Follow TV Tropes

Following

The New '10s

Go To

https://static.tvtropes.org/pmwiki/pub/images/2010s_6.png
A decade of spectrums, when there were protesters on the streets and superheroes on the screen...
"2013? I'm sick of hearing about 2013! If it's supposed to be 2013, how come I'm stuck driving this old beater instead of a flying car, eh? And why am I still wearing this threadbare old suit? Couldn't you give me something more dashing?"
Shunsaku Ban (to Osamu Tezuka), Astro Boy

The Twenty-Tens or Two Thousand (and) Tens. The Tense 2010s. That decade where all the jokes became real.

The first uses of the year 2010 surged late in the 20th century as a 20 Minutes into the Future date as the year 2000 was getting closer, apart from looking for something more original. The word "New" is used to distinguish the 2010s from the 1910s — arguably unnecessary since there are few people alive who remember The Edwardian Era (the current oldest living person as of 2019 was 7 when King Edward died, and just 11 when WWI began, and the oldest-known living Brit was 6).

In political terms, the decade began between 2008 and 2012, with the collapse of Lehman Brothers in September 2008 and Barack Obama's election as the first African American President of the United States in November. This was quickly followed by the swine influenza pandemic (2009); the first UK coalition government since World War II, the rise of WikiLeaks, the American Tea Party, the British UKIP, the Spaniard "Indignados" and the BP oil spill (2010); "Occupy Wall Street", the Arab Spring, the death of Osama bin Laden, Anonymous, the first American government shutdown since The '90s, the Tucson and Oslo massacres (2011); Vladimir Putin becoming President of Russia—for the second time, the Aurora and Sandy Hook massacres, and Barack Obama's reelection (2012). In popular culture terms, the decade began in 2010-12 with the rise of Hipster culture, which coincided with rock being replaced by electronic and urban music as the driving force of pop music. Smartphones and tablets quickly became commonplace, and Netflix and Spotify surged as major players, kickstarting the streaming business.

In the West, the decade began with young, cosmopolitan and progressive leaders being voted to replace the folksy, "gut feeling"-centered and conventional politicians that marked the 2000s. Their modernizing ambitions however ended up colliding with the realities brought upon by the economic downturn of 2005-10 and the Pyrrhic outcome of The War on Terror, which led to a widespread climate of distrust towards the establishment, embodied by the surge of populist movements both on the left and the right, gradually leading to a level of political confrontation not seen in decades. "Homegrown terrorism" became increasingly common, with politicians engaging into an endless debate about a response.

Social reforms (primarily regarding same-sex marriage) met with little approval and fierce criticism both from conservatives who did not ask for them as well from progressives who felt short-changed. The loss of economic certainty following the 2008-09 financial crisis led to calls for wider welfare provisions as well as the return of high-paying manufacturing jobs as the rise of the tech industry generated a long period of economic growth offset by little improvement at best for those not in said sector. A number of controversies regarding digital piracy and net neutrality generated more suspicion over the relationship between political and corporate interests, and the uncovering of the National Security Agency led to concerns about surveillance. Cases of police brutality against black people, anti-immigration policies, and hate crimes against minorities reduced faith on law and order among these groups. Feminism returned to prominence as the "gender gap" became a major source of concern. Towards the end of the decade, the exposure of prolific film producer Harvey Weinstein as a serial sexual abuser and anger over U.S. President Donald Trump’s alleged treatment of women kick-started the #MeToo movement,note  in which women (and some men) in Hollywood and beyond opened up about their experiences of sexual abuse, leading to the resignations and ostracism of many powerful men and the demand for greater sexual equality.

In the Arab world, the death of Osama bin Laden in 2011 did not end Islamic extremism. The Arab Spring, which began as a pro-democracy protest movement, soon gave way to civil war and brutal suppression in most places, particularly Syria and Libya. Many rebel groups sprang up (with those fighting the Syrian government being supported either by oil-rich Persian Gulf States, Western countries, or both) and began occupying territories that fell into anarchy after the U.S. pulled out of Iraq. Before long, during the second hald of the decade, the militant "Islamic State" had not only spread over numerous Arab countries, but also became infamous for taking hostages and beheading them. Their deeds also led to a massive exodus from those countries towards Europe and North America. The migrant crisis generated even more tensions, with anti-Muslim sentiments gaining traction over the ensuing rise in crime rates and fears that terrorists were trying to break through.

The East saw an increased influence over global affairs: China and (to a lesser extent) India largely avoided the Great Recession, becoming economic powerhouses, which seemed to make China Takes Over the World closer to reality. Russia recovered some of its Cold War-era power (becoming decisive over the Syrian conflict and supporting rightist populist movements throughout the West), and North Korea had the world worrying about a nuclear conflict with the West. In cultural terms, Japan's place as the continent's cultural and economic powerhouse became disputed by South Korea.

On the one hand, the early years of the decade were marked by escapist fare, such as Glee, the Marvel Cinematic Universe films, young adult-geared romantic dramas and "shiny reboots". However, sordid settings and cynical attitudes thrived in media, reflecting the turbulent sign of the times. Dystopian fiction (The Hunger Games, The Last of Us, Divergent) and horror films (The Purge) served as allegories for the growing social and economic divisions in American society. Dark cable dramas (Game of Thrones, The Walking Dead, Breaking Bad) took away the spotlight from broadcast network shows, and several franchises got acclaimed grim-and-gritty interpretations in the vein of The Dark Knight Trilogy. Even nostalgia got an ironic twist thanks to the Hipster subculture, ironically popularizing the past like never before, most markedly indicated by a noticeable burst in newfound enthusiasm for analog audiovisual media such as vinyl records, film stock, and CRT televisions. As the social climate became even more tense by the second half of the decade, escapism not only became totally unfashionable outside of kid-geared works, but also triggered a raging debate about works becoming either too politicized or not political enough.

The earlier years of the decade saw a change on what "manliness" meant in the West, while 1990s/2000s-era "lipstick feminism" took a more progressive, less debauched direction and popularized terms such as "empowerment" and "mansplaining", also reclaiming others previously used as slurs such as "witch" and "bitch", although by the end of it, gender conventions in general became openly questioned and defied. Similarly, LGBT characters began popping up in fiction and a number of celebrities came out/transitioned to little controversy, whereas the mere presence of gay characters in mainstream media had been an extremely touchy subject as recently as the end of the previous decade. In some ways, the late 2010s proved to be a turning point for the visibility of transgender and related subjects much like the late 1990's were for homosexuality.

After almost a half-century defining popular music, rock vanished from the mainstream (with only a few crossover hits), being replaced by Electronic Dance Music and Hip-Hop, as pop culture became increasingly centered on affluent urban, non-white and female audiences. Electronic Dance Music replaced the more upbeat Eurodance and Disco genres, and both cynicism and escapism were seen in this era of music videos. Whereas more adult-oriented music videos of the past tended to be upbeat and exciting, in this era they were often marked by the aesthetics of being tired or depressed. The beginning of the decade also marked the revival of the "musical heartthrob" phenomenon — but, this time, American acts took a backseat to those coming from Great Britain, whose culture became popular again as it gained a reputation as being highly sophisticated relative to more lowbrow North American counterparts. During the second half of the decade, Hispanic "Reggaeton" and Korean "KPop" acts became popular around the world after years of unabated dominance of their home bases.

While globalization became increasingly unpopular in politics, entertainment in general became more international (a notorious example being the influence of the Chinese market over Hollywood and sports), something attributable to the rise of mobile technology, which allowed anyone to keep "in touch" anywhere, absorbing social lives to a degree unimaginable ten years earlier. This also allowed "selfies" and "memes" to spread worldwide instantly. From a commercial point of view, online advertising encouraged some authors to prioritize the work over the earnings, and develop closer relationships with their fanbases. Content-wise, this also led to a substantial increase in creative freedom compared to the increased scrutiny in the mainstream, a development made visible by the explosion of streaming services, with series such as House of Cards, Orange Is the New Black, Stranger Things and The Handmaid's Tale becoming huge hits. Meanwhile, Hollywood became dominated by superheroes, animated movies, continuations/reboots of popular franchises and action vehicles, with Disney gaining an unprecedented domination of the movie industry: out of the 10 highest grossing films of the decade, only Harry Potter and the Deathly Hallows Part 2 and Transformers: Age of Extinction were not made by the company.

The success of apps like Uber and Airbnb led to hopes about the rise of the "collaborative economy," while Amazon was thought to solve whatever problem consumers could have. By the second half of the decade however, technological optimism gave way to skepticism (in the best of cases), as tech giants were blamed for the tribulations of numerous trades, and social media was now seen as a soapbox of sorts for scurrilous information and social engineering. The fact that start-ups from Twitter to Airbnb have spent their entire existences in the red has only flared alarms further.

For the first time since The '60s and '70s, the political and economic climate that began to take shape in 2014–2015 came to impact the socio-cultural lens in an inescapable fashion, especially compared to the "alternative" trends of the late 90s, 2000s and early 2010s (2010–2013), with an important focus on feminism and minorities. This caused a tremendous culture shock that extended even from early 2020s, and there is a good chance that, as in the 60s, this trend will extend beyond the decade. While chronologically the 2010s ended on December 31, 2019, a number of events from 2014–2019 marked a turning point that changed the political landscape into a vastly different one compared to 2010–2013, beginning with: Putin's Russia arising as an "anti-centrist" force in 2013-14 with the Syrian and Ukrainian crises, the global rise of populism, ISIS terrorizing Europe in 2015 and the Islamic migrant crisis, all of which triggered the populist wave that elected Donald Trump and decided Brexit in 2015–16. Meanwhile, there was also the Hollywood #MeToo scandals, questioning of gender conventions, the dominance of sci-fi/superhero, musical, and animated films over the box-office with more serious productions turned to streaming, the rise of trap and non-English pop music along with the quick decline of EDM and electropop divas, the various internet controversies and their lasting impact on media discourse (and arguably online discourse in general), and the general politicization of media. It's no wonder why many people believe that early 2010s felt like a very different decade than anything to come.

Check out the Useful Notes page for more details on notable aspects of this era. For current events that occurred during this decade, see its real life page.

See Also: The Turn of the Millennium and The New '20s, and The Millennium Age of Animation.


Tropes associated with the 2010s:

    open/close all folders 

    Tropes #-G 
  • '50s Hair: Elegantly-coiffed "Teddy Boy" hairstyles styled with retro products like pomade (themselves based on late 19th/early 20th century styles) made a comeback among men in reaction to the unkempt "skater look" of the late 1990s and 2000s.
  • The '70s: The final years of the decade see a revival of wood and earth-tone palettes, although with a sleeker look. Many of the garish malls and shopping centers of The '90s get more earthy and subdued makeovers during this decade. Crystal glass and mirrors find their way back into interior design.
  • '70s Hair: Returned to popularity among men both at the beginning and the end of the decade. The shaggy haircuts of Justin Bieber and One Direction and other carryovers from the aughts were popular among teenagers during the early 2010s. Longer hairstyles got a boost later in the decade as the "New Wave" undercuts became associated with the alt-right and white nationalists. The hipster subculture also made beards and mustaches fashionable again.
  • The '80s: The nostalgia craze of the mid-2000s turned into a full-fledged revival early in the decade, getting to the point of blurring any considerable differences between both decades. Shows set in the 1980s like Stranger Things and The Goldbergs as well as movies (such as Kung Fury and Turbo Kid) and video games (Undertale and Hotline Miami) with an undeniable 80s inspired aesthetic have become popular with certain crowds. The '80s aesthetic is also quite popular, nicknamed as "Outrun" after the video game of the same name, as well as inspiring its own musical genre, Synthwave, which is heavily inspired by the Electronic Music, Synth-Pop and New Wave Music sounds so popular in the decade. Even though it has begun being supplanted by '90s/early '00s nostalgia in the second half of the decade, there's still an undeniable sense of '80s nostalgia nonetheless.
  • '80s Hair: Returned with a vengeance by 2013-14, after being the Butt-Monkey of hairdos for many years. Most prominently big hair and New Wave undercutsnote ; you were still very unlikely to see mullets on someone who's not a middle aged biker, a Butch Lesbian, or both, but the hairstyle has found popularity among trans women. Big curly bangs/fringes have yet to make a comeback, and while mini side ponies came back, tying all hair on one side of the head did not. Scrunchies made a comeback late into the decade.
  • The '90s: The 1990s were no longer regarded as the latte-overdosed downbeat years everyone thought of in the 2000s, and the decade itself had a very vocal fanbase on the net (mainly consisting of those whose formative childhood years were spent in that decade), the late 90s being particularly remembered as a more peaceful and prosperous time before 9/11, The War on Terror, and the Great Recession. Grunge saw a resurgence among the "indie" subculture, "Golden Age" urban music was rediscovered by shows like Fresh Off the Boat and the film Dope, and the Lighter and Softer "Cool Britannia" regained some of its coolness. Not to mention that some furry toys caused a holiday craze once in 2013. '90s TV shows like Friends and Seinfeld were popular on streaming services.
    • Disney once more became extremely trendy after having Regrown The Beard near the end of the previous decade. The fact that many of the new movies hearkened back to the style of movies they created in the 90's (or the 70's, even the 50's) wasn't missed.
    • The 90s practically came back for Eastern Europe and Central Asia - specifically Russia, essentially all other post-Soviet states except perhaps the Baltic states and most especially the former Yugoslavia - except for the fact that this decade was anything but a fun time for them. And while Russia seemed determined to climb back to the status of the former USSR by any and all means (and did quite well, for good or ill), the Baltic states and former Warsaw Pact states such as Poland and the Czech Republic did comparatively well after the EU enlargement and the Balkans somewhat recovered... but for Ukraine, Moldova and especially the former Soviet republics of Central Asia (with the exception of Kazakhstan), things only got worse and worse.
  • '90s Hair:
    • For older women, the infamous "Karen" haircut gained an infamous memetic reputation.
    • For younger women, sleek Rachel bobs, sideparts, and high fountain ponytails became vogue by the second half of the decade.
  • Action Girl: Though bonafide female action heroes had been around for a few decades, with the likes of The Avengers' (the British TV series) Emma Peel, Aliens' Ripley, Tomb Raider's Lara Croft or Metroid's Samus Aran, these generally were considered to be little more than dudes with added sex appeal (and skimpy clothes), while attempts to have feminine action heroes ended as quickly as they began in the 2000s with the failures of Catwoman (2004) and Elektra, and it was thought that the best a woman could hope for was to be the love interest with a Designated Girl Fight. Then the 2010s saw a sudden wave of female-led action films such as Snow White & the Huntsman (2012), The Hunger Games (2012-15), Divergent, and Lucy (both 2014) and Mad Max: Fury Road (2015), all of which not only became huge hits, but pretty much flattened the notion that Feminist Fantasy and butt-kicking (if not outright bone-crunching, steel-shattering, over-the-top extreme action) were mutually exclusive genres. The Star Wars sequel trilogy made its lead protagonist a woman, while female characters (outside General Leia) became more prominent instead of being satellite characters. On television, the likes of Once Upon a Time, Jessica Jones (2015), Agent Carter, The Legend of Korra, and Supergirl (2015) all were very female-driven and enjoyed success. In the realm of video games, the Tomb Raider reboot, Horizon Zero Dawn, and Alien: Isolation featured female protagonists that greatly downplayed any fanservice while emphasizing their skills and character arcs. This culminated in the Wonder Woman movie finally leaving Development Hell and being released to widespread acclaim in 2017.
    • In professional wrestling, this was also more pronounced. After years of being held back or suffering Chickification, WWE's women were allowed to finally wrestle properly — enjoying more time, high profile feuds and more exposure than ever before. Even before WWE got in on the trend, independent promotions like SHIMMER and WSU enjoyed a boom with the rise of the internet — allowing them to reach a wider audience that did want to see serious women's wrestling.
  • Adorkable: Shy, intensely idealistic, overly emotional, and borderline sissy (or downright asexual) intellectuals (known as "softboys" to their fans and "soy boys" to their detractors) became the unlikely attractiveness standard for males during the first half of the decade, while overtly masculine archetypes were either mocked or denounced with often exaggerated examples. The users of Tumblr had a knack for gathering all of their idols' adorkable character traits into a nine or ten-piece photoset to share with other fans around the world. The term "sapiosexual" (attraction towards intellectualism) was also coined during the decade. It evolved into the "dark academia" aesthetic of the following decade.
  • Affluent Ascetic: The rampant consumerism of the 2000s gave way to frugalism in the aftermath of the 2008 crisis, with younger generations in particular ditching name brands in favor of generic "private-label" products. Trends in the property market shifted from the palace-like "McMansions" in the suburbs to more functional, efficiency-driven inner-city "smart-homes".
  • All-CGI Cartoon: Major animation studios still preferred these to traditionally animated films. Disney was the key exception post-2009, but neither The Princess and the Frog or Winnie the Pooh (2011) were as popular as all-CGI films, and their original plans to release a 2D film every other year died when Frozen (2013) was switched from 2D to CGI. Digital animation resulted in pastel colors being the norm in many cartoons, such as Star vs. the Forces of Evil and Steven Universe. At the same time, it sometimes led to Off-Model animation errors such as those seen in The Powerpuff Girls (2016). Ironically, however, studios began working to create CG technology that would accurately produce a traditional 2D appearance. The Paperman short for instance is a combination of CG and 2D animation. It also was a critically-acclaimed short that won multiple awards.
  • Ambiguous Gender: Gender conventions became heavily questioned in the mainstream, with many openly defying them, most notably by the rise of dyeing and makeup among men and women shaving their heads partially or fully. Fashion designers also put "gender-neutral" outfits on the runways. By the end of the decade, the decidedly androgynous look of "e-boys" and "e-girls" jumped into the mainstream.
  • Anti-Hero: Mean-spirited (if not totally evil) leads became more prominent in TV thanks to the popularity of Walter White, Tyrion Lannister, Rick Grimes, Don Draper, Frank Underwood, and Nucky Thompson among others. Sadly, James Gandolfini, the actor behind TV's first big anti-hero, passed away in 2013. This trope became more popular in anime as well thanks to characters like Accelerator and Lelouch. The late years of the decade saw the rise of female anti-heroes, although mostly in the more traditional sense of the word (sympathetic characters going through a lot of troubles and existential doubts) with shows such as The Marvelous Mrs. Maisel and Fleabag.
  • Archer Archetype: Became more prominent in many media thanks to characters like Link, Daryl Dixon, Oliver Queen and Katniss Everdeen, among others.
  • Archive Binge: invoked The popularity of online streaming services such as Netflix and Hulu actually led to shows regaining a second life. In fact, several shows became exclusive to online avenues, with some even getting Un-Cancelled. This effect gave Breaking Bad a huge surge in popularity before its final season, going from cult hit to cultural juggernaut. All the existing episodes were available on Netflix when it swept the Emmys meanwhile the final season was being filmed, so people who heard about it could check out the first episodes, get hooked, watch all the episodes, tell some friends to watch it and then tell all their friends to do the same...
  • Ascended Meme: Considering how much closer creators and fandom were now (primarily on web-based content), this became common.
    • In terms of how deaths in the 2010s affected future works: Heath Ledger's death in 2008 prevented his Joker from reappearing in 2012's The Dark Knight Rises, Leonard Nimoy's in 2015 forced rewrites for Star Trek Beyond that would allow them to write around his absencenote , and while Carrie Fisher's death did not affect The Last Jedi (as all her parts were already filmed), it affected Episode IX, as she was planned to be the main "original trio" that the film focused on note .
  • Axes at School: School shootings (and mass shootings in general) made more and more international headlines in this decade, as well as increasing the debate over gun control, making it an even bigger discussion topic in the US. The Sandy Hook shooting in 2012 and the Marjory Stoneman Douglas one in 2018 were among the most notorious. In the music industry, Foster the People had it as the theme of their 2010 hit "Pumped Up Kicks".
    • In Brazil, two such incidents also happened in this decade. They were the Tasso da Silveira Municipal School shooting in 2011 and the Professor Raul Brasil State School one in 2019. Notorious also for being the first of this kind in the country.
  • Basement-Dweller: Many works showed young people being forced to move back with their parents (either playing this trope straight or subverting it), unable to go ahead in a post-Great Recession economy. The trope name was also used as an online slur.
  • Big, Fat Future: The obesity epidemic hitting developed countries truly began to take hold; plentiful, high-calorie food made everyone go up a few pant sizes and stories portraying futures full of overweight people began to emerge because of this.
    • In urban areas of the United States, the reverse happened, as many people became more health and fitness conscious (especially with regard to diet) as a result of the above.
  • Big Ol' Eyebrows: For the first time since the '80s, thick eyebrows were fashionable for people of all genders. Many women tried to obtain fuller, darker brows opposed to tweezing. Unlike in the '80s however, the ideal eyebrows had to be highly groomed and sculpted to an angular shape, similar to a common '60s look. Popular sex symbol Cara Delevingne had a significant influence on this trend. Well-groomed thick eyebrows were even given a slang in the African-American community: "on fleek" became a relatively widely-used idiom.
  • Bishōnen: This trope, along with sports anime and manga, got more popular among North American anime fans thanks to tsuritama, Free!, K, and Haikyuu!!.
  • Blazing Inferno Hellfire Sauce: Asian hot sauces—which are known for being quite a bit spicier than their North American counterparts—become noticeably more popular in the United States and Europe. In particular, sriracha (a traditional Thai chili sauce introduced to the U.S. by way of Vietnam) becomes the subject of a major American craze after the California-based company Huy Fong Foods introduced their own brand of it. It eventually became ubiquitous enough that Scrabble formally added the word "sriracha" to their dictionary in 2018.
  • Boy Band: They came baaaaaaaaaaaaaaaaaack! But unlike the late-90's wave, only One Direction became notoriously successful; the rest of this new generation of boy bands was generally minimally popular, like The Wanted and Big Time Rush. The only other boy band besides 1D to have any reasonable success this decade were the Australian pop-rock group 5 Seconds of Summer, their opening act on their second and third world tours and whose status as a boy band is highly disputed. At least, until Kpop boy bands, especially BTS, became extremely popular in the West in the last few years of the decade.
  • Boyish Short Hair: In the West, 60s-inspired hairstyles became popular early in the decade (in particular the "pixie" variety), while partially- or fully-shaven heads gradually became mainstream throughout the decade, first among the African-American community before extending to women of all ethnicities.
  • Breakaway Pop Hit: After the soundtrack hit had become irrelevant since the late 1990s, it made a huge comeback in 2012 with "(The Theme From) Skyfall" (joined by the positive reception "Cups" and "Suddenly" got that same year)note . By the middle of the decade, these became increasingly ubiquitous, with "Happy", "Let It Go", "Boom Clap", "The Hanging Tree", "Love Me Like You Do", "Earned It", "See You Again", "Can't Stop The Feeling", "Remember Me" and "This Is Me" among others becoming very successful since then.
  • British Brevity: Cable and streaming series shunned the traditional 22-to-26-episodes-a-year "American season" in favor of the more flexible "British system" of 6 to 13 episodes, seasons not necessarily adjusting to a yearly schedule, making it easier to "binge-watch". By the tail end of the decade, The CW became the first American free-to-air network to adopt this scheme by having its series air "events" (lasting from 4 to 8 weeks) throughout the yearnote .
