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Diesel Punk

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Because Steampunk isn't dirty enough. Dieselpunk hovercraft by Alexey Lipatov.

Dieselpunk is a Punk Punk genre of Speculative Fiction based on the 1920s-1940s period, spiced up with retro-futuristic innovations and occult elements. The Dieselpunk narrative is characterized by conflict vs the undefeatable (nature, society, cosmic powers), heavy use of technology, and Grey-and-Gray Morality. The protagonists are often Heroic Neutral and have low social status.

Generally, Dieselpunk can take inspiration from 1920s German Expressionist films, Film Noir, 1930s Pulp Magazines and Radio Dramas, and 1940s Crime and wartime comics, period propaganda films and newsreels, wartime pinups, and other entertainment of the early 20th century. As this covers a broad spectrum, the precise sources of inspiration can vary greatly between dieselpunk works. Like Steampunk, Dieselpunk is a genre dictated primarily by its aesthetics rather than by its thematic content. Both grime and glamour have their place in dieselpunk.


Dieselpunk overlaps with Two-Fisted Tales and Raygun Gothic, but differs mostly in its Punk Punk themes. Two-Fisted Tales explore settings such as Heroic Fantasy and Space Opera that are not properly a part of Dieselpunk, and Raygun Gothic tends to reference a period both chronologically and technologically more advanced or just shinier and more optimistic. Typically, Dieselpunk roots itself in urban and wartime settings of the 1920s to the late 1940s, both literally and figuratively "down to earth".

If a Dieselpunk setting is presented as an Alternate History, a common point of divergence from our timeline is that The Great Depression never happened, leading to further economic and technological growth and less of the warmongering typical of the inter-war era. World War II may still happen in some Dieselpunk settings, though; see below.


The term Dieselpunk was popularized by Lewis Pollak and Dan Ross in 2001 as the genre for their RPG Children of the Sun. Pollak stated that it was intended to be on the "darker, dirtier side of Steampunk" and should be considered a "continuum between steampunk and Cyberpunk." (On the other hand, noted reviewer Kenneth Hite described Children as "Not really diesel, and not really punk.")

To be noted: unlike the 2000s, the Diesel-powered car in the 1930s was a rare curiosity, only a single model being put into small-scale production in Germany during that age (and almost exclusively used as a taxi), but on the other side the vast majority of the population could not afford cars back then. The life of an ordinary citizen was far deeper influenced by the oil-burning locomotive, bus, ocean liner or neighborhood power plant. Still, during this period steam engines were gradually being replaced by diesel engines in many areas.

Dieselpunk Variations


Vastness is key. This was the age of the Zeppelin, the modern battleship and the ocean liner, the flying-boat airliner, and the skyscraper. It also saw the first multinational corporations (in the modern sense), large-scale social engineering, and mass political movements. World War I was still fresh in memory as the Great War, the most colossal conflict in the history of mankind. Man is dwarfed by his creations and things are subsumed into abstractions.

Period technology encompasses everything found in Steampunk, but internal combustion and electric power in combination with new materials (better alloys, plastics, etc) makes machinery lighter, stronger, and more versatile. The airliner is the prime example of this, but cars, trucks, tractors, and diesel-powered electrical generators are even more important in reshaping the world. Armored vehicles and usable submarines are less common but still important innovations. Wireless radio leads to the rise of broadcasting as an information medium. Anachronistic super-advanced technology, often of the Awesome, but Impractical variety, such as Giant Flyer, Spider Tank, Disintegrator Ray might occur. Such technology might be secret super weapons of a villain, or Homemade Inventions by the hero or his friends.

Although the Dieselpunk aesthetic can overlap with Raygun Gothic, and though Dieselpunk is known for featuring Tesla technology and Wunderwaffen-style super-weapons, Dieselpunk typically does not include transistor-based technology, other electronics or atomic power. In fact, another Punk Punk genre label, Atompunk, was coined to describe fiction in this mode. Atompunk (such as the Fallout series and the comic book Fear Agent) takes inspiration from 1950s-era aesthetics and fashions such as Googie architecture and Jetsons-style technology, which typically lie outside the bounds of Dieselpunk. The analogue sci-fi of Metropolis and Things to Come are closer to the Dieselpunk tradition as it stands.

Dieselpunk often focuses upon air travel and combat, including such ideas as literal "flying fortresses", air pirates, dirigibles, early UFOs, hotshot flyboy pilots, etc. Fascination with military hardware, weaponry and uniforms of the early 20th century is also often in evidence and a great amount of Dieselpunk media is concerned with war, especially the Second World War and fictional variations thereof. Owing to its pulp roots, Dieselpunk is often very adventure-based, full of exotic locales such as Mysterious Antarctica, The Shangri-La, the Hollow Earth, etc. Some Geographic Flexibility is to be expected.

Dieselpunk fiction can encompass the supernatural as well. In dieselpunk adventure, occult practices are Maybe Magic, Maybe Mundane, and maybe Magicians Are Wizards. The works of H. P. Lovecraft, tales of Nazi occult research, contemporary expeditions to 'mystical' places such as Egypt, and early research into relativity and quantum physics have greatly contributed to the occult mystique that informs Dieselpunk. This tends to contrast with the 19th-century Gothic themes and spiritualism that show up in Steampunk.

As Dieselpunk is a post-modern look at the past, it is not limited to the tropes and stereotypes that characterized fiction of the day — instead, it can use these tropes to comment upon the past and reinvent it. Dieselpunk (along with steampunk) can encompass a range of authorial voices and themes. Female characters in Dieselpunk tend to be strong, encompassing flappers to pin-up girls and much more, and can include Rosie the Riveter-type action heroines, glamourous femmes fatales, costumed crusaders, archaeologist badasses, dragon ladies, tough-talking reporters and other types common to pulp fiction of the era. Both male and female characters are typically Badass Normals with universal drivers' licenses.

Sub-genres are listed below as possible avenues of exploration, but as these categorizations may only describe one or two works, if any, they should be taken with a grain of salt.

Diesel Deco/Deco Punk

Also called "Ottensian" Dieselpunk after Nick Ottens, some guy on the Internet, who postulated it. This is the most optimistic form of dieselpunk. Progress seems unstoppable and the future is bright. Things are designed to be stylish and opulent, ornamental and efficient at the same time. Think Bauhaus architecture and design, Art Deco, Expressionism, the 1939 New York World Fair. A good setting for a Science Hero.

Diesel Noir and Dark Deco

Similar to Diesel Deco, but generally Darker and Edgier. Emphasizes the downside of economic and technological progress. Society is plagued by crime and corruption, technology seems to be at its most effective in producing increasingly effective weaponry. The occult basically amounts to Black Magic (including exotic religions), Sealed Evil in a Can might turn up in an archeological dig and subsequently have to be stopped to avoid The End of the World as We Know It.

Diesel Weird War

World War II is being waged (or World War I in some instances), but one or both sides are introducing superweapons, alien technology and/or occult forces into the mix, often with one or more Mad Scientists behind it all. For a less extreme variant, something like the real-life exploits of the nascent Special Air Service in collaboration with the Long Range Desert Group (briefly, Lawrence of Arabia upgraded with blast-incendiary explosives and "gunship jeeps"). (See Weird Historical War.)

Diesel Dystopia

Also called "Piecraftian" Diesel Punk, again named for some guy on the Internet. World War II did start and may still be in progress; if it isn't, either some kind of Cold War is being waged, or a One World Order has been established. Either way, The Government is intrusive and ruthless, ostensibly to protect the citizens. The political ideology might be any kind of totalitarianism, either one of the many real life examples of the period, a mashup of those, or a completely fictional analogue.

Diesel Desolation

World War II did start and ended because there isn't anything left to fight over, and very few resources left to fight with, or even to sustain civilization. It's essentially a post-apocalyptic milieu, and certainly not a very common dieselpunk flavor.

Check here for tips on writing your own dieselpunk story. See also the article How dieselpunk Works.


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    Period Works 
Dieselpunk is a modern genre, but some of the films and books of the period fit well, in the same fashion that Jules Verne's books can be posed as Steampunk.

    Anime and Manga 


    Comic Books 

    Fan Works 
  • Plan 7 of 9 from Outer Space is an Affectionate Parody of Atom Punk, but a flashback scene has our hero as an Ensign Newbie fighting an airborne invasion by a 1930's-type Yellow Peril supervillain.
    "Steady boys," said Captain Janeway, sipping calmly from a huge thermos of coffee. The determined countenance of the world-famous aviatrix put steel in every man's heart and loins. "Shields up, go to Red Alert, load torpedoes. Put those yellow swine on visual."
    The crew leapt into action. Armor plate was cranked over the portholes of the streamlined wheelhouse, red filters slid over each lantern and powerful telescopes trained on their foe. Aerial torpedoes shunted into their launch tubes; compressed air pumped into the chambers of the pneumatic cannon. A science-officer wearing a pair of elephantine acoustic-locator ears called out the range and bearing of their target. The ship's computer calculated the firing solution with his slide rule and passed it on to the gun deck via voicepipe.

  • The Polish film Hardkor 44 is heavily dieselpunk. Set in Warsaw in the summer of 1944, as the Soviet army bears down on Warsaw, it recounts the Warsaw Uprising by the Polish Resistance, to liberate the city before the Russians get there. Then things get weird. As in "The Nazis have cyborgs and mecha" weird.
  • An upcoming Hungarian film starring Mark Hamill, Thelomeris, is a mix of dieselpunk and clockpunk.
  • The live-action adaptation of Casshern (2004) takes place in an effectively-portrayed Diesel Weird War/Diesel Desolation setting.
  • Iron Sky (2012) contrasts the dieselpunk of the Moon Nazis against the white plastic/metal iTechnology of 20 Minutes into the Future.
  • Dimensions: a line, a loop, a tangle of threads, an independent film about time travel, set in the 1930s.
  • Dakota Harris includes alien technology, Nazi agents, a lost Polynesian civilisation, and a gang of Sky Pirates operating in the Bermuda Triangle.
  • War of the Worlds: Goliath takes place in an alternate 1914 on the cusp of World War I, with walking tanks and giant heavily armed airships thanks to retroengineered alien technology.
  • Frankenstein's Army is mainly Weird War horror and gore but also has some subtle dieselpunk technology in the Russian soldiers' radio and camera gear.
  • Ilang: The Wolf Brigade (2018) as a Korean live-action update to Jin-Roh.
  • The ABCs of Death: The "H" segment is set in a universe where World War II was fought by anthropomorphic animals. The setting has very diesel punk feel: especially Frau Scheisse's elaborate industrial Death Trap.
  • Things to Come: I might go as far as to say that the 1933 H.G. Wells novel The Shape of Things to Come that this 1936 film adaptation was based on, along with Robert W. Chambers' novel The King in Yellow, might be the Ur-Examples of this genre, but this early sci-fi film specifically would surely be the Trop-Maker for Diesel-Punk (not to mention most Post-Apocalyptic sci-fi, including After the End Mad Max clones and Zombie Apocalypse movies!) This movie, presented in a series of vignettes, has a little bit of everything: an apocalyptic never-ending world war fought with super-weapons, germ warfare that results in zombie-like infected pursuing survivors through desolate city ruins, a post-apocalyptic wasteland ruled by feudal warlords in the rags of WWI uniforms, a secret cabal of scientists in giant aircraft who seek to rebuild the world through the miracles of Diesel-Punk super-science (in a Benevolent Alien Invasion role that would be later be developed into the more optimistic Cold War saucer films), a Crystal Spires and Togas utopian future forged from diesel-and-electrical-powered industrial might (weirdly taking on most of the trappings of an Orwellian Dystopia played straight, such as an elitist ruling class and giant public view-screens for a "Big Brother" style leader to give thundering filibusters on), and a metropolis threatened by megalomaniacs driven by fears of unknown Cosmic Horrors awaiting mankind's first trip into space, and defended by caped superhero scientist-inventors! Most of these ideas would develop separately on their own before coming back together in various combinations as different flavors of modern Diesel-Punk, but Things to Come would surely be close to the place where they came together first with a recognizably Diesel-Punk visual aesthetic!

Films not specifically dieselpunk, but which are related or inspirational to the genre:

  • O Brother, Where Art Thou? does this without actual advanced technology, dealing more with changing societal standards.
  • Sin City doesn't actually include dieselpunk tech elements (although an incredibly high-tech medical science is at least hinted at), but as a revisionist neo-noir, it's definitely got a dieselpunk attitude.
  • Elements of Up, especially the younger days of Carl and his hero, explorer Charles F. Muntz.
  • Inglourious Basterds gives WWII an alternate history ending with some serious punk attitude.

  • Arguably, Atlas Shrugged (1957) which seems to be taking place in an Alternate Universe 1940s where WWII never happened, most of the world went Communist, and someone invented, then destroyed, a futuristic power generator that converts atmospheric static electricity into direct current. The setting qualifies, but the theme is D'Punk inside out, with typical protagonist/antagonist roles reversed.
  • Bone Song (2007) seasons this with heavy doses of Fantastic Noir and Urban Fantasy.
  • The planet Saraksh in Prisoners of Power (1969), one of the Noon Universe novels of the Strugatsky Brothers. There are several dieselpunk Human Aliens civilizations in the series. Practically all of them are attempts at subtly criticising the state of Soviet society and the military during the Cold War era. One particularly disturbing case was the ironically-codenamed planet "Hope", which suffered from a severely polluted environment for years and was struck one day by a mysterious Depopulation Bomb. It's been a Ruins of the Modern Age Scavenger World ever since.
  • The Iron Dream (1972) by Norman Spinrad
  • Ian McDonald's Desolation Road (1988) and Ares Express (2001) are a mix of this, Desert Punk and Cyberpunk with the non-city areas being Desert Punk and the cities being a mix of Diesel and Cyber.
  • Doc Sidhe (1995, 2001) by Aaron Allston mixes dieselpunk with Urban Fantasy
  • Taylor Anderson's Destroyermen (2008-) series is this mixed with Ocean Punk. Its titular heroes are the crew of a World War II destroyer that gets transported via a time-space rift to the Pacific Ocean of an Earth where the dinosaur-killing asteroid never hit and evolution took a different course.
  • Jonathan L. Howard's Johannes Cabal series straddles this and Steam Punk.
  • Though Leviathan (2009) by Scott Westerfeld is definitely in the Steampunk genre by how it's presented and what kind of story it is, the Clanker technology is more dieselpunk, as they frequently use gas, oil, kerosene, and diesel, not just steam. Also, the Darwist's "beasties" are a good example of Bio Punk.
  • The novel Bitter Seeds (2010) by Ian Tregillis , which is set during a WW2 where psychic Nazi supers fight demon-summoning British blood-sorcerers. Quite GrimDark.
  • The Clockwork Century series by Cherie Priest, an Alternate History American Civil War where the Republic of Texas discovered oil fifty years early. The Confederates are quite proud of their 'walker' which runs on diesel as opposed to the Steampunk Union verions. Coal-diesel engines are also used by paddlesteamers and the eponymous Cool Train in Dreadnought.
  • The Ghost (2010) by George Mann takes place in a world that is moving from Steampunk (coal driven cars, airships) to this (biplanes with rocket boosters) with hints of Ray Gun Gothic (holographic statues and videophones).
  • Iskriget (The Ice War) (2011) by Swedish SF author Anders Blixt is an "antarctic" spy adventure taking place in an alternate 1940, in which German and Czech republicans rebel against the heavy-handed rule of the Habsburg emperor. It includes, among other genre attributes, diesel-electric Miyazaki-style cloudships and ice juggernauts.
  • Empire State (2012) by Adam Christopher is this taking place across several dimensions and times and combines Noir with Weird War as the eponymous Empire State is in a never ending war with a mysterious Enemy.
  • The flashback segments of Nick Harkaway's Angelmaker have elements of this, particularly the train and submarine used by Edie's employers.
  • The Tales of the Ketty Jay take place in a Magitek dieselpunk world of airships and jet fighters.
  • Larry Correia's Grimnoir Chronicles combines this, magic wielding mutants called Actives and Alternate History.
  • A major part of Ack Ack Macaque by Gareth L. Powell is a MMPORG starring the title character set in a Weird War WWII featuring things like tripod tanks and Nazi ninjas.
  • Victoria gradually develops into a Retro Universe based on this. By the end of the story, the Victorian state uses little "real" technology invented after the 1930s, but has still developed cold fusion, Tesla-tech and various other kinds of Super Science. They also make extensive use of zeppelins, politics and culture have a strong pre-World War II touch (including Nazis), and people dress in 1930s to 1950s fashion.
  • Shattered Continent.
  • As with all subgenres, there is a Mammoth Book of Dieselpunk, edited by Sean Wallace.
  • Bruce Sterling's novella, Pirate Utopia takes place in the city-state of Fiume, along the Italian/Yugoslavian border shortly after WWI, an anarchistic enclave where they experiment with death rays and radio guided missiles.
  • The Angaran Chronicles current timeline is set on the continent of Angara during their Industrial Revolution the technological level being at our 1940s. But with elves and dwarves. The novella Hamar Noir is Diesel Noir. Although set during their Victorian era.
  • Spacecraft of the First World War: A Compendium of Fighting Vessels of the Great Powers is a speculative fiction e-book by William Flogg, which is a sort of spin-off of War of the Worlds, set in the 1910's in the aftermath of the Martian Invasion and laid out like a vessel encyclopedia à la Jane's Fighting Ships; following the Martians' failed invasion, humanity gathered and reverse-engineered their leftover technology, utilizing it to create Anti-Gravity devices and interplanetary warships—during the World War One era.
  • The Shape of Things to Come: It might be unsurprising that the foundational sci-fi author H.G. Wells would have been ahead of the curve on an Unbuilt Trope version of Diesel-Punk, as he was on many other science fiction tropes: in this 1933 projection of the future of a world thrown into an apocalypse by a lengthy world war, one can find many of the Unbuilt tropes of many sci-fi subgenres, in a setting that today looks prescient of Diesel-Punk, and was (along with the 1936 film adaptation) doubtless heavily influential over the subgenre.
  • The King in Yellow: A collection of loosely-connected early cosmic horror stories written in the 1890s, which projects "20 Minutes Into the Future" a weirdly dystopian world under Pax-Americana following an alternate-future world war, with a seemingly shining future corrupted instead by the unearthly influence of a mysterious, mind-shattering alien play, "The King in Yellow", with most of the stories in one way or another describing the impact of the play on doomed, mad, and despairing characters who succombed to the irresistable temptation to look upon its forbidden pages. The setting comes across today like Lovecraftian alt-history set in a strange sort of Diesel-Punk world of gigantic floating battleship-fortresses, friendly neighborhood suicide-booths for final relief of all the world's remaining ills, and an uneasy contrast between the shining light of utopian progress, and the secret influence of a foul, shadowy, otherworldly corruption just beneath the surface.

    Live Action TV 
  • Tales of the Gold Monkey (1982-1983), a single-season series from The '80s of the Deco and Two-Fisted Tales variety.
  • In a Fringe (2008-) episode, Brown Betty had a world straight out of the 1950s, yet everyone was using (Retraux) cell phones and computers. And Walter's lap took it to the next level.
  • Caprica (2010): Syfy's Battlestar Galactica spinoff is a mix of dieselpunk and cyberpunk. The in-story virtual game "New Cap City", which plays an important role in the series is pure Diesel Punk of the Noir variety.
  • In 2010, Toyota created an ad series for their Avalon series that were decidedly dieselpunk. The first, "Train," was set in an art deco train station (complete with a Twentieth Century Limited-inspired locomotive), where the characters are wearing 1940s-inspired clothes and a cover of Mr. Sandman by Pomplamoose plays in the background. The second, "Plane," depicted men and women in 1940s-inspired aviation uniforms as a Douglas DC-3 flew in the background.
  • A 2013 mockumentary on The History Channel called "The Great Martian War" blended film footage from World War One with CG of Martian tripods. Watch some footage of it here. There was also a video game based on the film.
  • While the original book version of His Dark Materials is generally regarded as describing its heroine Lyra’s world as Gaslamp Fantasy in style, the BBC/HBO adaptation goes for a lot of Art Deco imagery (appropriately enough given all the passenger airships, which belong more in the 1930s than the Victorian age), creating something of a Dieselpunk feel overall.
  • Gotham: Diesel Noir to be precise. The series has a very 1930s-1940s aesthetic, but more modern devices like cell phones are common.

  • The emerging musical genre known as Electro Swing captures the essence of dieselpunk through remixing vintage jazz-style music and swing with modern technology and house beats.
  • Many modern swing and jazz revivalist bands who either faithfully recreate or apply contemporary twists to vintage music have also been considered part of the dieselpunk genre, such as Big Bad Voodoo Daddy, Royal Crown Revue and Squirrel Nut Zippers. In 2019, swing-ska band the Cherry Poppin' Daddies released a song and music video entitled "Diesel Pun X", whose lyricism and musical/visual aesthetic draws directly from the dieselpunk genre.
  • Electric Light Orchestra's music video for "Hold On Tight" is a fourth wall-breaking tribute to pulp serials of the 30s and 40s.
  • The video for Michael Jackson's Smooth Criminal was very dieselpunk, set in a speakeasy with flappers and gangsters, but with a lot of punk attitude and fantastic goings-on.
  • The video for Lady Gaga's Alejandro is one-sixth this, one-sixth Ho Yay, one-sixth Those Wacky Nazis, and the rest is you know... Lady Gaga.
  • The Mechanisms were a dieselpunk cabaret band, which also incorporated various genres such as folk and jazz.
    • Dr. Carmilla was the former frontwoman of The Mechanisms and self-described herself as incorporating Visual Kei.
  • Postmodern Jukebox creates covers of modern songs in the styles of the 1910s-1950s.
  • Therion's music video for "Initials BB" features dirigible battleships over what appears to be London, with ranks of scantily clad Germanic-uniformed women marching (and inexplicably flashing their breasts).

    Tabletop Games 
  • Pulp Hero (2005) by Hero Games.
  • Hollow Earth Expedition (2006) by Exile Games Studio. Two-Fisted Tales meet The Lost World.
  • Rocketship Empires 1936 (2008)
  • Secrets of the Third Reich (2008), a World War II wargame by Westwind Productions, which has, amongst other things, mecha, powered armour, and vampires. To say nothing of the werewolves.
  • Operation: Fallen Reich (2009) by Fallen Publishing.
  • Cosmopol (2010) ... and how.
  • Mutant Chronicles which is set in a dystopian future where Earth is abandoned, and most of the solar system is colonized by mega corps who derive their style from old Earth cultures, from Feudal times to Cold War era society.
  • AT-43 the U.N.A., Red Blok, and the Karmans have this as part of their theme, while mixed with Cyberpunk which the Therians use. The setting is a typical space dystopia, albeit some what nicer that most.
  • Dust, a series of wargames, based on Paolo Parente's comic and set in an alternate 1947 with walking tanks, energy weapons, superheroes, zombies and war-apes.
  • Despite Rocket Age being Raygun Gothic, the Nazis have war-walkers based on Ancient Martian design and the airships also qualify.
  • Ravaged Earth, a Savage Worlds setting by Reality Blurs. It is 30+ years after the Martian invasion, and the world has undergone drastic changes thanks to the effects of the alien metal the Martians' tripods were made of.
  • Scythe, based on the art of Jakub Rozalski.
  • Roan is a game with a setting based on My Little Pony: Friendship Is Magic, although with multiple divergences, one of the most explicit being the 1940's technological levels and the deliberate focus on pulp-style derring-do.
  • Age of Steel is a game set in a world similar to ours in the 1920s, with diesel-powered mechs, airships and personal automatons being commonplace.
  • Akroydiesel Age RPG is a dieselpunk game, complete with airships, anti-gravity dogfights, and diesel-powered mechs.
  • Trail of Cthulhu
  • The Day After Ragnarok: an After the End rpg where the Nazis manage to summon the Midgard Serpent at the end of World War 2. The giant serpent is killed when the Americans fly the Trinity Device into its eye on a suicide mission. Much of the world is devasated by the serpent's radioactive blood and venom and its body crushing most of Europe and North Africa. The surviving nations harvest strange elements from its body allowing some very dieselpunk developments, like jetpacks and Marconi pistols (a heat ray); magic and the supernatural make a comeback as well, mixing in elements for the most part deliberately mimicking Robert E. Howard's Conan the Barbarian stories.
    • In fact, there are several hints that the events of the Conan stories actually happened in this setting. Djehuti-Yamun, leader of the world-wide serpent cult known as the Children of Set, is heavily implied to be Thoth-Amon.


    Video Games 
  • Tales of Xillia: The world of Elympios that you visit fairly late in the first game and where much of the sequel takes place is a decaying land where the dingy cities are full of skyscrapers, and the background music is heavy on jazzy saxophones. Its largest city (and only city in the first game), Trigleph, looks like it was pulled straight out of a Film Noir hard-boiled detective movie.
  • Nazi Zombies had ended its Call of Duty: Black Ops II DLC line with Origins, a very much dieselpunk World War I setting. Giant Mechas, diesel-powered armor, perk drinks, tanks, and weaponry. All of this makes the return of the original crew from earlier games so much more awesome. And of course, the main appeal, the antagonists.
  • In Civilization: Beyond Earth units built by the Purity factions have a definite dieselpunk flair. Take a look at their tanks, their warships and their Airborne Aircraft Carrier the LEV Destroyer.
  • Douglas Adams' Starship Titanic is thoroughly suffused with Art Deco, from the design of the starliner itself to its robot staff. Better still, it actually uses Dieselpunk motifs such as pneumatic tubes.
  • World of Tanks is set in the period in which this genre is set and many of the vehicles never came off of the drawing board.
  • While borrowing more Cyberpunk themes, Jak and Daxter certainly contains Dieselpunk aesthetics, most prominent are the zoomers. Haven City also has some of this aesthetic.
  • The retro-cult Taerkastens from Urban Assault, are a 26th century version of this. Since the Taerkastens eschew electronics and related tech, they use propeller powered war planes and giant zeppelins when the other factions are using more standard futuristic units. But what they lack in the electronics department, they more than make up for by being on the leading edge of engineering and material design. The Taerkastens have the most heavily armored units in the game.
  • Pulp Adventures is a Two-Fisted Tales story set in the Thirties and its Massive Multiplayer Crossover roster of available party members includes the Rocketeer, as well as Nazis with jetpacks.
  • The Valkyria Chronicles series of games is based in an alternate reality continent of Europa, loosely based on WWII Europe. "Ragnite ore" takes the place of petroleum in the game, which is centered on the small country of Gallia, a state rich in said ore, and sought after by the Atlantic Federation and the East Europan Imperial Alliance (roughly, the Allies and the Axis).
  • In the Resistance series, WWI ended differently and WWII never happened. Unfortunately, Asia and Europe got invaded by aliens instead.
  • Parodied in the Metal Slug series, which (although ostensibly taking place 20 Minutes into the Future) are set in a bizarre version of WWII(with some Korean/Vietnam-era trimmings), where propeller-powered planes, railway guns, and zeppelins coexist with Humongous Mecha, Land Battleships (literally a Yamato-class battleship with tank treads bolted on), Zeerust aliens, and Wave Motion Guns.
    • In the seventh entry, the villains are a time-traveling army from the future . . . still driving the same WWII-era vehicles, except now they're painted blue and shoot laser beams.
    • Same thing applies for the 2021 remake, Metal Slug Code J.
  • InSomnia: The Ark is a dystopian dieselpunk RPG that takes place in a decaying art deco space station.
  • Tower 57
  • Grandia:
  • The Sinking City combines dieselpunk tropes with Lovecraftian horror.
  • Factorio, an addictive factory-builder, uses a decidedly diesel punk aesthetic, which fits in quite nicely with all the pollution produced by many a factory players end up building. Among the non-period things rendered in the aesthetic include nuclear reactors, laser turrets and the rocket you launch to win the game.
  • Iron Harvest is a Real-Time Strategy game set the same universe as Scythe.


    Web Original 

    Western Animation 

    Real Life 
  • Britain's failed death ray, an ambitious project which laid the foundational principals for modern radar in the process of trying to figure out if a practical death ray was possible with then-current technology.
  • Since Doctor Steel was a Steampunk musician who leaned on dieselpunk tropes as well, it isn't surprising to see a lot of dieselpunk fashion sense in the uniforms of the Army of Toy Soldiers.
  • Those Wacky Nazis designed a series of "superweapons" termed Wunderwaffe (German for "wonder weapon") before and during World War II. Many of them were outlandish and never made it past the prototype stage, but in retrospect were heavily dieselpunk in their design. In fact, many dieselpunk aesthetics are inspired or pulled directly from Wunderwaffe designs, such as those featured in Captain America: The First Avenger. Let's take a closer look at a few shall we?
    • The humongous Landkreuzer P. 1000 Ratte was a proposed massive 1000-ton Nazi land battleship (er...cruiser) armed with dual 280 mm naval cannons as well as various smaller caliber guns which might or might not have been mounted on smaller axillary turrets, all powered by no less than two engines derived from submarines. Allegedly, the main turret of this monster was completed before it was realized that Germany could ill afford to operate such an awesome weapon by its 1943 state, but it definitely deserves a mention by virtue of sheer scale.
    • The Landkreuzer P. 1500 Monster. Instead of a pair of naval guns, this bad boy was to be made up of a single Schwerer Gustav railway cannon. To put this into perspective, the cannon this baby packed would have been lobbing shells that were fourteen feet tall and almost three feet wide (a bit over four meters, with an 800 mm caliber).
    • The Horten Ho 229, a prototype German night fighter built towards the end of World War II, certainly qualifies both in design and function. It even makes a cameo appearance at the beginning of Wolfenstein: The New Order. Many a gamer can be forgiven for thinking it was just standard dieselpunk hijinks.
  • The GM Futurliners, a set of bus-sized art deco vehicles used as a traveling museum presenting the wonders of 1940-50's era technology.