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Calling the Old Man Out

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Fire Lord Ozai: GET OUT! Get out of my sight right now if you know what's good for you!
Prince Zuko: That's another thing. I'm not taking orders from you anymore.
Ozai: You will obey me, or this defiant breath will be your last! [steps towards Zuko]
Zuko: [draws swords] Think again! I am going to speak my mind... and you are going to listen.
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Did Mom and/or Dad leave you without an explanation, only to pop up years later expecting hugs and kisses? Are even YOU tired of listening to your Freudian Excuse? Is endlessly sucking up to the "Well Done, Son!" Guy for a tiny crumb of respect really starting to get on your nerves? This is when standing your own ground comes to play.

Right. Time to take a page from Oedipus Rex and let your parental figure know how you REALLY feel.

It's time to Call The Old Man Out, or the Old Woman, if it's your mother you have issues with. Time for a real shout-down with that dysfunctional parental figure. Possibly even a beat down, if you really get into it. (We suggest you try not to go any farther than that; killing a parent, even one who arguably deserves it, tends to put you in the villain camp by default. Even Oedipus got nailed for it eventually, and he didn't even KNOW the man was his father.)

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You see this trope whenever a child figure (who is most often fully adult in age, but in rare cases may still be a child or teenager) goes into full-on confrontational mode with a parent figure they feel has severely wronged them. "Child" and "parent" can be fairly loose here — it's the power relationship that's key, not the genetics. Although the confrontation can be quite long-winded as it plays out, the semantic content usually boils down to "Daddy/Mommy, you SUCK!". For some reason, father figures are far more often targeted for this, due to the general belief that most women tend to be better parental figures than fathers, or maybe it's just not considered nice to yell at Mom. This can be a double whammy if the "parent" is also The Caretaker, since they're essentially the child's lifeline and are wronging them.

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Also, for this trope to come into play, the parental figure must truly have transgressed, or the child figure must have good reason to believe the transgression has happened. If the child figure is not at least somewhat justified in their accusations, it's not Calling The Old Man Out — it's just throwing a temper tantrum.

Bonus points are awarded if the child is able to (correctly) point out that they have managed not to repeat the parental mistakes with their own offspring. Penalty points are awarded if they have tragically repeated exactly the same mistakes with their own offspring. Of course, the parent may be happy either way.

Sometimes, the writer may not want the child figure to be the one doing the calling out. Maybe they want to keep the child figure Really Nice, so nice they won't even yell at an abusive parent. Maybe they want to show that the child figure is still so thoroughly whipped by the abusive parent that they are still incapable of facing them. Maybe the child is hoping that Daddy may still turn out to be good after all, despite the abuse, and is therefore holding back on giving him the what-for. Maybe they feel that the accusation will seem less whiny if an outsider delivers it, thereby validating the abuse in the eyes of a third person. In such a case, someone who loves the child figure may step in and deliver the calling out vicariously — "How dare you treat your child like that, you monster!" Spouses, boyfriends/girlfriends, aunts/uncles, mentors, best friends, or possibly even older siblings may step in and take on this job for someone unwilling or unable to do it for themselves.

The results of Calling The Old Man Out can vary widely. Clearing the air might be a good thing, and result in some kind of parent-child reconciliation. (A common variant is when the parent can provide some kind of reasonable explanation for why bad things were allowed to happen that the child was not previously aware of.) It might result in a permanent break between parent and child. It might even provide a powerful catharsis for the child figure, allowing Character Development to take place through resolving that Freudian Excuse, Parental Abandonment issue, or "Well Done, Son!" Guy obsession the character has been carrying around most of his or her life. If the parent being called out is a villain, it might result in that parent having a breakdown (if the parent hasn't had one already) and going on the warpath against the child. In extreme cases, the parent, the child, or both, might end up dead. Maybe the parent is touched by what the child said and reconciles with the child. Maybe nothing at all changes.

Just out of fairness, it should be mentioned that good old Oedipus himself is not truly an example of this trope, as he did not know he was killing his father when it happened, and was not intentionally doing it as revenge for his father spiking his feet and leaving him to die on a hillside as a baby. Oedipus killed the old man for cutting him off in traffic.

Subtrope of Grew a Spine. Compare Rage Against the Mentor. Also see I Hate You, Vampire Dad. As noted, Abusive Parents will likely be on the receiving end, putting this on the far side of the Sliding Scale of Parent-Shaming in Fiction. Often a subtrope of “The Reason You Suck” Speech.


Examples:

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    Comic Books 
  • Batman:
    • Happens with distressing and perfectly typical regularity to Batman. The ones doing the calling out tend to be Nightwing and Oracle — the oldest son and the not-quite-daughter with the most equal standing with Batman. Oracle criticizes him openly a lot more than Nightwing does, whereas Nightwing's are more violent. Stephanie Brown unleashes on Batman in the Road Home for all the manipulation crap she's been through. Tim Drake has made it clear what he thinks of Bruce unilaterally making decisions for him on multiple occasions. Jason Todd has called him out on his moral selfishness.
    • Now that Batman has an actual son, Damian, it happens with a good deal of regularity with him, too. It helps that Damian's mother, Talia, is the the heir of one of Batman's arch-nemeses, so no matter what the kid does, one or the other of his parents is going to give him grief about it.
    • In Robin Tim lays things out for his incredibly neglectful biological father when said father says he doesn't even know his son anymore:
      Tim: Who is the son you know, Dad? You don’t know me, you never bothered. You shipped me from one boarding school to another and nobody paid any attention as long as my grades stayed high. You and mom were too involved running around the world. Your careers-
      Jack: Don’t think you can talk to me like that just because I’m in this chair. Just because I’m not like Bruce Wayne…
      Tim: At least Bruce cares about me. Not just how I reflect on him! You don’t know me! You don’t know a thing about me!
  • Rose Wilson aka Ravager does this to her father Deathstroke every time they meet. She never really got over the whole "injecting me with Psycho Serum and shoving a piece of radioactive Kryptonite into my eye socket" thing that Deathstroke pulled the last time she trusted him. That, and he's an amoral and ruthless mercenary who inevitably ruins the people close to him. In Blackest Night, after circumstances force them to fight side by side again, Rose calls him out one last time. While Rose acknowledges that part of her will always love him because he is her father (and only for that reason), she never wants to see him again. Rose also swears that if Slade tries to track down Rose's Missing Mom she will kill him.
  • Captain Cold, one of The Flash's staunchest foes, had a violent confrontation with his father after the old man had been abducted by the New Rogues. To teach everybody a lesson, Cold and his team searched for the impostors, trouncing each with their own weapons until Cold found his father in a meat locker. He proceeded to call him out for every indignity he had ever visited upon the family. The old man, clearly not impressed, shot back with his own opinions on how weak Cold and his mother were for not taking it. Cold, furious but unable to kill him, asked fellow Rogue Heat Wave to incinerate him.
  • Incredible Hulk:
    • In #319, General Ross comes in to stop the wedding between Bruce Banner and Betty Ross. After he accidentally shoots Rick Jones, Betty calls him a stupid, miserable, interfering, old fool. And that's not all—she also calls him out for being less of a parent and more of a strict, tyrannical bully, and says that the real reason why Ross didn't like Bruce (even before Bruce became the Hulk) was because Bruce was kinder and more supportive to Betty than her own father. Also Betty gave her father an awesome ultimatum: if he really wants keep Betty away from Bruce, then he has to kill her. Of course he doesn't do it and instead breaks down emotionally while Bruce and Betty finally get married.
    • In Issue #377, Bruce is sent into a Journey to the Center of the Mind where he relives various traumas. Eventually they reach his mother's grave, where he confronted his father. A hallucination of his father as a monster appears and calls him a "perverted monster"....but Bruce cuts loose and calls out the image for years of abuse, stating that HE was the monster and that he buried his emotions for fear of being like him. The monster promptly takes Brian's form and shatters.
  • Invincible calls his father out for lying to him and for the whole "world domination" bit. They eventually come to blows and they wreck a few continents in the ensuing, bloody brawl. It later turns out that said Calling Out ended up in the old man's Heel–Face Turn.
  • Done in an immensely satisfying manner in Loki: Agent of Asgard #16 where Story!Loki finally gets Odin's and the Asgardians' approval and respect, placing them at the same level as Thor... and tells them to stick it.
  • Preacher:
    • This is the entire driving motivation for Jesse Custer, except instead of calling out his father, he wants to call out the Father of all Creation.
    • Jesse had a great, happy childhood until he was around six or maybe even younger, when Jesse's father was killed in front of his eyes by Jesse's uncle Jody. Jody raised Jesse brutally for the rest of his childhood, also taking Jesse's mother aside to shoot her and using horrific child abuse. All this is revealed in the third or fourth story arc of the series, and by the end of it Jesse has finally killed Jody and everyone else on that side of the family responsible for his misery.
  • In the Spider-Man story "American Son" Harry Osborn finally does this to his father Norman Osborn (aka Green Goblin, aka Iron Patriot, aka Worst Father in Comics).
  • This trope plays part in the origin of Doctor Octopus. His overprotective mother forced Otto Octavius to break off his engagement to take care of her, only for Otto to discover her going out on a date. Enraged, he finally stood up to her and called her out, leading to her having a fatal heart attack in shock that her boy did that. The emotional duress Otto had from all of this lead to him not catching the warning signs his experiment was going wrong and exploding.
  • Star Trek: Untold Voyages: In "Past Imperfect", Dr. McCoy's daughter Joanna resents him for telling her that it would not be a good idea for her to become involved with Admiral Kirk because he was never there during her childhood due to his Starfleet career. She tells him that he doesn't have the right to stroll into her life and play Daddy after all of this time.
  • In Viz, this happens with a lot of characters. Spoilt Bastard is constantly insulting his mother in order to get what he wants. Biffa Bacon often insults his parents and gets beaten up by them. In The Modern Parents, Tarquin is always insulting his parents because of their hypocritical beliefs.
  • X-Men:
    • Scott Summers' father Christopher aka Corsair was abducted by aliens when he and his brother were fairly young; when Dad showed up many years later, Scott vented his displeasure that a) he hadn't bothered to come back and look for them earlier, despite having plenty of opportunity, and b) he'd become a ruthless space pirate in the interim. The animated series used a similar storyline, with even more shouting on Scott's part.
    • Any time Quicksilver and Magneto appear in a book together, Quicksilver issues one of these, since his dad recruited him into a terrorist supervillain team and all. Magneto actually tends to take it in stride because he knows he was a terrible father (and, frankly, doesn't seem to care that much about Quicksilver's opinion), sometimes offering a token "I was trying to toughen you up" defense.
    • Gambit delivers one to Wolverine on X-23's behalf in her solo series, telling him off for allowing the reforming and emotionally damaged Tyke Bomb to participate on X-Force, when she really needed someone to help her cope with the things that she'd been made to do, rather than be allowed to do them all over again.
  • In Astonishing X-Men, Cyclops "fires" Professor X after he finds out that Xavier knew the whole time that the Danger Room had become sentient, and that he continued to use her (and keep the secret to himself).

