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The Beautiful


When viewed from the outside, The United States of America comes in different flavors. As with most stereotypes, there is a certain amount of Truth in Television in both of them.

America The Beautiful

A peaceful paradise on earth full of friendly, wise, and good-hearted people whose prosperity is their (God-given) reward for their impeccable virtue. Theirs is a shining city upon a hill guided by destiny — a land of freedom, justice, wealth, and luck, where people can leave their pasts behind and make new lives for themselves, far away from the stratified social structures and open ethno-religious bigotry and violence of the Old World. In short, this is the flavor that embodies The American Dream. Sometimes based on American media during The '50s and The Silver Age of Comic Books, which portrayed the United States of America as a homey, tradition-sticking, almost saccharine world of Heroes that was built on nuclear family values, love, and old-fashioned simple mindsets. This flavor is, of course, no 'truer' than any other - and especially not when it comes to individual US citizens.

The Boorish

America The Boorish

A Crapsack Land full of war-mongering, ignorant Jerkasses whose infuriating prosperity is the product of their infinite greed. Americans come into your country either as tourists or invaders, always acting like they own the place and letting you know how it 'should be' run. In the rural areas of the Deep South and The Wild West, you'll find obese, Red-baiting, Bible-thumping, heteronormative Gun Nut Moral Guardians who subsist on a diet of synthetic fast food and TV dinners, while in the cities, you'll find criminals that rule the ghettoes, vapid and anorexic rich bitches from Hollywood, California (or trying to emulate it), and social Darwinist, Scrooge-like corporate profiteers who view poor people as a plague upon humanity. Also if you're an immigrant or a minority, be prepared to be treated as a second class citizen at best or vermin at the worst. Last but not least, they suck at global geography. As with the above, this flavor is no 'truer' than any other - and especially not when it comes to individual US citizens.


Mixed Flavor

Others series just decide to split the difference, treating America as the Boisterous Bruiser Idiot Hero of nations — rude, crude, clueless, obnoxious, and vaguely psychotic (ironically, many of these words can very easily describe many people in other countries), but still good-natured beneath it all. A famous saying, often misattributed to Winston Churchill, sums up this portrayal well: "You can always count on Americans to do the right thing — after they've tried everything else."

This trope is about outsiders looking at the US, so most of the information here is heavily stereotyped and extremely culturally offensive to actual Americans. If you happen to see a work that portrays the United States or Americans as a whole as The Boorish, but it's an American production, that's a case of Cultural Cringe or Boomerang Bigot; likewise, an American indulging in The Beautiful is not this trope, either, and would better fit into Creator Provincialism. If the work in question doesn't delve into judgment but refers to the US culture and history by both structuralist and functionalist examples then you're probably reading an in-depth history book.

The memetic term 'Murica is related to these interpretations: that America is either a Land of Heroes, or a Wretched Hive.

Related tropes include:

  • Aloha, Hawaii!
  • The All-American Boy
  • American Robot
  • American Title
  • Americans Are Cowboys: Need to quickly display that a character is American? Just stick a ten-gallon hat on his or her head and call it a day.
  • Big Applesauce: "America" defaults to "New York City" at least in the eyes of the (largely NYC based) arts community
    • On a regional scale, residents of Upstate New York will almost always have to clarify "The State, not the City" when mentioning that they come from New York.
    • Outsiders who are aware New York is also a state are often surprised that an obscure place such as Albany note  is the state capital; people tend to assume the state of New York is governed from the city of New York.
  • The Big Easy: New Orleans
  • Deep South: The Boorish portrayal of the American south.
  • Down on the Farm: rural America, typically somewhere in the "corn belt"
  • Everything Is Big in Texas: It has been said that Americans view Texas the way the rest of the world views Americans. This used to be said of California, as well; both states are (in)famous in America for rampant individualism, flakes, nuts, and Everything More and Bigger, but the two have very different approaches to this.
  • Everytown, America: the stereotypical generic small town found almost everywhere in fiction and practically nowhere in reality.
  • Flyover Country: generally the vast expanses between the two coasts, more specifically the Midwest.
  • Gangsterland: South Central Los Angeles is infamous for this, but other depictions of Gangsterland may be based on Newark and Camden (both in New Jersey), and some areas of Philadelphia. Older ones are usually based on Al Capone-era Chicago, or on New York in either the 19th Century or the post-World War II period (especially the 1970s).
  • Hawaiian-Shirted Tourist: If a ten-gallon hat is too stereotypical, Hawaiian shirts work just as well in showing that a character is American.
  • Hollywood, California: A large portion of American films and TV shows are made and/or filmed in California, and even then in only a few select sections of it. This gives a biased impression to the rest of the world (and sometimes even to the rest of the United States itself, including other parts of California) of what the U.S.A. is like.
  • Hollywood New England: Lobster, cod, baked beans, and Boston accents mashed together in ways no real New Englander would recognize.
  • Hula and Luaus
  • Injun Country
  • It's Always Mardi Gras in New Orleans
  • Joisey: If Hollywood (more specifically Jersey Shore) is to be believed, everyone in New Jersey is apparently of Italian descent, speaks with a nasally accent, uses insane amounts of hair gel, goes to nightclubs, and spends their summers doing nothing but tanning at the shore. And New Jersey's citizens, especially the tourism industry, and extra- especially actual Italian-Americans, are not very happy about it.
  • Lovecraft Country: the dark side of New England.
  • Only in Florida: The state best known for sunshine, beaches, themeparks, citrus, and mind-bendingly weird behavior
  • Only in Miami: Anything set in Florida that isn't Deep South will probably be set here.
  • Oppressive States of America: a common variant of America the Boorish, as are its cousins Divided States of America and Fallen States of America.
  • Pompous Political Pundit: Generally see themselves as a the Beautiful. Are frequently seen by others as the Boorish.
  • Sweet Home Alabama: The Beautiful portrayal of the American South.
  • Southern Gothic: The creepy side of the American South.
  • Translation by Volume: Americans of the boorish category never ever speak a foreign language and they only speak with foreigners using English in a loud and condescending manner. Particularly bad examples may even question why languages other than English even exist, or insist on calling it "American" (as in "Speak American, damn it!").
  • United Space of America
  • Viva Las Vegas!
  • The Wild West
  • Wild Wilderness


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The Beautiful

    Anime & Manga 
  • In what has to be the pinnacle of a Beautiful American in anime, or hell, any medium for that matter, we have Roy Fokker from Super Dimension Fortress Macross who plays the role of Big Brother Mentor and The Lancer, though he is a bit of Handsome Lech. However, he is very devoted to Claudia.
  • Following in the footsteps of Roy Fokker, Mobile Suit Gundam 00's Graham Aker is every bit The Beautiful (in season one at least). First, he's an American fighter pilot whose skill is enough that he can pull Char Aznable-level maneuvers in non-GN powered mecha (usually his beloved Union Flag) and thereby fight Gundams one on one with no hindrance. Second, he's A Father to His Men and an Officer and a Gentleman, possessing personal honor that's only surpassed by Sergei Smirnov and straight on dedication to his comrades and subordinates (even those that belittle him). His one personality quirk is his strange obsession with protagonist Setsuna F. Seiei, which he often compares to romantic lovenote , but even that doesn't detract from his personality. Overall, if Graham had an actual love interest, he would have been the closest Gundam iteration has made to Top Gun, which it has attempted more than once.
  • Aries of Mai-Otome and Mai-Otome Zwei has some definite parallels to the US, from a suspiciously Pentagon-like structure to the attitude of Brigadier General Haruka Armitage, a Determinator to the extreme who often charges in with little to no plan. Aries itself is mainly Beautiful being one of the good nations with Yukino being a calm assertive leader who balances out Haruka. Haruka herself introduces a bit of mixed flavor, as she's a Hot-Blooded heroine who sometimes needs to be hit over the head to keep her from rushing into something that calls for diplomacy.
  • GaoGaiGar is probably one of the most positive depictions of America by non-American properties. Swan White and her brother Stallion are kind, noble, and friendly—if a bit histrionic, tending toward cries of "Oh No!" or "Oh My God!" (or, once, "Jesus!"), as well as speaking in odd accents; Dr. Liger, who presumably emigrated from Japan, is a genius scientist well as a hoverboard-riding mohawked iconoclast; and the American Brave Robo Mic Sounders the Thirteenth, while speaking in gratuitous Engrish in his childlike Cosmo mode ("MAI FRENDZU" is a favorite phrase), is probably the second most powerful robot built by Earth. So, in general, Americans are smart, polite, friendly, a bit openly emotional by Japanese standards, and possessed of The Power of Rock. Sounds about right, actually.
  • Subversion: In Beck, the eponymous band was, according to the opening song, "made to hit in America," and the band trying to make it over there was the subject of much of the series. However, their idea of fitting in is wearing t-shirts that say "Jesus is Coming", and America is shown rather realistically (despite some pretty bad Engrish signage).
  • Kimagure Orange Road both subverts it (manga) and plays it straight (OVA). In the manga story, Kyosuke, Madoka, and a new girl Sayuri (not Hikaru) find themselves on vacation in Hawaii. One day, Sayuri disappears after going to her room to change. After unsuccessfully searching for her, they believe her to have been kidnapped. Later, they get a phone call in their hotel room, telling them to go to certain locations, ending in a yacht in the harbor. The owner of the yacht tells them to spend the night, and that he'll be back in the morning with their breakfast. Since neither of them know what "breakfast" means, they assume it is something rather sinister. After a night of drinking, the owner returns, brings them their food, and produces a gun...which happens to be a lighter for his pipe. Turns out they were mistaken for a newlywed couple who had ordered a honeymoon package of sorts, and told to go to their locations. And Sayuri had gone off to a bar to hunt guys, completely forgetting about her friends. The OVA, however, had Hikaru actually being kidnapped by crazy mooks with guns, and ended with a final shootout, with the police (or any sensible Americans) nowhere to be seen.
  • The Yoroiden Samurai Troopers/Ronin Warriors OAV "Gaiden" takes place mostly in New York City, although they manage to feature some action in Los Angeles towards the end for good measure. Apparently, the OAV's Big Bad carries out his attacks in Manhattan even though his base of operations is located in L.A. The 3000-mile distance between the two cities doesn't mean anything to him...or to the writers.
  • Pluto's America expy "Thracia" is fairly benign, although its leader is quick to give power to the Machine Behind The Man.
  • The "Hollywood World" episode of Magical Shopping Arcade Abenobashi could be called Beautiful, insofar as it is a love letter to Hollywood cinema.
  • Colonel Dan Eagleman from Guilty Crown, the Token Good Teammate of the otherwise evil GHQ organisation. A former high school gym coach turned military commander wearing the red, white and blue on his jacket and a Hot-Blooded Love Freak Boisterous Bruiser, Eagleman constantly interjects exclamations of "GUTS!" and similar encouragements into his speeches and having plans Crazy Enough to Work.
  • Gamble Fish has King Omaha, the manga version of of Barack Obama who exudes patriotism and honor in just about every panel he's in. On the other hand, there are those (especially in America) who consider him an obnoxious Parody Sue, with his admittedly Marty Stu-esque actions throughout the story (such as reversing the Rapid Aging of two young girls by draping them with an American flag to taking on the main villain in Russian Roulette and surviving the headshot) being satire of Obama's more...controversial aspects and depictions, if not America's in general.
  • Although My Hero Academia's plot and backstory are set almost exclusively in Japan, the fact that All Might, Number One Hero and Symbol of Peace, styles himself as an All-American hero despite being Japanese, just screams this trope. His costume is red, white, and blue, he has blonde hair and blue eyes, and he names his attacks after places in the USA (with his ultimate attack dubbedUnited States of Smash). He actually did work as a hero in America at some point, and it's implied that his tenure there is what shaped his definitive identity as All Might.

  • In The Apotheosis of Washington, George Washington has risen to the ranks of the divine as a symbol of American greatness. Now he's above the five Greek gods who bless America's trades and Lady Freedom herself.

    Comic Books 
  • Within the wider Marvel Universe, second generation immigrant creation Captain America is one of the most respected and admired heroes in- and out-of-universe for being America the Beautiful incarnate. He's so idolized that if readers think the writers are somehow disrespecting the ideals that Captain America stands for, they'll take it personally (see the fan reactions to Sally Floyd's lecture during Civil War, Sam Wilson championing political causes during his tenure as Cap, and Steve's Face–Heel Turn in Secret Empire)
  • Superman, who was created by the children of Jewish immigrants and is himself a refugee fills much the same role for the DC Universe. "He fights a never-ending battle for truth, justice, and the American way."
  • In the Golden and Silver Ages, Wonder Woman counted as this. After meeting Col. Steve Trevor, she decks herself out in a uniform based on the American flag and eagle when she leaves Paradise Island to fight the Nazis and other evils of the outside world.

    Films — Live-Action 

  • Dracula has a pretty good example of the Beautiful in Quincey Morris. One of Lucy's three suitors, he's presented as a cowboy-type from Texas, informal but friendly and honorable. Strangely, although repeatedly described by his friends as a man of action, he doesn't engage in all that much of it until he suffers a mortal wound fighting the gypsies that protect Dracula's coffin at the end and striking one of the fatal blows to kill Dracula.
  • Subverted by Oscar Wilde in "The Canterville Ghost". "Americans have everything in common with us now-a-days except the Language."
  • Corellia in the Star Wars Expanded Universe, with the exception of Legacy of the Force, is written as deeply Beautiful. Corellians are proud, enterprising, independent, and inventive people whose ingenuity led to the development of hyperspace travel, whose military might kept the peace in the farthest corners of the Galaxy, and whose liberal political culture formed the bedrock of democracy in the Galactic Republic. The planet was seen as representing the Republic's soul.
  • Without Seeing The Dawn, set at the beginning of World War II in the American Philippines, has its rural Filipino characters patiently believing that America will save them from the Japanese invasion. Pretty ironic though considering the country was a flat-out U.S. colonial territory at the time, though American policymakers had supposedly committed to a timeline for granting Philippine independence within a half-decade from the novel's time setting.

    Live-Action TV 
  • A Bit of Fry and Laurie used this trope more than once, most memorably in song form, when Hugh Laurie, wearing a plaid flannel shirt and a headband (he was making fun of Bruce Springsteen, obviously overlooking the fact that the song "Born in the USA" is actually highly critical of America), sang a song that consisted only of the words "...America, America, America..." and "...the States, the States, the States..." and ended with Stephen Fry punching him in the stomach.
  • Doctor Who:
    • Captain Jack Harkness is a sort of toothy, conspicuously good-looking Loveable Rogue type. He has an American accent but isn't necessarily from the United States as we know it, since he's from the 51st century and apparently didn't grow up on Earth. Noted for acts of heroic derring-do, as well as shagging anything that's up for it.
    • "Daleks in Manhattan" is meant to be an affectionate pastiche of Depression-Era America with glamorous showgirls and scrappy Hoovervillians putting on that American can-do attitude to help the Doctor fight the Daleks. Unfortunately, the story was so cheesy and the stock BBC New York accents were so over the top, it made viewers in the UK uncomfortable.
    • "A Town Called Mercy" The town called Mercy is a microcosm of everything good about America: it's a diverse place full of good-hearted people who just want to start their lives over and live in peace... and they all have guns and know how to use them.
  • Super Sentai:
    • An episode of Samurai Sentai Shinkenger features a very offensive portrayal of an American who's more eager than intelligent when it comes to learning the ways of the samurai.
    • In Shuriken Sentai Ninninger, Sixth Ranger Kinji is a mess of American stereotypes: he's a cowboy, he loves rock music and partying, and he goofs off in fights slightly by taking time to take selfies with the monsters. But while he's kind of silly, his ninjitsu is entirely self-taught out of admiration for master ninja Yoshitaka Igasaki, and he's extremely friendly, becoming fast friends with the Ninningers even as he would periodically attack them to prove his strength to Yoshitaka. Unlike a lot of cases, his loud and Hot-Blooded nature is pointed out not as an American cultural trait, but something that makes him a lot like Takaharu (ie, a Stock Shōnen Hero).