  • Buffy Speak: The use of surreal language for humorous effect became quite popular in the later years of the decade, especially among younger people. Notable examples included "Because reasons" (i.e. "For reasons I don't feel like explaining"), "Because fuck you, that's why" (i.e. "For illogical reasons"), and most notoriously, "That's a thing" (i.e. "That exists" or "That's a recognized phenomenon").
  • Bury Your Gays: This trope became mostly discredited in fiction after the avalanche of LGBT characters being killed off sparked a major backlash in 2015/2016. While it still popped up on occasion, straight uses in widespread (and especially internet-popular) media were much more likely to attract criticism and controversy.
  • Capitalism Is Bad: The creation of publications that openly denounced capitalism, such as the Jacobin and Current Affairs magazines and podcasts such as Chapo Trap House that blended humor with left-wing politics, accompanied the resurgence of socialism in the Anglosphere in the wake of the Great Recession. At the same time, science-fiction and dystopian media, such as Black Mirror and Sorry to Bother You, increasingly critiqued what was known as "Late Stage Capitalism" and its impact on society, and various genre films by the end of the decade like Joker, Parasite, Ready or Not, and Knives Out sent up the rich and portrayed the bad effects of their wealth and the excesses of capitalism on others, which continued into the following years with works like Squid Game. This was almost certainly a reflection of the growing population of creators and young adults who came of age in the immediate aftermath of the disastrous Great Recession of 2008.
  • Career Versus Family: Between having entered the job market during the Great Recession and being forced into part-time or minimum-wage jobs which did not allow for the sense of stability that would encourage starting a family and penchant for academic excellence and searching for "meaningful" work justifying said excellence, younger generations began delaying the prospects of forming families, if not reconsidering them altogether. Both the "new left" and nationalist right attacked capitalism for this, although the left was less interested in preserving traditional families so much as they were opposed to what they saw as capitalism dehumanizing workers to be soulless drones, while the nationalist right loathed the degradation of traditional society in favor of "get-rich individualism". note 
  • Cassette Futurism: Vinyl records and cassette tapes made a comeback in this decade even alongside digital technology.
  • Continuity Reboot: Several franchises saw remakes and reboots during this decade. Some were successful, but many others were critical and commercial failures, especially those of which only had their last installment less than a decade previously. Many called this trend a sign that Hollywood had run out of ideas.
  • Continuity Lockout: With the trend toward long-running story arcs and the expectation that new fans would be able to catch up on earlier seasons on streaming services, this became the rule rather than the exception for dramatic television.
  • Cool Big Sis: This trope was increasingly popular in pop culture media alongside with Plucky Girl. Specifically in the anime medium where the Little Sister Heroine character archetype got a lot of backlash which led to criticism of this trope from top anime directors and producers (i.e. Yoshiyuki Tomino), which led to a meme of "Age of Onee-san."
  • Cosmic Horror Story:
    • H. P. Lovecraft enjoyed a renewed popularity during the decade, with the Library of America compiling a large anthology featuring much of his work (more or less announcing that Lovecraft, and horror fiction by extension, was now part of the canon of great literature). Likewise, a number of Lovecraft-inspired fiction and horror seeped into mainstream works. Ridley Scott's Prometheus and Alien: Covenant made the cosmic horror subtext of the original Alien series into text.
    • The first season of the highly popular True Detective drew inspiration from Film Noir as well as New Weird works by Lovecraft and Thomas Ligotti to articulate a pessimistic cosmic view of the universe, as a random mistake that is not comprehensible to human imagination. The popular Dark Souls games as well as Bloodborne and the sci-fi franchise Mass Effect also drew heavily on Lovecraftian concepts to articulate a less heroic and more terrifying approach to the RPG genre.
    • Lovecraft Lite tropes that lean heavily on cosmic horror also became popular, with the highly popular [adult swim] series, Rick and Morty more or less submitting Back to the Future and Doctor Who style optimistic sci-fi adventure to a Deconstructive Parody by showing that a Mad Scientist Eccentric Mentor with physics-rewriting abilities would more or less have Blue-and-Orange Morality as a result of daily confronting mindbending threats from outer space every week or so.
  • Creative Sterility: The need for cost-cutting in the wake of the Great Recession (and scriveners becoming more expensive after the WGA strike) ultimately led to a general sense that originality is in its way out in the mainstream for the sake of economic efficiency. This is often cited as one of the reasons for the success of subscriber-based and web-original content.
  • Creepypasta: While the origins of the genre itself are nebulous and difficult to pin down, with disputing sources putting the title of "first creepypasta" anywhere from the chain emails of the early 90s to Ted the Caver in 2001, the art form saw its greatest point of saturation and widespread public knowledge in the early years of this decade, with The Slender Man Mythos, inarguably the most influential example kicking off a massive wave of "fake urban legends" that eventually became more-or-less part of the actual cultural canon. Subsequent years would see occasional spikes in popularity as particularly well-received or infamous pastas floated to the top of the pile (1999, Candle Cove, NES Godzilla Creepypasta, and so on), while later years would see the growth of the SCP Foundation, which started out as this but later evolved into something more multifaceted and hard to nail down. This decade would also see the first examples of creepypastas adapted into the mainstream media, with the results ranging from mediocre (Slender Man) to well-recieved (Channel Zero).
  • Critical Dissonance: This decade saw audiences actively rebelling against critics, the general consensus being that critics were too unreliable and biased against anything popular. This opinion shifted between 2016 and 2019, with critics now being seen as too influenced by current fads and too moralistic.
  • Dance Sensation:
    • Every year had one:
      • The "Dougie" of 2010;
      • The Party Rock "Shuffle" of 2011;
      • The Gangnam Style of 2012;
      • The Harlem Shake and later twerking of 2013;
      • For 2014, we saw the Jive Turkey-influenced "Happy Walk", the Real Women Have Curves empowered "All About That Bass", and the Shmoney Dance;
      • For 2015, we watched Silentó (Whip/Nae Nae), iHeartMemphis (Hit the Quan), and Drake bopping the Hotline Bling;
      • For 2016, we saw the "Running Man Challenge", The Trumpets Dance, "Juju On That Beat", and the "Pen-Pineapple-Apple-Pen" (and the "Black Beatles" Mannequin Challenge, though it's not exactly a dance).
      • In 2017, we saw n a craze over Latin dancing (Despacito) and "Beep Beep, Imma Sheep."
      • In 2018, we saw Momoland singing "Bboom Bboom", and Drake expressing "In My Feelings" outside his running car, a dancing alien in El Chombo's Dame tu Cosita, and the Fortnite dances.
      • In 2019, we saw TikTok videos of people tuning in to "Bitch Lasagna", "Old Town Road" and "Bad Guy"
    • Although it's considered a dance fitness program, Zumba, with its upbeat and spicy choreography influencing from street dancing, hip-hop and Latin ballroom dance, spread explosively to every gym throughout the world.
  • The Dandy: Mixed with Hipster tendencies. The man sharply dressed with tight clothes, bright pastel colors (with a pair of Nerd Glasses) revived throughout the decade.
  • Darker and Edgier: A popular trend with many media reboots, and many works aimed at younger audiences featured teen heroes in dystopian societies. The trend may have been kicked off by The Dark Knight Trilogy, Christopher Nolan’s mature and dark take on the Batman franchise.
  • Deep South: With a new cultural focus on racial issues, a number of pro-Reconstruction historiography castigating the Lost Cause entered the mainstream, as in the case of films like Lincoln, 12 Years a Slave and also Django Unchained, all taking place in a more negative version of this setting.
  • Deliberate VHS Quality: No one before the 2010's would have romanticized the grainy, tracking line-ridden quality of an overused VHS tape, but due to the 80's nostalgia wave of this decade many in visual media used analog filming techniques such as this for stylistic reasons; standing in direct opposition to ever higher quality flat screen smart televisions on the market. This trope especially appeared in (but was certainly not limited to) music videos, and was a fixture in Synthwave music.
  • Disaster Movie: After falling out of favor for almost a decade (because of September 11th and Katrina), the genre saw a significant revival. Movies of the genre also tended to overlap strongly with Survival Horror. The genre also saw multiple parodies, most notably with Sharknado, which fully embraced its cheese factor with a ridiculous premise too absurd to take seriously.
  • Dogged Nice Guy: Use of this trope in fiction shifted towards deconstructions and subversions. You could expect any stereotypical example (or any character who repeats the once-accepted wisdom that "girls only like assholes, not nice guys like us") to be portrayed as an emotionally-abusive, misogynistic creep with entitlement issues who isn't nearly as nice as he claims to be.
  • Dramedy: The genre saw a surge in popularity throughout the decade, with basically every comedy handling serious issues in a regular basis instead of the occasional Very Special Episode (except for most works indulging on Cringe Comedy).
  • Dye Hard: Dyeing one's hair in unorthodox colors (most notably gray, blue, and pink) became an interesting and extremely popular trend during the decade, especially among millennial women. Trends included ombre hair, "galaxy" hair, and "mermaid" hair. It caught on among older people too, as Helen Mirren decided to dye her hair pink on a whim - inspiring quite a few more as noted here.
  • Dystopia: The first half of the decade was full of teen-oriented works featuring dystopian settings with young protagonists rebelling against oppressive regimes.
  • Eat the Rich: Mixed with Capitalism Is Bad. 2019 alone saw four films (Knives Out, Parasite (2019), Ready or Not and Joker (2019)) about poor/working class protagonists facing off against wealthy snobs, and all four connected strongly with moviegoers.
  • The End of the World as We Know It: A radio host predicted The Rapture was going to happen on May 21, 2011, which obviously did not happen. There were also predictions that the world could end on December 21, 2012 due to changes in the Mayan calendar, and that did not happen either. And with North America's brutal 2013-14 winter (not to mention the following one as well), there were whispers of Ragnarok.
  • Environmental Narrative Game: This subgenre of Adventure Games first emerged in the previous decade, but exploded in popularity in this one with the release of critically-acclaimed and commercially-successful independent titles like Dear Esther, Gone Home and The Stanley Parable.
  • Everything Is an iPod in the Future: The aesthetics of this decade tended to be more eye-catching without the Design Student's Orgasm and Wall of Text coming around. The skeuomorphism of the late 90s and early 2000s morphed into a futuristic, yet still glossy interface following the success of Apple's candylike icons and Windows 7's Aero in 2007-2009, then shifted to a more crisp and dual/triple-toned minimalist interface around 2012-2013 with Microsoft's Metro UI and iOS 7 inspiring simplistic yet informational looks. Even Google modified its iconic logo, "flattening" it (in 2013) and stripping its serifs (in 2015) for a cleaner look.
  • FairyTale/Fractured Fairy Tale: TV shows such as Grimm and Once Upon a Time as well as many Darker and Edgier film adaptions of classic Grimm fairy were prevalent through out the New 10s. Disney's Alice in Wonderland (2010) would even kick of the trend of live action remakes of classic films, most of them already based on fairy tales.
  • Feminist Fantasy: This decade saw an emphasis on female protagonists being portrayed as strong, something previously limited to "unwomanly" characters. Television was a real promised land for this subgenre — Once Upon a Time, iZombie, Jessica Jones (2015), Agent Carter, Orphan Black and Supergirl (2015) all proving to be popular hits. Film caught on eventually, Disney especially introducing really strong feminist themes into Frozen (2013), Maleficent and Moana. Strong female heroes including Furiosa, Rey, Jyn Erso, Wonder Woman, Valkyrie, and Shuri and Nakia absolutely dominated science fiction, fantasy, and superhero films, all of which had long been criticized for male-heavy casts. The website The Mary Sue was even established to cover all these types of things.
  • First Installment Wins: The first half of the decade, particularly the first four years (2010-2013), are widely considered to be its best due to being benevolent in comparison to the turbulent second half.
  • For Happiness: The millennial and "Zoomer" generations were noted for their near-obsessive pursuit for perpetual bliss (or at least self-gratification), especially considering Gen-Xers' well-known dourness. While many considered that this was quite justified, there was also criticism regarding potential issues (even psychological) that this might bring sooner or later, especially among Zoomers. On the other hand, this was inverted late in the decade as it became popular to claim having depression or other mental conditions, which met divided reactions over either this helping awareness of those issues or just making them harder to take seriously.
  • Food Porn: People flooded social media with pictures of what they were eating. This caused restaurants to emphasize presentation.
  • Foreign Culture Fetish:
    • British culture (primarily music, fashion, literature and TV shows like Doctor Who, Sherlock and Downton Abbey) once again became popular around the world during David Cameron's premiership, particularly among young Americans (with quintessentially British words such as "posh" and "queue" briefly entering the American lexicon during the early-middle years of the decade), although this seemed to vanish as Britain's general fortunes tanked after the 2016 Brexit referendum.
    • During the second half of the decade, Canada became the Anglosphere's cultural center. Already popular because of two fellows called Justin (Bieber and Trudeau), two called Ryan (Gosling and Reynolds), and one called Drake, the contentious 2016 US election led many Americans to seriously ponder a move north of the border (although none of the celebs pledging such a decision in the event of Donald Trump's election did so) with Prime Minister Trudeau being looked up to by Americans as the antithesis to Trump (being even more popular than in his home country), while Brits began looking up to their Canuck cousins as they began to sour on Brexit.
    • While not as prominent in the mainstream as it was in the previous decade, German and Scandinavian culture still enjoysed a loyal following not limited to metalheads—Nordic minimalism (particularly the "hygge" current) defined the lifestyle trends of the decade.
