The prototypical network executive's time revolves not around nurturing talent for the benefit of all, but around making him or herself look competent. That means appearing responsible for every success and innocent of every failing that the network might have, irrespective of whether this was actually the case. Plus, the people that the executive is trying to convince are his or her fellow executives, who are likewise having the exact same neurotic crisis day in and day out.
Nevertheless, the need to keep their channels populated with new shows means that their commissioning bodies will keep putting forward all kinds of shows that may or may not appeal to the network executives' sensibilities.
For this reason, the execs will sometimes find themselves in the unfortunate position of being in charge of a show that they do not understand and therefore do not know what to do with. This presents them with a tricky situation: if the show is a failure they risk losing face, but if the show is a success then they'll look redundant.
Alternatively, the show may be a legacy commission under your predecessor, which is worse because if it's a success, they'll have one up on you, but if you cancel it straight off, you'll lose all plausible deniability when people call you petty and small.
The answer to both of these problems, of course, is to screw the show over completely. Put it in a different time slot each episode, show it in the wrong order, bury it at midnight or in the Friday Night Death Slot, put it up against the other networks' strongest shows... do everything you can for it to build up a regular viewing audience that's not quite big enough to warrant the budget, but just big enough to cause some trouble when you cancel it for not "attracting the right audience." The big-screen equivalent of the Friday Night Death Slot are the Dump Months.
Okay, okay not all network executives are like this. There exist the individuals who intentionally seek out creative people to make shows that don't just copy one or another, and as they get promoted, they may become the very predecessors these shows are inherited from. However, screwing a show happens more often than you may wish to believe, and typically it's because they were apathetic.
Please try to avoid listing shows as being "screwed" just because of a disagreement over the reasons for their cancellation. Plenty of shows are canceled simply because they just weren't making any money even with the network backing it. This is about intentional sabotage (or at the least making decisions so stupid it looks like it was intentional), not "the mean network executives canceled my favorite show".
Often the cause of Follow-Up Failure. Compare Executive Meddling, Executive Veto, Invisible Advertising, Screwed by the Lawyers, and Screwed by the Merchandise. Also compare No Export for You, though that doesn't affect the actual production, but the export of a given product.
- Live-Action TV
- Pro Wrestling
- Tabletop Games
- Video Games
- Western Animation
Networks with their own pages:
- Cartoon Network
- Disney Networks (including ABC, Freeform, ESPN, Hulu and A&E Networks)
- V. C. Andrews' first novel, Gods of Green Mountain, got this in a way; written sometime in the 1970s, it was supposed to be split into three books and published in 1986, but wasn't (presumably due to Andrews' death that year). It seems that her publisher and estate sat on it for almost 20 years, and when it was finally published, it was as an ebook in 2004, when ebooks weren't as widespread.
- Disney heavily underutilized the Star Darlings series, with near-invisible advertising, a lack of merchandise in general, focus on the Star Darlings band of 5 instead of all 12 girls, and a shallower, shorter webseries compared to the more serious books, but the dolls are where things really get bad. Of the 12 Star Darlings, only the core 5 had both a Starland outfit and Wishworld outfit in the US (Cassie's Starland look was UK-only), none of the supporting cast got dolls, and Scarlet's doll barely resembles her official art and cartoon look. The books were canceled in January 2017 with three planned books being shelved, the webseries last aired in late 2016, and the toyline is similarly inactive, with Jakks Pacific ceasing producing the toys.
- Karen Traviss's Republic Commando Series was mostly jossed and had to be cancelled after the first Imperial Commando novel due to developments in the canon Star Wars: The Clone Wars.canonicity George Lucas had an entirely different vision of the Mandalorians than Karen Traviss, though Dave Filoni did borrow quite a bit of Traviss's worldbuilding for the Mandalorian story arcs in Clone Wars and Rebels (Lucas's vision of a pacifist, neutral Mandalore being represented by Satine Kryze's "New Mandalorians"). This led to Traviss rage quitting the EU (and posting a nasty rant on her blog comparing Jedi fans to Nazis).
- Terra and Terra's World were written as YA books, but published and marketed as adult science fiction. The poor reception resulting from this meant the publishers weren't interested in keeping them in print or publishing the third in the series. Mitch Benn eventually completed the trilogy through self-publishing.
