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Maurice, Barry, and Robin Gibb in the late '70s

The Bee Gees were a music group consisting of brothers Maurice, Barry, and Robin Gibb. They first formed in 1958, rising to prominence in the late 1960s and early 1970s, and were especially popular in the disco era of the mid-to-late 1970s.

The Bee Gees name is commonly believed to be short for Brothers Gibb, though it's actually a reference to Australian DJ Bill Gates (no, not that Bill Gates) and promoter Bill Goode, two men who played key roles in launching the group's career. The Bee Gees for most of their history have consisted of twin brothers Robin and Maurice Gibb and older brother Barry. (Youngest brother Andy is commonly believed to have been a member of the Bee Gees, but he never was. However, they were planning on adding him in the '80s, but his death put a stop to that.) Born on the Isle of Man to English parents, the brothers were living in Australia when they began their musical careers, with their first documented TV appearance airing in 1960 and their first released single, the Lonnie Donegan-esque skiffle song "The Battle of the Blue and the Grey", appearing in 1963. Initially performing an amalgam of covers (typically of works by Donegan and The Beatles) and self-written songs, the group eventually released two LPs of original material, the more Merseybeat-influenced The Bee Gees Sing and Play 14 Barry Gibb Songs and the more psychedelia-tinged Spicks and Specks, in the mid-'60s, neither of which sold prolifically. Frustrated by their relative lack of success, the brothers returned to England in 1967 and were snapped up by producer and manager Robert Stigwood, who would prove a major influence on their career until the turn of The '80s. Employing a Genre Roulette of then-popular songwriting styles (aided by Stigwood's more elaborate production), the Bee Gees rapidly became one of the most prominent harmonic pop-rock groups globally, mainly characterized during this period by their three-part harmonies led by Robin's vibrato. Their first international hit was "New York Mining Disaster 1941" (1967); other hits from this period include "To Love Somebody", "Holiday", "I Started a Joke" and "Massachusetts" (the last of these being their first UK #1 hit). These songs and several others today are staples on oldies stations. The band at this point actually consisted of five members. In addition to the Gibb brothers, the group also included guitarist Vince Melouney and drummer Colin Peterson.

The band's first three internationally-released albums, Bee Gees' 1st, Horizontal, and Idea, were all popular successes. However, tensions began to boil during the recording of the group's next album, Odessa, an ambitious double Concept Album. Though the album today is considered one of the finest of their early period, it was a cause of great strife for the band. Robin began to feel that the label was favoring Barry's songs when it came to choosing singles and finally left the band to pursue a solo career. Peterson was fired during sessions for their next album, and with Melouney having left previously to pursue a different musical direction, the Bee Gees at this point were a duo consisting of just Barry and Maurice. They soldiered on with the ambitious Cucumber Castle, a Made-for-TV Movie, but the film and accompanying album both flopped. With the group in a state of chaos at this point, it was seemingly the end of The Bee Gees.

Then in late 1970, Barry and Maurice (accelerated by a then-desperate Stigwood, who was attempting to rebound from his failed merger with Apple Music at the time) managed to patch up their rift with Robin. The three decided to reunite and give the Bee Gees another try, complete with a more ballad-oriented singer-songwriter aesthetic. This revival rapidly yielded two of the group's biggest hits, "Lonely Days" and "How Can You Mend a Broken Heart", the latter providing them with their first US #1 hit. After that, however, their commercial fortunes dropped sharply, as their next album sold noticeably lower numbers. Subsequently, the Gibb brothers embarked on an attempted revamp into a country-rock group with Life in a Tin Can in 1973, which dissolved their commercial fortunes even further. Lacking faith in the group's direction, Stigwood discarded an entire fully-recorded album in the vein of Tin Can and sent them to the USA to collaborate with notable R&B producer Arif Mardin. An initial attempt to shed their overreliance on the slow, melancholic ballads that had dominated their output since 1970, the R&B-influenced 1974 album Mr. Natural, while not a major seller, nonetheless featured clearer, more atmospheric production courtesy of Mardin and a noticeable uptick in the structure and energy of the group's songwriting, with tracks such as the hard-edged funk rock of "Heavy Breathing" and the Elton John-esque "Dogs" (notable as the first released appearance of the group's trademark falsetto, sung faintly during the pre-chorus bridge) foreshadowing their artistic resurgence.

