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Film / O Brother, Where Art Thou?

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"Damn, we're in a tight spot!"

A 2000 comedy film written and directed by The Coen Brothers, about three escaped prisoners in Depression-era Mississippi who go on a rollicking adventure in an attempt to reach the money buried by one of them in his backyard. They have only a short time to do this, though, as the backyard in question is in an area slated to be flooded by the damming activities of the Tennessee Valley Authority.

The story is (very) loosely based on Homer's The Odyssey, following Ulysses Everett McGill (George Clooney), Delmar O'Donnell (Tim Blake Nelson), and Pete Hogwallop (John Turturro) as they meet, among others, a blind prophet, sirens, the Cyclops and a gifted guitar player who "sold his soul to the devil". Also during their journey, they record a hit song, rob a bank with George "Baby Face" Nelson, encounter the KKK, and inadvertently get mixed up in the state gubernatorial election. It was noted for the tremendous success of its soundtrack, most of which was recorded by Alison Krauss & Union Station and other country-bluegrass acts (Dan Tyminski provided Everett's singing voice).


Bonus points if you recognize the title from Preston Sturges' 1941 film Sullivan's Travels.

This film provides examples of:

  • Added Alliterative Appeal: "Songs of salvation to salve the soul."
  • Agent Scully: Everett, who despite being pursued by Satan, meeting a prophet, being seduced by sirens, and being apparently saved from execution by divine intervention, still insists that there is a reasonable explanation for everything. At least it's Lampshaded. And by the end, he doesn't really seem sure of himself any more after seeing the cow on the roof of a shed, which the prophet told them they would see back at the beginning.
  • And Your Little Dog, Too!: George Nelson takes a break from shooting at the cops during his getaway drive to shoot some cows.
  • Arson, Murder, and Jaywalking: Some of Homer Stokes' about the heroes near the end of the movie were, "These boys is not white! Hell, they ain't even old-timey."
    • One of the people attending George Nelson's march toward the electric chair is most upset about his having shot a cow with a tommy-gun.
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  • At the Crossroads: The three meet Tommy here after he sold his soul to the devil ("I wasn't usin' it for nothin'") to become a famous musician, this is based on the real life Tommy Johnson who was the originator of the story. Yes, he did it before Robert Johnson.
  • Belief Makes You Stupid: Everett repeatedly chides people for their religious gullibility. Examples:
    • When Everett witnesses a riverside baptism service, he comments: "Well, I guess hard times flush out the chumps; everybody's lookin' for answers."
    • After Everett's travel companions get baptized themselves, Everett remarks; "Baptism! You two are dumber than a bag of hammers."
    • Toward the end of the film, when facing his own death, Everett falls on his knees and repents of his sins before God. After he is delivered from death (thanks to a sudden and massive flood of water), Everett discounts his conversion by noting that "any human being will cast about in a moment of stress." When his companions proclaim that the flood was an act of God, Everett comments, "Again, you hayseeds are showin' your want for intellect." (Note: Everett's watery salvation functions as a clever twist on Death by Irony. Deliverance by Irony, perhaps?)
  • Berserk Button:
  • Bewitched Amphibians: Delmar is at one point convinced this has happened to Pete.
  • Black-and-Gray Morality: Our "heroes" include a trio of escaped criminals and a bad-tempered, corrupt governor. The villains include the Grand Dragon of a KKK chapter and his lackeys, and an Inspector Javert who may actually be the Devil. The most sympathetic characters are probably Delmar (a sweetly cheerful idiot who nevertheless still goes along with Everett's schemes, and he did once rob a Piggly Wiggly) and Tommy, who sold his soul to the Devil.
  • Blatant Lies: "That ain't your daddy. Your daddy was hit by a train."
  • Blind Seer: Lampshaded by Everett, who insists the man has a Disability Superpower.
  • Bitch in Sheep's Clothing: Homer Stokes seems like a nice enough guy and possibly a better governor than Pappy O'Daniel. And then we see him leading a Ku Klux Klan rally...
  • Book-Ends: The film opens with a chain gang together working near a railroad track and singing. Shortly after escaping the chain gang, the protagonists meet the blind prophet on a push-car. The film closes with Everett and Penny's daughters tied together by twine walking over a railroad track and singing. And the blind prophet can be seen passing by on the tracks.
  • Break Away Pop Hit:
    • The soundtrack had its own sequels.
    • In-movie also, since the Soggy Bottom Boys' singing is so good it helps resolve the plot.
  • Brick Joke: After mocking Delmar and Pete for being baptized early in the movie, skeptic Everett admits his failings and begs for mercy in a Not-So-Final Confession at the gallows. He is then forcibly immersed by the floodwaters, and everyone is saved. Literally.
    • Early in the movie Everett, Delmar and Pete meet a blind prophet who claims, "You will see thangs, wonderful to tell. You shall see a cow on the roof of a cotton house." At the end of the movie, they do indeed see a cow on a cotton house roof.
  • Censorship by Spelling: Sort of. One character wants to prevent his son from knowing that his mother left the family, so he just says "Mrs. Hogwallop up and R-U-N-N-O-F-T."
    • Subverted later on, in that the kid knew exactly what he was talking about, anyway.
  • Chekhov's Gun: Everett's pomade, particularly its distinctive smell, which lets the Sheriff track them down.
  • Cloudcuckoolander: Delmar "We Thought You Was a Toad" O'Donnell.
  • Color Wash: They messed with the hue and saturation until everything was an intensely colorful brown, imitating the look of sepia-toned photos. Without this, the Mississippi (and South Carolina, for some scenes) summer landscape would have been a brilliant green, which the creators said was too bright for the Depression era Dust Bowl-type feel they were going for.
  • Comically Missing the Point: When Everett admits he made the treasure up to convince his chainmates—i.e., Pete and Delmar—to help him escape, Pete realizes that fifty years will be added to each of their sentences for fleeing the chain gang, and that he won't get out of prison until he's 84 years old. Delmar happily chimes in, "Well, I'll only be 82!"
    • Also, when Pete responds to Delmar's whispered "We thought you was a toad" line with a confused Flat "What", Delmar repeats the whisper more slowly and emphatically.
  • Comic Trio: Everett is The Leader, Delmar is The Fool, and Pete is the Only Sane Man (compared to the other two, at least).
  • Community-Threatening Construction: Ulysses Everett McGill needs to retrieve a treasure buried in the backyard of his old house. However, the area is scheduled to be flooded by Tennessee Valley Authority's damming activity. In this case, Ulysses doesn't ever try to prevent the construction (in fact, he sees it as the Dawn of an Era)—it just serves as an inexorable deadline for Ulysses and his partners to reach the homestead.
  • Contrived Coincidence: Of course the guy the KKK decides to lynch is the one our heroes know and are on friendly terms with.
  • Corrupt Hick: The insanely corrupt Big Dan Teague. Who is channeling the cyclops Polyphemus.
  • Crush the Keepsake: Big Dan attacks Ulysses and Delmar to see what it is they're carrying. When he sees it's just a toad (they thought Pete had been turned into one), he crushes it in front of them.
  • Cult Soundtrack: The soundtrack album is regarded as one of the most important Country and Bluegrass albums of the decade and sold over 7 million copies. It also won the Grammy Award for Album of the Year in 2002, making it one of only three soundtracks to ever win that award.
  • Dawn of an Era: Everett's view of the building of hydroelectric dam, that saves his and his friend's lives:
    Everett: No, the fact is, they're flooding this valley so they can hydroelectric up the whole durn state. Yes, sir, the South is gonna change. Everything's gonna be put on electricity and run on a paying basis. Out with the old spiritual mumbo jumbo, the superstitions, and the backward ways. We're gonna see a brave new world where they run everybody a wire and hook us all up to a grid. Yes, sir, a veritable age of reason. Like the one they had in France." *He sees the cow that the blind soothseer prophesized* "Not a moment too soon..."
  • Deal with the Devil: Tommy Johnson traded his soul to the devil at the crossroads for his guitar skills.
  • Deliberately Monochrome: Of the sepia variety, see Real Is Brown below.
  • Deus ex Machina: The flooding happens at exactly the right time to save them all from being hanged. Possibly a literal example, but it's foreshadowed enough that it doesn't break the plot even if the viewer doesn't interpret it as spiritual.
  • Did Not Die That Way: He didn't die at all, Everett finds out his wife has told his daughters that he got hit by a train, rather than tell them he was sent to jail.
  • Disney Death: Pete was believed to have transformed into a Toad by the launderer sirens, so they take him in a box. The toad was then killed by Big Dan Teague by being crushed, and his friends were physically incapable of stopping his death because they were beaten to bloody pulps. It was later revealed that the toad was actually not Pete, nor was he even transformed into a toad. Turns out those "launderer sirens" actually delivered him to Sheriff Cooley's men for the reward, and is now a prisoner back at the farm.
  • The Ditz: Delmar.
  • Empty Piles of Clothing: This (and a toad) causes Delmar to assume Pete's been turned into a toad.
  • Enthralling Siren: The three washerwomen are the siren stand-ins.
  • Everything's Better with Cows: One is gunned down during a stampede ("Cows! I hate cows worse than coppers!"), another is involved in the Brick Joke.
  • Eyepatch of Power: Big Dan Teague.
  • Fan Disservice: The Sirens, in addition to being generally beautiful, all wear wet dresses so you can see their lingerie. Yet, combined with the creepy song they keep singing, and the fact that one of them is forcing a drug down Everett's throat, you can't help but feel there's something off about the whole thing. That's because they're seducing them to betray them to the Sheriff.
  • Fake Band: The Soggy Bottom Boys.
  • Fat, Sweaty Southerner in a White Suit: Several. Most notably, Governor Pappy O'Daniel (for the mildly corrupt version) and Big Dan Teague (for the insanely corrupt version).
  • Faux Affably Evil: Big Dan Teague, who engages the boys in friendly conversation before beating them up and robbing them.
  • Flat "What": A silent one from Pete when Delmar tells him he thought he turned into a toad.
  • Friend to All Living Things: Delmar, or butterflies at the least.
  • Funny Background Event:
    • Everett, Delmar, and Pete are all chained together, and try to escape by boarding a moving train. In the foreground we see Everett (on the train) introducing himself to some hobos. In the background, Pete trips before he can climb in...
    • Also, Pete's gloriously goofy dancing during Delmar's rendition of "In the Jailhouse Now."
    • Background singing — in Man of Constant Sorrow, Everett finishes singing a depressing stanza that ends in the line "perhaps I'll die upon this train..." and Delmar and Pete chime in with a cheery "Perhaps he'll die upon this train!"
  • Genre-Busting: It's a musical/comedy/social commentary/retelling of The Odyssey... that's set in The Great Depression.
  • Good Old Fisticuffs: Vernon gives Ulysses a good old-timey ass-whoopin' in the Woolworths. Vernon apparently has some training in the pugilistic arts, whereas Ulysses... not so much.
  • Historical Domain Character: Several appear in the film, though the details of their lives are skewed for the sake of the story. They include bank robber George "Babyface" Nelson, Blues musician Tommy Johnson, and politician W. Lee "Pappy" O'Daniel. The latter arguably undergoes the most changes, having his first name changed to Menelaus as a nod to The Odyssey and being governor of Mississippi rather than Texas.
  • Historical In-Joke: A great deal of the humor in this film is derived from these.
  • Hobos: "Any of you fellas smithies? Or, if not smithies per se, were you otherwise trained in the metallurgic arts before straitened circumstances forced you into a life of aimless wanderin'?"
  • Hypocritical Humor: Just as he is about to be executed, Everett prays to God to let him see his daughters at least one more time. When the dam breaks and saves him, he starts going on about reason. The other two immediately call him out on it.
  • Implacable Man: the Sheriff.
  • Inspector Javert: The Sheriff characterizes himself this way at the very end, claiming that the boys have only been pardoned by the law of man.
  • Informed Attribute: This applies to the Governor, while Homer Stokes runs on a reform platform, calling O'Daniel a tool of the interests. The audience, who doesn't see that much of the Governor, never sees him do much beside swear at and assault his aides with his hat.
  • Insane Troll Logic: Committed by Everett, called out by Pete.
    Pete: You stole from my kin!
    Everett: Who was fixin' to betray us.
    Pete: You didn't know that at the time!
    Everett: So I borrowed it 'til I did know!
    Pete: That don't make no sense!
    Everett: Pete, it's a fool that looks for logic in the chambers of the human heart.
  • Ironic Nursery Tune: The siren-seduction scene, to "Didn't Leave Nobody But The Baby" Also a rare case of erotic horror.
  • Jerkass: Pappy O'Daniel, oh so much. Even though he's the one who pardon's our main characters, meaning they no longer have to be outlaws, it's solely for his own reelection campaign.
  • Jerk with a Heart of Gold: Everett. He's greedy, deceitful, sneaky, and arrogant but truly does care for his friends and loves his daughters dearly. When all hope seems lost and he starts praying; Everett prays for everyone else's safety and happiness, only asking that his own life be spared so that his daughters can have a father to look after them.
  • Kick the Dog: Big Dan beats up Everett and Delmar, steals their money, and crushes their frog whom Delmar thinks is Pete in front of them.
  • Kids Driving Cars: Everett, Pete, and Delmer manage to escape from a burning barn when Boy Hogwallop bursts through the barn door in his dad's car and offers them a lift. Since Boy is quite small, he uses a brick to weigh down the accelerator. Later, Everett steals the car, leaving Boy to curse him, Pete and Delmer as he walks back to his dad's farm.
  • The Klan: Appears as enemies midway through the movie, as Everett, Pete, and Delmar must rescue their friend Tommy from the Klan.
  • The Lancer: Pete.
  • Large and in Charge: Governor Pappy O'Daniel. "We're mass communicatin'!"
  • Large Ham: Homer Stokes. It's particularly noticeable in the scene where he leads a KKK rally. Of course, it makes sense, given that he's running for governor and a talent for public oratory would help him a lot.
    • George "Babyface" Nelson.
  • Louis Cypher: The Sheriff who is chasing after them is implied, and even theorized to be by the characters, to be this. His Scary Shiny Glasses reflect fire a lot.
  • Lyrical Dissonance: The Soggy Bottom Boys' extremely cheerful, upbeat rendition of "Man of Constant Sorrow".
  • Magic Realism: There are more than a few downright mystical occurrences in the film, such as the prophet, the sirens, the strong implication that the Warden is Satan, and God saving the protagonists at the climax.
  • Meaningful Name: In a story based off The Odyssey, the main character's name is Ulysses.
    • Likewise the Governor, whose name is Menalaus, although that's a little more The Iliad.
  • Musical World Hypotheses: Diegetic all the way through, making its classification as a musical to begin with dubious to some.
  • Mythical Motifs: While the film doesn't follow The Odyssey to the letter, it does borrow some notable plot elements from it, such as the Cyclops, the sirens, and one of the main characters trying to get home to his wife so she won't marry someone else.
    • The connections to the Odyssey can get pretty clever the more you look for them. If you're already a fan of the movie and understand the more obvious references, a little research (or a re-read of the Odyssey) can add to what is already a fairly brilliant semi-adaptation.
  • Mythology Gag: Big Dan the cyclops looks like he's going to lose his eye to a flung Confederate flag spear, much like Polyphemus, but he manages to catch it between his hands at the last moment. Then the gang cuts down the fiery cross, which falls on top of him, almost certainly burning his eye out and preserving a piece of the narrative.
  • Never Trust a Title: No, the main Power Trio are not brothers, nor are they trying to find their long-lost brother. The title is actually a reference to an old movie.
  • No Celebrities Were Harmed: There really was a Depression-era Governor named Pappy O'Daniel, but his given name was Wilbert Lee O'Daniel; in the film the governor's real first name is Menelaus (another Homer reference). Also the real O'Daniel was governor of Texas, not Mississippi.
  • Not His Sled: The expected fate of John Goodman's "cyclops" is deliberately referenced then avoided. Then happens slightly differently anyway.
  • Oh, Crap!:
    • Teague's reaction when he realizes that the fiery cross was coming down directly at him.
    • Homer Stokes' reaction when he realizes that the town, after his attempt at getting the Soggy Bottom Boys arrested failed, is now going to run him out of town on a rail as revenge for interrupting the performance.
    • Finally, the slow, dawning realization in the climax that the Warden fully intends to lynch them on the spot, despite the fact that they were given a pardon, and, likewise, murder Tommy, just for being there.
  • Paper-Thin Disguise: Toward the end of the movie, the fugitive "Soggy Bottom Boys" perform ("Neighborhood of B") while disguised with false beards. Lampshaded later, when their performance wins over the crowd and Everett deliberately yanks his beard off for a moment.
  • The Pardon: Granted but ignored.
  • Pedal-to-the-Metal Shot: Parodied. The boy who helps our heroes escape a burning barn in a Ford Model A has fruit crates strapped to his shoes. What's more, the car can't go very fast anyway, and then breaks down shortly after their escape.
  • Politically Correct History: Zig-zagged. The white heroes refer to Tommy as a "boy," but otherwise treat him as an equal. The radio station manager insists that he won't play "colored songs," but once the "Soggy Bottom Boys" become popular he's ecstatic about them and signs them. Pappy O'Daniel doesn't seem to care that "they's integrated" after seeing how a crowd adores them and boots out his gubernatorial opponent for interrupting them. The KKK is shown in all its silly racist glory, but is also portrayed as a fringe organization that is not looked upon favorably by the common townsfolk. This portrayal has some basis in reality, as by the 1930's the second Klan's membership had dwindled compared to its heyday in the mid-1920'snote . It should be noted, however, that Homer Stokes feels perfectly comfortable announcing to a roomful of people that he belongs to an organization, wink-wink-nudge-nudge, that engages in cross-burning and lynching, and expects the audience to sympathize with him when he attacks people for stopping a lynching. It's not hard to guess that the only reason he's booed is because the people he's accusing happen to be a very popular music band, not because of general principle.
  • Politically Incorrect Villain: Homer Stokes, candidate for governor by day, Klansman by night.
  • Popculture Osmosis: The Coens have claimed that they've never actually read The Odyssey, but know the story through its various adaptations.
  • Power Trio: Everett (Superego, uses logic and reason); Pete (Id, relies mostly on instinct and opposes Everett); Delmar (Ego, acts as a peacekeeper between the two).
  • Produce Pelting: What the audience does when Homer Stokes ends up interrupting the Soggy Bottom Boys performance to get them arrested, that as well as ride him out of town on a rail.
  • Real Is Brown: Pursued with a vengeance, given that a substantial portion of the film's post-production budget went into extensive color-correction. The Coens wanted every frame of the film to reflect the dingy, withered dustbowl look, and in some cases took entire fields of green flora and turned them yellow.
  • Reduced to Ratburgers: Pete and Delmar find a "whole gopher village" and proceed to cook some up. Everett doesn't seem very enticed by the notion of eating rodent, although it's more objecting to the minuscule size of the portions than their content.
  • Retirony: Of a sort. Pete was two weeks from being released from prison anyway. Now that he's escaped, he won't get out until 1987.
  • Rock Me, Asmodeus!: "And I have it from the highest 'thority, that that negra...sold his soul to the Devil!!!" (the townsfolk don't buy into it, though)
  • Running Gag:
    "Damn, we're in a tight spot!"
    • Everett's obsession with his Dapper Dan pomade also counts, as well as his reflexive worrying about his hair whenever something wakes him in the middle of his sleep.
    • The constant reference to Everett supposedly being hit by a train once he reunited with some of his daughters.
  • Satanic Archetype: Sheriff Cooley fits Tommy Johnson's description of the Devil exactly: "He's white, as white as you folks, with empty eyes and a big hollow voice. He likes to travel around with a mean old hound." However, upon seeing him at the end of the movie, Tommy doesn't seem to notice.
  • Scary Shiny Glasses: The Sheriff/Warden/ Devil wears these.
  • Seinfeldian Conversation: This charming example:
    "He's gonna paddle our little behind."
    "Ain't gonna paddle it — gonna kick it. Real hard."
    "No, I believe he's gonna paddle it."
    "I don't believe that's a proper description."
    "Well, that's how I'd characterize it."
    "I believe it's more of a kickin' sitchiation."
  • Sesquipedalian Loquaciousness:
    • Everett. For example, from the Funny Background Event described above:
      Say, any of you fellas happen to be smithies? If not smithies per se, perhaps you trained in the metallurgical arts before straitened circumstances led you to a life of aimless wandering?
    • Also Big Dan Teague:
      And thank you for that conversational hiatus. I generally refrain from speech while engaged in gustation. There are those who attempt both at the same time; I find it coarse and vulgar.
  • Shout-Out:
    • The film's title itself a Shout-Out to Preston Sturges' Sullivan's Travels.
    • The entire plot contains various shout outs to the Greek epic poem The Odyssey by Homer. The main protagonist is named Ulysses in both stories, has to get home to prevent his wife from marrying someone else and they meet singing women who seduce them (the Sirens) and a one-eyed giant man (the cyclops). The reform candidate is named Homer Stokes, referencing the author Homer. The blind railroad man predicting events references Tiresias, while the blind radio station manager references Homer again, who was also said to be blind.
    • Tommy's Deal with the Devil is a reference to a similar deal supposedly made by real-life bluesman Robert Johnson. (Or possibly Tommy Johnson, depending on whom you ask.)
    • The KKK scene is based off of the scene in The Wizard of Oz where the Scarecrow, Lion and Tin man try to sneak into the witches castle. The guards are chanting the way the KKK does and even doing a similar dance, and the three heroes steal disguises from the guards/KKK.
    • The Soggy Bottom Boys are a reference to the Light Crust Doughboys, who were featured on the real-life Pappy O'Daniel's radio show.
    • There's a coffin floating on a flooded river at the end, which is most certainly a Shout Out to William Faulkner's As I Lay Dying.
    • Sheriff Cooley looks and dresses very similarly to Boss Godfrey in Cool Hand Luke, right down to his Scary Shiny Glasses.
    • George Clooney's performance as Everett owes more than a little to Clark Gable.
  • Sold His Soul for a Donut: The main characters encounter a young musician who claims to have sold his soul to be able to play the guitar really well. Delmar, who recently had a religious experience, is disappointed by the idea of selling a soul for so little.
  • Sophisticated as Hell: Many of the characters in a patchily-educated way, but mostly Everett. "I'm the goddamn paterfamilias!"
  • Source Music: All the music in the film is diegetic.
  • Stout Strength: Big Dan Teague.
  • Stern Chase: The Warden's search for the three convicts.
  • The Stool Pigeon: Pete ends up becoming a Lacerated Larry after the "Sireens" basically turned him over to the sheriff's men for a bounty (which initially led them to believe that Pete was actually turned into a frog due to it being in his clothes).
  • Surrounded by Idiots: Pappy O'Daniel's cronies and son are sycophantic yes-men who are a bit slow on the uptake, and Pappy is painfully aware of this. This is most likely the reason he tries to convince Vernon T. Waldrip to leave Stokes' campaign and join his.
  • Suspiciously Specific Denial: "Who is that man?" "Not my husband." Also doubles as a Shout-Out to the source material.
  • Symbolic Baptism: Played for Laughs when the escaped convicts Pete and Delmar stumble onto a group baptism in a river and jump at the chance to start over with a clean slate... which mostly means doing exactly what they were before. They're also a bit confused to hear that it doesn't actually do anything for their criminal records.
    Delmar: But they was witnesses that seen us redeemed.
    Everett: Even if it did put you square with the Lord, the state of Mississippi's a little more hard-nosed.
  • The Vamp: The three sirens
  • Those Two Guys: Pappy's two advisors, see the Seinfeldian Conversation above.
  • Trail of Bread Crumbs: How the sheriff keeps finding Everett. Everett's a Dapper Dan man, going through obscene amounts of the stuff whenever he can get ahold of it. The sheriff's bloodhound can track him easily.
  • True Companions: Everett, Pete, Delmar, and Tommy.
  • Unusually Uninteresting Sight
    • The bank customers at the robbery seem to be rather non-plussed by all the shooting.
    • Everett himself is rather non-plussed by Big Dan beating the hell out of Delmar with a tree branch until Big Dan starts attacking him.
  • Upper-Class Twit: Pappy O'Daniel's son.
  • Villainous Glutton: Big Dan Teague, as befits his correspondence with the cyclops Polyphemus.
  • Villainous Breakdown: "Babyface" Nelson and Homer Stokes.
    • Nelson gets better...sort of.
  • Villain with Good Publicity: Homer Stokes, oh so much.
  • Wardens Are Evil: The Sheriff. While at the beginning he is in the right to hunt down Everett, Pete and Delmar (because of them being fugitives) he goes for overkill tactics like burning down a barn with them inside, he insists that he answers to a higher law than man's (so he will just keep coming no matter what), and the moment he makes it clear that he will see them all hang even if they are now pardoned (and he will kill Tommy for no reason other than him being there with the fugitives), he crosses the Moral Event Horizon hard. That he is a Satanic Archetype doesn't help any.
  • Wedding Ring Removal: As the guys encounter the singing sirens, Everett, in the background, pulls his wedding ring off right before the girls come over and start getting cozy with them.
  • Whole Plot Reference: Loosely, to The Odyssey.
  • Working on the Chain Gang: The story begins with Everett, Pete, and Delmar escaping from this while chained to each other. Pete, at one point, is recaptured and put back to work on the chain gang and has to be broken out of prison again.


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