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You said it, Austin.

Austin: Actually, my name is Austin Powers.
Attendant: It says your name's Danger Powers.
Austin: No no no no no. Danger's my middle name.
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A movie trilogy about a temporally displaced British Ministry of Defence agent, Austin Powers, and his archnemesis, Dr. Evil, who is obsessed with taking over the world and whose plans Austin consistently foils.

When Dr. Evil cryogenically freezes himself and launches into space, Austin (believing himself the only one capable of battling this menace) has himself frozen as well to await the day that Dr. Evil returns. When they are duly thawed, thirty years later, both characters find themselves woefully outdated: Austin is a walking punchline from the swinging sixties, while Dr. Evil finds his evil syndicate is completely overshadowed by Starbucks.

The three films are parodies of the Spy Drama genre, particularly Harry Palmer and James Bond, to the point that the second and third movie titles are direct spoofs of James Bond movie titles and the first is literally just a common description of James Bond himself. As a finishing touch, Austin's florid sense of dress (perfectly at home in Las Vegas, but hard on the eyes elsewhere) was based on Jason King. (Word of God has also acknowledged this, but they don't make such a big deal of it because modern audiences are more likely to have heard of James Bond.) Lampshade Hanging is everywhere, and forget Leaning on the Fourth Wall, Austin dances on top of it. The series was known for its Acting for Two, as Mike Myers played four major characters: Austin; Dr. Evil; the second movie's henchman, a Fat Bastard aptly named "Fat Bastard"; and the third movie's co-villain Goldmember.

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    The series in general 
  • The '60s: Setting of the opening of the first and most of the second.
  • The '90s: The first two movies. The third one takes place in 2002.
  • Affectionate Parody:
    • The first is mostly, a parody of James Bond knockoffs and sixties culture in general. This is mostly continued in the second one, with various bits of sci-fi thrown in with all the time travel abuse.
    • The third movie parodies Blaxploitation movies and, well, the Austin Powers franchise itself.
  • Air Quotes:
    • Dr. Evil does this while explaining one of his evil plans to his staff, using air quotes where the text shows quotes.
      Dr. Evil: Back in the '60s I developed a weather-changing machine which was in essence a sophisticated heat beam which we called a "laser". Using these "lasers", we punch a hole in the protective layer around the world, which we call the "ozone layer".
    • The fact that Dr. Evil seems unable to say the word "laser" without using this trope becomes a Running Gag.
      Dr. Evil: In exactly six hours, the moon will move in its orbit around the Earth, bringing Washington D.C. within range of my giant "laser". Begin "laser" ignition sequence!
    • In a deleted scene available on DVD, Dr. Evil claims that he invented finger quotes.
  • Aside Glance: Frequently follows some of Austin's particularly painful jokes.
    Austin: (upon face with Dr. Evil's bare buttocks) You know, Dr. Evil, I used to think you were crazy.
    Dr. Evil: I know.
  • A-Team Firing: Zigzagged. Austin himself is rather guilty of it, firing in completely random directions and somehow managing to hit almost nothing. Other times, Austin's so accurate that it's a wonder anyone ever gets near him.
  • Better Than a Bare Bulb:
    • Every Bond trope from Death Trap to Bond Girl is ubiquitously pointed out and made fun of.
    • By Goldmember, they frequent hang a lampshade on their own jokes, old and new. Goldmember implies that his weird accent automatically makes him funny and makes sure everyone notices his "subtle" references to music lyrics. Austin and the Mr. Roboto point out that they could just speak English to avoid confusion, and Ozzy's dialogue under Didn't We Use This Joke Already?
  • Bond One-Liner: Spoofed. A lot.
  • Bond Villain Stupidity: Used and lampshaded, most notably in the scene where Scott asks "Why Don't You Just Shoot Him?"
  • Brick Joke:
    • In the first film, Austin claims to hate Carnies (or "circus folk") because they "smell like cabbage". Two films later, his father is ambushed by Mini-Me. His response? "I thought I smelled cabbage."
    • When the first movie begins Austin has just propositioned a pair of Japanese twins before he's called away to save the world, much to his dismay. Two movies later (again) the list above appears.
    • In the first movie, Dr. Evil says to Austin that they are 'not so different' (which also doubles as a comedic Actor Allusion), and in the second Dr. Evil pulls a Luke, I Am Your Father moment to Austin seemingly just to mess with him. In the third movie it is revealed that they are brothers.
  • Calling Your Attacks: "Judo X!" and Foxxy's "Shazam!"
  • The Cameo: Many in every movie. The first had two (Christian Slater and Rob Lowe) cut in North America but present everywhere else. The second has among others, two for the Astonishingly Appropriate Interruption (and the third has another lampshading how this joke is a repeat). The third opens with a fake Austin Powers movie filled with these.
  • Carnival of Killers: Among the various killers hired by Dr. Evil are an Asian man named Random Task who uses his shoe to kill people, an Irishman who strangles people with a bracelet with lucky charms on it, and a vaguely Middle-Eastern man who angers Dr. Evil but will just not die.
  • Cartwright Curse: Played for laughs throughout the series in parody of James Bond's habit of hooking up with a new beautiful woman in each movie who disappears with little to no fanfare in the next. Vanessa is revealed to be a fembot to re-bachelor Austin at the beginning of the second movie with little recognition from the characters, and Felicity just disappears. (A deleted scene mentions she ran off with Austin-from-five-minutes-in-the-past.)
  • Chuck Cunningham Syndrome:
    • Dr. Evil's minions, Alotta Fagina and Random Task aren't mentioned after the first movie. The former could have been killed in the lair explosion but so should have Frau and Scott.
    • Felicity Shagwell in the third movie.
  • Continuity Snarl: Frau and Scott appear in the second movie despite supposedly being caught in Dr. Evil's lair exploding. Number Two appears as well despite being incinerated near the end by Dr. Evil himself (an alternate ending that is mostly full of continuity errors states that he escaped the fire pit alive.)
  • Dancing Theme: During the opening titles of each movie, Austin dances to the theme tune of the films with supposedly random bystanders.
  • Department of Redundancy Department:
    • In the first movie: "Allow myself to introduce...... myself."
    • In the second: "You're a very groovy baby..... baby."
    • And in the third: "What do you know about my father's where..... about..... s?"
  • Don't Explain the Joke: Done a lot.
  • Double Entendre: Examples are scattered everywhere.
  • Dressing as the Enemy: Once per movie, and Played for Laughs.
  • Everyone Went to School Together: Austin, Basil, Dr. Evil, and Number Two were all in Spy Academy together. Somehow.
  • Evil Laugh: Spoofed massively. Often causes those trying to emulate Doctor Evil to fail hard. Overlaps with Leave the Camera Running in the first film. Dr. Evil and his minions share a bout of maniacal laughter... and then instead of cutting away at its peak, the camera keeps rolling as it slowly and awkwardly peters out.
  • Evil Plan: Each movie has one naturally, but of note is an early scene in the first movie. There Dr. Evil lists in detail two possible evil plans only to have Number Two tell him they already happened. So he shrugs and says 'Let's do what we always do: hijack nuclear weapons and hold the world hostage'.
  • Exty Years from Now: International Man of Mystery starts in 1967, then moves forward to 1997. Reversed in The Spy Who Shagged Me, which starts in 1999 before heading toward 1969.
  • Formally Named Pet: Mr. Bigglesworth.
  • Frickin' Laser Beams: Trope Namer. They're attached to the heads of sharks. Though unlike the Ray Gun from most examples of that trope, they're realistic lasers with continuous beams.
  • Gag Penis:
    • Aside from everything Nigel says about Mini-Me's endowments, there's the fact that when Mini-Me lowers his pants, there is an audible thump.
    • Goldmember has a gold...er, member.
    • The phallic-looking rocket in the second movie, inspiring an Overly Long Gag of bystanders reacting to it.
  • Getting Crap Past the Radar: After a passionate night with Dr. Evil, Frau tells him that she's "late". Just then, Scott arrives through the time machine and we later find out that that was the night Dr. Evil and Frau conceived him.
    • The Japanese twins in Goldmember. One goes to get Austin a drink and the other almost immediately returns with a drink for him.
      Austin: Fook Mi, that was quick!
      Fook Yu: [correcting Austin's mistake] Fook Yu!
      Austin: Oh, you're heading the right way for a smacked bottom, and I don't care who knows it!
  • Girl of the Week: Every trope that applies to a Bond Girl applies to Austin's women.
  • Go-Go Enslavement: The goofy futuristic clothes Dr. Evil forces on Austin and Vanessa.
  • Good Pays Better: In every movie, Number Two will tell Doctor Evil that they're making a lot more money with legitimate business operations than evil plans. In response, Dr. Evil says "SILENCE, NUMBER TWO!" and then does the Evil Plan anyway.
  • Groin Attack:
    • Downplayed near the end of the first film. Austin leaps into his Jaguar, only to land with his groin hitting the stick shift. Once Vanessa gets into the car, she moves the shifter and accidentally hits Austin in the same tender area.
    • Mini-Me first kicks, then bites Austin in the junk in the second film, during their fight on the moon base. He kicks him there again during their brief fight in the third film.
    • Felicity pulls it off on Fat Bastard when she kicks him in the "mommy-daddy button" near the end of the second film, causing Austin to lecture her:
      Austin Powers: I don't care if he is evil, you don't give a man a shot in the pills. It's just not cricket, baby!
    • And in the third film, he accidentally sends a model meteor right into Dr. Evil's testicles. Way to go, A-hole!
  • Groupie Brigade: Austin appearing in public usually tends to attract a screaming whorde.
  • The Guards Must Be Crazy: Spoofed and lampshaded without mercy.
  • Heel–Face Turn: Mini-Me, Dr. Evil, and Fat Bastard, as well. And maybe Frau and Number 2.
  • Highly Conspicuous Uniform: The silver suits worn by Dr. Evil and his henchmen.
  • Hurricane of Puns: Once a movie, Austin will make one about a mook's death, and promptly told to shut up when he takes up minutes of screentime annoying his partner with the horrendous puns.
  • Imperial Stormtrooper Marksmanship Academy: Being a James Bond parody, of course the henchmen are horrible shots.
  • Joke Exhaustion: Whenever Austin offs a mook, he'll rattle off a list of incredibly lame Bond one liners about the nature of said mook's death. He generally has to be stopped by someone else before he'll move on. There is also a bunch of sexual euphemisms at the end.
  • Juggling Loaded Guns: Austin can be seen shaking his arms and blinking uncontrollably whenever he fires his gun. Mike Myers notes in the commentary that it was done only half-intentionally, as Mike himself had never fired a gun before.
  • Laugh with Me!:
    • Dr. Evil doesn't like to make an Evil Laugh by himself.
    • Parodied in the last scene of the third movie where Scott laughs alone and desperately turns in every direction for someone to join in.
  • Licensed Pinball Table: Released in 2001, and based on the first two films. Click here for more.
  • London England Syndrome: The Trope Namer was referring to this film series.
  • Luke, I Am Your Father:
    • Gender-swapped in the second film, when Frau Farbissina admits she is Scott's mother.
    • Spoofed in the second with Dr. Evil and Austin.
    • Played straight in the third film, when it's revealed Austin and Dr. Evil are brothers.
  • Male Gaze:
    • In IMoM, our first view of Vanessa Kensington via a slow pan up her entire body.
    • Felicity Shagwell is introduced in a similar way to the above.
    • In a deleted scene from the second film, Austin shakes Robin Swallows by the hand really hard just to watch her cleavage bounce up and down.
    • During the chess scene, the camera pans down to Ivana Humpalot's chest as she squeezes her breasts together.
    • The guy Felicity dances with in her first scene openly stares at her chest.
  • Mood Whiplash:
    • In the opening of the first movie, Dr. Evil kills off his minions who have deceived him... cue Austin dancing to Soul Bossa Nova.
    • In the extended version of the first film, every time Austin kills a Mook, the film immediately clips to about 30 seconds worth of the mook's mourning friends and family.
    • Given the silliness of the first film, Austin's speech to Dr. Evil about "if we'd known the consequences of our actions we'd have done things differently" referring to the Free Love era is actually straightforward and serious (and reflects real-world opinions of those who lived through the era).
    • In the second film, Austin mourns over Vanessa being a Fembot... until he realizes this means he's single again. OH BEHAVE! [cue Soul Boss Nova again!]
    • In the second and third films, Fat Bastard gives a heartfelt speech about his weight... then farts.
  • No Fourth Wall:
    • In the second film, Basil and Austin advise the audience not to think too hard about the time travel aspect of the story. Austin also introduces Burt Bacharach, Quincy Jones and Elvis Costello to the viewers.
    • In the third film, an obvious example is when Austin and Fat Bastard are fighting and Fat Bastard does "the ultimate wire-fighting maneuver", only for one of his wires to break.
    • Not to mention the numerous times when Austin looks directly at the camera when saying something. One example is during the Mr. Roboto scene. Austin, after misreading several subtitles for Mr. Roboto's dialogue, is pretty weirded out. Mr. Roboto says "Why don't I just speak English?" This leads to:
      Austin: Yeah, why don't you? That way I wouldn't misread the subtitles making it seem like you are saying things which are dirty. [looks at camera]
    • Another camera look occurs when Austin is shot at on the ladder near the end and falls, pulling down Dr. Evil's pants to stop his fall. He says:
      Austin: You know, Dr. Evil, I used to think you were crazy.
      Dr. Evil: I know.
      Austin: But now I can see you're nuts. [looks at camera] Ah, thank you.
  • Offscreen Villain Dark Matter: Each movie begins with Number Two revealing a wildly successful business venture that he embarked on in Dr. Evil's absence. The funding for Dr. Evil's projects most likely comes from there.
  • Ooh, Me Accent's Slipping:
    • There's a point during the Overly Long Gag of the evil laughing scene in the first film where Mike Myers reverts to his normal voice.
    • In the second film, when Austin asks Mustafa "Where is Dr. Evil hiding?", you can clearly hear Mike Myers' own voice. While portraying Fat Bastard, Myers occasionally slips into his Austin Powers accent, notably when Fat Bastard wants to eat Mini Me ("wait a minute, he kinda looks like a baby").
    • Meyers notes in the commentary that Dr. Evil sounds pretty Canadian a few times in Goldmember, most of all with the line "I was adopted by frickin' Belgians, eh!"
  • Overly Long Gag: The series lampshades, spoofs, and plays it straight as one of their overlong running gags is interrupted by a cameo from The Osbournes... who then turn out to be the part of it that brings it full circle.
    • Case in point, Austin's "evacuation" from the first movie.
    • The near deaths of Mustafa and his crying out for help.
    • "Shh." "Zip it." "SCOTTY DON'T!"
  • Playing with a Trope: The entire purposes of the series, as it parodies, spins, exaggerates, lampshades, and puts an odd twist on everything from random dance scenes to celebrity cameos to under-the-credits scenes.
  • Preemptive "Shut Up": Every time Scott points out the flaws in Dr. Evil's plans, Dr. Evil will throw a "Shh!" at him.
  • Pretty in Mink: The models in the second movie, and Austin wearing a pimp coat in the third.
  • Product Placement:
    • International Man of Mystery. While Austin is catching up on events of the last thirty years (while he was a Human Popsicle), there are many empty cans of the Tab soft drink sitting on the table in front of him.
    • The minibar in Austin's Japanese hotel room has cans of Pepsi Twist.
    • In Goldmember, Austin uses a prominently placed MacBook. Also, contrasting his Jaguar that was renamed "Shaguar" from the beginning, his new VW Beetle sports its actual VW logo on the grill, and the camera lingers on it for a while when the car is introduced.
  • Punny Name: A lot of them, usually mocking James Bond characters. Let's see, there's Alotta Fagina, Ivana Humpalot, Fook Mi and Fook Yu (the Japanese twins), Dixie Normous, Felicity Shagwell ("Shagwell by name, shag very well by reputation."), Robin Swallows (maiden name Spitz)... anyone else?
  • Real Song Theme Tune: "Soul Bossa Nova" by Quincy Jones. Mike Myers had remembered the song from an old Canadian game show called Definition.
  • Rule of Funny: Honestly, the series has a time-traveling car that travels not by accelerating to 88 miles per hour, but by bouncing really hard on its seventies-style tricked out suspension. If you can swallow that but not Vanessa being a fembot, you need to recite the mantra.
  • Scenery Censor: Spoofed multiple times.
  • Screens Are Cameras: Dr. Evil tends to do this a lot. He has typical villain ultimatums with various world leaders through closed circuit televisions, yet there are no cameras that would allow him to see anything.
  • Shark Pool:
    • Attempted in the first movie, but they couldn't get sharks due to environmental regulations. They had to make do with (mutant, ill-tempered) sea bass instead.
    • They finally get one in the third movie.
  • Shoe Phone: Spoofed with the ridiculous items Austin gets from Basil, including a toothpaste tube containing plastic explosive (Or so Austin thinks).
  • Shout-Out: Has its own page.
  • Shown Their Work: Austin's wardrobe was meticulously researched and accurate for the Swinging Sixties period he originally comes from, down to the use of couch and curtain fabric for his suit jackets.
  • Signature Style: If you've seen the Wayne's World movies, the way Austin Powers gleefully plays with every trope possible and half the time ignores the fourth wall won't be new to you.
  • Spontaneous Choreography: During the opening titles of each movie, Austin engages in this with supposedly random bystanders.
  • Stating the Simple Solution: Scott Evil keeps goading his father to just shoot Austin.
  • Suddenly Always Knew That:
    • From the second film:
      Austin: Basil! It turns out Vanessa [the female sidekick from the previous film and Austin's wife] was a Fembot!
      Basil: Yes, we knew all along, sadly.
    • Austin and Dr. Evil not only went to Spy academy together, but shared a dorm room. Oh and also, Austin has a father, Nigel Powers, who is England's most famous spy. None of these things are ever mentioned before the third film and then are simply taken as read by all concerned.
  • Supervillain Lair: Dr. Evil has them to spare. Brought to its ultimate when Dr. Evil travels back in time and starts getting all the stuff he's used to having as a sixties supervillain:
    Young Number Two: Dr. Evil! Welcome to your secret island lair!
    Dr. Evil: Is it a hollowed-out volcano with my face on it as requested?
    Young Number Two: Of course.
  • Surrounded by Idiots: Dr. Evil feels this way.
    Dr. Evil: Why must I be constantly surrounded by frickin' idiots?
  • Talking Is a Free Action: Generally used, but the second movie is the most blatant about it. Austin time-travels ten minutes back in time to just when Felicity's chamber was being flooded with poison gas... and pauses to have a chat with himself that lasts longer than it originally took the chamber to flood with gas. Time apparently just halts for this, and doesn't start up again until past-Austin shoots some mooks.
  • Tap on the Head: Austin's judo chops are a straight example.
  • Terminator Twosome: Inverted, as Austin and Dr. Evil both travel to the future in the first movie, and played straight, as they travel to the past in the second.
  • Time Machine: Dr. Evil has one that just looks like a spinning portal. The British secret service has both a Beetle with a garish paint job in the second film, and a "Pimpmobile" Cadillac Eldorado in the third.
  • Time Travel: The second and third films use time travel to bring Austin and Dr. Evil back to the '60s (in the second) and '70s (in the third).
  • Tuckerization: Given Mike Myers is a huge Toronto Maple Leafs fan, there are two characters named after hockey players, Commander Gilmour (Doug Gilmour - whose first name is also Dr. Evil's real one), and General Borschevsky (Nikolai Borschevsky).
  • Unwitting Instigator of Doom: Whoever rigged Nigel Powers' car to explode in an attempt to assassinate him— the car's explosion killed Mrs. Powers, and resulted in Dougie being adopted by a Belgian baker, leading to him becoming Dr. Evil and the events of the first three films.
  • Video Phone: Austin has one in his car. Very helpful for Basil Exposition to talk to him.
  • Villain Exclusivity Clause: Dr. Evil appears in every movie as the Big Bad.
  • "Well Done, Son!" Guy:
    • Austin just wants his father's approval.
    • Inverted with Scott, who wants nothing to do with Dr. Evil, despite his father's attempts at bonding, then finally wins his dad's respect. Too bad his dad becomes Good.
  • Where Did We Go Wrong?: Dr. Evil asks where he went wrong out loud in response to Scott Evil not living up to his father's expectations in the first two movies.

    Austin Powers: International Man of Mystery (1997) 
  • Academy of Evil: The evil medical school Dr. Evil went to.
  • Above the Influence: Austin, for all his womanizing, turns down a kiss from Vanessa because she's drunk.
  • An Aesop: Dr. Evil taunts Austin that the values of the hippies and swingers Austin associated with in the sixties, and the lifestyle they embraced (promiscuity, partying, drug use), are now considered evil and amoral in the nineties, trying to convince Austin they're Not So Different. Austin disagrees.
    Austin: No, man, what we swingers were rebelling against were uptight squares like you, whose bag was money and world domination. We were innocent, man! If we'd known the consequences of our sexual liberation, we would have done things differently, but the spirit would have remained the same. It's freedom, baby, yeah.
    Dr. Evil: Face it: Freedom failed.
    Austin: No, man, freedom didn't fail. Right now, we got freedom and responsibility - it's a very groovy time.
  • Aluminum Christmas Trees: The President comes this close to blowing up the moon rather than pay Dr. Evil's inflated ransom ("Would you miss it?"). The United States Air Force actually considered nuking the moon to intimidate the Soviets.
  • Arson, Murder, and Jaywalking: While snooping around Alotta Fagina's penthouse, Austin discovers a folder with some of Virtucon's Evil Plans listed inside. In between "Human Organ Trafficking" and "Project Vulcan" is... "Carrot Top Movie".
  • Artistic License – Geology: A pretty minor example: Dr. Evil refers to the Earth's core as the "liquid-hot magma core". The Earth's innermost core is a mass of iron and nickel, solidified by the intense pressure around it. Though Dr. Evil might be referring to the outer core, which is liquid.
  • Artistic License – Physics: The Big Boy rocket begins to glow from re-entry the instant it begins to move downwards. But that glow is caused by friction, which builds up over time based on speed, and also requires something to actually generate the friction - it wouldn't happen outside of the atmosphere.
  • Big "NO!": A guard while Austin is driving toward him with a steamroller (actually a "STOOOOOOOOOP"), and Austin himself before leaping to push the underground drill's abort button. The steamroller bit goes into Overly Long Gag territory because the Mook stands there for a full 15 seconds shouting "STOOOOOP!" before the steamroller slowly crushes him.
  • Big Red Button: Two of them. One aborts the underground drill carrying the nuke, the other activates the base's Self-Destruct Mechanism.
  • Bowdlerise: Some TV edits omit any use of "horny". So Austin's infamous "Do I make you horny, baby?" sounds like this instead:
    Austin: Do I make you randy? Randy? Do I make you randy, baby?
  • Brain Bleach: "Margaret Thatcher naked on a cold day! Margaret Thatcher naked on a cold day!"
  • Cosmopolitan Council: Dr. Evil's Council and also, the United Nations have a wide variety of cultures and ethnicities present.
  • *Cough* Snark *Cough*: *Cough* Ripoff! *Cough*
  • Crazy Memory: Dr. Evil describes his father as this.
    Dr. Evil: He would make outrageous claims, like he invented the question mark.
  • Culture Equals Costume: When Dr. Evil calls up the United Nations Secret Meeting Room to give his ultimatum, many of the occupants are dressed in costumes indicating their native countries (two Japanese are dressed as a geisha and a sumo wrestler, a British representative is wearing a Beefeater costume, a Spaniard is dressed as a matador, etc.). One of the characters (presumably an American) is dressed as a cowboy.
  • Cut Lex Luthor a Check: Deconstructive Parody: When Dr. Evil comes out of cryogenic suspension, he immediately draws up outlandish plans to blackmail world leaders for one million dollars. This annoys Number Two to no end, since he has spent the thirty years Dr. Evil was absent building up the front companies they established into a shady but completely law-abiding, legitimate and wildly successful corporation with an annual revenue of nine billion dollars.
  • Death Trap: Parodied, of course.
  • Deer in the Headlights: Parodied with the guard and the steamroller.
  • Did I Just Say That Out Loud?: Austin's got a problem separating his inner and outer voices. The Human Popsicle process has some drawbacks.
    Austin: My God, Vanessa's got a fantastic body. I bet she shags like a minx. How do I tell her that, because of the unfreezing process, I have no Inner Monologue? I hope I didn't say that out loud just now.
  • Does This Remind You of Anything?: Dr. Evil's warhead.
    Austin: Does that make you horny?
    Vanessa: Not now, Austin!
  • Elaborate Underground Base: Dr. Evil has one.
    Dr. Evil: Welcome to my UNDERGROUND LAIR!!
  • Fetal Position Rebirth: Austin Powers adopts this position when he's unfrozen.
  • Fish out of Temporal Water: Austin and Dr. Evil have to face the changes arisen from being frozen 30 years.
  • Five-Bad Band:
    • The Big Bad: Dr. Evil is the evil mastermind.
    • The Dragon: Number Two is responsible for running the evil empire on Dr.Evil's behalf
    • The Brute: Random Task is the primary muscle and hitman (Fat Bastard takes over this role from him in the second film).
    • Evil Genius: Frau Farbissina is responsible for things like the fembots and the clones.
    • Dark Chick: Alotta Fagina is a seductive hidden agent for seducing targets, like Austin Powers.
  • The Great Politics Mess-Up: Austin, after being frozen in 1967 and unfrozen in 1997, is shocked at the presence of a Russian intelligence officer. When he is told that the Cold War ended, he initially assumes that the Communists won.
  • Gross-Up Close-Up: One of the scene transitions ends with a close-up of Austin's bad teeth for no reason.
  • Hazmat Suit: The radiation suit Dr. Evil wears is a parody of the one worn by the title character in Dr. No.
  • Hook Hand: Don Luigi, one of the assassins who Dr. Evil executes for failing to kill Austin Powers, has one of these. He uses it to smoke cigars.
  • Human Popsicle: Austin and Dr. Evil.
  • I Have Your Wife: Though Austin hadn't married Vanessa yet at this point, Alotta Fagina takes Vanessa hostage while Austin almost gets a chance to bring Dr. Evil to justice, who was resigned to capture but undaunted because he believes Austin would be forced to deal with how the 1960's ethos is outdone by the 1990's ethos and that freedom has failed anyway. This gives Dr. Evil a chance to escape despite the failed intervention by Number Two and that Vanessa managed to knock Alotta out and escape with Austin, not to mention Alotta most likely didn't wake up on time to escape.
  • Inflation Negation: One meeeeeeeee-llion dollar ransom. Memetic Mutation as well. This was so ubiquitous, even King Hussein of Jordan joked around with it.
  • Implausible Deniability: Austin's increasingly desperate insistence that "Swedish-Made Penis Enlarger Pump" wasn't his bag, baby, as the evidence continued to mount against him.
  • Chekhov's Gun: The Swedish penis pump which belongs to no one in particular and certainly not Austin.
  • Instantly Proven Wrong: Austin is repeatedly called out for his ownership of a Swedish penis-enlarger pump while he's picking up his belongings after the unfreezing process. This embarrasses him in front of Vanessa Kensington and causes him to resort to Implausible Deniability.
    Clerk: One Swedish-made penis enlarger pump...
    Austin: That's not mine.
    Clerk: One credit card receipt for Swedish-made penis enlarger, signed by...Austin Powers.
    Austin: [To Vanessa] I'm telling you, baby, that's not mine.
    Clerk: One warranty card for Swedish-made penis enlarger pump, filled out by...Austin Powers.
    Austin: I don't even know what this is. This sort of thing ain't my bag, baby.
    Clerk: One book: "Swedish-made Penis Enlarger Pumps And Me: (This sort of thing is my bag, baby)", by...Austin Powers.
    Austin: Ah.
  • Intimate Artistry: Austin was flirting with Vanessa from the very instant that he awoke from his cryogenic freezing, but he only seemed to progress from purely-physical attraction to an emotional connection when she briefly posed for photographs for him when they were on a surveillance mission. After saying how beautiful she was he took her out for a night on the town, where she first began to return his affections.
  • Inventor of the Mundane: During a group therapy session Dr. Evil mentions that his father claimed to have invented the question mark (among many other, equally strange declarations).
  • It's Been Done: When he's unfrozen, Dr. Evil suggests evil plans that are moot because they've already happened (ruining Prince Charles' marriage, punching a hole in the ozone lair).
    Dr. Evil: Right, people, you have to tell me these things, okay? I've been frozen for thirty years, okay? Throw me a frickin' bone here!
  • Just a Gangster: When Dr. Evil is unfrozen, he insists on bringing his organization back to its old ways despite the fact that it has become much more successful and lucrative as a legitimate business.
  • Just in Time: Played for laughs. Austin has well over ten seconds to stop Dr. Evil's drill from reaching the Earth's core, but deliberately waits until there's just a second to spare, so that his Big "NO!" will look more dramatic.
  • Kirk Summation: Austin's response to Dr. Evil's Not So Different attempt.
    Austin: I've got you, Dr. Evil!
    Dr. Evil: Well done, Mr. Powers. We're Not So Different, you and I. It's true, you're British, and I'm Belgian. You have a full head of hair, mine is slightly receding. You're thin, I'm about forty pounds overweight. OK, we are different, I'm not making a very good point. However, isn't it ironic, Mr. Powers, that the very things you stand for: swinging, free love, parties, distrust of authority- are all now, in The '90s, considered to be... evil? Maybe we have more in common than you care to admit.
    Austin: No, man, what we swingers were rebelling against were uptight squares like you, whose bag was money and world domination. We were innocent, man. If we'd known the consequences of our sexual liberation, we would have done things differently, but the spirit would have remained the same. It's freedom, man.
    Dr. Evil: Your freedom has cause more pain and suffering in the world than any plan I ever dreamed of. Face it, freedom failed.
    Austin: That's why right now is a very groovy time, man. We still have freedom, but we also have responsibility.
    • Shut Up, Kirk!:
      Dr. Evil: Really, there's nothing more pathetic than an aging hipster.
  • Lame Rhyme Dodge:
    Dr. Evil: Son, wouldn't you like to see what daddy does for a living?
    Scott Evil: Blow me.
    Dr. Evil: What?
    Scott Evil: Show me.
    • The TV edited version works just as well:
      Dr. Evil: Son, wouldn't you like to see what daddy does for a living?
      Scott Evil: Bite me.
      Dr. Evil: What?
      Scott Evil: Might be... fun.
  • The Last of These Is Not Like the Others: When Number Two shows a map of the United States with miniature models of businesses he acquired during Dr. Evil's time being frozen, he concludes the list with a factory that makes miniature models... of factories.
  • Low-Speed Chase: Austin and Vanessa try to escape pursuing guards in a steamroller that moves so slowly that the guards should be able to easily catch up to them.
  • Marshmallow Hell: While scoping out Dr. Evil's headquarters, Austin is accidentally pulled down into Felicity's breasts.
    Austin: Hello, mummy. Mummy, can I have some chocolates? I want some Mars bars! Don't smack my bottom, mummy...
  • Mission Creep: Parodied. The defrosted Dr. Evil returning from The '60s to The '90s tries to launch into an old-fashioned spy supervillain plot only to be reminded that his organization in his absence had to Cut Lex Luthor a Check and branch into legitimate corporate enterprise so as to better serve evil of course.
  • Mistaken for an Imposter: "That's not your mother, it's a MAN, Baby!....WHY! WON'T this WIG! come OFF!"
  • Naked People Are Funny: There's two Overly Long Gags in which Austin and latter Vanessa make full use of Scenery Censor.
  • Neck Lift: When Random Task attacks Austin Powers near the end, he grabs him by the neck, lifts him up and presses him against a wall.
  • Newspaper-Thin Disguise: Austin attempts to disguise himself with a magazine... with his own face on the cover.
  • No Indoor Voice: "I'm finding it hard to control THE VOLUME OF MY VOICE!"
  • No, Mr. Bond, I Expect You to Dine: Lampshaded and spoofed.
    Scott: What, you're feeding him? Why don't you just kill him?
  • No-Nonsense Nemesis: Scott Evil is outraged by his daddy Dr. Evil's dogged insistence on Bond Villain Stupidity by having dinner with his arch-enemy Austin Powers and deciding to place him in an easily escapable Death Trap. Scott offers to just shoot the super-spy and be done with it, but Dr. Evil simply ignores him.
    Dr. Evil: Scott.. you just don't get it.
  • Not So Different: Parodied. Dr. Evil tries this, but as he lectures he realizes that he and Austin are nothing alike.
  • Overly Long Scream: Parodied. A Mook lets off a few loud Big "NO!" screams, one after another, as a steamroller is about to crush him. This is despite the fact that he's several yards away from the steamroller, which is going so slowly that the mook could just walk to escape it.
    "NOOOOOOOOOOOOOOOOOO!!!! NOOOOOOOOOOOOOOOOOO!!!!!! NOOOOOOOOOOOOOOOOOO!!! NOOOOOOOAAAAAHHHHH-" [steamroller runs him over]
  • People Jars: There is a cryogenic storage facility with frozen celebrities in pods. Amongst them Vanilla Ice.
  • Perspective Reversal: In the first movie, Austin upsets Vanessa by sleeping with Alotta as part of the job; in this movie, Felicity upsets Austin by sleeping with Fat Bastard as part of the job.
  • Post-Climax Confrontation: At the end during Austin and Vanessa's honeymoon, Random Task shows up again to kill them... and is defeated with the help of the penis enlargement pump.
  • Punctuated! For! Emphasis!: "DO! YOU! WORK! FOR! NUMBER! TWO!??" (original release version. The current releases use the clip of Austin shouting "Who... does... Number Two... work for?!")
  • Put Their Heads Together: As Austin and Vanessa are infiltrating Virtucon, Random Task comes up behind them and cracks their heads together, knocking them out.
  • Pyrrhic Victory: When Austin catches Dr. Evil attempting to escape after Austin stopped the nuclear warhead, Dr. Evil attempts to impose this on Austin. He argues that free love and anything Austin stood up for in the 1960's is considered "evil", but Austin argues that they aren't and he's come to understand how much the world changed but can be similar motives adapted for the 1990's, saying "It's freedom, baby, Yeah!" Dr. Evil is still smug that even though Austin has caught him, Dr. Evil says "Freedom failed" and Austin would be forced to live with all that, and not in a good way. Luckily for Dr. Evil, Alotta Fagina arrives holding Vanessa hostage. This gives Dr. Evil a chance to escape after a failed intervention by Number Two.
  • Rip Van Tinkle: Austin's epic urination after being awakened from cryo-sleep.
  • Sealed Evil in a Can: The freezing of Dr. Evil.
  • Sealed Good in a Can: The freezing of Austin.
  • Sexy Silhouette: Alotta Fagina undresses behind a semi-transparent wall, causing Austin's libido to go crazy more than usual.
  • Shoe Slap: Random Task throws his shoe, as a parody of Oddjob's doing the same with his hat.
  • Show Some Leg: Used by Vanessa to distract guards.
  • Skirts and Ladders: Austin can't help but stare when Vanessa climbs up a ladder ahead of him.
  • Swirlie: How Austin does away with Patty O'Brien.
  • Think Unsexy Thoughts: "Margaret Thatcher naked on a cold day! Margaret Thatcher naked on a cold day!"
  • Threatening Shark: Frickin' Threatening Sharks with Frickin' Laser Beams Attached to Their Frickin' Heads.
  • Twinkle Smile: At the end while he's in bed with Vanessa Kensington Austin does this to show he's embraced dental hygiene.
  • Two-Person Pool Party: Austin and Alotta Fagina share a pool, spoofing a similar scene from A View to a Kill.
  • Uranus Is Showing: Austin makes this joke at the end of the movie.
  • Weather-Control Machine: In International Man of Mystery, Dr. Evil mentions that in the 1960's, he had a "weather changing machine that was, in essence, a sophisticated heat beam, which we called a laser."
  • What Are Records?: Inverted, with Austin trying to play a CD on a turntable.
  • What Measure Is a Mook?: Mocked in the extended version of International Man of Mystery. We see the family of the dead guard that Austin smashes with the steamroller learning of his death; later, "John Smith", the guard who gets decapitated, by the "ill tempered mutated sea bass," is shown to have been a day away from marriage, and was late for his bachelor party, because he was working late. In both cases, the families and friends are fully aware, that the mook is a henchman of Dr. Evil, and act like it's just a normal job.
  • You Have Failed Me: Dr. Evil punishes his minions by dumping them through a trapdoor to be burned alive. After being thawed, Dr. Evil is angry that Mr. Bigglesworth is now devoid of fur, blaming this on Mustafa. As punishment, Mustafa gets dumped into the furnace below; he survives, but he's "very badly burned". Shortly thereafter, he's shot by another mook whose first shot registers a non-lethal hit, but gets the kill with the second. His botched execution is Played for Laughs.
  • You Just Told Me: Subverted. Austin tricks Alotta Fagina, into admitting her boss is into "big underground drills," but he knew already, and did this to look suave. Counts as a spoof as well, since he is the one who brought up the drills, so he obviously already knew.
  • Your Head Asplode: This happens to one of the Fembots during Austin's striptease.
  • Your Princess Is in Another Castle: Austin gets Dr. Evil arrested in the very beginning, making it clear that something will inevitably go wrong. Dr. Evil even does a musical number pointing this out ("Austin caught me in the first act/it's all backwards, what's with that"?).

    Austin Powers: The Spy Who Shagged Me (1999) 
  • Anachronism Stew: Elvis Costello performed in The Spy Who Shagged Me, but the scene in question took place in 1969, which meant he would've only been fifteen years old (and looked much older than that). This is played for laughs like everything else. Burt Bacharach and Woody Harrelson also look to be as old as they were in 1999 in 1969.
  • Armor-Piercing Question: Upon being asked if he's happy, Fat Bastard breaks down in tears when he admits he's not. Unusually for this series, it's played relatively straight until he lets out a fart.
  • Batman Can Breathe in Space: Mini-Me is ejected out into space unprotected, and survives completely unharmed (though Dr. Evil thinks this warrants a flu shot).
  • Big Little Man: Mini-Me's introduction. Upon the announcement that Dr. Evil has been cloned, a regular-sized silhouette of him is outside the door. The door open revealing that said clone is tiny.
  • Big "NO!": When Dr. Evil hits the self-destruct button, then throws the bottle containing Austin's "mojo" into the air, both Austins do this while they try to catch the jar.
  • Bilingual Bonus: "As the French would say, it has a certain... I don't know what." The phrase je ne sais quoi, a popular term borrowed from French to describe some indescribable aspect of something, literally translates to 'I don't know what'.
  • British Royal Guards: Has a montage where Austin and Felicity goad a royal guard into participating in a Motionless Makeover.
  • Bulletproof Human Shield: Robin Swallows, from The Spy Who Shagged Me, can protect Austin from machine gun fire.
  • Call-Back: Scott suggests that Dr. Evil just go back in time and kill Austin "while he's sitting on the crapper", a nod to Paddy O'Brien's assassination attempt on Austin in the first film.
  • Captain Obvious: Fat Bastard, after cutting one: "Sorry. I farted."
  • Censored Title: The movie was often advertised in Britain as "The Spy Who...", leaving out the last two words. In Britain, "shag" is a much dirtier word than it is in North America. Averted or inverted (depending on whether the new title is considered more offensive than the original) in Norway, however, where the title translated as The Spy Who Spermed Me.
  • Cluster F-Bomb: The Jerry Springer scene. All censored, of course.
  • Convection Schmonvection: The hollowed-out volcano from The Spy Who Shagged Me, in particular the Lava Pit Death Trap.
  • Culture Equals Costume: When we first see Fat Bastard he's wearing a tam o'shanter and a kilt while bagpipe music plays.
  • Does This Remind You of Anything?: Dr. Evil's rockets.
  • Epic Fail: The first time Dr. Evil tries to time travel and just runs into the time machine without remembering to turn it on. Also when Austin gets ready to drive a time-travelling VW Bug into the future...but forgets that it's in reverse.
  • Fan Disservice: Naked Fat Bastard. Send the Brain Bleach! Dr. Evil even lampshades this in-universe.
  • Faux Paw: When Austin first sees Felicity, He licks his hand and grooms himself like a cat, in some kind of enticement ritual.
  • Flashback Cut: Austin has one when Mini-Me (who defected to the good guys) flashes the "peace" symbol. He did this only to give him the finger and kick Austin in the face.
  • Flipping the Bird: Mini-Me gives Austin the finger twice (though the first time, he didn't see it).
  • Flirting Under Fire: In The Spy Who Shagged Me, Austin and Felicity have a tender moment... while standing in a laughably pathetic Death Trap.
  • A Glass in the Hand: The fembot in the beginning smashes a campaign bottle in her hand.
  • GPS Evidence: The heroes are able to find the location of Dr. Evil's volcano lair by analyzing Fat Bastard's stool sample, discovering traces of a rare vegetable that only grows on one island in the entire world.
  • Hand Signals: Felicity Shagwell uses them to tell her agents to interfere with Robin Spitz Swallows.
  • I Ate WHAT?!: Austin drinks Fat Bastard's stool sample, thinking it is coffee.
    Austin: This coffee smells like shit.
    Basil: It is shit, Austin.
    Austin: Oh, good, then it's not just me. (drinks more) It's a bit nutty.
  • Implacable Man: Played for laughs with the random assassin: she survived a knife in the back, a dozen bullets shot in the back, a shot from a bazooka in the face, and a ridiculously high fall out of a window with Austin landing on top of her. A spot of Lampshade Hanging occurs when Austin cries "Why won't you die?!" A deleted scene shows that he keeps her in the trunk of his car to deflect gunfire.
  • Impossible Shadow Puppets: Where Dr. Evil's guards witness Felicity's silhouette appearing to pull several objects (And a gerbil) out of Austin's backside (actually a bag).
  • Improbable Aiming Skills: Towards the end, Austin fires fewer shots from his handgun than the number of henchmen he hits.
  • Inflation Negation: Inverted. Dr. Evil's 1969 ransom of one hundred billion dollars doesn't even exist yet.
  • Intangible Theft: Fat Bastard steals Austin Powers' "mojo" (his libido and sexual prowess) for his arch-nemesis Dr. Evil. It's visualized as a red liquid with little male symbols floating in it.
  • Island Base: One of Doctor Evil's Evil Lairs.
  • It's Personal: Both Dr. Evil and Austin say this this in reference to how Dr. Evil's stolen Austin's mojo.
  • Lava is Boiling Kool-Aid: Though Convection Schmonvection is played straight, this trope is surprisingly averted. Objects (and people) which fall into the lava do not sink to the bottom, and at no point does the lava "flow".
  • The Loins Sleep Tonight: Austin, while in the middle of sex with Dr. Evil's spy Ivana Humpalot, suddenly loses his erection in 1999 when his mojo (libido/sex drive/virility) is stolen from his cryogenically frozen body in 1969. He then travels back to the Swingin' Sixties to reclaim his mojo and cure his erectile dysfunction. His desire to get his groove back is only heightened when the sexy spy/hippie Felicity Shagwell comes his way. With both wanting to shag each other, Felicity increases the swinger's desire to cure his impotency and get his mojo back from Dr. Evil so Austin and Felicity can finally do the horizontal tango.
  • MST3K Mantra: Invoked and lampshaded, when Austin has some issues with temporal causality. Basil Exposition tells him to just relax and try to enjoy it, then looks directly at the camera and tells the audience to do the same.
  • Naked People Are Funny: The opening credits play over a scene wherein Austin decides to celebrate his newfound singleness by taking a stroll through the hotel in the buff, his naughty parts concealed by various objects.
  • Neck Lift: The fembot in does this with Austin in the opening scene.
  • Never the Selves Shall Meet: Averted, when Austin not only interacts with a ten-minute-younger version of himself, but the two of them apparently wind up engaging in a three-way with Felicity Shagwell.
    Austin Powers: Technically it's not cheating, baby!"
  • Never Trust a Trailer: An early trailer made it seem like Robin Swallows had a larger role then she actually did.
  • Offscreen Teleportation: When Dr. Evil and Mini Me board the rocket to the moon they are saluted by his minions who then somehow appear on the moon when they get there.
  • O.O.C. Is Serious Business: After Felicity dies, Austin chases Dr. Evil down with the intention to kill him. As in, not protect himself as a international man of mystery, but hunt down Dr. Evil with the intention to murder him. Dr. Evil only saves himself by mentioning that Austin could undo Felicity's death by using time travel.
  • Opening Scroll:
  • Pop-Cultural Osmosis Failure: Justified via Dr. Evil's frequent usage of references in his ransom video to the president; they were from media which doesn't even exist yet at the time. Funnily enough, this works in his favor when he "demonstrates" the laser's power by playing footage of the White House blowing up ripped straight from Independence Day, which initially scares everyone in the room into thinking that it was real.
  • Post-Climax Confrontation: Done with Fat Bastard but he gets defeated with a Groin Attack.
  • Prove I Am Not Bluffing: Dr. Evil blows up the White House to demonstrate his giant moon based laser... except it was just footage from Independence Day. Dr. Evil defends the real laser effect would be very similar.
  • Pun: "I have more chins than a Chinese phone book!"
  • Robotic Reveal: When Austin rips the face plate off the fembot in the opening scene.
  • Rule of Three: Spoofed, where Mustafa, one of Dr. Evil's assassins, always answers a question truthfully the third time it's asked, because he can't stand being asked the same question three times. However, Mustafa will only answer if the same question is asked three consecutive times.
  • Sadistic Choice:
    Dr. Evil: Save the world... or save your girlfriend.
  • Sequel Reset: "Wait a tick. That means I'm single again! Oh, behave!"
  • Shaking the Rump: Felicity does this in front of Austin in her first scene, while wearing skin-tight shorts, no less.
  • Show Some Leg: Felicity Shagwell bares her breasts to the one inept guard outside her and Austin's cell.
    Felicity: What do you think of these, my man?
    Guard: ...Mommy!
  • Sigil Spam: Dr. Evil's embossed logo can be found on nearly anything — makeup cases, motorized scooters, record turntables, even the doors of Dr. Evil's secret moon rocket.
  • Silence, You Fool!: "SILENCE! I will not tolerate your insolence!"
  • Smoking Hot Sex:
    • Parodied at the beginning:
    Vanessa: Do you smoke after sex?
    Austin: I don't know, baby, I've never looked.
  • Something Else Also Rises: Austin, putting lotion on Felicity Shagwell's back, squeezes the bottle a little too hard...
  • Straight Gay: The Beefeater remains still when Felicity kisses him on one of his cheeks. When Austin does the same to the other cheek, the guard turns toward Austin and cheekily smiles.
  • Talk to the Hand: Dr. Evil does this, much to the U.S. President of 1969's confusion, as Dr. Evil's using 90's-era pop culture lines... in 1969.
    Dr. Evil: Talk to the hand, 'cause the face don't wanna hear it anymore.
    The President: What hand? Talk to your hand?
  • Timey-Wimey Ball: By virtue of time-travel.
    Austin: Wait a tick. Basil, if I travel back to 1969 and I was frozen in 1967, presumably, I could go back and visit my frozen self. But, if I'm still frozen in 1967, how could I have been unthawed in the '90s and traveled back to- (Goes cross-eyed in confusion) Oh, no, I've gone cross-eyed.
    Basil: I suggest you don't worry about those things and just enjoy yourself. (To the camera) That goes for you all, too.
  • Torpedo Tits: The basic weapon of the fembots.
  • Trailer Spoof: Had one related to The Phantom Menace.
  • Twisted Echo Cut: Two Hurricane of Euphemism Overly Long Gags cover a succession of people being distracted by Dr. Evil's rocket, and being cut off just before they can remark that it looks like a giant— Johnson!
  • Unstoppable Rage: Dr. Evil, after a Klansmen called Scott Evil a "freak", ends up going ballistic. He ends up fighting even when being restrained by Steve Wilkos and the other members of security, and after seemingly calming down, he then rushes to attack him again (something that never happens on the Jerry Springer show). And then instigates a full-out brawl on the set. Eventually, he seems calmed down... until Jerry Springer tells security to get Dr. Evil out of the premises ("get this jerk out of here"), upon which his rage was reawakened, and starts fighting with the host, eventually managing to smash a globe in the ensuing stage riot.
  • Vader Breath: Mocked when Dr. Evil's spacesuit is damaged, giving him a deeper voice and interrupted breathing. Naturally, he takes this moment to tell Austin he is his father. (He isn't really.)
  • Wave Motion Gun: The "Death Star". (Ripoff!)
  • White Flag: Austin waves one when under fire by the fembot in the opening scene.
  • Why Won't You Die?: Austin ask this verbatim about Robin Swallows, who shrugs off a lot of lethal attacks.

    Austin Powers in Goldmember (2002) 
  • Artistic Licence: To British viewers at least, the "newspaper" Austin reads in the space station is clearly a mockup designed by somebody who has never seen the real paper:
    • Although the paper is nicknamed "the London Times", to distinguish it from similarly-named papers such as the New York Times, its official name (the one on the masthead) is "The Times".
    • The masthead design is totally wrong.
    • In particular, the masthead (like the rest of the paper) is in Times New Roman, not the Fraktur typeface used. (Many British papers have moved away from the Fraktur tradition.)
  • Big Bad Duumvirate: Dr. Evil teams up with Goldmember against Austin Powers.
  • Borrowed Catchphrase: At the end, Dr. Evil says "Yeah baby!" Everyone stares blankly at him, and he adds: "No? Just trying it on."
  • Bowdlerize: In-universe, this was the case for Dr. Evil's "It's a Hard Knock Life" music video: Nudity was censored, and Dr. Evil's curse words were edited, radio edit-style.
  • Bread, Eggs, Milk, Squick: Austin's "Things To Do Before I Die" checklist:
    Become International Man Of Mystery.
    Save World From Certain Doom.
    Find True Love.
    Go To Outer Space.
    Travel Through Time, Backward and Forward.
    Be Cryogenically Frozen.
    Catch Dr. Evil in the First Act.
  • Captain Obvious: Goldmember states the obvious when Dr. Evil starts giving Scott preferential treatment: "It's a power struggle." and "The tiny one can't take the hint."
  • Consulting a Convicted Killer: After Austin learns that his father, Nigel, has been kidnapped and the only clue is that the crew of his yacht have had their genitalia painted gold, Austin visits Dr. Evil, who is being held in captivity in a cell much like Hannibal Lecter's, to find out who is responsible. Dr. Evil reveals to Austin that Goldmember is behind the abduction.
  • Continuity Nod: At the end of the first movie, Basil tells Austin that he will be knighted. Early on in this film, Austin is finally knighted.
  • Conveyor Belt o' Doom: Parodies a very similar scene from Goldfinger with Austin's dad strapped to a device that moves him genitals-first towards a container pouring molten gold.
    Goldmember: Your fajah is about to have an unfortunate smelting accident!"
  • Daddy Issues: Austin responds to accusations of having "Daddy Issues" with this:
    Austin: "Nothing could be My Father from the truth. For me this is a Dad issue....Dead! Dad! Deadbeat dad! Daddy didn't love me!"
  • Dead Partner: Foxxy Cleopatra had a partner who was killed by Goldmember, and is determined to bring the villain to justice for it.
  • Didn't We Use This Joke Already?: When they reuse the rocket-joke from the second movie.
    Ozzy: These filmmakers are just [bleep] boobs!
    Kelly: What do you mean, Dad?
    Ozzy: Well, they're usin' the same [bleep] jokes they did in the last Austin Powers movie.
  • Did I Just Say That Out Loud?: Austin's got a problem separating his inner and outer voices. The Mole's facial blemishes prove just irresistible.
    Austin: MOLE!
  • Dreamworks Face: The Dr. Evil giant submarine has one. Of course it's based on Dr. Evil's quirk of doing the same thing.
  • Dude, Not Funny!: Said In-Universe by Austin in regards to his father writing off Austin's quite legitimate complaints about his parenting skills with a joke.
  • Even the Subtitler Is Stumped: When Austin reunites with his father, in order to prevent the two American women who were keeping tabs on them from knowing what they are talking about, they opt to discus the details in English English, and communicate entirely in British slang. The subtitler eventually gives up.
  • Expository Hairstyle Change: Not actually plot-driven, but Foxxy Cleopatra's hairstyle changes in virtually every new scene she's in.
  • Faceship: Dr. Evil's sub is modeled after him.
  • Fake-Out Opening: The movie opens with a scene from a film within the film about Austin's life.
  • Flanderization: Especially evident in Austinpussy (the movie-within-a-movie in Goldmember).
    John Travolta as Goldmember: Hey guys, do I have time for one last smoke and pancake or what!?
  • Flipping the Bird: Twice. Once to Austin in the fake intro and later to Dr. Evil.
  • Freudian Slip: Austin repeatedly saying "dad" or "father" instead of other words.
    Dr. Evil: Uh oh! Somebody's got some daddy issues!
    Austin: Nothing could be my father from the truth.
    Dr. Evil: Oop... you said "my father."
    Austin: No I dadn't!
    Dr. Evil: HOW!
    Austin: Didn't! Did not!
    Dr. Evil: Shappah!
    Austin: For me, this is a dad issue.
    Dr. Evil: Oop.
    Austin: Dead issue! Dead... dead dad! Deadbeat dad! Daddy didn't love me!
  • Great Escape: Dr. Evil's escape from normal prison involves starting a Prison Riot to cover the escape. He was able to manipulate the prison's populace after demonstrating how, you know, evil he is.
  • Gross-Up Close-Up: Whenever Number Three appears, there is always a zoom-in on his gigantic mole. He even twitches it a little...
  • Hair Reboot: Foxxy Cleopatra's hair goes from a fairly flat style from being wet to her full-out Funny Afro after she shakes her head.
  • Help Mistaken for Attack: Austin returns to his hotel room to find Mini-Me grinning at him while holding up a letter opener. The audience knows that Mini-Me is here because he defected from Dr. Evil (the "help") and that he was just using the letter opener to open some mail, but Austin immediately reads it as an ambush (the "attack") and gives him a sound thrashing.
  • Hypocritical Humor: There's two things Nigel Powers can't stand: "people who are intolerant of other people's cultures...and the Dutch!"
  • Ignore the Disability: Number Three's mole. Around it, everyone feels inclined to unintentionally make stupid puns. "Why, thank yo— MOLE!!!" "Moley, moley, moley, moley, moley!"
    • Later defied when Number Three tells Austin to just get it out of his system. Austin gladly obliges.
  • Impossible Shadow Puppets: Subverted. A mook believes he is seeing an impossible silhouette of a man with a small arm for a penis, who shakes hands with it and bites it before giving birth. It turns out to be Austin, Mini-Me, some tubing and an apple.
    • Done to a lesser extent in the previous movie, where Dr. Evil's guards witness Felicity's silhouette appearing to pull several objects (And a gerbil) out of Austin's backside (Actually a bag).
  • It Is Pronounced "Tro-PAY": Austin pronounces Basil Exposition's name as "Baysil" in one scene.
  • Knighting: Austin gets knighted after catching Dr. Evil. Goes from a Moment of Awesome to a Tear Jerker when his father doesn't show up.
  • Lame Pun Reaction:
    Dr. Evil: Ladies and gentlemen, welcome to my submarine lair. It's long, hard and full of seamen! (nobody laughs) Nothing? Not even a titter?
  • Medium Awareness: Austin uses the subtitles to understand Japanese. What makes it funny is that the white subtitles are sometimes placed in front of white items, resulting in the subtitles looking entirely lewd.
    "Why don't I just, uh, speak in English?"
    "Yes, that would be helpful! Then we wouldn't continue to misread your subtitles, making it seem that you're saying things that are dirty!" *cracks smile just before camera cuts away*
  • Mook Chivalry: "Look, here's how it goes, you attack me one at a time and I knock you out with one punch, okay? Go."
  • Moonwalk Dance: Scott Evil performs a moonwalk just before the end credits.
  • Nominal Importance: Nigel Powers talks one of Dr. Evil's minions out of attacking him by pointing this out.
    Nigel Powers: Have you any idea how many anonymous henchmen I've killed? Look at you! You don't even have a name tag! You've got no chance. Why don't you just fall down?
    [the henchman falls down]
  • Not So Different: Tried again by Dr. Evil and it fails again. Although this instance seems to be a subtle foreshadowing of them finding out that they do have something in common - a father - at the end of the movie.
  • Notzilla: Lampshaded with two Japanese men running from a monster statue that vaguely resembles Godzilla during the car chase in Japan:
    Japanese Man 1: RUN! IT'S GODZILLA!
    Japanese Man 2: It looks like Godzilla, but due to international copyright laws, it's not.
    Japanese Man 1: STILL! WE SHOULD RUN LIKE IT IS GODZILLA!
    Japanese Man 2: Though it isn't. [winks at camera]
  • Pixellation: Used on a woman's bare breasts in the "Hard Knock Life" music video.
  • Precision F-Strike: Dr. Evil's response to being caught in the first act, before even getting started on his Evil Plan, is simply "... shit."
  • Pretty Fly for a White Guy: Dr. Evil and Mini-Me performing a music video to the tune of "It's A Hard Knock Life" is all about parodying this. From the high and squeaky singing voice to the abrupt costume change, it is mockery.
  • Rent-a-Zilla: In a film series that parodies mostly James Bond films, a Notzilla appears.
  • Reverse Polarity: Trying to stop the MIDAS asteroid from crashing into Earth and flooding it.
  • Self-Deprecation:
    Ozzy Osbourne: Boobs! These writers are a bunch of boobs!
  • Separated by a Common Language: There's a scene where Nigel Powers is talking about his sexual exploits and Austin requests that they speak in "English" English in front of the Americans. The proceeding conversation has subtitles.(But not all of it.)
  • Show Within a Show: Austinpussy, originally the intended title of this installment (a parody of Octopussy), which they couldn't get past the censors. It was directed by Steven Spielberg and starred Tom Cruise as Austin, Gwyneth Paltrow as the Bond Girl, Kevin Spacey as Dr. Evil, Danny DeVito as Mini-Me, and John Travolta as Goldmember.
  • Skirts and Ladders: Austin can't help but stare when Dr. Evil climbs up a ladder ahead of him (so that he can use a pun with "your nuts" and "you're nuts").
  • Sound-Effect Bleep: Utilized during the cutaway to the Osbournes.
  • Space Base: Another one of Dr. Evil's supervillain lairs. He seems to have every variation of this trope covered.
  • Spell My Name with an "S": A rather infamous error on the setting titles renders Japan's largest city as "Toyko". Yeah.
  • Stealth Pun: The movie-within-a-movie has Mini-Me firing off an M-249 machine gun, also known as the "Minimi".
  • Tough Room: Nobody laughs at Dr. Evil's "long and hard and full of seamen" joke, prompting him to say, "Tough sub."
  • Twin Threesome Fantasy: Austin and the Japanese girls.
  • Twisted Echo Cut: A similar gag as done in the second movie. This time with the satellite that looks like a pair of big— Bazookas? And so on.
  • Vocal Dissonance: Subverted in the Studio 69 scene, when Foxxy uses a man like a ventriloquist's dummy to speak to Austin covertly. At first glance, it seems like the guy is speaking with a sexy black woman's voice.
  • Wham Line: Near the end when Nigel prevents Austin from shooting Dr. Evil:
    Austin: Dr. Evil's not your son! I am!
    Nigel: You both are.
  • What Happened to the Mouse?: Mr. Bigglesworth isn't seen at all.
  • Wire Fu: Parodied. Fat Bastard tries to use a Wire Fu attack on Austin (to the point of visibly held up by wires and calling attention to the people in the background holding him up.) One of the wires breaks halfway through, though, and he's just left dangling in the air.
  • Yank the Dog's Chain: Austin is bummed that his dad didn't attend his knighting ceremony. Later, Basil exposition informs Austin that his father was kidnapped:
    Austin: Heavy, man. [perks up] OH! So that's why he wasn't at my knighting ceremony!
    Basil: No, actually, he was kidnapped after you were knighted.
    Austin: Ah.
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Alternative Title(s): Austin Powers The Spy Who Shagged Me, Austin Powers International Man Of Mystery, Austin Powers In Goldmember

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