  • "American Woman," originally by The Guess Who, painted the U.S. as The Boorish. Then Lenny Kravitz covered it up with a funk remix and a music video with American flags, hot girls on choppers and muscle cars, and Heather Graham dancing on top of a bus. Because of that, it's today regarded as more The Beautiful in style regardless of its lyrics. Incidentally, The Guess Who claimed American Woman was never intended to be anti-American in the first place.
  • The song Hollywood by Marina and the Diamonds provides a subversion. The visuals and constant reference to the American Dream are in the patriotic, freedom-searching-immigrants, dream-granting ideal of America—but the message is negative, causing a sort of Stepford Smiler result.
  • Blur's song "Magic America", which is about a man who moves to America entirely because of this view of the country.
  • US Boy by French singer Jena Lee. The song includes mentions of US celebrities and TV shows and this chorus line "US boys sont le rêve des French girls! / On veut un American boyfriend forever" which does not need translating to know it's a Beautiful outlook.

  • On June 5, 1973note , Canadian commentator Gordon Sinclair did a piece on his daily radio series Let's Be Personal titled "The Americans," in which Gordon emphasized how much the U.S. has done to aid other countries (with a little Cultural Posturing on America's behalf included). To say the least, it was a significant shot in the arm for American self-esteem. After The War on Terror sparked a huge surge in people who view Americans through a Boorish lens, the broadcast again made the rounds, this time on the Internet.

    Video Games 
  • Eagleland, the setting of the EarthBound/MOTHER franchise, is an affectionate homage to America as viewed through the lens of a foreigner interpreting the place based on American media, and it falls squarely in the bounds of The Beautiful. MOTHER actually flat-out called it "rural America", though this was later retconned to also be part of the aforementioned Eagleland. MOTHER 3 is an interesting example. It starts with a more rural version of The Beautiful. This gets twisted into The Boorish when the villains arrive and is unrecognizable by the final chapter.
  • Pokémon:
    • In Pokémon Red and Blue, their sequels, and their remakes, the Gym Leader Lt. Surge is The Beautiful. He appears to have the usual good sportsmanship required to be a gym leader and he is even said to be a war hero (as noted below, though, many adaptations make him Boorish).
    • The setting of Pokémon Black and White, called Unova (Isshu in the Japanese versions), is based on New York City and its metropolitan area, where the previous games were based on regions of Japan. There are football players, Southern Belles, talk about the greatness of diversity, and so on—it even includes a literal American Eagle in the Pokémon Braviary.
    • Pokémon Colosseum and Pokémon XD: Gale of Darkness, however, take place in a crime ridden wasteland with the cowboy themed "rider" trainer class, "based on" Phoenix, Arizona. Somehow, it still has a seaport.
  • Urban Chaos: Riot Response, if one disregards a lot of the Alternate Character Interpretations, tends toward The Beautiful. Putting aside the fact that the player character is a member of an anti-terrorist police unit with military hardware, all of the regular police, firefighters, and paramedics encountered are courageous and hard-working, and civilian bystanders are always innocent. The bad guys happen to be an anti-American militia trying to kill as many Americans as they can—and that includes using stolen nuclear weapons.
  • Disgaea: Hour of Darkness has an odd example of this trope. Although not blatantly stated to be American, CAPTAIN GORDON, DEFENDER OF EARTH! and his crew are an Affectionate Parody of the classic view of American sci-fi heroes and television shows from the mid-20th century, particularly Flash Gordon and Lost in Space. The rest of the Earth Defense Force seems to also be fashioned after classic American sci-fi as well. Interesting in that the two sets of characters seem to represent both of the above types, with the heroic Defenders of Earth crew portraying the Beautiful type, and the Earth's invasion army portraying the Boorish.
    • Jennifer, in the Japanese version, routinely blurts out incredibly stereotypical American things: "Jesus!", "Oh my gaw!", and "OH!", for starters.
    • Turn the Greek Chorus on in the DS port, and when Gordon tells Carter to have a parade ready for his triumphant return, and the Prinny says "This is a typical American victory speech. And let's not forget the 'smart American' joke, either."
  • Subverted in EVE Online: the Gallente Federation is clearly modeled on the United States. Everyone drinks their soft drinks and watches their entertainment, they bang on about freedom all the time, and their government has a Senate, President, and Supreme Court. The subversion: they're actually French.
  • Street Fighter II introduced Guile. Guile is a tattooed, buff military man, but he's a decent guy and is considered one of the good guys, even becoming the main character in some Western adaptations (helped along by the fact that, unlike Deuteragonists Ryu and Ken, Guile is in direct, ongoing conflict with the series Big Bad).
  • Persona 2 has Mr. Tominaga, a chiropractor who is obsessed with American culture. He has patches such as NASA and FBI on his jacket, wears a red and white striped shirt and a blue with white stars tie, has an American flag in his office, and is convinced that his Goldfingeeeeers can cure anything. Interestingly enough, he's Japanese but studied chiropractic in America. Amusingly, wearing a FBI patch, depending on context, could be a full on federal crime in the United States. Pretending to be a law enforcement officer is serious business.
  • Sonic's personality is said to be derived from free roaming western heroes who go where the wind takes them, a Beautiful style America. Imagine the typical "free spirit" cowboy (in contrast to the "law man" cowboy) and you have Sonic in a nut shell. Not only that, but Sonic's color scheme derives from the American flag (blue with red and white shoes and gloves).
  • Captain Rush of Time Crisis 4 is an extremely proud American who even chides a villain for not having any patriotism.
  • Ni no Kuni opens the game in Motortown, an affectionate, idealized vision of 1950s-era small-town America.
  • Of the four Americans in Punch-Out!! Wii, Little Mac and Disco Kid stand in sharp contrast to Super Macho Man mentioned under The Boorish. Mac is an all-American dreamer who refuses to give up, no matter how many times he gets beat down, an example of the small-town nobody becoming something great. Disco Kid's similar, even though he's Mac's opponent, he very clearly loves his life and has a passion for dance as much as he does fighting, and never drops his smile even when you've knocked out several sets of his teeth.
  • Code Name STEAM features an American-based Steampunk task force. It's a Multinational Team with members from all over the globe (and beyond), its leader Abraham Lincoln is a dignified statesman yet unafraid to get his hands dirty if need be, and all its members are nothing but heroic, friendly and brave soldiers.
  • All of the US Navy ships in Kantai Collection qualify, with Iowa particularly full of this. She's depicted in a very over-the-top, Patriotic manner, and is firmly on the side of the good guys.
  • Bad Dudes is a Totally Radical and unashamedly loving send-up of America. Are you a bad enough dude to rescue the President from ninjas and go out for burgers afterwards? (That's the entire plot.)
  • Minutemen from Fallout 4 are a more positive take on American values and culture in the fallout universe. As the name implies, they are a group of militiamen based on romanticized ideals of the minutemen from the American War of Independence who help protect settlements from raiders and other dangers of the wasteland without requiring any compensation in return. While they are definitely flawed in many ways, they are still one of the most benevolent and reasonable factions in the entire series.

    Web Comics 
  • The U.S. Forces in Japan invoked America the Beautiful with their comic [1]. It stars Usa-kun, an Adorably Precocious Child, guarding the older Japanese stand-in, as a way of explaining why American forces are stationed in Japan through a Beautiful lens.

    Western Animation 
  • The Big Guy from Big Guy and Rusty the Boy Robot is, in-universe, a Beautiful representative of America—he's the product of a collaboration between the US and Japan. Lines like "I have to shoot carefully ... each shot costs millions of taxpayer dollars!" and "I pledge allegiance to only one flag!" are said with perfect sincerity. It's probably a deliberately-crafted image; Lieutenant Hunter is a soldier, and a loyal one at that, but he's not that cheesy.
  • The Danger Mouse episode "The Trip To America" has Texas Jack McGraw, whom Penfold describes as "this weird cowboy." Jack clearly isn't too bright (getting tricked by Greenback very easily), but he's definitely a good guy and, in classic cowboy movie fashion, shows up to rescue DM and Penfold at the last minute.

    Real Life 
  • Literally the Chinese word for America, "美国" means "Beautiful Kingdom/Country", although the main reason for this name was because the word "美" just so happened to sound like the second syllable in "America", and it's traditional to use the most flattering synonym possible.
  • Practically the default sentiment of most Filipinos; in fact, over the last few years, annual surveys from the Pew Research Centre show that—among the surveyed nations at least—Filipinos consistently poll as having the No. 1 most favourable opinion of Americans in the world, by definition beating out Americans themselves. Especially ironic given that the country was in fact a United States colonial possession, explicitly from 1898 to 1946, and indirectly for long afterward, even up to The Present Day. May stem from the fact that the U.S. is often compared against the Filipinos' other colonisers, primarily Spain and Japan—American teachers were sent to (mis)educate the Filipino populace in the early 1900s, American policymakers often emphasised Spanish backwardness, brutality and greed, and the U.S. military "liberated" the Philippines from an incredibly abusive Japanese military occupation in World War II.

The Boorish

    Anime & Manga 
  • In one of the earlier books in the manga version of Ah! My Goddess, Keiichi races against two students from a California technical institute. In a portrayal that can only be described as disgustingly offensive, they are shown as hypercompetitive, cheating, and, in the girl's case, obsessed with looks.
  • Azumanga Daioh: When Osaka learns Chiyo plans to study abroad, she seems to think Chiyo will get shot the minute she steps off the plane. Also this is Osaka we're talking about. When she imagines Chiyo becoming the president (which Chiyo outright tells her is impossible) she pictures America being populated by a horde of tiny, big-headed Chiyo-chans.
  • Carrie from Bamboo Blade is depicted as a somewhat stereotypical American Boor. She is obnoxious and in-your-face, extremely arrogant, and generally disregards the traditional rules of Kendo in favor of practices she thinks are more cool. However, by the end of the anime series, she and her rival Miya-Miya do seem to have a grudging respect for one another.
  • The third episode of the 1990s OVAs of Black Jack features the "Federal Unites," complete with shots of the Statue of Liberty. This Eagleland is a corrupt, imperialist bully bent on controlling and oppressing weaker nations for the sake of their resources. This makes it very satisfying when Dr. Black Jack beats the crap out of the Vice President for murdering his patient.
  • Blood+: This one wins hands-down for Boorish depictions of America in anime (the American government is trying to use the vampire-like chiropterans to create a unit of super-soldiers). David and the American members of Red Shield may seem like a counterbalance to this, but in the Japanese version the government forces outright leave the Frenchman, Van Aragano, to die just because he wasn't American. This was changed in the English dub to a more reasonable invocation of Hoist by His Own Petard: "You caused all of this, so you can stay."
  • The manga version of Bokurano portrays America this way, even though Americans themselves are very rarely shown. Characters usually speak with disgust about the United States, saying that the country is stuck thinking it's the world's sole superpower, and worry that the U.S. may invade Japan using the manga's events as a pretext. In fact, the U.S. never actually does anything antagonistic in the manga, meaning such ramblings about it are nothing more than hatred and paranoia-induced ignorance.
  • America The Boorish shows up in Darker Than Black a couple of times. In the first season, the guy overseeing the American embassy is a stuck-up idiot who deliberately gets in the way of Misaki Kirihara's attempts to prevent a terrorist attack by The Syndicate, and won't even let the Japanese police in to help security when "someone" drops a smoke bomb outside as an obvious distraction, which leads to the immortal line: "Don't test my patience-" * KABOOM* . In the second season, attempts by the American government to restore their superpower status are one of the causes of the Mêlée à Trois. It's too mind-screwy to really tell, but the ending of the second season seems to cement America as this version it essentially implies they successfully invade/conquer Japan.
  • An episode of Excel Saga is set in America the Boorish, with a humongous New York that seemed to be nothing but Mafiosi and slums. Obviously Played for Laughs, though; Excel immediately recognizes that she is in America by landing " the very definition of a slum." She tries to interact with the locals on their own level, hilariously badly. In the dub, she just spits out as many stereotyped gang-slang phrases she can think of; the trivia tags feature notes that in the original version it was an even more eclectic collection of vaguely offensive faux-(and not-so-faux) Americanisms.
  • In Eyeshield 21, Leonard Apollo, the coach of the Nasa Aliens, is definitely an example of the Boorish type. His players are pretty nice guys, but Apollo is an overbearing blowhard who's bitter about his own failed dream of becoming a pro football player. This is actually a step down from the manga, as there Apollo is actually blatantly racist. Later in the manga, Leonard gets better. He has softened up to Panther, the one he had despised so much, but also the one who admires him for his hardships and determination, to the point that he is willing to teach his trade in return for becoming a running back. It improves him so much.
  • Gate offers a pretentious example of this. Americans are depicted as being schemers who use military force to get whatever they want. But what makes it really annoying for viewers is that the Japanese do the exact same thing in this alternate world, often simply using their superior technology to force something, if they don't get their way.
  • Episodes 10 and 11 of Genshiken Season 2. Angela is shown as riding roughshod over all cultural sensitivities in Japan, in an almost painful caricature.
  • Getter Robo:
    • After the apocalypse in Shin Getter Robo Armageddon, the remaining nations struggle to survive against immortal aliens. A group of Americans come onto the Japanese base with the aim of destroying Shin Getter and killing all the personnel. Their reason? They think the Japanese caused the disaster that flooded the surface with Getter radiation, killing about 90% of the population, and drove them underground. In truth, the UN over-reacted and launched a nuke at the, at the time, highly volatile Shin Dragon. Gai calls them out on this, asking why the Japanese would drop the bomb on themselves. They have a Heel–Face Turn near the end of the OVA. One of the American pilots basically realizes he was being a jackass, and comments that using getter rays doesn't make someone evil. Later on the American pilots (along with everyone else) show up to defend a space station, so that the Getter Team can go on the offensive.
    • In the original Getter Robo series and the Shin Getter Robo vs Neo Getter Robo OAV, we get the Texas Mack robot unit shaped as a cowboy and its horse, piloted by the siblings Jack and Mary King. The depictions of Jack King vary as well; in the original Getter Robo, he was so Boorish that even the Japanese found it a bit ridiculous and offensive. In Shin vs. Neo, however, he at first appears to be Boorish (a bit of a jerk, refusing to use Japanese, speaking bluntly, etc.) but quickly shows that he's willing to defend his country and his allies, even at great personal risk, without so much as a half-moment of hesitation.
    • The Americans in Getter Robo Go are not the nicest people. They are grateful for Getter's help but won't share parts due Japan's past history of not assisting allies, specifically when Japan needed oil during the Gulf War but didn't help in the fighting. American pilot Schwartz takes the cake and is a total racist that hates everything non-white. On the upside, Schwartz's co-pilot repeatedly kept him from picking on the Japanese, and toward the end of the series he does start to realize the error of his ways.
  • Ghost in the Shell: Stand Alone Complex contains a particularly obnoxious example of The Boorish in Episode 10; a major plot point revolves around the Imperial Americana AKA the American Empire sanctioning their forces to commit atrocious war crimes in South America. This could have been forgivable, given that the American Empire exists alongside the actual United States as a breakaway nation, but the depiction of the Japanese-American characters as ugly, condescending, manipulative cowards really has no excuse.
  • Kengan Ashura has Adam Dudley, possibly one of the most dizzying examples of The Boorish - a former pro hockey player from Texas who learned his fighting skills by punching people out on the rink, who speaks primarily in Gratuitous English swears, works for a Bland-Name Product version of McDonalds, has a tooth grill with "FUCK" written on it, and is introduced eating a plate of burgers and fries and saying that people who eat mayonnaise are gay. The flashback to how he was recruited shows him punching a former Kengan fighter half to death in the street while the other Texans cheer and swear, before a sexy cowgirl drapes herself across his arm. (Then again, he does go through sort of a Heel–Face Turn...)
  • Early '90s show Mad Bull 34 sends a Japanese policeman on exchange to New York's 34th precinct to be buddies with "Sleepy" John Estes, the most violent cop on the force, who cleans up the Big Apple's crime problem with shotguns, grenades, and a wanton disregard for legal procedure.
  • Majin Tantei Nougami Neuro gives us a Boorish Eaglelander during a trip to a traditional Japanese Hot Spring. As well as ticking all the Phenotype Stereotype boxes (blond hair, blue eyes, large nose), and having a surprisingly plausible accent (until he has to speak English...), he whistles the "Star-Spangled Banner" to himself, hates Japanese culture, but pretends to love it just to get close to a woman, threatens to sue for the slightest slight, keeps a massive revolver in his pants, kills a woman for refusing to give him "her resources" (her love), thinks that losing his pride is reasonable grounds for self-defense and is obsessed with working out to the point of walking around shirtless, dressed like someone from an L.A. street gang. Oh, and he calls America "a law enforcing Empire" which "raised [him] to have an emotionless heart". The kicker is that the episode ends as An Aesop about how people shouldn't be so narrow minded and intolerant of other people's culture.

