as immature and a sign of a fan's inability to "grow up", especially if they're on the more Idealistic side of the Sliding Scale of Idealism vs. Cynicism. Some works written for older demographics even show characters subscribing to wildly fanatic beliefs based on what they learned from Shonen (just look at Hiro or the Jovians). It's because of this, when a shonen series is darker than expected or doesn't focus on "orthodox" settings like battle-fantasy or Kid Hero/Ordinary High-School Student adventure, or even embraces wholeheartedly things like down to earth romance, it's commonly thought to be written for a different demographic.
  • Fanservice and Harem Genre series, be it for girls or for guys, get this from the opposite gender the work was intended for. You'll hear on either side of the fence that a cast of insanely attractive characters embracing cheesecake and beefcake tropes for no reason other than titilation is unrealistic, especially if they interact with and enjoy the company of the one plain person (usually of opposite gender) in the cast. Then you have the hatedom of both kinds, who deride it for supposedly not tackling more "mature" themes and/or hating the fanservice elements for being there if the series does.
  • 4Kids Entertainment get this treatment a lot. Mostly due to the frequent Bowdlerization that often delves into They Changed It, Now It Sucks! territory (though, in reality, these changes were far and in-between, plus they mostly stem from the fact that a majority of shows they've dubbed weren't intended for children in the first place). There's people who've admitted to having a soft spot for the dubs, however.
  • Beyblade gets a lot of mockery from people outside the target demographic. It's popular with kids, but a lot of adults are surprised that it's still on-going past the first anime. This is in part due to a Fandom Rivalry with Pokémon and Yu-Gi-Oh.
  • Though it's best to avoid mentioning specific examples, anime causes more political arguments than almost any other medium. This seems to be because the community consists of mostly outliers, either far-left or far-right or far-whatever; not coicidentally, many anime cater to people at one end of a spectrum and offend those at the opposite end. The fandom as a whole habitually discusses practically every show that comes out, and encourages everyone to at least watch the first episode of each one, so anything controversial develops a hatedom almost immediately.

    Asian Animation 
  • Pleasant Goat and Big Big Wolf has an adult hatedom who criticizes the animation, writing, "lack of depth", and says that the show is childish. Those adults often claim that Doraemon and other anime are more appealing.

  • Motorcycle manufacturer Harley-Davidson is known for its huge fanbase and has spawned a subculture of bikers cruising thousands of miles to Sturgis or some other venue, but owners of metric (read: foreign or non-Harley) motorcycles frequently mock or criticise Harley for either being "behind the times", unreliable or too underpowered for the price, relying more on brand image than on actual performance.
    • While there is some truth to the criticism, like in the AMF days where build quality has gone down to rubbish, some contend that this has been exacerbated by riders doing shoddy modifications to their bikes, resulting to frequent breakdowns and rebuilds. Harleys are more frequently customised and thus have a major aftermarket scene with dozens of companies selling parts (as in enough to build a workalike Harley clone), while Japanese bikes are typically left as they are by their owners (although there has been a metric customisation scene especially in recent years), which may have led to the likes of Honda being deemed more reliable. That said, the technology utilised on Harleys are more or less still based on those first introduced in the 1930s, and while this has since been replaced by more modern parts and has incorporated technology such as fuel injection and computer-controlled engine management systems, Harley's reliance on traditionalism and thus holding on to older tech earned them the ire of detractors. It doesn't help that horror stories of Twin Cam chain tensioners going south are everywhere amongst other things.

    Comic Books 
  • For several decades Archie Comics has had an unsightly amount of hate amongst the comic book community. It's been mocked for being seen as too tame, too formulaic, and too "casual" compared to superhero comics. Archie as a protagonist gets a lot of hate personally, due to his fluctuating personality and people's inability to understand why such an average boy is a Chick Magnet, which never helped. In the 2010s much of the periphery hatedom is dying out thanks to various successful spinoffs and a more "modern" reboot that resonates well with comic readers.
  • And beyond any of these, the hate directed at superhero comics from roughly the early 1980s to the mid-2000s by artcomic fans and creators who were convinced that the comics medium would never get artistic respect until superhero comics were DESTROYED FOREVER. It got to the point that Dan Clowes' The Death Ray was given hugely positive reviews by some online critics purely because of how nastily they thought it attacked superhero comics and their fans. (When the comic was reissued a few years later, Clowes himself stated that he didn't hate superhero comics and hadn't intended it particularly aggressively.) It largely died out (apart from a few ageing die-hards) in the mid-2000s when, following the manga boom, artistic graphic novels finally started taking off in the wider bookstore market, with superhero comics still being in existence.

    Comic Strips 
  • The Family Circus has received a disproportionate amount of mockery over the years from people not in its kids-say-the-darndest-things-isn't-it-cute? demographic (though of course this could be more an expression of just wanting to poke fun at things than obsessive hatred).
  • Jack Chick's Chick Tracts do a zig-zagging of this trope. The tracts are supposed to be aimed at non-Evangelicals, to bring them into the fold, but only an Evangelical could possibly take them seriously (and even most of them think they're absurd), while his target audience despises the contents. It is for this reason that his fanbase consists primarily of people who read his comics to make fun of them.
  • Marvin is written exclusively for new mothers. Everybody else seems to hate it.
  • Garfield suffers from heavy Nostalgia Filter syndrome, and is often hated by people who believe it's "gotten worse" when in reality it's a strip best enjoyed by kids. It's also something of an Artifact of the late 1970s, so it's basically a baby-boomer strip. So most of the complaints seem to come from Generation X'ers who enjoyed it as kids and have become too "sophisticated" for it, while many Baby Boomers (now in their fifties or older) don't read the comics much anymore and are too busy complaining about other things.

  • All Disney films are this, to a degree at least. While there are some that are well liked due to their serious nature, such as The Lion King, even those still have musical numbers that a lot of older fans would probably find painful to sit through. Such a Periphery Hatedom was probably most prominent during the days of The Renaissance Age of Animation itself, then started to fade as people who were fans of the Renaissance movies as kids started to grow up...and then returned in full force when Frozen (and to a lesser extent, Tangled) generated a ton of attention, hype and praise that some people found baffling.
  • Some, starting from The '70s onwards, are critical of Disney altogether (the corporation, Disneyfication of public domain classics, alleged racial and gender stereotypes and so on) to the irritation of fans telling them Comically Missing the Point remarks online.
  • Cars. Kids love Cars... but it's one of the few Pixar movies that doesn't have a lot of adult appeal. Of course, some people hate Cars because Disney absolutely adores it, despite that it was received among the worst by critics and Pixar's usual adult fanbase. This is mostly because it's widely believed the only reason they made a sequel was for The Merch. It's because of this that despite Up being one of Pixar's highest rated movies, their stock actually dropped. Why? Because stockholders knew it wasn't made for merchandizing.
  • Disney Princess movies, especially Disney Animated Canon ones, tend to attract a male Periphery Hatedom despite being well-regarded by critics of both genders in most cases. Many of these haters are very young boys who simply hate the movies for being "stupid and girly", but older males can also develop some spite towards them for various reasons, mostly related to It's Popular, Now It Sucks!. Many tomboyish girls also hate the Disney Princess franchise for the same reasons that boys hate them. Feminists also make up a sizable percentage of the hatedom due to many of them finding the princesses to be bad role models for little girls. There are also those who dislike them because Disney is often synonymous with "Princess films" and they think they promote them at the expense of their other movies.
  • Billy Dilley's Super Duper Subterranean Summer gets this, with several viewers complaining that it feels like a "bad modern Nickelodeon cartoon". Some people have also criticized the title character for being a selfish whiny moron with an ugly design.
  • Frozen suffers from It's Popular, Now It Sucks! and Hype Backlash from males and tomboys who found the movie to be too "girly" (even for a female-led film) and overmarketed to little girls, especially since it outgrossed many other movies more suited to masculine tastes — including its male-oriented predecessor Wreck-It Ralph and successor Big Hero 6, as well as every single superhero movie ever except The Avengers and Avengers: Age of Ultron, and isn't considered prestigious or groundbreaking enough compared to previous Disney films to justify it. Not helping matters is the movie's male characters and villains failing to draw a significant fanbase, with many thinking of Kristoff as insignificant and clueless compared to Anna or Elsa, Hans lacking the Evil Is Cool factor of many past Disney villains, and Olaf being very entertaining but still being a Disney sidekick (not the type of character to attract fanboys). Beauty and the Beast (2017) went through a near-identical reaction, but slightly less pronounced — with the added stigma of being seen as an unoriginal remake of a movie that didn't need to be tampered with.
  • While not suffering from as much of a "girly" reputation as Frozen, Brave (Pixar's own Disney Princess film) also got this reaction for Award Snub reasons. It got positive reviews that were nonetheless very mixed by Pixar standards and is widely considered one of Pixar's weaker original films, which caused it to attract a lot of bile from males when it won the Oscar for Best Animated Picture over better-reviewed (and coincidentally male-oriented) competition (Wreck-It Ralph, The Pirates! In an Adventure with Scientists!, Frankenweenie, and ParaNorman). Because the common consensus was that Ralph would win the Oscar, some believed that Brave's win was simply a politically-motivated move to promote feminism rather than an actual measure of the movie's quality, with it being the first Pixar movie directed by a woman and starring a female protagonist. While this definitely upset those on the opposite side of the political spectrum, many other viewers (including some feminists and supporters thereof) noted the absurdity of the move.
    • The same thing happened three years with Inside Out's wins at the Oscars and Annies, when some animation fans (most of them being fans of Studio Ghibli's When Marnie Was There) were angry that it took away awards from better movies and the fact that it won Annies in almost every category it was nominated in.
  • Despite being regarded as one of the best Disney movies of the past few years, Zootopia has received a lot of hate... Because, due to its characters being Funny Animals in a tale of Fantastic Racism, it has a huge popularity among the Furry Fandom.
  • People hate a lot on Miley Cyrus, The Jonas Brothers, and most of these teenage, Disney-sponsored musical artists who are really only supposed to appeal to tween and teen girls. These fans express appreciation through high-pitched Squee! and the occasional Groupie Brigade, and these artists didn't seem to appeal to anyone else (they were too young to invoke Parent Service and Disney has nearly abandoned their flagship IPs like Mickey and Goofy to focus on marketing these singers), so tolerance for Squee! in everyone else is at a minimum. Since most of these artists have disassociated from Disney and the company has stopped overpromoting this teen-oriented musical division, the hatedom has faded a bit. In the case of Miley Cyrus, when she broke out from her Contractual Purity and went into a more daring approach, like her performance in the 2013 MTV VMAs, she got more flack, particularly from Moral Guardians.
  • Descendants was a hit with its target demographic of preteens and younger teenagers. A lot of the older Disney Animated Canon fans absolutely hate it. The premise isn't disliked nearly as much as how the characters are written, the designs themselves, the music, and how the series presents itself is. It just irks many adults who enjoy Disney. There is also a sizable hatedom from fans of Ever After High due to Descendants' premise and characters being similar to those of Ever After High.
  • It appears that Doc McStuffins, despite its large Periphery Demographic, has somehow gathered a small number of haters as well. Most of them appear to be bored teens who harbor a dislike for Lambie due to her Tastes Like Diabetes nature.
  • The Lion Guard has quite few haters who believe that Bunga is annoying, it has poor animation compared to the films upon which it was based, it was only made to cash in on the success of My Little Pony: Friendship Is Magic, it overuses fart jokes, and that its nature as a simplistic preschool series is a disgrace to the emotionally deep and more demographically inclusive classic Disney movie that it's based on.
  • Little Einsteins is hated by exactly five schools of people: those who can't stand the inanity or shallowness of the story, those who don't like being treated like they have the memory of a goldfish, those who can't stand them shoehorning silly lyrics onto classical melodies, those who don't believe the claims made by the producers of the series that your child will end up smarter than Stephen Hawking just for watching the series, and longtime Disney Junior fans who miss the shows of the block's early days as Playhouse Disney. There are also people who hate it due to it bouncing back and forth between treating its target audience (children) like they are smarter than they look and treating them like they have the IQ of a rotten potato. One moment the characters could give an (albeit extremely simplified) explanation of escape velocity, and the next they could ask the kids at home if they can count to three.
  • Works involving the Classic Disney Shorts characters:
    • Mickey Mouse Clubhouse, popular among the toddler set it's aimed at, has earned mixed reviews from critics and Disney fans alike for putting their mascot and company into a toddler show, but it's the many people on social networks who have a deep hate for it that tend to be most vocal about it. The fact that Disney kept this show running for 10 years straight does NOT help matters, nor does the fact that they market Mickey's Clubhouse incarnation more aggressively than his earlier, more Periphery Demographic-friendly appearances. Of course, some of this may be Condescending Compassion on the part of parents.
    • Half of all modern works involving the cast, especially Mickey Mouse himself, are directly targeted towards children, tend to suffer from Tastes Like Diabetes, and are mocked and hated by older audiences; in parodies, Mickey is frequently used as a simultaneous icon of saccharine family-friendliness and corporate greed (being Disney's company mascot). The other half generally averts this trope, with works like Mickey Mouse (2013), Goof Troop, DuckTales (1987) and the later one, and the Kingdom Hearts and Epic Mickey'' video games, but still suffer from this trope to a small extent by association.
  • My Friends Tigger & Pooh, in addition to removing Owl, dropped Christopher Robin entirely and he got replaced by a new girl named Darby, which leads to understandable flak by fans of the movie and books. Which actually led to Disney restoring Christopher Robin back into the show in later seasons, although it still wasn't enough (Christopher Robin was still demoted to a minor character and didn't appear in as many episodes as fans would like).
  • A lot of parents hate the earlier episodes of the Disney Junior short series Nina Needs to Go!! due to its Aesop Amnesia, how unrealistic the show is,note  because their kids misunderstood the show's message as a result, and the fact that the main character always has to use the bathroom no matter where she is. The fact that Pull-Ups Training Pants (or Pampers, depending on your region) is the show's primary sponsor only adds to the irk (Disney Junior is a premium network which costs extra on top of the basic kids package on some Pay TV providers. Understandably, parents were irked when they have to put up with advertising on a channel that they're already paying extra for). Some people believe that the show is worse than the Trope Codifier Barney.
  • PB&J Otter, to those who don't have fond memories of watching the show. Its overall brightness and cheeriness, combined with the overload of songs, creates cavities to the nth degree.
  • Whilst a majority of people (especially adults and teenagers, alongside its target audience) like Sofia the First, there are quite a few people who judge it without even watching a single episode just because it airs on a preschool network.note  It also has a considerable amount of hate from Disney Princess fans who either dislike Sofia, dislike how the series portrays the princesses, or hates how they're drawn/voiced. Prior to release it got hate for "Sofia being too pale to be latina" but that view has since died down.
  • Chicken Little gets this for being a second-rate Shrek ripoff with unlikable characters and very little adult appeal. Many adults consider it the worst entry in the Disney Animated Canon. Kids at the time, of course, liked it just fine.
  • Special Agent Oso, mostly from the "Every episode is the same!" school of thought, the ugly saccharine CGI animation, and the main character being Too Dumb to Live.
  • Before Nina Needs To Go!, Disney Junior had This is Daniel Cook. People hated it because the titular character always acted excited no matter what the situation was. The hate has died down, however, now that the show hasn't been seen for plenty of years.
  • All three Disney series created by Noah Z. Jones (who also created Almost Naked Animals, covered below) fall into this.
    • Fish Hooks had this for essentially being every high school cliche in the book put underwater.
    • The 7D got a lot of backlash from fans of the 1937 Disney animated film Snow White and the Seven Dwarfs for not only radically changing the character designs of the dwarfs themselves, but for also not even mentioning Snow White's existence, adding new characters called the Glooms, and more. The fact that Whoopi Goldberg (of all people) voices the Magic Mirror doesn't help matters.
      • Though that series could be liked by fans of Animaniacs since they have the same staff. They even threw in a reference to Hello Nurse in one episode.
    • His third Disney creation, Pickle and Peanut, is even more despised, being considered as Disney's answer to Breadwinners thanks to its overusage of stock photos (the title characters themselves are stock photos!), grossout humour, and similarities to the aforementioned Breadwinners and Regular Show.
  • Hannah Montana and High School Musical are often blamed for Disney Channel's Network Decay (possibly sans their animated series) for the non-teenage audience.note  Straight males, females born before 1989, tomboys, feminists, and Moral Guardians make up a sizable hatedom to both franchises.
  • Star Wars:
  • The live-action adaptations of Disney Animated Canon leave a bitter taste in the mouths of quite a few animation fans, feeling the movies are not only unnecessary rehashes of past movies but also fear they are reinforcing the Animation Age Ghetto. Others, especially fans of TRON and Star Wars, resent these remakes because Disney has a habit of approving more whenever an unrelated Disney film becomes a Box Office Bomb, leading to concerns over favorism. Though by 2019, Dumbo2019 would bomb as well.

    Eastern Animation 
  • Masha and The Bear might be a mix of Periphery Demographic and this, like Doc McStuffins. The reason some people hate this show is because they find Masha annoying or think the show is too slow and childish. It has gotten to the point where the Get Movies video of the 17th episode has 839,000 dislikes, making it the 16th most disliked video on YouTube. And sadly for them, like Peppa Pig below, it is quite everywhere.

