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Creator / V. C. Andrews

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"Look, I'm not pretending this woman is Tolstoy. But she's a fantastic storyteller with a world view. What separates the writers who really hit is a world view. Plot is not ultimately enough. Flowers is not really a plot novel; it is a novel of sensibility, perception and, in a funny way, introspection."
— V.C. Andrews' editor Ann Patty
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Cleo Virginia Andrews, better known as V.C. Andrews (June 6, 1923 – December 19, 1986), was an American author best known for Flowers in the Attic, a novel infamous for its portrayal of Brother–Sister Incest. She wrote several sequels and produced other novels up until her death in 1986.

She has since become perhaps equally notorious for the manner in which her work has Outlived Its Creator. The real Virginia Andrews published only seven books in her lifetime. After her death, however, a ghostwriter (Andrew Neiderman) quietly took over at her publishers' behest, and has continued to churn out novels under the Andrews pen-name for decades ever since. Quite where the lines are drawn between any genuine unfinished manuscripts he may have completed, works "inspired by" her ideas but otherwise his own, and works entirely plucked from his imagination, remains officially unacknowledged. More than seventy books by him have appeared under the brand, though — over ten times more than the original author ever managed, and unabating even as the centenary of her birth approaches.

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It is widely agreed by V.C. Andrews fans that Only the Creator Does It Right, and there is a particular disdain for Neiderman. The original books she actually wrote are something of a Cult Classic.

In 2022 Neiderman published a biography of Andrews, The Woman Beyond the Attic.


Works:

     Ghostwritten works with trope pages 


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Tropes that apply to her:

  • Genre-Busting: Andrews' work is hard to classify because it skirts the edges of a bunch of genres but doesn't fit into them. In this essay, writer Sara Gran argues that Andrews was a genre unto herself.
    "Though there’s an obvious debt to the Brontë sisters, nineteenth-century sensation novels like Lady Audley's Secret, and Daphne du Maurier's Gothic fiction, at heart Andrews’s novels have little in common with the genres where they ought to fit. They’re too offbeat for romance, too slow to qualify as thrillers, too explicit for Gothic, and far too dark and complex for young adult. Many booksellers shelve them with horror, but Andrews’s concerns with family, emotion, and relationships put her books firmly outside the genre. Although the supernatural makes brief appearances in Andrews’s work, her largest topic is the all-too-natural tragedy of families gone wrong."
  • Middle Name Basis: She went by her middle name Virginia her whole life, even switching around her initials for her author's credit. Also intersects with Meaningful Name, since she was from Virginia, and the state itself embodies a lot of the Old Money and Southern Gothic themes that showed up in her work.
  • Moustache de Plume:
    • The reason she was Only Known by Initials. She said in a 1985 interview:
      Virginia: The publisher sent me a copy of the galley of Flowers in the Attic, and it read "Virginia Andrews." Then, when they sent me the cover, it said, "V.C. Andrews." So I immediately called up and complained. And they said, "It was a big mistake by the printers, and we can't change it—we've already printed a million copies of the cover and it's too expensive to throw them away." Then later, I learned the truth. It was an editorial decision. Men don't like to read women writers, and they wanted men to read the book. They wanted to prove to men that women could write differently—that we don't write only about ribbons and frills and kisses and hugs, that we can really write something strong.
    • Outside of the US, where V.C. Andrews was marketed toward women, the books were published under the name "Virginia Andrews." Ironically, since her cult status has risen after her death, some of these foreign editions have changed the name to her more familiar (in the US) initials.
  • Reclusive Artist: She shunned the spotlight, and there's a lot that's still not certain about her life, including only a handful of surviving photos of her. She only gave two known interviews, and many news outlets had to guess at what her age was when she died, reporting her to be in her 40s or 50s rather than the actual 63. Some of this was due to her physical condition: she had chronic rheumatoid arthritis and spent most of her adult life in a wheelchair.


Tropes common in her works:

  • Big Fancy House: Foxworth Hall in the Dollanganger Series, Farthinggale Manor in the Casteel Series, and Whitefern in My Sweet Audrina.
  • Big, Screwed-Up Family: The Foxworths are slightly ahead of the Tattertons in terms of incest and insanity, but only because they've been at it longer. Yet the Adares of My Sweet Audrina manage to pack a lot of crazy in a fairly small house.
  • Domestic Abuse: Another thing she is famous for. While her plots may be soap-opera like, her depictions of abuse—and even more, people's reactions to said abuse—are chillingly realistic.
  • Dysfunction Junction: Good luck finding a character in her work who doesn't have deep psychological damage.
  • Earn Your Happy Ending: The classic Andrews trope is "young girl in desperate situation dreams of better life; works, struggles, and schemes to achieve her dreams; finds out her dreams are actually even worse than the life she just escaped; repeat for five books." The lucky V.C. Andrews heroines make peace with their pasts, but rarely do they reach a happily-ever-after.
  • Generational Saga: Both the Dollanganger and Casteel series.
  • Gothic Horror: Andrews was credited for codifying the "children in peril" genre, in which children are frequently the victims or prisoners of their own caregivers, often with lots of Gothic trappings (grand, labyrinthine houses, convoluted family secrets, and so forth).
  • "Reading Is Cool" Aesop: It's not merely that Cathy and Heaven both love reading, but—more specifically—that they both use the escapism of stories as a way to cope. Virginia was a writer and book lover, after all.
  • Shock Party: There's a party, everyone is gathered to celebrate, and then disaster strikes. Maybe the person whose birthday it is never arrives to the party. Maybe the guests don't arrive. Maybe someone makes a scene. But almost every party in her books goes awry in one way or another.
  • Southern Gothic: Foxworth Hall in the Dollanganger books is located in Virginia, and as a result the stories broadly fit the category, even if they don't really display the conventions of the genre.
  • Theme Naming: The book collections have names with a noticeable theme: The Dollanganger Series has floral names ("Flowers", "Petals", "Thorns," "Seeds," "Garden") while The Casteel Series uses angelic themes ("Heaven", "Angel,").
  • Troubled Abuser: There is often a cycle of abuse in place, and many of the abusers are victims themselves.


Tropes common in ghostwritten works:

     Ghostwriter tropes 


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