- Democracy Now! was infamously, albeit temporarily, screwed over by Pacifica Radio in the year 2000 after Pacifica executives suddenly fired key staffers in the middle of the night and made its flagship station WBAI adopt an all-jazz format at the expense of its talk programs. Amy Goodman and others, fearing that this decision would allow Network Decay to set in, left WBAI in protest and temporarily Channel Hopped to another station. After five months of negotiations, Pacifica management caved and allowed Amy and her staff to return in January 2002.
- As of 2015, Pacifica Radio has been mired in public spats between presenters and executives over (among other things) promoting alt-med quackery and conspiracy theories; cutting hours and pay, and laying off some staffers, in violation of union rules; and failing to pay Amy Goodman an estimated $2.1 million in broadcast fees.
- WBAI's very survival has been an issue for two decades. Several disparate studio locations, millions of dollars owed to the Empire State Building for not paying for their transmitter, and a whole 'too many cooks in the kitchen' issue where a simple sale of the frequency to someone else in exchange for a smaller-range signal is a no-go have exhausted most New Yorkers (and the radio community at large) so much, the end of WBAI would be a mercy killing to most.
- Ronald Reagan's cuts to NPR's federal funding meant that the KUSC-FM radio play adaptation of Return of the Jedi got shelved for over a decade.
- Prior to changing their name to VeeStar, VEE Entertainment had a tendency to do this to shows that aren't Sesame Street Live. Barney Live in Concert only toured in select parts of the United States (along with Toronto, Canada), while Curious George Live! and Kidz Bop Live! had their tours cancelled without notice. A touring Hello Kitty convention produced by the company was also cancelled after only three stops. The only aversions that VEE has done were My Little Pony: The World's Biggest Tea Party! and The Muppet Show Live!, where both tours' last stop was Madison Square Garden, as well as producing DVD releases of the Bear in the Big Blue House and My Little Pony shows. This has toned down significantly following their acquisition of the PAW Patrol license, and the loss of their Sesame Street license to rival producer Feld Entertainment.
- The same thing Vee did happened to a few other companies' shows. Alvin And The Chipmunks and the Amazing Computer only stopped in a handful of cities including Chicago, while some of the Ice Capades shows have never come to any of the Mexican or Canadian border states, mainly the ones featuring Teddy Ruxpin and Barbie.
- In 2005, Disney, J. K. Rowling and Warner Bros. were in negotiations to create a Harry Potter theme park in Singapore. Around that time, then-Disney CEO Michael Eisner, who was the main architect of the negotiations, was fired and replaced with Bob Iger, who had little care for Harry Potter and significantly downsized the project to just a single ride, where guests could shoot at screens with interactive wands. Naturally, Rowling rejected Disney's plans and the negotiations broke down. Warner and Rowling eventually got better treatment when they went to Universal Studios, who proceeded to create The Wizarding World of Harry Potter, which became a major threat for Disney's place in the Orlando theme park market in the years that followed.
- According to various rumors, Disney screwed the original version of Journey into Imagination over by moving the entrance for Honey, I Shrunk the Audience to the front of the pavilion, thus making the entrance to Journey less noticeable and causing it to suffer a massive drop in attendance, which Disney used as a justification to overhaul the attraction, as both they and Kodak (the pavilion's former sponsor) wanted to revamp it. This ended up leading to disastrous results as the refurbed attraction received reviews so terrible that it was reworked again in 2002, to still mixed reviews.
- It's been alleged by insiders that Disney purposely allowed the condition of The Great Movie Ride to deteriorate over the years so that the attraction would receive terrible guest satisfaction scores, thus giving them a reason to shutter it, as they didn't want to continue paying to keep the ride open. There's also the fact that Disney's back catalog of films was much bigger than it was in 1989. It made the idea of licensing movies from rival studios feel rather pointless in comparison.
- The Creature of the Black Lagoon stage show in Universal Studios Hollywood had its run cut short when the theater it was housed in caught fire and was forced to close. An investigation revealed Universal rarely cared about the theater's condition and ignored multiple safety violations. As a result, Universal was forced to revamp the theater, and a year worth of millions of dollars later, the refreshed and much-more successful Special Effects Show opened in the theater.
- Channel Awesome:
- Obscurus Lupa's story of her departure reeks of this. First, Mike Michaud (and later Doug Walker) ripped into Lupa for putting extra midroll ads into her videos, saying that it was hurting everyone else by making people use AdBlock, even though she needed the midrolls to pay her bills. Then, Mike and Rob Walker forbade Lupa and the other reviewers from promoting their Patreon pages until a bad PR incident involving Suede forced them to relent. Finally, Mike and Doug tried to chat with Lupa while she was away from her computer and didn't know they wanted to speak to her, and waited fifteen minutes. When she got in touch, they told her she would be let go and have her videos removed for "ignoring them." The move clearly backfired as it caused Phelous and Andrew Dickman to leave the site in protest. Kyle Kallgren also left about the same time, but for unrelated reasons.