The following year, the Gibbs finally saw commercial success again with their next album, the heavily funk-flavored Main Course, also produced by Mardin. In addition to providing them with their first number one hit in four years, "Jive Talkin'", the album also more prominently featured (in an attempt to homage R&B groups such as Frankie Valli and the Four Seasons) falsetto vocals courtesy of Barry, conspicuously appearing on tracks such as "Fanny Be Tender (With My Love)" and the hit "Nights on Broadway". When it came time to produce their next album, Mardin was not available, so the band began producing themselves, aided by Abhy Galuten and engineer Karl Richardson. The resulting album, Children of the World was an even more major hit, spawning another number one single, "You Should Be Dancing", and marking both the group's outright transition into disco stylistically and the point at which Barry's falsetto became the defining feature of the group's sound.

It was then that Robert Stigwood approached the Gibbs about contributing songs to the soundtrack of a new motion picture that was being produced. The project, which would focus on the disco scene, excited the Gibbs, and they happily agreed. The Saturday Night Fever soundtrack would quickly catapult the band to the peak of its popularity, far more than they had been in their pre-disco days. Because of the incredible success of this album — for a time, it was the biggest-selling album in history until that role was taken by Michael Jackson's Thriller six years later — the Bee Gees, fairly or not, became the poster boys of the disco era. Despite this, disco songs were hardly the Bee Gees' only hits, even in this era; non-disco ballads like "How Deep Is Your Love" and "Too Much Heaven" were just as big hits as "Stayin' Alive", "Tragedy", "Jive Talkin'", and "Night Fever". Their last big hit of the 1970s, "Love You Inside Out", was more of an R&B song than full-on disco. Whatever the general vocal ranges of the songs were, though, one thing that remained from their harmonic rock period was their tight vocal harmonies, although this time with Barry Gibb taking more of a lead role.

The Bee Gees starred in the 1978 film Sgt. Pepper's Lonely Hearts Club Band, a pastiche based on The Beatles' music, notably the original titular album with songs from Abbey Road. Peter Frampton, Alice Cooper, Steve Martin, Aerosmith, and George Burns helped comprise the all-star lead cast. Even though it flopped at the box office, it still manages to enjoy quite a cult following in spite of its kitschiness, being praised for its renditions of the Beatles' music, and Steve Martin's comical rendition of "Maxwell's Silver Hammer" can be considered So Bad, It's Good as well as the movie itself.

As the 1970s became the 1980s, the group updated its sound once more to stay contemporary, shifting from straight disco to R&B-based pop. However, the US continued to regard them as relics of the disco era, and with the backlash against disco running strong, the group would find only occasional success in the studio from here on out — most notably the 1989 single "One" (their last U.S. Top 10 hit) and the 1997 album Still Waters (which sold over 4 million copies in the States, and spawned their last top 40 hits, "Alone" in the summer of 1997 and the title track in January 1998). They remained popular in the UK, though, having a massive 1987 Number One single (twenty years after their first) in the shape of thumping echo-chamber romp "You Win Again", and top 5 success into the '90s with "For Whom The Bell Tolls" and "Alone". They also experienced continued popularity 'behind the scenes' writing songs for other people, even in the US; songs they wrote for others include worldwide hits like Barbra Streisand's "Woman in Love", Dionne Warwick's "Heartbreaker", Diana Ross' "Chain Reaction" and "Islands in the Stream" by Kenny Rogers and Dolly Parton.

In 1997, with Barry struggling with arthritis and back pain, the group played a show titled One Night Only, intending for it to be their last. Response to the show was so overwhelmingly positive, however, that Barry decided to soldier on with one last full-scale tour despite the pain. That same year saw them inducted into the Rock and Roll Hall of Fame. Brian Wilson of The Beach Boys, who himself knew a thing or two about vocal harmonies, performed the induction.

2003 saw the temporary end of The Bee Gees, with Maurice's sudden death in January at the age of 53 of a heart attack while awaiting emergency surgery for a twisted intestine. After that, Barry and Robin performed off-and-on under the Bee Gees name, including appearances on Dancing with the Stars and Strictly Come Dancing in late 2009. In May 2012, Robin passed away following a long battle with cancer, leaving Barry as the only surviving member and effectively marking the end of the group.

