Tim: That's the most profound thing you've ever said, mate.
Gareth: And you do all that, only for foreigners or women or the disableds to take advantage of it.
Tim: Yeah. Could I withdraw my last comment?
A Stereotype Flip in which a white person (usually a man, as the title suggests) sees himself as a victim of injustice or unkind behaviour at the hands of minorities or turncoat whites. (Note: this is not a judgement of the value of the trope, merely a statement that it has been used many times in fiction and a list of the examples thereof.)
The type first appeared in large numbers in the mid-1960s, when "affirmative action" became official government hiring policy. This meant that a white person could experience "discrimination" by being turned down for a job in favour of a member of a minority group, since the place of employment had quotas to fill and there already existed a proportionate number of whites. Now that affirmative action has been reformed so that economic status is taken into account as well as race, it isn't much of a controversy anymore — so the ire of the Angry White Man has shifted to less tangible targets.
He's frequently exasperated by what he sees as overly generous attempts to incorporate minorities into the modern American cultural fabric (or not-so-modern, for that matter); media stereotypes of whites as stupid, unfashionable, and/or "un-ethnic"; the supposed scapegoating of white people for everything that goes wrong in the world; or occasionally just the general feeling that he soon might be the Last of His Kind. In more extreme cases, the very thought of homosexuals, women, and ethnic groups enjoying the same comforts as him is enough to make him cry oppression.
Taken seriously, it is usually the result of some combination of (real or perceived) Flawless Token, White Guilt, Persecution Flip, and Political Correctness Gone Mad. The Right-Wing Militia Fanatic is the militant version of the trope.
Figuratively, the character doesn't have to be white, or a man. The trope can apply to any type of supposedly privileged character who is constantly railing against supposed discrimination against them.
- In Final Crisis, Grant Morrison introduced an Alternate Universe where Superman is black which has popped up in his DC work since. The Lex Luthor of that universe is still white, though. Whenever they clash (as seen in v2 issue #9 of Action Comics), Lex has to point out that he doesn't hate Superman because he's racist, he hates Superman for all the other reasons Lex hates Superman. Of course, Superman's an alien, so Lex's hatred of him can be interpreted as xenophobia no matter what color Superman is.
- Magneto leads a terrorist organisation against people who aren't mutants because he sees them all as xenophobic persecutors. Given that he has a power that would make him a valuable asset to several different industries and runs an organisation that consists of several other mutants with useful abilities, his cries of oppression seem to be baseless. Never mind the fact that there are plenty of non-mutants who have it just as bad as mutants, if not worse since not only do they have no super-powers to fall back on, but they probably can't afford a good education. Something that a certain mutant organisation is willing to offer to people like Magneto...
- On the other hand, Magneto is Jewish and his backstory usually has him be a Holocaust survivor so technically he was a victim of this trope as well. Additionally, his anger can sometimes be justified with Properly Paranoid given everything with the Sentinels or how others wish to just use them...
- Of course, one can apply this to the X-Men franchise as a whole.
- For all that fans wish to project a Civil Rights Movement allegory on the comics (which was demonstrably not the intent of either Kirby or Lee when they started out). It must be noted that Professor X's project is closer in line to say Booker T. Washington's early 20th Century idea that those who are different must assimilate and acclimatize to society rather than the defiantly proud multiculturalism of the Civil Rights era, that its core leadership figures were white, male and straight, and that a comic about acceptance and tolerance nonetheless had a bunch of foreign and regional stereotypes (Nightcrawler, Colossus, Wolverine, Storm, Rogue, Gambit) as characters, before later writers tried to round them up.
- The X-Men's problems and issues owing to their superpowers and abilities can come off to some as Space Whale Aesop or First World Problems. Mutants are rarely shown making common cause with other groups or putting any kind of ideology that appeals to people outside their community, which is demonstrably not true of real-world minority groups. Their main issues are that they have powers they can't control and this makes people hate and fear them which, within the confines of the story, is true (considering beings like Magneto, the Phoenix and Wolverine in his berserker mode) and something unrelatable to any real-world issues except by way of metaphor about teenage Angst and rebellion.