    Films - Animated 

    Films - Live-Action 
  • In the specific case of Speed Racer, a large portion of the original fanbase grew older and were likely expecting something a bit Darker and Edgier for them (like the Transformers movie).
  • The Alvin and the Chipmunks movies are hugely popular with kids, but subjects of mockery and critical ire for adults. As a bonus, the "squeakquel" handily outpacing the effort on The Princess and the Frog (intended to Win Back the Crowd for hand-drawn animation) at the box office has earned it a great deal of wrath from Disney fans who mourn for the tastes of children. The backlash had finally caught up with the box office, when it had opened along with The Force Awakens.
  • Adult Muppet fans have a history of forming Periphery Hatedoms towards movies that directly compete with, and outdraw, the newer Muppet movies. These movies usually aren't for their demographic and get much worse reviews than the well-reviewed Muppet movies. 2011's The Muppets, despite getting rave reviews, was outdrawn by a Twilight sequel (described in "Literature", below) and an Alvin and the Chipmunks threequel (described just above), both of which got pretty bad reviews. Needless to say, Muppet fans now don't take very kindly to young-adult female novel adaptations or half live-action half-CGI kiddie movies based on archaic cartoon characters.
  • Tyler Perry's movies have created a series of minor racism controversies based on the fact that they tend to be critically-drubbed by the vast majority of critics (most of whom are white), yet are extraordinarily popular in the black community, which has turned these movies into #1 hits. Roger Ebert seemed to be a particular target. On top of that, Perry also experiences this among black viewers. Perry got his start staging plays on what's sometimes called the "Chitlin' Circuit", a vaudeville-esque black theater circuit which primarily caters to older, more conservative, and more religious audiences. African American subcultures experience as much Values Dissonance with each other as they do with anyone else; someone who identifies with Reggie Watts or Aaron McGruder could find Perry quite tasteless, and vise-versa. Perry even threatened to pull some of his content from TBS after one episode of The Boondocks made harsh fun of the Unfortunate Implications and Strictly Formula tendencies of Perry's movies. Either way, Perry caters to a very specific demographic with which many African Americans do not identify.
  • Minya (the "Son of Godzilla") was created specifically in 1967 in order to appeal to younger audiences (at the time, there were more kids that were going to see Godzilla movies than adults). Of course, Minya started being considered to be the single most-hated character in the Godzilla franchise, with the possible exception of Jet Jaguar.
  • The Oogieloves in the Big Balloon Adventure suffers hard from this trope according to several reviews. It doesn't help that it's essentially a combination of Barney and Friends and Teletubbies (two of the most notorious examples) as a feature film.
  • The Smurfs Live-Action Adaptation gets this under similar conditions to the Alvin and the Chipmunks movies. That and the fact that the CGI Smurfs look downright creepy.
  • Transformers: The movies are a big target for this kind of thing.
  • Punch-Drunk Love, meant to be a semi-serious arthouse film, gathered a lot of ire when fans of Adam Sandler's previous work (silly, mostly low-brow comedies) didn't get what they expected out of it.
  • Siskel and Ebert somewhat infamously did a special episode about "Women in Danger" movies. To anyone particularly well-versed in horror the episode really seems quite ill-informed. The most obvious flaw is that they frequently assert that Slashers are rapists representing sexually-frustrated males mad at feminism. Bizarrely, they used clips from the original Friday the 13th (1980)... which has a female killer!
  • There's a lot of jokes about Chick Flicks, most of them from outside the audience they're meant to attract. These jokes are usually about how all of them are incredibly trite; a few of them (such as the kind seen on Hallmark or Lifetime) are targeted for being filled with Glurge and/or Unfortunate Implications.
  • The Lord of the Rings movies are disliked by some young children for their long running time and slow pacing resulting from their epic scale, and for being too difficult for them to understand compared to more family-friendly fantasy franchises like Harry Potter.
  • Adam Sandler movies get a lot of poor critic reviews and box office failures due to the bland comedy, yet still manages to be one of the top-paid actors in the film industry.
  • Ever since the 2000s, there has been a growing dislike of the western genre by younger generations. It's telling when The Lone Ranger was considered a Box Office Bomb, likely due to the current film generation finding the western genre in general boring. Releasing a western genre movie for theatres is considered a high risk because of this, and the movie could end up becoming a Creator Killer.

  • Left Behind has a huge Periphery Hatedom; anybody who doesn't subscribe to the authors' precise apocalyptic vision is a potential member. Ironically the most in-depth (by far) critique of the series is being produced by a (progressive) evangelical Christian.note  The hatred comes from several directions: those who aren't Christians and disagree with its message from the outset, those who are Christians but think the authors are on the fringe and making the rest look bad, and even those who are Christian and who believe the Rapture is imminent, but think Left Behind has got it all wrong. Some may feel it's an easy work of fiction to avoid due to limited mainstream marketing, though this depends on where you live, such as if you're in an area where typical Left Behind readers are the majority (though even then, it's hardly on the level of Twilight). However, much like some of the Twilight hatred, the criticism is sometimes about what the stories are indicative of, and what influence they have on the readers in the intended demographic. And then there are those people who just find apocalyptic (non)fiction creepy, and wish people would just keep their End Of the World As We Know It fantasies — or beliefs — to themselves.
  • The Twilight series attracts both legions of fans even in this very wiki, and even larger legions of the Hatedom, some of whom have never read the books or seen the movies, and some who have. The hatred tends to be split between the direct hatred for the sparkly vampires / Canon Sue allegations/ Purple Prose sex scenes/Unfortunate Implications allegations/ what have you, the Hype Aversion from all the Edward-or-Jacob Ship-to-Ship Combat that saturated the world, and the (sometimes fanatically) held belief that it's just not written very well. The hate for Twilight among Goths seems to be particularly vitriolic. Anyone expressing love for Twilight is generally met with an icy or hostile reception. Events specifically to bash Twilight are common. The Hatedom got so big that it created a whole new fandom. The riffs off the film adaptations of this series on RiffTrax became the most popular and anticipated riffs.
  • The Chronicles of Narnia gets this from two groups: non-Christians who dislike its overtly Christian themes and symbolism and see them as propaganda, and adult fantasy fans who dislike it for being Lighter and Fluffier than contemporary fantasy like the works of Tolkien. It was never made for either of these groups: Lewis wrote it for children who were already Christian (not to convert those who weren't) to explore their faith through a more accessible framework than The Bible. He even got angry letters from some parents for his apparent blasphemy in supposedly turning Jesus into a lion; Lewis responded that children often see animals as people, so it's not blasphemous to them.
  • Classic literature made into compulsory reading at school can receive a lot of active hatred from students who are forced to read it, interpret it endlessly and write long essays on it, especially if they find a given book boring, incomprehensible, or depressing (though even an enjoyable book can be completely ruined if it becomes a school assignment). This can be seen in Poland — classic Polish works which had the misfortune of being assigned at school tend to gather surprisingly many very negative ratings on book websites. It's especially jarring because they're otherwise generally considered masterpieces of literature... which is how they became compulsory reading in the first place.
    • As a particularly egregious example of the above, almost all German students who had to read one of the works of Theodor Fontane (particularly Effi Briest) hate it. This goes even beyond the disdain for being forced to read (and analyze) classics in school, as Effi Briest was simply never aimed at a young adult audience. Even most teachers are able to admit that they themselves only learned to enjoy the book when they were well into middle age. And they studied literature in college, so they better enjoy German classics.
    • Pride and Prejudice is often particularly hated by boys who have to read it in high school English. It's easy to see why; it is written in a dense 19th-century prose, features a group of sisters as its main characters, and has a plot that focuses on their efforts to get hitched. Not usual boy stuff.
  • According to The Other Wiki, The Berenstain Bears has quite a bit of hatred that comes from parents who despise the books for being shallow, Strictly Formula stories that are so Anvilicious that they forget they're trying to tell a story at all. This isn't completely unjustified; first off, this comes from parents who are forced to read the books to their kids all the time because of course, their kids love them, but even those who don't completely hate the books will reluctantly admit these are genuine problems, especially evidenced by the serious cases of Compressed Vice. Some parents have also expressed disdain for the books featuring the two common sitcom parent stereotypes, the Bumbling Dad and the stern mother, with one news writer saying in reference to the 1980s Animated Adaptation that "some viewers may find it a genuine relief when the cubs break their mother's favorite lamp."

    Live-Action TV 
  • Barney & Friends, to the point where this trope used to be called "The Barney":
    • Barney the Purple Dinosaur gets this treatment for the amount of sheer vitriol levelled against him for his crime of being big, cloying, purple, doofy, and not a carnivore, among many other reasons. A surprisingly large number of the most extreme Barney-haters are not parents and don't have toddler-age siblings, and therefore could avoid him simply by not watching the show. They probably would not have heard of the show if it were not for the already existing Periphery Hatedom and their watching of the channel it's on. One big reason for the hate from people outside the demographic is because it would often air at times when college students were watching TV, so, at the series' peak in popularity, it was pretty hard to escape. Barney hatred was so deeply ingrained into the elementary-school-age community during the 90s and 2000s that some kids would automatically hate anything named Barney, from real people to fictional characters. However, the hate against Barney has worn out its welcome, due to the TV series fading from relevance and ultimately being cancelled in 2010 (in October 2015, it was announced that the series would be relaunched in 2017, but it didn't come to pass). In addition, the show's original viewers, who generally view the series in a more positive light, have grown up.
    • Barney hate is referenced in Jurassic Park III: one character manages to get a phone call in to an old friend's house to call for help, but unfortunately her infant son picks up the phone and forgets all about it as a Barney video plays on TV.
    • When Harry Hill was on Room 101, he chose Barney as one of his things to put in Room 101, not just because he finds him annoying, but because he's anatomically incorrect. He'd rather his kids were entertained by a real dinosaur.
      Harry: It's not even realistic...
    • The music video for "Jurassic Park" featured a scene with Barney getting his head bitten off by an even larger dinosaur. It later gets coughed back up. When this video is played during his concerts, that particular scene is met with roaring applause and cheer by the audience. Weird Al has taken jabs at the purple dinosaur in several other of his music videos, too. For example, the animated music video "I'll Sue Ya!" featured a familiarly colored toy dinosaur chewing on someone's mutilated arm in one scene.
    • The song "Barney's on Fire" by Tony Mason is all about this, to the point that even the audience delight in the gristly spectacle and actively refuse to help, even though they're aware there's a perfectly normal actor in that suit who is dying horribly. Comedic Sociopathy taken to a horrifying level.
    • In Dilbert, the Pointy-Haired Boss is a Barney fan, the joke being that he's a grown man who enjoys a show which 6-year-olds consider babyish because he's just that stupid.
    • The Simpsons once made the joke at Homer Simpson's expense.
    • The special Hey, Hey, Hey, It's The Monkees, also referenced Barney hate. During one part of the special, one of the band members pulls out a Barney puppet for some kids. When another member asks him about it, he puts the Barney puppet away and pulls out a Monkees puppet instead.
    • Lunar: Eternal Blue has a book in the library about killing Barney, to which Ruby says "Hallelujah it's about time somebody wrote this book".
    • The Other Wiki even has its own page dedicated to all of the Barney hate, which is roughly as long as the same site's page on just the show itself.
    • Averted in Heaven Is for Real, where a firefighter says that a flight attendant he used to work with says she once thought she was talking to Barney.
    • The old Fighting Game Xenophage Alien Bloodsport had Dummied Out files for a familiar-looking dinosaur character named "Blarney". Using hacks, you could play as (or against) him, but his only attack is shooting hearts and he tends to glitch a lot.
    • Jane Austen's Mafia ends with a Barney look-alike getting speared by the eskimo, followed by the eskimo in question doing a celebration dance to Sister Sledge's "We Are Family".
    • The Critic's show-within-a-show Humphrey the Hippo is a blatant Barney expy who is hated by everyone, even the children in the audience.
    • Comet Busters!, a Windows 3.1 Asteroids clone that got popular for its multiplayer, uses Barney heads for the rocks in level 8.
    • The Colecovision homebrew Purple Dinosaur Massacre is basically a Barney shooting gallery.
    • Then there's Martin Pistorius, who has an admittedly better reason to hate the purple dinosaur than most people, having been forced to watch Barney reruns for over a decade while being unable to do anything else due to his locked-in syndrome.
    • In the Institute for Mercenary Profiling quiz for creating a character in Jagged Alliance 2, one of the questions is "A certain, annoying, pathetic, furry, purple dinosaur should be: ". The answers to this question include "Held up as a loving role model for children's morals and values", "Hung from a tree", "Hung from a tree and shot", and "Hung from a tree, shot, gutted, and run over by a Buick".
    • Beavis and Butt-Head got in on the Barney-bashing with its ambulatory stuffed dinosaur whose gloves get set on fire while taking a cake out of the oven.
  • Here's Humphrey: Humphrey B. Bear can be viewed as the Australian Barney, due to the way he is hated by many pre-teens in his homeland for his goofy antics. And oh, for having a human co-host that talks down to the viewers. Like pre-teens from other developed countries, Australian pre-teens don't like being talked down to either, and like pre-teens from other developed countries, the pre-teen boys naturally dislike being around girls. However, Humphrey invokes the Nostalgia Filter sooner — most Australians tend to remember him more favorably by the time they reach their late teens. Barney Hatedom usually doesn't fade and get replaced by Nostalgia Filter until the former viewer-cum-hater has started a family, which by time he/she will be in the late 20s or early 30s (and sometimes, it doesn't even leave). The fact that Humphrey's co-host is usually a hot chick (albeit one that talks down to kids) probably helps.
  • Teletubbies: Barney is the king of this trope, but this is worthy company for him. While it has the usual Periphery Hatedom, some concerned parents made waves when it was thought that the nonsense speech of the main characters might be hurting the verbal development of its target audience at a time when their babbling starts to cohere into words and basic sentences. There's also the argument that any television program is bad for a target audience at a developmental period where they're mainly learning how to move. It's possible to believe that the people actually making the show did their best with the content and still think the primary intent and effect of the show's existence was to increase the exposure of infants to TV commercials and brand logos (a frankly bizarre claim given that it was first made by and shown on The BBC and got exposure in America on PBS, both of which have no adverts).
  • The Lawrence Welk Show, in the 1970s and since. It was enormously popular when it was new, in the '50s, but by the time it had lasted 20 years, the number of people in the periphery demographics far outnumbered the people for whom it was originally intended. Even in The '50s, comedians like Sid Caesar and Allan Sherman mocked it as a Tastes Like Diabetes reactionary fantasy. The show fervently denied anything remotely dark or risquénote  even if it fit with the standards of the time. The over-done art direction and eerily persistent grins even seemed eerily inhuman to some people. It also featured many regional acts tailored to please Vaudeville and State Fair audiences. Broad, diverse TV audiences probably felt some stylistic Values Dissonance. If you want an idea of how behind-the-times The Lawrence Welk Show was even in its day, consider the episode that had a tribute to America's ethnic diversity. The most exotic ethnic group featured were...the Italians. Even by the 1970s, Welk was still shown to be out of touch with the times, an infamous example being introducing Brewer and Shipley's 1971 hit "One Toke Over the Line" as a "modern spiritual" (when in fact it was a mock spiritual, and then vice-president Spiro Agnew claimed it was subversive). Although some contemporary songs slowly found their way onto the show – for instance, one 1975 episode had cast members singing covers of Captain & Tennille's "Love Will Keep Us Together" and Morris Albert's "Feelings," while another featured Three Dog Night's "An Old-Fashioned Love Song" – the show still relied heavily on pre-1955 (namely, big band, patriotic, sacred and pop standards) for its songs. Even as late as the mid-1970s, there were many households that had one television set, meaning if the parents liked it, the children – especially teenagers, who winced at the mere mention of music they considered "square," "unlistenable" and outdated – had little choice but to either watch, go to a friend's house or do something else. Ironically for a show derided almost from the outset as hopelessly dated and old-fashioned, episodes and reruns have continued to appear more-or-less nonstop on television for over sixty years now, somehow managing to outlast countless hipper programs with much younger audiences.
  • Sesame Street:
    • Elmo became less than popular to a large number of the show's longtime fans, mainly because the show's focus somehow shifted onto him and less on the other Muppets and characters. Made worse by Sesame Workshop deciding to assign a fifteen-minute segment of Sesame Street to the segment Elmo's World, and giving the segment an ending song set to a traditional song (Jingle Bells), like fellow children's show Barney & Friends.note  Much of the intended demographic loved it, however.
    • Averted with Elmo: The Musical due to it actually being entertaining and having cameos by Muppet puppets that haven't appeared on the show since the 90's. The 30th anniversary special Elmopalooza is also an aversion due to having plenty of parental bonuses and well-known musical artists and celebrities as guests stars.
    • Children who have just outgrown Sesame Street have been known to hate the show and equate it to Barney, due to their being too young to understand the show's honest efforts to educate children and keep their parents amused — and Sesame Street predates Barney and Friends by about a quarter of a century.
    • A few adults also feel this way towards Sesame Street — not because of any lack of quality, but because it has an active, loving adult/teen fanbase that rarely has anything bad to say about the show, and viral segments from the show tend to be universally praised. This can baffle people who don't really see the appeal in a show that is (and always will be) an educational program for very young children.
    • Showing that history can indeed repeat itself, Abby is currently getting the same treatment as Elmo, mainly from the generation of young adults and teens that grew up watching and fell in love with Elmo. Abby's popularity with the older fanbase is a Broken Base—some find her a refreshing change from the two decades of Elmo (although how long this will last before they start getting annoyed by her remains a question), while others still don't care and still want the focus to be back on Big Bird and the muppets (and even human characters) of their time. Basically, the root cause of the hatedom here is the generation gap combined with a Nostalgia Filter, combined with a heaping dose of They Changed It, Now It Sucks!.
    • During the mid-2000s, there was a Lighter and Softer spinoff called Play With Me Sesame with a minimum cast of just Bert, Ernie, Grover, and Prairie Dawn, that pretty much turned the educational and Fake Interactivity elements Up to Eleven, had absolutely no appeal to older audiences, and was pretty much Tastes Like Diabetes The Series. This series, unlike Elmo's World, didn't attract the usual 3 - 6 demographic, and instead had a fanbase of infants aged 6 months to 2 years.
  • Sex and the City: Many men, and women outside the target demographic, see the characters as shallow and overly consumerist and far too prone to inane chatter, or as horrifyingly whiny, self-obsessed, and irresponsible. When the series left the scene, most of its old hatedom started being focused on Girls. Creator Lena Dunham gets most of the flack.
  • The Spear Counterpart to Sex and the City, Entourage, gets many similar complaints, still mostly from those outside the target demographic.
  • Dino Dan, mostly from the school of thought of "that kid needs help" (a hearty serving of Ham and Cheese sandwiches doesn't help, either).
  • Curb Your Enthusiasm was billed from the start as being very Jewish, and as a consequence, did not get nearly as many fans as Seinfeld. It's probably more a backlash to the You Have to Have Jews trope, which can get pretty annoying if you're not Jewish.
  • In Mexico, telenovelas or soap operas are still hugely popular among their target audiences (although certainly they are not the only ones who watch them), but other demographics such as intellectuals and working women tend not only to hate the shows, but also to be condescending with the fans, mainly because they find the telenovelas as dull, lowbrow and unoriginal entertainment (most novelas these days are either adaptations of works from other countries such as Argentina, Venezuela or Brazil, or remakes — known in Mexico as refritos — of novelas from past decades, some that are not even 10 years old). It also doesn't help that watching telenovelas has become a stereotype of Mexicans. Interestingly, only Mexican telenovelas seem to elicit this reaction, works produced in other countries such as Brazil, Colombia, the United States (those produced by Telemundo) or Europe are either ignored or actually enjoyed and praised by some people in the aforementioned demographics. This attitude is also present in other Latin American countries, with local output being bashed while foreign output is lauded, and has actually made impact ratings-wise, with foreign novelas sometimes getting better ratings than local ones.
  • In Brazil, soap operas are considered "women stuff" and is hated by almost all men in the country. This hate becomes a trademark in the country: men like football but hate soap operas, women like soap operas and hate football. Although this is slowly changing, with the increase of men watching soap operas, but they are usually mocked by others, since a man watching a "women stuff" in Brazil is considered "too gay".
    • Actually, since at least the 90s, this "soap opera is for women" stuff has pretty much became a Discredited Trope in Brazil. Nowadays, there's heavy backlash against telenovelas, especially the ones by Rede Globo, but for different reasons: many people — both in and outside the target audience — think that soap operas have become too sexualized, uninspired and obnoxious in recent years, with the writers forcing "controversial" scenes and farfetched storylines in a failed attempt to draw attention and increase the shows' ratings. Not to mention that people with higher education tend to disdain soap operas, deeming them silly, formulaic and lowbrow entertainment.
    • Mexican telenovelas shown in Brazil also fall in this trope, with its critics considering them too melodramatic and overacted, although there's also some cult following towards them, especially the ones made in the 90s, partly thanks to Nostalgia Filter.
  • Kid President: Declaration of Awesome; if you went on The Hub's Facebook page you'd see that half of the comments on posts about it were viewers who genuinely liked the main character. The other half were people decrying it as a rip-off of Cory in the House (though that show simply had the main character living with the president rather than being the president) and people betting that it would be a Short Runner...which, after The Hub was changed to Discovery Family, became true.
  • Two of the biggest, longest running sitcoms ever on Belgian television, which are called Thuis and Familie, suffer heavily from this. There is a die-hard and big fan base for both series, but plenty of people have heard of both series because of how long they have aired on their respective channels and absolutely loath both shows, decrying that the series ruin Belgian television. The fact that ''Thuis'' and ''Familie'' both have very low ratings on IMDb (the latter having an even lower score than some shows in the Live-Action TV entry in So Bad, It's Horrible ) despite having very active forums full of fans speaking about the new things that are happening in the show is a testament to this.
  • Any sitcom shows on networks like Nickelodeon, Disney Channel, and Cartoon Network gets hit by this by many hardcore cartoon fans, with such common complaints that these networks are only to have cartoons and not to have any live-action shows at all. The most infamous being CN Real for an example. Which created huge backlash on the internet during that time period.
  • Anything from syndicator Litton Entertainment will inevitably get this, regardless of what they put out (Jack Hanna being an occasional exception due to nostalgia), mainly for holding what's seen as a monopoly on Saturday morning kids' fare, replacing the once-popular Saturday Morning Cartoon with unscripted nature documentaries, cooking shows, and lifestyle shows, all genres by and large considered boring and uninteresting by most younger people, including the intended target audience of teenagers. Not helping matters is that many of the shows have the same blatant commercialization that led to the rise of the E/I rules they play to in the first place, except for teenage audiences, making the blatant sponsorships and longer commercial breaks perfectly acceptable by the FCC's standards. It was especially painful for fans of the late Vortexxnote  and NBC Kidsnote , whose time spaces were among those taken over by Litton, alongside ABC's Disney Channel reruns and CBS's Cookie Jar TV. Occasionally Steve Rotfeld Productions' Xploration Station block mostly seen of Fox stations gets lumped in, but isn't hated as much due to its STEM focus being seen as more interesting (plus it killed off a two-hour block of Infomercials so it was a much worthier replacement to both viewers and Fox affiliates).
  • In Japan, about any show in NHK Kids, such as Okaasan to Issho and Inai Inai Baa!, gets this due to being aimed towards preschoolers and infants. The former show, however, does have some viewers who fondly grew up with one of its past incarnations. Averted with Pythagoras Switch, which is well-liked outside of its target demographic.
  • In Belgium, cooking shows get this a lot due to being somewhat unavoidable. People outside of the demographic are pissed off that there are so many cooking shows on television and demand them to be removed, seemingly unaware that they do have a demographic.
  • Among fans of closing logos, Cookie Jar TV gets this because their logo is loud and obnoxious and is plastered over the DIC Entertainment and Cinar logos on current re-runs of their shows.
  • The Noddy Shop was the bane of parents back when it premiered because of the puppets falling into Uncanny Valley territory and due to the lack of merchandise based on the toys in the shop, who were the most popular characters among children. It also got this from fans of Noddy's Toyland Adventures because the segments used were split in half and most of the show focused on the new live action characters.
  • Out of Jimmy's Head was in the receiving end of this, even before it released. The complaints were that it was extremely cheap, based on an already panned TV movie and to be Cartoon Network's shameful attempt at cashing in on the live-action sitcom from Nick and Disney Channel.
  • Supergirl (2015) is hated by most detractors of feminism. They accuse the series of having "Social Justice Warrior" ideology and privileging female characters over male characters.
    • Ironically the show has also gotten hate from "Social Justice Warrior"-types too, due to the questionable treatment of the non-white cast (African-American James Olsen being demoted from Love Interest in the first season to barely an Advertised Extra by the second, and casting a tanned-but-actually-white actress as someone coded Latina), for whether its actually good at its intended feminist messages (due to the main character being overshadowed by her Spotlight-Stealing Squad boyfriend in the second season, and its stance on certain topics that are Broken Base among different feminist groups), and ultimately the feeling the show is more preformative than anything, merely trying to earn 'points' for being progressive without really doing anything progressive. A similar complaint is held towards its sister shows Arrow, The Flash (2014), and Legends of Tomorrow, which have similarly earned praise for diversity, but came under scrutiny for how they actually treat its 'diverse' audience.
  • Shows like Duck Dynasty that have/had a high appeal to the white rural demographic that voted overwhelmingly for "She talks like a truck driver" "The concept of global warming was created by and for the Chinese" "I have so many websites" "When did we beat Japan at anything?" Donald "My twitter has become so powerful" Trump are/were predictably hated by the cool urban hipster audiences that rarely deign to watch them much.
  • The Vampire Diaries and The Originals spinoff Legacies is hated by fans of Supernatural for getting picked up over potential spin-off Wayward Sisters and taking its timeslot.
  • Preschool series Boohbah has a sizable hatedom of teens and adults, likely due to it being considered surreal to the point of it making almost no sense at all, with some going so far as to say that children can't learn anything from it (its intended purpose is to get children to exercise, but we don't know how many children in the target audience knew this and actually bothered to do the exercises with the Boohbahs). That, and some consider it Nightmare Fuel, particularly in regards to the Boohbahs themselves, which are five odd-looking brightly-colored creatures that do nothing of note but exercise and make farting sounds.
  • Jersey Shore was hated by all Italians, blacks, Cubans, anti-racist groups, Latinos, people living in the state of Jersey and feminists. The reason? The whole show (including possibly it's creators from MTV) is racist towards the first three listed!