Barry Gibb has since continued to tour and record as a solo artist, releasing two solo albums since the end of the group and performing a well-received "Legend" set at the 2017 Glastonbury Festival.

Discography:

  • The Bee Gees Sing and Play 14 Barry Gibb Songs (1965) (Australia only)
  • Spicks and Specks (1966) (Australia only)
  • Bee Gees' 1st (1967)
  • Turn Around, Look At Us (1967) (Australia only - compiled without the Gibbs' consent)
  • Horizontal (1968)
  • Idea (1968)
  • Odessa (1969)
  • Cucumber Castle (1970)
  • Inception/Nostalgia (1970) (Australian-era outtakes - compiled without the Gibbs' consent)
  • 2 Years On (1970)
  • Trafalgar (1971)
  • To Whom It May Concern (1972)
  • Life in a Tin Can (1973)
  • A Kick In The Head Is Worth Eight In The Pants (1973) (unreleased)
  • Mr. Natural (1974)
  • Main Course (1975)
  • Children of the World (1976)
  • Saturday Night Fever (1977) (soundtrack, contains four new Bee Gees songs and two previous released ones)
  • Spirits Having Flown (1979)
  • Living Eyes (1981)
  • Staying Alive (1983) (soundtrack, contains five new Bee Gees songs)
  • E.S.P. (1987)
  • One (1989)
  • High Civilization (1991)
  • Size Isn't Everything (1993)
  • Still Waters (1997)
  • This Is Where I Came In (2001)


"Trope fever, trope fever, we know how to do it":