    In a later chapter that arc's first villain reveals that he used the poor man as the first test subject for the electronic drug, which exaggerates something people like in order to warp them into killers making this an Exploited Trope: he most likely picked the American instead of his other graduate students because he thought people would fall for it, and he was right. This turns that story's moral about xenophobia into a Space Whale Aesop: don't miss important clues because of xenophobic assumptions about Americans or a computer might take over the world.
  • The Marmalade Boy anime has several characters who incarnated diverse variations of Eagleland #2. The one who shows up more often is Michael Grant, who started learning Japanese after watching several Japanese movies, acts like an overactive Genki Boy and is quite fixated on his host sister, Miki. Also, we have Yuu's American friends and schoolmates: a Hot-Blooded semi Jerk Jock (Brian), a blonde Clingy Jealous Girl (Jenny), a sweet and homely Cool Big Sis (Doris) and young man who pretends to be sexually ambiguous to a degree (Bill).
  • Mobile Suit Gundam SEED had Atlantic Federation — consisting of North America with South America as an additional member after a recent annexation — who acted more as The Empire thanks to being a power base for Blue Cosmos, who later assumed direct control over it and later Earth Alliance after the military forces of moderate members were given Thanatos Gambit at JOSH-A. This turned Up to Eleven in Mobile Suit Gundam SEED Destiny where their upper echelon members were portrayed as For the Evulz.
  • In the Anime The Ping-Pong Club, the tall, hairy, blonde-haired, blue-eyed, extremely smelly Mitchell Tanabe is... you guessed it. American.
  • Pokémon:
    • Subverted with Team Rocket's Meowth. He grew up in Hollywood (though this is more of a case of Early Installment Weirdness, as the anime has long since stopped referring to real-world places). He went there as a lonely kitten to find happiness but it was rough there too and he was mistreated by almost everyone from a baseball team to a chef. Meowth had to join a gang and steal food to survive. This is not a Woolseyism and is true even in the original Japanese version. The rich lady's Meowth, Meowzie, whom Meowth fell in love with, is humorously named MaddoNYA in that version. This is subverted as, despite its name, Hollywood seems to an area in Kanto.
    • Also applied to James's background as his parents are overbearing and insensitive Gone with the Wind-style billionaires. Again not a Woolseyism.
    • While Lt. Surge is Beautiful in the games, in the anime he is the stereotypical "American bully", taunting children and having his bigger Pokémon beat up on them while he calls them "babies".
  • Magical Project S has a brief sequence at the White House, where it shows the President as some gullible idiot willing to dump 60 billion dollars into a satellite surveillance system created by a 12-year-old Genki Girl Mad Scientist for "military purposes". It then suggests that the security there isn't just incompetent, but also unobservant as said scientist also converted the White House into a rocket launch pad while they were "out on their nightly business".
    "Ohhhhhhhh, I'm the president."
  • Principal Kunō from Ranma ½, a truly bizarre character with a penchant for loud shirts and whose catch phrase is "Oh my God!" Not actually American, but a Japanese citizen who spent a few years in the States (specifically Hawaii) and "went native" — though he was already insane before then, he just picked up "Ugly American Tourist" traits by doing so.
  • The American team in the baseball episode of Samurai Champloo are definitely Boorish. They are portrayed as blatantly cheating, violent, murderous thugs who consider the Japanese team to be ignorant savages. They also keep going on and on about American superiority. When the game dissolves into a beaning match which ends with Mugen as the last man standing, he then yells "Go back to your own damn country!" The narrator then helpfully adds that the Americans went home in shame, with a profound fear of the Japanese people.
  • School Shock presents the Americans as aggressive diplomats with their default tactic being war threats, however backing down when some kind of resistance is shown (though the resister in this case was China). At least their president has a Funny Afro and a big smile.
  • Kaiji Kawaguchi's The Silent Service flaunts a very strong Japanese nationalist (and anti-U.S.) message through this flavor; a submarine jointly developed by the Japan Maritime Self-Defense Force and US Navy (and crewed by JMSDF sailors) goes rogue, declaring itself an independent nation—then proceeds to sink multiple U.S. warships. The film's crowning moment of Boorishness: the U.S. government draws up plans for a full-scale invasion of Japan. Over, we must stress, a single submarine that has openly gone rogue.
  • While America doesn't make an appearance until one of the final episodes of Speed Grapher, the portrayal is definitely this type. The American President (very clearly George W. Bush in the dub) is among the world leaders discussing dealing with the situation in Japan, and they launch missiles into the middle of Tokyo as a response, and their motives for doing this are completely corrupt. Admittedly, the series also presents all Japanese politicians (and arguably all politicians in general) as corrupt.
  • The You're Under Arrest!: No Mercy special had the two Lovely Angels of the show, already with a reputation in their traffic department back in Tokyo for excessive "enthusiasm," go on an exchange program of sorts to Los Angeles, where they are allowed to hunt down stolen car and gun dealers with shotguns. The other Inexplicably Identical Individuals — members of the LAPD, for that matter, see nothing wrong with threatening to shoot a suspect for being "criminal scum".
  • Oh, Yu-Gi-Oh!. So many American characters, each one marinated in this flavor. Let's count them off, shall we?
    • "Bandit" Keith (Steve) Howard, who wears Stars and Stripes bandanna. Just so you're always reminded that he's an American while he ruthlessly plays dirty—even pulling a gun on Pegasus when he loses!
    • Of course, Maximilian Pegasus himself is American—and a flamboyant, childlike billionaire. He does get redeeming qualities later, as he helps the protagonists a few times. The audience also learns that his ultimate goal was to revive his dead loved one.
    • Rebecca Hopkins/Hawkins, American champion, a cute little girl with a teddy bear—whose Catch-Phrase is "God damn."
    • Jean-Claude Magnum—a shallow, selfish movie star.
    • In the Abridged Series, Yugi states it himself: "So let me get this straight. The only characters on this show who represent America are Jean Claude Magnum, Rebecca Hawkins, Maximilian Pegasus, and Bandit Keith. Is it just me, or is Yu-Gi-Oh the most xenophobic show ever?" Lest you think this is just Americans complaining about how others perceive them, it isn't: the creator of the abridged series, LittleKuriboh, is British.

    Comic Books 
  • Dilly Dreem has a view of Americans as Boorish. When she hears that Americans will be taking over her school, she envisions the radical changes they will make, including turning the school into a New York City skyscraper, changing the school sport to baseball, and turning the local tuckshop into a soda fountain frequented by beatniks. Though it's later shown that it was just a misunderstanding on her part, and the Americans portrayed are very normal and laid back. If anything, much of it seems to be about xenophobia and stereotypes
  • In Untold Tales Of Spiderman #-1, Richard and Mary Parker (Peter Parker's parents) exploited this point of view in India by playing "Ugly Americans" with two goons guarding an enemy installation, portraying themselves as crude and tacky tourists while asking the guards if they'd be so nice as to take their picture. Figuring they had better send these annoying foreigners on their way as quickly and with as little drama as possible, the guards fell for the ruse, the "camera" the Parkers gave them actually being a knock-out gas dispenser.
  • In Adventures in the Rifle Brigade, Private Hank the Yank (as he is listed in official documentation) is an American who hopped the pond to get a jump-start on all that "war" business, and the only American in the otherwise all-British team. An explosives expert wearing a constant grimace and who only ever says "GAWD DAMMIT!", he's a lovely collection of stereotypes (you see, he's really, really stupid and violent) that fits right in with the rest of the Brigade. To be perfectly fair, the series doesn't let the Brits off very lightly, either. Captain Hugo "Khyber" Darcy is a ridiculously exaggerated caricature of a stuffy upper class Brit; virulently prejudiced against "jerries" (and indeed, all non-British people; he claims Germany's fatal mistake in the war was not being Britain), and is unshakably convinced that America is still a British colony (otherwise he would've killed Private Hank ages ago).
  • Watchmen:
    • The Comedian is an amoral, trigger-happy, sadistic black ops US agent who also happens to be a rapist and mass-murderer. In a dark subversion/deconstruction of the Captain Patriotic, he wears a flag-printed costume as a way of mocking the American way; he doesn't actually care about American values and only became a masked vigilante as an outlet to vent his violent urges.
    • Hector Godfrey of the New Frontiersman is also a strong example. To better elaborate, he once wrote an article in which he actually tried defending the Ku Klux Klan.
  • The French graphic novel Quai D Orsay exploits it for all its worth. The politicians that represent the United States, while looking kind and being nice to talk to, want nothing more than to conquer the world by having a new war to start up so that they might end up having entire nations under their control, hiding all of those ideas behind euphemisms. Entire chapters are devoted to stopping the United States from declaring a war.
  • 'Rocky portrays America as exclusively Boorish, but it is also made abundantly clear that this has more to do with Rocky being an Unreliable Narrator with a Hair-Trigger Temper and a bee up his arse about his American ex-girlfriend than with anything about America.
    Manny: Come on! You have to admit that the Grand Canyon was pretty cool!
    Rocky: Meh. Oversized, gaudy and vulgar.
  • The Marvel supervillain, Nuke, a psychotic super soldier who is obsessed with killing "enemies of America". He's basically a very twisted version of Captain America.
  • Classwar, being a British comic about American superheroes published in the early aughts, paints a dark picture of America as a country with a corrupt, warmongering administration and a largely apathetic populace.

    Films — Animation 
  • Donald Curtis from Porco Rosso is an exceptional #2 example. "Make way for the American!" He plans to be a Hollywood actor and later president. Sound familiar?

    Films — Live-Action 
  • Extremely prevalent in Chinese cinema, where virtually all depictions of Americans show them as either ruthless thugs, schemers and pretty much any other sort of stock villain caricature you can think of. Given how all Chinese films are backed by their Government, the propagandic bent isn't the least bit surprising.
  • In Bruges:
  • Iron Sky: The American President is a Sarah Palin parody.
  • The movie based on Terry Pratchett's Discworld novel The Colour of Magic has the character Twoflower as a completely oblivious American tourist complete with straw hat, Hawaiian print shirt, and camera. This is different from the book, however, as Twoflower is from the Agaetean empire and is the local equivalent of a Japanese Tourist.
  • A montage in Godzilla: Final Wars shows daily life in various world cities being interrupted by daikaiju attacks. Apparently, daily life in New York consists of pimps pulling guns on cops in the middle of the street. Also, the two American main characters are a quite possibly insane Badass Normal (emphasis on the "badass") and a self-important Nietzsche Wannabe, neither of whom, despite living in Tokyo, ever say one word in Japanese. Kazama only really spoke English in like two parts of the movie: during the Ebirah fight and the "Watch it, X Man!" line.
  • In the German film Kein Bund für's Leben, the Americans (especially the commander) are mostly Boorish but with a subversion: The German soldiers are worse!
  • The American president in Love Actually fits neatly into the second category, a combination of Bill Clinton (a sleazy womanizer) and George W. Bush (bullying behavior and accent). When the UK's prime minister (played by Hugh Grant, of course) tells him off, it is portrayed as his defining moment as a leader.
  • All of Lars Von Trier's movies that deal with America (Dogville, Dear Wendy, etc.) depict America as a severe Boor. Or course, he's never actually been to America, but that shouldn't stop him from being able to portray it as hateful and evil, right?
  • In Quantum of Solace the Americans are portrayed as being generally sleazy and amoral, with the exception of Felix Leiter.
  • Just about any piece of communist propaganda would portray America as land filled with crazy fascists who do nothing but oppress the starving poor, a barely controlled state of violent anarchy, or some combination of both. For example, here is one from North Korea.
  • Soviet silent film Miss Mend is about an American anti-Bolshevik terrorist organization plotting to unleash chemical and biological warfare in Russia.