- This combined with Pretty Fly for a White Guy was Hotstreak's characterization in the Static comics. The animated series reimagined him as just a delinquent bully. In the possible future of Milestone Forever, he even rants about how the entire world is against white men while launching flaming swastikas.
- Rorschach from Watchmen seems to hate everyone who isn't either himself, the Comedian or an idealised version of what he imagines his father is like. After discovering that his mother was a streetwalker, he developed a MadonnaWhore Complex towards all women, seeing young girls and wholesome women as victims while women who embrace their sexuality are sluts who have it coming (though his disdain from his mother is more due to her abusive nature.) He makes a note of investigating Ozymandias' sexuality, not making it clear why that's necessary. He also subscribes to a newspaper that peddles racist, nationalist viewpoints. Considers the bombing of Hiroshima and Nagasaki to be unquestionably good, but the bombing of New York to be evil. The movie adaptation plays around with this characterization, as while some of Rorschach's prejudices are downplayed, his Jerkass personality is more blatant as Jackie Earle Haley decides to play Rorschach like an angry terrier with an exaggerated Napoleon Complex.
- Late in the film Borat, the title character hitches a ride with some frat-boys. They go on about how minorities technically have an advantage in the US and that women are inferior to men. Two of them sued for defamation and tried to prevent the film being distributed on DVD, despite saying these things of their own free will and being treated fairly well in comparison to some of the other participants.
- William Foster, the villain protagonist of Falling Down. Not a very racist example, though — the Neo-Nazi he encounters disgusts him, and one gets the impression that his non-white victims were killed more for their attitude than ethnicity; he would likely also have murdered them if they'd been white and acted as they did. That said, he is not completely without racist prejudices either; most notably when he rants at a Korean-Store Owner. Foster hurls some racist slurs at him saying that South Korea is freeloading off of American foreign aid (even though that was the South Korean dictatorship before the 1980s Gwangju uprising that liberally spent American aid all on themselves, and did not distribute any of that money to its starving people either unemployed or in working-class).
- Molech, the Big Bad from Futuristic Violence And Fancy Suits reads like any random article on Return of Kings, being a misogynist with an Übermensch complex who envies how masculine black men are and taunts the female protagonist for being born a "weaker" gender and inheriting her wealth from her father. That last point shows Molech's hypocrisy, as he's almost as rich as she is but doesn't have a job, using his family's trust fund to pay for extravagant weapons and gadgets in his quest for domination.
- USMC captain John Rumford in Victoria is driven out of the Corps for his anti-feminist attitudes. As a civilian, he encounters affirmative action, urban crime and economic decay, and becomes an increasingly embittered right-winger. When an old Marine buddy asks him for help dealing with drug dealers in his neighborhood, he emerges as a Vigilante Man — and eventually, a political revolutionary and leader of a powerful neo-reactionary militia movement.
- One episode of Louie has a comedian do a series of anti-Obama jokes. Naturally, he gets a pretty awkward reaction from the audience. Afterwards, he complains about how Obama only got elected because of white guilt and that white men have now become one of the Acceptable Ethnic Targets who aren't allowed to complain about anything.
- Little Britain:
- Marjorie Dawes, a privileged white woman who has it in for an Indian woman she frequently interacts with, acting as if her accent is unintelligible when it really isn't. When said Indian woman won the lottery, Marjorie exploded and claimed that as a British native, she's more deserving of a lottery win than some random foreigner.
- Maggie the food critic. If she samples something that was made by an ethnic person or homosexual, she will projectile vomit on everyone within vomiting range in an attempt to purge herself of anything non-British.
- One episode of Review With Myles Barlow had the titular character try being racist for a day. He takes it to the absolute extreme, refusing to shop at places with Asian employees, not using an umbrella in the rain because of their Chinese origins and living on a diet of white bread, since it's the only food he could find that's not of ethnic origin.
- Gareth Keenan from The Office (UK) provides the pagequote. While not as malicious as most other examples, he does show a subconscious prejudice towards certain groups of people.
- The Punisher: O'Connor, a member of Curtis Hoyle's PTSD support group, is a Vietnam War veteran and Silver Star recipient that continuously rambles about how minorities and bleeding-heart liberals have made the country a hellhole and people should go to arms and insults all other veterans in the group as "weaklings" for seeking help for their fractured psyches. Turns out that the guy is a Phony Veteran, having enlisted after Vietnam and never having seen combat, let alone anything that merited a Silver Star. He's only in the group to try to create a Right-Wing Militia Fanatic group (or something similar) and drives the borderline-nutcase vet Lewis Wilson completely over the edge with his hatred, turning him into a domestic terrorist that begins his killing spree by stabbing O'Connor in the throat.
- Al Bundy from Married... with Children is very bitter towards feminism and political correctness, which he blames for everything from his favorite TV shows being cancelled to his not getting any respect from his family to the generally sorry state of his life. He also has a visceral hatred of the French. That said, Al also has several black friends over the course of the series, who share many of his views and tastes, and join him in his political protests. He did vote for Obama in 2008 to get a $1,000 tax cut.
- Mike Baxter from Last Man Standing, who believes that modern society favoring more sensitive men is an attack on masculinity, is a firm believer of Political Correctness Gone Mad, and uses his Outdoor Man vlogs to push his views.
- Gregory Sallinger from Season 3 of Jessica Jones (2015) is a sociopathic serial killer that after being exposed to the public tries to portray himself as the underdog victim of a feminist crusade for the mere fact of being a white man.
- Brent Norwalk from The Good Place is a stereotypical middle-aged white American male who feels confounded by the changes of the modern world. He frequently makes various casually racist, sexist and classist remarks, believes that people rejecting personal responsibility and expecting handouts is a major problem in society, all the while being completely blind to the fact that he got handouts his whole life, and generally can't take a hint about learning humility until getting pushed to the absolute breaking point.
- The late '90s and early 2000s saw the rise of several popular genres of music, such as Nu Metal, Post-Grunge, Rap Rock (if not straight-up rap) and Alternative Metal, most of which came from white male performers. The perceived whiny arrogance of these songs, which all seemed to be about First World Problems, earned it the derogatory term of "Angry White Boy" music, as most of it's fans were young rich, white suburban wiggers. The Ben Folds song "Rockin' The Suburbs" is about exactly this, having been written as a Take That! towards the originators of nü metal themselves.
Lemmie tell y'all what it's likeBeing male, middle class and whiteIt's a bitch if you don't believeListen up to my new CD
- From Dragon Ball Z Abridged, we have a right-wing anchorman's opinion on why Cell is devouring entire cities:
"Now the Libs are surely gonna shout racism over this one, but this is just what happens when you elect a dog as king!"
- South Park:
- Eric Cartman frequently invokes this trope:
- In the episode Ginger Kids, Cartman plays this up to its fullest. First he accuses ginger kids of being some kind of vampire-like plague on humanity, then when he believes he's turned ginger he becomes a ginger supremacist.
- In Pee Cartman's xenophobia causes him to become a doomsayer as he realises that his favourite water park has more Latinos and black people than he's comfortable with. At one point he imagines being persecuted for his race as part of a new world order. This is a parody of the white genocide conspiracy theory.
- Again in World War Zimmerman, where Cartman treats black people like a plague, to the point where he attempts to kill Token and get off with a light sentence.
- Mr. Garrison is almost as prejudiced as Cartman; hating gays (despite being gay himself), Mexicans, Canadians etc. He's gone as far as to propose raping Canadians to death to protect America's values.
- PC Principal is an inversion. His attempts to appear enlightened and sensitive towards other groups is little more than a mask for his intolerance of other white men who don't toe the line.
- Eric Cartman frequently invokes this trope:
- Woody Johnson from Brickleberry.
- Invoked in Bordertown. The protagonist Bud Buckwald is a border security ranger who believes that Mexican immigrants will ruin the US... right before running into some white Spring Breakers making drunken asses of themselves.
Bud: (After being pointed out as the only white guy at his neighbor's barbecue) "Is that some kind of insult? We're still in charge! We still have the Vice Presidency!"
- Mallory Archer. The majority of her employees are white, she's intolerant of gay people and complains about how immigrants do nothing but "drive around listening to rap and shooting all the jobs".
- Man-Boy from The Powerpuff Girls (2016) is a macho Ron Swanson-wannabe who only turned to villainy because he hates the fact that women and effeminate men exist.