  • Band of Relatives: In this case, older brother Barry and twins Robin and Maurice.
  • Baroque Pop: Most of their '60s output, chiefly Bee Gees' 1st through Odessa.
  • Blatant Lies: The first line of "Stayin' Alive" is, "Well, you can tell by the way I use my walk I'm a woman's man, no time to talk." Despite having no time to talk, he spends the next five minutes spitting out rapid-fire Motor Mouth lyrics.
  • Break-Up Song: "I.O.I.O." from Cucumber Castle. It's bouncy, with a catchy chorus hook, and starts off as a seemingly happy song about nature, but eventually it focuses on the narrator lamenting the end of a relationship, which even involved a "Dear John" Letter.
    She never told me why she left me
    But the letter said "goodbye"
  • Briefer Than They Think: Out of their 50+ years in the music business, only five of them were spent as a disco band.
  • Canon Discontinuity: "Spicks and Specks" (the song only, not the album) is the only thing from their Australian days that the Gibbs really acknowledge. Various compilations of pre-1st material dot record store shelves, but these are distributed by small independent labels and not officially sanctioned by the Bee Gees or Polydor Records, their longtime record label.
  • Carpet of Virility: All three brothers had quite the pectoral plumage, which got a lot of air time during their disco years. Mercilessly parodied here!
  • Chronological Album Title: Bee Gees' 1st was technically their third album, but it was their first to be released internationally.
  • Concept Album: Odessa was intended to be a concept album about the loss of a (fictional) ship, though Creative Differences led to the concept becoming somewhat muddled in the final product.
  • Cover Version: They covered quite a few Beatles songs, such as "Ticket To Ride" and "Paperback Writer".
  • Determinator: Barry Gibb during the last full-scale tour. To some extent, the entire band during lulls between the high points, and following the death of their brother Andy Gibb, himself a successful solo artist, in 1988.
  • Everything's Louder with Bagpipes: The intro to "Alone" features them.
  • Fake Shemp: The drums on "Stayin' Alive" are a loop of the drum track from "Night Fever" because drummer Dennis Bryon couldn't be at the session.
  • Genre Roulette:
    • All through their career. From Rock, Baroque Pop, and ballads in the '60s and early '70s, to Disco in the mid/late '70s, to AOR, R&B, and Soul from the '80s onward.
    • An album example is their final new release, This Is Where I Came In, which features - among other genres - Acoustic Rock, Eurodance, and even Tin Pan Alley.
    • They also did the occasional country song. Two of the more prominent examples are "Don't Forget to Remember" and "Rest Your Love on Me".
  • Grief Song: 1989's "Wish You Were Here", written after the death of brother Andy.
  • Hookers and Blow: "Wine & Women" has the line "Wine and women and song will only make me sad" at the very beginning.
  • I Am the Band: Barry Gibb is the only member to have been in every incarnation of the Bee Gees; Robin dropped out for a time in the early '70s, and Barry and Robin played together briefly following Maurice's death.
  • Indecipherable Lyrics: They were very prone to this due to their unique singing style, particularly the songs where Robin sings lead.
  • Large and in Charge: Barry was the leader of the group and towered over his younger brothers.
  • Long-Haired Pretty Boy: It makes sense that Barry and Robin were the two most famous members of the band since their long, flowing locks definitely helped to their overall good looks. Their youngest brother, teen heartthrob Andy, also had long hair.
  • Lyrical Dissonance:
    • "Tragedy" is an upbeat, dance-able song whose lyrics speak about a man about to cross the Despair Event Horizon because of his loneliness.
    • "Stayin' Alive," the perennial favorite of upbeat, swaggering walkers ever since Saturday Night Fever, contains some rather dark lyrics that, so far, have only really suited the protagonist of the aforementioned film.
      "Life goin' nowhere... Somebody help me."
  • New Sound Album: Main Course marked the point at which they became a disco band. Living Eyes marked the point at which they stopped being a disco band.
  • Non-Appearing Title:
    • "New York Mining Disaster 1941", though some pressings include the chorus ("Have you seen my wife, Mr. Jones?") as a subtitle.
    • A number of early album tracks do this. "Marley Purt Drive", "The Earnest of Being George", "Horizontal", "Portrait of Louise", and "I'm Weeping" are examples.
  • Painted-On Pants: This was a visual trademark of theirs in the disco era, which led to a lot of jokes about it being the source of their falsetto vocals.
  • Pop Culture Osmosis:
    • Most young people only know the Bee Gees' song "Nights on Broadway" as the theme of the recurring "Barry Gibb Talk Show" sketch on Saturday Night Live but with different lyrics like instead of Standing in the dark/where your eyes couldn't see me it's Discussing politics/And the issues of the day.
    • "Stayin' Alive" became familiar in recent years as Moriarty's (rather embarrassing) ringtone.
    • The Teddybears remix of "Stayin' Alive" has also gained popularity due to the song that plays when Adam Jensen walks into a bar.
  • Signature Headgear: From the 1980s until his death, Maurice wore a black hat whenever he and his brothers performed live, and he even wore one on the covers of some of their albums.
  • Something Something Leonard Bernstein: "Somethinganda somethinganda somethinganda somethinga staaaaayin' alive! Stayin' alive!" For the record, the actual lyrics are "Whether you're a brother or whether you're a mother you're stayin' alive! Stayin' alive! Feel the city breaking and everybody shaking and we're stayin' alive! Stayin' alive!"
  • Step Up to the Microphone:
    • Maurice sang just a handful of lead vocals, with his only lead part on a single being the titular chorus chant in "I.O.I.O."
    • "Such a Shame" from their 1968 album Idea, written and sung by Vince Melouney, is the only song on a Bee Gees album not written or sung by a Gibb.
  • Teen Idols: How the Gibbs were marketed in the late 1960s and early 1970s...long before some movie called Saturday Night Fever changed their image forever.
  • Thicker Than Water: The Gibbs have admitted that they probably would have never resolved their differences in the early '70s if they had not been brothers.
    • Incidentally, the Gibbs' little brother, Andy, had a huge hit by that very name "(Love Is) Thicker Than Water" in 1978.
  • Twin Telepathy: Robin and Maurice claimed to have this.
  • Uncanny Family Resemblance: Despite being Robin's twin brother, Maurice bore a much stronger resemblance to eldest brother Barry.
  • Unreplaced Departed: Barry and Robin continued as The Bee Gees after the death of Maurice in 2003. When Robin passed away in 2012, the group came to an end and Barry continued as a solo act.

 
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Staying Alive

Saturday Night Fever's iconic opening, to the sound of the Bee Gees.

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