- Mike "The Birdman" Dodd was dropped from That Guy with the Glasses in April 2014 without being told, and he only found out about it a few weeks later when he tried to submit a new video to the site.
- Benzaie was similarly dropped in December 2014, though he found out when none of his videos were moved from the old TGWTG site to the new Channel Awesome site.
- T.J. Kincaid (The Distressed Watcher) claims that he started to get this treatment after Mike Ellis left the company. According to him, all of his new videos were pushed to the bottom of the upload feed, despite him being one of the more popular producers on the site, which led him to start to lose interest in making content. It came to a head when his "Gayest Music Videos of the 1980s" video was rejected - he initially thought that the channel heads had mistaken it for being homophobic, but was later told that it wasn't uploaded because Channel Awesome thought their audience would be too homophobic to accept it. Shortly after, he was called into a meeting with the company heads who told him that they'd be letting him go because they were afraid that his YouTube alter-ego (The Amazing Atheist) would scare off potential advertisers to their site.
- A document of stories from former staff and producers, released in April 2018, brought to light that this was and is a much more common occurrence than was previously known. A particularly egregious example detailed is Dr. Gonzo's account of his tenure at TGWTG, in which he was isolated from the rest of the contributors by Mike Michaud and was subsequently singled out for Michaud's gaslighting and abuse. Michaud also dismissed Gonzo's idea for the tribute show for JewWario following his suicide, reportedly telling him: "Nobody knows who you are. They won't care about anything you're gonna put together. We're gonna have Doug or Lewis or someone put something together. Someone people actually come here to see." Gonzo's show was abruptly and unceremoniously erased from the website during TGWTG's transition to Channel Awesome.
- According to the same document, MarzGurl was also targeted by Michaud. After she took Linkara's suggestion of starting her own channel on the now-defunct Blip, Michaud berated her for doing so without his permission, and only backed off after she apologized profusely and told him that Lewis had done the same thing. He repeatedly mislabeled her videos when they were posted on TGWTG, and attacked her again when she explained one miscommunication to confused viewers, accusing her of trying to make him look bad. He also frequently neglected to post her videos across TGWTG's social media platforms, giving her the impression that he was trying to make her "invisible" on the site and compel her to quit. When she did leave in September 2017, all of her videos were unceremoniously erased despite her nine-year contribution to the site.
- Another allegation put forward by former creators was that when To Boldly Flee was being filmed, nobody was told that the plot involved the final appearance of the Nostalgia Critic, since Doug Walker wanted to retire the character for good. Naturally, once the creators found out about it, many were less than pleased since the Nostalgia Critic was the main draw to the TGWTG site and his unilateral departure meant everybody else would likely see decreased views on their videos.
- This seems to have happened to Thug Notes. When Wisecrack took over the channel and switched to being slightly more entertainment based over educational, viewers would often be left unaware of new episodes, as the other content would overshadow the show. Apparently, Wisecrack aren't putting new episodes out on YouTube anymore, and have switched over to a podcast format.
- Played with by AMC regarding Knoxville-based Windsor Square 7, a Cinemark acquisition inherited from Carmike. The cinema has not once been renovated since the Cinemark days (with the possible exception of removing all references to Front Row Joe in order to avoid paying royalties to a competing theater chain), meaning the very '80s color scheme of the interiors remains to this day, but, proving Tropes Are Not Bad, the now-dated, tacky, and shabby interior look has been taking on a "vintage" appeal for having had to be put up with by more modern moviegoers for a long while.
- This trope is the reason Apple created its own retail stores. One of the problems compounding the company's Dork Age in The '90s was a lack of attractive displays in stores. Retailers devoted floor space to more popular (and profitable) PCs instead of Macs, usually relegating them to a corner of the store, if they sold them at all. They also often left the machines turned off, crashed, or set them up without a mouse, leading to an unfavorable first impression with potential buyers. The fluorescent lighting also didn't help, helping show off the various PC beige boxes, but doing no favors for Apple's machines. Apple stores were created to give Macs and other Apple products an aesthetically pleasing showcase. Apple has since gone back to selling their products in major retailers, though they insist on its products on being presented in specialized displays.