    • In regards to Eastern culture, Japan saw in South Korea a credible contender in the battle for gaining the favor of Western audiences as "doramas" and the urban-inspired K-pop genre exploded in popularity, as well as in electronics, as Samsung and LG are headquartered there. The Land of the Rising Sun still had the upper hand when it came to video games, manga, and anime. The cuisine of both countries was considered sophisticated.
    • The mutual admiration between Hispanic and black culture intensified during the decade, while a "Latin craze" surfaced across the US beginning in 2016-17 as a pushback against growing anti-immigration sentiment in the country, with Mexican cuisine gaining popularity and Spanish-language songs and acts becoming successful in the mainstream charts.
    • After Emmanuel Macron was elected President of France in 2017, French culture reached popularity levels amongst Americans and Brits not seen since before the Iraq War, who saw him as a contrast to President Trump and the pro-Brexit forces of the British right. Before that, anti-French sentiment (most notably among conservatives during the previous decade) was seen in poor taste in the wake of the Charlie Hebdo, the November 2015 and Nice terrorist attacks, as well as the 2019 Notre Dame fire and subsequent outpourings of worldwide sympathy. It wasn't just Americans and Brits, France took over both countries in the soft power index as a result of Macron's victory.
  • Fountain of Memes: The decade was notorious for having gazillions of internet jokes.
  • Friending Network: Facebook, Instagram and Twitter skyrocketed in popularity during the decade, even as the original social network Myspace began to fall out of favor. Social networks founded during this time catered more to specific interests such as Snapchat, Tumblr, Pinterest, and Vine, among many others.
  • Gaming and Sports Anime & Manga: While sports-related anime and manga has historically sold poorly in America, the popularity of several series throughout the decade such as Haikyuu!!, Kuroko's Basketball, Free! and Yuri!!! on Ice helped revived the interest in sports anime and manga again among the American fanbase.
  • The Generation Gap: The second half of the decade saw a deepening chasm between conservative "baby boomers" and succeeding generations notoriously more liberal in social issues (in an Ironic Echo of the generation gap between the boomers and their parents who came of age during The Great Depression and World War II eras). The "OK, Boomer" meme in particular was a popular product for younger generations to use as a retort against older generations they felt were out of touch with the issues they were facing. Some works acknowledged the gap, yet these often also pointed out that "boomers" weren't always that conservative, and younger people are liable to abandon liberalism once they grow up.note 
    • Middle Child Syndrome: Boomers largely refused to pass the torch on to Generation X like the "Silent Generation" note  did for Boomers in The '80s. This led to a generational Mêlée à Trois between Boomers, Generation X, and Millennials, with X'ers being divided between the more conservative ones born during the mid-late 60s (which made up part of the "yuppie generation") and the more liberal ones born during the 70s (informally known as "X'ennials"). As a result, the former faced a backlash from Millennials, while the latter were still being called "slackers" by Boomers. As media outlets saw Gen X as too small a cohort to actually focus on, favoring the "Boomers vs. Millennials" angle, members of that generation felt like they had been skipped over. This was exacerbated with the post-2008 job market in the case of younger X'ers: Many Boomers refused to retire at the ages their parents did, so many X'ers and Millennials found themselves competing for low-paying entry-level jobs which were NOT competitive with cost of living expenses, leaving them with a ridiculously high amount of student loan debt for pursuing degrees that no longer helped them find a good paying job.
  • Genre Anthology: Became popular again thanks to American Horror Story. It was quickly followed by shows like True Detective, Black Mirror, and Fargo.
  • Genre Throwback:
    • Music of the decade was primarily influenced by 1980s-era music, as well as 90s-era R&B (hip-hop, urban pop) and 60s-era pop and "mod" music. Actually, "sunshine pop" (a generic term for upbeat, lighter pop) consisted in borrowing from musical styles from other eras, such as its 1960s-era namesake genre as well as funk and even disco.
    • YA literature from the middle of the decade was noted for hearkening back to 1980s-era "teen films", some of them being adapted for the screen.
  • Girliness Upgrade: After two decades of highly sexualized, borderline-uncouth women, embodied in the 2000s by such trends as pop punk, rockabilly, emo, crunk and "dirty south" hip hop, hard Eurodance, funk-rock, spray tans, earthy "bohemian-chic" and low-rise campy fashions, hard-partying socialites and hot pink, this decade saw a return towards more traditionally-feminine archetypes (although now shown as liberated, rather than vulnerable) symbolized by empowered "sex symbols" and role models, the "Instagram generation" of supermodels and influencers, rosy pink, matte, vintage glamour, sophisticated electronic music, titillating trap songs, red lipstick, and so on. Its close relationship with fourth-wave feminism and the fact it was impossible to achieve realistically eventually made it the focus of a backlash into more bohemian or androgynous fashions by the end of the decade.
  • Girls vs. Boys Plot: The second half of the decade saw discussions in both fictional and non-fiction pieces of media about the increasingly tense relations between men and women in general amid wide-reaching social and economic shifts.
  • Golden Mean Fallacy: As media became more politicized during the 2010s, straight uses of this trope decreased, often being subverted, parodied or defied.
    • Bioshock Infinite provoked much criticism for its in-game dialogue arguing that Daisy Fitzroy, who is both a black former slave and a quasi-anarchist rebel, isn't so different from the dictatorial Zachary Comstock who runs Columbia, a white-supremacist city in the skies that runs on exploitation and apartheid levels of segregation. This was slammed by multiple critics such as {Errant Signal} and the backlash was bad enough that developers had to put in a Retcon in the DLC that made Fitzroy a sympathetic character.
    • Comics writer Nick Spencer got into much trouble for his online comments and his satirical reflections in his Secret Empire and other works, for using this trope as a kind of allegory for real-world political baggage.
  • Granola Girl:
    • Health-consciousness entered the mainstream after being a popular niche pursuit during the 90s and 00s, with people under 40 mostly eschewing processed foods in favor of healthier eating habits. As a result, food companies and restaurant chains began touting healthier products and organic ingredients. Vegetarianism and veganism went mainstream, with restaurants offering more meatless options. Beverages saw the most radical changes as bottled water, tea, and milk alternatives (soy, almond, coconut, and rice milks) have given soda, coffee, and dairy a run for their money.
    • "Fad diets" became immensely popular during the second half of the decade, foods with components seen as "de-energizing" such as sugar, gluten, lactose, caffeine and white flour among others became no longer acceptable by many people, while erstwhile "exotic" foods such as avocado, quinoa and kale became popular. The "food-fad" trend was not without its critics, as testified by the success of the blog The Angry Chef, which even spawned a best-selling book.
    • On a non-food related note, the 2010s were marked by an increasing awareness of environmental issues in contrast to the rampant consumerism of the 2000s, while the second half of the decade saw a resurgence of new-age beliefs, primarily astrology as well as the rise of the flowing "hippie-chic" and "Boho" fashion styles inspired by Eastern designs, leading to a increasing prominence of hippie-like archetypes in both fiction and real life. On the other hand, Measles outbreaks and the coronavirus pandemic which began in the final months of the decade led to a backlash against the anti-vaccination movement, which began to be more associated with the right wing.
  • Gray-and-Grey Morality: Rakish anti-heroes and not-that-evil antagonists became particularly prominent during the decade (in case the protagonists were not as mean-spirited) as the classic set-up of stainless heroes and heartless villains became passé.
    Tropes H-N 
  • Harem Genre: Ironically, this genre increasingly became the formula for anime, and was widely applied to other genres as well.
  • #HashtagForLaughs: The rise of social media during the decade took advantage over this significant feature, along with #EngineeredHashtag, all over the Internet.
  • He Who Fights Monsters: Many works from the middle of the decade and onwards featured the more "idealistic" characters (to put it that way) being forced to do rueful choices just to get going.
  • Hipsters: They were everywhere during this decade (especially the first half), from cafes to music festivals and tech events to being the butt of jokes about "Hipsters are dead" (mainly because of pop culture appropriating their lifestyles). Heck, even the Neo-Nazis jumped into the bandwagon (a viral video featured a group of "Nipsters" dancing to the tune of "Harlem Shake"... in 2014).
  • History Repeats: Many have compared this decade to many other eras, including:
  • Hotter and Sexier: While this decade's pop culture and fashion could be considered to be far Tamer and Chaster than in the previous two decades, as the "Sex Sells" philosophy became discredited as blatant sexism, under other lens sex became more present than ever, although with a female POV, focusing on titillation (with S&M and kink culture reaching the mainstream with works such as Fifty Shades of Grey) and consent (leading to higher public condemnation of rape and sexual abuse, culminating with the #MeToo movement in 2017-18) with the argument that sex in media was vulgarized mainly as the result of the increased objectification of women during the latter half of the 20th century. On the other hand, pop culture takes on sex began shifting back to the coarser mood of the late 90s and 2000s during 2019.
    • Pop music became more open about sexuality with the rise of EDM, while the second half of the decade saw the rise of trap music, with explicit descriptions of sex being a common theme. Female pop musicians being promoted through sexually-charged imagery was hardly a new phenomenon, but after Miley Cyrus "reimagined" herself (in a particularly raunchy example, although she would radically change her image again later in the decade) it became common for pop divas "outshock" themselves.
  • Hover Bike: This decade saw the construction of the first working prototypes of "flying cars".
  • Hummer Dinger: SUVs returned to popularity after the high fuel prices and the financial crisis of the late 2000s. The better gas mileage, low fuel costs, and the fallout from the Toyota hybrid accelerator problems were possible factors.
  • Idol Genre: During the late 2000s and the early 2010s, the number of Idol Singers debuting in East Asian countries like Japan and South Korea began increasing exponentially. Media even called the phenomenon the "Warring Period of Idols" (Aidoru Sengoku-jidai). Anime industries began cashing in on this, creating Cash Cow Franchises based on fictional idols.
  • The Illuminati: Although the status of this organization remained elusive, the early years of the decade saw almost every single public figure and piece of pop culture being accused of being associated with them (often overlapping with Reptilian Conspiracy) on the 'net, eventually leading to a resurgence of conspiracy theories in general among the wider public. And somehow, the "Illuminati symbol" gained meme status among the MLGnote  community by the middle of the decade (often paired with Doritos and Mountain Dew).
  • The Internet Is for Porn: While this trope is as old as the Internet itself, the rise of free porn sites in the previous decade, coupled with the advent of the smart phone, effectively killed off the "lads mag" market by the middle of the decade.
  • The Internet Is Serious Business: Social media was scrutinized for causing the deep political divisions seen in the later part of the decade. How bad could it be? In 2016, a bot was designed to depict views on Twitter. Almost immediately, the bot began to "tweet" misogynistic and white supremacist thoughts and was put down after a few hours. Moreover, the allegations of Russian hackers meddling in elections in America and elsewhere made cybersecurity a growing concern with both politicians and the public.
  • Iyashikei: This genre became incredibly popular in many seinen magazines, with Manga Time Kirara being a popular manga magazine for this genre.
  • Job-Stealing Robot: Automation was a major cause for concern. It was the key reason for the disappearance of manufacturing jobs and it was a major cause for concern among politicians and economists, because it would not only lead to lower growth (as a service-based economy is far less productive than an industrial economy) and large-scale unemployment, but make the rich even more richer and the shrinking job market even more scarce, leading to calls for permanent universal income and other forms of social democracy to correct this situation.
  • Kid Com: Nickelodeon and Disney Channel started to air more kid comedies at the expense of animated shows. Cartoon Network attempted to follow suit numerous times, but all efforts for the most part failed.
  • Lens Flare: Started somewhere in the late 2000s, early 2010s visual media couldn't seem to go without a horizontal lens flare, probably popularized by the film, Star Trek (2009).
  • Little Sister Heroine: This trope got a lot of backlash among western anime fans thanks to the controversial ending of Oreimo (the said little sister also happened to be a Tsundere, a character archetype that was incredibly loathed by the western anime fanbase). Several anime works tried to remedy this featuring characters of this trope with a Nice Girl personality with a much younger age, but many works such as Black Bullet, Ro-Kyu-Bu, Here Comes the Three Angels, and Eromanga Sensei got fierce criticism for various Unfortunate Implications involving underaged girls and many see them as a Lolicon fetish.
  • Live-Action Adaptation: Comic-book film adaptations became immensely popular during this decade: Marvel solidified its position with the continuing X-Men Film Series along with the Marvel Cinematic Universe, which became fully established by TheAvengers in 2012, while lesser-known properties such as Guardians of the Galaxy, Ant-Man and Deadpool became successful. DC Comics followed suit with Batman v Superman: Dawn of Justice and Wonder Woman leading to a future saga of Justice League films. Even Disney joined the bandwagon with their take on revamping its animated classics such as Maleficent, Cinderella, The Jungle Book and Beauty and the Beast.
  • Long Runner: Most popular TV shows from the first half of the decade actually began during the 2000's. It got to the point in which a show could be seen as pretty short-lived if it didn't last five seasonsnote . The "long miniseries" format that became popular in cable and streaming could be seen as a reaction against the trope.
