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"I have a love in my life. It makes me stronger than anything you can imagine."
Barry Egan
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Punch-Drunk Love (2002) is a romantic comedy/drama that tells the story of Barry Egan (Adam Sandler), an introverted, sweet but socially inept Manchild, whose life revolves around his novelty plunger business ("Fun-gers") and attempts to extricate himself from the domineering influence of his seven sisters. His interests mainly include buying up large quantities of pudding to take advantage of their air miles offer, and using phone sex lines to alleviate his loneliness.

Then one day, Lena Leonard (Emily Watson) walks into his life, and everything changes.

Punch Drunk Love is notable as one of P.T. Anderson's low-key works, made between the epics Magnolia and There Will Be Blood, and for showcasing the dramatic chops of Adam Sandler while simultaneously being a warped Post Modern take on the Romantic Comedy and Adam Sandler movies in general.

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This Film Contains Examples of the following tropes:

  • Ambiguous Disorder: Barry does not seem to have a formal diagnosis, but shows poor social skills, acute anxiety and aggressive outbursts. Normally he's shy and reserved, but he sometimes gets extremely upset at certain emotional stimuli. He has tremendous difficulty staying calm whenever his sisters go too far in teasing him.
  • Angrish: "SHUT UP! SHUT THE FUCK UP! Shut up, will you SHUTUP SHUTUP! SHUT SHUT SHUT SHUT SHUTUP... SHUTUP! NOW [Beat] Are you threatening me, dick?"
    • Also falls under Rapid-Fire "Shut Up!"
  • Anticlimax: Barry is frantically [and painfully] running from the Four Blonde Brothers when they drive past him and casually remind Barry that "they know where he lives". Barry stops running after this. They show up later and crash his car. Barry gets out and quickly beats them up, smashes their truck with a crowbar, flies to meet their boss, and gets him to back down. In the words of the Matress Man, "That's that."
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  • Apologises a Lot: Barry, and frequently when he's not even done anything wrong.
  • Bad Liar: Barry. And he tells a lot of them (specifically when he has done something embarrassing).
  • Berserk Button: Barry's gets pushed multiple times throughout the film, usually whenever his sisters embarrass/emotionally abuse him. It gets pushed again when Lena is injured in a car accident by the phone sex thugs - only this time he channels his anger into fending them off.
  • Big Bad: Dean "The Mattress Man" Trumbell arguably acts as one for Barry, with his threats and attempted extortion of Barry jeopardizing his relationship with Lena and providing much of the tension in the movie.
  • Big "SHUT UP!": The Mattress Man to Barry over the phone.
  • Bullying a Dragon: The Mattress Man threatens Barry over the phone, AFTER knowing Barry has dealt with the brothers single-handedly, clearly not expecting to ever have to confront him in person. He does.
  • Curb-Stomp Battle: The Four Blonde Brothers make good on their threat and attempt to assault Barry at his home, crashing his car and injuring Iris. As the Brothers get out of their pickup brandishing a crowbar, Barry steps out and buttons up his suit. What follows can't even be charitably called a fight. In less than thirty seconds, three of the brothers are lying injured on the ground and the fourth is cowering in abject terror in the backseat of the pickup, which has its windows smashed by Barry, now wielding the brother's own crowbar. It happens so quickly it can even be considered an Anti-Climax (see above).
  • Cannot Spit It Out: Lena has to take the initiative. A lot.
  • Classical Anti-Hero: Barry is lonely, socially awkward, plagued with self-doubt, and gets horribly upset at the drop of a hat. Through the events of the film, he works towards overcoming these issues while fending off a gang of con artists.
  • Cluster F-Bomb: Most of Mattress Man Dean's dialogue when he's not shooting ads.
  • Crouching Moron, Hidden Badass: See The Power of Love.
  • Deconstruction: The movie takes the typical Billy Madison / Happy Gilmore-style Adam Sandler character and deconstructs him by showing the real-life consequences of his behavior and how dangerous that person would feel to you if you actually met one. It also touches on the horrible upbringing that would create such a maladjusted person in real-life.
  • Determinator: "I'd say, 'That's that', Mattress Man."
  • The Dog Bites Back: Barry, to both his sister, Elizabeth when he's in Hawaii and to The Mattress Man.
  • Dream Melody: The five note descending melody which pops up repeatedly on the soundtrack is actually played by Barry on the harmonium at one point.
  • Florence Nightingale Effect: Part of why Lena seems so besotted with Barry is that he's so helpless. Lampshaded by the soundtrack with the song "He Needs Me".
  • Freudian Excuse: It's implied that a lot of Barry's issues stem from his relationship with his older sisters, who are simultaneously dominating and cruelly bullying.
  • Funny Background Event: When Barry is talking to his third sister, you can see his second-in-command bashing a Funger in order to show it off to a customer.
  • Gainax Ending: Inverted. The movie opens with Barry on the phone talking about the frequent flier miles promotion while random sounds are playing in the background. He opens the warehouse door, stands in the parking lot, witnesses a random car crash, then a group of men in a van pull up and drop off the harmonium. The film becomes more normal from there.
  • Homage: The soundtrack contains the song "He Needs Me" from Robert Altman's Popeye film. Also, the supermarket where Barry shops bears a remarkable similarity to the supermarket photographed by Andreas Gursky in his picture ''99 Cent''.
  • Hypocritical Heartwarming: Despite how much Elizabeth browbeats Barry she gets defensive when Lena calls him strange.
  • Hypocritical Humor: The Mattress Man and his gang consistently call Barry a "pervert". You know, for calling a phone sex line that they operate.
    • It's implied to be a trap for blackmailing people out of money. It seems they feel justified in their actions due to their victims being pervs.
  • Iris Out: A particularly sweet example, as the Iris centres on Barry and Lena's hands clasped together and actually follows it as they disappear around a corner.
  • Jerkass: The Mattress Man and Barry's sisters, most notably Elizabeth.
  • The Klutz: Barry's not only clumsy, but accidents also seem to happen just by virtue of his presence.
  • Leitmotif: Barry and the harmonium.
  • Limited Wardrobe: Barry wears the same blue suit in every scene.
  • Mugging the Monster: When assaulting him at his house, one of the Four Blonde Brothers smirks as Barry advances and can be heard saying "C'mere." Big mistake.
  • Mickey Mousing: In one moment, Barry plays one of the leitmotifs on the harmonium.
  • No Social Skills: Barry often has trouble communicating with others, and it only gets worse when his sisters are there. Lena is rather awkward too, but not nearly to the same extent as Barry.
  • Not Distracted by the Sexy: Barry isn't turned on by the phone sex hotline he dials, despite repeated, not-so-subtle hints from the woman on the other line to get horny. He just wanted someone to talk to.
  • Not So Different: Dean the Mattress Man has serious anger issues just like Barry.
    • Constantly apologizing is a trait Barry shares with his sister Elizabeth, as she apologizes multiple times to Lena for Barry's "weird" behavior. note 
  • Open Heart Dentistry:
    Barry: I wanted to ask you something because you're a doctor. I don't like myself sometimes. Can you help me?
    Walter: Barry— I'm a dentist.
  • Outnumbered Sibling: Barry has seven sisters and is the only male sibling. It doesn't help that his sisters are ovebearing and ridicule him.
  • Paper Tiger: Dean, the Mattress Man. He's tough and threatening when surrounded by and working through his mooks, and even keeps his smirk as he's acceding to Barry's demands to leave him alone. But when he decides to get the last word in, and Barry doesn't react well, he basically folds:
    Dean: Now get the fuck outta here, pervert!
    Barry: [Swinging around threateningly] Didn't I warn you?!
    Dean: [Alarmed] Th-that's that! [Scurries away]
  • The Power of Love: Enables Barry to become a total badass.
  • Psychopathic Manchild: Although he's far from villainous, it's clear that Barry has unresolved emotional problems that cause him to lose his temper. One of the movie's primary themes is demonstrating that in real life, this kind of typical early Adam Sandler character would make you fear for your life.
  • Red Herring: Barry's plan to amass an enormous amount of frequent flyer miles by collecting pudding cups. He never uses the miles.
    • He basically suggests he's going to use them to be with Lena while she's travelling. Though before he met Lena he had no intention of actually traveling anywhere and was just collecting them because they're "like currency".
  • Ripped from the Headlines: Barry's Pudding/Frequent Flyer Miles plan was based on an article P.T. Anderson read in Time Magazine about a civil engineer called David Phillips who did pretty much the same thing.
    • Read more about it here. (#5)
  • Smug Snake: The Mattress Man. Likewise, the Four Blonde Brothers have insufferable smirks whenever they deal with Barry, and even when assaulting him it's clear they don't take him seriously. They painfully learn what a mistake this is.
  • Took a Level in Badass: Barry in his second run-in with the Mattress Man's gang. Lena getting injured might have something to do with it.
  • Tranquil Fury: Barry dealing with the Mattress Man's mooks.

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