    Films — Animation 
  • In Chicken Little, when the aliens take over the town, Chicken Little's father, Buck, tries to force him to hide, but Chicken Little refuses saying he knows how to stop the invasion, but Buck refuses to listen. Which is when he tells Buck he was never there for him, when he tried to warn everyone in town of the signs of the incoming aliens, Buck sided with the townsfolk and assumed that Chicken Little was insane. Buck apologize for how he treated him and work together to stop the invasion.
  • In the The Fairly OddParents! movie Wishology, Timmy Turner directs this, combined with What the Hell, Hero?, at both Jorgen Von Strangle and Turbo Thunder about always attacking the Darkness because it looked "scary", not because it did anything. Both Turbo and Jorgen are at least thousands of years old, making it kind of calling the really old men out.
  • Finding Nemo: Nemo has done this to his Overprotective Dad Marlin. Three little words: "I hate you."
  • In the Disney film The Hunchback of Notre Dame, Quasimodo gives an incredible speech to Frollo, the churchman who raised him.
    Frollo: Now- now, l-listen to me, Quasimodo-
    Quasimodo: No, you listen! All my life you've told me that the world is a dark, cruel place! But now I see that the only thing dark and cruel about it is people like you!!!
  • Kung Fu Panda: Tai Lung angrily calls out his adoptive father, Shifu, when he returns to claim the Dragon Scroll. Angrily relaying that everything he ever did was to make him proud. And his fury over Shifu not doing anything when he was denied the scroll:
    Tai Lung: All I ever did, I did to make you proud! Tell me how proud of me you are, Shifu! Tell me! (Punch) Tell me! (Punch) TELL ME!
  • In The Land Before Time III: The Time Of The Great Giving, Cera does this to her father shortly after he forbids her from seeing Littlefoot, whom he sees as a bad influence.
    Cera's Father: Cera, I'm your father. I want what's best for you.
    Cera: No, you don't! You just don't want me to have any fun! (runs off in anger)
    Cera's Father: Cera, please! I'm just trying to... As a parent, I... Ohhh!
    • Later on in the same film, Cera's father, having realized that he was never the best parent for his daughter, calls out another one who's overly strict and harsh behavior leads his own son to become the local bully.
    Cera's Father: If you always react with anger, that's all your son will know. And that's all he'll be able to express with others.
  • The Lion King II: Simba's Pride:
    • Kiara tells her father Simba "You will never be Mufasa" in reaction to his overprotective nature and want to be like his own father.
    • Kovu calls his mother Zira out after she holds him responsible for the death of his brother Nuka.
      Kovu: I did nothing!
      Zira: Exactly! And in doing so, you betrayed your pride, betrayed Scar!
      Kovu: I want nothing more to do with him!
  • In Tangled, once Rapunzel is dragged back from Corona and realizes she's the lost princess, she calls Mother Gothel out on stealing her and claiming to protect her when she was using her all along. Gothel responds by revealing just how evil she can really be.
    Gothel: You want me to be the bad guy? Fine — now I'm the bad guy...
    • She later does this to her real father after she nearly dies from mercenaries that the King hired to retrieve something without telling her, calling him out on how overprotective he is to the point of sending guards to watch over her and invading her privacy and how he essentially acts no better than Gothel. Too bad the King didn't listen as he continues to confine her under maximum security protection, even as his wife ended up getting kidnapped due to underestimating the bad guy as Just a Kid.

    Films — Live-Action 
  • Austin Powers: International Man of Mystery — Dr. Evil, cryogenically frozen for 30 years, meets his artificially-conceived son Scott.
    Scott: I haven't seen you my whole life — and now you come back and just expect a relationship?! ...I hate you!
    Dr. Evil: ...can I have a hug?
  • Lilly calls out her abusive dad (who's also implied to have been pimping her since she was 14) near the start of Baby Face:
    Yeah, I'm a tramp, and who's to blame! My father! Ever since I was 14, what's it been? Nothing but men! Dirty, rotten men! And you're lower than any of them!
  • Beyond The Lights: After bottling up her emotions for years and even attempting suicide rather than actually address it, Noni finally calls her mother out on being a micromanaging, ambitious, Stage Mom. She isn't wrong and her mother slaps her in frustration.
    • Earlier in the film, Kaz also confronts Macy, making it clear that, by refusing to get her suicidally depressed daughter help, she's not doing her job as a parent. Talk about gutsy!
  • Black Snake Moan: For a female example, Christina Ricci's character Rae calls out her mom in the middle of a Quick Stop over her mother willfully ignoring years of sexual abuse. This leads to a full out brawl in the middle of the store aisles.
  • Black Zoo: When Michael Conrad attempts to kill Edna, his son Carl finally snaps and comes to his stepmother's defence, standing to up his father for the the first time. As Carl is The Speechless , this becomes a physical confrontation that quickly turns into a full-on Battle in the Rain.
  • The titular character in Boy (2010) does this finally to his father who left him and his little brother to live with their granny and only returns when he tries to find robbed money he buried in the area.
    Boy: I don't remember you! You weren't there! You weren't there when he was born! You weren't there when she died! Where were you?
  • Braindead: In Peter Jackson's film, Lionel finally stands up to his manipulative, possessive mother. Unfortunately he's waited until she's turned into a gigantic monstrosity, but he's still properly equipped to take her down the old-fashioned way.
  • The Celebration (Festen): This Danish film centres on eldest son Christian very publicly calling his sexually abusive father out at the latter's 60th birthday party. His mother gets her fair share of his contempt as well.
  • Cherrybomb: Luke steps in to prevent his raging alcoholic father from killing himself and the father responds by punching him. At this point Luke snaps completely (having put up with a LOT of crap by this point), hitting his dad back and berating him for being such a useless parent. As if to illustrate this point, the next day the father uses this incident as an excuse to leave town and abandon his son (who is 16, and has no mother) entirely, despite Luke apologising for what he'd done and pleading with him to stay.
  • Martha does this to her aunt who raised her in The Children's Hour. She was too busy persuing her acting career to testify in her and her friend's court trial, which caused them to lose it and essentially ruined their lives, but despite this she came crawling back to them pretending she will be there for them now.
    Martha: There's an 8:00 train. Get on it.
    Mrs. Mortar: Martha...
    Martha: All my grown life I've been something for you to pick dry. Now get out and don't come back.
    Mrs. Mortar: How can you talk to me like that?
    Martha: Because I hate you. I've always hated you.
    Mrs. Mortar: God will punish you for that.
    Martha: He's doing alright.
  • Citizen Kane:
    • Sees one delivered to Kane's adoptive guardian, Mr. Thatcher:
      Kane: You know, Mr. Bernstein, if I hadn't been very rich, I might have been a really great man.
      Thatcher: Don't you think you are?
      Kane: I think I did pretty well, under the circumstances.
      Thatcher: What would you like to have been?
      Kane: Everything you hate.
    • This is displacement. Kane's really angry at his mother, for sending Kane away when he was young, and putting him into Thatcher's hands. Implicitly, Thatcher is a decent (if very conservative) middle-aged banker who did his best while (ahem) raising Kane.
  • City Slickers: Mitch (Billy Crystal) asks his buddies Ed(Bruno Kirby) and Phil(Daniel Stern) to describe "the best day and the worst day in your life". Ed recalled when stood up to his father, a serial adulterer:
    Ed Furillo: I'm 14 and my mother and father are fighting again... y'know, because she caught him again. Caught him... This time the girl drove by the house to pick him up. And I finally realized, he wasn't just cheating on my mother, he was cheating us. So I told him, I said, "You're bad to us. We don't love you. I'll take care of my mother and my sister. We don't need you any more." And he made like he was gonna hit me, but I didn't budge. And he turned around and he left. He never bothered us again. Well, I took care of my mother and my sister from that day on. That's my best day.
    Phil Berquist: What was your worst day?
    Ed Furillo: Same day.
  • CreedII has Viktor Drago calling out his dad, Ivan, for trying to suck up to the same people that used and threw him aside decades ago, including his ex-wife, Ludmilla. Unlike most examples of this trope, Viktor actually deeply loves and respects his father and is only criticizing him for not standing for himself.
  • Finding Neverland: Emma spends most of the movie trying to control the lives of her daughter and school-aged grandsons, attempting to keep James Barrie out of their lives. Near the end of the movie, George, the eldest brother, finally takes a stand against her meddling.
  • The General's Daughter:
    • This is the entire reason for Campbell's undermining of her father's position by seducing most of his staff, as revenge for the cover-up of her rape at Westpoint.
    • Subverted Trope by Brenner in an offhand comment when questioned if he likes his own father:
      My father was a drunk, a gambler, and a womanizer. I worshiped him.
  • Gladiator: After years of neglect and paternal disapproval, Commodus delivers a truly heart-wrenching one to his father, Marcus Aurelius.
  • In Greedy, Danny ends up calling out his father's anti-materialistic attitudes, taking the side of the rich Uncle Joe over his father's pompous self-righteousness. It was actually a dishonestly Invoked Trope: Danny hired an actor to pose as his "father", with the whole confrontation set up so that Danny could choose Joe over his father.
  • Guess Who's Coming to Dinner?: John Prentice (Sidney Poitier) delivers a scathing speech to his father in one of the only dramatic scenes in this comedy:
    "You listen to me. You say you don't want to tell me how to live my life. So what do you think you've been doing? You tell me what rights I've got or haven't got, and what I owe to you for what you've done for me. Let me tell you something: I owe you nothing!"
  • The Hairy Bird: Abby, to Page Singer. After Page announces that the school is going coed, the girls rebel, but Page wants Abby to take charge of them, at which point Abby tells her off.
  • The Heiress: Towards the end, Catherine Sloper calls her father out on his lifelong emotional abuse of her—treating her as a socially incompetent waste of space, driving away her Gold Digger fiancé (only to protect his money, not her) and telling her that the only thing interesting about her is her $10,000 a year inheritance. She even calls him on his bluff to disinherit her:
    Catherine: You have cheated me! You thought that any handsome, clever man would be as bored with me as you are were. It was not love that made you protect me—it was contempt!
    Dr. Sloper: You have found a tongue at last, Catherine. It is only to say such terrible things to me.
    Catherine: Yes. This is a field where you will not compare me to my mother.
    Dr. Sloper: Promise me you are done with him!
    Catherine:I won't promise.
    Dr. Sloper: Then, I must alter my will.
    Catherine: You should... you should do it immediately!
    Dr. Sloper: I don't want to do it. I don't want to disinherit my only child.
    Catherine: You'd like to think of me sitting in dignity in this handsome house—rich, respected and unloved. But I may take your money and chase after Morris and squander it on him.
    Dr. Sloper: I don't know what you would do, Catherine.
    Catherine: That's right, father. You'll never know, will you?
  • In Hot Fuzz, when the rest of the Sanford Police come in and try to arrest Nicholas, Danny refuses to obey his father's orders, even when he threatens to have them both arrested.
    Frank Butterman: This is ridiculous!
    Danny: No it's not, Dad. It's all very un-ridiculous, and it's only now that I'm starting to realize how un-ridiculous it all is!
    Frank Butterman: SILENCE, DANNY! Think of your mother!
    Danny: Mum is dead, Dad. And for the first time in my life, you know, I'm glad. If she could see what you've become, I think she'd probably kill herself all over again!
  • In Hot Tub Time Machine, after Jacob sees Lou is having sex with Kelly, he becomes completely flabbergasted that this makes Lou his father, which Jacob sees as a sort of Moral Event Horizon.
    Jacob: "I always knew there was a reason I hated you!"
  • James and the Giant Peach: In the book, James's Aunt Sponge and Aunt Spiker were run over by the peach and killed. In the movie, however, they catch up to James when he finally makes it to New York City. James is alone, no idea where his friends are, and the townspeople who witnessed his arrival are too flabbergasted by what's going on to do anything but stand there and watch, yet he tells his evil aunts "I said, no. I'm. NOT! I hate that house and that cold room, and how I'm always hungry! (crowd gasps) And how you beat me! (crowd gasps again and turn to Sponge and Spiker) AND TELL ME I WAS NOTHING!" When Sponge and Spiker tell him to shut up, he replies, "No, not this time! I flew a giant peach across the ocean. I landed on the tallest building in the world! I made it! I'm not the one who's nothing, YOU are, and I'm never going back with you! Not me, and not the peach!" They retaliate by attempting to attack him with axes only for the bugs whom James has grown to consider family to descend from the sky and help James deliver much overdue justice to Spiker and Sponge, who can only freak out at the sight of the bugs, screaming their heads off. The movie seems to be a much more satisfying way to see them go down.
  • Jennys Wedding: Jenny delivers a memorable one to her father over his inability to accept her sexual orientation.
  • Kiss Kiss Bang Bang: A somewhat Kick the Son of a Bitch example is found in the end, where a father in his deathbed is slapped around and insulted by Gay Perry for sexually molesting his daughter. Harry at the end justifies this by saying, "Don't worry, he was creepy."
  • Lifetime Movie of the Week: While not always featured, this trope is nonetheless still a given in any movie of this kind (although many non-Lifetime TV movies have done this as well).
  • Little Odessa: Joshua does this several times to his father, with escalating hostility and violence. The reasons are numerous: his father is a strict, belt-wielding figure, harsh on his younger son and harsher on the elder (for good reasons, though). Moreover, he cheats on his wife. However, Joshua is definitely not the victimized party: he was banished from home for being a hitman and not due to some insignificant offense.
  • Locke: the only dialogue in the film not directed at someone over the phone is the title character imagining that his late, deadbeat father is sitting in the back seat of his car. On two occasions, Locke directs tirades at his imagined father, saying he's not going to make the same mistakes that his father did.
  • Marvel Cinematic Universe:
    • In Guardians of the Galaxy, the closest thing Peter Quill had to a father was Yondu Udonta, leader of the Ravagers, who kidnapped him as a child and constantly holds the fact that he didn't allow his crew to kill and eat Quill as a child over his head. Naturally, Quill eventually gets sick of it and call him out on it:
    Peter Quill: Twenty years you've been throwing that in my face, like it's some great thing not eating me! Normal people never even think about eating someone else, much less make it something they have to be grateful for! You abducted me man, stole me from my home and from my family!
    • Black Panther (2018): On his second time in the spiritual realm, T'Challa wastes no time condemning T'Chaka to his face about how he killed N'Jobu (T'Chaka's brother and T'Challa's uncle) and left N'Jobu's son (and hence T'Chaka's nephew and T'Challa's cousin) N'Jadaka/Erik "Killmonger" Stevens to fend for himself in Oakland.
  • Meet the Parents (Meet The Fockers): The entire family calls out Robert De Niro's character for using truth serum on his future son-in-law.
  • Molly gets quite a few of these moments toward her father in Molly's Game.
  • Moulin Rouge!: Satine to Harold Zidler, a man who has been like a father to her, when he tries to prevent her from running away with Christian. Naturally, her outburst prompts him to make The Reveal (known to the audience already) that she is dying of tuberculosis.
  • In Pacific Rim, Chuck Hansen calls out his father Hercules and says that he never raised Chuck to be anything, and that the only reason they're still together after all this time is because they're Drift-compatible, so they don't even need to talk to each other outside the Conn Pod. The look on Herc's face is heartbreaking.
    Chuck: After Mum died, I spent more time with these machines than I ever did with you. Now, the only reason you and I speak, old man, is because we're Drift-compatible.
  • The Quick and the Dead: A subplot of the well-cast film. Leonardo diCaprio's young, confident gunslinger spends most of his time in a gunfighting tournament provoking his father (Gene Hackman) into a duel. Hackman asks diCaprio not to duel him, but when diCaprio refuses to back down, Hackman shoots him down immediately.
  • Revolution (1985): Ned, seeing Tom going along with the British without a fight, accuses him of being a coward and runs off to join a gang of youth named Mohawks.
  • Scanners: Dr. Ruth doesn't get this treatment until after he's dead. Once Cameron learns that Dr. Ruth was his father who had him left as a street-wandering pariah his whole life, he is horrified, and does nothing to defend Ruth from the insults of Darryl Revok ("That was Daddy."). And when the inevitable Not So Different moment comes up, it's not Big Bad Revok comparing himself to Cameron; it's Cameron comparing Revok to Ruth. And Revok is outraged.
  • Sling Blade: Karl comes close to this with his estranged father, Frank, for making Karl dispose of his miscarried little brother, but Frank has progressed too far into senility/dementia to care about anything anymore, and Karl realizes this.
  • Star Trek Into Darkness: When Admiral Marcus is about to destroy the defenseless Enterprise, Carol slaps his face, shouting, "I'm ashamed to be your daughter!" She still screams when Khan kills him.
  • The Waterboy: In this Adam Sandler comedy, Bobby Boucher finally stands up to his overprotective Mama:
    Mama Boucher: (furiously) You gonna lose all your fancy foosballs games! And your gonna fail your big exam! Because foosball and school are-
    Bobby: (interrupting, bitterly) The devil?
    (Mama is taken aback)
    Bobby: Everything's the devil to you, Mama! Well, I like school! And I like football! And I'm gonna keep doin' them both because they make me feel good!
    (Bobby grabs his things and walks to the door)
    Bobby: And by the way, Mama. Alligators are ornery 'cause of their "Medulla Oblongata"!
    (Bobby slams the door behind him, but he opens it a few seconds later)
    Bobby: (almost in tears) And I like Vicki, and she likes me! And she showed me her boobies, and I like them too!
    (Bobby slams the door for the last time)
  • Welcome Home Roscoe Jenkins: Roscoe (Martin Lawrence) finally deals one out to his father (James Earl Jones) towards the end, during a meltdown at the family obstacle course, for mistreating him for so much of his life.
  • When Did You Last See Your Father?: The whole of this film is a flashback onto this guys life story which (?) leads up to a massive subversion where he should have called his father out but forgives his father on his death bed.
  • Wing Commander: Blair calls Angel, his squadron commander, on her policy that pilots who died "never existed", as being unfaithful to those who have died in service.
  • Why Be Good? has a great sequence where Pert calls out her dad for being so bossy about her outfits—she's a hardworking girl and deserves to wear and do what she likes.
  • Irreconcilable Differences has Casey telling her parents at her emancipation trial about how that even if they hate each other, they should at least treat each other with respect. She also told them that they treated her like a pet that they pay attention to only once in a while.