  • Loot Boxes: After mostly being the domain of mobile or Allegedly Free Games in the 2000s, this form of microtransaction proliferated into the gaming mainstream during this decade and became a hotly criticized practice in the latter half. Publishers began implementing increasingly predatory and game-affecting lootbox systems into full-priced AAA-industry games, until the bubble burst dramatically with the release of Star Wars Battlefront II (2017); the backlash against which was so loudnote  that mainstream media and government officials took notice. The Belgium Gambling Commission officially ruled in April 2018 that loot boxes were a form of gambling prohibited under Belgian law, prompting numerous other countries to perform similar investigations.
  • Malicious Misnaming: "Deadnaming" was an increasingly big issue among transgender individuals, especially when done intentionally by conservatives and far-right individuals to discredit their gender identity. Some states even do this in legal documents on transgender individuals.
  • Manchild: Immature protagonists struggling to grow up were frequent comedy protagonists, particularly in works associated with Judd Apatow. Lena Dunham’s Girls proved that this wasn’t restricted to men. These uses of this trope fed media controversy, as newswriters writing about The Generation Gap tended to stereotype the Millennial generation as immature narcissists and Millennials in turn stereotyped Baby Boomers as immature narcissists.
  • Medieval European Fantasy: The success of Game of Thrones showed that this setting was still very popular. Games such as The Witcher 3 and The Elder Scrolls V: Skyrim were some of the most acclaimed of the decade with the latter being ported to a wide variety of systems.
  • Merchandise-Driven: This was still fairly common, particularly with the "Bayformers" trilogy and shows on The Hub.
  • Mini Series: Returned as a credible genre after two decades. This revival also sparked a trend for longer miniseries, some of them lasting an entire season (often dubbed as "limited series"). This in turn created a slew of anthology series such as True Crime, American Horror Story and Fargo.
  • Moe: While it was all the rage in the East and became a more popular concept in the West, reception of newer anime series that feature this (most notably in the West) tended to be treated with either indifference or outright disgust due to either being generic adaptations of Harem or Romantic Comedy, or put in an inappropriate setting. It also didn't help to note that this trope was constantly being applied to females and was sometimes seen as sexist among the Western fanbase. My Little Pony: Friendship Is Magic was extremely popular not only with its intended audience, but also with a large periphery demographic of older males and its Moe appeal was commented on; the show was popular enough to have been exported back to Japan, and it was cited as an example of rising interest in Moe in the West, albeit in its own style.
  • Moe Anthropomorphism: An increasingly common gimmick in seinen anime was shows featuring moe girls that are actually something like horses (Uma Musume) or battleships (KanColle), allowing the Bishoujo Series to cross over with different genres.
  • Monster Clown: Fall 2016 was marked by a number of so-called "clown sightings" in Europe and the U.S., where people would take to wandering the streets at night dressed as clowns. On the innocent end, most were just pranksters. On the sinister end, this led to several reported attacks, as well as reported "clown-hunting" vigilantism. Movies featuring clowns with themes that covered topics such as paranoia, mental health, and the ills of society were also hits later in the decade such as the 2017 remake of It and Joker in 2019.
  • Moral Guardians: Resurfaced early in the decade from both the left and the right in response to the perceived debauchery present in contemporary times, with "Blurred Lines" and double-standards becoming the most controversial cases. This increased lobbying power in part contributed to the increased popularity and expansion of web-originated contents.
  • Movie Superheroes Wear Black: Defied and discredited in this decade, thanks to the Marvel Cinematic Universe bringing back color (albeit in muted tones) to costumes.
  • The Multiverse: Became popular thanks to works like Fringe, Spider-Man: Shattered Dimensions, the Arrowverse, (particularly The Flash), Injustice: Gods Among Us, Rick and Morty, The Man in the High Castle, Counterpart (2018), and Spider-Man: Into the Spider-Verse.
  • Must Have Caffeine: The 1990s/2000s-era fascination for coffee continued with the "third wave" coffeehouse movement popularizing cold brew and reviving the manual drip pour-over and the French press methods popular during the 90s. During the decade, consumption patterns shifted, as energy drinks (the non-athletic kinds hitherto stigmatized as drug-level deleterious) and some varieties of tea replaced "good ol' java" as the quintessential pick-me-up, spelling severe trouble for traditional brands such as Nescafe, Folgers and Maxwell House, while more gourmet-driven brands such as Starbucks and Nespresso have thrived.
  • Music of the 2010s: If the music trends of the 2000s catered to practically every kind of taste, this decade was marked by the near-monolithic dominance of Electronic Music, which exploded in popularity in early 2012. Urban music, its only credible contender (having surpassed rock as America's most popular music genre in the mid-2010s) incorporated electronic aspects to catch up, often crossing over as "featured artists" on pop songs. By the final years of the decade, hip-hop eclipsed EDM's cultural presence as most "pop divas" faced professional and personal travails.
    • Auto-Tune: Began in The Turn of the Millennium, but hit its stride in 2010 with the "Bed Intruder" song, and made into an art form—seriously—by the likes of Bon Iver and Kanye West. Unfortunately for the music industry, such devices caused many musicians to lose interest in the mainstream... for the most part, with British Indie Rock being the main exception. Its excessive use actually caused a bit of a backlash, with further usage being more for enhancement (and making fun of it in the web) rather for effects per se, although it would return to prominence later in the decade by its frequent use by trap artists.
    • Country Music: The "country-pop" scene of the late 2000s remained popular in the mainstream, although it was briefly eclipsed by the rap-infused "bro-country" movement. However, bro-country fell as quickly as it rose, and the genre was soon considered Condemned by History among most country fans.invoked
    • Dubstep: The focus of a pop music craze following 2011's "Party Rock Anthem". DJs such as Skrillex and hits like "I Can't Stop" and "I Knew You Were Trouble" increased its staying power throughout the middle of the decade.
    • House Music: Various styles of it took turns at the forefront of EDM's mainstream boom. Electro House and progressive house were there at the start, then big room house showed up for 2013, and in 2014, the commercial success of Disclosure brought deep house into the mix.
    • K-Pop: Went global this decade, beginning with PSY's "Gangnam Style" becoming a hit worldwide. The second half of the 2010s saw the genre lead a wave of interest over Korean culture in a number of countries.
    • New Sound Album: Many artists switched to electronic music beginning in 2013-14, some of them being known for having starkly different styles.
    • Pop Revival: British Indie Rock groups reminiscent of 1960s-era musicnote  became quite popular, especially among many rock fans, although many others wrote the genre off as not being rock at all for being Lighter and Softer than the subgenres that dominated in the 1990s and 2000s.
    • Rock Music: Except for a few alternative songs, rock struggled to cross over into the mainstream. Alternative radio began to play more Indie Pop and folk, whereas mainstream rock became focused on classic rock hits and some newer songs. Namely, lo-fi rock, hard rock, and heavy metal.
    • Synthpop: Returned to the mainstream with a minimalist New Wave-esque style taking over.
    • Trance: While not quite as commercially big as dubstep, house, or trap, trance nevertheless experienced a massive Newbie Boom in the States and by the end of the decade continued to maintain a very dedicated fandom all over the globe.
    • Trap Music: After being written off in The '90s as a hardcore variation of Hip-Hop, it saw a massive boom in popularity this decade when artists like Diplo, DJ Snake, Yellow Claw, Flosstradamus, Baauer, and Keys n Krates combined it with EDM. Despite having little in common with the original style of trap by borrowing from Latin genres, it was completely transformed into a form of mainstream music.
  • My Country Tis of Thee That I Sting: Criticism of one's country became more prevalent in media during this decade, most notably in the USA, where this had previously been almost totally restricted to satirical and/or politically-charged works. This became especially prevalent in works made during the second half of the decade, as its opposite arose in the real world.
  • Nerd Glasses: No longer associated with social-awkwardness and/or ugliness, specs were actually considered sexy in this decade.
  • Nerds Are Sexy: As intellectualism rose in popularity, good-looking characters with good knowledge became more common in media for most of the decade, while the ditzy types popular during the 2000s were likely to be frowned upon.
  • Network Decay: Persisted during this era, although some networks started to return to their roots. Other networks either shut down or re-branded entirely so at least their new themes fit.
  • New-Age Retro Hippie: The final years of the decade saw a transition between the retro fashions of hipsters to more bohemian styles, particularly regarding female fashion, as the elegant outfits associated with "girl bosses" became supplanted by the hippie-inspired aesthetic of VSCO girls.
  • New Media Are Evil: Whereas in the 2000s, films, rock music, glam rap, video games and Messenger/chatrooms were the main targets of moral outrage, this decade saw them turning their outrage on cable TV/streaming series and social media, although movies returned to the fold later in the decade for many of them.
  • New Technology Is Evil: During the second half of the decade, the humongous tech corporations drew fire from many fields because of their direct role on the plight of whole industries (Amazon over retail, Facebook over journalism, Netflix over television, Google over everything else, etc.). While they had been attacked by conservatives for years over the progressive politics of their leading figures and their heavy crackdowns on and deplatforming of right-wing content, it would be a series of scandals (Facebook personal data was allegedly used by an analysis firm to influence elections in the UK and the US; Amazon's hunt for new headquarters became universally reviled; Google attempted to play into the Chinese government's hands in order to gain permission to operate in the country; Elon Musk's erratic behavior on social media; Netflix dropping movies and TV shows just to keep Friends in their catalog) that would ultimately harm the left’s public perception of the men that were seen as "the heroes of the digital age" at the beginning of the decade, being now seen as the modern equivalent to the "trusts" of the late 19th century.
  • Nice Guy: After being portrayed as "wide-eyed fools" for most of the 90s and 2000s, many works began to see this kind of character in a more sympathetic light, especially in works made during the first half of the decade. The Dogged Nice Guy, meanwhile, got quite a bit of deconstruction and subversion.
  • Nintendo Hard: After the difficulty drop in video games over the previous two decades, games with more of a challenge, such as Dark Souls, gained a following.
  • No Dub for You: Became more prevalent as fewer English dubs were produced for anime (though Funimation still produced English dubs for almost all of their licensed shows).
    • However this trope seemed to be getting less prevalent with Sentai Filmworks producing even more dubs than Funimation annually, Viz Media licensing and dubbing a larger variety of shows, Saban being back in the game, Aniplex USA dubbing a healthy portion of their shows, and the Japanese companies producing a few dubs themselves. Heck, even Media Blasters still dubbed, despite being in financial ruin, and NIS America entered the game as well in 2014 with their English dub of Toradora!. 2009-2011 were somewhat dark years for the medium. The revival of Toonami and the introduction of the Neon Alley streaming service indicated there was some demand for English dubbed anime for a few select titles and this trope was often applied to more niche titles (i.e. Slice of Life Schoolgirl Series or Otaku-pandering anime).
  • Nostalgia Filter:
    • Nostalgia for the 1980s not only led to a slew of reboots from successful icons and period pieces set in the era, but it also brought a return of more conservative yet colorful fashions, as well as a renewed interest for punk-inspired outfits.
    • There was also a wave of Victorian/Edwardian revivalism that no one expected, primarily for its aesthetic values and societal attitudes, becoming romanticized as an era devoid of the ills of modernity that came upon the Great Warnote . But its most notorious manifestation waas the hipster-led revival of trades that had been eccentric pursuits for almost a century like butchers, barbers and brewers.
  • Nothing Is Scarier: After the critically-derided era of "torture porn" that dominated Hollywood horror movies in the 2000s, the pendulum now largely swung back in the other direction. The 2010s saw a major resurgence in somber, minimalistic, slow-burn horror, kicked off by Insidious and The Conjuring, with glacial nerve-shredders like The VVitch, It Follows, A Quiet Place, and Hereditary achieving success with critics and audiences alike. The strategy of "Don't show the monster" in the grand tradition of Jaws and Alien made a major comeback in style, with even the 2014 Godzilla reboot holding back on its titular beast to build suspensenote  and reached into multiple different genres, in video games like Amnesia: The Dark Descent, Five Nights at Freddy's, Slender and others, and even occasionally on television, with the massive popularity of Stranger Things and The Haunting of Hill House.
  • Nouveau Riche:
    • An aspiration that was thoroughly expressed by Travie Mc Coy and Bruno Mars' "Billionaire". Through tech startups, through social media, and/or through mining cryptocurrency, anyone would have dreamed to strike it rich and famous through unconventional and unorthodox means in the likes of Trump, Zuckerberg, Bezos, Musk, and the Kardashian-Jenner clan, who started to become the most influential billionaires in this decade. According to Forbes, there were 1,001 billionaires in 2010, and had more than doubled by 2019.
    • Unlike Western Millennials whose aim was to be as frugal as possible, Chinese Millennials, born under the country's transition towards a capitalist market and born under the One Child Policy, were entrepreneurial and tech-savvy at the positive side, and were conspicuous consumers and obnoxious tourists at the negative side. The Crazy Rich Asians series and its 2018 film adaptation was a commentary of the lifestyles of the newly rich Mainlanders clashing with the Old Money Overseas Chinese.