  • Boy bands in general. It is well-known that many of these bands are manufactured more for looks than for sound. It doesn't help that they traditionally don't write their own music and often have only vocalists in their official line-up, which costs them respect even with fans of the pop genre.
    • This attitude goes back a long way. In The '70s, Johnnie Walker was famously fired by The BBC for the first time for his adamant refusal to play hits by the manufactured boy band of the day, The Bay City Rollers, on his prime-time show. Johnnie pointed out he only wanted to play quality music by real groups. The BBC disagreed with his stance that the presenter should be free to pick his own playlist and sacked him. note 
    • Hanson in particular, from the amount of bile it raised in the non-fan throat. Hanson wasn't even a boy band in the traditional sense, since they at least wrote their own songs and played the instruments themselves (as well as being actually, y'know, related to each other instead of being manufactured according to some kind of "next, we need a dark-haired Bad Boy" list). Yet because they consisted of photogenic young men who made poppy music, they were lumped in with the rest.
    • Backstreet Boys and *NSYNC were notable because they tried to reach for a Periphery Demographic and were smacked down. Some people were even surprised to learn that these were different bands. To make things even more interesting, Justin Timberlake (from *NSYNC) did gain success outside the usual boy-band demographic.
    • One Direction has one, but it's not nearly as large as the other ones. This is mostly because of Justin Bieber's hatedom being so big that instead of moving on to 1D they continued to hate Bieber. This was largely out of fear that he might continue to prosper without them trying to pull him down and/or they gave 1D a free pass solely so they can wipe Bieber Fever off the face of the planet. The ploy worked big time.
    • The Wanted and Big Time Rush, on the other hand, do not really have such hatedoms, as their fandoms aren't large enough to spawn one in the first place. Most of their haters are One Direction fans.
  • This was also true of the Motown girls' groups (e.g. The Supremes), doo-wop, and a dozen other genres. In the old days, even classical musicians were hired as much for their looks as for their talent. The problem is really that these boys are being picked for girls to ogle, which is a Bad Thing because if girls are ogling them, they're not ogling the young men who make up this particular Periphery Hatedom.
  • Pop princesses, such as Britney Spears and Christina Aguilera, may have moved out of this category if they managed to grow up with any grace or artistry. Christina Aguilera successfully transferred to other genres, but this resulted in her falling well out of the limelight, so her hatedom has died down a bit. Britney Spears started to die down, but then it flared back up again when Kevin Federline entered her life and the media debacle that surrounded that. She's calmed down since then, and is starting to gain a bit of respect again for moving on with her career.
  • Justin Bieber, another Teen Idol, had one of the biggest music periphery hatedoms in a long time. The huge media coverage (including being the focal point of one of's April Fools' Day pranks) didn't help. The hatred of Bieber became so widespread that about half of all YouTube videos, even those unrelated to Bieber, have someone complaining about him in the comments. In addition, Bieber was ranked #1 on the "2014's Most Annoying Celebrities" list. While there are valid reasons to dislike him based on his actions, he has yet to do anything that really seems heinous enough to justify being voted among the top ten most evil people in history alongside Adolf Hitler and Josef Stalin. The problem is so bad that Justin Bieber's Wikipedia entry is one of the most vandalized pages on the site, so much that it's listed twice in the Most Vandalized Pages list (though whether that was intentional or not is unclear) and listed as semi-protected on the French version of that list.
  • Taylor Swift has haters that think she is a soulless sellout. Then there are the people who think she's anti-feminist for singing stereotypical love songs and spending most of her time mooning over boys. She also gets bashed for being a Purity Sue (which is especially ridiculous when you consider songs like "Picture To Burn", "Better Than Revenge", and "Sparks Fly"). Though, this has lessened a little bit after she recorded a song for The Hunger Games movie, singing about something different.
  • J-pop, and for that matter Japanese music in general, gets this pretty bad. It is often called "weeaboo music". J-pop is rabidly hated by both J-rock fans and people who aren't fond of Japanese music in general. This is invoked by the anime series Puella Magi Madoka Magica. It uses an obnoxiously cutesy J-pop song as its opening theme, to enhance its image as a cute Magical Girl show that older males would hate, and then shocks the viewer with its incredibly dark themes and intense violence. Needless to say, the ending theme is a much more intense J-rock song.
  • J-Idol manages to have even more haters than J-pop, thanks to the Contractual Purity enforced by the agencies that not even its rivals dare to implement, the insane Black Shirt fandom who defend the practices, and the criminal element of how it is run by sleazy criminal organizations. And there's how out of touch it is with modern music trends makes it very easily hated by outsiders.
  • A lot of non-rock performers, especially in the 1970s, became vilified by rock critics and fans when their songs became hits on pop radio. John Denver and Barry Manilow are two examples of this.
  • Backlash against Disco during its heyday in the 70s was so great that there is a trope named after this backlash. Disco Demolition Night is a famous example of contemporary hatred toward the genre.
    • Specifically targeted are The Bee Gees, who were the face of disco in the late 1970s. Many were celebrating in the early 1980s when their amazing hit streak of the late 1970s came to a sudden halt (after 1979's "Love You Inside Out"), but even though they no longer dominated the charts, the Bee Gees — always well-respected for their harmonies — continued to sell out concerts, its members (specifically, Barry Gibb) continued to write hit songs for other artists, and in time, their songs that hit during the peak of their popularity began to receive heavy airplay on oldies stations.
    • One possible reason that disco continues to be intensely hated is that in one way it managed to remain ubiquitous even after it died out. By the time 1970s nostalgia swept America in the mid-'90s, disco had become so inextricably identified with the decade that spawned it that — for a while, at least — it effectively buried all other (usually more serious or "harder") pop music genres from that time period, from punk rock to prog rock to power pop to early metal. Genuine fans of '70s pop culture were not amused to see it reduced to a laughingstock by ignorant (and often younger) observers who naturally assumed that the '70s had given rise to only one, extremely obnoxious style of music. Think of it as a sort of retroactive Stop Being Stereotypical. (Many fans of '80s music loathe Hair Metal for the same reason.)
    • To bring this example back to the literal meaning of the trope, disco, a genre that had largely been created and defined by and for blacks, Hispanics and gays, got its biggest hatred from the kind of working-class white kids who made Disco Demolition Night into what it was.note  Yes, there was undeniably racism and homophobia in play, but as Steve Dahl noted long afterwards, disco culture was inherently expensive, in that you would have to buy nice clothes and learn how to dance in order to be socially successful in a future disco universe. It also isn't the kind of music you could (at the time anyway) get together a garage band and play on your own.
  • Nu Metal has gotten a similar treatment. At the time of its debut, it was popular among rock fans sick of the genre being monopolized by Pop Punk. The exaggerated aggression of Nu Metal, however, eventually burnt everyone out on it.
  • Pat Boone as a 1950s-'60s pop idol, since his career was built largely on making the more incendiary forms of popular music such as R&B "safe" for white listeners; and borrowing (stealing?) from black musicians white audiences wouldn't listen to. His later position as a Christian conservative commentator did nothing to help this. In fact, Little Richard's "Long Tall Sally" was written to be a song that Pat Boone would never cover. It backfired.
  • For a period, Michael Bolton received so much bashing that "Kill Michael Bolton!" jokes practically became a Dead Horse Trope of their own. And Ryan Stiles from Whose Line Is It Anyway? continued to relentlessly make Bolton jokes even after his popularity had waned. Office Space can't have helped (Die, motherfucker, die, motherfucker, die!). Granted, that was the printer, but Michael has similar feelings about the musician.
  • The Wiggles has a hatedom consisting of older children and adults, mostly because many of their songs are for younger children. Some also find the idea of men spending time with children creepy (before the new, young members, including one woman, replaced the old ones).
  • Lady Gaga gets this, for many reasons by many different demographics, but, specifically, by non-camp males because of her over-the-top refusal to be "conventional". Despite frequent Pandering to the Base, people wonder why she's not so widely celebrated outside her obvious target demographic. Of course, given the calculated way she behaves and dresses "non-conventionally", it's almost like she's trying for this sort of reaction.
  • Rap music in general.
    • The genre tends to inspire a generational divide between the MTV/BET-watching youth of its fans and their out-of-touch adult parents who take offense to its violent, misogynist themes, can't understand a word of the Ebonics-laden lyrics, and at worst are unsure if Rap is even music. Rap is even the preferred punching bag of older Black leaders who accuse/scapegoat it for promoting stereotypes and instilling in its listeners distorted messages about Black culture. It also has a MASSIVE hatedom amongst fans of classic rock, mainly because it's effectively replaced most genres of rock aside from alt-rock among the masses these days.
    • Time killed this when the original "MTV Generation" (who were teens during the '80s and early '90s) turned into parents, though it's still an issue for the older teens and young adults who are the children of the Baby Boomers (who were teens during the '60s and '70s, before rap became mainstream).
    • Reggaeton, being a derivative from rap and dancehall, also has got in Latin America a hatedom similar to the one towards rap, on the same demographics and for similar reasons. Although they also get fire from the heavy sexual content of several songs, which adds a lot of Moral Guardians of the Think of the Children! type to the hatedom.
    • All Black music has been prone to this. Jazz, R&B, and soul also had large Periphery Hatedoms in their time, but their hatedoms at least admitted that the main reason behind their loathing was the race of the musicians. Rap's detractors live in an era where that's not safe to say in public.
    • There's a substantial rivalry between metal and rap, though it's mostly one sided, since most rap fans are oblivious to it. This comes mostly from metal fans believing metal should be the biggest genre in the charts, and blame the popularity of rap for stopping this. They will lament the glory days of Nu Metal, but forget it was just as much a fad as anything else. (Ironically, when metal was at the peak of its popularity in The '80s, it was in the incarnation of Hair Metal, which most of these critics also despise.) In actual fact, many metal fans like rap music and vice versa.
  • Crunk Core has the most storied Periphery Hatedom of any genre.
  • Kidz Bop, a series of covers of popular songs sung by little kids with more kid-appropriate lyrics. It is aimed at little kids, and universally despised and panned by everyone older than 10.
    • The hatedom can also be spanned from the fact that ads for Kidz Bop play literally all the time on networks like Cartoon Network and Nickelodeon.
    • Musicspace gives the series surprisingly good reviews, but these are mostly parents who bought the CDs for their kids, plus the site is directly connected to its record label, Razor & Tie. All other sites trash the series mercilessly.
  • Rebecca Black and Friday are, in some ways, the Justin Bieber of 2011. Subverted, as she still receives a more memetic kind of respect, while the hate for her music is channeled into positive ways, such as remixes and covers, and self-deprecating videos, such as one where she is visibly embarrassed while watching her "Friday" video. And this "Brock's Dub" parody.
  • As white-hot as The Beatles were in the sixties, they weren't without their share of hatred. Some of it came from their target demographic, such as fans of other British Invasion groups such as Herman's Hermits and the Dave Clark Five or American groups like Frankie Valli And The Four Seasons. But much of it was from older adults who found their music to be more flash-in-the-pan disposable pop, and particularly, Moral Guardians (lampshaded in Allan Sherman's novelty tune "Pop Hates The Beatles"). Hatred from the latter would reach a fever pitch after John Lennon was quoted saying the Beatles were "more popular than Christ", prompting fundamentalist Christians to burn all Beatle memorabilia (Lennon would heavy-heartedly clarify, "I'm not saying we're better than Christ or greater than Christ. I'm just saying we're more popular.") But by the time the band had reached Revolver and Sgt. Pepper, though, showing that they were more than just "yeah yeah"s, even adults had to sit up and took notice, and they began to be seen as the musical pioneers they're known as today. The hatedom even wanted to define the at the time recent term beatlemania as a form of female hysteria in an attempt to show off that fangirls of The Beatles had a psychiatric illness that must be treated. Psychiatrics noted this and gave some of those a psychiatric test. The result was, predictably, that they did not suffer from any mental problems whatsoever and the term was redefined to maintain that being a fangirl is normal.
  • Elvis Presley is a pretty polarizing figure in Rock and Roll among blacks. Some are appreciative of the attention Elvis brought to the genre among the white community, creating openings for black artists. Others felt he had appropriated the genre to the detriment of black artists who had been doing it long before he did. Elvis gave credit many times to earlier black artists whose songs he covered (to a much greater degree than, say, The Rolling Stones or Led Zeppelin), but it didn't help that some of his fans believed he actually invented Rock and Roll. Elvis was also hated by some whites for being "too black", making him a Tragic Mulatto of sorts. And then, there were Moral Guardians who also hated his sound in general … and the fact that he swiveled his hips during his performances.
  • Harry Belafonte is a polarizing figure amongst fans of calypso music. Although he brought the music to the attention of an American audience, he's criticised for doing so by watering the music down and generally playing traditional songs, not competing in calypso tents, and crediting other people's songs to himself. However, Belafonte was in fact very respectful towards the musicians and the record company was mostly to blame for the credits issue. He did end up crediting them for his songs. He signed so many calypso artists to RCA that they started a Trinidad division, and he paid them well.
  • Céline Dion got a fair bit of this, principally due to the overexposure of her hit "My Heart Will Go On" from Titanic, but as her profile has diminished in the ensuing years, so has the hate, and many of those who were once part of the hatedom have changed their ways and now appreciate her music.
  • Country Music:
    • In general. Most people who claim to "hate" country seem to hold it entirely to many Southern stereotypes which are far from universal, and have probably never listened to actual mainstream country.
    • Music made after the early 1990s, in the eyes of classic country fans and more specifically, purists. Major complaints include the sound and the artistry being little more than bad pop/adult contemporary/arena rock music that has little to no resemblance to country music made prior to the 1980s, and the newer artists getting favor while classic artists who continued to write, record and release new material — including but not limited to Merle Haggard, George Jones, Loretta Lynn and dozens of others — began to be ignored by radio and ultimately, the mainstream media. Since rural America has gone from poor to rich, the shift is understandable but still disturbing to some. Meanwhile, younger fans frequently find the classic sounds and music recorded by such pioneers as Kitty Wells, Hank Williams, Webb Pierce and others outdated, unrefined, unrelatable and unlistenable.
    • Bro-country music has earned a huge hatedom from people who absolutely hate its generic lyrics about sex, tailgating and drinking (Cole Swindell, Florida Georgia Line, Luke Bryan, etc.), as well as certain modern country artists who eschew actual country production in favor of electronic beats and pure pop production (such as Sam Hunt). Female artists who have made songs that actually support bro-country stereotypes (RaeLynn, Maggie Rose) have also gotten trashing from bro-country haters as well.
  • In several countries, folkloric music, either from the own or from their neighboring countries, by people who are more into "mainstream" music (read: rock and pop). For example, at one time in Venezuela there is the trifecta hate from people of the capital and neighboring cities towards joropo (because of being perceived as backwards music from country simpletons, and for having been used as a filler during a period of obligatory 1:1 ratio of imported/local music), Zulian gaita (because of saturation of the airwaves on Christmas time and extreme regional thematic) and vallenato (because of its association with Colombian immigration, often stereotyped as criminals and violent bus drivers who like to play music in their vehicles on an ear-damaging volume).
  • Soulja Boy managed to get this from three demographics — Veteran rappers (most notably Ice-T) and their fans who felt his simple "how to do a dance" raps were ruining the genre, anime fans who were horrified by his terribly ill-informed attempt to make a song about how he was an anime fan himself, and ironically, actual veterans. Why the last? A song called "Let's Be Real," wherein he brags about how he got rich with his DIY approach to music and says "Fuck all the army troops."
  • Dubstep, a genre known by many people for its overusage of crazy electronic beats and bass, has been summed up by Abandon Kansas frontman Jeremy Springs as "the disco of now." Think about that for a second.
  • The late Michael Jackson used to gather quite some flak in his time, mainly due to the scandals he got into, for being a man-child in general, and for just being around kids. Notably, the haters often overlap with those who hate Barney as well (as noted on the documents at This has mostly died down since his passing, but some people still have hate on him.
  • The Christian Rock genre is the pun of many jokes, except for certain bands like Skillet, even from Christians.
  • Metal gets a lot of hate from multiple camps, such as those who consider it Satanic or those who stereotype it as loud, angry screaming and loud noise. Then there's the intergenre rivalry, with "true" metal fans disdaining both the Hair Metal groups and their fans, expressing outrage that this pop garbage dares to call itself "metal." What they apparently forget is that "heavy metal" was a term coined by the critics, not by the fans or the band members themselves, and it just became generally appropriated. Furthermore, bands such as Mötley Crüe and Poison are increasingly no longer thought of as metal anyway, now that more extreme bands have gone mainstream.
  • Screamo in general, more so second wave bands such as Bring Me the Horizon and Pierce The Veil, seems to have picked up a very vocal and cranky hatedom from metalheads who the bands never courted anyway.
  • Music in Brazil has hatedom from all sides. People who enjoy Rock (especially Heavy Metal) generally hate Brazilian music to the point of not considering it part of Brazilian culture, but just trash. People who enjoy Brazilian music generally hates Rock (especially Heavy Metal too) saying it's just people screaming and not singing. Also, they think people who enjoy Rock are just a bunch of nerds and virgins.
  • Kanye West's detractors can be split up into two groups: the first are general music listeners who think his music sucks and are appalled by his infamously jerkisk, Attention Whore-y behavior (indeed, his sudden and unexpected declaration that George Bush doesn't care about black people and interrupting Taylor Swift have become subject to serious Memetic Mutation, though it has died down after a while). The second are disgruntled longtime fans who think his current music sucks and are appalled by his infamously jerkish, Attention Whore-y behavior and miss when he used to be more agreeable and made more soulful-sounding beats instead of the darker, more experimental sound that his projects have taken on since 808s & Heartbreak. Kanye's own "I Love Kanye" from The Life of Pablo even lampshades the existence of the latter camp:
    I miss the old Kanye
    Straight-from-the-go Kanye
    Chop-up-the-soul Kanye
    Set-on-his-goals Kanye
    I hate the new Kanye
    The bad mood Kanye
    The always rude Kanye
    Spaz-in-the-news Kanye
  • 5 Seconds of Summer have managed to attract quite the hatedom in the few years they've been big. A major complaint lobbed at them is that they have so many songs that, instrumentally, are exactly the same as older songs from bands both they and Pop Punk fans grew up listening to and they didn't bother to credit the writers of those songs one bit, minus Duran Duran (which they weren't going to until their legal team advised them to, due to that song sounding like 'Hungry Like the Wolf', which makes it a bit confusing as to why they weren't advised to on some of their other songs). Their fanbase doesn't help whatsoever, as they either couldn't care less about differing opinions from their own and won't have any of it, will fire back hearsay about certain songs being cowritten by the band whose song it sounds like (when they weren't, as evidenced by the writing credits and the band's own history of cowriters disproving what they say), will tell you it doesn't matter because "there's only so many chords" (which doesn't make much sense because it's not just the chords that are the same in said songs, and if that were true, either no one would be making new music, or every song would sound exactly the same in every genre), won't care, or will say that they don't hear it. This can get people who check their songs out to see why people like them, and others who aren't fans of them, angry because the songs are so blatant in their similarities that to not hear it and not hear the similarities brings a big "what?" to the minds of those who do. It's not just the instrumentals either. Others don't care for them because their lyrical writing style is too similar to All Time Low's, some of their merch and CD designs are blatantly too close to other bands', they come off as a boyband thanks to their marketing, or the fact that they were a YouTube cover band from Australia that only got as popular as they have thanks to them gaining a heavy following from One Direction's fanbase of tween and teenage girls thanks to One Direction bringing them on tour with them, which was a guarantee that they'd gain a substantial following (which some of their fans treat as more of a heartwarming story about them braving the world by going on tour when they hadn't even finished high school yet than it really is). Thus, their fame, to some, feels unearned and that they would've been better off spending several more years trying to get a recording contract rather than all of that, then starting their own record company, which they also release their own music under.
  • The song "Ain't It Funny" by Jennifer Lopez and Ja Rule gets some hate from Linkin Park fans due to infamously keeping out "In The End" from reaching #1 on the Billboard Hot 100 in 2002.