- Jumbo Pictures, producer of many fine Nickelodeon and Disney cartoons and shows, can be said to have been screwed by both Disney and Nickelodeon. The company started out producing Slice of Life puppet shows like Gullah Gullah Island and Allegra's Window, and animated shows like Doug for Nickelodeon. However Nickelodeon started showing less interest in educational values and more towards generic slapstick as time went on, and Jumbo's terms with Nick started degrading. Disney then made them dump Nick and subsequently bought them over. So far so good, right? After Disney's version of Doug, JoJo's Circus and PB&J Otter, Disney went against their wishes and used some of their characters in a music video that aired on multiple children's channels entitled "We Are Family: A Musical Message for All". Pinky Dinky Doo, their only success since they broke up with Disney and renamed themselves Cartoon Pizza, was cancelled in 2010 and they have since gone dormant.
- Polygram Home Video did this to two of their kids' properties: The Crayon Box and The Noddy Shop. Both were supposed to be released on home video. The Crayon Box's releases were cancelled for unexplained reasons, but the Public Service Announcement based on the poem still appeared on other Polygram releases. The Noddy Shop, however, only had the Noddy's Toyland Adventures segments released.
- Regal Entertainment Group is doing this to Downtown West 8 in Knoxville, Tennessee, where it is headquartered. When one moviegoer complained about having to go all the way to Asheville, North Carolina, just to see Pina in 3D, Regal's official excuse was that 3D was too expensive to install in Downtown West 8.
- Back before the creation of Amtrak, the Southern Pacific railroad was notorious among railfans for reducing the quality of dining aboard its passenger trains to reduce demand and justify cancelling passenger routes.
- This is exactly what AMC is doing to all of the former Metro Detroit-based Star Theatres locations that they had acquired in 2006. Most notably, all of the special effects eye candy that Star was famous for was disabled entirely by AMC. It has gotten to the point that AMC has even closed former Star locations in Taylor, Rochester Hills, and Southfieldnote , the latter of which was a flagship for Star, while permanently shuttering a six-screen wing at the Gratiot location in Clinton Township, Michigan.
- The German dub of the Chinese animated series The Legends of Nezha ran once in its entirety on RTL 2, and never reaired, making it hard to find online.
- The Qubo over-the-air network was Screwed by the Parent Company in early 2021 when Ion Television's new parent company E.W. Scripps chose to shut down the network and sister channel Ion Plus as part of an excuse to move Scripps' digital subchannel networks to the Ion owned-and-operated stations.
- If there can be a comicbook example there likely won't be a bigger one than Marvel Comics deciding to end all their series as a marketing stunt to promote the Secret Wars (2015) event note and once it ended relaunching all the titles, majority of them with unchanged creative teams and picking up right where the previous series ended. Every single of those books suffered a huge sales drop as soon as issue #2, many ending up canceled for real, and the rest struggling to regain their previous position.
- American Flagg!: Reuben Flagg, star of the hit series Mark Thrust, Sexus Ranger loses his job to his own CGI Tromplographic duplicate, then gets drafted into the actual Plexus Rangers.
- Lampshaded In-Universe in Calvin and Hobbes: The Series:
- The Mr. Potato Head Show: happens often, with the TV executives changing their minds about things in the middle of filming an episode of Mr. Potato Head's Show Within a Show, such as telling them that their superhero episode needs to be educational or a musical.
- The Ren & Stimpy Show: This happens to Haggis McHaggis's The Scotsman Show in the episode "Hard Times for Haggis."
- Seinfeld: Jerry and George had been pushing for a long time to get their "show about nothing" approved by NBC. Finally, their first episode is aired and is successful. However, at the same time, the head executive who had approved the show goes AWOL and is replaced by a vindictive woman who cancels the show out of spite.
- The Splinter: The network in charge of the games in the Realm has zero problems with killing players for the sake of boosting ratings and creating drama. Dying in the game means you die in real life. It's tough to get screwed harder than that.
- In Toy Story 2, Stinky Pete claims the Woody's Roundup TV show was cancelled in the middle of a cliffhanger when space toys surged (and, consequently, Woody's Roundup toys declined) in popularity following the launch of Sputnik. He lied. Eagle-eyed viewers might be able to spot the conclusion to said cliffhanger playing in the background in one scene. Perhaps not coincidentally, it's just before Pete reveals himself as the villain.
- In The Amy Virus, the teenage singer Amy Zander is forced by her label to record a song she hates. When she can't get it right, the label drops her and gets another girl to record it, and Amy herself falls into obscurity