    Tropes O-S 
  • Obvious Beta: Due to games consoles now having online capability as standard, many video games from the decade (such as the notorious initial release of Assassin's Creed: Unity) were released with Game Breaking Bugs in them with companies opting to fix them later.
  • Obsessed with Food: Millennials were noted for their pursuit of gourmet foods as well as the tendency to post pictures of what they're eating on social media.
  • One-Hit Wonder: There were many over the course of the decade, but particularly decade-defining examples included Baauer, Ylvis, Gotye, Willow Smith, Foster The People, Cali Swag District, AWOLNATION, Icona Pop, A Great Big World, Passenger, Bastille, MAGIC!, Nico & Vinz, The Wanted, Mark Ronson, Elle King, OMI, James Newton Howard and Jennifer Lawrence, Hozier, and Silentonote . If the more liberal definition is applied, then Carly Rae Jepsen, Robin Thicke, Hot Chelle Rae, Far East Movement, Avicii, Rachel Platten, (who all technically had more than one hit) Kreayshawn, PSY and Rebecca Black (who didn't even chart on Billboard's Hot 100) are often cited. The Chainsmokers are often cited as an example of a miraculous escape from the status.
  • Painted-On Pants: Fashion in the first half of the decade placed a major emphasis on form-fitting clothing, as seen in the popularity of leggings for females and skinny jeans for both genders, a trend that might be permanent with the rise of "activewear" and other technologically-developed clothing. In the business world, slim-fit "Italian Look" suits also saw a revival in reaction to the large suits worn by pre-2008 Wall St. bankers or members of the Bush administration (for instance, the double-breasted blazer basically went extinct after 2010, returning in a small scale by the second half of the decade, same for ties over two inches wide).
  • Parents as People: This decade began to see media explore the themes of bad parenting, the negative effects of expecting parents to be perfect and on constant alert, and young people even questioned why they should automatically have kids just because they are fertile. Media even explored "bad parents" from their point of view: The Marvelous Mrs. Maisel, Mad Men, GLOW (2017), Stranger Things, Bad Moms, etc. often starred such flawed parents, explored ambivalent parenting, rebellious parenting, parenting practices in past decades (decades where the now elder Boomers, middle-aged Gen Xers, and young adult Millenials were growing up in) with an examination of how the Babies Ever After philosophy led to miserable parents who lashed out or neglected their children, were absent, resented having to Stay in the Kitchen, or had children before considering they were ready or even desired children.
  • Patriotic Fervor: Nationalist politics became more mainstream in Europe, the United States, and South America in the second half of the decade. Ironically, a lot of this was a reaction to the capitalist right liberalizing its social views to get cozy with more progressive international institutions while leftist parties toned down economic populism in order to promote social change within the same institutions. The void of leftist populism and the perceived failure of the mainstream right to protect the traditional common man led to this rise in nationalism.
  • Periphery Demographic: Several well known examples emerged in popular culture during this decade. The most well-known example was the "bronies", adult male fans of My Little Pony: Friendship Is Magic, which aired during this decade (2011-2019). In general, there were adult fans of shows meant for children and other things that were considered outside of their demographic. It was a general offshoot the "New Sincerity Movement", which was about works that focused on the idealist end of the Sliding Scale of Idealism vs. Cynicism, and genuinely enjoying them for their own merits instead of ironically.
  • Perma-Stubble: Some younger men went as far as implanting hair to have one of these (full-grown beards and mustaches were equally fashionable as well).
  • Playing Both Sides: Russian trolls in the later half of the decade used social media platforms like Facebook and Twitter to create fake "alt-right", neo-Nazi, and white nationalists accounts to discredit leftist celebrities and politicians or to damage their reputations. At the same time, the same Russian trolls were also responsible for creating fake social media accounts to manipulate the Black Lives Matter movement in order to exacerbate the already fragile racial tensions in United Statesnote . The Mueller report released on March 2019 confirmed the Russian government used disinformation during the 2016 presidential campaign to get Donald Trump elected.
  • Plucky Girl: As the result of greater diversity behind the scenes and a more liberalized societal view, female protagonists with strong, assertive personalities became popular in many works of fiction, as evident with the commercial success and critical acclaim of My Little Pony: Friendship Is Magic and Wonder Woman (2017) (the latter being directed by a female film director also helped as well). The popularity of this trope also caught on within the anime fandom as well, as many of Toonami's growing female audience can be attributed to anime featuring female protagonists of this character type (i.e. Attack on Titan, Michiko & Hatchin, and Kill la Kill). Coincidentally, this trope was part of the reason why there was also a backlash against many popular anime female character archetypes in the West (see Tsundere and Token Mini-Moe entries in this page) along with massive backlash on otome games.
  • Podcast: This medium originated slightly before the decade, but really rose into prominence during this decade, with works such as Welcome To Nightvale gaining a massive following.
  • Police Brutality: Growing attention to this topic led to more portrayals of police brutality in fiction, including several Ripped from the Headlines films such as Fruitvale Station.
  • Popularity Polynomial: Many trends of past decades became popular again, particularly from The '80s, mostly because many artists were children during this time.
    • Aside from Synthpop, a few songs hearkened back to other styles of the decade with considerable success: Meghan Trainor's debut single "All About that Bass" shot up to #1 (although the song has some 50s pop styles as well). Not long afterwards another throwback hit #1, "Uptown Funk!".
    • The Hipster craze also led a rediscovery of pre-hippie 60s culture, with "Mod" styles becoming popular. Smoking and social drinking also became fashionable once again thanks to Mad Men (actually placating steep consumption declines), which in turn led to a resurgence of the conservative mid-century social attitudes in general (although this really was not what the show's creators wanted) with some important changes nonetheless, and the rather libertine demeanor of the 1990s and 2000s was now frowned upon.
  • Pop-Up Texting: With the use of mobile technology and smartphones having increased dramatically, this was a popular trope for realistically showing the commonality of text conversations in 2010s day-to-day life.
  • Pounds Are Animal Prisons: The 2010s saw this trope become increasingly discredited as the Adopt Don't Shop movement gained popularity. As the plight of animal shelters and their inhabitants became more well-known, their depictions in media became more positive, often being an animal version of the Orphanage of Love.
  • Power Tattoo: Tattoos became even more popular, bolstered by the decade's trends for self-expression, with TV shows such as Ink Masters and LA Ink becoming hugely influential. By the mid-to-late 2010s, polls showed that around a majority of young adults in several Western countries (including the U.S.) either had at least one tattoo (47 per cent as of 2018), or planned to have one eventually. The fact that many high-profile celebrities began to openly sport tattoos pretty much killed their long-standing association with disreputable characters.
  • Postmodernism: Criticisms and exploration of the tropes we enjoy in media and real life came around a lot in this decade, especially as postmodernism replaced Marxism in terms of being an emancipatory lens to analyze things. The idea that we are govenrned by well, ideas, grew more popular as people expressed criticism of the domestic and global regimes we have set up to regulate our world. Traditional leftists weren't too thrilled with postmodernism, seeing it only as criticism without a tangible solution that took the focus away from the traditional Marxist emphasis on class consciousness while rightists loathed what they saw as an annoying desire to take apart everything for political reasons. Regardless, this trope remained popular to the point where playing something completely straight might have actually been more subversive.
  • Pretty Fly for a White Guy: The decade saw a continued dissemination of black urban culture into the mainstream. Ironically, black students were reportedly barred from a "wigger"note  party held at a California high school.
  • Princess Protagonist: Disney Princesses came back, baby! Though they were absent for the previous decade, and subject to quite a few Deconstructive Parodies in the meantime, they made a triumphant return with The Princess and the Frog, Tangled and Frozen (2013). While Frog ultimately failed to save Disney's traditional 2D-animated movies, Tangled sparked a huge resurgence of interest in their "Princess" franchise, and the phenomenal success of Frozen proved that the franchise was here to stay. The critical and commercial success of Moana - which did not downplay the princess or female-led aspect of the film solidified it.
  • Produce Pelting: Egging and "milkshaking" emerged as protest tactics against the far right.
  • Pronoun Trouble:
    • Though still not completely accepted in the general public, the concept of the non-binary gender spectrum note  gained much more attention, with its proponents becoming something of a Vocal Minority. The most hardline supporters of the idea came to support (among other things) the idea that the world's languages should add gender-neutral pronouns, that genders are assigned to children at birth in a practice which parents should stop, that it's a form of bigotry to refer to strangers by gender-specific pronouns, and that biological sex is a myth.
    • Another issue that came up in this decade was changing the appropriate gender marker in the legal documents (i.e. passports, birth certificates, driver licenses, photo IDs) for transgender individuals after transitioning. Some states in United States require transgender individuals to undergo expensive Sex reassignment surgery, or will not alter the gender marker in legal documents at all note 
  • Protection from Editors:
    • A lot of the appeal of premium cable and streaming services like Netflix and Hulu to both creators and viewers was the greater creative freedom compared to network and basic cable television.
    • Subverted with YouTube as after the Wall Street Journal published an article claiming popular vlogger PewDiePie made hate speech jokes about Jews, advertisers and "corporate partners" began turning away from the site. YT then enacted a secret rating system not different from American network/basic cable TV.
  • Protest Song: A number of mainstream Hip-Hop and pop artists became outspoken about politics in this decade.
    • Beyoncé transformed her career from pop idol to "Black feminist icon" with the release of "Formation" in 2016 with its anti-police and Black Panther imagery. Kendrick Lamar's "Alright" was considered the anthem of the Black Lives Matter movement, as it was heard at a number of protests. And of course, there was Childish Gambino's "This Is America", a #1 hit with a shocking critique of how Black Americans are treated.
    • Earlier in the decade, artists such as Lady Gaga and Katy Perry came out with songs affirming LGBT youth and urging them to Be Yourself that were adopted by LGBT advocates.
  • Quirky Household: Many sitcoms of the decade featured oddball, yet genuinely caring families as opposed to the more disputatious clans that dominated comedy for the previous two decades as greater awareness of psychological abuse made these less appealing.
  • Quirky Ukulele: Ukes became ubiquitous on softer pop songs of the decade (as well as in the background of countless internet videos), no longer being seen as esoteric instruments.
  • Raven Hair, Ivory Skin: Gradually came back into style as a beauty standard during the early part of the decade, in contrast to the previous decade's fondness for Golden Hair and Bronze Skin. New sex symbols like Zooey Deschanel, Dita Von Teese and Katy Perry helped resurrect the old "Bettie Page" look. The Korean wave throughout the decade also intensified the popularity of dark hair and pale skin through the rapid marketing of Korean beauty products worldwide. By the middle of the decade, raven hair had competition with ombre hair and icy blonde hair following the popularity of Frozen (2013) and Vikings.
  • Reality TV: Kicked off in popularity during the Turn of the Millennium and, in the first half of the 2010s, grew to become all the rage among television audiences when it came to both ratings and media buzz during the decade, with American Idol, The Bachelor, The X Factor, The Voice, Jersey Shore, Keeping Up with the Kardashians, Duck Dynasty, and RuPaul's Drag Race, among other titles leading the way. Although, barely counting competition-based reality shows, shows such as the "day in the life" ones were targets of snark and controversy due to them being catered to the Lowest Common Denominator. With the advent of Youtube and streaming services like Netflix and Hulu, Reality TV faced an "innovate or die" situation with some shows and their stars thriving and others losing viewership and relevancy.
  • Real Women Have Curves: Due to the success of celebrities like Adele, Meghan Trainor (whose song "All About That Bass" touched on the topic), Jennifer Lawrence, Sofía Vergara, Kim Kardashian and Christina Hendricks, as well the rising rates of eating disorders from Hollywood's warped perceptions, the dominant pressure of The '90s and the Turn of the Millennium to be skinny steadily got replaced with pressure to be curvy (often of the Impossible Hourglass Figure flavor).
    • On the flip side, many plus size models and celebrities like Ashley Graham, Barbie Ferriera, Shannon Purser, Lizzo held large followings in this decade.
  • Reconstruction: Many works put in a lot of effort to do this after about 15-20 years of Darker and Edgier deconstructions.
  • "The Reason You Suck" Speech: Publicly shaming people accused of bigoted opinions on social media became part of a "call-out culture" that surged during the latter part of the decade.
  • Retraux: "Retro-ironic" aesthetics became very popular during the decade, partly as a result of the success of video games emphasizing this kind of imagery, such as the Fallout series.
  • Right-Wing Militia Fanatic: Due to the massification of the internet, the visibility of the alt-right became notoriously significant during most of this decade, especially due to issues related to immigration and conspiracy theories.
  • Role-Ending Misdemeanor: The second half of the decade was notable for having prominent celebrities' reputations ruined overnight if they weren't dying, most often through sexual abuse and harassment scandals or other unsavory behavior.
  • Romanticism Versus Enlightenment: Dominant cultural attitudes of the decade were out-and-out for Team Enlightenment, although a Romantic-leaning backlash was anything but small.
  • Saved from Development Hell: invoked Among the silver-linings, a number of long-gestating projects finally made it to the finish line:
  • The Scapegoat: The Millennial generation was held responsible for "killing" numerous industries and traditions ad nauseum (it would be easier to list those that were not endangered). Boomers were also accused by younger generations of milking the welfare state dry by essentially dismantling it (especially in the US) and of developing a laissez-faire "got mine, get yours" attitude.
    • Many people on both sides of the political spectrum also tended to blame many of the world's problems on the actions, legacy and/or ideas of the opposite side and claim that their way was the only way to keep order and save their nation/region/civilization from collapsing.
  • Science Is Good: Whereas in the previous decades science was only the interest of nerdy children, much of Western media adopted this trope. It was used both idealistically (such as in Black Panther) or cynically such as in Rick and Morty. In real life, academia and mainstream media tried to be encouraging of studying science, as well as explicitly advertising it to various demographics. However, there was something of a fight between actual scientists, who had funds cut, and anti-science politicians and activists, who saw pure science as having failed in its promise to innovate and improve society.
  • Sequel Gap:
    • Due in part to Hollywood's growing aversion to untested properties, sequels to movies from previous decades became common. Examples include Toy Story 3 being released 11 years after the second one, Men in Black 3 10 years after the second, TRON: Legacy a whopping 28 years after TRON, and Mad Max: Fury Road twenty-nine years after Thunderdome. In addition, Monsters, Inc. got a prequel 12 years after the original release. And then there's Twin Peaks by David Lynch which was more or less written off by Lynch as finished in the 2000s but was revived in a successful and critically acclaimed third season that has a Time Skip echoing the whopping 25-year gap. Finding Dory and Incredibles 2 are two more examples of film sequels with large gaps in time in between with 13 years for the former and 14 years for the latter.
    • It happened with a number of video game franchises as well, with Wasteland 2 being a notable example with a gap of 26 years.
  • Serious Business: Popular entertainment increasingly reflected contemporary social issues in the wake of Trump's election, primarily for him being seen as a threat to civil liberties and multiculturalism, but also the fact many voted for Donald as a way of "flipping the bird" at a seemingly progressive cultural establishment.
    • Late night comedy got more political, and went from nonpartisan to explicitly pro-Democratic, as evidenced by the anti-Trump stance of Saturday Night Live which garnered its best ratings in over 20 years (it also began to be broadcast live coast-to-coast in summer 2017 instead of being transcribed for the West Coast), and the politically-themed The Late Show with Stephen Colbert overtaking Jimmy Fallon's largely apolitical The Tonight Show in the ratings in early 2017, being accused of "humanizing" Mr. Trump by tussling his hair during a show, leading Fallon to issue an on-air apology. Fallon occasionally spoke out on watershed political events like Charlottesville and Parkland, although he was still considered weaker in that regard than his peers. The cancellation of the hit sitcom Last Man Standing was also perceived to have been brought about because of star Tim Allen's conservative politics.note 
    • Awards ceremonies got more politically charged, beginning with the 2015 Latin Grammys (awarded a few weeks after Trump launched his campaign attacking Mexican immigrants) and accelerated after Trump's election, to the point of presenting works as "political protests" in order to win awards. Even youth-oriented awards shows like the Teen Choice Awards (whose 2017 ceremony was held the day after the violent protests in Charlottesville) and the Kids Choice Awards (whose 2018 ceremony took place the day of the March For Our Lives protest) got in on the act. In addition, the 2017-18 awards season was marked by the sex scandals that hit the film, television and music industries. Many celebrities, who previously tried to be very quiet about their politics beyond showing support for some associations linked to either party, were more explicit about those beliefs than before.
    • The 30-year-old tradition of sports champions visiting the White House was broken when a handful of players for the New England Patriots refused to visit Trump, while the Golden State Warriors decided to boycott the President altogether (although he had withdrawn his invitation beforehand), a move supported by the NBA.
    • Most magazines, from Vogue to Men's Health to Seventeen to Sports Illustrated and Popular Mechanics, rarely did political commentary before 2015-16, much less reporting. Afterwards, their coverage of Washington became as comprehensive and in-depth as that done by fully-fledged political periodicals such as Time, Newsweek and The Atlantic. Condé Nast publications became notorious for their political posturing, especially in the case of teenVogue.
    • Even video games as a medium weren't immune to politics, as many video games such as Far Cry 5, the later Call of Duty games, Mass Effect, Persona 5, Fallout, and Bethesda's Wolfenstein games had several political undertones or explored incredibly controversial political themes. The only entertainment medium that mostly avoided politics was anime and manga, but this was mainly because Japanese society is far less politicized than in the West—while Prime Minister Shinzo Abe is quite polarizing by Japanese standards, he's far less divisive than any Western leader, and anime and manga that explores political themes is incredibly rare (with Subbing Versus Dubbing and piracy are the only Serious Business topics within the anime fandom).
    • Even the traditionally-conservative country music industry was rocked hard by Hollywood's "progressive awakening". During the early 2010s, country music increasingly made inroads in "blue America" thanks to popular "countrypolitan"/pop crossover acts like Taylor Swift and Carrie Underwood, while the GOP's alleged embrace of sexist, anti-gay, and anti-immigrant politics led some of the genre's youngest (especially female) fans in "red states" to lean more like their "city cousins". The rise of Trump, the growing frequency of mass shootings (one of which was actually at a country music festival), the post-Parkland shooting student activism, the violent rally in Charlottesville, #MeToo, and the 2018 migrant crisis contributed to the de-emphasizing of the "jingoistic, gun-toting, 'Dixie flag'-draped white male country singer" while the Dixie Chicks and the Guthries had their prestige restored after spending the 2000s in the "country blacklist" for their left-wing politics. Leading the charge for this trend tended to be alt-country acts and many of the women in the industry, with the conservative, more traditional acts becoming increasingly quiet about their political views (the exception being the artists who solely appealed to older audiences). This was largely cited as the reason as to why Swift was mostly silent on politics. Although she later endorsed a number of Democratic candidates in her home of Tennessee, which seemed to restore her reputation with liberal pop fans.
  • Sex, Drugs, and Rock & Roll: This decade saw a discrediting of the trope within the rock genre due to numerous factors, including: 1) The decline of rock as a mainstream genre; 2) the backlash against the "macho" aura often associated with the genre (which might have contributed to the first point); and 3) younger "indie" artists deliberately adopting a goodie-two-shoes, "square demeanour" (most of them being either British or coached by a Brit, inverting the British Rock Star trope) contrasting the "guitar hero sex god" stance of hard rock (actually a mild exaggeration). The trope may have applied to pop and urban (the "trap" genre becoming known for its sexually-charged lyrics and has caught fire for its perceived glorification of crime, while hip-hop/R&B artist The Weeknd became noted for his veiled allusions to drugs), although the greater demographic diversity between both performers and audiences compared to rock (which is now almost exclusively seen as "white trash guy" music) made the trope less relevant for said genres.
  • Shaking the Rump: "Twerking" became more viral in the hip hop culture, and was added to the Oxford Dictionary Online. Newfound popularity on social media sites like Vine and Miley Cyrus' infamous performance at the 2013 VMAs helped turn "twerk" into a household word.
  • Sharp-Dressed Man: Along with She Cleans Up Nicely; the decade's fashion statements tried to bring back the elegance lost with the 90s and 00s, evoking the styles from The '80s, or the "Italian Look" styles of the late 1950s and the 1960s.
  • Shell-Shocked Veteran: The plight of soldiers returning from Iraq and Afghanistan lacking proper mental health support got a lot of attention.
  • Shoulders of Doom: Shoulder made a wide comeback, bolstered by an urge to look as streamlined as possible.
  • Smoking Is Cool:
    • The legalization of marijuana in many parts of the world led to some glorification of weed smokers, such as rappers either bragging or normalising it in their songs (one of the biggest hits of 2011 was Snoop Dogg and Wiz Khalifa's "Young, Wild and Free", which even had "So what [if] we smoke weed?" in the chorus).
    • While cigarettes gradually became a symbol of social suicide during the decade, vape sticks (ironically devised as a way to stop smoking) became popular, even among teenagers, which eventually caused a widespread health panic by the end of the decade after dozens of consumers developed lung problems.
  • Silly Rabbit, Cynicism Is for Losers!: Much of the social attitudes of the early part of this decade can be summed to this, mostly as a reaction to the hardcore cynicism prevalent in the 2000s, spearheaded by the New Sincerity movement, leading to a higher climate of tolerance (or intolerance disguised as tolerance, even tolerance defended through intolerance—this depending on one's judgement and thorough avoidance of politically-incorrect, morally-questionable actions or otherwise upsetting behavior.
  • Simple, yet Opulent:
    • As a result of the crisis, most of the fashion trends of the decade became a lot more conservative compared to the statements of the last decade.
    • While Windows Metro caused a mixed reception when it was released in 2013; graphic artists, programmers, and web designers got hooked to the smooth, crisp, über-simplistic interface, paving way for Apple and Google to revamp their future UIs, and it led to the integration of the "Flat Design" style.
  • Sliding Scale of Idealism vs. Cynicism: Works tended toward the cynical side during this time, with a surge in dystopian and After the End works. The rise of Hipster culture was accompanied by media emphasizing Irony, making idealism uncool. At the same time, cynicism didn’t quite reach the level of '90s Anti-Hero, as most works still featured characters that were on some level relatable.
  • Sliding Scale of Libertarianism and Authoritarianism: Many works made during the decade depicted oppressive governments firmly set at the "authoritarian" end of the scale, mostly (but not only) in dystopian tales.
  • Slobs Versus Snobs: This emerged as the main dividing line in politics on both sides of The Pond, with rural, working class people moving to the right and urban cosmopolitan people moving to the left.
  • Solar Punk: The trope name was coined in 2014, and this utopian futurism emerged from exciting developments in renewable energy technology and online interest in older and non-Western art. Some works with utopian elements, such as Black Panther, began to incorporate this aesthetic.
  • Soul-Sucking Retail Job: With the disappearance of manufacturing jobs in the developed world, the standard "blue-collar" job became some kind of fast-food or service position in retail or hospitality with lower pay and fewer opportunities for advancement compared to factory jobs.
  • Steampunk: Regained popularity in the States after a decade of dieselpunk/decopunk, cyberpunk and atompunk dominating the Speculative Fiction and Alternate History scenes. Unlike in the 1990s however, steampunk also became popular in the mainstream.
  • Strawman U: Colleges were increasingly perceived as being extremely hostile to conservatives.
  • Stylistic Suck: An essential element of a lot of online content, especially memes. This may have started as a parody of unintentionally bad online content (poorly-written forum posts, Fan Fiction, or amateurish Web Comics), and its rise coincided with the surge of Irony in pop culture. The ubiquitous "LOLCats" meme, the anecdotal Rage Comics, and the intentionally confusing "YouTube Poops" were prominent early examples of this, while later in the decade, "shitposting", or deliberately stupid/poorly executed content, became a prominent source of Surreal Humor, and pages like Young Thugga La Meme, Niggaz Be WILIN, and Thot Patrol served as Trope Codifiers for the more surreal and arcane side of 2010s meme culture.
  • Subbing Versus Dubbing: This trope became Serious Business in the early decade when many anime licensors such as Bandai Entertainment and Geneon closed their doors and English dubs became less prevalent early in the decade due to the stagnating market. This trope become more of a Discredited Trope in the later decade, as there was some revival of English dubs thanks to the revival of Toonami, introduction to simuldubs in the later half of the decade (which was an initiative started by Funimation), and improved dubbing quality in the later half of the decade when compared to the previous two decades.
  • Supernatural Soap Opera: The genre became dominated by Young Adult Paranormal Romances and Urban Fantasy early in the decade before becoming more eclectic as in the 1990s. The genre's most successful examples were Teen Wolf, Shadowhunters, Riverdale, Hemlock Grove, American Horror Story, The Shannara Chronicles, Once Upon a Time and True Blood.
  • Surreal Humor: Became popular this decade, with Tim & Eric, Rick and Morty, "Weird Twitter", and "shitposting" among others.
  • Survival Horror: Received a resurgence early in the decade, thanks to video games like Amnesia: The Dark Descent, Slender, and Outlast.
  • Survival Sandbox: After the success of Minecraft and DayZ, we saw many games coming out in their ilk in the early-mid Tens, like State of Decay, Rust, Don't Starve, and H1Z1.