  • Almost any new show, animated or Kid Com, on Nickelodeon will be despised by older fans of the channel for their common use of Toilet Humour and pandering too much to the "tween" demographic that they are not a part of.
  • Bella and the Bulldogs gets enough sexist and racist male hate for making a girl part of the football team...but the hatedom grew after it was discovered that one of the writers had also written and directed an adult movie about an interracial affair.
  • Breadwinners received attacks from older Nickelodeon and Nicktoons fans for its very premise, use of dubstep, and animation, all before the show even aired. Once it did air it got a lot worse, though there are some adult fans who will defend it.
  • The Brothers Flub falls into this due to its horrendous theme song, slow-pacing, stale and random humor, bland and plotless writing, ugly-looking characters, and especially the titular brothers', Guapo and Fraz, constant arguing. Didn't help that it premiered on the same time as SpongeBob SquarePants. Those reasons might have something to do with the show being so dang obscure.
  • Dora the Explorer: Particularly to those who hate being treated like they have the memory of a goldfish. note 
    • Dora hate is played with in Sherman's Lagoon; the titular shark, a middle-aged male, loves the show because he's just that stupid.
    • Saturday Night Live's parody.
    • The Stringini Bros. have a song entitled "Dora No More" which describes Dora being mauled in various ways.
    • Dora is a frequent parody target amongst GoAnimate, along with Caillou.
    • The Dora's Explorer Girls line got hate from parents before it even came out because they worried that the series would be turned into a clone of Bratz, with the belief that aging her up would taint the brand's image.
    • Blue's Clues, another pioneer of participation-based Edutainment, may get some of this, although WAY less than Dora because of teens and adults' liking of human narrator Steve's Adorkable charm and for the show having a lot of great Nostalgia Filter. Basically, there are more people who love the show than those who dislike it. The episodes where Joe took the wheel aren't so immune, however.
    • Nick Jr.'s new Cash Cow Franchise, PAW Patrol, while being mostly loved by adults and parents, is sometimes hated because it is too cute, how ridiculous the premise is, how it uses the same formula every episode and has annoying music. There's also parents who hate it because of the gender roles in the show, mainly making the sole female character until the arrival of Everest pink.
  • Fanboy and Chum Chum. If you check out a thread asking for opinions on the Nickelodeon message boards for this show, they'll range from good to mediocre. IMDb and the website provides us with much more insightful, though, to say the least, critical reviews. Also, anything that's not an actual episode of the show, but, for example, the intro or some fan videos on YouTube will be literally flooded with hate comments. It has its fans, though.
  • Wayside gets this for Bowdlerising the books it was based on and making Todd a Butt-Monkey. Didn't help that it aired around the same time as El Tigre. (Which despite having the same amount of episodes as Wayside, it was more positively received and still airs reruns on Nicktoons every now and then, while Wayside became an Old Shame for Nick.)
  • Glenn Martin DDS for being a hurricane of cliches and an adult show airing on a kids' network (technically, it was on Nick's late night block Nick at Nite, but still came on at an early enough point where kids could watch it).
  • Marvin Marvin, partly due to its Up to Eleven Toilet Humour, for being very unoriginal, and for being another Lucas Cruikshank vehicle. The huge backlash eventually led to it being canceled after one season as part of the network's continual executive foot-shooting to keep up with Disney. You could've practically heard the massive sigh of relief from the Hatedom when it was announced that this was Lucas Cruikshank's last project for Nickelodeon.
  • Max and Ruby, partly due to a Family-Unfriendly Aesop. It even appeared on The Angry Grandpa.
    • Equally abundant are complaints about the cheap animation, Max being a Karma Houdini and Ruby being ridiculously bossy.
  • The Monsters vs. Aliens TV series for being another useless tie-in for Dreamworks Animation and having significantly less well-done CGI than its film proper.
  • The Penguins of Madagascar and Kung Fu Panda: Legends of Awesomeness TV series are hated by some fans of the series of movies they originated from.
  • Mr. Meaty gets a TON of this, mainly because of the fact that it's a Gross-Out Show with Food Porn and ugly puppets.
  • Nick News, a news show aimed at elementary through high school aged people, gets a considerable amount of hate from people who consider it boring. Nevertheless it lasted over twenty years.
  • Of Nickelodeon shows, 2013's Nick Studio 10 received an irrational hatedom because of its un-traditional interruptions of programming (right in the middle of episodes with random videos that had no rhyme or reason, although the block was mainly made up of the usual SpongeBob SquarePants marathons the network has become addicted to, so unless you're completely new to the show, you knew what was happening anyways), stunts and skits which wasted food, Toilet Humour, and some rather overheated accusations of animal abuse, though the actual audience either enjoyed it or rolled their eyes and waited them out because they were there to watch a show, not the continuity between. It may have developed into a sane block eventually, but a hacking of the show's Twitter account with racist content, social media harassment of the cast, YouTube videos criticizing it made by viewers well out of their demographic (The Archfiend was the most infamous hater of the block and was in his thirties), and the show's Facebook moderator just giving up made it too onerous for Nickelodeon to continue it. After a Labor Day 'best-of' episode promising the return of the block, the block never returned and the cast moved onto projects outside the network, and who could blame them? As of 2016, Nick has not launched any other live hosted blocks, likely scared off completely by the Studio 10 experience.
  • NickMom started out as a new block on the Nick Jr. channel in 2012 centered on mom-focused humor and such to give them a respite after having to tolerate their toddler's continuous Peppa Pig obsession. To social media critics who don't understand that a new network's first schedule will never become permanent, it was like Franklin, Dora, and Blue's Clues were taken out back and shot, replaced by inappropriate mom-focused humor despite multiple content warnings. Adding to the hatedom were several minor controversies, such as having an insensitive blog post about those affected by Hurricane Sandy, using photos of children without permission on their blog, and airing a skit titled "Bake Sale" which caused outrage among parents who felt the skit was mocking children with food allergies, successfully managing to get it pulled from both the block and its website (you can watch it here and judge for yourself.) The ratings (low as they were), however, eventually sorted things out; the funny stuff and movie reruns worked, the vulgar stuff didn't, and by 2014 NickMom became more benign (with only the occasional sex joke or edited R-rated romance movie here and there), with Disney Junior, Sprout, and Netflix easily happy to take the homes that don't want to watch NickMom. Eventually, though, those who were still dissatisfied with the block won; the block was discontinued to the relief of its (by then mostly faded) hatedom on September 28, 2015 (and by then if you wanted to take down 90's romance films and Parenthood reruns, you just looked petty), with regular Nick Jr. programs taking its place.
  • Planet Sheen gets attacks from fans of the Jimmy Neutron franchise for Flanderizing Sheen from a relatively normal Ditz to a Too Dumb to Live one, removing his obsession with Ultra Lord (after "Cutting the Ultra Cord"), and having none of the other Jimmy Neutron characters appear (aside from Carl in the episode that introduces Doppy's character), having expies of them instead.
  • Rabbids Invasion, for basically being NOTHING but the Rabbids doing something and saying "BWAAA!" all the time. It's actually more than that; the Rabbids go into random places discovering new things, and they do say "BWAAA!", but not too much. For the most part, it's So Okay, It's Average, but it's been compared to Teletubbies. It's also hated by haters of the Raving Rabbids games since the Rabbids managed to get a TV series over Rayman himself (though Rayman actually did have a cartoon that was only four episodes long).
  • Rocket Monkeys for its excessive grossout humour, unappealing visuals and animation, and having one of the worst cases of Designated Hero in Western Animation.
  • Initially, Sanjay and Craig was accused by many people for being a rip-off of Adventure Time and Regular Show and upon premiering was berated for having too much toilet humor. (The first episode was notably about a butt transplant) Even before it premiered, it was hated for actually interrupting shows ala the aforementioned Nick Studio 10 to show promos for it. However, the show eventually grew the beard and gradually gained a noticeable Periphery Demographic over time. People were even disappointed when it was cancelled. Many of the first season's episodes are now mostly seen as So Okay, It's Average. (Though some episodes, particularly the infamous and nonsensical "Fart Baby" episode are still widely disliked.) It still has a number of detractors, though, so it's not completely an aversion to this trope.
  • As popular as it is, it seems that SpongeBob SquarePants (Mostly seasons 4-9, seasons 1-3 are well received) is here among older fans of Nickelodeon, and those who only liked the first three seasons, who are just sick of the show and wish it would be cancelled to make room for many other better Nicktoons, and/or the first three seasons. Then there's the hatedom coming from Fandom Rivalry. Fans of Rugrats are well-aware that the Executive Meddling that brought the sponge to popularity is also the crushing blow to their beloved show, and thus react accordingly with Hype Backlash. Though Season 6 gets the most of it. While the show has managed to Win Back the Crowd in recent years, due to creator Stephen Hillenburg coming back and the characters getting their old characterizations back, there are still those who feel that it has overstayed its welcome and has outlasted "better" Nicktoons.
  • A number of Nick fans resent T.U.F.F. Puppy largely due to it being a Cliché Storm. Though it was pretty popular in ratings during its heyday, and was considered one of the better Nicktoons of the network's Dork Age.
  • Yakkity Yak for being a Widget Series and having everyone in the show (except Keo the Pineapple and Penelope the Robot Girl) be a complete moron, or unlikable, or a completely unlikable moron.