  • A nice prime example of Boorish from Conan Doyle, in two of his Sherlock Holmes novels, no less.
    • Both A Study in Scarlet and The Valley of Fear suffer from the more gruesome Boorish in their respective second half. The first one deals with early Mormons, all taking place in Utah. The second in the fictional Vermissa Valley, curiously being vaguely inspired by true events. Both are pretty much the same, with the narration being focused on two or three characters who're steadily developed as they run through their exploits. As for everyone else, well... A Study in Scarlet's second half took place during the Mormon immigration, when all the Mormons were more or less literally driven out of the rest of the country and forced to move to Utah, which was apparently the only place people hated enough to actually send Mormons to; and the book itself was first published only a couple of decades after. It's not outside the realm of possibility that Doyle had only ever heard of Mormons from Americans, who, this being the 1870s and 1880s, would not have nice things to say about Mormons.
    • "The Five Orange Pips" features that fine old American institution, the Ku Klux Klan. The letters KKK that appear on a note in the story were no doubt intended to be mysterious and exotic to British readers, but it's kind of an in-story spoiler for those in the US, most of whom will immediately guess exactly what's being referred to.
  • Ditto for Ian Fleming's James Bond novels involving Americans (The Spy Who Loved Me, Goldfinger and Diamonds Are Forever): No sentence is complete without at least one "buster", "buddy" or "...see?"
  • In Partners in Crime Agatha Christie depicts an abrasive American who calls Europe "Yurrop" (actually this pretty much is how Americans pronounce it). He's the bad guy.
  • Let's just say most of the writers from the Latin-American Magic Realism movement had a bad image of the USA and leave it at that. García Marquez's The Autumn of the Patriarch where Americans appear as manipulative diplomats who literally steal the sea at a moment of economic trouble in the country of the dictator.
  • The Ugly American is about American foreign aid workers struggling to win hearts and minds for the USA while being sabotaged by a variety of Boorish Eaglelanders.
  • The Space Captain Smith series contains two Fantasy Counterpart Cultures to the United States. The one that gets the main screentime and the main human villainous faction, the Democratic Republic of New Eden, is an uber-militarised, racist (fantastic and mundane), misogynistic fascist state with a pseudo-Christian death cult as the state religion.
  • In Legacy of the Force, Corellia is a Fantasy Counterpart Culture of the United States written as extremely Boorish. Corellians are loud, boorish, violent thugs who have a myopic worldview outside the immediate concerns of their culture and national government, and their government is distrustful of international organizations for being dictatorial while being fascist under a thin veneer of democratic rule. Note, though, that some of the Star Wars universe's most beloved characters (Han Solo and Wedge Antilles, for starters) are Corellian, and the qualities that make them so awesome are often stated to be common among Corellians. And in Legacy of the Force, the galactic government the Corellians are so distrustful of winds up being even worse.
  • Greg Egan's short story "In the Ruins" reads somewhat like a parody of this trope: in the not-too-distant future, American culture has ramped up its Anti-Intellectualism so far that scientists are marginalized and called "poopy-heads"; the actual word "scientist" having completely dropped out of the English language. Meanwhile, other countries like Egypt and China have advanced and replaced First World countries in terms of scientific knowledge, to the point that aspiring young American students actually compete for scholarships overseas, as they know that they will never get any respect or make any notable discoveries in their home country. The (Egyptian) professor hosting the scholarship opportunity laments that America used to be the country that others looked up to, but now it has fallen into a "Kardashian Type Three" state and will likely collapse soon. Strangely enough, however, even the vapid Valley Girls understand enough physics to answer the scholarship questions in this world; the protagonist, who is one, only throws a hissy fit because she didn't think the problem through, and later realizes that she might have actually gotten the scholarship if she hadn't been so overconfident. That said, because it's an Ignored Epiphany, this still counts as Boorish rather than Mixed.
  • Mass is set around 1970, amidst the background of the (imperialist) U.S.'s support of the ascendant, would-be Philippine dictator, Ferdinand Marcos. Protests are raised over this as well as the gigantic U.S. bases then active in the Philippines at the time.
  • Give Peas a Chance, a short story from the collection of the same name, involves a boy refusing to eat vegetables or do chores until world peace is declared, convincing others to do (essentially) the same, and succeeding at it. America is mentioned as the last country to destroy their weaponry because they keep making up excuses, and only do so because kids aren't eating McDonalds, and that's hurting the economy. At the end, they use vegetables to invade Iran because the latter is now defenceless.
  • There is a chapter in David Sedaris's book Me Talk Pretty One Day where Sedaris describes something that happened to him on the subway in Paris. He was standing near an American couple who played The Boorish straight as an arrow. They mistook Sedaris, an American, as a Frenchman and, not realizing that he is fluent in English, kept on referring to him as a "frog" who would likely try to pickpocket them if he had the chance. They were not aware of metro etiquette and were taking up way too much space, guarding the support bar they were using (intended for use by many people at once) as if it was their personal property. Sedaris described their dress as something like denim shorts tee-shirts and remarked (paraphrasing from memory), "That's great—show up in a foreign country dressed like you're ready to mow their lawn."
  • In The Laundry Files, part of the US goes through Boorish and into outright diabolical. The most visible American occult defense agency, the Black Chamber, is described as "less a sister agency, and more of a bunny-boiling ex-girlfriend" and they use things like Mind Control and Demonic Possession on their agents as a matter of routine. In a series where The King In Yellow is a recurring antagonist, and they found a way to make Roman von Ungern-Sternberg a vaguely heroic figure, the Black Chamber is the closest thing to capital-E Evil. However, the President, most civilians, and some other organizations like the Comstock Office (another US occult agency) fits more into the Beautiful camp.
    • Two of the major one-shot villains in the series were Americans, and firmly in the Boorish camp. Both of them were greedy, gullible, short-sighted and all too willing to call up things they didn't understand in the name of profit and/or Jeebus.

    Live-Action TV 

  • A Bit of Fry and Laurie does this occasionally, notably in "Kicking Ass" and "From Here To Just Over There".
  • The Chaser's War on Everything used to dedicate parts of its programme to showing that Americans can't figure out how many sides of a square there are, or when 9/11 took place.
  • Doctor Who:
    • The William Hartnell serial "The Chase" has a Wacky Wayside Tribe sequence involving the TARDIS crew meeting an offensively-accented tourist from Alabama who is so thoroughly The Ditz that he can't work out that the time-travellers aren't shooting a movie, or that the Dalek is a horrible bug-eyed space monster. Said Alabaman was played by Peter Purves, who would go on to join the show as a companion at the end of the very same story, indicating someone was impressed enough by that performance to give him a permanent job.
    • Two bumbling CIA field agents in "Delta and the Bannermen" end up bickering with each other more than helping. As per BBC stock accents, one is a Southerner in a white suit and the other is a fat New Yorker dressed conspicuously in a Yankees Jacket and cap.
      Diamanda Hagan: I'm not sure if white, loud American is a race, but this is nearly racist.
    • During "The Christmas Invasion", after aliens are clearly involved, one of the characters informs the Prime Minister, Harriet Jonesnote  "I'm getting demands from Washington, Ma'm. The President's insisting that he take control of the situation." To which she replies, "You can tell the President, and please, use these exact words: He's not my boss, and he's certainly not turning this into a war."
    • The "special relationship" between the US and UK is not universally approved-of, something which comes through in depictions of the US government (although generally not its people) in modern UK shows. Take the penultimate episode of Series 3, "The Sound of Drums", for example, where the US President arrives on UK soil to bullishly demand first contact with aliens take place under UN terms with the US in charge. The Prime Minister acquiesces. Prez sets up the meeting on a flying aircraft carrier, demanding his official seal in clear view during the proceedings and generally behaving like a bit of a dick. Of course, it turns out there's more going on than he realizes, and his hubris is cashed in when the PM reveals himself to be an Evil Genius and Magnificent Bastard, and vaporizes him. Oh, and the Reset Button of the final episode only erased the events immediately after the President's demise. As a side note, a trio of Buffalo Bills-supporting teens watch the President getting zapped live on TV, and while they don't speak, they are portrayed in Letterman Jackets/a Cheerleader outfit, eating fried chicken and pizza. The fried chicken tub has a star spangled banner on it, this probably meant to simply show that they are American to UK viewers. What, no cowboy hats nor six-shooters?
    • It's subverted a bit with Torchwood: Children of Earth. The American general who shows up makes many (deserving) accusations against the British (in the context of this universe anyways) during his visit. There's even a bit of a nod towards the tendency towards Boorish Eagleland when at the end, the Prime Minister intends to save his career by blaming it all on America.
    • Also pretty well subverted in "The Impossible Astronaut"/"Day of the Moon", which are set in the US. The American characters are pretty sympathetic, if a bit trigger-happy (many of them are, after all, FBI agents). Even Richard Nixon gets a pretty kind portrayal.
    • "Arachnids in the UK": Jack Robertson is a Corrupt Corporate Executive (and Take That! to a certain real-life person) who engages in shady business practices, and doesn't understand why the Doctor and company don't just shoot the problem, instead of taking a more humane view.
  • Lexx in its Season Four is very much America the Boorish in its portrayal of the United States. Stupid moralistic rednecks, the prison industrial complex, crazy survivalists, suburban misery behind a facade of perfection, teenage druggies, criminals, heartless porn stars, reality TV... And the evil, crooked, and not-too-intelligent president is armed with nuclear weapons and is a puppet of a pure evil being. Of course, every country comes off badly on Lexx.
  • In Spooks, the Special Relationship between the UK and US leads to facepalm-inducing situations that at the very least would be cause for armed conflict if it were occurring in a country which doesn't rollover like a dog on command. The behaviour of almost every American character, barring one, makes it seem that the US has continued the American Revolution into a Cold War.
    • This dialogue sums up many seasons of Spooks:
      US Government: 'Sup UK, can we just kidnaps this random citizen in Wales without proof of any terrorist connections?
      UK Government: Sure, you can even kill a civilian or two and we'll just pin it on a left-wing lobby group for the Opposition.
      MI-5: Sir I don't think you should do that.
      UK Government: Shut up you public school pissant, WE'LL BE RICH.
      MI-5: Shit they just offed the PM's Daughter/UN General Secretary's Wife/The PRC Premier's Son!
      CIA: Hey we even framed your own security services for the hit and distributed Stinger missiles and dirty bombs to every anti-Government group in sight, that way you'll be dependant on us to stop the carnage thus furthering our Neo-Conservative views and subjugating your people, also here's Chocolate coin.
      UK Government: Shiny Coin is Shiny!
      US Government: Oh and you owe us half your annual budget for that coin.
  • In Super Sentai's Official Parody Hikonin Sentai Akibaranger, one case of messing with Sentai history involved turning it into a Japanese adaptation of an American show instead of the other way around. The Americanized "Powerful Rangers" became arrogant bullies that considered Sentai a cheap Japanese knockoff until the Akibarangers brought them to their senses and reminded them of true heroism.
  • Top Gear (UK) is particularly infamous for going over the top Boorish in its portrayal of US. Not only do the presenters call Americans fat, lazy, and stupid with every mention of anything American, but the show proceeds to present mock evidence to all stereotypes. They took this to new heights during the American Challenge special (Series 9, Episode 3), where the presenters went on a cross-country drive; in fact, the US state department retaliated to the bad publicity of the American Challenge episode by revoking their filming visas. Among the highlights of that episode; a lawyer of a "charitable" organization tried to extort money from them. Even the "American Stig," the American version of the racing driver that tests their cars, was wearing stuffed overalls to appear obese.

    They also purposely and openly trolled Southern locals with stereotypical things Southerners weren't supposed to like painted on their cars, and were chased off by people angered by the Top Gear crew being condescending assholes. Well, they got the reactions they wanted, which made for good filming—but it's hard to say if they enjoyed it.
    • Jeremy Clarkson once flirted with an American audience member by saying "You can't be American. You're not nearly fat enough."
    • Clarkson's comments about Americans are particularly ironic given that if he were American, he'd be the archetypal Boorish. Which is the reason a lot of British people don't like him any more than they do the US.
    • Also, the whole gang loves American muscle cars, which are basically The Boorish in automotive form.
    • This continues when the presenters transferred to a new show, The Grand Tour. The new test driver is simply referred to as "the American", the presenters made jokes about how he thinks everything is Communist, and he spent all his test runs complaining about the foreign cars and the hosts. He was replaced after the first season, in Hammond's words, "because you all hated him."
    • Also in the first season of The Grand Tour, when filming internationally, both episodes filmed in America involved the presenters indulging in Cultural Posturing (the RAF vs. the US Air Force in one, which sport deserves to be called "football" in the other) that provoked an argument with the audience and escalated into an offscreen fistfight. (All clearly staged and Played for Laughs.) It probably would have been a Running Gag had the crew not shifted to a permanent studio in later seasons.
  • On an episode of What Would You Do, the crew planted two outrageous Boorish Americans in Paris, just to test out that "snooty French" stereotype. It was pretty painful to watch. Oddly enough, the actual French citizens shown were all very patient and polite, if also mildly annoyed. It was actually the other American tourists who called out the actors, with one woman even scolding them like a mother and reminding them that they were guests in another country and should quit acting like a bunch of jerkasses.
  • Star Cops: In "Trivial Games and Paranoid Pursuits", the series indulges in the "Americans are jingoistic war-mongers" stereotype. Commander Griffin is a cigar-chomping, Soviet-hating hothead.

  • American Idiot...sort of. While the Title Track has been the go-to song for the Boorish, the album as a whole deconstructs the Punk movement and by the time "Letterbomb" occurs, JOS realizes he's the real American Idiot ,but still counts since mindless rebellion is just as bad as blind obedience.
  • Subverted by Kate Bush with "Pull Out the Pin" (with comments). She's confirmed it's meant to subvert the flavor in interviews.
  • The song "Amerika" by the German band Rammstein basically is all about The Boorish. Don't let the beat or cheery-sounding refrain fool you, the lyrics (and music video) satirize this trope rather blatantly. One of the lines says "this is not a love song" in case you forget it's about America being portrayed as Boorish. The lyrics, however, are more of a mixed flavor, describing how Americans aggressively push their culture and values around the globe because they honestly believe they're the best in the world. The band's synth keyboard player has expressed a vehemently Boorish opinion of America.
    • Ironically much like "America, Fuck Yeah!", "Amerika" became a case of Insult Backfire over time, with quite a few Americans (despite knowing the song's intended purpose) embracing it as an anthem of sorts. A love song it may not be, yet all the same it's hard not to associate its catchy-yet-heavy melody to the USA's Memetic Badass image.
  • "51st State" by British band New Model Army.
  • America by Pain of Salvation. Have anti American sentiments ever been this upbeat?
  • "(Let's Play) U.S.A." by Peter Schilling (best known for "Major Tom") is a nasty version of The Boorish with a cheery pop beat.
  • The Brazilian show Comédia MTV made a parody of The Boorish named ""I'm American", with the singers singing in English (with Portuguese subtitles).
  • "Fucking USA" by South Korean activist Yoon Min-suk, another nasty Boor in the style of "Surfin' USA." It was highly popular among Koreans after the Yangju highway incident and controversy at the 2002 Winter Olympics.
  • "Dear American" by South Korean rock band N.EX.T is another song protesting the Iraq War and the Yangju highway incident, among other things. The lyrics called for the killing of American soldiers, police officers, and their "daughters, mothers, daughters-in-law and fathers," slowly and painfully. note 
    • PSY and a number of other popular Korean artists jointly performed this song with N.EX.T at an anti-American concert in 2004 (he did not write the song, despite some claims). When news of this broke internationally years later, PSY issued a public statement apologizing for doing so.
  • "El Norte es una quimera" ("The North is an illusion") composed by Venezuelan Luis Fragachan, is the lament of a person who goes to the USA to get success and fails so horribly he has to go back to his country. It's implied that most of the complaining is merely Sour Grapes, since the song was inspired by a friend of the composer who decided to go to New York to get success, but the guy went at the height of the Prohibition era note  and along that, the language barrier, and the cultural shock between the cosmopolitan city and the very quaint (at the time) Caracas, the poor dude was so shocked that back in the country he complained on his perceived slights of N.Y., and how most to the returnees came back with a swollen head. Still, too many people sing the thing straight.
    Todo el que va a Neva York note 
    se vuelve tan embustero note 
    que si allá lavaba platos note 
    aquí dice que era platero note 
  • "This is America," by British band Spacehog, portrays Americans as obsessed with television and video games, ignorant of their own history, violent, "needy, cheap and greedy."
  • "I'm So Bored With The U.S.A.", by The Clash, criticizes the Americanizing of England.

  • John Oliver and Andy Zaltzman's podcast The Bugle has "the American" (played by Rory Albanese, whom Oliver works with on The Daily Show), whose entire character is Boorish. For instance, when told that the American dollar is neither the strongest currency in the world nor accepted in other countries: "I don't believe you."

    Print Media 
  • This cartoon comes courtesy of the May 2005 issue of "metall," a German magazine by IG Metall (Germany's largest trade union) with two million issues circulated monthly. The featured article for that issue likened American companies to parasites, draining German companies of their profitability then selling them off later. The article caused significant uproar in Germany, to say the least.

  • Survival of the Fittest: America as seen in The Program would like to see itself as Beautiful, but is very much Boorish. It's basically modern culture Twenty Minutes In The Future, however the main difference is that the country has turned militaristic and nationalistic, and the characters are raised to acknowledge and embrace it.

  • When discussing the topic of English, Professor Henry Higgins had this to say.
    Higgins: There even are places where English completely disappears. In America they haven't used it in years.
    • Granted, Higgins is also of the opinion that the English language is utterly butchered by most of the folks who speak it, including actual Englishmen.
  • In Madama Butterfly, the American sailor Pinkerton, before his wedding to Butterfly, drinks to the day he'll marry a real American wife. Ironically, the opera was based on an American play, which was allegedly based on a true story.