    Tropes T-Z 
  • Take That, Audience!: Critics and even show creators notoriously gave chastising remarks towards audiences for liking or not liking certain elements or/and formulas in their (preferred) works. This became the impetus for the audience-critics war towards the final years of the decade.
  • Take That, Critics!: Related to Critical Dissonance above, the audience-critics war in 2019 got to the point where audiences actively rallied for the films the critics were against out of spite. The most notable cases were Dave Chappelle's comedy show Sticks and Stones and Joker (2019), both of which were seen as too disturbing by critics.
  • Tamer and Chaster: The general tone of pop culture during the decade took a turn away from the raunchiness that marked the late 1990s and 2000s. Driven partially by an increased strength of feminism among the younger generation, and the #MeToo movement against sexual harassment, visual works especially showed a significant drop in gratuitous Male Gaze and implausibly Stripperiffic costumes. Sex scenes have become virtually extinct in mainstream film, and even premium cable and made-for-streaming content has shifted away from them (most infamously later series of Game of Thrones).
  • Teen Idol: Male teen idols saw a massive resurgence in the 2010s, although many groups formed in the 2000s. However, instead of the competitive scene of the 90s and 00s, only Justin Bieber and One Direction (and the group's solo careers) reached a massive level of popularity. Austin Mahone, Shawn Mendes, and 5 Seconds of Summer had some moderate success, but not at the same level as the former two. For female teen idols, Miley Cyrus, Selena Gomez, Demi Lovato, Ariana Grande, Fifth Harmony, and Little Mix led the way.
  • Thin-Line Animation: Animated shows of the period were noted for using this aesthetic instead of the 1950s-based Thick-Line Animation style that dominated in the late 1990s and 2000s.
  • Token Mini-Moe: This character archetype was still relatively popular in Japan, but much like the tsundere archetype, this got massive backlash among western anime fans and even some of the top anime producers in Japan itself due to the Little Sister Heroine fetish and Unfortunate Implications involved.
  • Tokyo Rose: It turned out that Russian trolls and bots had been planting social media posts intended to influence American votes in the 2016 elections.
  • Totally Radical: Pressure to keep relevant led many companies to shoehorn internet slang and memes in their advertising to appeal to the youth. Needless to say, it fell flat on its face.
    "Marketing targeted at today's youth is so strange because like, they've picked up on certain things, but they can't quite string the parts together in a cohesive way. It's like one of those shitpost generators. I mean, yeah, they understand that reaction gifs are a thing, and they understand that emojis are a thing, and they understand that tyler oakley (sic) is a thing. but they can't drive the point home. that is not a proper reaction to finding the right emoji. it doesn't make sense, and not even in a funny way. they're trying, really hard, but the nuances of internet youth culture still manage to escape their corporate grasp."
  • Trademark Favorite Food:
    • When discussing the economic status of Millennials, you could expect avocado toast, Nutella, and/or Starbucks to be brought up.
    • In the 'net, conversations weren't completely full without mentioning bacon in every thread despite health food going mainstream this decade, to the point that This Very Wiki used to have a trope page about bacon.
  • Trapped in Another World: The Isekai genre became very popular in Light Novels and thus seinen anime during this decade, with Sword Art Online being one of the most influential examples. The typical isekai story saw a typical everyman being taken to a fantasy world, usually with RPG Elements as part of the world in which they were taken.
  • True Companions: It has always been around, but a lot of work in this decade had bonds and friendships as its Central Theme, and Heterosexual Life-Partners started to become increasingly prominent. Even in real life, friendship was now more cherished by a lot of people around this time.
  • Tsundere: The concept was still strong, but it gained a bit of a backlash in this decade, mostly due to the combination of oversaturation, poor writing and Flanderization of the Tsun-Tsun traits for comedy's sake. The combination of the trope with Tiny Tyrannical Girl underwent a similar criticism for a few of the same reasons. Ironically, male tsunderes didn't receive much backlash like female tsunderes did, though this may have had something to do with the fact that most male tsunderes are rarely abusive towards their love interest as much as their female counterparts.
  • Tuxedo and Martini: The Daniel Craig era of James Bond films not only gave the genre a previously-denied critical acceptance, but also revitalized it following a post-Cold War slump, with Kingsman spawning a successful film franchise (other attempts, such as Spy and the film adaptation of The Man from U.N.C.L.E., didn't have such fate). Hipsters also revived this aesthetic in real life with craft cocktail bars.
  • Twice-Told Tale: Exploded in popularity in this period, in the wake of 2009's novel Pride and Prejudice and Zombies in literature and 2010's film Alice in Wonderland (2010). The former launched the Literary Mash-Ups genre, and the latter a raft of Fairy Tale retellings.
  • Two Decades Behind: In spite of being a seemingly more difficult time than the 1990s and 2000s, the 2010s were remarkably similar to the previous two decades in many sociocultural terms.
  • The 'Verse: This decade is where the aspect of several related having a Shared Universe came to a head. For films, the most prominent one was the Marvel Cinematic Universe; for TV it was the Arrowverse.
  • Viewers Are Geniuses: After the heavy anti-intellectualism that marked pop culture in the 2000s, many of the works of this decade made extensive use of cultural references, some of them quite obscure.
  • Western Animation of the 2010s: The decade may as well be called the "Second-Wave" Renaissance due to a resurgence of good-quality animation after mostly spending the second half of the decade in a slump, especially for Disney with the release of highly-successful films; Pixar reaching its artistic zenith, falling into a rut and redeeming itself in the space of five years, before doing it all over again over two years; and Cartoon Network phasing out the Canadian imports and live-action shows it introduced in the late 2000s, replacing them with cartoons aimed at a young adult audience like Regular Show and Adventure Time.
  • What Do You Mean, It's Not for Kids?: Cartoon Network's shows of the first half of the decade like Regular Show and Adventure Time became notable for their prominent use of adult situations to the point these saw important edits for overseas broadcast. By the mid-to-late 2010s, the use of this trope by films aimed to families (to the point Deadpool made it very clear that it was an R-rated film) became used as a counterpoint to claims that Hollywood has become "infantilized" during the decade.
  • What Do You Mean, It's Not Political?: Both amateur and professional critics loved to read sociopolitical significance into everything: movies, TV shows, video games, music videos and internet memes, given the growth of social consciousness and the increasing politicizing of fiction that had been building throughout the decade but accelerating in the wake of Brexit and Trump's inauguration (see "Serious Business" above). The only entertainment medium that mostly avoided this trope was anime and manga, which was mainly because the politicization of pop culture is mostly more noticeable in the West than in Japan.
  • What Do You Mean, It Wasn't Made on Drugs?: Surrealist and non-sequitur situations Played for Laughs became popular through the later years of the decade, particularly among the younger set.
  • Why Fandom Can't Have Nice Things: Became increasingly common during this decade following the rise of social media. There were several incidents of angry fans harassing people who worked on the show or franchise they followed off of social media, causing them to limit interactions with fans and even affecting the work they were developing, with fans' dissatisfaction often tied with a work being too politicized, not politicized enough or taking what they considered the "wrong" side.