    Performance Art 
  • Psychics and mediums have a huge Hatedom within the community of stunt performers and illusionists, who hate that they have to work hard to get the success that these people almost immediately and undeservedly have. One notable hater is the famous magician Harry Houdini, who spent a lot of his time debunking and rationalizing all of the supposed supernatural and spiritual stuff that these psychics and mediums threw at them. Even now there are still actual people (such as James Randi) that promise to hand out prizes to people who can prove to actually have supernatural powers ("promise to," because there are basically no applicants, and those who do apply are inevitably demonstrated to be using sleight of hand or other eminently non-supernatural trickery).
  • The poor, put-upon Street Performer. These folks obviously represent a niche entertainment, and most of them put on "walk-by" acts instead of roving around, meaning that one can easily avoid them simply by walking on the other side of the street or just looking away. This doesn't stop the proliferations of massive hatred of this art form (mimes get it the worst, of course, but organ grinders and even legitimate musicians are also not immune). Indeed, there are city-dwellers who seem to resent the very existence of street performers. If you press them for reasons, it might be "I should be able to look wherever I want without having to see one of them!" or "They're scaring away the tourists who spend the money our community desperately needs!" or "They're all hippies/bums/[fill in socially marginal eyesore here]." Of course, some street performers do put on sexually explicit or politically radical skits, so it's easy to understand why people would find them threatening.

    Professional Wrestling 
  • A number of old school fans in general also have expressed dislike for current day wrestling in general, due to adult-themed storylines, use of foul language, scantily clad female performers, male-on-female violence, the prevalence of steroids and other performance-enhancing drugs, and wrestlers who have little to no actual wrestling skill and/or respect for the sport in general. A few intensely hate wrestlers and other performers who are primarily used to attract children but have no or less appeal to traditional fans (also due to said performers usually having limited skills and/or given cartoonish, over-the-top gimmicks). Others, especially some veteran performers, have been distressed at the breaking of kayfabe and revelation of the sport's inner workings, while others have criticized the demise of the territorial wrestling setup. Vince McMahon's World Wrestling Entertainment has gotten a large share of the blame for all of this.
  • Old school WWE fans (and many Attitude Era fans) seem to particularly loathe the character of Hornswoggle, whose matches border on slapstick comedy and seem to exist for the sole reason of attracting the attention of small children. The Great Khali is a similar example.
  • Characters regarded as overbooked supermen, primary and most controversial example being John Cena. Randy Orton and Sheamus are examples as well.
  • Many male fans find the Divas' matches boring. Well, unless you're at the event, you don't have to watch them — and even if you are, you could just go to the bathroom or get a hot dog. The arguments tend to stem from: the matches are too badly fought to entertain "purists", and the girls aren't slutty enough to drag in the "letches", so they usually end up in the "meh" zone.
  • Purists resent the fact the WWE has no real interest in making a legitimate female division, and find the current iteration of the Diva division to be reeking of Unfortunate Implications. That and the fact they insist on hiring models instead of athletes. TNA has started to get the same complaints as well. There are also disenfranchised Diva fans who remember its short Golden Age in the early 2000s, when the Divas started to get serious about wrestling, starting with Lita and Trish Stratus.
  • A different set of purists who will hold a former model's past career against her even if she becomes a good wrestler. Others will get this even when they've never done modelling before. Trish Stratus herself experienced this early on and had to start taking chair shots to shake off the haters. Kelly Kelly is an example as many people will read her name in a match and automatically label it as bad without even bothering to watch it. A lot of this might be due to the perception that the female championship has been cheapened since 2007 by putting it on a revolving door of Divas instead of having mainstays like it once did. There's also the argument that certain Divas get much more attention than they deserve, at the expense of Divas who are at least as good. Take Torrie Wilson, Stacy Keibler, and Jackie Gayda, for instance. They weren't the best in the ring, but they at least entered WWE with some wrestling experience. Yet they barely got near the Women's Championship, much less won it, and all too quickly saw their careers slide into irrelevance. Considering that, how fair is it that Kelly Kelly comes to WWE with no wrestling experience and gradually takes over the entire division, much like Trish had a few years before?
    • More recently there's Eva Marie, who is not unpopular with fans of Total Divas but reviled by actual wrestling fans. A lot of this, frankly, is hard to understand. One can't really argue that "Eva Marie is making the Divas look bad", since she's much more of an exception these days than a rule. Besides, Eva hardly ever shows up on Raw or SmackDown, so if you watch the "real" wrestling shows you're usually not in any danger of having to watch her.

  • Golf. From those who aren't fans, it's regarded as monotonous, luck-based, aristocratic, unathletic (since some people just drive carts to wherever the ball is instead of walking), and associated with square old rich people in clown pants. Even if you don't use a cart, it's widely not considered to be particularly "athletic". Dave Barry once discussed it by breaking down the calories burned into various categories like "sauntering," "squinting," and "saying things like 'You certainly did double bogey that mashie niblick, Ted! Ha ha!'" For ironic points, in order to combat the idea that golf isn't athletic, there are rules regarding the use of carts on the pro-circuit, mainly that unless you can prove beyond reasonable doubt (seriously, you jump though a ridiculous amount of hoops) you can't walk the distance involved, you walk the course. This leads to many people, who happen to catch a few minutes of golf on TV, to question why the players don't just ride in the carts to help speed the slow game up. Its image as the pastime of the classist, privileged elite (despite the highly contrarian face of the sport, Tiger Woods) certainly does not help matters.
  • Sailing. It's viewed as a very upper-class activity, due to the cost of owning and maintaining a boat, as well as associating "sailing" with cruise ship vacations, even though the two are nothing alike.
  • Equestrian sports. Like sailing, they're generally perceived as elitist and upper class. In the case of actor Christopher Reeve (who was permanently paralyzed after falling off a horse), the hatred got so intense that some people annoyed by his activism on the part of the handicapped implied that Reeve deserved to have it happen to him.
  • Cricket, especially as it takes day to complete what is called a "test match". In the reverse though, the faster 20Twenty variant that intends to make the game relevant for the Internet generation is cited by traditional cricket fans as the sullying of the sport.
  • Motor sports in general. They are perceived as boorish, lower class, anti-intellectual sports which are dangerous, waste fuel, and pollute the environment.
  • NASCAR, for detracting the athletic element from sports for part of it; and its common association with rednecks for the other. Others simply find it boring, since at bottom it's just a cluster of fancy cars driving around and around for hours — really not much more than what you'll see on a particularly busy freeway system.
  • Cardio kickboxing is one of the biggest crazes among fitness aficionados and shows no sign of dying down, but it continues to get a lot of hate from formal practitioners of martial arts for diluting the practice. While many pioneers of the craze, such as Billy Blanks and Chalene Johnson, are in fact, legitimate martial artists, the fact that people started becoming instructors with no formal background means they risk teaching bad form to students that not only distracts them from effective fighting techniques should they ever need to defend themselves, but actually runs the risk of students hurting themselves doing the moves as exercise.
  • Competitive kickboxing has gotten hatred from some Moral Guardians. The most common accusations is that it has stripped martial arts of their once-typical hallmark of restraint and peaceful ideals, and turned the whole ordeal into a spectator sport dedicated to feeding the audience's love for violence. John McCain called it "human cockfighting." However, again, the opposition has done little to dampen the enthusiasm of its fans.
  • Sumo wrestling; usually because it epitomizes Manly Gay to some people, and to others because it inspires a lot of "fat-men-in-diapers" jokes. If you see any depiction of this sport outside Japan, it is likely to be parodic in nature.
  • Cheerleading, due to the amount of negative stereotypes associated with cheerleaders and because it is a stereotypically female sport (a criticism often raised by feminists, ironically enough). Many will even deny that it is a sport, when in fact it requires mastery of a great many physical challenges and is actually more dangerous than most of the "jockier" sports.
  • The NBA attracts its fair share of hatedom from "purists" or old school fans who feel the league has been over-commercialized or because of the lower scoring of this era, over-emphatic on defense, hockey fans who feel the media focuses too heavily on basketball at the expense of their favorite sport, and racists who find the NBA to be a convenient way to side-vent their prejudices (if the person uses the word "thug" or any variation in describing why they don't like the NBA, they usually fall under the last category).
  • Ice Hockey, which is perceived as violent, dangerous and lionizing negative masculine stereotypes.
  • American Football has this much more strongly than ice hockey; although the rules of American football do forbid fighting more strongly than ice hockey (in football, brawling causes an automatic ejection; in ice hockey, the punishment is five minutes in the penalty box), in football, the violence is baked right into the way the game is played. Tackling, blocking, and hitting the opponent with one's body, often at fairly high speed, is an essential part of playing football. Moreover, one of the best "weapons" a football player has is none other than his own helmeted head—which has led to a massive problem with concussions and sub-concussion brain damage that causes lasting neurological problems. This often goes hand-in-hand with negative perceptions of American culture. Many of these stereotypes seem to be held by people who aren't aware that football has moved beyond "three yards and a cloud of dust" and is much more based on complex strategy and physical finesse these days.
  • Collegiate American Football (and college sports in general) gets knocked for having nothing to do with the mission of a school and wasting money that could be used for education (which are valid criticisms, but also very ignorant of how the functions of higher education in America evolved and the complexities of how institutions spend and acquire money).
  • Association Football (soccer for Americans), because of a reputation for violent, riot-happy fans and whiny, injury-faking players. Soccer also gets a lot of hate from fans (or proponents) of other sports in countries where it (soccer) is dominant, this ironically mirrors the attitude many US soccer fans have towards the "big four" (Baseball, Basketball, Hockey and American Football). Of course it does take away (usually limited) media attention and more crucially television money from other sports such as Handball.
  • Curling is the pun of numerous jokes from those who don't understand how it works or why it's a sport. This is especially common during the Olympics.

    Tabletop Games 
  • Players of tabletop role playing games, sometimes referred to as games "with dice that have more than six sides", such as The World of Darkness, or Dungeons & Dragons, or Warhammer 40,000 (also including some card-based ones, the most famous of which is probably Magic: The Gathering), will be assumed to be antisocial losers. The reverse is also true just as often, with detractors generally seen as antisocial soap opera watchers. Unsurprisingly, one of the most common and well-known perpetrators of this attitude are hardcore video game players.
  • Monopoly itself gets a lot of hate from the Euro-gamer and "serious" board-gamer crowd. There are also some, both left-wing and right-wing, who know the original game was intended as a scathing satire on capitalism (though it was really only accurate to the late-19th century, pre-antitrust Robber Baron era). Right-wingers don't like it for having been a leftist caricature of a market economy and leftists don't like that it's now one of the biggest mass-marketed corporate products ever. The political hatedoms are especially odd because Monopoly was not intended to be a critique of the free market at all (which arguably didn't even exist in its present form when the game was created), but of the old protectionist and consolidationist economic model that is despised by left-wingers and (most) right-wingers alike. Meanwhile, board-gamers don't like it because hardly anyone actually plays it by the real rules, and "house rules" generally tend to drag out the game past the point where it stops being fun. That's bad enough, but it's also so ubiquitous that board-gamers (with some justification) fear anyone hearing "board game" is likely to first think "Monopoly" and then "I'd rather have root canal without anesthetics."

  • Musicals receive hatedom in spades, in addition to an array of fan haters. The stereotype of thespians being Camp Gay is a good indication of how strong it is. However, there are ways to work around this (Avenue Q is an example, for its South Park-like humor and its being a parody where the use of songs actually makes sense). Little Shop of Horrors and Rocky Horror Picture Show also aren't as despised by non-theatre fans.
  • When a song from The SpongeBob Musical appeared as the first act of the TV broadcast note  of the Macy's Thanksgiving Day Parade, many fans of the show's source material said that they despised it because the actors did not resemble the characters they were supposed to play the roles of. Other fans, and some parents with young children, said that the humanized characters could give people nightmares.