    Video Games 
  • Dead Rising falls neatly into The Boorish. The zombie outbreak was accidentally caused by the government trying to create super-cows to feed a voracious America, with the zombies themselves being described by one character as creatures that "[just] eat, and eat, and eat. Growing in number... just like you good red, white and blue Americans" (of course, he isn't much better). One of the survivors is an overweight slob who will refuse to follow you until you feed him, and later puts the entire group in danger if you don't feed him again. One of the boss fights is a family of snipers obsessed with the Second Amendment. A Black Ops team tries to cover up everything.
    • The Redneck Snipers in the sequel might be the best example: They are introduced in a cutscene which shows them sitting around, drinking beer and complaining about the liberals and the "gummint." In-game, they prioritize shooting living humans over zombies and start whooping and bragging about their "American steel" if they manage to kill a character.
  • The America of the Grand Theft Auto series is Boorish to its logical extreme. Many people—including those from the UK (its actual country of origin)—are convinced that Grand Theft Auto is an American game. Granted, a great deal of the GTA Radio segments which flesh out the Boorish elements were written by Rockstar NYC.
    • Grand Theft Auto IV goes even deeper: Niko Bellic comes to the United States with visions of a Beautiful America floating in his mind and instead finds himself in one of the most extreme Boorish examples ever seen by the series... and he still would rather live here than where he came from.
  • One of the teams in the video game Rival Schools: United by Fate is three American exchange students; an arrogant bully (Roy), a ditzy cheerleader (Tiffany), and a preacher in training (Boman). Of these three, Roy and Tiffany (especially Roy) exhibit Boorishness: While Tiffany was generally nice, she exhibits a typical 'ditzy bimbo' attitude; Roy's bullying attitude stemmed from the fact that his grandfather was a war hero wounded by Japanese soldiers during World War II, so he disliked Japan in general thanks to that and became prejudiced to its people there. All three are cast as villains, though, due to a case of Brainwashed and Crazy after getting kidnapped by the villains of the game. By the end, all three become better people by interacting with the more cultured and honorable Japanese students. Roy and Tiffany bring their newfound tolerance back home, while Boman stays in Japan to bridge the difference between the two nations. Roy actually becomes the President of the United States some decades later, with Tiffany as his wife and First Lady.
  • Super Macho Man in Punch-Out!! Wii could be considered a deconstruction of the standard All-American Face, as the (American) audience hates his guts, and with good reason. He's a smug smarmy Californian bodybuilder obsessed with his own fame, money and appearance, and enjoys flaunting his wealth (and pecs) over Little Mac. He's also a total Heel who knocks the referee over and treats the press like crap, even as he basks in their attention.
  • Though you only see him for a minute in GoldenEye Wii, Sky Briggs is an unabashedly Boorish Eaglelander—he greets you with a friendly drawl, walks with a swaggering mosey, and confidently boasts that his "boys" are ready to face any threat with their superior firepower.
  • Ben There, Dan That! features an alternate reality where the UK has been annexed as the 51st American state. Pretty much everything here is some form or other of gentle (or not-so-gentle) Take That! to America. There's the portly guy sitting around in a miniscule castle calling himself the king, there's the shut-down fish and chip shop, and just listen to what they think of our beer when they visit the "authentic English pub" (the soulless American pisswater is the only thing the barman will serve. He's such a collossal pussy that he'll demand more ID than any rational person would carry before he'll serve the robust, flavorful, and actually-counts-as-alcoholic British lager).
  • The floating city of Columbia, the setting of BioShock Infinite. It was originally created as a showcase of American ingenuity for the World's Fair—but when a hostage situation occurred during the Boxer Rebellion in China, Columbia acted without orders and revealed its bombardment capabilities, slaughtering Chinese civilians. It later seceded from the Union and is now crazy nativist. One of the many pieces of propaganda in the city perfectly encapsulates the mentality present: a mural depicting one of the Founding Fathers standing on a rock, holding the Liberty Bell in his outstretched hand...and the Ten Commandments on his other arm...while surrounding by a surly, grasping mob of some of the most ugly racial and ethnic caricatures you've ever seen.
  • DJMAX Portable features the background animation to the song "Dreadnought", which depicts a creature with George W. Bush's head (though with eyes censored out) as the ruler of "B.WLAND" and waging war in the name of stopping terrorism. Perhaps to avoid controversy as Pentavision began to expand their market outside of South Korea, the "International" rerelease of DJMAX Portable replaced "Dreadnought" with an entirely different song with an entirely different animation, and "Dreadnought" was never put in a DJMAX game again.
  • Phantom of Inferno actually Lampshades this a bit during the Japanese chapter of the game, where a young girl finds out that the two American exchange students in her class are really gun-toting assassins on the run. Later on when she witnesses another pair pulling weapons on each other over a disagreement she wonders aloud if ALL Americans are like this. The assassin Drei (One of the pair mentioned) is the best example of the trope, a blond, big-breasted Psycho for Hire who engages on several long, obnoxious rants about how corrupt and pathetic the Japanese are. She's contrasted with more sympathetic examples however, and given reasons for her unpleasant personality.

    Web Animation 
  • Zero Punctuation:
    • Ben "Yahtzee" Croshaw, British expat living in Australia, strictly views everything American as Boorish. He devoted a major portion of his reviews of Modern Warfare 4 Modern Warfare and Medal of Honor: Airborne to Demonizing the United States and Americans (which also included a few claims akin to Hypocritical Fandom).
    • His review of Killzone 3 also had plenty of vitriol levied at Americans. When it was pointed out to him that the developers of Killzone 3 are Dutch, he tried to justify his rancor by claiming that the game was designed to pander to Americans.
    • At one point, Croshaw considered "moving to that steaming shithole across the ocean" because he was sick of the Australian Media Board's aggressive censorship policies, which he then likened to traditional right-wing conservatism in the States.
  • The South Korean animated series Pucca has recurring villains Texas Lugie and Sloppy Sue. Everything about them is a distillation of how South Koreans saw Americans circa 2006.
    • Their first appearance has them visiting Sooga to open a fast food restaurant. The food is addictive and highly fattening, causing everyone who eats it to become really fat and out of shape. The wife is also a materialistic shopaholic who goes on a rampage of branding things she wants to buy with a freaking branding iron! Including flammable things!
    • They become recurring villains, and manage to be worse examples of The Boorish in their other appearance, polluting the village for no better reason than sheer disregard for its inhabitants and the environment.

    Web Comics 

    Web Original 
  • A distillation of how the British think Americans view the world can be found in the Jigsaw Lounge's "The World According to Americans" map; a badly-drawn atlas full of Global Ignorance and Theme Park descriptions of what few countries or regions are named — with one or two Demonizing jabs added for good measure.
  • SCP Foundation: SCP-50-AE-J is a Desert Eagle that shoots a bald eagle. A bald eagle which proceeds to go absolutely berserk at "anyone who displays Communist beliefs, Russian ancestry, or unpatriotic leanings."
  • Fear, Loathing and Gumbo on the Campaign Trail '72: America under the Donald Rumsfeld administration is quite probably one of the worst representations of Boorish America ever put to writing. You see, President Rumsfeld is a psychopath who bases every single policy on anarcho-capitalist/free market principles while doing anything to put down anything that even remotely whiffs of communism - to give you an idea, Britain under a Labour government is too far left for his tastes. The end result is an ultra-right-wing, corporate-authoritarian/quasi-fascist America that even many right-wingers like Nixon, Reagan and Tom Clancy are flat horrified by. Under the Rumsfeld administration, all forms of commercial regulation, social welfare and workers' rights are removed and working wages are slashed in half all across the board, leaving millions of working-class Americans in dreadful poverty and slave-like working conditions. All environmental standards are removed too, so corporate pollution and climate change are actively encouraged. President Rumsfeld likes to remove political opponents by diagnosing them with bogus mental health claims and sending them off to Bedlam Houses, and also maintains black-shirts who look for any books which criticise free market economics and burn them. Hollywood becomes a right-wing Propaganda Machine which vilifies FDR and the New Deal as communist plots. To top it all off, the US military is sold off and falls under Private Military Contractors who equip soldiers with woefully substandard equipment and even execute their own wounded to avoid paying for medical expenses. It really is, if you'll pardon the pun, the land of the Almighty Dollar in the worst possible way.
  • Ad Astra Per Aspera: A much more chaotic Reconstruction leads to the United States adopting a militant, autocratic mindset, leading to the steady erosion of democracy. After a series of wars of conquest in the 19th and 20th centuries, the US is reformed into an absolute monarchy. When America is destroyed in a nuclear war in the 23rd century, its colonies in space unite into the Coalition of Western Republics, which can best be described as a mixture of OTL Fifties America and Nazi Germany.
  • No W: After being elected to the vice presidency then ascending to the presidency when a freak accident kills the previous president, Rick Santorum immediately sets about trying to turn America into a "Christian nation". Media deemed "immoral" or "un-American" is banned, creationism is pushed in schools, homosexuals and non-Christians are persecuted, and anyone who speaks out against this is killed or disappeared.
  • The Boorish is parodied in an article on The Onion "China To Overtake US As World's Biggest Asshole by 2020" suggesting that China's growing economic and military strength will make it the future equivalent to Boorish America.
  • The Internet meme "Almost Politically Correct Redneck" is a Double Subversion. As the title suggests, it starts with a steroytypcial redneck about to say something surpsingly PC... only for him to screw up by going back to the Boorish type. Such as supporting his sister's abortion, but disappointed that he won't be a father.

    Web Videos 
  • Detective Heart of America is an eagle statue who "gets a boner for freedom". According to Heart of America, said freedom includes putting your dick in anything you want.
  • CollegeHumor portrays the average American citizen as someone who's in a relationship with an abusive boyfriend, but who defends him when others bring up their concerns about him.

    Western Animation 
  • The German-language version of Cats Don't Dance subtly shifts a single line of evil child star Darla Dimple's dialogue to suggest a more cutthroat and purely-for-the-money version of Hollywood:
    (original) Darla: Mister Pussycat, listen to me; you don't have to be good, but you had better be...Big and Loud!...
    (German) Darla: Let me tell you my philosophy: you don't have to be good, just better than them!
  • The Americans in the original series of Captain Scarlet have a tendency to be of the former variety- strapping men, near-glowing skin etc. They're also more likely to get the cliche lines (something that also held true in the newer series).
  • Flushed Away features a stereotypical American tourist (a Texan, to be exact) who teases the Royal Guards and complains how "these Brits don't know the first thing about football" while watching The World Cup.
  • An episode of Pinky, Elmyra & the Brain features The Brain threatening France with a weapon that turns what they love most, cheese, into what they hate most: Stupid American Tourists.

  • This video, which the CIA created for Ronald Reagan, demonstrates how Soviet media portrayed the United States. In more recent years, Russia Today is often accused of having an anti-U.S. bias.
  • In Adolf Hitler's world view, the United States was "a mongrel nation" and "half-Judaized, half-negrified, with everything built on the dollar". Nazi propaganda also expressed the typical European elitist attitude that America didn't have a "real" culture and claimed that Franklin D. Roosevelt was a puppet of Jewish bankers and/or the Soviet Union.
  • The whole meme of "’Murica" is based on America the Boorish.

Mixed Examples:

  • The Dydo company brings you American Coffee. While the review there praises the flavor of the coffee as being rather good (a subversion of how the Japanese usually view American-made coffee), the actual packaging comes off as both a compliment and an insult:
    That is why this amazingly detailed can of "American Coffee" is so attractive — all the cliche glamor of an All American Can, filled with everything the iconic sleazy American lives for! Bad taste? check. Sexy stripper girls? Check! Cool classic car? Check! There is even the American flag with groovy 60's lettering!

    Anime & Manga 
  • America from Axis Powers Hetalia is a more benign blend of Beautiful and Boorish; his geography is terrible, he's loud, pushy, clueless, addicted to cheeseburgers and various sweets, and he's an Attention Whore (he calls himself the "World's Hero")—but he's also friendly and good-natured, to the point of being a literal Friend to All Living Things and a serious Love Freak. Considering some of the other "America-tan" characters to come out of Japan (e.g. Meriken of Afganisu-tan fame), Axis Powers Hetalia's take on America is rather positive.
    • The anime adaptation's ending songs involving America are a little meaner, though. They really play up the Boorish idea of Americans living on unhealthy fast food, whereas (in the "Draw a Circle, That's the Earth" series of ending songs) all the other countries extolled their cuisine.
    • This type of depiction is pretty much normal for this series. No country escapes being the butt of jokes, but most of the countries are also good at heart. (Except for Russia whose heart sometimes actually falls out of its place. But even he isn't completely and consciously evil.)
  • The anime series Baccano!! plays with the Boorish flavor through its tons of characters in Mafia-run Chicago/New York City and a runaway train between the two. Some are silly, some are wimpy, some are batshit insane and the rest of them...
  • A Certain Magical Index and its spinoff A Certain Scientific Railgun:
    • Both series are somewhat ambiguous in their view of America, as the majority of the plot tends to occur in Japan, England and the continents in between the two. While the Americans are occasionally referenced as the "World Police," it's not made clear whether this is positive or negative in context until the Railgun SS Liberal Arts City, which presents America as being obsessed with their status as the World Police to the point they're ready to go to some pretty atrocious lengths to gain power comparable to Academy City. The majority of the civilians in the short story are also portrayed as none to bright, thinking that very real threats are nothing more than performances. This is further muddled by the fact that the story takes place in a "city" that is essentially a movie studio theme park (think MGM) Turned Up to Eleven that is ultimately revealed to have been explicitly created for the purpose of allowing the American forces to carry out their battles with a magical cabal and acquire their power without the populace realizing it. A mixed bag overall.
    • The American President (an original character) makes a prominent appearance in New Testament. While he is shown to be loud, shamelessly flirtatious, and very unconcerned with decorum, he is also a friendly, decent man who does his personal best to stop the conflict in the story with the minimum amount of bloodshed.
    • For the most part, the author tends to focus on America's gun ownership laws whenever Americans show up in the story, implying that all Americans own one, carry it around everywhere, and are well-versed in its use. This leads to a very humorous scene where American tourists at a beach are being asked to hand in their sidearms upon entrance.
  • Death Note — especially the manga — has some combination of both types, but surprisingly a lot of the Beautiful. The FBI are among the first to pursue Kira in the first arc; in the second arc the SPK are established and funded by the US government, and in the manga president David Hoope kills himself when he believes Mello is going to manipulate him into launching a nuclear weapon. On the other hand, Hoope's successor is a panicky coward who cuts off ties with the SPK and announces that the United States will no longer pursue Kira. The English dub (recorded in Canada) even gives him a Bush-like faux-Southern accent.
  • Anthony from Doki Doki School Hours is like a male version of Patricia. At one point he shows everyone a photo of his 14-year-old kid sister — an large-busted (perhaps implausibly so for her age) blonde cheerleader.
  • In Eureka Seven AO, which unlike the original anime takes place in the modern world (though it diverged after World War II), America is more or less presented as one would expect: the modern day superpower that's constantly out to influence global affairs, much to the annoyance of the good guys. Having said that, individual American soldiers are represented in a relatively good light; for example, in Episode 10, soldiers are seen defending civilians against Truth and the latest Secret (though to no avail on either), and when Generation Bleu came to their aid, they radioed their thanks. AO presents Japan in more or less the same light as America, namely in its treatment of Okinawa (which is independent in this timeline).
  • Besides the aforementioned Leonard Apollo, Americans were portrayed rather variously here in Eyeshield 21, from nice people like Patrick "Panther" Spencer, Homer Fitzgerald, Leonard Apollo, to people like Donald Oberman.
    • It's also sort of subverted in Billy Horide, the coach of the Seibu Wild Gunmen, who, despite being Japanese as far as anyone can tell, is loud, rude, pushy, loves shooting guns and even runs his offense in a fast, high-powered manner. He's almost sort of a weird Japanese Texas-otaku.
    • Leonard Apollo starts as a Boor, but during the first game against the Deimon Devilbats comes to the realization what a despicable bastard he is and decides to become a better person. He even takes Patrick Spencer, who he previously belittled, as his protege, teaching him everything he knows.
  • In Freezing, we are introduced to "the Immortal" Roxanne Elipton, ranked as the strongest 3rd year Pandora in America. She is shown to be supportive and respectful of others, yet still has an outgoing attitude. She also squishes Satellizer's massive boobs to see if they're real.
  • Full Metal Panic!:
    • The third novel (and thus the final story arc of the original anime) has American submarine Captain Killy B. Sailor, who's obsessed with hunting down the mysterious "ghost submarine" (the Tuatha De Danaan) because he's convinced it's part of a Japanese plot, at one point attempting to rouse his men by saying "Remember Pearl Harbor!" However, the rest of the crew is portrayed as level-headed, competent sailors who are frustrated with their skipper's Ahab act and either ignore him, or try to stop him when he wants to go too far. In the novels beyond the anime, he gets a "Die Hard" on an X plot where he's treated like a nutcase (the people in the know even snidely refer to him as "John McLane"), but he's also redeemed when it's revealed that he was friends with Tessa Testarossa's parents before they were killed, and after he learns that she's the captain of the TdD he pulls a Big Damn Heroes moment near the end of the story.
    • An odd example comes from the series' female lead Kaname Chidori, who's ethnically Japanese but spent part of her youth in New York City, which is why she's so aggressive and emotionally open (personality traits that are less regarded in Japan). While she does tend to blow her stack at Sōsuke (not saying he doesn't deserve some of it, mind...), she's also an Action Girl who refuses to just cower in a corner when the bad guys come after her, and has come up with plans that have saved her and Sōsuke's lives more than once.
  • Jackie Gudelhian from Future GPX Cyber Formula. He's a very cheerful guy, doesn't take things seriously, he often wears a cowboy hat when he's off the race track and his hobby is horse riding. Also, his car in the TV series has stars on them and he wears the Stars and Stripes trunks in EP 5 of Double-One.
  • The depiction of Americans in the Gravitation manga is... odd. The country is represented in early volumes by a semi-realistic New York criminal underground and the gun-toting, very, very Texan (although good-hearted) K; this and some miscellaneous executives are all that made it to the anime. In later volumes, however, they actually go to New York, where we meet K's family and the even crazier Rage, who flies a giant robotic panda through cities and has a tendency to shoot people with a (non-lethal) bazooka. Notably, the escapades of the American characters get at least two bodyguards killed (one of Ryuichi's shot by Rage's and one of Judy's thrown out an airplane window by K) with no fanfare whatsoever. What takes the cake, however, has to be Yoshiaki's comment that she doesn't object to Yuki killing her brother, nor would most Americans...because gang rape is a capital crime in the US.
  • The Gundam franchise has been introducing American characters as far back as Sleggar Law in the original series; the shows don't generally ascribe positive or negative traits to any nations, instead making the characters well-rounded regardless of their national origin. For example, Sleggar is a drinker, a shameless flirt, and a bit of a slob, but he's also a talented pilot, an honorable soldier, and a Cool Big Bro figure. The acts he's most famous for are telling off Mirai Yashima's fiancé for hitting her (and apologizing to the man when he sticks his neck out for White Base) and performing a Heroic Sacrifice that allows Amuro's Gundam to defeat the Big Zam.
    • It's been claimed that Sleggar was the inspiration behind Roy Fokker of Macross fame. See above.
    • Chibodee Crocket from Mobile Fighter G Gundam straddles the line between Beautiful and Boorish. He's brash, boisterous, eager to pick fights with Domon (who he refers to as "Japanese", or "Neo-Japan" in the dub), and occasionally makes boasts he can't back up. He's also a Self-Made Man who looks out for the little guy, is fiercely loyal to his friends, treats women very well despite being a total flirt, and is one of the strongest warriors in the world. Initially he only fights to satisfy his own pride, but after several hardships like being infected with the DG cells and being almost abandoned by his crew to learn to truly love fighting. And his favorite song is "America the Beautiful" (though this was only in the dub, while the original Japanese version used a different song entirely).
      • His mobile suit deserves mention, too. If Gundam Maxter's design is any indication, the Japanese believe that all Americans are surfing, football-playing boxer cowboys. And it'd be terrible to disappoint them. In canon, you get the impression Chibodee drew up the design himself and just combined a bunch of things he thinks are cool.
    • Duo Maxwell from Mobile Suit Gundam Wing isn't from America proper, but rather a space colony that belongs to America. Either way, he can be seen as a combination of both types, being boisterous, flirtatious, and a bit eager to reap first and ask questions later, but is also a genuinely nice and friendly guy who's dedicated to his friends and the cause of bringing peace. Being American doesn't really influence his character apart from being the Token White in the Five-Token Band; a lot of his more outgoing traits come simply because he's The Lancer to Heero, who is very much The Stoic. That said, Duo is insanely popular, being the most popular character among Western viewers, and a close second in Japan (behind, of course, Heero).
    • Gundam Build Fighters continues the tradition with Nils Nielsen, a Japanese-American of African descent. He started off the series in a poor position with the fans viewing him as a Gary Stu (he's a Teen Genius and an unrelenting Occidental Otakunote ) and disliking how he looks down on people who enjoy Gunpla Battle. However, over the course of the show he demonstrates real feats of valor and determination, becomes a staunch ally of the protagonists, and by the end admits that he enjoys Gunpla and the Gundam franchise just as much as they do. There's also the fact that he's the Only Sane Man in regards to the show's overall plot, being the only character who says "We have this incredible technology that animates plastic, and the only thing we do with it is make model robots fight each other?"

      By the end of the series, he helps re-create the Plavsky Particle after its original source vanishes, meaning he's the reason Gunpla Battles can continue, and in the sequel series he's grown up, mellowed out, married his love interest, and runs a gigantic laboratory that serves as a training camp for Gunpla Battle teams. Unfortunately, he's had to retire from the game himself, saying that his comprehensive knowledge of the system would give him an unfair advantage.
      • Build Fighters also has Greco Logan, a minor character who generally fits into the Beautiful side of things (being a noble Spirited Competitor from America) but doesn't get much screentime. Viewers tend to see him as an affectionate nod to the franchise's American fanbase, especially since he uses a Tallgeese and Gundam Wing was the series that jump-started said fandom.
  • Gunsmith Cats portrays Chicago as a mix of nice place and Gangster Land, in keeping with its loving homage to Hollywood action movies, with girls, guns, and fast cars.
  • Hajime no Ippo:
    • It explicitly has both Beautiful and Boorish flavors exhibited with Takamura's major opponents. The Boorish flavor is exemplified by Bryan Hawk, an exceptionally violent and crude brute who takes every opportunity to proclaim the superiority of his skills over the "weaker" Japanese. Eagleland The Beautiful (heck, it's in his NAME) is embodied by David Eagle, who is charismatic and honorable. However, this is played with when the Japanese crowd during his match with Takamura note that his behavior in the ring is more typical of a samurai warrior.
    • There's a few more examples for both flavors. For The Beautiful, Jason Ozuma is a Gentle Giant and a subverted Scary Black Man; Mike Elliot is a fairly nice yet competitive boxer who enjoys intellectual boxing matches and treats boxing somewhat like Chess. He respects Vorg, and wanted a fair match with him.
    • For The Boorish, Mike Elliot's coach is a Manipulative Bastard who will gladly cheat if it helps his boxer win. He dodged a match-up with Vorg Zangief because he did not consider it to be worth the risk, only allowing his boxer to fight Vorg when Vorg had only one week to prepare for the match, as he was coming in as a stand-in when Mike's would-be opponent got injured. Even further, he paid off the referee just to be sure. Also, the referee's willingness to blatantly cheat makes it pretty clear which flavor he is. And another for The Boorish, the crowd deserves mention as it spent most of Mike and Vorg's match yelling things at Vorg such as, "Go back to Russia you Pinko/Commie/Russkie/etc." and "Howl for us, Russian bitch" and don't forget "Don't mess with America!" and so on.
  • Kinnikuman: Initially, Terryman was a mixed flavor Eaglelander, being a Choujin who only did good deeds for money. As the focus shifted from superheroes to pro-wrestling, however, he quickly changed into a pure Beautiful example. Most American Choujin, as well as America itself during Kinnikuman's American tour, do not fall into any specific flavor of Eagleland, however.
  • Amanda O'Neill, introduced in the Little Witch Academia: The Enchanted Parade OVA, is an Irish-American student. She's a bit cool and aloof and was introduced after she got in trouble for trying to steal from the magic school's vaults, but gets along well with her fellow "problem students" and has no qualms helping main character Akko out when they're put in charge of putting together the titular parade. Her TV series portrayal depicts her as a feisty rebel who likes to go by her own rules and causes trouble simply because she's bored. However, Amanda is very protective of her friends and will jump at the first chance to help them, no questions asked.
  • Lucky Star has Patricia Martin, who is ostensibly an American gaijin otaku. She may represent America a bit better than most, because she speaks fluent Japanese, having learned the entirety of the language from watching anime... However, she's also depicted as being a bit air-headed and somewhat under-educated in true Japanese culture outside of Animeland. Patty's quite clearly modeled on the stereotypical Japanophile, so this isn't that far from Truth in Television. Patty is somewhat an Affectionate Parody of Western Otaku as her characterization isn't mean-spirited in any way and she's portrayed for the most part as a harmless eccentric. She doesn't do anything stereotypically American such as threaten to sue or pack heat or any of the things more commonly associated with Eagleland, though her physical appearance is a Phenotype Stereotype (blue eyes, big boobs, blonde).
  • The portrayal throughout the long life of the Lupin III has been incredibly mixed. From its portrayal as a widely corrupt, overpriced hive of scum and villainy in "First Contact," to an uncaring puppeteer that leads the other nations in "Napoleon's Dictionary," to a more decent portrayal in "Bye Bye Lady Liberty," and a few positive ones like the president and his family in "Farewell to Nostradamus".
  • In Magic Knight Rayearth, Autozam represents the United States of America. Though the emissaries from it- Eagle Vision, Geo Metro, and Zazu Torque are perfectly pleasant people with Autozam's best interest in mind, they do want to take over Cephiro because Autozam is running out of energy. Eagle Vision- the president's son- is even designed to resemble a bald eagle!
  • In Mahoromatic, American meddling with the remains of a giant alien crab mech causes it to go wild and tear the bathing suits off of young teenage girls on the beach. Hmmm. Could be a mixed message in there.
  • My Hero Academia plays with this with All Might and Captain Celebrity. All Might fits the American Captain Patriotic trope well, being blonde and blue-eyed with a Heroic Build and naming his attacks after US states. However, he's Japanese, although he got his start as a hero in America. Captain Celebrity is a definite Type 2, being an Attention Whore who's only in heroics for the fame and money. This attitude is also why he can't find work in America and is in Japan in the first place.
  • A case could be made that Kumogakure in Naruto is the America of the Narutoverse, particularly a mix of both types. It has the most racially diverse population of the ninja villages, the strongest military, as well as the strongest economy. In contrast, Konohagakure could be seen like Japan, having the highest population but average military and above-average economy (though this may change if we see what its stats were before Pain's attack). Konoha was loosely based on Kishimoto's hometown, which is right next to an American military base. Hence, while the cultural attitudes of Konoha are clearly Japanese, most of the main characters hold decidedly American attitudes toward combat, such as never leaving a man behind.
  • In Pokémon Adventures, Lt. Surge starts out as the Boorish: a power-hungry Psycho for Hire that climbed to the top ranks of Team Rocket and got his jollies beating the crap out of a teenage boy with a lightning BFG and an enslaved minor Physical God. However, he starts transitioning out of it in later arcs, with the Yellow arc having him pull an Enemy Mine and being surprisingly honorable in holding his end, and the Silver and Gold has him pull a full Heel–Face Turn, now running a perfectly legal enterprise with his ship the S.S. Anne and later trying to talk his old Team Rocket pals (referring to them by name, despite the fact that they're generic mooks) out of doing something bad. Granted, they're being mind controlled by Pryce, but he does it out of genuine concern for them, and it's the reason the legendary Pokémon Raikou teams up with him. He never goes full Beautiful, but his positive traits are much more in focus.
  • The Prince of Tennis features the American arc, where a team of prodigy American players gathered by a money-hungry tycoon and coach (Richard Baker) come to Japan to play against a team formed by the best Japanese junior high players. Among the stereotypes found are:
    • a cheerful red-neck and ex-cowboy who acts happy very happy-go-lucky (Billy Cassidy),
    • an angry German immigrant who is disenchanted after the loss of his American dream (Arnold Igashov),
    • two ultra-pretty and super close brothers raised in the Bronx and rescued from their abusive household (Tom and Terry Griffy),
    • a Chinese American obsessed with perfection, taking it after an equally perfectionist family(Michael Lee),
    • a huge bully specialized in lots of sports but seriously lacking sportsmanship (Bobby Marx), and
    • the son of one of Nanjiroh's old rivals, who acts very violent and angsty because of his own convoluted backstory (Kevin Smith).
    • Hell, Ryoma himself could qualified as well. He was raised in America, which could explain his incredibly arrogant, condecending, better-than-you actitude and the total lack of respect he shows towards his upperclassmen, with Tesuka being the sole exception.
  • The Read or Die franchise has Drake, a mixed example of both types, to contrast with the pathetic American president. As an American, he is terse, antisocial and sometimes downright rude. However he is brave and loyal to a fault, is moved to tears by the murder of one of his clients, and he cares deeply for his family.
  • In the third Slam Dunk OAV, the half-American half-Japanese Michael Okita is the ace of a new high school basketball team, and is said to have been scouted by the NBA itself. He's ruthless and efficient in the courts, but turns into a cheerful and laid-back flirt outside (just watch him shamelessly flirt with Ayako and make Miyagi go ballistic). And he's a blue-eyed blond on top.
  • The historical manga about post-war girls' baseball, Tetsuwan Girl, plays this both ways with the Beautiful being the matronly woman's coach who is the wife of a Negro League player and the Boorish being Mr. Banks, Connie and the rest of the American team. The Harley motorcycles and cowboy outfits almost seemed to take too long to show up. Did we mention the added layer of racism not only on the Japanese players, but the black people in the series? Yeah.
  • Zatch Bell! contains a team of superheroes called the Majestic Twelve, who are portrayed as amazingly incompetent. The only female member is named Big Boing (Lady Susan in the dub) and her superpowers consist of having huge breasts, smelling like lavender (in the English dub) and commenting every moment with the word "Yeah!" But Apollo and Jeed are the American characters that we see most, and both are definite Beautiful.
  • Zettai Karen Children has the thinly veiled nation of Comerica taking the place of America. The Comericans (mostly ESPer team The Liberty Bells) fall somewhere between the two types of Eaglelanders. They are brash and outspoken, but more than willing to help out BABEL.

  • Comedian Joe DeRosa has a bit here that sits somewhere in the middle of Flavors #1 and #2, admitting that Americans can be boorish, but going up to a visiting American and throwing their own stereotypes in their face is extremely rude, and a really bad look for someone trying to claim the cultural high ground.

    Comic Books 
  • A lot of the comic book writers from across the pond, even those that have written Marvel and DC books for years, tend to love turning our original superheroes on their ear, basically making them even more jingoistic, or just jerkasses, for shock value or to go Darker and Edgier. A handful of heroes still hold out as the fair-minded Beautiful idealists, and ironically their scarcity makes them the more remarkable ones.
  • Garth Ennis has a recurring interest in America, often playing off The Beautiful (the national mythology of America and what the characters strive for) against The Boorish (what tends to be the reality in his strips) and the clashes thereof. Examples of this clash include Tommy Monaghan, Hitman, genuinely respecting and idolizing Superman; and the views of British/Irish immigrants and visitors to the States, all of them noticing and decrying the Boorish parts of America while simultaneously loving the place. Slanted more towards the Boorish are Punisher and Nick Fury, self-admitted sociopaths who attempt to restrict their violence to those who deserve it, while surrounded by corrupt cops and generals who fake terrorist attacks to justify war.
  • One of the recurring themes of Captain America comics is contrasting Cap's Beautiful idealism with what can often be a Boorish reality.
    • During the 1970s, Cap became disillusioned by the atmosphere of political corruption, unjust war and the general jaded mood of the country, abandoned the stars n' stripes for an all-black, millitaristic bodysuit, and called himself "Nomad: The Man Without a Country."
    • A later storyline in the 1980s (by the same writer, Mark Gruenwald, no less) saw Steve Rogers replaced as Captain America when the army and government decided he wasn't acting in their best interest. His replacement was John Walker, who was as honest and upright as Rogers but had a significantly shorter temper and much more conservative values. As the stresses of the job mounted on him, and especially after his parents were murdered by his enemies, Walker soaked up the essence of Boorish more and more, graduating from "misguided" to "an asshole" to "a lunatic." With help, he managed to revert to simply being an asshole as the USAgent.
    • In an interesting example (at least of reader reactions), during Civil War reporter Sally Floyd accused Cap of being out of touch with modern America. While it was apparently supposed to be taken seriously, her examples of "modern America" involved American Idol, MySpace, and NASCAR so most (American) readers took it as an insulting Boorish stereotype and began to hate her.
  • Ultimate Captain America is quite a bit less idealistic—he's a mixture of the flavors. One of the famous Ultimate Captain America quotes is (upon being asked to surrender) "Surrender? Do you think this A on my forehead stands for France?"
  • Steve Darnall and Alex Ross' Uncle Sam OGN for DC was an attempt to reconcile the character's Beautiful conceit with a perceived Boorish 'reality'.
  • One of the Yakuza in 7 Yakuza is Shugo Samon, a dyed-blond, fringe jacket/cowboy boot wearing gun nut obsessed with American culture, especially movies and comic books, despite never having even been to the US personally. He represents the Westernization (and, obviously, Americanization specifically) of modern Japanese culture, for better or for worse. He's loud and brash, but a good friend and soldier.

    Fan Works 

    Films — Animation 
  • Summer Wars brings in a mix; while Love Machine itself was released by the United States Department of Defense in a deliberate cyber attack on Oz for no other purpose than to test its capabilities, a lot of Americans pitch in their accounts at the climax to bring Love Machine down. Over all, it seems to depict the U.S. Military/government as the bad guys but the citizens themselves as good people.
arrogant bullies by less powerful civilizations, with obnoxious taxes and a utter failure to find the Weapons of Mass Destruction.
  • In The Triplets of Belleville, Belleville closely resembles New York City. All of its citizens seen in the background are grotesquely obese. Even the Statue of Liberty is a fat woman holding a cheeseburger. On the other hand, they are portrayed as polite, happy, hard-working, and if they have the time to, helpful to anyone in need.

    Films — Live-Action 
  • Orvil Newton from Those Magnificent Men in Their Flying Machines (or How I Flew from London to Paris in 25 Hours and 11 Minutes) is a brash, reckless and very impulsive character who KO's a guy when his back is turned and endangers the film's damsel, but still is one of the most honest and likable people in the entire race. He even throws the first place (and the astronomical prize he needs to get home again) to save another pilot in distress. Still, he isn't any less of a national caricature than anyone else in the film.
  • Moscow on the Hudson, starring Robin Williams as a Russian immigrant, is a perfect example. The joys and freedoms of Vladimir's new country are mixed with poverty and crime, but the film ends on a hopeful note after Vladimir has established his new life.
  • The protagonist of The Forbidden Kingdom has aspects of both Beautiful and Boorish. He's eager and idealistic, but despite his encyclopedic knowledge of Chop Socky movies, he has no clue how to properly behave in another culture.
  • Amusingly, Persia as depicted in the Prince of Persia: The Sands of Time movie comes across as this, seemingly being an Expy/allegory for modern America; a monotheistic empire that's praised for its just and fair system of governance, but also seen as * The Host: The monster was created in South Korea by careless Americans, who use brutal tactics to try to cover it up and deal with it. However, a vacationing American soldier bravely attempts to fight off the monster in the beginning of the film. Apparently American officials are evil, but regular Americans are okay.
  • Mr. Smith Goes to Washington seems to start out as Beautiful with the character of Jefferson Smith being basically a walking case of The All-American Boy as a Wide-Eyed Idealist, visiting the Lincoln Memorial and quoting the Constitution. However, once Smith gets to Washington, he has a rude awakening to the reality of political corruption and graft, and sees that even senators he's idolized have sold out to rich party bosses. The film still winds up being mostly idealistic, but not so naive: American ideals are fine, but the American government may not always live up to them.
  • CIA Agent Jack Wade (Joe Don Baker) from the Pierce Brosnan James Bond films was loud and portly, and provided an absurdly casual contrast to Commander Bond's tuxedoed charm. However, he could be counted on to lend his government's support, either officially or unofficially, to Bond's missions.
    Wade: We have no interest in seeing World War III, unless we start it.
  • Tora! Tora! Tora!: Most of the Japanese officers see America as Boorish, but Admiral Yamamoto sees it far more as Beautiful.
  • Nixon: Richard Nixon addresses the difference between the Beautiful and Boorish outlooks:

  • Many popular British authors, especially pre-1965 or so (among them P. G. Wodehouse, Agatha Christie, Arthur Conan Doyle and Dick Francis) have real trouble rendering American characters accurately, providing a revealing look at common stereotypes of the era. The "typical American" of these novels is described as taking things "more free and easy," thus depicted as speaking in a sort of stylized gangland slang — which is nevertheless composed according to distinctly British grammar rules. The result can be a little jarring to say the least, especially if the character actually is a gangster, or supposed to be similarly menacing. They tended to lampshade and/or justify this by saying that the American character was deliberately trying to fit in and/or be more comprehensible, or had been living in England for some time, etc.
  • As shows An American, Rudyard Kipling saw America as both a mix of the Beautiful and the Boorish, possessing worst sides of the same traits. He defined this as "childishness." Specific American characters in his books may or may not exhibit it (e.g. Laughton O. Zigler in The Captive sees he had it coming and is quite calm about his misfortune). On the other hand, Kipling married an American woman and lived in the United States for a while. He probably saw both good and bad while he lived here.
  • Empires of Trust describes and compares and likens early to late Republican and Imperial Roman to American psychology of Empire building through historic examples.
  • The Bronze Age characters in S.M. Stirling's Nantucket series refer to the time-displaced Americans as "The Eagle People." The Beautiful is represented by the Republic, The Boorish by Walker's slave-based empire.
  • Ephraim Kishon wrote on America, among other things, that Americans believe:
    • You can get steaks only in America
    • An American family without an American boy and an American girl at the respective age of nine and seven years isn't a real American family
    • You can learn everything from ...For Dummies books, even "How to become president of the USA: In 10 easy steps".
    • Bismarck is a herring, Frankfurt a sausage factory and Napoleon one of the greatest brandys in world history.
  • An internal example by American Chuck Thompson, Better Off Witout 'Em, while portraying the rest of America as a mixed bag treats the South as an unadulterated example of The Boorish.
  • Jules Verne's Eagleland tends to be mixed-flavor:
    • From the Earth to the Moon: In a glorious democratic melting pot of ethnic harmony and scientific progress, ridiculously trigger-happy Americans with names like Impey Barbicane decide to use the Moon as their next target! Hilarity Ensues.
    • Around the World in 80 Days: American trains are amazing! American train passengers, not so much. Adventure ensues.
    • Robur the Conqueror: High-powered and boorish American inventors decide ballooning is Serious Business, and build a Cool Airship to prove it ... but a non-American Mad Scientist with a much better aircraft design has other ideas. Kidnapping ensues!
    • The Mysterious Island: Five Union Americans escape from a Confederate prison and use their wits and knowledge to survive and even rebuild a functional society on their island, intending for it to be a new state. Though Nab is black, and is automatically treated as a servant (which he chooses to be, being a freed slave), though this falls into Fair for Its Day.
  • In The Piccadilly Murder by Anthony Berkeley, Harold J. Benson "presented a perfect replica of the popular English idea of the travelling American" — ie, The Boorish. He really is American, but is obviously trying far too hard to convince everyone of the fact.
  • Despite Terry Pratchett's stated decree that no part of the Discworld should resemble North America, this inevitably crept in over the life of the series. the Tezuman Empire is an Expy of pre-Conquest Mexico; the existance of a people not unlike Red Indians was revealed in Reaper Man; Witches Abroad saw a Louisiana-bayou place with a Cajun vibe, complete with riverboats and gamblers in white suits with those odd string ties... The posthumously published Complete Discworld Atlas note  gave into this reality. A large and previously undescribed tranche of land was christened "The Great Outdoors", and given a vibe which appears to be the Frontier USA of the nineteenth century with a lot of Canada slipping in by default. It has majestic mountains and rivers, fur-traders, refugees from wars and religious persecution fleeing here to make a new life, salt-flats around a salt lake populated by members of a strict and heretical Omnian sect...

    Live-Action TV 
  • Doctor Who:
    • Two CIA agents appear in a story from the Seventh Doctor's era, "Delta and the Bannermen", complete with thick Texan accents and embarrassingly patriotic dialogue. However, they're good natured enough and do work alongside the Doctor.
    • The first Dalek in the new series showed up as a prize in an American laboratory, populated by rich bastard van Statten, Simmons, whose job largely consisted of torturing the Dalek, and an idiot security guard who didn't listen to the Doctor's advice. But the American women in that environment seem particularly strong and non-stereotypical, such as van Statten's right-hand woman who eventually has him mind-wiped and put in some city beginning with "S" and the brave young female trooper who faces down the Dalek on the stairs long enough to buy Rose and Adam enough time to escape. As depictions of Americans in Doctor Who goes, it's actually one of the better ones.
    • Despite the previous seasons leaning more towards Boorish, as of Series 6 (along with Torchwood: Miracle Day) the series has tended towards depicting Americans as a bit trigger happy, a bit boisterous and overconfident, but not overtly negative (though it is clear they're still leaning on stereotypes for some characters).
    • The US President in "The Sound of Drums" is a subversion of the Boorish; he acts like one and will say so himself, but at heart he is Beautiful, albeit misguided. Notably, he's right that PM Saxon is a boob who's mismanaging the situation and not following protocol, and the President puts UNIT, a United Nations group, in charge of the operation.
    • The majority of the Americans in "The Impossible Astronaut"/"Day of the Moon". Aside from being a little gun-happy (which is justified in the majority of them are Secret Service Agents) it's one of the better portrayals of America in recent Doctor Who seasons. According to the producers, America appears to be a place where everyone is a jovial, if slightly thick and dim-witted, patriot, and random spurts of melodramatic processional music accompany the President everywhere.
  • On Downton Abbey, Martha Levinson (played by Shirley MacLaine)—Lady Cora's mother—is forward-thinking, open-minded, and loves modernness and technology. She is also meddlesome, brash, and blunt. Very much a mixed example.
  • At face value, the American guest in the "Waldorf Salad" episode of Fawlty Towers can be seen as Boorish in that he is loud, swears a lot, and is very demanding. However, at the end of the episode, he inspires the other British guests to speak out against Basil's rudeness and apathy towards guests, whereas at the start of the episode, said guests felt that complaining would be seen as rude. In the commentary on the 2009 DVD release, John Cleese believes the American guest was in the right, and he wanted the lesson of the episode to be that sometimes you should complain in order to get things to change. (oh, and the actor was Canadian).
  • It's Always Sunny in Philadelphia: The patriotism displayed by many of the side characters (such as Ben the Soldier) tends towards the Beautiful. However, whenever the Gang decides to get patriotic, it immediately descends into the Boorish, to the point that they sometimes justify their crassness with the excuse "It's American."
  • Kamen Rider Drive offers a few strange examples. Though he's ethnically Japanese, Second Rider Gou Shijima/Kamen Rider Mach has spent the last few years in America training and comes back to Japan with a boisterous, in-your-face American attitude (complete with a long introduction Catch-Phrase said every time he transforms), and is initially a bit of a Jerk Assnote . However, it's revealed he has a pretty big Freudian Excuse (His father is the Big Bad and the one who started all this mess to begin with by inventing the Roidmudes), and over time he mellows out.
    • We also have Gou's mentor, Professor Harley Hendrickson, who only puts in a couple of appearances but is portrayed as a genial, boisterous, Santa-like genius on a motorcycle who helps the heroes out whenever he can. Drive's mentor/sentient Transformation Trinket Mr. Belt (Krim Steinbelt) MIGHT countnote ; he's a good-hearted and noble scientist who comes to view Shinnosuke as family, but his main flaw is keeping secrets, which he drops early in the show.
  • The Lone Gunmen: Byers is polite, patriotic, and a borderline Wide-Eyed Idealist, considering this is The X-Files universe. (And yes, the actor was Canadian) However, he's in a universe where Boorish Americans are way too common. The contrast between the idealistic Byers and the obnoxious reality around them is usually Played for Laughs.
  • Steven Moffat does seem to be trying to take a step back from Russel T. Davies' Boorish stereotype into more of a hybrid on Doctor Who, but on Sherlock, he didn't have quite so much luck. He decided to switch the New Jersey native Irene Adler to British, but since that gave us Lara Pulver as a badass dominatrix, there weren't many complaints about that. However, this had the unfortunate side effect of making the only American characters in the series the CIA operatives. The only one who had any substantial characterization screamed Boorish, threatening to kill Watson to make Sherlock open a safe and beating up Mrs. Hudson (whose age isn't given, but her actress is in her mid-70s) to make her reveal the location of a piece of evidence. No one really cried when he "fell" out the window (multiple times).
  • Captain Archer of Star Trek: Enterprise is from a single-government future Earth, but his American origins are still evident. He envisions himself as a Bold Explorer, but is highly judgmental of alien practices, and actually brings his dog to a sacred tree grove on another planet. His moral grandstanding often gets him in trouble and bothers his Vulcan first officer, but sometimes his blunt approach does have good results. When put on trial by the Klingons at one point, his defense lawyer's argument boils down to "he's a bumbling idiot, but his heart is in the right place."
  • Even the high-minded Star Trek: The Next Generation wasn't immune to this trope. In "The Neutral Zone", a highly volatile encounter with the Romulans is botched by the reappearance of three 21st century failures—a druggie country singer, a New Jersey homemaker, and a wannabe Gordon Gekko type from the eighties—who used their riches to become Human Popsicles. Of the three, the businessman is the most malevolent. The singer adjusts the quickest to 24th century life, and is invigorated at the prospect of reintroducing Earth to his music. This episode qualifies as both types.


    Pro Wrestling 
  • While technically part of the United States itself, a lot of Puerto Ricans really don't look at themselves that way, translating to Boorish Eaglelanders being fairly common in their promotions, such as WWC, usually competing with the ever popular Foreign Wrestling Heel for the spot of most hated wrestler. A prime example being Dennis Rivera of the Puerto Rico Nationalist Party, which seeks independence from the USA, being a top baby face in WWL. The "malo Americano" practice predates him but Sucio Dutch Mantel really cemented it, as his gimmick consisted almost entirely of telling Puerto Ricans how terrible their island and it's culture was, often using insults typical of Puerto Ricans who in fact left the island. On the other hand, many wrestlers who usually worked under card in 50 states and spent a brief time in Puerto Rico antagonizing the locals instead became beloved and fondly spoken of years after they left, such as Abyss, BJ Whitmer or The World's Greatest Tag Team. There are even a few, such as Mickie James and Sting, booked as Beautiful Eaglelanders upon debut.

    Tabletop Games 
  • New Horizon has Xanadu, a mostly Beautiful stereotype that happens to be quite racist. Of course, this is a a faction on an alien colony in the future instead of America proper but...
  • Andoran from the Pathfinder RPG is an idealized colonial-era Fantasy Counterpart Culture example that leans towards Beautiful. They're Neutral Good and everyone acknowledges that their hearts are in the right place, but they're also seen as pushy and imperialistic, and their behavior often falls short of their ideals.
  • The Rocket Age America is a mixed flavour version. The American Army on Mars is busy empire building and in a cold war with the State Department. However, there's also the Rocket Rangers, possibly the most inclusive and idealistic organisation in the solar system, that has frequently gone against government policy to do the right thing.

