The answer depends on where the series falls in the Sliding Scale of Idealism Versus Cynicism.
A story can be idealistic or cynical towards any idea. In general, if the story values or is hopeful for a particular ideal, then it is idealistic. If the story criticizes, assaults, and accentuates the negative about that expectation, then it is cynical.
For a simple, archetypal example, let's assume that the idea to believe in is Humans Are Good/Rousseau Was Right. In idealistic series, those who believed it got lots of friends and a Happy Ending (therefore, Right Makes Might), while cynical series are Crapsack Worlds where those who believed it got ruthlessly bullied by everyone else (therefore, Might Makes Right). Of course, the definitions of "Right" and "Crapsack" in the above can technically mean whatever one wants them to mean.
However, be careful not to confuse idealism with straw optimism, cynicism with straw pessimism, and the scale as a whole with the Sliding Scale of Silliness vs. Seriousness. Also note that when this applies to characters, this does not mean good or evil. After all, it's perfectly possible for an idealist to be evil, and a cynic to be good. Likewise, a very cynical series could be quite lighthearted (see also: Crapsaccharine World), conversely a very idealistic series could be extremely dark. It's also true that comedies can be cynical as all hell (see also: Satire), and dark dramas can end idealistic (see also: A World Half Full).
See also: The Idealist and The Cynic for the archetypal characters. Less sane characters fit in this scale in their own way, with a Cloud Cuckoolander or an Loon With A Heart Of Gold leaning towards the Idealism side. For how both sides often portray each other, see Wide-Eyed Idealist/Silly Rabbit, Idealism Is for Kids!, and Grumpy Bear/Silly Rabbit, Cynicism Is for Losers!. See Cynicism Tropes, and Idealism Tropes for lists of each.
This particular sliding scale can be the topic of fierce debate. Each person will have a different point which they tend towards. Therefore, this scale is most useful in targeting demographics and those who are sympathetic to a certain world view, and identifying where on the spectrum one's own work is.
Cerebus Syndrome describes a shift from comedy to drama and this often also results in a shift from idealism to cynicism. Reverse Cerebus Syndrome is the inversion. When shows Zig Zag between the two, they're on a Cerebus Roller Coaster.
- Animated Films
- Anime and Manga
- Comic Books
- Fan Works
- Live-Action TV
- Newspaper Comics
- Recorded and Stand-Up Comedy
- Tabletop Games
- Video Games
- Web Comics
- Web Original
- Western Animation
- Silver Crisis has a huge part of the story focus on whether Strength comes from raw power, or from your own will/mindset and the help of others. The Scale slides towards the Cynical Side for most of the plot, with moments such as Lucas’s constant losing streak and status of being a burden to Lucario, Silver and Ganondorf’s Overwhelming Power, and the Corruption of Lucario’s former trainer in pursuit of this leaning on the side of “Raw Power means everything”. But by the end of the story, the scale lands firmly on the Idealistic side, showing that the trust Lucas and Lucario had for one another is what truly defeated Silver, as well as Lucas’s strength of heart and willingness to better himself being what allows him to truly unlock his hidden power and become truly strong.