  • Whatever the designate "hot toy" of Christmas is. There seemed to be an exceptional amount of hate towards the Furby in particular because it just wouldn't shut up.
  • The Cabbage Patch Kids dolls were also pitched as a Christmas must-have and particularly reviled by people who were sick of seeing them everywhere. Film director Don Mancini was one of these people. His response? Chucky.
  • Beanie Babies, although most of the hate was directed at the Periphery Demographic of housewives who stored them in glass boxes as collectibles, not the little kids who just wanted to play with them as toys. Then again, there were also a lot of parents sick of shelling out so much money for the things. Even the people who delivered Beanie Babies to retailers (often UPS employees) hated them due to being constantly harassed by collectors asking if they had any of the new releases. A semi-famous urban legend even stated that said delivery people had to wear tags that said "Please Don't Ask If We Have Beanie Babies" just so they wouldn't get harassed.
  • Polly Pocket, from the little boys for whom they were never intended.
  • Remember Tickle-Me-Elmo? People donated to be the driver of a bulldozer that ran one over, and sold thousands of tickets to a front row seats of said event. There's a video of one of the more advanced models being burned to a crisp. While still turned on. It's rather disturbing.
    • MADtv did a parody with "Tickle Me Emo".
    • Cory Doctorow's novel Makers features "Boogie Woogie Elmo", millions of which were destined for landfills. The titular makers use the sophisticated hardware and robotic capabilities in novel ways.
    • Parodied in Season Two of the episodic Sam & Max: Freelance Police games with "Torture Me Elmer", a toy which children were encouraged to mistreat. There's a minigame where a vast spill of them has littered the roadways, and you need to clear them off by running them over. There's a certain sadistic hilarity in hearing them beg for mercy.
    • Jhonen Vasquez has a Meanwhile comic about "Tickle Me Hellmo", which has 20 levels of response. They include shooting fire ants, calling Satan to stare at the child at night, and reciting goth poetry.
  • Name any kind of gender-specified toy. Boys were supposed to play with stuff like Tinker Toys, soldiers, sports toys, and toy weapons. Girls were supposed to play with dolls, playhouses, kitchen utensils, and pretend-telephones. Watch as the girls think the boys' stuff is stupid while the boys think the girls' stuff is stupid without any reason. Watch any child who averts this get labeled as gay without any reason.
  • Pinkification (colouring all girls' toys in bright pink) has a broad hatedom outside its core demographic.
  • Hero Factory for many BIONICLE fans, mostly since the sets and story don't cater to a Periphery Demographic in the same way its predecessor did. Bionicle itself has this in the form of thousands of adult fans of LEGO.
  • Barbie.
    • Everyone loves to write all sorts of long essays about how she's "a freak of nature" note  and a "walking stereotype of what a woman is supposed to be" (somehow ignoring Barbie appearing in countless white collar or even blue-collar jobs), and people often refuse to buy their daughters or relatives Barbie dolls for fear that a doll will somehow instill a negative body image in them. (Like the doll itself is the sole cause in the first place, as lampshaded in Baby Blues.) Ask around the internet and you'll probably find a lot of people, even girls (especially girls), who decapitated and mutilated Barbie dolls when they were little. Barbie is a stereotype of what a woman is supposed to be. Just a different stereotype: specifically, some kind of blonde, tanned, superwoman.
    • If you were a boy and played with a Barbie doll, then you immediately had to transfer schools. Unless, that is, you did stuff like strap her to a model rocket and attempted to launch her into outer space or did all sorts of violent acts to her such as dropping a bowling ball on her or trying to melt her with a magnifying glass.
    • Poor Mattel. It seems that no matter what they do with the Barbie franchise, they'll end up getting flak for it. One scheme in giving Barbie a positive light is Hello Barbie, a doll that could do advanced speech recognition and speech synthesis to answer questions posed to her by the owner and connect to Mattel's server (for Moral Guardians filtering) over the Internet via Wi-Fi to get information. The intention here is to show that girls can be smart, allowing a child to look to Barbie for help with homework if no one else who can help is around. It immediately gathered flak for being a privacy invader (despite Mattel assuring that no personally identifiable information on the owner will be stored on their server, and only certain non-critical information like the owner's name is stored in the doll itself) and white hats immediately started pointing out how the doll can be hacked to say things of their choice, not by hacking the doll itself, but by hijacking the ISP's domain name server (which will allow them to take over any internet connected program, including the humble web browser, and that's assuming they managed to reverse engineer the doll's communications protocol first). Nevermind that Microsoft, Blackberry, Apple and Google have done this with Cortana, Assistant, Siri and OK Google respectively with no backlash whatsoever, and that toys like that are pretty common in Japan and had not have any issues in that country. And hobbyists all over the world, including in the US itself, have been hacking up dolls that do just that, and those have no filtering whatsoever. The fact that certain TV shows were hyping up the paranoia wasn't helping. And when they put that same technology into a different toy (a Fisher-Price stuffed bear), the first batch of said toy sold out within days of launch. It seems that the real problem here isn't about privacy or protecting little girls, but Barbie can't be smart.
  • The Bratz doll line received lots of complaints. Like Barbie, a lot of them were from people concerned about its target demographic of little girls, and even more so given the Bratz dolls' revealing clothes and thick make-upped expressions. However, there were, once again, a lot of boys (and older or tomboyish girls) who just liked making fun of things little girls liked.
  • Not specific toys in particular, but there is a hatred people have towards those who collect toys or even still play with them well into their adulthood.
  • Toys made for adultsnote  fall under this as well. Misaimed Marketing doesn't help either.
  • Any "As Seen On TV" type toy falls under this. Partially because they never work as advertised. And, partially because kids tend to constantly beg their parents for it, driving said parents crazy. It doesn't help that said toy advertisements tend to play an obnoxious amount of times. Many reviews of "As Seen On TV" toys on reflect this. Said reviews tell of how the parent's child (or children) begged them for the toy in question, the parent buying them said toy, and then either the toy not working or the child/children becoming bored quickly of the toy.
  • Any toy that makes sound that's aimed for young kids. Kids love the noises and will repeatedly press the button that makes them, which will drive any adults or older children in the room mad. A common rule parents set when anyone goes to buy a gift for their kid is to not get anything that makes noise. This often prompts the grandparents or the in-laws to get it instead because they don't have to live with them. This is mocked in a strip of Baby Blues where Wanda looks over a toy that makes noise that's called "Grandma's revenge", as well as in a Denis Leary routine.
    • There is supposedly a Chinese proverb: "If thy enemy wrong thee, buy each of his children a drum."
  • My Little Pony has gotten this treatment for decades from three different sides. On one side you have people who prefer realistic equine figures and scoff at the pastel, talking anthropomorphic ponies. This has caused a Fandom Rivalry with series like Breyer. On the other side you have people, especially young boys, who hate it for being feminine and cutesy. Then there's those who're in to colorful horses, but have defected and declared hate on G3.5 onwards due to those not looking anything like horses. Incidentally, those who decried G3.5 onwards defected to Simba Toy's Filly line, who're now at war with the bronies because some of the latter lashed out at Filly Funtasia.
  • Funko Pop! is very popular, but it has an extremely vocal hatedom online. The most common reason is that the franchise's designs of the figures are simpler, their Black Bead Eyes look creepy, and they're cheaper and lower quality than other collectible franchises such as Figma and Nendoroid.
  • Monster High has this reputation but mainly because of how its popularity has affected other series. Many copycats such as DC Super Hero Girls and Disney's Descendants riff off the formula. This leads to scorn from older fans in the respective fanbases, which ends up redirected as Monster Hign.

    Video Games 
  • It's very difficult to find anything but a savage, snarky, sarcastic review of any game geared towards young girls, particularly if said title is unfortunate enough to involve Barbie, the Olsen Twins, or some other stereotypically girly franchise.
  • Female presence in video games is a big target for this, largely due to the ubiquity of the Testosterone Poisoning and Gendercide-obsessed Straw Misogynist demographic in gamer culture. Games such as Life Is Strange are bashed and mocked as "SJW games" by such demographics even if such games are made without sucking any attention and resources away from the typical dudebro games that said demographics play. Even real-life female gamers are an unfortunate target for this demographic, and are bashed for their allegedly "inferior" gaming skills (particularly in team-based games and when being marketed to), as mocked in this video by Jim Sterling. There were also some reports of this demographic willing to support hate groups and Neo-Nazis just to spite girl gamers.
  • The main Animal Crossing series doesn't get this treatment however the spinoff game Animal Crossing: Happy Home Designer does. It removes the life sim aspect of the game and focuses on interior design. Many fans were stumped on why anyone would want to play an Animal Crossing game without the main aspects, however there is a market out there for designer games. Despite the heavy criticism it sold quite well in Japan.
  • Dynasty Warriors has fans who take every opportunity to bash the Shu Kingdom for not really being as heroic as the early games made them out to be. This hate comes from people who read the actual history surrounding the Three Kingdoms Era and realized that Shu and their officers were bloody, violent, less than scrupulous people who got their fame boosted by the novel. Unfortunately, those same people miss the point that both Romance of the Three Kingdoms and, subsequently, Dynasty Warriors are NOT based off of the actual Chinese history, but rather the books themselves. It's not going to feature Sun Jian historically slay Hua Xiong, because in the NOVEL, it was Guan Yu.
  • Fire Emblem has been getting this from some more jaded gamers, especially via its newer games.
    • Fire Emblem Awakening and Fates are a reversal of how this trope usually works for Nintendo games. The games are very anime-styled and seem to be targeted towards the older Otaku demographic, but get some hate from fans outside said demographic (including fans of Nintendo's more family-friendly series such as Mario and Donkey Kong) for their anime cliches, controversial subjects and features (including the ability to marry characters in-game), and Fire Emblem's allegedly disproportionate amount of representation in Super Smash Bros. for Nintendo 3DS and Wii U despite being a lesser-known series.
    • The games also invert this in another way: Awakening and Fates are generally beloved by mainstream games and critics and often considered some of the best 3DS games of all time. Their reception among the core Fire Emblem fanbase, however, is much more contentious.
    • Lucina, a popular heroine from Awakening, is utterly despised by the He-Man Woman Hater demographic. While there are indeed contentious aspects to her such as her Wolverine Publicity and being frequently depicted as a Moveset Clone, many of these haters arbitrarily treat such elements as if they make her into the worst character ever, and bemoan how her popularity allegedly made Fire Emblem (and to a lesser extent Super Smash Bros.) all about "waifus".
  • Teemo from League of Legends is hated by most players due to him having a blind, poison, high mobility, and the shrooms he places all over the place to annoy players. Many gamers kill him as a response. In response to much of the hate to the character, Riot Games has counted how many times Teemo has been killed by players per second.
    • League of Legends itself gets a lot of hate from non-MMO fans, though largely because of its community.
  • Mortal Kombat. Most of the vitriol directed at that game when it debuted in late 1992 came from panicky Moral Guardians and people who would have never played the game in a million years.
  • Pokémon:
    • The franchise as a whole got plenty of this during the initial craze's heyday, and you'd still be hard-pressed to find an enthusiastic fan who wasn't a preteen or younger when it first came out. Also, some fans of the earliest games, known as GENWUNNERSnote , can have this towards some incarnations of the game. Chalk it up to a combination of They Changed It, Now It Sucks!, Nostalgia Filternote  and this trope, from aging out of the intended demographic. While the games have more universal appeal than, say, the anime, they're still made primarily with kids in mind, although from 2013 onwards the franchise has been reinventing itself as an "all-ages" franchise similar to Super Mario Bros. itself rather than a franchise mostly for young children. Even so, the franchise still gets this from time to time, to the point that adult fans are mocked for enjoying the franchise (even if it's through Pokémon GO, which is well-known for being a mainstream success and more directly tailored to adult smartphone users).
    • Pokémon Black and White are frequently accused of having spawned the "genwunner" phenomenon, a strong example of a Periphery Hatedom for the newer games. While the games were highly praised by fans and critics, they also completely displaced older Pokémon by introducing a self-contained ecosystem of 156 brand-new species. Many adults who grew up with the older games took issue and compared them negatively to Gen I and II Pokémon to memetic Snark Bait levels. Seeing this reaction, Game Freak deliberately catered to fans of the classic 'mons in subsequent games, and saw an excuse to print even more money. However, this in turn later caused the cycle to begin anew (albeit on a smaller scale), with fans of BW (now adults in their own right) venting their spite towards later games for abandoning the new direction that was promised in BW and essentially becoming just like the "genwunners" of old.
    • Within the franchise, Series Mascot Pikachu is probably the most infamous example, due to its Spotlight-Stealing Squad tendencies, the number of electric-typed rodents that try to emulate Pikachu's popularity (known as "Pika-clones" by the fandom), and its strong association with the anime (which has its own entry on this page); in fact, it was one of the most frequent targets of mockery in early Pokémon parodies.
  • Skylanders is a very notorious case. The games get a lot of hate, mainly because of the franchise's emphasis on figures to expand the gameplay and the fact that Spyro the Dragon and Cynder are playable characters. No more details are needed.
  • Street Fighter:
    • Some fans of Street Fighter II will complain about every other fighting game that exists. If it is a 2D one, they'll blame it for being a clone. If it is a 3D one, they will blame it for being a 'button masher'. It's gotten to the point where games that are much more complex than Street Fighter are looked down on by fans. The truth is that the Nostalgia Filter comes into play. In later years, Street Fighter IV has become this, with every new incarnation of Tekken or SoulCalibur being compared unfavorably to it despite being largely different in gameplay.
    • A local example (in Brazil) happened when Laura was announced for Street Fighter V, mainly because her revealing clothes. Some people complained about Capcom over exaggerating Brazilian stereotypes again (it can't be helped by the fact Laura is from Rio de Janeiro, a well known city for illegal sex tourism). This only worsened when Laura got more revealing clothes which made some people accusing Capcom of damaging the image of Brazilian woman. The hatedom towards Laura dissolved some time after.
  • E-rated games that are not Kirby, Mario, Pokémon, or something else that is well known, get this from older players. However, the franchises themselves can suffer from this, as seen below.
  • Kirby gets this reaction from a small number of game reviewers and fans of other Nintendo series, due to the series' Tastes Like Diabetes aesthetic (the frequent Nightmare Fuel notwithstanding) and the easiness of the games in order to make them accessible to small children.
  • Examples related to Super Mario Bros.:
    • The Mario franchise, normally one of Nintendo's biggest Sacred Cows for being its "mascot" franchise, can experience some hatred from older fans when it goes through a Dork Age. A strong example was the Nintendo 3DS / Wii U era from 2012 to 2016, where the games showed stereotypical signs of pandering to children and casual players,note ; some games, such as Paper Mario: Sticker Star, have a very pronounced hatebase of older gamers. Such Dork Ages can also make Mario's typical Wolverine Publicity more embarrassing for Nintendo fans, especially fans of other franchises. However, this is technically a subversion; the Mario games are targeted towards all ages (moreso than Pokémon), placing the hatedom in the Mario's intended demographic of "everyone".note 
    • Super Mario Bros. and Kirby themselves, as well as Pokémon, Splatoon, and other similar series, get this treatment from fans of "dark, gritty" series such as Halo and Call of Duty, who dismiss Nintendo's series as being too cheery and kiddy. But these fans are often kids themselves, in the mature series' own Periphery Demographic, who complain about things that they perceive as "babyish" because they think it's cool.
    • Nintendo's "Play Nintendo" marketing branch, aimed at children, is disliked by some older fans for being overly quirky and kid-focused (even coming across as condescending in some cases) and for taking the Wolverine Publicity of the Super Mario Bros. franchise Up to Eleven. However, this does not affect the content of the games themselves.
  • Tokyo Mirage Sessions #FE is on the receiving end of this trope from the Shin Megami Tensei fandom for being too "anime". To them, Persona 4 was pushing it but this one crossed the line. The fact that the game's plot revolves around the Idol Singer business is an aggravating factor, as the business is widely despised by people in the West, even anime fans.
  • The Fandom Rivalry between the various Super Smash Bros. entries qualifies for this trope. While the games are primarily for casual, friendly play, they also have a sizable fanbase of competitive players, especially for Melee. A sector of the Melee fanbase vocally derides other Smash entries for being too casual-friendly and not as exciting to watch competitively as their favored game.
  • Microsoft 3D Movie Maker has McZee, a weird blue guy who really wants to be Barney-but-wackier. He's pretty horrible, and the exclusion of him as a posable character is about the only reason the first four thousand fan-made movies weren't all "McZee dies in horrible ways".
  • The Nintendo Wii is an inversion. Once Nintendo finally did what they had promised to do and expanded console video games outside the 18-24 Affluent Male market, said market declared them the anti-Christ. Even Nintendo's continued development of "traditional" gamesnote  hasn't silenced the hatedom one bit. Of course, the rest of the market seems not to have noticed (much to the chagrin of the 18-24 Affluent one). Among the platform's games, the worst sufferers of this were of course the "expanded market" games themselves: Nintendo's "Wii Series" games directed towards non-gamers such as Wii Sports, Wii Fit, and others. During the late 2000s, they were a gigantic fad that outsold and were played more than most other games by a huge margin, causing the 18-24 Affluent Male market to declare gaming ruined and fear for its senior-citizen-and-soccer-mom-ruled future. However, as the fad has died, so has the hate.
  • Axl from the Mega Man X series is a bit of an odd case. While he's despised by the series' main fanbase, the small but dedicated Periphery Demographic of young women just can't seem to resist his boyish charm.
  • Hardcore gamers seem determined to hate casual and/or social games. Game Informer has called titles like Farmville unexciting compared to big budget games and accused them of being marketing tools. Given that the creator of Farmville has openly said the game is nothing more than a Skinner box, the accusation that it's a marketing tool is dead-on.
  • PC gaming magazines have been knocking consoles for decades. Consoles are generally designed for gamers who want less complexity. However, there's tons of overlap, so it's really a case of a Vocal Minority of purists.
  • Any RPG, except Dragon Quest. The "only nerds play them" consensus has led them to be an example of Fan Hater. One of the prime victims is World of Warcraft.
  • Western RPGs tend to get a lot of hatred as well, especially Action RPG games, which critics tend to complain that "the action ruins the RPG elements". And in an ironic inversion to the above, this genre also has a hatedom for having real-time combat and being too gritty.
  • Final Fantasy Mystic Quest tends to attract hatred from people who believe the urban legend that it was why the USA didn't get Final Fantasy V (or why Europe didn't get any Final Fantasy game) until the PlayStation years, as well as the fact that it was actually made specifically to introduce people to RPGs. However, being a Super Nintendo Entertainment System game, it does have a fanbase thanks to the Nostalgia Filter, as well as how some people actually did play that game as an introduction to the RPG-genre.
  • If the marketing is anything to go by, amiibo are intended for kids that want toys of Nintendo characters. However there is a hatedom for amiibo by two groups: Those who think that they are overly-expensive dolled-up physical DLC, most notably with Splatoon and Animal Crossing amiibo, and those who think that amiibo has way too much focus on stocking the kid-friendly characters like Super Mario Bros. and Pokémon, and forgetting the franchises that skew more towards Nintendo's Periphery Demographic or are outright intended for older audiences (such as Fire Emblem).
  • Any of the big console shooter franchises draw plenty of flak from players who dislike FPSes, PC gamers, and fans of older styles of shooters. The Call of Duty and Halo series may be the most common victims, but they are not alone. First-person shooters are also frequent scapegoats of people who hold the assumption that their fandom of "cerebral" games such as Silent Hill somehow makes them more intelligent than the primates who play Call of Duty, et. al.
    • Which makes for a very strange inverted hatedom in retrospect, as until the past decade or so you basically had to have a PC if you wanted to play an FPS due to the limitations of the consoles of the day. Still, even modern consoles' limitations—such as the ever-present gamepad vs. mouse—are picked apart by PC gamers, sometimes deemed as reasons why FPS game design has been dumbed down since the mid-'00s.
    • The major pet peeve was that on the side of the FPS crowd, they hated it for how it monopolized shooters into a single uniform genre with very little deviation (Iron Sights/Regnerating Health and Cutscene Incompetence). For the others, they see the shooters as completely strangulating what creativity is left in the industry as game developers are crushed by publishers for not living up to their Flagship Franchise standards.
  • Overly popular and mainstream adult-male-oriented games — most notably Call of Duty, but also annualized sports games such as Madden NFL and to a lesser extent Grand Theft Auto — get this reaction from "geekier" and more dedicated gamers, who collectively label them as "dudebro games", criticize them for being Real Is Brown and (for the action games) Rated M for Money, claim that they cater to the Lowest Common Denominatornote , and resent the fact that their popularity and playerbase overshadows their preferred "nerdy" games many times over. However, similar to the Nintendo example above, many of these haters technically fall within the 18-35 affluent male demographic that the "dudebro" games are targeting, although this doesn't stop (exaggerated) accusations that the "dudebro" games are typically played by pottymouthed 10-year-olds.
  • Sonic the Werehog from Sonic Unleashed. Kids love him, most fans who left Sonic's intended demographic hate him.
    • Cream the Rabbit, too. Beloved by moe fans for her deliberate cuteness, despised by the older Sonic fans for having a submissive attitude contrary to the defiant one around which the series was built. This is a case of Americans Hate Tingle, however — Cream was designed around Japanese fans, who enjoy her Yamato Nadeshiko traits, and was never meant to be embraced in the west, whereas characters like Blaze the Cat fall more in line of likable female characters outside of Asia. This has more or less faded as of the mid-2010s: the younger generation of fans who grew up with the early Modern-era games where Cream was prominent (and are now adults) tend to think much more fondly of her than the old guard, who have either grown out of the series, have found other Sonic characters they dislike more, or just aren't as vocal about their dislike for the character. Saying that Cream has been Vindicated by History may be a bit much, but these days, it isn't at all hard to find at least a few people who will name her as a favorite.
    • The entire Sonic the Hedgehog franchise got a Periphery Hatedom, including from some of its older fans, though it has less to do with them growing out of it and more with it deviating from what they knew. Those who were never fans tend to regard it as the realm of unnecessary characters that inspire lame fancharacters and Rule 34 artists.
    • Lots of people in the hentai community hate the Sonic franchise as well. Though this stems more from the fact that a lot of Rule 34 artists that draw pornography images of Sonic and co. really can't draw Rule 34 all that well. This becomes especially obvious if you know that most artists in the community avert Sturgeon's Law.
    • The Sonic franchise has also gathered some hatred from fans of other Sega franchises because it is Adored by the Network. Especially because unlike Nintendo's main three franchises, Sonic is the only franchise Sega has with the Cash Cow Franchise treatment, and as a result, sales for games from other Sega franchises have suffered due to the lack of the same marketing and exposure for them that was instead put into the latest Sonic games. This is a bigger point of contention with Western fans than Japanese fans since the franchise has more popularity outside its native Japan than within it, while this isn't the case back in Japan where some of Sega's other current Japanese franchises overtake Sonic's in popularity and may even be Cash Cow Franchises in their own right there and there, only. The No Export for You situations these same games may suffer only adds more fuel to the fire some Western Sega fans will have against Sonic.
    • A significant chunk of the Adventure series fanbase loath Sonic Colors and its sequels for being less mature and mostly 2.5D as opposed to fully 3D.
  • EA tried to exploit this with their "Your Mom hates Dead Space 2" marketing campaign. It didn't exactly work; the intended market responded with "Thanks a lot for casting us all as immature jerks. It's not like games don't have trouble with that perception already." It seemed to completely miss gaming's shift in demographics, as explained below.
  • Video games in general fell into this category when they became popular during the '80s and '90s. In many cases, there was a notable divide between the children who enjoyed playing them and parents who felt they distracted them from doing more constructive things. Since many of today's parents grew up with them, however, this is a dying trope.
  • The Nintendo 2DS, which removes the clamshell and 3D features and sells at a lower price than the original 3DS, has received a fair number of complaints from adult and teenage gamers, despite being designed as an 'entry-level' system for children.note 
  • The Console Wars are a recurring example: Those who pick one side have no desire to try anything from the other sides. It's an enforced mindset, as a console is an expensive investment and most can't afford to buy multiple systems.
  • Singleplayer vs. multiplayer focus is another general example: People who play multiplayer will often ignore the campaign/story element of the game (if such thing even exists in the game) while people who want to experience the story will hardly want to deal with tiers, griefers, and rage-quitting in multiplayer (if that even exists in the game).
  • People who play EA sports games get a lot of hatred of gamers who do not play them. The main reason behind it seems to be that they are the same game in a brand new package and the fact that it is blamed for making games more unoriginal.
  • Yo-Kai Watch received this from a chunk of older US gamers in general, and especially Mon fans, simply because it was the current big thing in Japan amongst elementary school children. It received a huge Fandom Rivalry with Pokémon due to them being perceived as similar. Many gamers, even major Nintendo reviewers, ignored the series because it was too similar to Pokémon for their liking.
  • In The '90s there was a lot of scorn from "hardcore" PlayStation gamers for series, like Crash Bandicoot and Spyro the Dragon, that were made to draw young children to the console. The games were mocked as cash-grabs that shouldn't be popular on a "big kid" console like the PS1. The hatedom has since become non-existent for most franchises as most current hardcore gamers were fans of the series' growing up.
  • Very retro consoles like the Atari 2600 and ZX Spectrum have gotten dislike from many retro gamers who prefer to ignore consoles before the NES. People often complain about the graphics and quality of the games (especially arcade ports).
  • Splatoon is the polar opposite of what is expected from shooters: It's very brightly colored, the protagonists are teenagers, there's a large number of female characters, it's comedic, the violence is non-lethal, there is no voice chat, and there is no (traditional) war or scifi element to it. Naturally this has caused many fans of series like Halo and Call of Duty to mock the series for being "kiddy" and "not a real shooter". Inversely, many fans of Splatoon dislike the drab colors and overly serious nature of Halo and COD; to say nothing of accusations of Capcom Sequel Stagnation as opposed to Splatoon being a new IP.
  • Dating sims and visual novels get a lot of flak for being seen as exclusively nsfw and suffering from poor writing. There's also the hate from gamers who don't consider them "real games" (to clarify: Visual Novels really aren't games in most cases, though can feature gameplay mechanics — what is typically criticised is that they lack gameplay mechanics when those are not required by the medium's definition and are therefore simply judged as boring and/or not challenging, which is decidedly untrue for many, many Visual Novels).
  • Konami's pachinko machines, especially their newer ones, are hated by millions of Western gamers who are sore about most of Konami's consumer IPs getting the short end of the stick, even though most of these people will probably never touch a pachinko machine in their entire lives due to pachinko being largely Japan-exclusive. It should be noted that Konami has had an active pachinko division since 1994, but was largely not known to Westerners until Konami Digital Entertainment's controversial actions of 2015 and 2016, at which point people looked at what Konami still had to offer, noticed KPE's upcoming Fanservice-laden Castlevania pachinko machine, and then came down hard on that and every subsequent KPE-produced pachinko game.