Examples of Media set in this decade:

    Unclear/Several years 

Anime and Manga

  • As Chizuru was born on April 19, 1998, and she turns 20 over the course of the story, Rent-A-Girlfriend takes place around 2017-2018.

Comic Books

Fan Works

  • Ma Fille: A large portion of the story takes place between September 2010 and November 2019.
  • We Are All Pokémon Trainers: The narrative proper from the Sinnoh Arc to the Entralink Arc takes place from February 2011 to December 2019.

Film

Literature

  • Brown Girl in the Ring is set some point at least ~12 years after 1999, given in-story hints.
  • Decomposing Angel by Asi Hart is set sometime after 2014.
  • Infinite Jest: David Foster Wallace's Infinite Jest takes place 20 Minutes into the Future relative to the early-to-mid 1990s and is surmised by most to take place in 2010 give or take a year or two (although one theory puts it 2015), but since numbered years have been abolished to make way for years named after the corporate sponsor who pays for the naming rights, nobody can tell for sure.
  • The first update of the Web Serial Novel Worm is set on April 8th, 2011 — the first 19 arcs take place before the end of June, and the story then timeskips to 2013.
  • Kasia: Released in 2020, the modern-era portions of the story (aside from a scene in the year 2000 when Connor was a toddler and the epilogue in the year 2034) are set from October 2016 to July 2017 - the preface indicates that writing began around the time Kasia arrives in the 21st century.
  • Yes, Daddy: Released in 2021, the latter part of the novel - from Mace's trial onwards - is set from 2011 to the #MeToo movement, ending in 2018 or early 2019.

Live-Action Television

  • 18 Again: Made and set in 2020, majority of the flashback to the backstory of the two protagonists' family life takes place from 2012-2018.
  • Hometown Cha-Cha-Cha: Made and set in 2021, flashbacks to multiple characters' respective backstories set from 2013-2019.
  • My Name: Made and set in 2021. The prologue largely takes place in 2016, but a Time Skip montage showing the subsequent years up to The Present Day is feautured.
  • Squid Game: Made in 2021, flashback to the protagonist's backstory set somewhere in the decade.
  • A Teacher (2020): Made in 2020, all of it is set between 2013 and 2014 until the Distant Finale, which skips forward a decade.

Video Games

  • Ace Combat 6: Fires of Liberation's Emmeria-Estovakia War takes place from August 2015 to March 2016.
  • The modern day portion of Assassin's Creed takes place in the 2010s up until Odyssey.
  • Fate/Grand Order is meant to take place in real time as each year progresses, but the regional and lapse of time differences between each server has led to their own mini-canon on when it actually started.
  • Grand Theft Auto Online: Initially set in 2013; starting from the 2017 Gunrunning update, set in whatever year the latest update came out.
  • The events of Undertale takes place in the year 201X.
  • The Touhou Project series from Ten Desires to Wily Beast and Weakest Creature takes place in the 2010s.
  • Kentucky Route Zero (whose acts were released from 2013 to 2020) is set at the height of the Great Recession, envisioning it as a new time of Southern Gothic.
  • killer7 takes place in the first half of the decade, most chapters between 2010 (Angel on January 30th, Sunset on February 10th) and 2011 (Cloudman on April 3rd, Encounter on August 10th, Alter Ego on October 26th, and Smile on December 16th), with the finale, Lion, skipping ahead to an unspecified day in 2014.
  • Resident Evil 6 takes place from roughly December 2012 to June 2013.

Webcomics

     2010 
Anime & Manga

Films

  • 2010: The Year We Make Contact is set in 2010.
  • In Back to the Future, Doc Brown originally planned to travel 25 years into the future, October 26, 2010, before being interrupted by disgruntled Libyan terrorists.note 
  • District 9, a Science Fiction Mockumentary/Satire/Social Statement, set in 2010 South Africa.

Literature

  • In 2010, the advent of unlimited storage space and bandwidth will kill Big Media, according to Peter F. Hamilton's Misspent Youth.
  • Numbers begins in the last months of 2010.

Live-Action TV

Music

  • Tim Wilson's "Jetpack" song, where he complains that the new millennium is not what he expected to be.

Video Games

  • The Boston scenario in SimCity is set in 2010. The nuclear meltdown fortunately never happened.
  • The first Psychic Force game is set in the year 2010; its sequel takes places two years later.
  • Ace Combat 5: The Unsung War takes place in the back part of 2010, starting around September and ending at the morning hours of December 31st.
  • Sofia? takes place in April 2010.

Western Animation

Webcomics

     2011 
Anime & Manga

Fan Works

Films

Literature

Live-Action TV

Webcomics

Web Original

  • Pact starts on August 11, 2013.
  • Stuart Hardy. He originally joined in 2011 on YouTube, though didn't start video reviews until 2012.

Video Games

     2012 

Anime & Manga

  • Yamada-kun and the Seven Witches starts in May 2012 (confirmed by a calendar and a Time Travel chapter even though the narration in the first chapter, released in February 2012, claims that the story took place "not too long ago").

Comic Books

Films

Fan Works

Literature

Live-Action TV

Video Games

Western Animation

Real Life

Other

     2013 

Anime and Manga

  • The past portion of Your Name takes place in 2013.

Comic Books

Films

Live-Action TV

  • Supergirl (2015) flashback to when the eponymous protagonist was hired at CatC happened in this year.

Video Games

     2014 
Anime & Manga

Comic Books

Fan Works

Live-Action TV

  • D.☆P. takes place in 2014.
  • The Leftovers
  • 19-2 (The English version starts in 2014)
  • The first two seasons of Titans (2018) season frequently flashes back to this year as this was the year the original team was formed.

Video Games

     2015 
Anime & Manga

Literature

  • Eden Green (and the extradimensional disaster it covers) takes place in late July, 2015. The author also released a free web serial, City on the Edge of Nowhere, to recap events with bonus 2015 context.
  • Worm's sequel Ward takes place in 2015.

Fan Works

Films

Live-Action TV

  • The Flash (2014): The eponymous protagonist time travels to this year (specifically the one set during Season 1's timeline) twice as of Season 5.
  • How I Met Your Mother has flashforwards to the birth of Ted's eldest child set in this year.

Podcasts

Video Games

Web Original

  • Ward takes place in 2015.

     2016 

Anime and Manga

Films

Live-Action TV

  • How I Met Your Mother: The flashforward to Barney Stinson and Robin Scherbatsky's divorce, as well as the selling of the apartment which served as the setting of the show for much of the series's run, happened in this year.

Western Animation

Video Games

     2017 
Comic Books

Films

Literature

  • Harry Potter and the Deathly Hallows: The epilogue of the last Harry Potter book (published in 2007) would, according to the official timeline, take place in 2017. We don't really get to see what the Muggle world is like by that time, but at the very least they still have cars and driving tests. We also know that they still have train stations and that they haven't found out about wizards yet.
  • My Dark Vanessa

Video Games

Western Animation

  • "SB-129", an episode of SpongeBob SquarePants opens in this year, before it hands over to the events of 4017.

     2018 
Film

Video Games

Visual Novels

     2019 
Anime and Manga

Comic Books

Films

Literature

  • Arthur C Clarke's July 20, 2019 is set on... that's right. (He chose that date because it's the 50th anniversary of the Apollo 11 moon landing.)

Live-Action TV

Music

Video Games

Web Comics

  • Crystal Heroes has a narration box stating "The year is 2019" on the second page.

Western Animation

  • Amphibia takes place from mid to late 2019.

Works made during the 2010s

    Advertising 

    Arts 

    Animated Shows 

    Asian Animation 

    Comic Strips 
  • Arrowhead started in 2018.
  • Big Nate celebrated its 20th anniversary in 2011.
  • Bloom County returned in 2015 after a 25-year absence.
  • Brenda Starr ended in 2011.
  • Dogs of C-Kennel, started syndication in 2010.
  • Doonesbury: The daily strips entered a hiatus in 2014, being replaced by a recollection of noted continuities from the strip's history.
  • Dustin, started in 2010.
  • Gasoline Alley hit the 100-year mark in 2018, with Walt alive and kickin'.
  • Jimmy & Lupe Tornado
  • Macanudo was first syndicated in North America in 2014.
  • Guy Gilchrist's run on Nancy ended in 2018. He was followed by Olivia James, whose work became instantly celebrated.
  • Phoebe and Her Unicorn, started as a webcomic in 2013 and became a syndicated strip in 2015.
  • (Barney Google and) Snuffy Smith celebrated its centennial in 2019.
  • Wallace The Brave, started in 2018.
  • Wizard of Id celebrated its 50th anniversary in 2014.

    Eastern European Animation 

    Han-guk Manhwa Aenimeisyeon 

    Puppet Shows 

    Radio 

Alternative Title(s): The New10s

Top