    Literature 
  • In the short story "On Stage" from the North Korean anthology The Accusation, Kyeong-hun lashes out at his father for not realizing the nation's mourning for Kim Il-Sung comes from fear rather than sorrow. The realization ultimately drives the latter to suicide.
  • Happens at the end of Gifts, the first book in Annals of the Western Shore. Orrec confonts his father on faking Orrec's supposed "wild gift" to give Caspromant a fearsome reputation when Orrec really has no gift at all. His father can't even answer, having convinced himself that Orrec really did have a wild gift.
  • A Song of Ice and Fire:
    • The unfairly despised but worthy youngest son Tyrion Lannister finally tells off his father, Lord Tywin Lannister. And then kills him. Tywin deserved it.
    • After his father slaps him and goes on a rant about now being the King of the Iron Islands with a crown of iron and so on, Theon angrily reminds him that he's just a joke to his enemies, who will clean him up shortly after the true threats are dealt with. Balon admits that it's a bold move on Theon's part, but beyond that dismisses him. Ultimately Theon is proven correct: the only real blow the Iron Islands deal out has nothing to do with Balon, and only after Balon has been killed in gloriously anticlimactic way do the islands begin to rise as a credible threat under Euron.
    • Princess Arianne Martell calls out on her father for being unresponsive to her Uncle Oberyn's death, for locking up her cousins, the Sand Snakes and for passing off her rights to her younger brother, Quentyn. She got the third one wrong when Doran revealed that she's supposed to marry Viserys Targaryen which was one of his plans to return the Targaryens to power and to destroy the Lannisters..
  • In The Brothers Karamazov, Dmitri Karamazov calls his father out and ends up beating the everliving crap out of him in a fit of rage. It's part inheritance money and part Love Triangle which spurs him.
  • In The Canary Prince, an Italian Fairy Tale, the heroine calls out her father for his neglect of her, locking her in a tower for years. Somehow, the fact that she wasn't happy cut off from all society is new information to him, After asking for forgiveness, he punishes the queen, but he himself is not held accountable for his mistreatment of his daughter.
  • Coin of the Realm: Rosalind calls out her father, The Ruling Monarch and The Man Who Thought He Knew More About Everything Than Anyone Else, upon assassinating her newly-wed husband at the wedding itself, in front of everyone, and boldly claiming her prize as his new royal assassin.
  • In The Corrections, all three of Alfred and Enid's children try to call them out on their various issues and problems. It does not take.
  • Count and Countess tells the story of Vlad Tepes and Elizabeth Bathory, who, though living 100+ years apart, start writing to each other in childhood. At the start of the story, Vlad's father, Vlad II Drakul, has surrendered his three sons to the Ottoman Empire as war hostages. Vlad and his brothers endure unspeakable cruelty while there, and only Vlad survives it seemingly. When Vlad escapes life as a Janissary and walks all the way home to Wallachia, he calls the old man out by murdering him.
  • Senna Wales, when she finally meets up with her mother during her Villain Episode book, Inside the Illusion. Apparently, she's been imagining the moment since she was a small child.
    Senna: How have I been? For the last ten years after you dumped me off? How have I been, the only one like me stuck in a world full of deaf, dumb, and blind fools? Fine, Mom. Fine. How have you been?!
  • The Dresden Files:
    • In Proven Guilty, Carlos Ramirez confirms his brass-balls-itude by calling out the Merlin himself — the single most powerful wizard in the world — on how much of a hypocritical Jerkass of a bastard he's being. It's also done movingly by Molly, to her mother Charity.
    • Harry himself calls out his de facto father, Ebenezar McCoy, several times in the series. He later finds out that McCoy is his grandfather, making it "Calling the Even Older Man Out."
  • Tash and Zak Arranda, in Galaxy of Fear: Army of Terror, finally tire enough of their uncle's standoffishness and stubborn secrecy to call him out. Turns out he's The Atoner. It works out well for them in the end.
  • In John C. Wright's The Golden Transcedence, Ungannis declares that Humans Are Bastards because her father didn't give her everything she wanted when she was a child. It does not go over well.
  • In The Gunslinger, Roland calls out Cort for the ritual coming-of-age challenge of every gunslinger. Due to a plot by Walter, Roland is only 14 when he issues the challenge. Walter expects Roland to be disgraced and exiled. Some creative thinking on Roland's part plays a key role in the outcome of the challenge.
  • In the Harry Potter series:
    • Percy had himself a distinctly unheroic version between Goblet and Order when Perc got into a shouting match with his father during the hiatus between the books. During the fight, Percy blames his father for their family's poverty and a lousy reputation he's had to fight against since joining the Ministry. He vows to end his association with their family in order to protect himself from what he views as their foolish support of Dumbledore.
    • Harry himself throws a Grand Mal fit in Dumbledore's office at the end of Order Of The Phoenix over a combination of the shock of Sirius' death, Dumbledore's misguided avoidance of him for the entire book, and the revelation that Dumbledore had been hiding even more information from him than he suspected (information that might have helped avert the aforementioned death). To his credit, Dumbledore does let him vent his rage before apologizing and promising to tell Harry the whole truth. (It still wasn't ''the whole'' truth, but still things he admits he should've told Harry from the start.) In fact, he thinks Harry deserved to be even angrier than he was at the time.
    • In Deathly Hallows:
      • Harry gets to confront Lupin, who just abandoned his wife and unborn child. To his credit, Lupin realises he's being an idiot and, next time he sees Harry, asks him to be godfather to his newly born son.
      • Harry gets to call out Dumbledore again, when they meet in Harry's dreamworld limbo train station, towards the end of the book.
  • Dee of The Hearts We Sold puts up with a lot of her dad's crap, but after years of abuse and negligence, the discovery that he stole her inheritance from behind her back proves to be the straw that broke the camel's back. She finally calls him out, and only returns home one more time after that: to get everything she needs to get a job, meaning she can move out for good.
  • In the Honor Harrington series, Honor makes an enemy of industrialist Klaus Hauptman when she confiscates one of his freighters with contraband aboard. He continues to sabotage her career for several books, and when Honor saves his life and that of his only daughter, Stacey, in Honor Among Enemies, he still won't bury the hatchet. At that point, his daughter calls him out, threatening to never speak to him again unless he makes peace. He does, and the Hauptmans go on to become two of Honor's most powerful allies on Manticore.
  • I, Lucifer has many instances of Lucifer calling out "The Old Man" on a few of his perceived jerkass qualities and actions.
  • While still a child, Jane Eyre eventually calls out her aunt and caretaker for being abusive and unfair towards her, and it actually seems to have some effect.
  • Journey to Chaos: The Noble Family of Esrah is supposed to serve the Royal Family of Ataidar, but Duke Selen stages both a kidnapping of the princess and then a coup against the king in order place himself or his son, Siron, in charge. He tells Siron that he's doing this for his sake and so Siron goes along with it. Eventually, he's had enough and calls out his evil dad for his treachery.
  • In the Jumper novel, the Abusive Parents subplot culminates in an epic Calling Out. Davy jumps his father to his mother's grave and then subjects him to a Breaking Speech. While using Daddy Dearest's whipping belt as a prop to emphasize just how horrific and wrong the abuse was.
  • In Kristy's Big News, the title character — founder of The Babysitters Club — and her older brothers get to finally do this to the father who walked out on them six years earlier, letting him know exactly how difficult he made life for them by abandoning the family.
  • Inverted in Leven Thumps when Elton calls out his son Leven for killing his wife Maria in childbirth. Then they fight. Afterwards, it's played straight as Leven gets to call Elton out.
  • In Jane Austen's Love and Freindship, Edward does this in face of a marriage to a lovely and agreeable woman.
    "No, never," exclaimed I. "Lady Dorothea is lovely and Engaging; I prefer no woman to her; but know, Sir, that I scorn to marry her in compliance with your Wishes. No! Never shall it be said that I obliged my Father."
  • Mercedes Lackey's Heralds of Valdemar series:
    • Magic's Pawn: After a series of traumatic experience that include the death of his first love, a failed attempt at suicide, and the sudden acquisition of a massive array of powers that he doesn't really want, Vanyel is drugged to the gills and barely conscious but still able to pull a mild Carrie on his abusive father for spending his entire childhood trying to have the "weakness" beaten out of him and make sure that he became a "real man." He repeatedly uses his new telekinetic powers to knock his father to the ground, demanding to know if he's finally "strong enough" and how his father likes being pushed around by someone bigger and stronger than he is. (His father gets the message, and by the third book of the trilogy, the two of them manage to reconcile.)
    • The "calling the mentor out" version happens in Winds of Fate, when Elspeth realizes that her companion Gwena is herding her, fat, dumb and happy, toward a Glorious Destiny while trying to foist Skif on her as an ideal mate. Her response, paraphrased: Screw Destiny, stop manipulating me, and if you don't like it, you can go back to Haven without me! Gwena is so shocked at Elspeth's behavior that she actually acquiesces (more or less). It turns out pretty well for all involved.
    • Bear calls his father out by proxy in Changes. He goes all-out on the spy his father planted in Haven to keep an eye on him, knowing the spy will send a full report home. He gets to do it face to face in Redoubt.
  • The Mortal Instruments: For the entire duration of Jocelyn's kidnapping and subsequent coma, Clary is completely devoted to bringing her back. When Jocelyn finally is cured and returned, the very first thing Clary does is tear into her for depriving Clary of her Sight and not preparing her for the Shadowhunters' world.
  • In the second Night Huntress book, Cat tries to call her father out. Unfortunately, vampire politics get in the way.
  • Percy Jackson and the Olympians:
    • Luke is...very ticked with his father.
    • And in The Last Olympian, Percy does this to all the gods, telling them they should accept all demigods (including checking in time and time on their children) and take responsibility for their actions. And he even extends it to telling them that even the minor gods and their children should have a place at the camp.
    • Also in The Last Olympian, Hades calls out his father.
      "And if there is one thing we agree on - it's that you were a TERRIBLE father."
      • Leo does this to his dad, Hephaestus, in the sequel series, The Heroes of Olympus, to a degree that not even Percy would have.
  • In Prince Roger, near the end of March Upcountry Prince Roger is told that his father tried to pull off a coup before Roger was born. Roger, unfortunately, looks almost identical to the man. Worse, no one ever told Roger what happened, or why his father was banished - or even why his mother seemed to hate and distrust him. The resulting spoiled-lonely-brat-who-wants-some-loving-attention behaviour did nothing to improve anyone's attitude towards him. And to top it all off, once he finally finds all this out...he can't even Call Out his mother for her actions, because she's several solar systems away — so he has to settle for throwing a tantrum of epic proportions, ending up trashing his room and mistreating his sword badly.
  • In Rock of Ages by Walter Jon Williams, Drake tries this after discovering just how convoluted some of the plots his legally-dead father has gotten involved with are. Unfortunately, his father is not merely a Brain in a Jar, but is getting rather senile, and manages to completely miss the point of Drake's angry lecture.
  • Not sure if this was included in Romance of the Three Kingdoms, but Cao Pi (son of Magnificent Bastard Cao Cao) ordered one of his concubines (Zhen Ji, for those of you familiar with Dynasty Warriors) to commit suicide on the pretext that she was too jealous of his other wives. One day he takes his heir apparent (and Zhen Ji's son) out for a hunt and manages to bag himself a nice doe; in high spirits, he tells his son to capture the fawn as well, at which point the son answers: "You have already killed the mother; I see no need to murder its child as well".
  • Jenna from Septimus Heap does this to Milo Banda, her father who's always absent, in Syren:
    Jenna Heap: And you are not my father. Dad is.
  • Carmen in The Sisterhood of the Traveling Pants. Her dad definitely deserved it, seeing as he didn't tell her he was engaged, living with his fiancée and her two kids, and getting married that August before she came to spend the summer with him for the first time since the separation.
  • Zacharias in Sorcerer To The Crown finally is able to stand his ground against his adoptive father Stephen, after Stephen is dead. And a ghost. Zacharias finds his appearing in the midst of conversations with living people most annoying, and says so.
  • In Discworld/Sourcery, Coin has spent his whole life as his father Ipslore's mindslave, being forced to kill people and magically tortured if he disobeys. At the end if the book, he finally calls Ipslore out. It's epic and involves a magical battle.
    • To put things in perspective, Coin is nine.
  • The Star Trek Expanded Universe novel The Captain's Daughter has Admiral John "Blackjack" Harriman, father of Enterprise-B captain John Harriman, and heavily implied to be the reason such a young, inexperienced officer is in command of the Enterprise, accompany his son's ship. He spends the entire time boasting about how he got his son such a prestigious command, complaining about James Kirk, and overriding the captain at critical moments. When Captain Harriman finally stands up to him, the admiral unloads on him, calling him names and saying he's worse than Kirk ever was, before sitting in the command chair. The captain's response is to beam him to the brig.
  • In one of the Teenage Worrier books, Letty mistakenly believes her father is planning to leave his family for a male lover. She imagines confronting him in a humorous scenario, finishing with:
    And the great noble Hand of God will wag its finger at Dad and say "Look after your kids, punk."
  • Mark does this to the Emperor, his biological father, when he finally meets him in the Third Book of Swords by Fred Saberhagen. Since the Emperor is really God, it is not very surprising that His response is, in effect, when you're as old as I am and know as much as I do, you can question what I do and why I do it.
  • In Warrior Cats:
    • Crookedstar eventually stands up to his abusive mother Rainflower, telling her that she'll never make him ashamed of who he is or what he looks like.
    • Brambleclaw defies his father, Tigerstar, in The Darkest Hour when Tigerstar invites him to join him.
  • Both played straight and subverted by Zephyr in The Windwater Pack: His father Stone Voice is at the top of his list and he never hesitates to let him know it. However, when he has the chance to really put him in his place, he simply says “Good-bye” and walks away.
  • In the third book of The Witchlands, Vivia finally gets angry at her father, a Manipulative Bastard who moulded her into a "Well Done, Daughter!" Gal, calling him out on his megalomania, his lies and the way he constantly dismisses her and treats her like a child to prop himself up. Years of mental abuse being rather hard to cast off, she still feels horrid about it.

    Music 
  • 3 Doors Down. "Sarah Yellin'" is a diatribe directed at an entire family.
  • Reversed in Ayreon's "Day 16: Loser" off "The Human Equation". Here we have the abusive, alcoholic, jerkass of a father berating and calling out his own son while in the hospital. He goes on about how weak, helpless and pathetic his son is before leaving. The closest we get to a response is when the son's rage persona freaks out and screams at the father.
  • Death Cab for Cutie's "Styrofoam Plates" consists entirely of a boy/young man calling his father out in the bitterest way imaginable at said father's funeral. Naturally, averts Never Speak Ill of the Dead.
  • Demi Lovato's song "For The Love Of a Daughter" is about her biological father's drinking & abusiveness, directed at him. It includes lines like "Lied to your flesh & your blood, put your hands on the ones that you swore you loved," and says "You're hopeless" as part of the chorus.
  • "Pa" ("Dad") by the Dutch band Doe Maar from their album Virus, about a troubled son-father relationship.
  • Dream Theater's "Honor Thy Father" is exactly this. Directed towards a stepfather, but a pretty venomous rendition of the trope nonetheless. Drummer Mike Portnoy wrote this song about his stepfather. He explained, "I'm not very good at writing love songs, so I decided to write a HATE song!"
  • Disturbed's "Down with the Sickness", though done symbolically - the "mother" in question represents society.
  • Everclear's "Father of Mine", which calls out the speaker's Disappeared Dad.
  • Any Eminem song about his mother, especially "Cleanin' Out My Closet".
  • The Trope Namer is the Garth Brooks song "The Night I Called the Old Man Out", in which the narrator and his father come to blows. It's never quite revealed what exactly the father is being called out for, but by the end of the song the son relents, realizes his father is right, and "prays someday he's half the man he is."
  • Reversed in Genesis' "No Son of Mine". The song tells the story of a boy who runs away from home, and after some consideration attempts to return, only to be berated by his jerkass abusive father. note 
  • Iron Maiden's "Wrathchild".
  • James Durbin's song "Screaming" has him calling out his parents for being "liars" because they said that his life would improve with time.
  • The Johnny Cash song "A Boy Named Sue" deals with a man on a search to find his old man, who abandoned him at a very young age and left him with the titular name (which led, as you might expect, to a lot of bullying for the kid). When Sue finally finds his father, he calls him out with "My name is Sue! How do you do! Now you gonna DIE!", then starts throwing punches. Then Dad gets out he named him Sue so he'd be the tough SOB he'd grown to be in his absence, and they make up, and Sue says if he ever has a son, he'll name him..."Bill or George, anything but Sue!"
  • Possibly Korn's "Daddy". There has been some confusion over this one, given the title. Jonathan Davis has clarified (in the few interviews where he discusses this song) that his father did not abuse him; rather, the song is about a neighbor who abused him, with the line "I'll be your daddy" being some sort of sick come-on and not at all literal. The reason he was so ticked off at his parents was because they didn't believe him when he told them about it.
  • Lifehouse's "Walking Away" and "Blind" are both good examples of this.
  • Martha Wainwright's "Bloody Motherfucking Asshole" is about her father Loudon Wainwright III.
  • A bittersweet example is Martin Simpson's Never any good, where the narrator is saying his dad was no use, but without those traits he'd have never been born:
    You were never any good with money / couldn't even hold a job / not steady enough for the office / not hard enough for the hod ... If you'd have been a practical man / If you'd have been forewarned / you would have seen that it never would work / And I would have never been born
  • Metallica's "Dyers Eve" is mostly this, with both parents being called out.
  • The Mountain Goats song "Lion's Teeth" describes a terrifying confrontation with the singer's abusive stepfather, imagined as a literal lion. The whole album is actually an example of Calling The Old Man Out. There's a reason why the album is dedicated to those who are living in broken homes.
  • Nickelback's "Never Again" where the speaker calls out a domestic abuser: "Father's a name you haven't earned yet / You're just a child with a temper / Haven't you heard you don't hit a lady / Kickin' your ass would be a pleasure." Not surprising, the wife busts a cap in her abusive husband.
  • NOFX's "Happy Father's Day" starts off with a soft melody before transitioning into a typical fast-paced punk song, as the true intentions are revealed:
    Fuck you Paul Burkette / I'm glad that you are dead
  • Pearl Jam's "Better Man" is a good example. It's inspired by Eddie Vedder's abusive stepfather, whom he referred to as "the bastard who married my mama".
  • Queensrÿche's "Bridge", in which the speaker calls out his estranged father for trying to make up for lost time when he never made that connection in the first place.
    You say, "Son, let's forget the past,
    I want another chance, gonna make it last."
    You're begging me for a brand new start,
    trying to mend a bridge that's been blown apart,
    but you know... you never built it dad.
  • Either a songwriter, singer, or someone closely associated with the band Music/Simple Plan must have had some serious father issues, because a fair number of their songs are about just this: "Shut Up", "Perfect", "One Day", "You Don't Mean Anything". And listen to the song "This Song Saved My Life." There is a line which says that he became closer with his dad than he used to be.
  • Skillet's song "Open Wounds" is essentially about a young man calling his father out for being emotionally distant in his life (with lyrics like "How could you hate me/When all I ever wanted to be was you?") The song is based on frontman John Cooper's rocky relationship with his father after his mother died of cancer, but they've since made up.
  • Sufjan Stevens's "Pittsfield" from The Avalanche describes a neglectful (and possibly emotionally abusive) parent or guardian. It opens with the narrator affirming their own independence and reflecting that they are no longer afraid of this person.
    I'm not afraid of you now, I know / so I climb down from the bunk bed this slow /I can talk back to you now, I know / from a few things that I learned from this TV show / You can work late til midnight; we don't care / We can fix our own meals, we can wash our own hair
  • Tupac Shakur's second album has "Papa'z Song", featuring 2Pac and his half-brother Moprene raging at 2Pac's stepfather and Moprene's father at abandoning his family.
  • One of the interpretations of "Bite My Tongue" by You Me At Six is that it's one of these thanks to the chorus: "I wanna hate every part of you in me/I can't hate the ones who made me."

    Myths & Religion 
  • A recurring theme in Classical Mythology. Cronus does it to his father Uranus, as punishment for imprisoning his children, and Zeus does it to his father Cronus in turn, for doing his damnedest to swallow all of his own children at birth. In both cases, it ends in a rather permanent Groin Attack.
  • Achilles does it to Agamemnon, the commander of the Greek forces at large, in The Iliad. Agamemnon responds by taking Achilles' war prize, kicking off the plot.
  • Despite the idea of God being a perfect being who knows how humanity should act, the Bible is full of people calling the old man out. Interestingly though, God appears to encourage this so that humans are not just mindless machines doing what they are told and often praises those who question Him... If they have a good reason too that is. If they don't and are just complaining for some petty reason, some smiting is probably not far behind.

    Tabletop Games 
  • Very common in a game of Bliss Stage, where someone is almost certainly going to get sick of the Authority Figure's crap and tear them a new one.
  • The Horus Heresy, where Calling The Old Man Out resulted in a galaxy-splitting civil war which left trillions dead, trapped a comatose Crystal Dragon Jesus on life support, and started ten thousand years of the worst regime imaginable as mankind slowly shudders its way towards extinction.
  • The Dungeons & Dragons module Return to the Tomb of Horrors lets the Big Bad Acererak, of all people, give one to his demon father. As a Child by Rape whose mother tried to raise him well and was killed by a mob for her efforts, Acererak held a grudge against the demon for 800 years, then finally summoned it and trapped it in service... as a decoration.

    Theatre 
  • All My Sons:
    • Chris Keller turns on his father for shipping 128 cracked engine heads that caused the deaths of 21 men. When he finds out his father knew about it but told nobody until it was too late, he asks him what kind of a man would do such a thing. His father says it was to keep the Family Business for him, and Chris explodes with rage:
      "For me! Where do you live, where have you come from? For me!—I was dying every day and you were killing my boys and you did it for me? What the hell do you think I was thinking of, the Goddam business? Is that as far as your mind can see, the business? What is that, the world—the business? What the hell do you mean, you did it for me? Don't you have a country? Don't you live in the world? What the hell are you? You're not even an animal, no animal kills his own, what are you? What must I do to you? I ought to tear the tongue out of your mouth, what must I do?"
    • Larry does it posthumously. In his last letter to Ann, he asks her not to wait for him if he is reported missing because he will commit suicide since he cannot live with what his father had done. This is the final straw that breaks Joe Keller leading to his own suicide.
  • Elisabeth: Franz Joseph called his mother Sophie out - a little too late - for meddling in his marriage in the name of the throne.
  • The Glass Menagerie: Tom tells his mother off before leaving.
  • Hamlet: Hamlet absolutely rips his mother to shreds for her quasi-incestuous ways.
    Hamlet: Now, mother, what's the matter?
    Gertrude: Hamlet, thou hast thy father much offended.
    Hamlet: Mother, you have my father much offended.

    Gertrude: Have you forgotten me?
    Hamlet: No! By the rood, not so. You are the queen, your husband's brother's wife, and — would it were not so! — you are my mother.
  • Done by Prince William to Prince Charles in King Charles III, though a lot of it is tied up in how Charles has conducted himself in the lead up to his coronation. William strongly suggests that Charles abdicate when he confronts Charles over the damage Charles has caused to the institution of British monarchy on both the political and popular fronts. He accuses Charles of damaging Williams' birthright (and by extension the birthright of Charles' grandchildren, and all descendants thereafter) by turning the British people against the crown and weakening the already tenuous power of the Royal Family.
  • In King Lear, Kent, a loyal subject, confronts Lear, who had just banished and disinherited Cordelia, under penalty of banishment:
    Kent: Be Kent unmannerly when Lear is mad.
    What wouldst thou do, old man?
    Thinkest thou that duty shall have dread to speak
    When power to flattery bows? To plainness honor's bound
    When majesty falls to folly. Reserve thy state
    And in thy best consideration check
    This hideous rashness. Answer my life my judgment,
    Thy youngest daughter does not love thee least,
    Nor are those empty-hearted whose low sounds
    Reverb no hollowness.
  • Into the Woods: The Baker does this to The Mysterious Man at the end of act two, resulting in the eleven o'clock number "No More'', in which the absent father helps his son to not repeat his mistakes.
  • Jesus Christ Superstar: "Gethsemane". The Old Man in this case being God, although Jesus relents and goes along with the original plan.
  • At the end of Mrs. Warren's Profession, Vivie Warren calls out her mother for not being very maternal and for her *ahem* profession.
  • In That Championship Season, four of the five members of Fillmore High's 1952 Pennsylvania State High School Basketball Championship winning team have relied on their coach as a father figure ever since they were in high school (in some cases, he is a more important father figure than their own fathers). However, one of the four, Tom, has become increasingly disillusioned with his trite advice, and near the end of the play, he lashes out at his philosophy of the importance of winning above all else by revealing why the fifth member of their team hates him and hasn't spoken to him in twenty years: the coach's philosophy led said fifth player to put the star player of their championship opponents in the hospital, and when, overwhelmed with guilt, he begged the coach to refuse the trophy and the coach refused his request, he severed all ties with the coach and his teammates.
  • Wicked: "Defying Gravity" is an indirect example, as the requisite Old Man isn't there to call out. Not that that stops Elphie...
  • The Wild Duck: Gregers Werle has an entire scene where he calls his father out on his schemes. When he comes to the fate of his mother, it almost goes into Tear Jerker territory. Not that old Werle minded, though.
  • In You Can't Take It with You, Tony tells off his father for giving up on the dreams of his youth, including being a trapeze artist and a saxophone player. Tony Sr. still has the sax in the back of his closet, though.

    Video Games 
  • Jude in Agarest Senki 2 does this to his father Jainus calling him on his Chronic Hero Syndrome when he offers to help Yumil. While Jude says he has no problem helping Yumil, he tells his dad that they can't go risking their necks for a job (they're mercenaries) that either doesn't pay or pays little as they are working to support Chloe (Jainus' wife) and can't afford to play hero.
  • Not necessarily calling the Old Man out, but the Old Woman. In BioShock 2, Eleanor Lamb is being turned into a one-person hive mind by her mother, and is terrified of what she sees as a plot as mad as Andrew Ryan's. With her "Father"'s help (IE: You, her former Big Daddy), she frees herself. The kind of person she becomes depends largely on your moral choices concerning Little Sister disposal and a few Kill/Spare choices along the way.
  • In Borderlands 2, Angel has spent her entire life as essentially a slave to her father, Handsome Jack. At the end of her final mission, where she has the player destroy her life support system so she can die her final act is to call him "an asshole." Since her father apparently kept constantly chiding her for using "bad language", and ordered the death penalty for anyone else who used profanity, this is one of the deeper insults she could offer him.
  • In Chrono Trigger, if he's present, Magus tells Queen Zeal how pathetic she really is, and that killing her would be the merciful thing to do. She doesn't know he's her son, though. To emphasize how personal the battle is for him, the boss music is replaced by Magus' battle theme.
  • Dragon Age:
    • Dragon Age: Inquisition:
      • Dorian's entire personal quest revolves around confronting his father for trying to change his sexuality with blood magic, in order to better fit with the Tevinter idea of perfection. It's up to the player if Dorian leaves it at that after his callout, or if he decides to try and reconcile with his father.
        Halward: I only wanted what was best for you!
        Dorian: You wanted the best for you! For your fucking legacy! Anything for that.
      • Morrigan of all people gets one, provided that you imported a world state where Kieren has the Old God Soul. When Flemeth leads Kieren into the Fade, Morrigan is more fearful and desperate than at any other point in the series, but that doesn't stop her from trying to defend herself and her son, or calling her mother out on her horrible parenting and body-snatching tendencies. The player gets to see that she truly does care about her son, beyond whatever ambiguous power he is said to have.
  • In Dragon Quest VII, Winged Humanoid Pendragon gets called out by his elderly mother on behalf of his adopted daughter, Firia. She isn't adopted, mind - she was just born without wings, and he pretended she was just an abandoned orphan because he was too scared to admit his 'flesh and blood was flawed'. This included standing by while his other daughter treated Firia like a slave, and while the other kids in Gorges mocked and abused her — at one point their 'pranks' almost cause her to fall to her death.
  • Inverted in Dragon Quest VIII by King Clavius and Prince Charmles. Having given his son every opportunity to grow into a good heir, only to watch the Entitled Bastard screw the rules, he finally calls him out by publicly revealing he knew all along that Charmles had bought his Argon Heart instead of finishing his Rite of Passage, and had kept silent as a Secret Test of Character and declaring he had proven himself incapable of serving as heir.
  • In the Dawnguard DLC for The Elder Scrolls V: Skyrim, Serana calls out both of her parents for treating her as a pawn rather than a daughter. She is actually more vicious towards her mother Valerica because she had already given up on her father, the evil Lord Harkon, a long time ago. If the player has been supportive towards Serana in dialogue and kept her as a Follower for a long time, she will mention that the Dragonborn has done more for her in the short time they've known each other than her mother has done in the last few millennia. Later she'll comment that her mother was, in a way, just as bad as her father. Valerica, to her credit, is sane enough to apologize to Serana and admit her mistakes. Lord Harkon is too far gone to care.
  • Fallout 3:
    • You have exactly one chance to do this after rescuing your father from Tranquility lane, but it changes nothing. This is chiefly due to the small range of dialogue options that would allow you to truly Call The Old Man Out. You're never able to mention that his leaving created too much turmoil and danger for you to remain in Vault 101 as he intended and the option that comes closest requires you to have performed one of the game's more evil acts (blowing up Megaton), which allows your father to maintain the moral high ground. Similarly, you're unable to explain to Doctor Li why you left the Vault against James' wishes, except with a childish "I do what I want" kind of answer.
    • You can do this when talking to Sentinel Cross. She calls you an Ungrateful Bastard and is so offended she will not be your companion.
  • Final Fantasy:
    • The father and son of Final Fantasy X set up a Calling The Old Man Out throughout the entire game (case in point: in a Flashback where a young Tidus doesn't show any grief for his missing father and wishes that he'll never come back, his mother asks him if he won't wish for his return so that he can tell him how much he hates him). Near the end of the game they subvert it when Tidus, who has sympathized too much with his father to resent him anymore, tries to call out Jecht despite the tears from his eyes and the knot in his throat. He's barely able to say that he hates Jecht, but does choke it out, only to immediately follow it up by saying that he doesn't mean it, but doesn't know what else to feel. To his credit, Jecht had already acknowledged what a horrible father he had been, and that Tidus was justified in his hate.
    • Dissidia: Final Fantasy changes their dynamic a bit; Jecht is more or less something of a Posthumous Character (kind of, it's complicated) in Final Fantasy X, but in Dissidia, he's fully alive and his normal self. Tidus's showdown with Jecht has Jecht initially beating the tar out of Tidus, only for Tidus to recover and yell, "There's no tomorrow for me until I beat you today!" Before the fight he did get the chance to call him a "no good, self-centered old bastard." And his antagonistic relationship with his father is never actually explained in Dissidia, beyond the need to settle things with Jecht. It's unclear if it's a case of hatred and loathing or anger at living in the old man's shadow and disgust at his father's being manipulated.
  • Balthier tries to call out his father in Final Fantasy XII, but Cid just ignores it.
    "How could you do this? How could you fall so far?"
  • Seisen no Keifu:
    • First Generation: Lex calls out his father, Langobalt, if you make them fight.
    • Second Generation: If Levin is the father of Phee and Sety, they call him out for abandoning their mother Ferry. If Nanna's father is Fin, she will also call him out on letting her mother Lachesis leave Lester and try crossing for the Yied desert in search of her eldest son Delmud. And last, Altenna calls out her adoptive father Trabant and mixes it with You Killed My Parents.
    • Thracia 776: Averted, as Mareeta isn't upset with her father Galzus, and in fact she's overjoyed to see him and manages to recruit him for the group. Justified as Galzus had saved her life before and tried to hide it, but she could see through him anyway.
  • In Fire Emblem Awakening, Severa didn't take kindly how her mother Cordelia held an Undying Loyalty to Prince Chrom, the guy whom she once held an Unrequited Love for. At some point, she was both so upset at what she saw as a borderline betrayal to her dad (whoever he is) and so scared about Cordelia possibly dying in the war, that she yelled at her mother for it. The result? Cordelia went out to fight, died in battle and never returned home, and Severa was totally traumatized for that. When Severa returns to the past with her friends and she's recruited by the Shepherds, she again questions Cordelia and her thoughts on Chrom... but this time it's more of a desperate facade when she pretends to be a jerk, as she's very aware that this Cordelia isn't the same mother she lost (Timey-Wimey Ball and all) and doesn't want to emotionally connect to her only to probably lose her again.
  • In Fire Emblem Fates, some of the kids end up doing this to their parents.
    • The main one is the Avatar towards his/her supposed father, King Garon. At the end of Birthright, the Avatar confronts Garon over his crimes, particularly causing the deaths of the Avatar's mother, Queen Mikoto. The Avatar is especially furious that Garon doesn't care that Elise and Xander just died and in the ensuing battle, ends up killing Garon.
    • Shiro disappears from his Deeprealm to seek out answers about himself in the real world, thus forcing his father Ryoma and the rest of the army to save him from some thugs. Ryoma lectures Shiro for his reckless behavior, but when he protests that he didn't raise him to be so irresponsible, Shiro turns it back on him, and criticizes Ryoma for how much he kept from him.
    Shiro: Dad, want a reality check? You didn't raise me at all.
    • When Saizo finds his son Asugi, he's not happy about his son casting aside the family name and working with thieves. Asugi, however, calls Saizo out on caring more for the Saizo family name than for raising his son.
    • Nina, Niles' daughter, is quick to criticize her father for not doing more to raise her, and that she thinks Niles criticizing her thieving for justice despite having been a thief himself when he was younger is incredibly hypocritical. As a result, they have one of the more strained parent-child relationships in the game.
    • Leo's son Forrest is upset enough with his father's harsh attitude toward Forrest's crossdressing that he storms off, and is still a bit bitter toward him for some time afterward.
  • At the beginning of the mission "Reuniting the Family" in Grand Theft Auto V, Jimmy goes on a rant saying he's tired of Michael's shortcomings and refusal to acknowledge them, wrapping it up by saying that he misses him. Interestingly, Michael doesn't argue with him.
    Jimmy: You are just a lame and angry psycho sometimes. You do bad shit and things, and I don't know if I love you and I'm pretty sure I hate you a little bit, but I'm just so fucking upset that we can't even see each other. You're just a drunk, lame dad.
    Michael: You know what? That just might be the nicest thing anybody's ever said to me.
  • Two of the "messenger quests" on Knights of the Old Republic have this trope, and a third has an arguable variant on it. The most literal one is Carth's seems the son he thought dead has actually joined the Sith. Cue one awkward moment in the Korriban academy with two hot-headed Onasis. Bastila's is a female version her terminally-ill and rather ill-tempered mother on Tatooine needs help retrieving a data holocron made by Bastila's late father. The arguable one is Mission's, as her deadbeat brother was the one who more or less raised her. She finds out it was his idea to abandon her at the age of twelve. Cue a lot of players wanting to kick the guy's blue butt into orbit!
  • Raziel from Legacy of Kain has this trope as one of his primary motivations throughout Soul Reaver, the first half of Soul Reaver 2, and continues as a lingering issue right up until the end of Defiance in regards to Kain, his vampiric "father".
  • In Mass Effect 2, Jacob's personal mission has him learning that after being promoted to acting captain and crash landing on a planet where the local flora leads to mental decay, his father eventually set up a Lord of the Flies-esque "paradise" for himself, killed off his fellow officers, made the women his personal harem and sabotaged attempts at outside contact. Jacob for his part is absolutely disgusted, no longer accepting the man before him as his father and depending on what Shepard recommends him will either have him arrested by the Alliance, leave him to the survivors, or force him to commit suicide.
  • In the last chapter of Max Payne 2:, checking Senator Woden's phone messages will reveal a recent one where Vlad, who saw Woden as a father figure, rants about having never received a word of thanks from him. This is a rather extreme example of the trope, as Vlad was planning to kill Woden. Vlad is also pretty egotistical about it. "Would it have killed you to say 'thank you' for once in your life? 'Vlad, my son—can I call you my son, because I sure do love you like one. Vlad, my son, you are a true prodigy. Everything you touch turns to gold!'"
  • Odin Sphere:
    • Oswald does this to Odin at the end of the first episode.
    • Velvet and Ingway had a few moments of chewing out their illegitimate daddy Odin as well, although they went about it in entirely different ways: Velvet outright rejected him; Ingway whipped up an army of Netherworld denizens, learned a secret transformation, and then stormed his kingdom and tried to kill him.
    • Cornelius has a moment like this with his dad: After one royal blunder too many, King Edmund tries to abdicate the throne and give the crown to his son. Cornelius tells him that he can't - the people will never accept a cursed Pooka as their king - and while Edmund never deserved the crown in the first place, now is the time for him to stop being a coward and act like a true ruler.
  • The penultimate mission in Oni is something like this: Konoko raids the TCTF headquarters in an attempt to call out Griffin (her nearest thing to a father figure, save her dead uncle, after years of systematically lying to her and using her, and ultimately trying to have her killed. Once he is cornered, the player is given a choice: you can kill Griffin or let him live. If you choose the latter option, the final boss is much easier as a consequence, and Griffin redeems himself at the very end.
  • In Persona 2: Innocent Sin (and seen in a flashback in Eternal Punishment), you discover that Philemon helped orchestrate the events of the series up to this point to test whether he or Nyarlathotep was truly the more powerful aspect of humanity. Events that involved creating an ill girl, the deaths of numerous people — both innocent and not-so-innocent — and an Earth-Shattering Kaboom before he offered the opportunity to perform a Cosmic Retcon that made that an alternate timeline. The game gives you the option of punching him for what he's helped put everyone through.
  • In Persona 4, near the end of Dojima's Social Link, you, as the Player Character and provided your courage parameters are high enough, have a dialogue option to call him a coward for his inability to interact with his daughter Nanako, following her mother's death. He calls you a punk for doing so, but nonetheless agrees with you.
  • Silver essentially does this in Pokemon Heart Gold And Soul Silver, in the Celebi time travel scene. It's not quite as obvious he's Giovanni's son in the US version as in the original Japanese, but the trope is still in evidence.
  • Lillie to her and Gladion's mother, Lusamine late in Pokémon Sun and Moon, laying out every horrible thing the character in question has done.
  • In the manga version of Tales of Symphonia, Zelos tries this by calling out Lloyd's father Kratos for betraying his own son and pushing all his problems onto him. It's not very effective as he receives the brush off and Zelos admits he was channeling his anger at his own parents who would do the same thing to him and his hatred towards himself for having the same tendencies.
    • In the game itself there's an example that teeters right on the level of Narm Charm. You'd think Lloyd would want to call Kratos out for not admitting he was Lloyd's father, or for betraying Lloyd to Cruxius, or any number of things. But no, Lloyd's tirade of choice is after the Duel Boss encounter, when he lectures Kratos for being a Death Seeker.
      Lloyd: What will you accomplish by dying? Nothing! There is no meaning in dying!
      Kratos: You're...right...to think, I had to have my son teach me such an obvious lesson...
  • Kazuya Mishima from Tekken, after being thrown to a ravine by his father Heihachi, when in tender age of 5 nonetheless, made a Deal with the Devil to get back up, build up his strength, topple his father, and then throw him back to the same ravine he was thrown.
    • There's also his son, Jin Kazama, to both of his father and paternal grandfather.
  • Krista Sparks has this in her Twisted Metal: Head-On ending to her father, Calypso.
    Krista: What's the problem? You didn't want to help me! You just want another contestant to kill all those innocent people! You destroy everything and run around like you own the world!
    • The tragic irony is that he did want to help her more than anything, but is unable to do anything unless someone wishes for it and could only wish if she won the contest. You can clearly see how utterly heartbroken he is by having to put her through this.
  • This occurs in Warframe, specifically The War Within. After escaping the Kuva Fortress, the Operator gets into an arguement with the Lotus regarding the truth behind Margulis and the Zaramin children.
    Lotus: A mother wants to shield her child from the evils of the world. Margulis didn't lie to you. She protected you.
    Operator: But isn't it better I know the truth? Wouldn't you want to know? Teshin said—
    Lotus: Teshin thinks he knows better. Maybe he does. Maybe you needed to know to survive the Queens. But you are changed now.
    Operator: That's what you have to say? That I'm 'changed'?
    Lotus: What you did, you didn't have a choice. Tenno, you were only just a—
    Operator: Don't. Don't do that. Don't... make excuses for me.
  • Matryona's Last Night provides a fatal example of this. Before he kills them, Matryona calls out both of his parents for forcing him to act like a girl since birth and throwing him away once they get the daughter they always wanted. He decided to save his mother for last because she was the primary source of his rage and misery.

    Visual Novels 
  • In Higurashi: When They Cry, Satoko Houjou pulls off one of these during Minagoroshi-hen, despite being terrified of the old man (her abusive uncle) in question. It took all of Keiichi's fate-crushing oratory skills and all of Hinamizawa backing her up, but Satoko finds the courage to oppose her abusive uncle and ask for the help she so desperately needs.
  • Umineko: When They Cry has a rather horrific one of these in its fourth arc. Maria, as a full-fledged witch, finally gets revenge on her abusive mother, Rosa. In between each round of bringing her back from the dead and killing her again in inventively horrible ways, the two of them are yelling about how much they hate each other and accusing each other of ruining their lives.
  • Implied in Ever17 In both Kid's routes there is a heated argument between Tsugumi and Sara about Tsugumi refusing to give Sara's some "answer" and running away from her, which ended with Armor-Piercing Slap from Sara to Tsugumi. Only later we find out that parties involved were parent and child and it's unclear if they knew at the time and if that's related to the argument.
  • Grisaia no Kajitsu: The climax of Yumiko's route in the good ending. She finally decides to stand up to her father, who wants to turn her into an empty puppet, solely interested in propagating the company.

    Web Animation 
  • In If the Emperor Had a Text-to-Speech Device, Magnus's debut in the series has him calling his father out, pointing out that the Emperor was insanely secretive, didn't trust his own children and let Magnus's brothers bully him for having powers the Emperor also had. To be honest, they both needed this rant.
  • RWBY:
    • In the Volume 4 episode "Punished", Weiss calls out her father Jacques, declaring that she'll leave and be a Huntress no matter what he says. She even puts a stop on his rant about "the Schnee name" by reminding him he married into that name, so it's not his to protect. Unfortunately, he responds by disinheriting and detaining her. The next episode, she responds by bailing out of Atlas.
    • In the Volume 5 finale "Haven's Fate", Yang calls out her mother, Raven, for her cowardice: opting to murder the last Spring Maiden and take her powers because she wouldn't get stronger, and preferring to hide away from Salem and her forces rather than actually fight them. Raven actually breaks down and leaves.
    • In the Volume 6 episode "Lost", Ruby has finally had enough of her uncle Qrow's wallowing and calls him out for it, stating that they made it this far without either him or Ozpin and they'll keep going because they haven't given up yet.
  • Season 10 of Red vs. Blue is all about Carolina and Epsilon trying to find the Director and make him pay for what he's done to them. When they finally find him, Sympathy for the Devil kicks in for Carolina. Epsilon still calls him out on what he did to the Alpha and Texas, but is persuaded by Carolina to leave it at that.
  • Ally (who is really Havoc in her body) does this during a phone call with her bitchy mother in Episode 24 of Dr. Havoc's Diary.
    Kim: Hi sweetie, what's up?
    Ally/Havoc: Hey, Mom, uh, just wanna let you know that I love Dad more than you, and I always have. Uh, I think you've made a lot of mistakes in your life, and the biggest one is leaving Dad, heh. I think you need to take a long look in the mirror and realize that you've been really dropping the ball as a mother, and frankly, as a wife. Okay, gotta go, bye.
    Kim: [stunned silence]
  • Sam & Mickey: In "Barbie's Mother", Barbie finally gives Margaret a piece of her mind and eventually forces her to leave the former's mansion.
    Margaret: You are being rude to me, Barbara.
    Barbie: No mother, you're being rude to me!
    Margaret: I beg your pardon?!
    Barbie: You walk into my house for the first time in years, and then proceed to fling insult after insult at me and my kids! I don't need it, mother! I already get enough of that from Skipper who still hasn't brought me a gin and tonic!
    Skipper: [exasperated] Not the maid!
    Margaret: I'm simply pointing out areas in which you and your sad little family may improve yourselves.
    Barbie: My family doesn't need to improve itself, mother! They're perfect just the way they are! They might be a little dysfunctional, but I love them!

    Webcomics 
  • Achewood: Roast Beef, after one insult too many from Grandma K, finally snaps at her for being a control freak and leaves her to take care of herself.
    Roast Beef: Old woman, listen to me. You have forbidden me from pleasure since the day I was born. Now I pay for this house and I pay for your wine. So as of this day I am the LAW and I am the LASH, do you hear me!?
  • Mistress Sixx calls the old lady out in this page from Collar 6.
  • Dominic Deegan. Here, Miranda Deegan calls both of her parents out for their behavior (and their attacks) on Donovan for him being her choice of a future husband.
  • In The Dreamer, Freddy Knolwlton does this in issue #8, stands up to his father and voices his own opinions about the war, and the eventual burning of New York.
  • Butt-Monkey Syphile from Drowtales gets what possibly may be her one and only moment of awesome in her entire life when she finally tells Quain'tana what a truly godawful mother she is. Then she gets killed. Ironically, her doing this is what finally earns her Quain'tana's respect.
  • In El Goonish Shive, Raven calls out his immortal mother in this strip for risking lives in order to teach Raven a unnecessary lesson.
  • In Endstone, Cole greets Jon with a punch because he used her against her own mother and caused her to be alone in the world.
  • Will Erixon of Fans! has a confrontation with his abusive wife murdering father after he gets sprung from jail as part of a greater conspiracy against him and his friends. To add insult to injury, after Will beats the bastard into the ground, he gets shot full of bullets by FIB agents, and then his corpse gets pistol whipped by Will's girlfriend Shanna.
  • In Flipside, Crest lets his former mentor, Orransong, know exactly why he dropped out of Knights of La-Shoar training: because he saw Orransong strike his (Crest's) blind mother for daring to question the Knights' prohibition against magic (magic that could've restored her sight years ago). That he was expected to emulate and uphold that sort of behavior was too much for Crest, and he lets Orransong know it, in so many words.
  • In Goblin Hollow this occurs at Lily's family reunion with Ben and Lily's grandfather. The old man makes a threat to Ben to "get out of the picture or else". But Ben indeed DOES call the old man out, not once, but twice, with Ben telling the old bigoted codger that he won't tolerate him making threats.
    Ben: "When it comes to threats, don't bring a tomahawk to a shootout."
  • Ame from Heart Core does this on a daily basis against her father Royce ever since that day when he forced her into a painful and permanently scarring ritual. She doesn't care if she gets denied Heartcores from humans, loses royal priviliges or gets locked into the castle dungeon. She just keeps defying and messing with him in every way possible just for the sake of getting any sort of payback at him.
  • In Kevin & Kell, the first time Lindesfarne appears together with Angelique, her adoptive mother until she divorced Kevin, is when Angelique hires her as a babysitter. Lindesfarne starts out unsure of whether she should continue calling her "Mother" like she used to, and then lays into her over being distant while raising her (resulting in Lindesfarne becoming a "Well Done, Daughter!" Gal), and then abandoning her. Later on, Rudy gets this with the memory of his deceased father after he learns that his rival Vin Vulpen is his half-brother on his father's side, meaning that his father had an affair ("So who do I turn to now for a moral, ethical male role model?"}.
  • The Last Days of FOXHOUND:
    • Liquid Snake (in Decoy Octopus's body) calls out his father, Big Boss (who is currently possessing Liquid's original body) for turning him into an insecure showoff so history wouldn't remember Big Boss only as "Liquid Snake's father."
    • Liquid Snake calls the spirit of Big Boss out again later after Big Boss shows him everything the Philosophers/Patriots have done, asking why he didn't just tell him all this from the beginning instead of jerking Liquid around and manipulating him just like the Patriots.
  • In Misfile, Emily gets chewed out royally by her beloved smother for running away, and her friend Molly returns the favor (as she'd be leaving town soon anyway) while defending her.
  • Roy does this several times over the course of The Order of the Stick to his father's ghost, most recently in comic 500. Which ends up being a variation: Roy only gets to "You pathetic little—" before stopping himself, calming down, and explaining that he won't be bullied by his father anymore.
    • And strangely enough, it works better than any rant Roy could have attempted.
    • But he did it best in comic 293
      Roy: Yeah? Well, I think there may be a flaw in your plan, Dad, because... Well, because screw you.
      Roy: I just want you, personally, to know: If it weren't for the threat to the entire world, I would tell you to shove your 'blood oath' against Xykon up your wrinkled incorporeal ass.
    • When Elan finally realizes what his father is he calls him out on causing the suffering of countless slaves, and when he learns that he fought and exiled Nale, not solely because he betrayed him, but because he did not do it the way Tarquin approved of, he draws his sword, outraged.
    • Haley gets in on it in the same arc after being reunited with her father. He raised her never to trust anyone except family, and she lets him know in no uncertain terms how close that came to wrecking her life.
    • Nale does this as well to his father. He frequently accuses him of having lost his nerve and just sitting around doing nothing with his power. Eventually he yells that he is his own person, not a cog in his schemes, and that he wants NOTHING from his father. And Tarquin kills him, saying that he would have been dead years ago if he hadn't been protecting him.
    • In response to the above, Elan does this again when Tarquin dismisses Nale as a B-villain that Elan had already outgrown. Elan furiously shouts that Nale wasn't just a plot element, he was Tarquin's son. He also points out that Tarquin is the one responsible for Nale growing up to be a crappy person.
  • Fairly early on in Sabrina Online, Sabrina tells her passive-aggressively controlling mother, Endora, gently, but in no uncertain terms to quit trying to control her life or sooner or later, she'll find herself completely shut out of her life.
  • Sluggy Freelance — Any time Riff and his mom are in the same room together. Still waiting for Zoe to do the same, though.
  • Fred, who later becomes Monette's adoptive father, gives her derelict biological father a beautiful chewing out when the bastard shows up at the MacIntire residence for Thanksgiving and treats her terribly, in one arc of Something*Positive.
    • And then there's Jason's father. When he shows up again, Jason remains dumbstruck, until his father says he finds some form of physical greeting appropriate for a 'long lost parent'. Jason immediately punches him.

    Web Original 
  • Firestorm's defining character trait seems to be that he hates his father Napalm in LessThanThree Comics' "Brat Pack". Firestorm has to be held back from attacking Napalm when he finds out they have to work together.
  • This partly why Tsar Alexander split of from his daughter, Anastasia Romanova, in Malê Rising. She learned of her father's orders during the Great War and grew repulsed by his actions, as well going against his wishes by marrying Prince Tewodros of Ethiopia.
  • In Receiver of Many Demeter is very unhappy with Persephone's and Hades' marriage as well as the fact that Persephone has to come back to the Underworld for six months each year. She firmly believes that Persephone was raped and tricked into eating the pomegranate seeds, despite being told otherwise several times by Persephone herself. After hearing her complains one time too many, Persephone finally calls her mother out on the fact that her plan to transform her permanently into a tree was what forced Hades to abduct her hastily from Nysa. She also reminds her mother that she tried to keep her ignorant of her divine destiny and in the effort to control her life she isolated her and banished all her friends.
  • In Sherwood Forest, the first time Will sees his foster father after two years, he spits at him and tells him that he's at fault for the Sheriff's takeover. Welcome home!

    Web Videos 
  • The Nostalgia Chick's (not Lindsay's) real father is a distant alcoholic who never gave her any love. She gets him back by gushing over manly overprotective Disney fathers like Mufasa and Triton.
  • Happens in Episode 2 of Nightwing: The Series. That episode, which details how Dick became Nightwing, reveals that his transition followed an argument with Bruce immediately following Barbara's funeral service in which he lambasted the Dark Knight for putting his mission ahead of the welfare of his comrades. That argument swiftly got physical.
    Dick: I'm getting so sick of this. Every single person you bring into your life gets consumed by this ridiculous vendetta you have! And look at the result! I can't be a part of this anymore.
    Bruce: [coldly] Careful what you say next.
    Dick: You and I, Batman and Robin... it's over.
  • Scanlan gets one in Critical Role — or rather he's the one getting called out. Kaylee, the gnome bard he'd briefly been courting, revealed that she is his daughter from a one night stand many years ago. The rest of their interaction in that episode is her alternately berating, humiliating, and demanding that he fight her, while he apologizes for abandoning her and her mother.

    Western Animation 
  • Earl of Lemongrab does this to Princess Bubblegum in the Adventure Time episode "You Made Me!", several times:
    Lemongrab: No one... No one understands! I am alone! And you made me like this! YOU MADE ME!!! YOOOU MAAADE MEEE!!! You're... my... glob! You're my glob!
    Lemongrab: It's gross! And who says your way's right, anyway? I look in the lemon heart you gave me and see my lemon way to act - and that must be right!
    Lemongrab: NO! No more helping! You unload your punkest boys on me?! Tryyy to change my ways?! YOU'RE POISON! YOU'RE POISON!!! YOU NEED RECONDITIONING!!! REEECONDITIIION YOOOU!!!
  • Several occasions in American Dad!, but a great example is in "Bully For Steve." Stan takes the role of a bully and makes Steve's life miserable to get him to toughen up and face his bully. Steve finally calls him out to a fight on the playground. When Stan arrives, Steve reveals that he hired Stan's old bully, Stelio Kontos, to beat him up. Stan gets pulverized, but afterwards, admits he's proud of Steve for handling his bully his way.
  • In American Dragon: Jake Long, Jake gets fed up with his job after two years of endless mind-numbing training and threats, repeatedly getting grounded by his father (who isn't in on The Masquerade and thinks he's just been goofing off — which, to be fair, sometimes he is), and ultimately losing his girlfriend twice while still being expected to face all the trouble of youth with without any time to enjoy himself whatsoever and deliberately gets his responsibility removed so he can relax for the final week of middle school. The reins get passed to Haley, who at first claims she will do a far better job than her brother, but goes from a calm collected child genius to a frazzled, gibbering mess within days. When Haley overhears Lao Shi start to criticize Jake for being irresponsible and not flawlessly rising to the thankless job, she snaps and tongue-lashes him declaring that it might have been stupid, but it wasn't selfish for him to want to actually want to be a kid for a few days— generally considered her finest moment in the series.
    Haley: HEY! When's the last time either of you were the American Dragon? Well as the little troll girl currently filling the position, let me tell you it's stinkin' hard! I can't imagine doing it two more days let alone two more years. And to think about everything Jake's gone through; he's had to save magical creatures on a daily basis, lie to his own dad about who he is, say good-bye to the girl he loved, all to protect a mystical world that nobody knows about. He may be the American Dragon but he is also a 14-year-old kid who just wanted a couple days off. If that makes him immature, fine, but self-serving? With all due respect to both of you, STEP OFF!!
  • Avatar: The Last Airbender:
    • Katara loudly vents her pain and frustration at her father for leaving her and her brother behind to fight in the war; Hakoda, loving father that he is, takes it like a man, expresses his regret and asks her forgiveness, which she finally gives to him.
    • Toph calls out both parents in her debut episode, telling them (politely) that she likes being a fighter and is tired of them overprotecting her. Unfortunately, her father decides this means she needs to be protected even more. All the more frustrating because all of this takes place after both of Toph's parents have seen her in action and have seen how well she could handle herself.
    • The most epic scene of Calling The Old Man Out in Avatar, however, has to go to Zuko confronting Ozai for controlling him, making him feel worthless, burning his face, banishing him for three years and generally being an evil, contemptible douchebag. It pisses off Ozai so much that he tries to kill Zuko with lightning. It doesn't work, thanks to Zuko knowing the only counter to lightning-bending... which was taught to him by Iroh, Ozai's brother (Zuko's uncle). This scene is not only epic for Zuko in general, it marks his actual Heel–Face Turn, making up for his fake-out at the end of the previous season.
  • In the Batman Beyond episode "Inqueling", it's revealed that before her mutation, Inque gave birth to a daughter named Deanna, whom she subsequently gave up for adoption. When the two reunite in the show Inque explains that she had grown up poor and let herself become Inque all for the money, and she wanted to give her daughter an easier life with normal parents and a large trust fund. When Inque reveals just how much money she has, however, her daughter tries to kill her in order to get control of her bank accounts.
    Deanna: You never gave me anything except money, Mother. How did you expect me to turn out?
  • In The Boondocks episode "The Color Ruckus" at his grandmother's funeral, Uncle Ruckus finally tells off his father for abusing him as a child and what a horrible father he was to him, this enrages him and he tries to smash a bottle on him. But his back gives out and he ends up falling into an open grave and breaking his neck.
  • Late in Code Lyoko, Ulrich's emotionally and verbally abusive father shows up to talk to his son about his poor academic performance. Ulrich calmly tolerates his father's lecture until his father implies Ulrich's friends (the only people who keep the poor boy sane) are behind his poor grades. Ulrich is visibly angry and snaps that his father doesn't know his friends... or him for that matter. Then when it's revealed the team needs him, Ulrich stands to leave and rebuts his father's command of "I'm not done talking to you!" with "Yeah? Well, I'm done listening.", slamming the door on his way out.
  • In Big City Greens, Remy calls out his parents in "Remy Rescue" for not letting him make his own decisions and trying to keep him from hanging out with Cricket and Tilly. Fortunately, his parents see the error of their ways and let the two be friends again.
  • Possibly, the final reaction of Timmy toward his parents near the end of the episode Freaks a Greeks in The Fairly OddParents!
    • Cosmo gets an awesome one against Mama Cosma in Apartnership.
    Cosmo: Let's get something straight! I'm not bright! Big words confuse me! I have the attention span of a rodent! But Wanda loves me anyway. She makes me happy and THAT SHOULD BE ENOUGH FOR YOU!
  • Family Guy: In "Seahorse Seashell Party", Meg finally blows up at her family during a hurricane. While Lois gets attacked pretty hard, Peter gets the brunt of it. What she essentially says is that Lois is a callous jerk and Peter is a self-centered failure of a man.
    • In "The Tan Aquatic with Steve Zissou", Peter spent a good deal of time trying to make Chris stand up to a bully... while becoming one himself. Chris responds by socking Peter and telling him what a jerk he's been.
  • In the Goof Troop episode "From Air to Eternity", Pete lies and says he's not afraid of heights and then belittles PJ for his lack of accomplishments, makes him feel insecure and inadequate about his own fear of heights, coerces him into dangerous stunts for his own profits, yells at him and insults him for doing them wrong, and shames and rejects him for "lying" because Pete made an incorrect assumption which PJ didn't know he needed to correct. Then PJ and Max discover that Pete is afraid of heights and lied to PJ, which meant what he did wasn't just needlessly cruel, it was also hypocritical. PJ is a bit too meek to call Pete out directly, but with Max's help, he manages to call Pete out indirectly by tricking him into confessing to the original transgression. PJ pretends to be surprised and shames his father with all the "new information that comes to light."
  • In The Grim Adventures of Billy & Mandy episode "King Tooten Pooten", Irwin's mom Judy calls her father Poppin Lockin out for his cruel ways in the past and trying to make Irwin the next Pharaoh in his family instead of letting him decide what he wants to do. Irwin accepted being the Pharaoh when Poppin Lockin told him that Mandy would love him.
  • Jackie Chan Adventures has Jackie's Hyde side doing this in one episode.
    Dark Jackie: Pull your tongue out of your mouth and wring out the spit.
    Uncle: (gasps) You call Uncle an eel!
  • Justice League Unlimited:
    • Upon his resignation, Captain Marvel does this to his former idol Superman, citing how the man of steel and the team, or rather organization, as a whole have become infatuated with their power, distracted from their original purpose, and forgotten how to be heroes.
    "You don't even act like [heroes] anymore."
    • Invoked then derailed in Season 4's last episode, "Epilogue", which kept the title as it also served as the series ending for Batman Beyond; A grown Terry imagines himself reaming Bruce on his control issues and emotional distance. In the end, he doesn't actually go through with this.
  • In the King of the Hill episode "Death Picks Cotton", Peggy Hill finally gets to chew out her father-in-law, Cotton, for how much of a complete jerk he's been to his son (Hank) for all of his life. The kicker? She waits until he's on his deathbed to let him have it.
  • The Legend of Korra:
    • When Hiroshi Sato reveals that he's working for the Equalists, he spends quite a bit of time trying to get his daughter, Asami to undergo a Face–Heel Turn and join him. She refuses, repeatedly, before saying that his wife would have hated him for what he's become, and that he has no more room for love, he's so filled with hate. Even as he tries to kill his once beloved daughter, and she strikes him down, she's crying.
      Asami: You really are a horrible father.
    • In Amon/Noatak and Tarrlok's backstory both of them get a chance to do this. After being forced to bloodbend innocent animals and then each other by their father, Tarrlok refuses as says he doesn't want to do that to anyone. When their father (Yakkone) is about to attack him, Noatak calls him out too, and stops him from hurting his little brother.
    • During the final season, Lin finally meets up with her mother and is clearly working hard to keep from blowing up at her. When Toph prods her to just get on with it, Lin blows up at her mother for her terrible parenting. While we've already heard part of Lin's issues and thus don't get a repeat of those, we also learn that Lin is both upset that she has no idea who her father is and, more importantly, that her mother doesn't even understand why she's mad. Whenever Lin tried to explain, her mother would just blow her off because she apparently couldn't understand why Lin would even care.
  • Legion Of Superheroes: Timber Wolf was calling out his father twice in the series, the first time where he confronts him in the lab after the Legion helped restore his humanity, was when he points out that his father wasn't a good parent to him and destroys his lab, the second time he was Brainwashed and Crazy and was confronting him at a science convention in front of a huge audience, where he accuses him of manipulating people around him and experimenting on sentient beings as well as destroying their lives and families. This time he makes himself into a Self-Made Orphan.
  • Metalocalypse:
    • Played with in Season 1. The Bandmates are forced to deal with their overbearing parents/guardians who force them to spend quality time with them. When the band is confronted with the idea of a Family Album, they angrily state that they are the most brutal band in the world, and that their parents know nothing about being brutal. Suddenly, the trope becomes an Inversion and all the parents berate their kids for taking them for granted.
    Grandma Murderface: "You little bastards think you know about brutal? Let me tell you something, there is nothing NOTHING in this world more brutal than raising a child!"
    • Also briefly parodied with an absurd non-sequitur (par for the course, really, considering what show this is) in Skwisklok:
      Nathan Explosion: "I guess I always hated my father. But then Explosion Sauce changed all that. (*chugs barbecue sauce straight from the bottle*) Explosion Sauce: It's good on its own."
    • In "Motherklok," Pickles finally has enough of his mom's attitude and, after being told by just about everybody that he should tell her to go fuck herself, he finally does exactly that.
      Pickles: Hey mom? GO FUCK YOURSELF!
  • Clay Puppington, father of Moral Orel's title character, got double-whammied. Already a less-than-stellar father, in the second season's finale he sunk to new depths while on a hunting trip with Orel. He gets progressively drunk throughout the day, goes into a mad rant that night, accidentally shoots Orel, blames Orel for it, tears Orel's lucky shirt for a tourniquet, then drinks the rubbing alcohol Orel had brought for exactly that kind of emergency. The drinking alone had gotten Orel to anxiously tell his father he didn't like it when Clay drank, but all the other stuff forces Cheerful Child Orel to utter the three magic words: "I hate you." Clay's response: "Hate away, Sister. Hate away..." The second whammy comes at the end of the third season's premiere, when we learn he overheard the tail-end of a conversation between Orel and his mother, in which Orel sincerely questioned why his mother married his father, and his wife dismiss Orel's claims that Clay became a different man when he drinks as "his true nature coming out." Clay got into bed soon after with an expression that leaves the impression he was thinking "My God, What Have I Done?." Unfortunately, most of that third season shows Clay getting worse, up until finally the only man who cares for him decides to abandon him, forever dooming him to a miserable marriage. His kids, at least, do grow up and have relatively happy lives.
  • My Little Pony: Friendship Is Magic:
    • In the episode "Crusaders of the Lost Mark", Diamond Tiara cements her own Heel–Face Turn when she confronts her mother Spoiled Rich and reams her out for her controlling ways, going so far as to call the Cutie Mark Crusaders her friends.
    • In the episode "Parental Glideance", Rainbow Dash tears into her parents for their oversupportiveness, telling them how embarrassing it was. Sadly, her outburst is caught by Scootaloo, who has a Broken Pedestal moment because of it.
  • In Ōban Star-Racers, after Don Wei tells Molly that he knows that she's really his daughter, Eva, she unloads on him for abandoning her at a boarding school for most of her childhood without so much as a letter and not even recognizing her when she first joined the team.
  • In The Spectacular Spider-Man, Harry actually throws his father across the room in "The Uncertainty Principle," screaming that it was his fault that he took Globulin Green and became the Green Goblin. Harry doesn't go much farther with it, though, because Norman actually listens to him and starts acting like a decent father for once. Or at least, he seems to be...
  • Steven Universe:
    • In the episode "Nightmare Hospital", Connie calls out her mother for her control freak tendencies and her increasing denial about how little she knows about her daughter's life, revealing A) Connie no longer needs her glasses, B) she's been studying sword-fighting, and C) she's more than capable of helping Steven deal with any "weird gem stuff" (like the two "Franken-gems" that had wound up in the hospital after being mistaken for horribly deformed car accident patients).
    • In "Drop Beat Dad," Sour Cream reunites with his absent father Marty, who offers to make up for lost time by upgrading his son's ramshackle rave into a full-blown concert. When it is revealed that Marty hijacked the show to shill disgusting soda, Sour Cream makes it known that he doesn't need Marty or his product endorsement to be a DJ — in the same gibberish language his stepfather and half-brother speak.
    • In season 3, Steven starts to learn that his mother, Rose Quartz, wasn't the saintly paragon he was always told she was, and that she had secrets she kept even from the other Crystal Gems. When Steven dreams of a palanquin he knows is connected to those secrets in "Steven's Dream", he gets angry at Garnet and Pearl when they're clearly trying not to tell Steven something. He tells them that he, as Rose's son, deserves to know the truth if anyone does. A few episodes later in "Storm in the Room", Steven goes into Rose's room in the temple and uses its ability to conjure illusions from his mind to actually interact with his mother on some level, which eventually turns into calling her out on leaving Steven to deal with her messes.
    • Sadie calls out her mother Barb in "Sadie's Song" for her suffocating and controlling nature.
    • In the finale of season 5, "Change Your Mind", Steven calls out the Diamonds on their abusive treatment towards his mother on her behalf, owing that Pink Diamond became Rose Quartz and betrayed them for always ignoring her in favor of their tyranny and her attempts to change them for the better.
  • In the Super Mario World episode "The Night Before Cave Christmas", Oogtar takes a peek at one of the presents King Koopa wrapped for the Koopa Kids. Upon discovering Koopa is giving Bob-ombs to his children for Christmas, Oogtar calls him out and laughs when the Bob-omb explodes in his face.
  • In the second episode of the original 1987 Teenage Mutant Ninja Turtles series, Shredder says the Turtles should join his forces because their existence as mutant ninjas is all due to him framing their master Hamato Yoshi and getting him banished from the Foot Clan, then following him to America with the purpose of finishing him off for good, which he attempted to do with the mutagen that did at least turn Yoshi into a mutant rat while giving the turtles their humanoid form. All the Turtles need for a response is one line from Raphael to sum up their feelings toward that:
    "Does the phrase 'go suck a lemon' hold any meaning for you?"
  • The Teen Titans' Raven got in on the act, too, in her CMOA for the final act of "The End, Part 3." Anything else would be Spoileriffic. Unless you read the comic it was based on, then you already know how it goes.
  • W.I.T.C.H. features Will calling her mother out for lecturing her about being honest while keeping the fact that she was dating Will's teacher a secret. Said teacher agrees with Will while her mom can only gape in shock.
  • X-Men:
    • As mentioned above, the '90s animated series condensed and distilled Cyclops' resentment of Corsair (originally a 3-issue-long storyline) into one Tear Jerker of a rant about his pre-Xavier school Dark and Troubled Past to a shamefaced Corsair, even as he helps him escape a crooked Shi'Ar cop so he can clear his name.
    • The time Magneto got called out by Wanda and Pietro, while they're kept as prisoners alongside Beast and Professor X. Up until then, neither the twins nor Magneto had an idea of this, and worse, the twins had just learned that the Maximoffs were only their adoptive parents. Yeah, that scene was just as sad as the former one.

Alternative Title(s): Calls The Old Man Out, Calling The Old Woman Out

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