    Web Comics 
  • User Friendly especially seems to provoke unnecessary anger outside of its narrow IT professional demographic.
  • Any long running, successful, niche-audience webcomic, such as PvP, Penny Arcade, or Megatokyo.
  • Furry webcomics get a ton of flak from non-furries. Note that this does not apply to the hatedom of comics such as VG Cats which are intended to read by non-furries as well.
  • Homestuck has a pretty substantial one, largely due to the fandom just one day suddenly showing up and invading anime cons in cosplay like an infestation of cockroaches, despite Homestuck not being an anime note . Homestuck cosplay is outright banned from several smaller anime cons for substantially justifiable reasonsnote  and is considered the primary reason cosplay was banned at TCAF, a dedicated webcomic con. Otherwise, it's sometimes seen as a Love to Hate series often used as a punchline for a crazy fandom. It doesn't help anyone's case that the creator of the series himself won't allow for a dedicated Homestuck convention to exist.
  • Natty Comics is about a woman dealing with everyday sexism... through cartoonishly-exaggerated Disproportionate Retribution. Catcalls, insults, Double Standards; etc. are met with violence from Natty and company, ranging from a Groin Attack to Ludicrous Gibs; those on the receiving end of these attacks will always proclaim that Natty and company are in the right and that they deserved what happened to them, provide they're even still alive. Needless to say, those that aren't left-leaning on feminist issues are horrified by the premise, and question whether or not this is meant to be a satire on Straw Feminists (it's not). The Periphery Hatedom for this comic manifests in "fan" edits, which either imply that Natty is Not So Different from far-right hate groups by re-interpreting her as one of them, or depict her facing the consequences of her actions.

    Web Originals 
  • PewDiePie, a name that froths more bile among YouTube viewers than any other. His manchildish image, his focus on visceral reactions over humorous dialogue, his constant barrage of over-the-top screams, extreme excess focus on quantity-over-quality when it comes to content, and all manner of his personality come together into something that puts off almost everyone outside of his tremendously large fanbase to incorrigible degrees.
  • The King of Hate has a smaller fanbase than PewDiePie, but an even bigger hatebase.
  • Zero Punctuation / Ben Croshaw: has an even small fanbase than The King Of Hate and a significantly massive hatebase, from Nintendo fans, anime fans and anti-racist groups, no less. His massive bile of "content" about nothing but bashing videogames and ALL Nintendo games, including the Sacred Cow Mario franchise, for no reason, but out of pure hate (and potentially Racism). He also hates all types of anime, stating that all fans of that medium are lazy, fat, Fu Manchu bastards, again out of racism. His scathing review of Yoshi's Island did not bode well for Nintendo fans, and his statement about liking Yoshi's Island will make you a communist, really pissed off Liberals. Oh and he's a Misanthrope Supreme, also earning hatred from Wide Eyed Idealists. He's basically an embodiment of every hater against the entirety of Nintendo and Anime, with the racism turned Up to Eleven.
  • Let's Players in general tend to get a lot of hate. Especially from YouTube ranters who believe that their videos are an abominable waste of time and that all they do is recording gameplay footage while saying something. Of course, it's often popular Let's Players like PewDiePie who get bashed by them; in his case, it's because apparently he's a manipulative money whore. note 
  • When Death Battle announced the Meta vs. Carolina episode, a massive portion of the Death Battle fandom immediately took a disliking to the idea of this episode happening. The reasons for this backlash are that they're pitting 2 characters from the same series against each other (and not even in an ironic sense like Goomba vs. Koopa); Red Vs. Blue is nowhere near as popular as pretty much every other series of the characters that they've showcasednote ; the episode is going to take 4 weeks to come out; hardly anyone in the DB fandom at large cares about Red vs. Blue; it's being given the 3D treatment when much more popular characters are only given 2D fights (in episodes that are well-hated by the fandom in-general)note ; and by how Ben responded to all of thisnote , it wouldn't be surprising if some accuse this episode of being yet another attempt to appease to Rooster Teeth (which they're accused of doing twice already, so they were in hot water to begin with). Of course, some fans thought they were just being irrational haters, and when the actual episode came out some of them changed their tune at the unique spin the episode took (due to being an in-universe Crossover with Red vs. Blue) and the gorgeous animation that resulted. Of course, the haters and fans still went at it in the comments.
  • Many in the MLP Analysis community get a lot of hate for a number of reasons, usually due to the inclusion of social issues, political views or religious views in their videos. The community as a whole is often called into question for overanalyzing what is, at the end of the day, a show intended for little girls.
  • The Mysterious Mr. Enter and Vailskibum24 get a lot of hate from many cartoon fans, not because they are critical of cartoons, but because many of the cartoons they complain about are seen as easy targets.
  • The reason why Guptill89's "Top 10 Hottest Female Sonic Characters" video became as infamous as it did was not because he listed the Sonic females he thought were sexy — there are plenty of furries that would agree with the examples he listed — but that he broadcast these opinions to audiences that would find them weird. Many of the criticisms directed at his video centered around the ethicality of lusting after animal characters, especially ones that are characterized as under the legal age limit in many countries; these would be non-issues to the Furry Fandom, who take solace in the differences between reality and fiction. This isn't to say the video doesn't have objective flaws, like the awful jokes, Unfortunate Implications, and Uncertain Audience.
  • Countless YouTube channels and videos aimed at children suffer from this trope, such as toy reviews, live-action skits done by children, kid-oriented Web Animation, and "Edutainment" videos using cartoon characters and set to nursery rhymes. While toddlers, preschoolers, and young elementary school children adore them so much, being responsible for much of their high stats and fame, their parents and older children will roll their eyes and grunt about the ubiquitous No Budget and annoying nature of them that make Barney & Friends look Emmy-worthy. Perhaps the bottom of the barrel, close to the So Bad, It's Horrible range, is the Elsagate phenomenon, animations/skits of kids' favorite cartoon characters doing horrible things. Exactly.
    • Ryan ToysReview, one of the most prominent such channels, is outright hated by anyone who isn't a toddler or preschooler, because of the Crack Is Cheaper nature, usage of clickbait, Ryan and his parents' annoying behaviors, and the videos seemingly having no educational value. Its Cash Cow Franchise status doesn't help.
  • JoeysWorldTour gets a ton of backlash due to his disgusting behavior (especially, the way he eats) and his obnoxious noises.