  • West Side Story has the song "America", which contrasts the two types. The women showcase the Beautiful, pointing out the freedom and economic opportunities America offers, whereas the men are solidly in the Boorish camp, pointing out the poor housing in the slums, casual racism holding them back and how they are forced by circumstances to either become victims or perpetrators of crime. The song's lyrics even out to pro-American, but is contrasted with its very blatantly Latin-inspired sound.

    Video Games 
  • Metal Wolf Chaos involves a very boisterous, idealistic, and badass President single-handedly fighting a coup d'etat by his own Vice President and the U.S. military—with plenty of ensuing collateral damage. Depending on whom you ask, this game is a parody of the Patriotic Fervor that all Americans are assumed to have as well as an exaggeration of their supposed Boisterous Bruiser nature or the most awesome portrayal of the President of the Great United States of America (FUCK YEAH!!!) ever.
  • From developer SNK we have Terry Bogard who tends to be a bit of a mix. On one the one hand he's boisterous, proud and wears stereotypical American clothes. On the other hand, he's largely self-sufficient, at least partially self-taught, and is not only a good guy, but is considered one of the most important characters in the games. In the anime, he's the main character and basically shown to be the most powerful martial artist alive, who earns the admiration of his allies and the respect of his enemies. He also defeats Ares, the God of War, in a one-on-one fight.
  • Paul Phoenix from Tekken is more of a mix. While he is goofy, loud, and arrogant he is generally a good guy, and is indeed and dangerous fighter, and one of the few non Mishima characters to beat both a Mishima and a Boss character (though he still lost the tournament somehow).
  • Shadow Hearts: From the New World mostly takes place in the gangster-era States. Frank is a clear parody of The Beautiful and Mao is...well...Mao—however, for the most part the shady goings-on, the humanity of those caught in the middle, and the historical context of America generally being a place that people wanted to immigrate to are all presented honestly if lightheartedly.
  • Street Fighter runs the gamut of the flavor spectrum with its American characters:
    • First there's Rufus, a fat, obnoxious and dim-witted American who spends the game as the Unknown Rival of Ken, wishing to prove himself as the greatest fighter of the United States. As Boorish as he appears to be, he's also got himself an incredibly hot girlfriend, his speedy fighting style in spite of his weight is complimented by many characters, he's without a doubt one of the funniest, if not the funniest, character in the game, and judging by some of his winquotes, he's rich and lives a damn good life.
    • Guile is a Beautiful exemplar all day long — he's a strong and patriotic soldier, a family man, one of the strongest characters in canon, and the chief rival character to M. Bison, the series' main antagonist. He was even featured as one of the main characters in the animated movie. He also handed Ryu AND Ken both of their asses in Street Fighter II V. Oh, and he just happens to be among the top-ranked characters in Super Street Fighter IV, and was outright broken in early versions of Street Fighter II.
  • In the Metal Gear series, American society is broken beyond repair due to being ruled covertly by the Philosophers and the Patriots. Therefore, any actions America undergoes as a nation are bad for everyone, or (in the rare case they're good) had the intention of being bad for everyone (like the Navy's actions at the end of Metal Gear Solid 4 — while they ended up stopping Liquid, their actual intention was to preserve the Government's ability to control soldiers). However, on an individual level, the majority of the Americans are well-intentioned—even the Patriots. Special note—the final boss of Metal Gear Solid 2 is the ex-president of the US. However, the current President of the US genuinely takes responsibility for his selfish and power-seeking actions, and heroically agrees to die to save his country from his mistake (on the other hand, it is also heavily implied that the "power-seeking actions" were actually spawned and manipulated by the Patriots so they could trick him into participating in the S3 plan).
    • And though the former president ultimately resorts to terrorist actions with Arsenal Gear, his goal was to restore American freedom by releasing the Patriots' grip on society, which happens anyway at the end of MGS4. Come to think of it, every hero or (human) Well-Intentioned Extremist villain through the series seems to have an unwavering love of American ideals.
    • Comes to a bizarre head in Metal Gear Rising: Revengeance. In short, both the heroes and villains are fighting to revive The Beautiful values from a Boorish society, but disagree on both the method to do so—as well as disagreeing on the very notion of what makes America "Beautiful." The Bladewolf DLC has Khamsin, who is very much Boorish: obsessed with the idea of freedom and bringing it by force.
  • Jake Marshall from Ace Attorney. When you first meet him, he seems like the stereotypical cowboy who has a southern drawl, and constantly talks about how he's a cowboy, which is lampshaded by other characters. Then you find out that he's been spending the last two years trying to find out the truth behind who killed his brother. He was demoted two years ago for helping with the investigation so that he wouldn't be in a position to properly investigate.
  • killer7 contains examples of both types. Going into detail would take a while. Put simply, there are three different views. Firstly, we have pro-America; most of the playable characters are part American, and they are presented as less insane than Japan (a view that many Westerners hold) and, as Cloudman proves, less fanatical about the Yakumo. On the other hand, they're dicks who forced democracy onto Japan and then didn't even notice that Japan turned the tables and rigged all of America's elections. Matsuken offers a different view; they're completely self-obsessed and no-one else can comprehend American values, with him just shrugging off Garcian's Armor-Piercing Question about what the United States is. Within the OST you have a track called ''American Diplomacy'', which depicts it as if they were aliens invading earth in a B-Movie.
  • From the same twisted mind, the No More Heroes games — that is, games made by a Japanese man obsessed with American pop culture about an American man obsessed with Japanese pop culture — make for interesting examples, insofar as they are as explicitly concerned with America and its popular culture as any Japanese game since the MOTHER series.
  • Vanquish uses both. The story opens up with the United States under sudden attack by the forces of the Order of the Russian Star using a captured American space colony, and sending the Marines into space to recapture it. However, as the plot goes on, it becomes apparent that the militant regime that is the Order of the Russian Star was installed by the current US President to give them a "bad guy" they could use to justify revitalizing the arms industry against, and that the Russians were attacking first because they knew war was inevitable.
  • Team Fortress 2: the Engineer is a Beautiful example, while the Scout and the Soldier are Boorish. Specifically, Soldier's entire personality is a transparent Expy of Gunnery Sergeant Hartman, and most of his delusions are based around The Boorish cranked Up to Eleven. Scout meanwhile is a Bostonian thug with a big mouth and a slightly smaller shotgun, though unlike the Soldier his Boorish mannerisms mostly exist to give him a funny accent. Contrast that with the Engineer who, while still a mercenary, comes across as Affably Evil at worst, and his playstyle requires him to use his expensive military hardware to help his own team before hurting the other team.
    • Also, the aesthetic design of the game is, according to Valve, inspired by artists such as J. C. Leyendecker, Dean Cornwell and Norman Rockwell, all designed to recall The Beautiful. However the fact that everything (no seriously, EVERYTHING) is either a desert, a badly-hidden spy base, or both makes shift just a little towards The Boorish.
  • The Fallout games have some mixed examples:
    • The pre-war United States was a Sugar Bowl pastiche of 1950's values, a patriotic heaven filled with wholesome American families, and friendly, freedom-loving people. But it was all a thin veneer: the real pre-war United States was a jingoistic, imperialist, Orwellian nightmare that thought nothing of violently annexing Canadian territory and shipping potential dissidents off to concentration camps to be guinea pigs in perverted science experiments. It pretty much deserved to get nuked off the face of the earth.
    • The New California Republic, which deliberately modelled itself on the ideals of old world America, was truthfully a rather nice place to live led by noble, democratically-elected leaders dedicated to traditional American values such as liberty, democracy, and rule of law. However, this didn't stop them from occasionally relying on dirty political tricks to get new towns to join. By Fallout: New Vegas, the grim realities of running a functional democratic nation in a post-apocalyptic world have meant that it's had to rely on militant and underhanded tactics, the president is subverted continually by the power and influence of the brahmin barons, corruption and incompetence is rampant at all levels of their bloated bureaucracy... but most (and we do mean most) people in it still try to live up to the ideals originally set out when their country was first founded.
    • Fallout 4 helps mix it even more with deeper insight into pre-war American home life: While the game still contains strong hints of Boorishness (such as xenophobia demonstrated in the rather...harsh treatment of Asian-Americans at highway checkpoints), it also shows that behind the jingoism and 50's cliches, many Americans were just honest people trying to live their everyday lives, even as the threats of civil unrest, dwindling oil reserves, and nuclear war loomed over them. Even some of the Vault-Tech scientists are given some positive shades, in the case of Vault 81 where the scientists refused to take part in the experiment once it began, instead allowing the residents to live healthy and happy lives instead of being made guinea pigs by their bosses.
  • Sol Badguy of Guilty Gear is an example of an American character with an "All-American" vibe in a Japanese fighting game. He loves rock music (especially Queen), he smokes, he has a sword that you load bullets into like a revolver and looks like a giant Zippo, he speaks with a very lazy American drawl, he spouts tough one liners, and he's a bit of a sardonic unfriendly prick with a hidden good side. He's a bit of a puzzle considering America no longer exists in the Guilty Gear 'verse, but it all makes sense when you learn that he was born in The '80s.
  • After the End: A Crusader Kings II Mod is set 600 years after an apocalyptic event which caused the collapse of the United States. The various former constituents and culturally divergent groups have since broken up into their own small feudal nation states, with plenty of misremembered history to go around. The major religion of many parts of the US is the Americanist movement, where the Founding Fathers have been taken up as Physical Gods who once walked among men, and documents like the Constitution and the Declaration of Independence have become religious texts. Another major religion is the Consumerists, who worship "The Almighty Dollar" and believe the world ended because people didn't spend money enough. Whether this counts as Beautiful, Boorish or bit of both varies from game to game depending on individual characters and the actions of the AI or the player.
  • Averted by Clownpiece of Touhou, an insanity-causing fairy who only wear stars-and-stripes clothing because she's involved in a war against the Lunarians and it serves to remind them of the American moon landings... but try telling that to the English-speaking fandom, who sees her as the second coming of Liberty Prime and christened her the Freedom Fairy.
  • Super Fighter: This Taiwanese made Street Fighter II clone represents this trope in an odd manner. While Frank and Bullet are benevolent examples of Americans (granted the former is a bit cocky and overly eager to fight, but still a good and brave man at heart), but then there is the main antagonist, named Red Man, who is The Aggressive Drug Dealer with delusions of grandeur who wants to bring about chaos throughout the world who is also an American. Though what makes the villain strange is that in contrast to other boorish types who are white people of European descent, Red Man is a Native American.
  • Civilization tends to be this flavor, with a lean towards Beautiful. Most Civs are given strengths based on historical positives, so as to not offend, but the AI and sometimes play style tends to push into some of the Civ's other less savory personalities. America's leaders tend to be either Washington or Lincoln and evoke freedom and tolerance. That said, the AI is also coded to strongly hate warmongers and has no problem declaring war on nations that tick them off in such a way. Civ VI is the best champion of the former trope, where under Teddy Roosevelt, America practices big stick diplomacy, and will fight for the freedom of any Civ that shares a continent with him and is the lone civ that gets benefits for environmentalist plays (getting bonus from National Parks, which require tiles with high levels of natural beauty and unspoiled by development. Civ V on the other hand, had an AI that favored Communism as it's form of government and was quite expansive.
  • The Western Frontier is America's analogue in the Battalion Wars series. Curiously for a British-made series that started in 2005, the Western Frontier is a benevolent mixture of Beautiful and Boorish, with the Boorish aspects mostly there for silliness' sake. The Western Frontier's forces are best described as part 1980's G.I. Joe and part high school (gridiron) football team with the aesthetics the U.S. Army had during and between World War II and the Vietnam War. In Battalion Wars II, all music associated with the Frontier strongly evokes famous Western films: compare the music for the mission "Wings of the Gunship" with the main theme from The Magnificent Seven (1960). The Frontier's front-man flag officer, General Herman, talks and acts just like a high school football coach and is always looking forward to the next war, though he doesn't cross into General Ripper territory. Brigadier Betty, particularly in the first game, is as much of a baton-twirling cheerleader as she is a general. Even the soldiers, right down to the basic Grunts, talk as if war is nothing more than a sporting event. It's a not-so-subtle allusion to the European view that Americans are naive when it comes to the horrors of war, but it's downplayed as many of the other nations are just as silly.
  • The Democratic Crusaders AI archetype from Stellaris is very cheerfully based on American neoconservativism, with lines unambiguously referencing things like the "House Un-[National Adjective] Committee". On the one hand, the archetype requires militarist ethos. They're diabolically eager to spread democracy by Orbital Bombardment, and do not differentiate between a pacifist Enlightened Monarchy and a despotic, slaving Star Empire. On the other hand, their required Egalitarian civs mean they are very kind to their own people, they are reliable allies to any other democracies, and when spreading democracy, they "liberate" to create new nations with new local rulership rather than outright conquering. Notably, the fixed ethos of successful slave rebellions are guaranteed to result in new Democratic Crusaders who have every reason to want to liberate the rest of their brothers and sisters in chains.
  • Body Blows: As the one nationality with the most representatives, at four, in this game made by the British developer Team 17, quite a few traits of American culture, more so beautiful than boorish, are expressed via those characters. The brothers Danny and Nik are Delinquents who lead rival gangs in Boston who are eager to prove themselves by fighting, but aren't depicted doing anything particularly criminal and have some degree of sportsmanship. Mike is a Wall Street executive who is cocky and snarky in battle (even sporting Cool Shades in battle), but isn't particularly greedy nor narcissistic either. Then finally there is the Las Vegas based wrestler Dug (sic) who is obese and dumb (the latter by his own biographical profile's admission), and arguably the closest to being boorish example, but otherwise doesn't show any other boorish qualities.

    Web Comics 
  • Scandinavia and the World:
    • Brother/Sister America are mostly Boorish caricatures, but done in a good-natured enough way that it can be classified as a mix. Brother America tries very hard to be The Beautiful, but he is too impulsive and oblivious to actually pull it off. Their Beautiful tendencies are shown when the Scandinavians visit America, although they're still kind of jerks in a sort of teenagerish way.
    • This comic takes the trope head-on: basically, America is that immature fratboy who you quickly find out is really friendly and good-hearted but is also a very typical fratboy.
    • What's more, both siblings actually embody the stereotypes from both of America's political sectors. Brother America is a dedicated right-winger who opposes gun control, gay rights, and immigration while being religious, and Sister America is a pastiche of Hollywood liberalism and vanity, with her fake boobs, airhead tendencies, and rabid support of gay rights to the extent that she ships Denmark and Norway. The author and most of the comic's fanbase have a lot more in common with Sister America socially and politically, but that hasn't stopped them from satirizing the American left just like the American right.
  • Uncle Sam from Sinfest probably counts simply because, while he is portrayed as being a clueless egomaniac with borderline tyrannical habits, he is also generally portrayed as wanting to do the right thing and often just completely misunderstanding what that is and does seem to genuinely love his wife. Of course, he's mostly abandoned those aspects since he cheated on his wife inside a computer (best not to question how this happened).

    Western Animation 
  • Wheeler, the sole American member of the team in Captain Planet and the Planeteers, often held the Strawman Ball, but his heart's in the right place.
  • Both the Beautiful and Boorish perceptions of America get parodied in the Finnish satirical animation Pasila. The conversation paraphrased:
    Helga: Americans are great people!
    Pöysti: Americans are idiots.
    Routalempi: Yeah, that's so true.
    —>Pöysti: Now, don't generalise, there are lots of smart people there too. [gets a flat stare from everybody] What?!

Alternative Title(s): America The Boorish, Murica