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The Monkees in 1967. From left to right: Peter Tork (in white), Davy Jones, Michael Nesmith and Micky Dolenz.

"The Monkees themselves are a harmless lot, little pop-idol puppies who can't sing, can't dance, can't talk, don't need to."
Roger Ebert's 1971 assessment of the group

"Hey, hey we're the Monkees
and people say we monkey around,
but we're too busy singing
to put anybody down..."

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This article is primarily about the band; the series has a page here.

The Monkees started when two TV producers, Bob Rafelson and Bert Schneider, placed an ad in entertainment industry trade papers calling for "Folk & Roll Musicians-Singers for acting roles in new TV series". The "4 insane boys" who made the cut were Former Child Star and Garage Band singer Micky Dolenz, expatriate Brit turned Broadway musical head-liner Davy Jones, singer/songwriter Michael Nesmith, and Greenwich Village folkie Peter Tork. While all four Monkees had previous musical experience, Nesmith and Tork had no professional acting experience (the two had some high school and college acting creds), but they adapted quickly.

The Monkees project was instantly successful—tellingly, the first single, "Last Train to Clarksville" (written by the team of Tommy Boyce and Bobby Hart, who also produced the debut album and contributed dozens of songs over the next few years) started climbing the charts before the TV series went on the air—and the "4 insane boys" soon found themselves major stars. Still, musical director Don Kirshner rarely let them play on their records (or write their own songs)—which was kept secret until the frustrated band revealed it to the media, losing some credibility in the process. Continuing conflict culminated in Kirshner getting fired, and the Monkees took control of their music and show (with Nesmith holding most of the reins), both of which became increasingly free-wheeling and psychedelic. Even though the four had gotten greater control of song-writing, the band continued to take advantage of the pool of songwriters assembled for the show, since — paraphrasing Peter Tork — if you had access to Neil Diamond and Carole King in their prime writing songs for your band, wouldn't you use those songs?

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The hits continued for a while, even after the Monkees gave up their TV series after its second season. However, the group's 1968 film Head, a surreal, deliberately plot-less Deconstruction of the band's journey through the Show Business meat grinder, was a flop (although it's become a Cult Classic). The band's television special, 33 1/3 Revolutions per Monkee, flopped as well, at which point Tork left the band. Nesmith hung around for two more albums, both of which sold poorly, then he left as well. The band still owed the label one more album, and though there was no shortage of releasable tracks in the vaults, the label opted to send Dolenz and Jones to New York to record some new songs with producer Jeff Barry. The resulting album, Changes, marked a return to the bubblegum pop of the early albums. However, the songs on Changes were not as catchy or distinctive as the ones on the band's early albums. Changes didn't chart, and that was the end of the Monkees. The four ex-members went on with their lives—until 1986.

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In 1986, MTV began celebrating the Monkees' 20th anniversary by rerunning their TV series. The reruns got great ratings, and suddenly the Monkees were a viable proposition again. Dolenz and Tork were persuaded to record some new tracks for a Greatest Hits album, one of which, "That Was Then, This Is Now", even charted in the top 20. Davy Jones rejoined the group, and the trio recorded a new album, Pool It, and also began touring again. The independently wealthy Nesmithnote  was missing from Pool It and most of the concerts, but he returned in 1996 for the band's 30th anniversary swan songs as a quartet—Justus, the only Monkees album not to feature any outside musicians, songwriters or producers, and its follow-up TV special Hey, Hey, It's the Monkees (which Nesmith also wrote and directed). Since then, Creative Differences and Peter Tork's health problems (he was diagnosed with a rare form of head and neck cancer, Adenoid Cystic Carcinoma, in 2009) seemed to have destroyed any chance of another reunion. However, in the summer of 2011, Jones, Dolenz and Tork embarked on a hugely successful concert tour commemorating the band's 45th anniversary.

Sadly, Davy Jones died of a sudden heart attack in 2012 (on Leap Year Day), and Tork passed in February 2019, making a full reunion impossible. Still, the Monkees' popularity and artistic legacy have remained strong to this day. It seems likely that they'll endure into the foreseeable future, not just as a memory, but as a functional band; Dolenz, Tork and Nesmith kept the legacy alive by touring in 2012, 2013, 2014 and 2015. In 2016, Dolenz and Tork not only toured to commemorate the band's 50th anniversary, but released a new album, Good Times!, which was produced by Fountains of Wayne's Adam Schlesinger and included new songs by Rivers Cuomo, Noel Gallagher, Andy Partridge, Paul Weller and Ben Gibbard. Nesmith appears on the album, but wasn't able to tour due to being busy writing his memoir Infinite Tuesday: An Autobiographical Riff. He Skyped in to the band's June 1, 2016 show to do a song, and joined the band in person for two more shows, one of which he announced beforehand as his final appearance with the group. However, Nesmith and Dolenz toured together as the Monkees in 2018 (This time, Tork sat out due to health problems and to work on a new solo album). That year, the band released another new album, a Christmas record called Christmas Party. Tork's death in 2019 leaves Dolenz and Nesmith as the only remaining members of the group.

The TV show is on this page. Head and the trivia game Monkees Equals Monkees also have pages.


Principal Members (Founding members in bold, current members in italic):

  • Micky Dolenz - lead vocals, drums, guitar, synthesizer, timpani (1966–1971, 1986–1989, 1993–1997, 2001–2002, 2011–present)
  • Davy Jones - lead vocals, percussion, tambourine, maracas, jawbone, chimes, organ, bass, guitar, drums (1966–1971, 1986–1989, 1993–1997, 2001–2002, 2011–2012, died 2012)
  • Michael Nesmith - lead vocals, guitar, organ, percussion, bass, maracas, keyboard (1966–1970, 1986, 1989, 1996–1997, 2012–present)
  • Peter Tork - lead vocals, bass, guitar, keyboard, banjo, organ, piano, clavinet (1966–1968, 1986–1989, 1995–1997, 2001, 2011–2019, died 2019)


Studio Discography:

  • 1966 - The Monkees
  • 1967 - More Of The Monkees
  • 1967 - Headquarters
  • 1967 - Pisces, Aquarius, Capricorn & Jones Ltd.
  • 1968 - The Birds, The Bees & The Monkees
  • 1968 - Head
  • 1969 - Instant Replay
  • 1969 - The Monkees Present
  • 1970 - Changes
  • 1987 - Pool It!
  • 1996 - Justus
  • 2016 - Good Times!
  • 2018 - Christmas Party


Live Discography:

  • 1987 - Live 1967
  • 1987 - 20th Anniversary Tour 1986
  • 1994 - Live!
  • 2001 - 2001: Live In Las Vegas
  • 2001 - Summer 1967: The Complete U.S. Concert Recordings
  • 2006 - Extended Versions


The Monkees' musical career contains examples of:

  • Added Alliterative Appeal: "Peter Percival Patterson's Pet Pig Porky" is a comical little story based on the "P" sound (as if the title didn't give it away).
  • Advertised Extra: On the debut album, Peter's participation was limited to acoustic guitar on Mike's two songs and some backing vocals on a couple others. Even worse, on The Birds, The Bees & The Monkees his only contribution is the piano on "Daydream Believer" (which was not even recorded for that album, it was a holdover from the Pisces sessions), though one could argue that Peter's piano intro is the most distinctive feature of the Monkees' version of the song. note 
  • Alliterative Title: "Peter Percival Patterson's Pet Pig Porky", "Writing Wrongs", "Tapioca Tundra".
  • B-Side: "I'm a Believer"/"(I'm Not Your) Steppin' Stone" and "Pleasant Valley Sunday"/"Words" could probably be considered double A-sided singles since the B-sides were both Top 20 hits in their own right. Several other B-sides charted as well, and the fan favorite "Goin' Down" was originally on the flip of "Daydream Believer".
  • Bad to the Bone: "Pleasant Valley Sunday" has become a popular alternative to "Yakety Sax" for zany chase scenes.
  • The Band Minus the Face: Multiple, depending on who you personally consider The Face. Averted if you consider Micky the face, as he has been the only member to participate in all versions of the band.
    • Instant Replay and The Monkees Present both came out after Peter had quit.
    • Changes came out after Mike had quit and the band reduced to a Micky/Davy duo.
    • A failed attempt at a full reunion in 1976 turned into Dolenz, Jones, Boyce & Hart and the Great Golden Hits of The Monkees tour, pairing "the guys who sang 'em" (Micky and Davy) and "the guys who wrote 'em" (Tommy Boyce and Bobby Hart).
    • The 1976 single "Christmas is My Time of Year" was the first Micky/Davy/Peter project.
    • The new tracks recorded for Then & Now: The Best of The Monkees in 1986, including the comeback hit "That Was Then, This is Now", were by Micky and Peter.
    • Pool It! was Micky/Davy/Peter.
    • Justus had all four members on the album and tie-in television special, but Mike declined to participate in most of the tour.
    • The 2001-2002 tour started as a Micky/Davy/Peter trio, but Peter started causing backstage disruptions, and he got fired from the tour partway through. note 
    • The 2011 reunion tour was again a Micky/Davy/Peter affair.
    • The 2012 reunion after Davy's death was Micky/Peter/Mike.
    • Good Times!, like Justus, has album contributions from all four members (including a posthumous Davy cut), but the tour is (mostly) Micky/Peter only. note 
    • The 2018 tour was Micky and Mike. However, they performed under the name "The Monkees Present: The Mike and Micky Show" in deference to Peter, who had officially taken time off from the band work on a solo album, but was also fighting the cancer that would ultimately take his life the next year. Currently, the Monkees are deduced to the duo of Nesmith and Dolenz.
  • Boy Band: Early example if not Trope Maker.
  • Call-Back:
    • "Randy Scouse Git" includes the line "four kings of EMI", a reference to The Beatles. Two years later in "Mommy and Daddy" one of the lines Micky ad-libs at the end is "kings of EMI."
    • "I Was There (and I'm Told I Had a Good Time)" is another reference to "Randy Scouse Git" and the Beatles, with the opening riff of the song being lifted directly from "Sgt. Pepper's Lonely Hearts Club Band." What ties it all together is that the Monkees were present for one of the Sgt. Pepper recording sessions, but Micky has often mentioned through the years that he was stoned out of his gourd and has little recollection of it. "RSG" is sprinkled with what he can remember, and "I Was There" is the rest of the story.
  • Censored Title:
    • When "Randy Scouse Git" (named after one of the Catch Phrases of Alf Garnett, the lead character of Til Death Us Do Part, which was later remade by US TV as All in the Family) was recorded, the British record label wouldn't allow it to be released on the grounds that the title would be "offensive", so they insisted that it be given an alternate title. Hence it was initially released as "Alternate Title". (It has since been restored to its proper title.)
    • In British slang, "randy" means horny, "Scouse" is a term for people or things from Liverpool (e.g., The Beatles, who are referred to as "the four kings of EMI"), and git is a mild insult (the equivalent of a foolish, contemptible, incompetent, annoying, childish person), so while it's not a hugely offensive title, it's still inappropriate for what is marketed as an all ages act.
    • Micky Dolenz, who wrote the song, reportedly had no idea what the phrase actually meant; he simply heard it on British television and thought it sounded cool.
  • Christmas Songs:
  • Continuity Nod: The title track of Christmas Party mentions Auntie Grizelda and her fudge.
  • Creator Cameo: Bob Rafelson plays the cocktail lounge-y piano in the intro section of "Don't Call on Me".
  • Cult Soundtrack: The first four albums could be considered this, since they featured music that was used on the show. The Head soundtrack also counts, since it was more successful than the film (even though it was their first album to miss the Top 10).
  • Cut-and-Paste Suburb/Stepford Suburbia: The subject of "Pleasant Valley Sunday".
  • Daydream Believer: One of the band's most popular songs is the Trope Namer.
  • "Days of the Week" Song: "Saturday's Child".
  • Excited Show Title!:
    • Pool It!
    • Good Times!
    • Davy's solo album Live!!!
  • Expy:
    • The Monkees Present is often considered their equivalent to The Beatles' The White Album. They're both Genre Roulette albums that showcase the individual members instead of being group efforts, and both albums end with lullabies ("Good Night" for The Beatles, "Pillow Time" for The Monkees).
    • Besides his obvious similarities to Ringo Starr (Adorkable) and George Harrison (his affinity for mysticism), Peter also filled a similar role to David Crosby in The Byrds: a Step Up to the Microphone lead vocalist who was actually The Heart of the band (Crosby with vocal arrangements, Tork with music arrangements), who wrote songs with sophisticated dark chords and modalities, and the band's true blue hippie. Crosby and Tork were friends as well.
  • Fake Band:
    • The Monkees were not allowed to play their own instruments on the show during the first season, until they overthrew label supervisor Don Kirshner.
    • Peter Tork didn't even sing on their first record: He had to make do as being one of the five guitarists on Nesmith's composition "Papa Gene's Blues", which contained the only instrumental contribution from a Monkee until Kirshner was fired.
  • Fake-Out Fade-Out: "Listen to The Band".
  • Flowery Elizabethan English: "Do Not Ask For Love", a Michael Martin Murphey-penned song recorded for, but left off of, their debut album and later revived for the 33 1/3 Revolutions Per Monkee special:
    Thou makest me free then soon thou makest demands on me
    And I am not thy love, thou workest in me slavery
    But I shan't heed thee as before
    I prithee, do not ask for love once more
  • Friends with Benefits: The kind of relationship the narrator of "I Wanna Be Free" seems to be describing as his ideal.
  • Genre Throwback:
    • Good Times! sounds like it could have been one of their 1967 releases.
    • Michael's two songs on Christmas Party ("The Christmas Song", "Snowfall"), recorded with his current touring band, are very much in the style of his solo albums from The '70s.
  • George Lucas Altered Version: The Neil Diamond-penned "Love to Love" was recorded in 1967 but didn't get released in its original state until much later, and was eventually included on several compilation albums. It was dusted off again for Good Times! in order to have a Davy Jones lead vocal on the album. The "new" version used the original backing track and an alternate lead vocal track, but added newly-recorded backing vocals from the other Monkees.
  • Gratuitous Panning: If you listen to the track "Zilch" with headphones on, it sounds like the four of them are surrounding you.
  • Grey and Gray Morality: The subject of "Shades of Gray": "Today there is no black or white, only shades of gray".
  • Groupie Brigade: Truth in Television of course, but "Star Collector" was one of the first rock songs about a groupie.
  • Growing Up Sucks: "Shades of Gray".
  • Important Haircut:
    • During the psychedelic period, Micky stopped straightening his hair, while Davy cut his hair shorter.
    • Borderline example: Mike, during the same period, stopped wearing his famous wool hat and grew killer sideburns.
  • In the Style of...:
    • "No Time" = The Beatles' "I'm Down" and "Boys".
    • "Your Auntie Grizelda" = The Rolling Stones' "19th Nervous Breakdown".
    • Speaking of The Beatles and Stones, the debut album version of "I Wanna Be Free" obviously owes its arrangement style to "Yesterday" and "As Tears Go By".
  • It Seemed Like a Good Idea at the Time: The band were fans of Jimi Hendrix and wanted him to open for them on their tour. Somehow, the managers of both parties actually set up the arrangement. Basically, The Monkees wanted street cred from hiring Hendrix, while Hendrix wanted mainstream exposure. This went about as well as you'd expect: whenever Hendrix went on stage, he was booed by Monkee fans. Both the Monkees and Hendrix were upset at this development and while there was no bad blood between them, Hendrix dropped out of the tour when "Purple Haze" started climbing the charts.
  • Jail Bait: "She Hangs Out" is about a young girl who Really Gets Around. "How old d'you say your sister was?/You know you'd better keep an eye on her..."
  • Last Note Nightmare: "Pleasant Valley Sunday", "Star Collector".
  • The Last Title: "Last Train To Clarksville".
  • Looped Lyrics: "Listen to The Band" is a single verse and chorus repeated three times with minor lyric variations, plus a Fake-Out Fade-Out.
  • Lyrical Dissonance:
    • "Cuddly Toy", written by Harry Nilsson, is a rather dark song, with lyrics that seem to be telling the latest victim of The Casanova to just get over it ("You're not the only cuddly toy/that was ever enjoyed by any boy... You're not the only choo-choo train/That was left out in the rain/The day after Santa came... I never told you that I loved no other/You must've dreamed it in your sleep"). You'd never know it by the bouncy, cheerful way Davy Jones and Micky Dolenz sing it, though (and Nilsson's own version turns the bounciness Up to Eleven). Additionally, the line "You're not the only cherry delight/That was left in the night/And gave up without a fight" implies that the woman was a virgin — and an easy "conquest" as well.
    • The main verses of "Randy Scouse Git/Alternate Title" are from the perspective of a young lad attending a festive party, and the refrain to the chorus switches to an angry, older man ranting at a long-haired youth:
      Why don't you cut your hair? Why don't you live up there?
      Why don't you do what I do, See what I feel when I care?
      Why don't you be like me? Why don't you stop and see?
      Why don't you hate who I hate, Kill who I kill to be free.
    • "Goin' Down" is a fast-paced, upbeat song... about a guy having second thoughts after trying to drown himself (in a river and drowning his sorrows in alcohol) while recovering from a hangover, as noted in the lines "Floatin' down the river with a saturated liver", "I wish I had another drink, it wouldn't be so hard to sink", "I can't believe they drink this stuff in town"...
    • "Daddy's Song" is a brassy, upbeat song (until the last verse) in which the singer remembers the day his father walked out on his family.
    • "Last Train To Clarksville" was written as a stealth commentary on The Vietnam War. It's about a soldier who's done with basic training and wants to spend time with his lover before being sent to fight in the war. It brings a new meaning to "And I don't know if I'm ever coming home".note 
  • The Man Behind The Band: Evidently, Don Kirshner thought this was his role in the group's career. Consider his liner notes for More of the Monkees; he devotes much more text to the team of veteran songwriters he assembled for the band than the band itself.
  • Mistreatment-Induced Betrayal: "Mr. Webster" is about a bank employee who "thwarted 27 robberies" and was promised a raise by his boss each time, but the boss never followed through. Webster gets his revenge by taking all the bank's money as a retirement present to himself.
  • Motor Mouth: Micky in "Goin' Down".
  • My Nayme Is: Micky. It is not spelled with an E before the Y.
  • Never Bareheaded: Mike in the wool hat days, Micky more recently.
  • New Sound Album: Changes, not just for featuring only Micky and Davy, but the music shifted from the Beatles-inspired Genre Roulette style of all the previous albums to more of a uniform, slick pop sound with a pinch of Soul influence.
  • Non-Appearing Title/Refrain from Assuming:
    • Many of Mike's songs. Examples include "Good Clean Fun", "Daily Nightly", "Tapioca Tundra", and "Papa Gene's Blues", among many others. He adores this trope.
    • "Randy Scouse Git" aka "Alternate Title" is a double dose of this.
    • "For Pete's Sake"
    • "Early Morning Blues and Greens", for a non-group-written example.
    • "Birth of an Accidental Hipster"
  • One Steve Limit: Played with, and ultimately averted. Both Micky and Mike go by their middle names, as they were born George Michael Dolenz and Robert Michael Nesmith respectively.
  • One-Woman Song: "Valleri" was a deliberate invocation of this trope; Don Kirshner asked Boyce and Hart to write a song with a girl's name in it.
  • Patter Song: "Goin' Down".
  • Posthumous Collaboration: Good Times! featured a Davy lead vocal ("Love to Love", as mentioned in George Lucas Altered Version above) and a guest appearance by Harry Nilsson ("Good Times", with his vocal taken from a demo recording of the song he made in 1968). Christmas Party has two Davy lead vocals, recorded in 1991, with newly-recorded backing tracks ("Mele Kalikimaka", "Silver Bells").
  • Progressive Era Montage: The 2013 reunion tour shows opened with a video montage of moments from their history and various uses of Monkees music in pop culture, including a cereal commercial Micky did as a child actor, the "Win a Dream Date with Peter Tork" contest from the early years of Late Night with David Letterman, "Porpoise Song" on Mad Men, the "Getting Davy Jones" episode of The Brady Bunch, Teri Garr playing "Last Train to Clarksville" in After Hours, Johnny Cash singing "Last Train to Clarksville", "Goin' Down" on Breaking Bad, a Kool-Aid commercial with the group and Bugs Bunny, Bob Rafelson accepting the Best Comedy Emmy, various clips from Head, then finally the TV show Title Sequence. Typically, Mad Men, The Brady Bunch, and Johnny Cash got the biggest cheers from the audience.
  • Protest Song: Their career started with a subtle example; as noted, "Last Train to Clarksville" was secretly about Vietnam, but from then on, the band stayed apolitical during the Kirshner era. After he was ousted, the band did several songs that had varying degrees of social commentary, including "Shades of Gray", "Randy Scouse Git", "The Door Into Summer", "Pleasant Valley Sunday", "Daily Nightly", "Zor & Zam", and "Mommy & Daddy" (which was so blatantly anti-authority that Executive Meddling forced Micky to tone down the lyrics). Justus added another example, "Admiral Mike".
  • Proto Punk: One of the genres that was on their Genre Roulette wheel. "(I'm Not Your) Steppin' Stone" became a Garage Rock staple that eventually got covered by punk bands like the Sex Pistols and Minor Threat. While a few studio tracks also count as this ("Saturday's Child", "She"), it was their live performances where they sounded the most Proto Punk, a combination of their unpolished style and having to play loud to even be able to hear themselves slightly over the screams of the audience. The live performance of "Circle Sky" in Head is a great representation of this sound, but the various legal and bootleg recordings of the live shows in The '60s are often very raw-sounding.
  • Retraux: "Magnolia Simms", one of Mike's tributes to the music of The Roaring '20s, is meant to sound like it's being played on a 78 RPM record, complete with surface noise and Repetitive Audio Glitch. On original vinyl pressings of The Birds, The Bees & The Monkees, the song actually played at 78 RPM while the rest of the album was the usual 33⅓ RPM.
  • Rhyming with Itself:
    • "She"
    Why am I standing here
    Missing her and wishing she were here?
    • "P.O. Box 9847"
    Lonely, understanding man affectionate and true
    Looking for a girl to share his dreams and make them true
  • She Is All Grown Up: Basically what the song "Valleri" implies.
  • Silly Love Songs: Plenty, and usually given to Davy to sing, in accordance with his persona as "The Heartthrob."
  • The Something Song: "Porpoise Song" and "Daddy's Song" from Head and "French Song" from The Monkees Present.
  • Spell My Name with an "S":
    • It's Micky, not Mickey, Dolenz. A promo shoot showing the group in directors' chairs with their names on them, and the label of the 1971 Micky/Davy single "Do It in the Name of Love" both make this error.
    • Plus, Davy Jones, not Davey (though he often went by David, eliminating that confusion).
  • Spoken Word in Music:
    • Davy and Micky cracking jokes during "Gonna Buy Me a Dog".
    • Davy recites the lyrics to "The Day We Fall In Love", and he also does spoken interjections in "Look Out (Here Comes Tomorrow)".
    • "Peter Percival Patterson's Pet Pig Porky" consists of Peter reciting a short story without musical accompaniment.
    • The simulated nightclub chatter at the beginning and end of "Don't Call on Me".
  • Stealth Pun: The last word of the title of The Monkees Present is supposed to be pronounced "pree-SENT", but if you pronounce it as "PRES-sent" it also works in the sense of saying the album is a gift from The Monkees to you, and saying that, with Peter gone, Micky, David and Michael are "The Monkees present".
  • Step Up to the Microphone: Peter sang full lead vocals on just eight songs (plus one short spoken piece) from their studio albums, with just two of those songs coming from the group's 1960s releases ("Your Auntie Grizelda" from More of the Monkees and "Do I Have To Do This All Over Again?" from the Head soundtrack); "Your Auntie Grizelda" is one of the few times when Peter got a chance to sing lead vocals. He's better represented on rarities albums, bonus tracks and in live shows.
  • Take That!:
    • A music publisher told Mike that he needed to write songs with memorable hooks which were "good clean fun". So he wrote a song called "Good Clean Fun" but didn't use the title anywhere in the lyrics.
    • RCA Records in England told Micky Dolenz that they wouldn't release "Randy Scouse Git" in England unless it had an alternate title, so Micky said "Okay, 'Alternate Title' it is", and in the U.K. record market, "Alternate Title" replaced "Randy Scouse Git" as the title.
  • Teeth-Clenched Teamwork: The various reunion projects since The '80s have seen this to varying degrees, with all four members having individual ideas on what would be best for their careers, which often clashed. Everyone's egos seemed to have mellowed with age, though.
  • Titled After the Song: Inverted Trope. "The Door into Summer"' is named after a novel by Robert A. Heinlein.
  • Train-Station Goodbye: The subject of "Last Train to Clarksville".
  • Unbuilt Trope: Much of the Head soundtrack sounds like The Monkees doing their takes on various music styles from The '90s—in 1968! "Porpoise Song" sounds like Dream Pop or Shoegazing, "Circle Sky" is like early Pop Punk, and "As We Go Along" calls to mind Jewel-style Folk Pop.
  • Uncommon Time:
    • "Love is Only Sleeping" is in 7/4.
    • "As We Go Along" is all over the place. The verse goes three bars in 5/4, one bar in 6/4, five bars in 3/4, repeats that pattern, then stays in 3/4 for the chorus. No wonder Micky recalled that "it was a bitch to sing".
  • Vocal Evolution: A surprising amount in 4 years. Mike had his tonsils removed in May 1967, and after that his voice was a touch deeper and less drawly. Davy was a natural baritone but was asked to sing at a raised pitch on the early albums, apparently so his voice matched his physical stature. On the later albums he didn't do that as much. Micky was exactly the opposite: starting around 1968 he preferred to sing at a higher pitch than he had before. If you knew nothing about The Monkees and heard a few later songs ("Zor and Zam"note , "As We Go Along", "Acapulco Sun"), you'd be excused for thinking they had a female member. Peter...well, his voiced stayed fairly constant, but his phrasing got more natural over the years.
  • Vocal Tag Team: All four Monkees sang. With the exception of Peter, each one was featured as lead vocalist on at least one song from each album in which he participated. Peter would later sing "Your Auntie Grizelda" (More of the Monkees) and "Do I Have to Do This All Over Again?" (Head) and recite "Peter Percival Patterson's Pet Pig Porky" (which was 27 seconds long on Pisces, Aquarius, Capricorn & Jones Ltd.)
  • Who's on First?: In "Gonna Buy Me A Dog":
    Davy Jones: I just got back from Africa, y'know. I was playing cards with the natives.
    Micky Dolenz: Oh, Zulus?
    Davy: No, I usually won.
  • Word Salad Lyrics:
    • Several of Mike's lyrics during the psychedelic period.
    • Mike's "Tapioca Tundra".
    • Carole King's lyrics for "Porpoise Song" are Dewey Cox-level gibberish.
    • Micky dabbled in this as well, with "Randy Scouse Git" and "Shorty Blackwell", and the opening to "No Time":
      Hober reeber sabasoben, Hobaseeba snick, Seeberraber hobosoben, What did you expect?
  • World Music: "Can You Dig It?" from Head is a musical Culture Chop Suey. There's an obvious Indian raga influence in there, but also some East Asian flavoring (which fits lyrics that composer Peter Tork said were inspired by the Tao Te Ching). And it sounds Middle Eastern enough that the sequence for the song in the film had an "Arabian Nights" Days theme, complete with Belly Dancers. And that's not all: Peter himself described the song's chords as "vaguely Spanish/North African".

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