    Western Animation 
  • Much with the Yo Kai Watch example above, any western-made Mon series (i.e. Redakai, Monsuno, Kaijudo), regardless of how much it actually resembles it, will be derided as an eeeeeeeeeevil Pokémon knockoff looking to steal its profits. Guess how many of these series or products are still running today.note 
  • Caillou seems to have become for Millennial parents what Barney was for their Gen X predecessors. Those jokes about him having cancer or being bald from chemotherapy speak volumes. Aside from moms who have had experiences with their children copying the titular character's tantrums, parents make up only a small percentage of haters here—much, much more of the hatedom comes from high school students who simply hate the show for being slow, and 9-year-old GoAnimate users who dislike the show because the titular character tends to whine a lot in the earlier seasons.
  • The Smurfs, which had all of the hatred of people who never watched it a good decade before Barney did. One defunct site even pointed out various chilling similarities while comparing The Smurfs to the KKK, though most haters usually compare them to communists instead (Robot Chicken did the latter comparison in a season 4 skit, where the village's sewage line is ruptured and Papa Smurf states they're a communist society and tells Handy to fix it for free).
  • Dragon Tales, due to Ord's incessant whining and the somewhat Sugar Bowl environment that is Dragon Land. And some religions cite dragons as evil, which is why there is a (negative) trope named after them. However, it's starting to get a following, mostly from the Nostalgia Filter type. Another reason for so many people hating it is because many people feel that, for a show about magical fire-breathing dragons, the series is surprisingly lacking in fantasy-based adventure. It doesn't help that many of the things the dragons do in the show (IE: go to school, learn to ride bikes, etc.) would be things you'd expect to see in a show about regular people, not dragons.
  • VeggieTales: Part of it is because of the vandalism caused by fans of the show to random pages on The Other Wiki. But there's a fair amount of hate from non-Christians, too, for being a religious show for young kids (though there is a Periphery Demographic among the same segment too). VeggieTales tends to have enough Parental Bonus (in the form of pop cultural references — e.g., the French peas guarding the wall of Jericho) to avoid the "babyish" criticism from adults, though. VeggieTales in the House, on the other hand, has received plenty of criticism for the change of character designs, even before it aired; most of this came from not only the older fans of the show, but from parents of autistic children who cannot adjust to change.
  • Hopla is bashed for its Limited Animation and boring set-up despite being for infants. (Another case of "Just because it's for kids, it doesn't mean you can half-ass it.")
  • Despite Squirrel Boy doing decently with critics and young viewers, the Internet has an extremely vocal hatedom for the show. Frequent reasons for hating the show include "blandness" and simply not being as good as Everett Peck's previous cartoon Duckman (though the two have very different audiences). In fact, some believe that the show's early cancellation was caused by the huge outcry from the Internet.
  • Super Why! has a very strong hatedom. Many parents don't like the Viewers Are Morons plotlines, and fairy tale fans hate the Disneyfication of the fairy tales presented to the point of being politically correct.
  • Toopy and Binoo, a Canadian preschool show, has seen complaints from moms and parent groups due to the title characters' frequent crossdressing and use of the word "fabulous", leading said moms/parent groups to believe that the characters are Camp Gay and are presenting homosexuality-related concepts to children too young to make an informed decision on the matter, without an attempt to educate them on the topic.
  • Jay Jay the Jet Plane: The planes, helicopters, and staff of Terrytown Airport offer entertainment, life lessons, moral instruction for ages 2-6...and CGI characters with Motion Capture faces straight from the Uncanny Valley. Additionally, some VHS and DVDs of the show were released by Tommy Nelson—a Christian distributor, who redubbed it to insert references to Christianity even though the series wasn't originally conceived as a Christian show, to the annoyance of some non-Christians.
  • Baby Looney Tunes, though probably not meant for anyone over the age of six, has received particular loathing not just from fans of the original Looney Tunes, but of Tiny Toon Adventures. Of course, in the latter case it's probably more out of embarrassment than anything else, since Tiny Toons fans see themselves as cool and fear being lumped in with the Baby Looney Tunes crowd.
    • To a somewhat lesser extent, The Looney Tunes Show gained one due to its focus on sitcom scenarios over the zany antics of the classic shorts.
  • The Problem Solverz, partly because of its Sensory Abuse. Because of this, its second season was never broadcast on Cartoon Network, and was instead made as a Netflix exclusive before the show was removed entirely from the platform. Interestingly, it was originally meant to air on [adult swim].
  • My Little Pony:
    • The My Little Pony franchise, even Friendship is Magic, being aimed exclusively at young girls, has a Periphery Hatedom; even Friendship Is Magic's Periphery Demographic rejects it, as seen in the comments of this video.
    • MLP:FiM does have a Hatedom, because many Rule 34 artists thrive on the show. Many people don't even watch it and bash it for being a girl show.
      • Bizarrely, this has led to a situation with three periphery hatedoms. The first is directed towards the show itself. The second is from Bronies disapproving of some of the more... questionable and disturbing... things their fellow bronies do, and the final periphery hatedom just lumps it all into one basket, hating everything about both.
    • Before FiM and the bronies, My Little Pony Tales and My Little Pony G3 had hatedom from fans of My Little Pony 'n Friends due to the genre switch to Slice of Life.
    • Generation 3.5 is widely-hated by even the most hardcore fans. Particularly, the Newborn Cuties line is almost universally despised outside of the target audience, mainly because of its childish writing and how the creatures that are supposed to be baby ponies look nothing like their namesakenote . Bad enough that G3.5 gathered flak among pony collectors for not looking like ponies, the Newborn Cuties somehow managed to take it several notches higher into Cartoon Creature and Uncanny Valley range.
    • The Periphery Hatedom isn't just an age thing for My Little Pony. Even in the right age range, boys tend to hate and deride it without actually watching it.
    • My Little Pony: Equestria Girls got an awful lot of flack from bronies before it even came out, simply because it's a High School A.U. When it came out, it created the Broken Base of the millennium over if it was good or not. It also got flack from parents because what used to be an innocent property for young girls was being changed into a hip, sexier line of teenage dolls, not unlike what happened years earlier with Dora's Explorer Girls.
    • When the first teaser for the My Little Pony movie was released on Movie Clips, there was basically a 50/50 split down the middle in terms of likes and dislikes. A quick glance into the comment section reveals an overwhelming sense of anger and bitterness.
  • Any cartoon that is targeted towards adults and teens, and specializes in Getting Crap Past the Radar tends to have a Periphery Hatedom among deeply religious individuals, as well as those who just find the cartoons distasteful or offensive. Examples include South Park, Drawn Together, and any show created by Seth MacFarlane, especially Family Guy.
  • Any cartoon in general that is released in a new decade (especially true with '90s kids) will get some amount of hate from older generations, regardless of the show in question's actual merits. Even popular shows such as Bob's Burgers, Regular Show, and Adventure Time will get this reaction from some groups.
  • Ultimate Spider-Man has become loathed by adult Marvel fans who find the show too comedic and immature compared to other Marvel cartoons from the same period, or the comic with the same name.
  • Transformers can sometimes suffer from this. On the one hand, you have the GEEWUNNERS, who, through a combination of Nostalgia Filter and They Changed It, Now It Sucks!, vent their spite towards most incarnations of the franchise (especially newer ones) except the original shows (The Transformers and its sequel series Beast Wars) — this trope is blatant when their hate is directed towards the cartoon shows such as the Unicron Trilogy or Transformers Animated. On the other hand, you have fans of the newer franchises who hate Transformers: Generation 1 (which is very, very unambiguously a kids' Saturday Morning Cartoon) due to its Camp value and Hype Backlash caused by nostalgic fans' love for the original series (a GEEWUNNER or otherwise). Just like Pokémon above, the franchisenote  is primarily targeted towards children no matter what the older fans say, especially concerning Transformers: The Movie (the cartoon one).
  • It'd be easier to say "I liked the Scissor Sisters' "Comfortably Numb" cover" on the Internet than list all of the tropes involving Johnny Test's Periphery Hatedom.
  • My Life Me has an astonishing Periphery Hatedom from both Anime fans and Western Animation fans. Episodes on YouTube are glutted with scathing comments about the poor animation and horrendous attempts to parody manga. Many also point out that better Animesque series like Avatar: The Last Airbender exist that don't resort to the usual pratfalls that come from Western parodies of anime, and look beautiful. 4chan even called out the series for its glaring ignorance of the medium.
  • Littlest Pet Shop. But it's ironic how most of the haters are bronies. The weird thing is that most of the fans are also bronies.
    • Being created by the same people that brought us My Gym Partner's a Monkey, which isn't as well-liked either (it's considered average at best), doesn't help matters as well. See its entry on this page for some more details.
  • Many people who liked Garfield and Friends hated the U.S. Acres segments, because they were agreed by popular sources such as Platypus Comix to be annoying and forgettable compared to the well-written and adult-friendly Garfield segments. They eventually got a small following thanks to being liked by the strange Periphery Demographic of teenage girls. Not helping matters was that in the first three seasons, the segments always contained an almost always forced song pertaining to the moral each episode, a la Fat Albert and the Cosby Kids. While most of these were surprisingly catchy (we're looking at you, Double Oh Orson theme!), even the aforementioned teenage girls believe Wade Duck's are the worst (except I Am A Hero) because he doesn't even sing — he sounds like his voice actor's just energetically reading the script.
  • The Garfield Show gets a lot of flack for being too wild and zany as well as the changes they made to the characters. These include making Garfield talk with his mouth moving (Uncanny Valley to some), giving Jon a Relationship Upgrade with Liz, and turning Nermal into an annoying Jerkass sibling-like character.
  • Randy Cunningham: 9th Grade Ninja has been hit by this; largely from fans of TRON: Uprising blaming the former for getting the latter Screwed by the Network.
  • Ricky Sprocket: Showbiz Boy got this when it hit Nicktoons Network in the US, due to the character designs and the Flash animation.
  • Wild Grinders (from the same American network) also got this reaction for, among other things, its Flash animation and painful attempts at being hip.
  • Coconut Fred's Fruit Salad Island, mostly because many claim it to be a rip-off of SpongeBob SquarePants. And one of the main voice actors on the show is part of the hatedom.
  • Almost Naked Animals is often called the worst of Cartoon Network's 2010s crop of Canadian cartoons, possibly even below Johnny Test. Main points of contention are cheap animation, ugly character designs, a grating theme song, idiot characters, and generic grossout humor. However, ANA got nominated for one Gemini Award and three Canadian Screen Awards, has mostly positive reviews from critics, and got renewed for a third season. That's not often something that happens to a show that gets so much hate.
  • Robotboy is hated by many for being like My Life as a Teenage Robot and Astro Boy. However, there is a large Periphery Demographic despite that fact.
  • Any show on the British preschooler-oriented channel CBeebies gets this. Programs shown on the network that have received the ire of many a frustrated parent and/or sibling include The Fimbles and the infamous Teletubbies.
  • Skunk Fu!, for recycling the same old plot in most episodes. It's also considered a rip-off of Kung Fu Panda and Yin Yang Yo!, even though Skunk Fu! was made in 2007 and Kung Fu Panda 2008.
  • Chop Socky Chooks, for having useless villains and for having the main characters look NOTHING like chickens. The name sounding like a possible Asian racial slur to those without an easy reference to the Chinese derivation of 'chook' really doesn't help either.
  • A number of modern shows on Cartoon Network, both in-house (such as Chowder) and Canadian imports (such as the aforementioned Almost Naked Animals) are also reviled by older fans for their heavy use of Toilet Humour. Seeing this trope in action at all on both channels nowadays is a huge source of Humor Dissonance for said fans that may have grown out of it by now. Series like Flapjack, Camp Lazlo, and Chowder have received better recognition in the 2010s, thanks to them being similar to series like The Amazing World of Gumball and Steven Universe, however they're mention still provoke anger.
  • Pac-Man and the Ghostly Adventures, despite being filled with nothing but appreciation for the original game and classic gaming in general both stylistically and in the form of Mythology Gags and homages, gets flack from adults because of its reinterpretation of the plot (despite the original game having had no plot to speak of), in particular the loads of new characters, as well as what some claim is an over-reliance on Toilet Humour (though it doesn't have more than most other animated kids' shows). It still does well with its "target audience," despite the fact they're probably too young to understand a lot of its influence.
  • The Annoying Orange series on Cartoon Network for living up to the title, and causing older viewers to like the original web series even less.
  • Sit Down, Shut Up for having stupid humor, ugly character designs, and being sickeningly boring.
  • Daniel Tiger's Neighborhood gets this from fans of Mister Rogers' Neighborhood, from people who think it's too hyper and cartoonish, and from typical GoAnimators who dislike the show simply for its art style.
    • While most parents of the target audience adore the show, some parents find the songs annoying and the fact that some of the characters don't talk properly (like how Katerina and her mom have the Verbal Tic "meow meow"). There's also those who don't like it due to the "Daniel Can't Get What He Wants" episode, whose message of "stomping three times makes you feel better" was interpreted as a message telling kids to have tantrums.
  • Most people who grew up with the Katharine Tozer Mumfie books and/or Here Comes Mumfie will hate Magic Adventures of Mumfie for overtaking the version they grew up with in popularity, and because it's saccharine. The opposite sometimes occurs with fans who grew up with Magic Adventures of Mumfie-they will prefer that series to the older versions. People who hate the show who did not grow up with the books or the earlier series despise the fact that only one voice does the characters (when Britt Allcroft does the two queens on the show), say that the stories and animation are bad, and find the music saccharine. One Google Groups member said that all these problems made him want to throw a brick at the TV whenever he heard the theme song.
  • Fans of Spaceballs hated the animated series because it changed so much from the movie that it destroyed the entire franchise to the point of So Bad, It's Horrible.
  • Teenage Fairytale Dropouts got a ton of flak just for its premise and artstyle (the former also getting attacks because of the title creating a few Unfortunate Implications, even though the characters are actually still in high school). Before release, bronies in particular hated it merely because one of the supporting characters is a non-sentient unicorn who appeared to be there for comic relief. Being released on the heels of Mattel's Ever After High series doesn't help.
  • Any show that uses a "bromance premise" inevitably gets derided for ripping off Regular Show (and less frequently, Adventure Time) even if the show in question proves that it's pretty far removed from it; Sanjay and Craig and Breadwinners being the most frequent targets. Notably, they are both Nicktoons, and most of the folks who slam them are part of Regular Show's older demographic.
  • There are parents who hate Adventure Time due to it having inappropriate things that shouldn't really be in a children's show, and/or thinking that the show's trippy imagery might encourage kids to take drugs.
  • Scaredy Squirrel for the same reasons as Yakkity Yak. Also hated by Nintendo fans because one of the recurring antagonists resembles Petey Piranha (but with blonde hair).
  • Teen Titans:
  • Grojband gets attacks from the States mainly for having scentless writing and the artstyle being similar to Johnny Test and Total Drama. Knowing its Periphery Demographic, this is a rather minor example.
  • Even before airing, Be Cool, Scooby-Doo! got heated backlash on the internet from fans of the past incarnations of the Scooby-Doo series for being more comedy focused, including the redesigns and portrayal of the main characters. The fact that it's coming after the much-loved Scooby-Doo! Mystery Incorporated hasn't helped matters either.
  • Oggy and the Cockroaches for being a carbon copy of Tom and Jerry. There's a secondary reason for hatedom for Oggy in Asia, however, which formed due to Hype Backlash of extreme magnitude: The networks didn't consider the consequence of having a show that's already airing on a different network on its own network. Oggy airs on all of the big three networks in Asia: Disney Channel, Nickelodeon and Cartoon Network, in addition to several country-specific networks. Understandably, people who do not like the show (or slapstick humor like those presented by Tom and Jerry and Mr. Bean as a whole) are having a hard time avoiding it.
  • Kate & Mim-Mim has irked many parents for its main characters being annoying.
  • Mr. Pickles is claimed by many people to be the worst cartoon they have ever seen for its ugly characters and heavy reliance on Gorn as humour.
  • Although My Gym Partner's a Monkey was a massive success amongst viewers and critics during its time, it carries an immense hatedom on the Internet. Reasons have included mean-spirited and immature humour and the nature of the premise.
  • Any PBS Kids show produced after somewhere around 2007-ish gets this. Shows like Sid the Science Kid, Peg + Cat, and The Cat in the Hat Knows a Lot About That! get plenty of vitriol, mostly from your typical audience of GoAnimate users and people in the "(GOOD USER)/(BAD USER)" community, as well as those who find them "too childish" and have poor animation. There are exceptions, like Dinosaur Train, Martha Speaks, Ready Jet Go!, WordGirl, Nature Cat, Odd Squad, and Wild Kratts (the last is mostly from nostalgia from the Kratt brothers' previous work, and the first and third being made by Craig Bartlett), but they aren't fully immune to this trope, either.
    • Unlike its contemporaries, Pinkalicious & Peterrific got a huge hatedom due to being perceived as too girly and "not educational" in the eyes of some parents, as well as GoAnimate users. Many (even outside of the aforementioned groups) have criticized the main character's speech pattern of sticking "pink" onto every single world, the title of the show allegedly sounding like a porn title, and the excessive amount of Satellite Characters.
  • The Adventures of Teddy Ruxpin gets this from people who think the characters are bland, find the animation and plotline dull, saccharine characters like the Fobs and it being one of a few shows that lead to the beginning of the end of Saturday morning cartoons, as complaints concerning shows like it begun the Children's Television Act. A few people in the (GOOD USER)/(BAD USER)" community and Siskel And Ebert are among the haters of the show. Even the networks that aired it hated it and tried to pretend that it didn't exist by airing it very early in the morning or airing it only once a week, or even did both at once.
  • The animesque style in some cartoons receives a lot of hate from people who dislike anime, with few exceptions like Avatar: The Last Airbender or The Boondocks. Even many anime fans will complain about it because they dislike non-Japanese animation, and consider American cartoons emulating the styles poorly.
  • There's quite a bit of hate for cartoons aimed at very young girls, like Rainbow Brite and Strawberry Shortcake. Series aimed at older girls like Jem and As Told by Ginger tend to get more slack, or are even liked, however the reputation of stuff aimed at the early childhood group is quite sour. They're seen as overly saccharine, low quality, and with poor writing.
  • CGI animation has been the pick in many cartoon fans sides since it became more popular than traditional animation in the early-to-mid 2000s. You can guarantee whenever an older cartoon gets a new installment that is CGI (like Beware the Batman or Franklin), or when Disney makes a new film and it's not traditionally animated, there will be a lot of complaining. Some of it comes from people who want diversity in cartoons and wish both traditional and CGI could be popular however there are many who just refuse to watch anything completely CGI.
  • Steven Universe has a huge amount of fans, but at the same time has garnered a lot of dislike from people who dislike it for being too feminist-friendly, specifically the wide range of body types, controversial events within the fandom, and fashion amongst the characters along with the amount of Les Yay in it.
  • Educational cartoons get a lot of hate in general, with a few exceptions such as The Magic School Bus or Where on Earth Is Carmen Sandiego? due to their emphasis on being entertaining for reasons other than edutainment. Many are aimed at the 8 -and-under crowd that in itself has a periphery hatedom however a lot of hate comes from both adults and children who hate being educated while trying to be entertained. There are also those who feel the cartoons belittle their viewers or think social ones like Arthur are too preachy.
  • By the time RebelTaxi and The Mysterious Mr. Enter mentioned The Nutshack, the show had finally became a target to this trope. Mainly because of the immature writing and being a stereotype to every adult cartoon ever made.
  • While Peppa Pig is a preschool show that many parents say is tolerable, it gets this from people who think that the voices are annoying and the animation is ugly. There are also parents who believe that the show inspires kids to have bad behavior.
  • Ever since The Jim Henson Company ventured into CGI animation, many vocal Muppet fans are calling foul at various social media sites, saying that the company should stick to puppets and not venture out to other media. There is no real explanation for this behavior except irrational fear of They Changed It, Now It Sucks!.
    • Word Party, the company's latest production, has got to be the latest victim of this, some of said vocal fans are already comparing it to Teletubbies even before the show premiered.
  • Despite its acclaim and Periphery Demographic, there is a Vocal Minority of DC Comics fans that don't like DC Super Hero Girls for its Lighter and Softer approach to classic heroes and villains with the biggest offender being Harley Quinn who is Ruined Forever according to detractors.
  • The Wacky World of Tex Avery got this for having nothing to do with the cartoons of the person it was named after, having an annoying theme song sung to the tune of the Can-Can, having many of the shorts being too predictable and replacing The Disney Afternoon in some parts of the United States.
  • Supernoobs has gotten this by people outside of its target audience, mainly because it's another Canadian import, and because it was created by the same man behind Johnny Test. Many people attempted to justify their hate of the show by claiming that the show focused too much on cliche plotlines and that its main characters mostly consist of children who behave selfishly. These haters also point out that many of the characters in the show have extremely vague and ambiguous backstories and that even though these characters show off a lot of Character Development throughout the show, they were kind of difficult to understand and follow because of their behavior. Regardless of whether people liked it or not, American broadcaster Cartoon Network screwed the show over a lot by refusing to air reruns and punting it around its schedule.
  • If a British children's book is adapted as an animated show, expect there to be people who are fans of the source material and don't like how the show made it Lighter and Softer and/or saccharine and childish. Examples include Make Way For Noddy, The Mr. Men Show and Thomas the Tank Engine. note  Make Way For Noddy also has a huge hatedom among GoAnimate users and the GOOD USER/BAD USER community due to the titular character always acting positive and falling for the goblins' tricks. This has resulted in Noddy appearing in more grounded videos than more mainstream characters such as Joe or Elmo.
  • Curious George tends to get flack from parents because of the titular character always ruining whatever task he is assigned and not getting reprimanded for it.
  • ThunderCats Roar received very fierce backlash the moment it was announced for its art style being similar to Steven Universe and OK K.O.! Let's Be Heroes (among others), and being a comedy-driven adaptation of an action series coming off the heels of the wildly-divisive Teen Titans Go!. Others hate it because it's not ThunderCats (2011). Roar's YMMV page was locked almost immediately after its creation due to excessive complaining.
  • The newer episodes of Fireman Sam has gotten flack from many viewers and parents because of Norman being portrayed as a bratty prankster who promises not to do any mean tricks again, but does them anyway the next time in almost every single episode. What makes this worse is that in the older version of the show, he rarely did pranks and listened to the advice of the fire team.

Alternative Title(s): Shows That Were Not Meant For You, Complaining About Shows That Were Not Meant For You


Example of: