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Loners Are Freaks

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"Not alone, 'Lone'. Alone is an unfortunate predicament, lone is an aesthetic choice."
Batmanuel, The Tick (2001)

Friends are great. Which is why having friends is often what separates the hero from the villain. An unfortunate and inevitable side-effect of The Power of Friendship is that if you don't have friends, there's something wrong with you, since being a loner is not "natural".

Similarly, if a writer is going to create a sympathetic Anti-Hero, they often choose to make the character a brooding and friendless loner. Introversion seems to get used much more often than other epic or humanizing flaws like pride, addiction, jealousy or lust. Perhaps this is because showing a complete lack of a social life as opposed to a self-destructive one is much easier to accomplish. A quick establishing shot of a character sitting alone in a social setting or an insistence that they be left to their own devices is an easy way to alert the audience that something isn't quite right.

Fiction doesn't seem to draw a distinction between being asocial and anti-social. A loner character usually is more than just socially awkward; they'll have a number of serious psychological issues too. Arrogance, selfishness, and mental instability are all fairly common. At worst, they're portrayed as evil since their refusal to socialize is proof that others are not worthy of their presence and that the only person they could ever care about is themselves. Right? When fiction doesn't make a distinction between being a loner by choice or being driven to it, this is the attitude at work.

Cultural norms can make this even worse. In Japan, Hikikomori are seen as either NEETs gone over the edge, or lazy students cutting class rather than victims of a nearly-Social Darwinist society defined by ambition and fear of shame. Rather than reaching out for help, the family is expected to isolate the weirdo from society and deal with the problem themselves.

Even more unfortunately, there is some historic basis for this. Humans, after all, are social animals. Cooperation along with the invention of language is how we survived, and those who tried to go it alone often weren't able to reproduce or hand over their innovations to the next person. Through most of human history, collective action was the only practical means of survival; being extremely selfish, hiding all the time, or being shunned/banned/exiled/cast out was very often a precursor to slow death by starvation and predation. Thus a person condemned to Dying Alone was almost certainly alone because of a problem they would had fitting into another group and thus they should be avoided.

Loners can also Go Mad from the Isolation. Humans learn how to be human through social interaction. And there are many social skills that can only be learned in person — isolation can lead to No Social Skills. When you're raised in isolation, you behave differently. Many psychological disorders originate from a deficit in human interaction. Then that person will be shunned, isolating him further in a vicious cycle, putting him closer to the Despair Event Horizon.....

A more tragic explanation for this trope is that loners are simply expressing their true personalities (in this case, being a loner) by refusing to adapt to societal standards they don't like. This can be interpreted as being an act of rebellion by others when nothing deeper is really going on. Thus, many introverted people are assumed to be going through an immature stage or dismissed as having ulterior motives for their behavior that ends up just isolating them more.

Of course, this trope could just be the inversion of the idea that nobody could like a freak, so freaks are loners. This doesn't logically translate to all loners are freaks, but a lot of fiction doesn't follow logic.

In idealistic works concerning this trope, the All-Loving Hero will often effect a Heel–Face Turn on an antagonist by trying to be their friend. Often this will work by itself, hammering home the idea that what's wrong with the villain isn't the need for revenge or a severely unbalanced psyche, it's a lack of friends. Even if The All-Loving Hero eventually accepts the Loner as a Loner, the Loner will often appreciate the effort, and begin making token attempts to be sociable with the True Companions.

It's hard to determine whether this trope originated from assumptions about loners in the real world or helped cause it...or whether that's another vicious cycle.

There are exceptions, as with all other tropes: the crusty old hermit or Witch Doctor who rebuffs the villains and helps out the heroes is a fairly popular stock character. And both of those are frequently portrayed at the very least as eccentric. The Misunderstood Loner with a Heart of Gold is a loner who is thought to be a freak but is a truly Nice Guy.

And, as Freaks proved, loners may be freaks, but freaks aren't loners.

Compare Beware the Quiet Ones, The Complainer Is Always Wrong, Ineffectual Loner, and perhaps Intelligence Equals Isolation. Contrast You Are Not Alone. See also No Social Skills. Often subverted by combining it with a This Loser Is You protagonist, in which case freaks are not evil.


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  • Averted in Oscar Meyer's "Overt Bert" commercial, in which introverts and extroverts are depicted as equals, both types of people enjoying sandwiches.

     Anime & Manga 
  • Yu-Gi-Oh!: The protagonist has an ever-growing team of friends to support him, and not do much else. The Rival, on the other hand, doesn't have any, doesn't want any, and consistently fluctuates between bona fide antagonist and intolerable rich snob.
  • Neon Genesis Evangelion:
    • Everyone is a loner to some degree, and it does none of them the least bit of good.
    • The three pilots are the most lonely: Shinji and Asuka have a very hard time socializing or making friends due to losing their mothers and being abandoned by their parents when they were four, and at the end are the only people left on Earth; Rei because she has been raised in isolation and is the soul of an ancient alien goddess locked inside the teenager cloned body of Shinji's mother.
    • Rebuild of Evangelion has an aversion in the form of Mari, who outright states that she doesn't like involving others in her plans, deliberately cuts off the intercom when she hijacks EVA 02, and is hardly shown talking with anyone but the protagonist. She still manages to be a very positive, badass character who teaches said protagonist an important lesson.
  • Sara in Str.A.In.: Strategic Armored Infantry, the New Transfer Student loner, is assumed to be an evil one by the Gambee pilots who need a scapegoat.
  • One of Ash's rivals, Paul, from Pokémon, seems to be taking this route. He doesn't even seem to form proper friendships with his own Pokémon. He's only interested in them for their power.
    • Also, Ash's Greninja was quite a loner back at the Froakie breeding farm, and he was rejected by the rest as a result. Froakie wasn't necesarily opposed to being friends with the rest, but simply preferred to train in solace. Of course, getting rejected by all the others resulted in Froakie becoming much more disconnected. His interactions with Ash and Ash's team result in him gradually getting more social and friendly.
  • On Digimon Adventure, the evil Puppetmon was defeated specifically because he had no friends. In a sense, all of the evil Digimon were destroyed because they were loners. Puppetmon was simply the only one who had it spelled out to him, by both the Digidestined and Cherrymon (his childlike nature also meant that he angrily rejected the notion that no one was his friend).
  • The relationship between Naruto and Sasuke reeks of this. Sasuke, a loner due to a strong, all-encompassing desire for revenge, and power for the sake of that revenge, ends up becoming a Rival Turned Evil due to his pride being damaged by both Naruto's ever increasing power and an ass-kicking/Mind Rape by his Aloof Big Brother Itachi. Though after the time skip Sasuke seems to be clearly one of the most powerful ninja on the planet.
    • But he's also increasingly off his nut and evil. This trope in relation to Sasuke was made pretty clear with him sacrificing Karin without a second thought to get to Danzo.
    • Gaara exemplified this before his defeat by Naruto. Constantly ostracized by his village, he had retreated into solitude and gone gradually more insane as doing so only strengthened Shukaku's hold on his mind.
      • Naruto's response to his backstory also fits. His first reaction was to fear Gaara because he thought someone who could willingly accept such loneliness must be incredibly strong.
  • Exception: Kino of Kino's Journey is remarkably well adjusted and prefers to travel alone with just a talking motorcycle (yes) for company. Kino doesn't hate people, but doesn't want to form attachments that would hinder the ideal of the Traveler. It helps that most people and societies they encounter are really screwed up.
  • The main message of One Piece boils down to "if you don't have any friends, you suck!" It's actually difficult to stay a loner in One Piece unless you're really a douchebag and therefore, deserving of it. Consider Tony Chopper, a talking, shapeshifting reindeer, who was outcast for his weirdness until Luffy's crew comes along and openly accept him.
    • Also, Zoro, Robin and Brooke. Zoro was even alone by choice. Also worth mentioning is Arlong, who cares as much for his True Companions as Luffy, and is a vicious bastard.
    • Played straight in a very realistic way by Brooke who's fifty years of complete isolation drove him mad.
  • Death Note does this in different ways, with L being the most straight-up example of this trope. Light seems to be his polar opposite, being very popular at school (apparently), and having a very devoted following for his alter ego, Kira. However, Light doesn't seem to be close to anyone in his life, and sees his girlfriend Misa as more of a tool to reach his goals. It turns out he and L are really Not So Different.
  • The Diclonius in Elfen Lied are rejected by society. As a result, most are either depressed or (more commonly) sociopathic, sadistic killers. It's worth noting that all of them are psychotic to varying degrees and/or have split personalities.
  • The entire premise of Final Fantasy VII: Advent Children is for The Power of Friendship and an adoring group of True Companions to finally dredge loner-protagonist Cloud out of his mopey-assed, guilt-ridden shell. This is exemplified by the scene in which each member of the party (even the dead one) hurls him higher in the air while giving words of encouragement so he can single-handedly defeat a summoned dragon god. This carries on from the game: see below.
  • In Berserk, the half-mad main character, Guts, finally relents and allows others to follow him after wandering alone battling demons for years. They eventually become True Companions, but he goes off to being a loner again, which is one of the main causes of everything going into shambles since Griffith is obsessed with him. The sad thing is, he only left the Hawks because he wanted to be a better friend and peer to Griffith, and he believed that he couldn't do that unless he could find a dream of his own.
  • Princess Tutu has Autor, a character who is first introduced by several cameos of him sitting alone in a library, yelling at others to be quiet while employing Scary Shiny Glasses. Once he becomes integrated into the plot, it appears that he doesn't have many friends because he's consumed by his obsession with Drosselmeyer (as well as a belief that he's better than everyone)—although there's occasional hints that he's bothered by his position, including him having an angry reaction to Uzura calling him "Weird Autor". In the end, he helps give Rue an epiphany using The Power of Love, and also saves Fakir, possibly hinting that he's come to accept the boy as a friend.
  • Johan of Monster would be a aversion of this trope, as he's very charismatic... if he didn't kill everyone that ended up being his friend. Though it could be argue that he never considered anyone his "friend." The closest things he has to friends are Tenma and his own sister Nina, the people whose lives he made hell and whom he tries to mindrape into killing him over the course of the series.
  • While the heroes of JoJo's Bizarre Adventure slowly gather friends over the course of their bizarre adventures, the Big Bad of the series, Dio Brando, also has an ever-expanding group of friends/minions who are extremely loyal to him. It's even noted by Joseph that this is part of the reason why he's so dangerous (besides the vampire powers and time-stopping). A more direct example is Part 4 Big Bad Yoshikage Kira.
  • Sousuke Sagara from Full Metal Panic! specifically tries not to get too attached to people, mainly because he wants to maintain his business-like, cold way of following orders. Unfortunately for him, people just seem to be so attracted to him that, even if he doesn't want to, he constantly ends up with groups of True Companions. Gauron becomes rather angry when he finds out that Sousuke is constantly surrounded by friends, and breaking speeches Sousuke about how being a loner is a good thing that makes him strong and unique. Funniest part about it is that Gauron himself kept two very loyal girls by his side, making it more likely that his grand speech had more shallow reasons.
  • The plot of Welcome to the N.H.K. is how the protagonist Satou tries to get over his social anxiety and connect with people after he realizes how unhappy he is as a loner.
  • Averted in Mahou Sensei Negima!, oddly enough. The hero himself is a very kind person, but is also formal and uses Keigo with almost everyone. He tends to be rather distant otherwise. As it's an aversion and not a subversion, he's a loner but has no pathological case of avoiding people, he just doesn't socialize.
    • He actively tries not to socialize, because he's a teacher and would like to avoid Hot for Student situations. Not that it helps. He also tries to keep his distance because he doesn't want them getting caught in any dangerous situations because of him. That didn't help either.
    • He also doesn't have a lot of time to socialize because he's constantly going through Training from Hell. However, he does tend to grow closer to the students who are training alongside him.
    • He probably uses Keigo because Japanese is not his first language, and the more formal ways of speaking are generally taught first when someone is trying to learn. Keigo being the first way of speaking Japanese that he learned, he's probably most comfortable using it.
      • This isn't true actually, he knows how to speak in an informal manner and does it with the Kotaro, Takahata-sensei and Anya, as pointed by one of the students.
    • It also doesn't help that Negi has a huge helping of survivor's guilt after what happened to his village and wants to keep people away, in case they suffer the same fate as everyone else.
  • Being alone is a common factor for 'mad' characters in Soul Eater, right up to the original Kishin who rejected everything and everyone out of fear. Whilst being alone has not been explicitly stated as being bad, the way the alternative is presented makes the implication clear.
    • Crona was at the point of becoming a Kishin, did not know how to "deal with" people and their soul was represented as a desolate landscape until Maka intervened. Once Medusa gets her child back, however, things get worse and Crona has recently rejected any reminder of the friends they found at Shibusen.
    • Black Star became more detached from people when pursuing a misguided attempt at becoming stronger. He challenged teams without his Weapon partner, becoming increasingly...odd to the point that a comparison was made to his kishin fahter. Tellingly, he got over it by listening to and cooperating with Tsubaki.
    • Being a lone Weapon is one of the fandom theories regarding Justin Law's Face Heel Turn, especially considering he appears to have encountered the Clown whom Maka and Soul 'defeated' through epic team-work. In fact, teamwork forms the basis for all of the significant victories of that pair (if not all of the meister/weapon groups) in the manga.
    • While Stein does get on with people to an extent, he does not exactly seek out company. Marie leaves Death City with Stein because "he is always alone". Spirit was told by Shinigami to keep an eye on Stein, something which he has apparently been doing since childhood.
    • There is, however, one arguable aversion with the wizard Eibon. In both the manga and anime, he's spent centuries alone either living in solitude on Lost Island or sealed inside a demon tool, yet seems no worse for wear because of it (nor is his solitude remarked upon). He even provides assistance to the heroes in story, before (at least, in the manga) choosing to remain a hermit.
  • Shizuka of Bakuman。 is a basement-dweller who writes truly messed-up plotlines, barely acknowledges his beleaguered, well-meaning editor, and regularly sports truly terrifying facial expressions. When this boy snaps, it'll be something on the order of the Staff of the Magi.
  • Yukiteru Amano of Future Diary is very much a loner at school, due to his own reclusive and anti-social personality. The other kids consider him to be a freak. He does grow out of it later on and gains a small circle of friends after deciding he never liked being alone, but unfortunately for him, Yuno Gasai considers herself the only friend he needs.
  • Konata from Lucky Star, while not being a true loner, often gets berated for her love of solitary activities, like playing video games or watching anime shows.
    • Kagami in particular sees Konata as the stereotypical otaku and/or hikikomori, and considers Konata as a potential criminal. (To be fair, Konata lacks most stereotypical otaku and hikikomori traits.)
  • Tenshi/Kanade Tachibana of Angel Beats! is placed in this category, but is rather a Boo Radley. She's seen as a freak because she doesn't have any friends, but that's only because She's actively trying to graduate those around her, and thus is never really seen with anyone for any length of time.
  • Averted in Amanchu!. We never see any of Hikari's friends from before she met Futaba and the rest of the diving club, but she is shown to be cheery and outgoing, although perhaps a bit eccentric.
  • In The Weatherman Is My Lover the cheerful but emotionally detached Amasawa considers himself to fall under this. His lover Koganei convinces him neither of them needs to be that way.
  • All over the place in Puella Magi Madoka Magica. Homura doesn't have any friends because she was hospitalized for a long time, Mami doesn't have any friends because she must distance herself from others due to her job, Kyouko doesn't give a damn about humans after all she went through, and Sayaka actually become freaks, in so many ways, when she decides to be a loner. In contrast, Madoka try to connect with them all.
  • A major plot point in No Matter How I Look at It, It's You Guys' Fault I'm Not Popular!, where protagonist Tomoko's main goal is to be more sociable and avert this trope. She often fails spectacularly.
  • In Saint Beast, Shiva doesn't want to get close to anyone except Judas and also has a habit of putting down others. He gets treated with suspicion by other angels for his lack of community values.

    Comic Books 
  • Averted in Astérix and the Roman Agent: while everyone else is bickering thanks to the titular spy's influence, the bard Cacofonix isn't, since he, besides being aphonic at the time, usually keeps to himself and thus keeps away from the agent's jealousy- and paranoia-inducing influence. This isn't necessarily a personal choice—as per his name, Cacofonix is an enthusiastic but absolutely horrendous musician.
  • Depending on the Writer, Batman.
    • This trope is one of the reasons many heroes are uncomfortable with him, being unaware that Batman has the biggest extended family of the DCU. Again, Depending on the Writer, as he is also one of the leaders of the Justice League and one of the most respected heroes in the community. Also, Bruce Wayne by day (when he's not running a benevolent multinational Mega Corp.) is a popular playboy who often frequents parties and other social events, though this is of course at least partly just to make people think he couldn't possibly be Batman.
    • Batman himself seems to think he is a loner, or that he needs to be something like that to keep himself at the top of the game, but he also acknowledges several people as family or friends, even if he keeps them at a distance at times, and is generally aware that he needs them for the sake of his own sanity and humanity if nothing else, and that he cares deeply for them. After all, he is a man driven by personal loss.
    • On the flip-side, The Joker is one of the most extroverted villains in all of fiction. He usually has a gang, and a very large one, has a girlfriend in Harley Quinn and is very fond of the Villain Team-Up both with regular Batman rogues and on the grander stage with guys like Lex Luthor. Of course, he is a Bad Boss to said gang and tends to kill members at random on a whim; his relationship with Harley Quinn is the Trope Namer for Mad Love, and though he might like teaming up with other villains, the other villains are afraid to team up with him. He's not a freaky loner; he's the freak you wish was a loner, because With Friends Like Him...
  • Averted with the Rogues Gallery of The Flash, who are very sociable to the point of acting like a club as much as a loose association of criminal masterminds.
  • In Supergirl: Cosmic Adventures in the 8th Grade, Linda and Lena are Stanhope School's pariahs. Linda doesn't like being shunned but Lena is an unhinged narcissist who is perfectly happy to give everybody else the cold shoulder.
  • Both Rorschach and Dr. Manhattan of Watchmen. Rorschach has difficulty relating to people on a social level, being paranoid, violent, and insulting. Dr. Manhattan pushes away from humanity due to his god-like powers. It's implied in his back-story that Dr Manhattan wasn't the most gregarious man in the world even before becoming omnipotent, omniscient and probably omnipresent if he felt like it.
  • In many Legion of Super-Heroes continuities, Lightning Lord's misanthropy is at least partially attributed to this. His homeworld, Winath, has a population composed mostly of twins. As a single birth, he was apparently treated with pity, disdain and suspicion, and didn't take it well.
  • Doctor Doom regards friendship as a sign of weakness. He does have a handful of people he is relatively close to, but he refuses to call them "friends" because he imagines himself to be entirely self-reliant and superior to other men, and he keeps them at an emotional distance. Said "not-friends" are really his most trusted minions, anyway. He had a long-lost love called Valeria, but when he sacrificed her to a trio of demons for power, that kind of went out the window. He is not entirely asocial though and is Affably Evil enough to offer his female opponents a feast while their male teammates languish in the dungeons. Also, he has an annual dinner with the mercenary Silver Sable in her role as ambassador for the neighbouring country- apparently, she looks forward to them as Doom is a very good host. And he truly wants his own people to love and respect him and is relatively nice to them in return. Also, he has a very big soft spot for Valeria Richards, his god-daughter who he helped deliver (she gets away with calling him "Uncle Doom"), and has placed her under his royal protection (you harm her, he makes you pay).
  • Thanos of Titan was born with the Deviant gene, meaning he was an Eternal like the rest of his people but looked like a member of their historical mutant enemies / genetic cousins. He became a loner because of this and eventually killed nearly every other member of his race in a nuclear holocaust For the Evulz. He claims that the other Eternals treated him like an outcast, but his surviving brother says that Thanos imagined this and was just naturally reclusive and paranoid, and obsessed with Death and Black Magic and other dark ad grim subjects that didn't exactly invite company.
  • Sarah from from Bazooka Jules is an anti-social girl that goes to Julie's school. She's nicknamed weird girl because she has no friends and spends a lot of her time talking to her imaginary friends. The only person that wants to be her friend in Julie and she hates Julie.
  • X-23 is already a withdrawn and quiet girl as a result of her Dark and Troubled Past, but then she goes through phases where she isolates herself from others entirely. In NYX she rarely speaks and creeps out her companions, and in the beginning of her solo series Laura mostly avoids the other younger mutants and has been spending most of her time alone after being pulled from X-Force. The other students are quick to comment on this.
  • Spider-Man definitely fell under this in his early years, along with a hefty dose of All of the Other Reindeer. Depending on the Writer, it's deliberately ambiguous how much of this was genuinely because of bullies like Flash and how much of it was in his own head.

    Fan Works 
  • A Crown of Stars: After surviving the war and the end of the world in the series, Shinji and Asuka were too soul-weary and emotionally and psychologically damaged to relate to other people. No one wanted to talk to or approach them except to attack them or use them. Later, when they were members of a fleet was being dispatched to fight another war, they insolated themselves and the ship crew gave them a wide berth, not wanting to be caught up in their troubles.
  • Advice and Trust: During their post-First Kiss conversation Shinji and Asuka dejectedly tell they were always alone after their mothers' deaths and their fathers' abandonment: they had no friends because no one wanted to talk to them, no one even tried to understand their pain or cared... and no one could in fact understand.
    Shinji: "Your father abandoned you after your mother was gone,"
    Asuka: "You have nightmares all the time about it. The memory keeps coming after you when you try to sleep,"
    Shinji: "It's hard to sleep. You feel lonely and cold at night, because no one ever held you after that,"
    Asuka: "You never had many friends before you came here. No on ever wanted to just talk to you for you."
    Shinji: "Your father never explained or apologized for why he just left you."
    Asuka: "No one even tried to understand your pain. No one cared."
    Shinji: "You miss her every day, but don't even have any pictures, barely any memories. No one tells you about her."
    Asuka: "And there was never any point in talking about it to anyone, because there was no one in the world who could understand what being an Evangelion Pilot was like,"
  • HERZ: Shinji and Asuka hardly talked anyone other than Touji, Kensuke and Hikari in high school. Their schoolmates thought that they were weird.
  • Shadow Snark after being in self made isolation for a few years; he has No Social Skills.

  • Willard. Williard was definitely described as a loner and a Psychopathic Man Child.
  • Throw Momma from the Train. Owen is a definitive example, bordering at times on Psychopathic Man Child. Living alone with his mother, all he has is his writing class for human contact. Otherwise, his activities are 1) bowling by himself, b) taking care of Momma. It's no wonder he develops a fixation on his writing class teacher, Larry. In the end, he has two new friends and is no longer freakish.
  • 10 Things I Hate About You. Julia Stiles and Heath Ledger both play social outsiders. In reality they are rather mundane, but their rejection of society causes people to assume everything they do has some dark or criminal explanation.
  • Brendan Frye in Brick is cool, and badass, and a perfect example of Determinator, but he eats lunch alone and the only two people who could possibly be called his friends are his ex-girlfriend and Brain, who serves as a sort of information broker. Brendan plays many sides against each other, and is not very well liked for it.
  • He Was a Quiet Man. Maconel seemingly has no friends. His neighbors still don't know him after five years. This changes after he stops an office rampage, but he remains a freak.
  • Norman Bates from Hitchcock's Psycho certainly qualifies although of course he has 'Mother' to keep him company.
  • The Joker from The Dark Knight.
    Batman: He must have friends.
    Maroni: Friends? Have you met this guy?
    • However, he does run with a pretty large gang, and seems to pick up new members out of nowhere and know where all the criminals meet. It's noted that a good chunk of his men broke out from Arkham in the previous movie, and he also seems to absorb the lower ranks from the other mobsters he kills into his own gang, which would give him a) intel on the other criminals and b) underlings who aren't completely Ax-Crazy. Just mostly.
  • Averted in Silent Running - protagonist Freeman Lowell is a loner who is more at home with plants and animals than with people, but he's also the good guy in comparison to his uncaring, mercenary crewmates. And he's got his droids, so it's not really that he doesn't want company, he just wants better company.
  • Taxi Driver's Travis Bickle just can't get a grip on relating to people. So he turns himself into a walking arsenal and decides to do some damage/good.
  • In How the Grinch Stole Christmas!, the Grinch complains about this trope: "Fat Boy should be finishing up anytime now. Talk about a recluse. He only comes out once a year, and HE never catches any flak for it!"
  • About a Boy features Hugh Grant in the loner role. Over the course of the film he learns how to be a decent human being by making some friends. (starting with a 12 year old boy, no less!)
  • WarGames is driven by the fact that the hero is a lone geek (apart from a highly unlikely girlfriend for dramatic purposes.) Which is one of the things that dates the film, since today he would have a whole cyber-community "".
  • In Tangled, Flynn even admits that his dream involves him being alone and has to be forced into participating in the Crowd Song and the Dance Line. One Snuggly Duckling tavern thug explicitly tells him that his dream is stupid before the Character Development that led him to repudiate this.
    • Although what they seemed to have the biggest problem with was that while everyone else dreamed of doing things, Flynn just dreamed of getting lots and lots of money.
  • Played for laughs in Grosse Pointe Blank: One of the characters is an assassin who is trying to start up a trade union for assassins and approaches the main character demanding that he join. The main character argues the absurdity of the idea by pointing out that most assassins tend to be disaffected loners who don't work well with others:
    Martin: Loner! Get it? Lone-gunman! That's the whole point!
  • Kiss of the Tarantula: The fact that Susan A) lives in the local funeral home and b) keeps several large tarantulas as pets drive her classmates to view her as a creepy freak. She actually is a creepy freak, but one that actually wants friends.
  • In Pixels, Ludlow is a crazy Conspiracy Theorist with Perverse Sexual Lust for Lady Lisa, still living in his grandma's basement. Sam is his only friend, and calling them like that is quite an overstatement.
  • On Dangerous Ground: Due to his Broken Ace status, Jim Wilson isolates himself from the world and becomes extremely violent because of it.
  • In Where the Sidewalk Ends, Mark isolates himself from others and feels like an outsider as a cop because of his father's notorious reputation as a criminal.
  • Marina from Friend Request appears to be this as some of her interests are pretty dark and opposite of most people's norm. Despite this, though, she really wants some friends.
  • In Apartment Zero Adrian's neighbors are suspicious of him because he is a neurotic loner who avoids them as much as possible. Given his behavior, their mistrust is not unwarranted. But they are so focused on him that they don't notice that something far worse is lurking under their noses.

  • Solomon Kane is the poster child for this trope, spending almost every story tramping around Darkest Africa all alone except for the Witch Doctor N'Longa, who he sees very infrequently, and various other characters whose main function, generally speaking, is to die violently.
  • The Chronicles of Thomas Covenant by Stephen R. Donaldson: Thomas Covenant is something of a Jerk Ass hero.
  • Roland Deschain, the protagonist of Stephen King's magnum opus The Dark Tower, suffers from this trope: he has been alone for so long in his quest to reach the titular Dark Tower that it is his only reason for living. In the first book he goes so far as to let a twelve-year-old boy he rescued and bonded with to fall to his death, just to because his nemesis said it was the only way he'd ever allow himself to be caught, and said nemesis seemed to know about the Dark Tower. Roland's character softens into something a great deal more sympathetic after he forms a traveling party that helps him in his quest — which includes what amounts to a resurrected version of that kid, who'd have to be insane to follow Roland again under any other circumstances.
    • Susannah is clearly thinking of this trope when she thinks about how "the desert made him strange."
  • The Harry Potter series makes use of this trope
    • A key plot point throughout the series is that Lord Voldemort's lack of understanding of and inability to love another person or thing is one of his greatest weaknesses (he's actually a full-blown sociopath), whereas Harry's ability to love is his greatest strength. That said, Harry is a bit of a loner, of the more harmless variety. In fact, he is often mistaken for a freak, particularly in books 2 and 5, and his relatives think he's one too. This is due to his lonely childhood and his losses driving him to do everything himself so he doesn't risk others getting involved and losing them. Voldemort was also said to be quite popular when he was younger, and his followers, the Death Eaters, include many people he knew from school, although he tended to dominate his underlings and by the time he comes back its clear that most only hang around him out of sheer terror.
    • The young Severus Snape is also depicted as a loner due to his appearance and attitude as well as his aptitude for dark magic. Despite having Harry's mom, Lily as a friend and in fact him loving her, his choices drive her away and he ends up alone. He along with Harry and Voldemort are considered to be J. K. Rowling's three "abandoned boys."
    • Myrtle Warren became a "freaky little" nerd when she was teased by a girl named Olive Hornby, a school bully. Before she died, she cried in the bathroom.
    • In the last book, Dumbledore is revealed to be a true loner himself. While adored by the entire wizarding populace, Albus never seemed particularly close to anyone- the most fondness we see him express over the series is for his old flame Grindelwald and for Harry. Part of this is explained because his genius made him feel isolated, but by the last book, it becomes very clear he didn't trust anyone with all of his secrets, preferring to kill Voldemort with a Gambit Roulette. While Dumbledore is adored by all, most of the time, his intense quirkiness can lead to him being seen as a freak, as throughout The Deathly Hallows, Harry grows increasingly disillusioned as it sinks in how little Albus trusted him. However, this is ultimately a Downplayed Trope with him and we see Harry reconcile with Dumbledore when we see Dumbledore reflect on how this attribute caused him grief. Rowling says on Pottermore that Albus Dumbledore and Professor McGonagall were quite close, bonding over similarities in their childhoods. Albus and Aberforth Dumbledore were also reported to be relatively close before Grindelwald came and the Dumbledore boys lost their sister.
    • Luna Lovegood lampshades it when she says she has no friends because everyone thinks she's weird. But in the Deathly Hallows we see that she has gained five friends; Harry, Hermione, Ron, Neville and Ginny.
  • This is made into a point in David and Leigh Eddings's Malloreon series: The heroic Child of Light is surrounded by his friends and family (who also have the luck to be part of a prophetic Plot Tailored to the Party), whereas the Child of Dark is almost completely alone — no friends, just minions.
  • Ender's Game doubly subverts this. Everyone intentionally isolates Ender to make him a more efficient commander. Which also makes him an asocial freak that he never really gets over. But useful!
    • Ender's Shadow goes back on this a bit, playing up the fact that Ender relied on his army while Bean was the real antisocial genius. Or, to be more accurate, Ender could project all the leadership qualities and bind their loyalty to him but was completely alone himself, except for Bean, who had no idea how to really connect to other people. This is something of a plot point and stated outright: Ender takes down his bogeyman by himself whereas Bean has learned how to form a team that may or may not actually like him, but accept him.
      • The subsequent Shadow books do this even more clearly. Who's the villain? Achilles, who seems to be able to make everyone, except some of the battleschoolers, love him. He feels no attachment to them and is noted by Bean near the end as being empty and unable to understand true bonds. Who're the heroes? Bean, Mr. Antisocial himself, although it is revealed that his detachment from humanity is more about him caring too much than too little. And Peter Wiggin, the terror of his brother's life and the ultimate "I can do it myself" loner. Until he realizes just how good his parents are to talk to and after he marries Petra.
  • Harry Dresden of The Dresden Files is a loner of the harmless variety. He has a small circle of friends, but he's more or less antisocial, only being immediately nice to pretty girls (not because he's a pervert, he's just the chivalrous type). People treat him as a freak, but not because he's a loner. It's because he publicly advertises his being a wizard and people think he's nuts. This is only really an issue in the first four books. During and following Summer Knight, Harry finally accumulates enough True Companions that he can no longer really be considered a loner.
  • Subverted in The Andromeda Strain. The Odd-Man Hypothesis states that unmarried males should be given command during times of crises, as their lack of attachment allows them to make the most unbiased decisions.
  • Played frustratingly straight in the Kitty Norville series. Werewolves do not do well without a pack, and the further from civilization and multiple friendships, the worse the resulting monster becomes.
  • Played with in any Ayn Rand novel. Typically, villains or idiots believe this trope to be true, and most of the heroes are loners. The loners themselves consider the trope false, although they tend to get along with each other. Ultimately, Rand tends to invert this trope, although some of her heroes (Francisco d'Anconia in Atlas Shrugged and Austen Heller in The Fountainhead for example) are pretty sociable.
  • Speak: This is the reason Melinda is spurned by her classmates at school, other than the police-calling incident.
  • Everworld: Senna Wales. The first book, Search for Senna notes that she "was not the most popular girl at school." She doesn't allow anyone to know anything about her personality or motives at first, not even her boyfriend, David Levin. Later in the book it becomes apparent that she is an antisocial, scheming witch who is running her own plans. And that's the first thing we learn about her.
  • Discworld:
    • Edward d'Eath in Men at Arms:
      It was said later that he came under bad influences at this stage. But the secret of the history of Edward d'Eath was that he came under no outside influences at all, unless you count all those dead kings. He just came under the influence of himself.
      That's where people get it wrong. Individuals aren't naturally paid-up members of the human race, except biologically. They need to be bounced around by the Brownian motion of society, which is a mechanism by which human beings constantly remind one another that they are ... well ... human beings. He was also spiraling inwards, as tends to happen in cases like this.
    • Played with in A Hat Full of Sky. Witches tend to dislike other witches nosing in on their business, and it's repeatedly made clear that witches are not necessarily people people ("among the people, but not of the people"), but it's still important for them to visit each other occasionally to make sure they haven't gone bonkers. Their internal society is often compared to cats; more a set of individuals that tolerate each others company than an actual group.
    • Ossie Brunt in Jingo, who is basically the Disc's Lee Harvey Oswald:
      It was not that Ossie was insane in any way. Friends would have called him a quiet sort who kept to himself, but they didn't because he didn't have any friends. There was a group of men who went to practice at the archery butts on Tuesday nights, and he sometimes went to a pub with them afterwards and sat and listened to them talk, and he saved up once and bought a round of drinks, although they probably wouldn't remember or maybe they'd say "Oh ... yeah ... Ossie." People said that. People tended to put him out of their minds, in the same way that you didn't pay much attention to empty space.
  • Boo Radley, of To Kill a Mockingbird, is seen as this by the rest of the town. He is a Misunderstood Loner with a Heart of Gold — a kind and caring, if not shy person who just happens to have been a recluse.
  • Sherlock Holmes arguably embodies the loner trope, with the exception of Dr. John Watson. That said, he and Watson were introduced by a mutual acquaintance, and Holmes keeps some measure of contact up with his brother. Also, not a lot of police officers seem to like him.
    • Mycroft Holmes is a much more standard example. Whereas Sherlock can form some close friendships and be personable when necessary, Mycroft lives alone, works alone and spends his free time at a gentleman's club where so much as acknowledging the existence of another member puts you at risk of expulsion.
  • C. Auguste Dupin and his anonymous narrator in the works of Edgar Allan Poe are even more isolated than Holmes and Watson although they still retain certain contacts in the police that allow them to carry out their amateur detective work.
  • Frankenstein's Monster. Obviously. In fact, an Alternative Character Interpretation is that Victor Frankenstein is the villain and the "monster" his victim. The monster himself points out that Victor created him and then immediately abandoned him, never allowing him to know love or affection. It poses a sort of chicken-or-egg question: is the monster a loner because he's a freak or is he a freak because he's a loner?

    Victor himself was a Mad Scientist loner-freak when he was busy creating the monster, and was upset to find that when he arrived at university most of the science he studied- really what today we'd call alchemy and the occult- was deemed to be out of date, and took to trying to prove its worth on his own. He notes that he became less and less sociable while creating the monster, and tried to get over his sheer horror of what he had created by throwing himself back into human company and abandoning his research.
  • In Gene Stratton-Porter's Freckles, Mrs. Duncan worries about Freckles's solitude, appeased only by his friendliness with animals.
    My God, mannie, if Freckles hadna the birds and the beasts he would be always alone. It was never meant for a human being to be so solitary. He'd get touched in the head if he hadna them to think for and to talk to.
  • Animorphs
    • Tobias has a lot of this after he gets trapped in morph. He does spend a lot of time with the other Animorphs, but he also has periods as a loner because he struggles with his triple hawk/human/Andalite nature and figuring out where he fits in in the world. It gets taken Up to Eleven at least twice when he retreats from everyone and sometimes even lets the hawk take over-right after he gets trapped and after Rachel's death.
    • Arguably, David. He moved around a lot as a human, and eventually gave up on maintaining close relationships. Could explain why he went axe-crazy in the end.
  • While Elena is going through Godmother training in The Fairy Godmother, it's brought up that Godmothers need a certain amount of contact with others to keep them from flipping out. This would have been averted for Sorcerers/Sorceresses, who are claimed to spend large chunks of their lives in isolated study (without going bonkers), if it weren't for the fact that the Sorceress with the most page time is Arachnia, and fixing her up with a good man was the cure for her problems.
  • Zahrah in Zahrah the Windseeker tends to be introverted and shy, which doesn't help her reputation for being weird since she is already dada (born with dreadlocked hair with vines in it). She faces this stereotype all the time.
  • Scott in Hobgoblin wants little to do with his high school peers and they want little to do with him. This also makes him a primary suspect when people start dying.
  • In H.P. Lovecraft's short story The Whisperer in Darkness, countryside folklore has associated the strange space monsters with the recluses around the area.
    ...there are shocked references to hermits and remote farmers who at some period of life appeared to have undergone a repellent mental change, and who were shunned and whispered about as mortals who had sold themselves to the strange beings. seemed to be a fashion... to accuse eccentric and unpopular recluses of being allies or representatives of the abhorred things.
  • Christian Ozera from Vampire Academy is a spooky, slightly violent guy with a shady family and no friends who hangs out at the church. He is treated as a freak and a "Strigoi-wannabe" by his classmates.
  • The Secret Garden: Mary and Archibald Craven are regarded as this at the beginning. The former because she prefers to play by herself, and the latter for living alone in a huge mansion with no visitors and the doors all shut up.
  • Tantei Team KZ Jiken Note: Defied by Aya. She knows she's a misfit, so what she does is trying to be a wallflower and try to avoid drawing attention to herself so as to avoid seen as a weirdo. The latter is a bit hard, given she's friends with some of the local Chick Magnets.
  • In The Southern Reach Trilogy, the biologist is extremely detached from the rest of humanity and overly-focused on certain details, leading her to get fired from most of the jobs she had and she was considered a poor candidate for the expedition. Which is why the director picked her. She's so intractable and freakishly self-contained that she cannot be hypnotized and possibly caused her cloning to go wrong, resulting in Ghost Bird retaining far more individuality and memories than the other clones.
  • Smaller & Smaller Circles: When Jerome, Saenz, and the local authorities begin looking into the backgrounds of possible suspects, they initially dig up very little on Alex Carlos, the resident community dentist. All they know of him at first is that he is single, works efficiently and keeps to himself (even Eating Lunch Alone). He eventually confirms the investigators' suspicions.

    Live-Action TV 
  • In the pilot of Selfie, Henry's boss tells him to bring a date to his daughter's wedding, saying its weird how he's always alone.
  • 7th Heaven: Most of the time this trope is in full gear.
    • When Lucy tells her mother about a girl in Habitat For Humanity who's a loner, Annie actually says she believes nobody really enjoys being "alone," and that there always must be some problem behind it. Sure enough, the withdrawn girl had been molested by her mother's ex-boyfriend.
    • Simon tries to help a loner kid at school who threatens to shoot a bunch of bullies because of their teasing. Unsurprisingly, the kid brings a gun to school, but luckily the police arrive at school before anything could happen.
    • Almost every character who is single goes from relationship to relationship quickly, presumably because of this trope.
  • An interesting inversion of the trope can be found in the British spy series The Prisoner (1967), which features an unrepentant, mildly misanthropic loner as its protagonist. Instead of being seen as a liability, the character's "loner-ness" and drive towards individualism is the only thing keeping him sane. It's also the only weapon he has against the shady government officials who want to brainwash him and turn him into an obedient and conformist government servant. It's played straight in one episode, however, in which Number Six manages to make contact with other subversives within the prison; however, because they're all confident-but-intensely-secretive and insular types, they all think each of them is a double agent and end up scuttling their own escape. If they'd just trusted each other, they'd have gotten away.
  • Dr. Cox from Scrubs applies to this trope as well, but a subversion occurs in the second episode of the first season. JD reaches out to the curmudgeonly doctor with pizza and beer, and just when it appears he's on the brink of a breakthrough, Dr. Cox replies, "I can braid your hair. I know the couch isn't very deep, but we could move the back cushion and spoon." Not only has he been sarcastic this whole time, he's got friends coming over to watch the game — they just don't include JD. This is the only time we see Doctor Cox with friends over - an episode later in the show sets up the same premise, but closes on Cox alone in his apartment with a six-pack... However, he is occasionally seen out in the bar with the other members of the cast, or just his ex-wife. And a few episodes have him hanging out with old friends from before he became a doctor- in fact, part of the reason he is a loner is that his best friend, Ben, died of leukemia in the middle of the show (and had been travelling the world alone to boot). As the series rolls on he also strikes up a friendship with Arch-Enemy Kelso, going to Friendly Enemy to mentor (after Cox get's Kelso's job) and finally just to friends. He's fairly friendly with Carla and gets on well enough with everyone else, and JD eventually manages to trick him into admitting that he thinks of them as friends as well. Cox wants people to think he is a Jerk Ass loner, but in truth he has a decent circle of friends.
  • Sherlock:
    • Ironically, the only two people that call Sherlock a freak are Anderson and Donovan. Lestrade, John, Mary and Mrs. Hudson don't. Though Sherlock and John did play the loner part straight, before they met each other.
    • Most likely played straight with Moriarty. He most likely doesn't have friends or want any, possibly has Sebastian Moran as his bodyguard, and would most likely care less if he died, whereas, in contrast to Sherlock, who would panic if John died on him. Understandable, he had no friends at all.
    • Mycroft could play this trope straight as well, despite that he loves his little brother. He doesn't seem to want friends at all, and never bothered to make any friends-not even with John.
  • Averted in Veronica Mars, where the titular heroine is a loner in season 1. Later seasons acknowledge the trope's effect, however, as Veronica sporadically feels guilty about the fact that she really operates better alone.
  • In season 1 of Gilmore Girls, Rory is criticized by her headmaster for being too much of a loner.
  • Smallville, obviously, where all loners turn out to be crazed mutants, though a fair number of popular kids in that show turned out to be evil too. It lacks even the tiniest bit of sympathy for anyone who isn't attractive and outgoing. While popular party-going types do sometimes go bad, the show has never featured a real geek or nerd or loner as anything other than a hideous loser with serious issues or hideous deranged monster.(Chloe does not count, due to her failing the "unattractive" test by a country mile)
  • Parodied in a sketch on Jam, in which a desperately lonely woman goes to increasingly sinister lengths to make friends (from setting traps for cyclists to dressing as a police officer, telling a woman that her son died in an accident, then inviting the grieving mother to the theatre that evening)
  • Ned from Pushing Daisies walls himself off from contact, both because of Parental Abandonment in his past and because his freakish ability is based on touch.
    • Played with in the episode "Frescorts" where Ned insists that just because these people are lonely it doesn't mean that they're freaks. Emerson thinks it does.
      • In the same episode, a visible inversion occurs: Buddy killed Joe because he (Joe) decided to quit to be with his girlfriend, which Buddy saw as abandonment. Ho Yay + Clingy Jealous Boy = Uh oh. Also, in the end, Randy tells Ned that Joe had taught him that there's nothing wrong with being by yourself.
  • Star Trek: The Next Generation: In Reginald Barclay's first appearance, he is shown as very much the Loner and his re-creation of members of the crew in the Holo-Deck is regarded as somewhat freakish. During the show, as he gains respect from his colleagues, he becomes less of a loner and deletes almost all of his Holo-Deck programs.
  • Desperate Housewives sometimes plays this trope straight (Eddie Orlofsky, Felicia Tillman), sometimes it averts it. There's Karen McCluskey, who is first introduced as an insufferable old loner, but then we find out that she still suffers for her son's early death.
  • Criminal Minds plays with this trope in every permutation. Sometimes the unsubs are revealed to be loners or anti-social people, sometimes they're perfectly sociable. In one episode, the BAU investigate a triple murder that seems to be perpetrated by a Satanic cult and turns out to be one of the popular kids at the high school framing the Satanists.
    • Played with in one scene where Elle is profiling an arsonist:
    Elle: This guy doesn't go on dates, doesn't go to parties, doesn't feel comfortable in front of groups...
    (The team's socially awkward Badass Bookworm, Reid, gives Elle a strange look.)
    Elle: (quickly) And of course he's a total psychopath.
    Reid: Of course.
    • Given an interesting twist in "Solitary Man" where the killer essentially went crazy from loneliness, and that's what turned him murderous.
  • Simon Bellamy from Misfits has no friends, and he's portrayed as mentally unstable, obsessive, nerdy, and a bit of a pervert. To be fair, he does actually want friends and genuinely tries to reach out to people, it's just that years of bullying and isolation have left him painfully shy and socially inept. Plus he's actually shown to be far more kind, sensitive and empathic than most of the show's more extroverted characters, and his Sanity Slippage is mostly due to the traumatic things that happen to him and the fact that no one really offers him emotional support (or even acknowledges his existence most of the time).
  • House and Foreman are sometimes accused of this, especially by The Chicks (Cameron and Thirteen).
  • As a result of his father's training, Dexter Morgan is aware of this, and goes out of his way to cultivate a "reserved but sociable" persona to keep from being thought of as an emotionally withdrawn loner. It works on everyone but Sgt. Doakes.
  • A case of "Loners become freaks" in Life, where Charlie is clearly a well adjusted guy with a job and a wife and friends until he spends an ungodly amount of time (unspecified, but measured in years) in solitary confinement. When they let him out again, he's kind of crazy.
    "The first six months in solitary, I did push ups, and I did not talk to myself. The next six months in solitary, I'll admit, I talked to myself. You don't want to know what I did after that."
  • Parodied in the Buckwheat assassination episode of Saturday Night Live. A series of people who knew the assassin, John David Stutts, all say the same thing about him—"He was a quiet guy, a bit of a loner, but he always talked about wanting to kill Buckwheat." The caption under his high school yearbook photo reads, "Most Likely to Kill Buckwheat."
  • Ranger Gord on The Red Green Show is a tragicomic example, in that being posted to a lonely tower to watch for forest fires and then forgotten by his head office has meant that he's lived all alone in the woods since about 1979. Being all alone out there has made him into a full-blown Cloud Cuckoo Lander, something lampshaded by Red on multiple occasions.
  • Buffy the Vampire Slayer
    • The episode "Out Of Mind, Out Of Sight" was about a girl who'd magically turned invisible from social ostracization and set out to take violent revenge on everyone she deemed responsible.
    • Also implied to be why Buffy is such an effective Slayer. Her ties to the world give her something to fight for, while other, more isolated, Slayers tend to have far shorter lifespans.
  • Also in Angel, the titular character has a lot of this in his backstory, due to his guilt and not wanting to risk attacking anyone. He came out of it for most of the series, though he sank back into it in season 2 in an attempt to protect everyone from his darkness like before.
  • Degrassi: The Next Generation has Rick. He was constantly bullied by the likes of Spinner and Jay. And when he was abusive toward Terry (which may or may not be associated with a mental illness), the amount of hate toward him skyrocketed. It got to the point where, after being humiliated at a televised academic competition, he brings a gun to school, and shoots Jimmy in the back, causing him to be paralyzed.
    • Worst, the show made him out to be a bad guy, even though he was obviously ridiculed by the rest of the characters. After accidentally shooting himself dead, and shooting Jimmy, his one friend Toby disassociated himself with him.
    • It got a better example with Connor, who suffered from Aspergers. Once his violent outbursts were explained, even Ally stood up for him. In fact, the amount of suffering he got from the principal was made public, and got Shepard fired.
  • In Supernatural, the Winchester boys (Sam in particular) often had trouble fitting in due to having to move around so often. This led to a great deal of I Just Want to Be Normal on Sam's part that eventually caused him to have a falling out with his father. The fact that being called a freak is his Berserk Button is just icing on the cake.
  • The X-Files: Mulder is a loner, due to his crazy ideas about aliens and government conspiracy. He's a joke to the FBI and is mocked by his peers, nicknamed "Spooky" (however, that nickname originated as a sign of respect). He doesn't seem to mind too much, though. He doesn't go out of his way to make friends and likes to work alone; the first half of the first season is him just messing with Scully to try and annoy her enough to get her to leave. It doesn't work, and she ends up being his defender of sorts to others in the FBI. He has exactly four friends, including her, three of which are just as odd as he is. His loner tendency may stem back to his childhood, in which his parents emotionally abandoned him after the abduction of his sister. He noted that it "tore the family apart", and he is never seen to have a close relationship with his parents, who divorced soon after the incident.
  • Toyed with in Dark Oracle. Lance is an antisocial gaming geek, but is one of the main protagonists. His Cloud Cuckoo Lander girlfriend Sage is similarly weird and isolated, but a very pleasant girl. Vern, Blaze, and comic!Sage on the other hand, cross in Loners Are Freaks territory and stay there.
  • My Mad Fat Diary: Chloe says this to Rae:
    Chloe: Look, you're not going to make friends if you're sitting on the sidelines all the time.
    Rae: Are people talking about that?
    Chloe: They might be. Look, you don't want people thinking you're weird, do you? You don't want people thinking you're not normal?
  • Frasier:
    • Subverted in the episode "Dark Victory", when Frasier delivers a rousing speech in defense of introverts everywhere.
    • Played straight in "The 200th Episode" by Frasier's biggest fan who quit his job to devote his life to listening to, recording, and transcribing Frasier's show.
  • Ghost Whisperer: Melinda when she was a teenager and a girl called her a freak because she sees ghosts no one sees. She was talking to a boy and a girl says "Who are you talking too?" and then laughs at her. The flashbacks were shown in "Mean Ghost".

  • Disturbed's music has this as a theme probably too often. A few examples would be "Just Stop", "Divide", and their Signature Song "Down with the Sickness".
  • "A Most Peculiar Man" by Simon & Garfunkel.
  • John Cale's "Half Past France":
    I'm not afraid now of the dark anymore
    And many mountains now are molehills
    Back in Berlin they're all well-fed
    I don't care
    People always bored me anyway
  • Harry Chapin's "Sniper". The titular sniper is described throughout the song as a strange loner, according to those who knew him. Deconstructed as, according to the sniper's thoughts, everyone treating him as a freak is what sent him on his rampage.
  • Air Man feels this way about himself, as his only power is "to push others away". "If I can't walk among them, then I will walk the world alone!"
  • Suicidal Tendencies (the name is program) "Alone":
    I scream at the sky, it's easier than crying
    I'm shyish when I'm shouting out loud
    I feel so alone in a room full of people
    I'm loudist when I'm in a crowd

  • The Bible has a few scriptures that concerns this trope:
    • In Genesis 2:18, the only thing that God declared something in His creation "not good" is that Adam is all alone, which He Himself says that "it's not good for man to be alone." And this is why God took a rib out of Adam and created Eve to keep him company.
    • One meaning of Proverbs 18:1 is that a person who separates themselves from others in seeking their own desires and aren't concerned about the needs of other people fit under this category.
    • Ecclesiastes 4:9-12 shows how two is better than one and things won't end well for those who do things alone.

     Tabletop Games 
  • In Unknown Armies, spending three days alone is the sample Rank 3 Isolation stress checks, while spending 7 days alone is the sample Rank 5 Isolation stress check. This means that the average character and average rolls will reach a permanent insanity from being alone, and beating the odds leaves said character more than a little weird.
  • In Genius: The Transgression, Geniuses of high Obligation (Morality) might transgress just from avoiding people for too long. Same with changelings, but that's because they have issues.
  • A Discussed Trope in GURPS Transhuman Space: High Frontier: In describing "Virts", people who do all their interaction through virtuality, it notes "Many Virts are somewhat secretive about their true nature, especially since several popular InVids depict Virts as either dangerous sociopaths, criminal hackers, or as pathetic and terrified losers.

  • From BIONICLE:
    Kopaka: I Work Alone.
    Pohatu: What, by choice? Or just because nobody else can stand you?

     Video Games 
  • The protagonists of so many video games, especially older ones (i.e. before the dawn of multiplayer), are fully portrayed as Loners Are Freaks...but this is also played as being a good thing, because no normal person, or even average soldier, could...
    • ...fight a one-man war against Hell's armies, eventually killing the big bad daddy of all demons, whose death throes destroy Hell itself. (Doom)
    • ...fight a one-man war against Hell's armies, eventually killing the big bad daddy of all demons, then finish the job by shoving The Devil's soul into his own mind. (Diablo)
    • ...fight a one-man war against Hell's armies, eventually killing the big bad daddy of all demons, then do it all again a second time. (Ghosts 'n Goblins)
    • ...fight a one-man war against Hell's armies, eventually killing the big bad da...anyone else noticing a pattern here? (Painkiller)
    • ...fight a one-man war against Hell's arm..., Oh, this is getting ridiculous... (Dante's Inferno)
    • ...single-handedly face the seemingly inexhaustible resources of a globe-spanning corporate hegemony, with only a rag-tag group of ill-equipped, ungrateful Rebels backing you up on occasion. (Crusader)
    • the world from a cyborg-mutant overlord and his plans to turn humanity into a peaceful Hive Mind of long-lived, super-intelligent beings...that would then be unable to procreate, resulting in inevitable extinction within a matter of centuries. (Fallout, which placed a lot less emphasis on the party than Fallout 2)
      • ...mop the floor with the remnants of the American government, blowing up their main base, Logic-bombing the freaking president, racking up a surreal kill count and casually blowing up cities with nuke launchers, either becoming the new Messiah or Satan's offspring. And above all, he is even named 'The Lone Wanderer' (Fallout 3)
      • The Lone Wanderer and the Courier are, in fact, the most lonesome of the Fallout protagonists. They are allowed a maximum head cap of 1 human and 1 non-human per "party". As opposed to the older games, which allowed you a reasonable 5 man team. Depending on how you play, you may end up wandering the lonely wastes with naught but your faithful hound as your only company. Or with absolutely no company at all.
      • In fact, in the Lonesome Road DLC, the Courier can get a perk that makes him stronger if s/he goes off to face Ulysses by him/herself, aptly titled Lonesome Road.
      • Fallout loves this Trope. Fallout 1 makes the PC the person who is most adept to wander the "World Outside" in the first place and he/she ends up to be cast out by his superior. In Fallout 2 PC is descendant of the original PC who must be sent out to the Big World. In Fallout 3 you are child of a person who wasn't supposed to be there anyway. In New Vegas you are a courier, who was not meant to be there in the first place.
    • ...gather a group of fellow loner freaks around himself and embark on a vaguely surrealistic journey to uncover the nature of death and reality itself. (Planescape: Torment)
    • ...expose the scheme of a Corrupt Corporate Executive who intends to turn the last domestic motorcycle manufacturer into yet another maker of minivans. (Minivans!) (Full Throttle)
    • ...repeatedly exterminate the species that would become a threat to the universe if it were allowed to spread. (Metroid)
    • ...destroy the entire pantheon of Greek gods. (God of War)
    • ...aid the formation of the unlikeliest military alliance in, well, quite some time anyway, in order to battle back a demonic apocalypse. (Warcraft III)
    • ...prevent dragons from destroying the world by devouring their souls and using their powers against them. (The Elder Scrolls V: Skyrim)
    • ...escape a bizarre Death Course of a testing facility and destroy the homicidal AI running it. (Portal)
      • Weighted Companion Cube: "I thought we were friends... T^T "
      • The Enrichment Center reminds you that the Weighted Companion Cube will never threaten to stab you and, in fact, cannot speak. In the event that the Weighted Companion Cube does speak, the Enrichment Center urges you to disregard its advice.
    • ...defeat the risen Count Dracula and his legions of monsters, earning the undying gratitude fear and hatred of the townsfolk. (Castlevania)
    • the world three times over while stealing everything even slightly shiny and not nailed down and on fire (Thief).
  • Other games, particularly Japanese RPGs, frequently highlight either a brooding loner hero who gradually gets better through the support of his True Companions, or a kindly, happy-go-lucky hero who instead gathers people to him (including at least one Loner, usually The Sixth Ranger or The Lancer) and teaches them The Power of Friendship.
    • Final Fantasies VII and VIII are stellar examples of the first, while Final Fantasy IX provides an example of the second (who lapses briefly into being the first type and is then snapped back out of it). Almost all of the other games in the series feature at least one brooding loner learning that he needs to come out of his shell and join the hero crowd.
      • Then Dissidia: Final Fantasy goes and turns the trope on its ear, setting Squall up in the same "brooding loner" role he occupied in his own game, only to then reveal that he chooses to travel alone because he believes in the Power of Trust and feels he can support the others from a distance. His explanation of his reasons is enough to convince the Warrior of Light... not that it prevents everyone else from continuing to pick on him about it, even after he ends up joining forces with Zidane and Bartz after all.
    • In The World Ends with You Neku's Character Development a pure example of the first tendency.
      • And Sho Minamimoto is the classic "evil (or at least crazy) loner that becomes an Ensemble Dark Horse".
    • In Mega Man Star Force this is the main subject in the first game. In the second game the theme was more like "fight for the friendship", which was just an extension of this trope.
    • Averted in Shin Megami Tensei III: Nocturne. Nocturne's protagonist and his scattered friends all start the game proper alone, each doing their own thing. Out of all of them, he's the only one who ends up more or less stable(depending on the player), even having the option of readily accepting a puzzle game challenge from a kid.
      • Nocturne deserves some expansion - see, there's even a whole philosophy of existence you can embrace to recreate the world, Musubi. Its leader, one of said friends, is not only a Hypocrite of the first order, but will mercilessly use you and mock you for your dedication to Musubi as he succumbs to madness. Another philosophy, Yosuga, is a Might Makes Right world - albeit one with serious paranoia complexes, in which you can never cease looking over your shoulder, never rest, never relax. Yosuga's leader, another of your friends, also goes insane. Both of them lose their marbles and will die whatever you do. When the option to just go into absolute Omnicidal Maniac mode and trigger a Z-Class Apocalypse How starts looking good, you gotta reconsider whether being alone is worth it.
    • Depending on your alignment in Shin Megami Tensei I, you'll have to kill at least one of your allies, and no matter what both the Law Hero and Chaos Hero will die by the end.
    • Shin Megami Tensei IV: Apocalypse meanwhile in contrast to series standard plays it painfully straight with about as much subtlety as a steam-train barreling through ones home. It's made especially apparent with Dagda whose whole Omnicidal Neutral gambit completely revolves around his loner nature.
    • Played straight in Persona 4 with Mitsuo Kubo, a creepy Gonk who decided becoming a copycat murderer was the only way he could ever get attention. His own shadow represents the fact that his true pathetic self hides behind video games and that he's practically dead inside. After being defeated he is later sent to an asylum after the characters learn he wasn't the true murderer.
  • In Pokémon Diamond and Pearl and Platinum, a woman in Sunyshore mentions that Cyrus used to prefer the company of machines to other people. Continued in Platinum where the player encounters Cyrus's grandfather, who tells you about how his grandson snapped at a young age due to parental pressure. Grandpa himself is quite a loner, holed up in a cabin in an eternal sandstorm that you have to pull off an impressive bike trick to even get to.
  • Touhou features several characters noted for shunning most human (or monster) contact most of the time. How much they are portrayed as "freaks" for this varies widely, however.
    • Marisa isolates herself most of the time so that she can perfect her explosion-making skills in relative peace. Her extreme charisma and energetic speech patterns assure her of her popularity, however.
    • Alice Margatroid, who lives in much the same situation as Marisa (even living in the same woods), however, is portrayed as an anti-social freak, or even a Stalker with a Crush of Marisa's.
    • Fujiwara no Mokou likewise isolates herself, apparently feeling more connection to humans than youkai society, she protects people who wander into the bamboo forest, but isolates herself from them otherwise, main reason being that she knows she will outlive everyone she meets. Her Bifauxnen appearance, and Les Yay relationship with Keine prevent anyone from calling her a freak, however.
    • Kaguya Houraisan, Immortal Enemy of Mokou, however, in spite of living with a friend and servants, is portrayed as a NEET and fangirl.

    Visual Novels 
  • Katawa Shoujo: Hanako's classmates see her as this, thinking of her as a strange hermit who never talks to anyone. Becoming closer to Hisao reveals this, but doesn't really make her less of a loner - she becomes less anxious, but still tells Hisao matter-of-factly that she doesn't really like most other people, and Hisao doesn't really press her on that.
    • In Lilly's route, however, Hanako becomes less of a loner, not only befriending Hisao, but also joining the newspaper club and spending her summer vacation on a trip with one of her classmates who is also in the club. Her teacher also notices that her attendance and grades have improved since becoming friends with Hisao.
    • Rin also counts, as she is a Cloud Cuckoolander with a talent for making vivid and disturbing art. She, like Hanako, has only one friend, but she's significantly less close to Emi than Hanako is to Lilly.
  • Archer of Fate/stay night chose to never share his ideal with others and simply went from one battle to the next, never seeking the praise or company of others. Because nobody understood why he would choose such a life, nobody trusted him or questioned it when he was made into a scapegoat for a war he had tried to stop.

    Web Comics 
  • MAG-ISA: This trope applies to a lot of the characters in the webcomic. Kyle, Alice, and Chu were loners in school. That is why they joined some crazy cult and shoot up a school.
  • This strip of Ozy and Millie sums up this trope.
  • No Rest for the Wicked: Red, who's Ax-Crazy, and the Witch, who's worse. At one point, Perrault suggests to November that they might want to leave Red: the years alone in the woods might have been what drove the Witch crazy, and Red might be well down the same path.

    Web Original 

    Western Animation 
  • The Smurfs was sometimes accused of this, along with a number of children's shows accused of preaching conformity (ruthlessly parodied by the "Buddy Bears" on Garfield and Friends). Smurfs often got in trouble for either working independently from the others or ignoring their informed warnings, depending on who you asked. This is a milder version of where some people took it...
  • One episode of Spongebob Squarepants had Spongebob trying to make friends with Plankton, to try to help him become a better person. It hilariously didn't work: "Being evil is just too much fun!"
  • Eric, the loner in Dungeons & Dragons who always messed up, was included specifically to reinforce a "The group is always right" mentality in the show.
  • Prince Zuko in Avatar: The Last Airbender. As he would later say to Jet "I've realized lately that being on your own isn't always the best path."
  • Adventure Time.
    • The Ice King. He rules the Ice Kingdom, which is uninhabited (except for snow creatures he creates occasionally, and penguins.) He gets a LITTLE better once he becomes friendlier with Finn and Jake.
    • Lemongrab. He's a science experiment gone wrong, and is socially awkward and isolated- and a huge jerk. Apparently, he prefers to be alone... not that anyone would really desire his company, anyway.
  • Prowl in Transformers Animated is considered a bit of a weirdo for how much of a loner he is. Despite technically being part of a team, he's always saying he'd rather work alone, or that he only depends on himself. While that is (or was) certainly what his teammates think, his actual personality is something of a subversion as he's shown to be very peaceful with an interest in nature, he's just not good with other Autobots.
  • Jonny from Ed, Edd n Eddy. Which is zig-zagged six ways from Sunday throughout the course of the series. Jonny is acknowledged as the weird one of the neighborhood for obvious reasons, but at the same time he was usually quite friendly with the other kids, and participated in many of their activities (with the Eds being the outcasts as their own separate clique, on the outside looking in). Jonny was just more capable of having fun on his own (although the series also took an ambiguous stance on just how "imaginary" Plank was). This is then played completely straight at the very, very end of the series, where the Eds finally get accepted and Jonny becomes full-on outcast.
  • Deep Six in G.I. Joe: A Real American Hero became a deep sea diver solely so he could go on missions alone. He's never been known for being sociable, and all of his teammates are constantly suspicious of ulterior motives that he simply doesn't have.
  • It is often joked that Danny Phantom's nemesis Vlad Masters should get a lonely guy cat... which he does in Season 3. Considering who he is, he does qualify.
  • As Mark Evanier notes in the Dungeons & Dragons piece linked above, this was a common Aesop that consultants would foist on cartoons in the 1980s. One extreme example Evanier points to in the piece: The Get Along Gang, where this was the only Aesop.
  • Mentioned in Daria, especially "Boxing Daria", where the title character's parents have a fight over her lack of ability to get along in pre-school. (Daria herself managed to avoid this mostly by her friendship with Jane, and to a lesser extent Beavis and Butt-Head.)
  • Played straight and subverted in the first episode of My Little Pony: Friendship is Magic. Twilight Sparkle, the main character, is seen this way by the denizens of Canterlot, but on the other hand, the overly friendly ponies of Ponyville strike Twilight Sparkle as rather crazy.
    • Loners barely even seem to exist in the show; friendship is, quite literally, one of the fundamental forces of that universe. The biggest loner so far shown is Zecora (a faux-African witch doctor living alone in the dark woods), and she's a very sympathetic character - the first episode featuring her is all about how she's not a freak. On the other hand, even she is not a complete loner, as she keeps friendly relations with the main characters, doesn't mind visits to her hut and sometimes helps out with celebrations in Ponyville.
    • One of the themes in "A Friend In Deed" is that some people just want to be left alone, and that's okay. It does hint at the difference between alone and lonely, since Crankey, the donkey Pinkie tried to befriend was both. She managed to help him by finding his lost love and while he may not lonely, he and Matilda still enjoy their privacy.
  • Mr Freeze from Batman: The Animated Series is another example: where Batman has Robin, who he treats as a teammate, Mr Freeze is completely ruthless when one of his henchmen gets accidentally frozen.
  • Gargoyles live in a clan structure, and gargoyles within a clan are very close and protective of each other. Losing her clan and being alone for centuries is part of what drove Demona to go from disliking humans to actively trying to wipe out the species.
  • Rick Sanchez of Rick and Morty doesn't even get along with alternate dimension versions of himself! One episode features an inter-dimensional "Council of Ricks" who have labeled our Rick a dangerous rogue. He says in the same episode that Ricks use Mortys as camouflage to stay alone and undetected from the many enemies they make. He claims that his total inability to connect with people makes him "the Rick-est Rick of them all".

Alternative Title(s): Loners Are Evil, Psycho Loner