One of the worst things you can ever do with a hero is to do something that gets them well and truly furious, because rage makes good guys unbeatable. They will go into a frenzy and become stronger, faster, braver, more agile and more indestructible than they've ever been, and they will annihilate you. This holds particularly true if the character in question is generally meek and feeble. Often indicated with Angry Eyebrows in animation. Caution must be employed by the character, since such tantrums can sometimes lead to a Heroic B.S.O.D..
Sometimes referred to gaining Heroic Resolve, particularly if it's in response to a threat against somebody or something that the hero cares about. This is a common result of pressing the character's Berserk Button, and especially occurs if a nice person is pushed a little too far. They might cry but won't stop their attacks. Characters in the grip of an Unstoppable Rage are prone to a Foe-Tossing Charge. They might Kick Them While They Are Down without realizing that they are doing it.
Interestingly enough, this usually has the opposite effect on villains. Making them angry usually causes them to lose focus, make poor decisions and fall victim to Untouchable Until Tagged. Unless they are a video game enemy.
Compare with Superpowered Evil Side. See also Rage Breaking Point and Rant-Inducing Slight, where this is set off by a multitude of things piling up until a final event proves to be the last straw. The Power of Hate is a similar concept, but focused on hate instead of simply fury.
Contrast with Tranquil Fury, often preceded by a Death Glare or Dull Eyes of Unhappiness. May be instilled in Actual Pacifists with Teach Him Anger. A character who lives by this and counts on it may be The Berserker. A Roaring Rampage of Revenge (or its smaller, arguably more spontaneous counterpart, Extreme MÍlťe Revenge) may include this.
This trope is WAY older than you might think—it was so well established by their time the ancient Greeks actually referred to this trope as "aristeia". Literal translation? "An act of supreme excellence". Yes, seriously. Even more surprising is the longstanding association with angsty and broadly appealing characters like Achilles.
- Anime and Manga
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- Western Animation
- The titular character from The Iron Giant when he's threatened. Explicitly stated to be part of his programming, that has absolutely nothing to do with rage and he has no conscious control over it initially. To be clear, he resists with his little friend's help and runs away, but when the attacks persist and his friend appears to be dead, the giant emotes some very clear rage and engages his attack-response programming
- Hannover Fiste towards Captain Sternn in Heavy Metal: "STEEEEEEEEEEEEEEEEERNNNNNNNNNNNN!!!!!!!"
- The Beast in Disney's Beauty and the Beast often calls upon this trope, particularly when Belle is placed in danger.
- The Lion King:
- During the big showdown at the end of An American Tail: Fievel Goes West, Chula the spider takes Miss Kitty hostage. This causes Tiger to flip out, barking ferociously and singlehandedly kicking the asses of all of Cat R. Waul's Mooks before dragging Chula down and tossing him on the mousetrap's arm with the rest of the baddies.
- The Little Mermaid: King Triton has one when he destroys Ariel's secret grotto after she confesses her love to Eric. He regrets it once he cools down.
- Also subverted as Ursula the Sea Witch becomes angry (after what Ariel did to Flotsam and Jetsam), causing the evil hag to grow into a 50-foot giant (while wearing King Triton's crown and using King Triton's trident to wipe the mermaid out).
- Queen Elinor as Mum-Bear in Brave gets some moments while going Mama Bear to protect Merida from Mor'du. Also, her husband, Fergus, when he thinks Mor'du had kidnapped or killed her and chases her, gets this moment, despite Merida's desperate protests about the bear's identity.
- Big Hero 6: When Hiro learns Callaghan was Yokai, and he was responsible for Tadashi's death, he goes absolutely berserk (albeit in a Tranquil Fury way) and turns Baymax into a killing machine in order to kill Callaghan. He doesn't even calm down until he sees Tadashi's video.
- From The LEGO Movie, we get to see what's beneath Unikitty's Genki Girl persona when it slips. Woe betide anyone she unleashes her rage onto, as the climax could attest.
- In 300, the Captain flies into such a rage when he sees his son Astinos get his head chopped off on the battlefield during a lull in the action. A decent amount of single-handed ass-kicking ensues, until three of his fellow Spartans have to physically restrain him and drag him back to their camp.
This is even more badass when his screams are carried all the way to the Persian camp, and scares them more than the deepest battledrums.
- The Blind Side: Michael, normally a Gentle Giant, gets his Berserk Button hit and hulks out when a drug dealer makes sexual comments about Leigh Anne and Collins.
- Ralphie in A Christmas Story. After getting a C+ on his "What I Want For Christmas" essay, and feeling really despondent, neighborhood bully Scot Farkus pelts him in the face with a snowball. After he adds some verbal taunting, Ralphie snaps and beats the everloving crap out of him, while other neighborhood kids look on, reducing Farkus to a sobbing, miserable wreck.
- District 9: Wikus in the final battle.
- Equilibrium's John Preston goes into a Tranquil Fury version of this after DuPont spends a moment to gloat about how Preston played right into his hands. No one survives the resultant Gun Kata asskicking spree.
- Jason Voorhees, the main killer from the Friday the 13th series, is made of this. A bad childhood with him used as the other kids' chew toy, nearly got drowned and has seen his own mother, the only person in the world who treated him as a human being, killed by some girl are all the ingredients needed to create an immortal, vengeful serial killer who is spending his time butchering people that get too close to him. Hell, his rage is so great that not even the Dream Demon Freddy Krueger himself can fight it.
- The Fugitive: Richard Kimble displays this upon finally encountering the man who murdered his wife, and upon confronting his so-called friend who set the murder plot in motion.
- Godzilla destroys cities because he's angry.
- Go ahead. Fuck with Godzilla's kid. That's a dare. That's a double-dare. No matter what the timeline, fucking with Godzilla's kid is a very painful way to commit suicide, because Godzilla won't just KILL you, he'll END you.
- Oddly enough, in both GoodFellas and Casino, Joe Pesci seems to have a dangerously psychotic Unstoppable Rage that goes off from something as simple as a misunderstood compliment. Actually averted in Pesci's famous "You think I'm funny?" scene. He's just screwing around with Henry Hill. What he does to Billy Batts and Spider, on the other hand...
- Jack, of Jack Brooks: Monster Slayer, is prone to this as a result of his Dark and Troubled Past. It comes in handy against the monsters.
- In Jurassic World, Rexie is already furious when she sees the I. rex intruding on her territory. But after receiving a savage beating and Blue giving her a Heroic Second Wind, she goes full-on berserk and gives I. rex an even more intense beatdown.
- In Legends of the Fall, Brad Pitt's character Tristan Ludlow goes on an Unstoppable Rage-fueled Roaring Rampage of Revenge after he watches his younger brother die on a WWI battlefield from machine gun fire and mustard gas. He not only slaughters every German in the vicinity but arrives back at field camp the next morning wearing warpaint of mud and blood and strings of fresh German scalps.
- In Lock, Stock & Two Smoking Barrels, Big Chris, for all his ruthless coercion and threatening demeanor, is rather a reasonable chap . . . until a man takes his son prisoner. He goes full Papa Wolf on the man, smashing his head repeatedly in a car door while roaring incoherently.
- Lancelot in Monty Python and the Holy Grail, in his hilarious, over-the-top, and gruesome assault on Swamp Castle. He is snapped out of it by "unexpected" nature of his "princess", is verbally accused back into the rage again, then apologizes to his victims profusely, in sheer embarrassment. "Sorry. Sorry. You see what I mean? I just get carried away. I'm really most awfully sorry. Sorry! Sorry, everyone." This is a trait of the character in the original legends.
- In The Muppet Movie, Miss Piggy flies into one of these, complete with Nightmare Fuel eyes, when the villain tells her he's about to zap Kermit's brain. Mentioning bacon didn't help his cause.
- Subversion: In Mystery Men, Ben Stiller's character Mr. Furious was a superhero seemingly built around Unstoppable Rage — except that when he raged, he wasn't much less stoppable than a "normal" adrenaline-fueled angry person. He didn't become substantially stronger, tougher or faster, which wasn't very useful. During the final battle, however, his rage apparently gave him enough momentum to overcome the Big Bad, as the other instances were him trying to invoke this trope, and failing miserably.
- In The Patriot, French & Indian War veteran Benjamin Martin is fueled with unstoppable rage when his second-oldest son is shot point blank by the evil British Cavalry officer Col. Tavington. With minimal help from his two pint-sized sons, Ben brutally takes down a contingent of British Redcoats, not satisfied with making them dead but burning through all of that rage by hacking at one soldier's bloody corpse.
- The 3rd act of the Jackie Chan film Police Story features a rare look at Jackie's typical happy go lucky character snapping and going to town on everyone that's done him wrong. This includes beating the crap out of people who can't fight worth a damn like a doctor and a lawyer, but they've all been such huge jerks through the whole film that it's easy to cheer him on every step of the way.
- Rage,(previously known as "Tokarev"), Nicolas Cage as Paul Maguire. "Rage" is actually the point of the movie, as it blinds our hero to actuality and drives him to execute a misconceived bloodbath of friend and foe.
- Spaceballs features a comedic example when one of the eponymous villains manages to singe Princess Vespa's hair with a laser blast, causing her to flip out and annihilate an entire squad.
- The eponymous hero in the Spider-Man Trilogy flies into a fit of rage anytime his loved ones are threatened or harmed, usually resulting in beatdown for the villains.
- In Spider-Man, Green Goblin taunts that after finishing him in their fight, he will kill Mary Jane, whilst making her death 'nice and slow'; Spider-Man quickly recovers and beats the crap out of him.
- After kidnapping Mary Jane in Spider-Man 2, Dr. Octopus rather smugly refuses to give up her location and Spidey attacks him in retaliation.
- This happens several times in Spider-Man 3, once where he confronts and almost kills the Sandman for killing his uncle, the next where he thrashes Harry Osborn in his own home for ruining his life with Mary Jane, the next where Harry takes a blow (two spikes attached to his board) from Venom meant for Peter and is killed because of it.
- After Kirk dies of radiation poisoning, Spock goes absolutely ballistic and almost beats Harrison to death at the end of Star Trek Into Darkness. If it wasn't for him being told that they needed Khan's blood to save Kirk's life, Spock likely would've killed him with one more punch. This is why Vulcans are trained from birth to have complete control over their emotions. A Vulcan's rage is far more intense than a human's, and they have Superhuman Strength to go with it.
- Star Wars:
- Luke Skywalker spends most of the original trilogy actively not giving into anger, because that leads to The Dark Side, but when Darth Vader makes the mistake of threatening to turn Leia to the Dark Side during their final confrontation in Return of the Jedi, he immediately goes berserk, interrupts Vader's sentence, and beats Vader on sheer, Force-augmented aggression (despite being a full foot shorter and with the corresponding reach disadvantage), only stopping after he chops off Vader's mechanical hand and realizes just how close he just came to becoming like him.
- It runs in the family: when Anakin completely destroys a village of Sand People after they killed his mother. "Not just the men, but the women and the children too."
- The final Luke-Vader duel would be the Ur-Example of sometimes-Force-enhanced psychological warfare gone wrong. Although, sometimes spurring someone into this (particularly with repressed anger) was actually the intended effect; Palpatine had actually been attempting this on Luke right before and after the duel... but his obviousness of intent probably helped Luke pull himself back from the brink.
- Obi-Wan Kenobi goes into a Tranquil Fury after Darth Maul mortally wounds Qui-Gon Jinn. He succeeds in chopping Maul's lightsaber in half and knocks him down at one point, but Maul uses a Force push to get the best of him. Obi-Wan then calms down and uses an unexpected strategy to defeat him.
- The duel between Anakin, Obi-Wan and Dooku at the beginning of Revenge of the Sith mirrors the one in Return of the Jedi in a lot of ways. Dooku knocks out Obi-Wan and then proceeds to taunt Anakin, which pisses him off enough that he flies into a rage and pummels Dooku, ultimately chopping both his hands off. Then while he has Dooku at swordpoint (like the Sword over Head scene with Luke in Jedi), Palpatine urges him to execute the Sith Lord. Unlike Luke, Anakin goes through with it, though he immediately regrets it.
- Chewbacca gets one in The Force Awakens when he sees Kylo/Ben murder Han. He roars in outrage, then shoots Kylo with a BFG and proceeds to ignite a chain reaction that blows up the whole planet.
- Kylo Ren himself, who tends to get really pissed about things not going to plan and uses his lightsaber to vent his rage in a fury of screaming and destruction. Unfortunately he never puts this into use in any practical way (as any time he gets into a conflict he tries to force a facade of composure, which probably weakens him to a degree).
- Kylo goes completely berserk in The Last Jedi when Luke shows up at Crait. He manages to stay calm for a few seconds, long enough to give the order to attack, but quickly loses it and starts screaming maniacally for More Dakka, much to Hux's bemusement. He has a similar reaction a little earlier when the Millennium Falcon appears, although his rage is still nowhere near as violent as that sparked by his former mentor.
- Kham in Tom Yum Goong (aka The Protector). After discovering that his elephant had been butchered and the bones set with gold and jewels, he goes into serious Heroic B.S.O.D. mode. He doesn't notice the horde of thugs beating on him until one makes the mistake of stabbing him in the side. This snaps him out of his grief and turns his BSOD into a Roaring Rampage of Revenge.
- In Transformers: Revenge of the Fallen, Optimus Prime fights Megatron, Starscream and Grindor by himself and is eventually overpowered and blasted halfway across a forest area. After Megatron tries to justify his means for wanting to kill Sam, Optimus denies his reasoning, charges right into the midst of them, slices off Grindor's arm, beats down Megatron, slices off Starscream's arm (and whacks him across the face with it) then leaps onto Grindor and tears his face in two, killing him.
"You'll never stop at one! I'LL TAKE YOU ALL ON!"
"We will kill them all."
- In DOTM, Optimus might as well be fueled by Unstoppable Rage.
"THEY SLAUGHTERED RATCHET?! I'LL TEAR THEM APART!!!"
- Ditto for AOE when he learns of Ratchet's fate.
- Beast against Magneto in X-Men: Days of Future Past, which is decidedly in Beast's favor, to the extent that Beast almost drowns him. Magneto only barely manages to save himself by using a nearby sculpture to restrain Beast.
- Wolverine/Logan flies into at least one of these in almost every X-Men film he's in. And since it's genetic, his daughter-clone Laura/X-23 has a few in Logan.
- Wonder Woman after Steve Trevor's self-sacrifice. Diana proceeds to tear through German soldiers like they're wet tissue.
- Played for Laughs in the short film The Saw (by Rooster Teeth collaborator Samantha Ireland), where a woman attending a anger management group decides to use her fury to become a "heroine", The Saw (shortened from the original Super Angry Woman).
My uncontrollable rage will make this world a better place!
- In Akuno P's Evillious Chronicles, the sin of Wrath is represented in The Muzzle of Nemesis, sung by Gumi. The singer, an assassin appropriately named Nemesis, is seeking revenge on her former employer, who ordered her to kill her lover. In a twist, the employer is not only her father, but the corrupt judge who represented Greed. Notably, she does give him a chance to repent.
- Older Than Dirt: Sekhmet, an Egyptian goddess of war, pestilence, and healing, went on a bender when some mortals dared suggest that her father, the sun god Ra, was getting a little old. She had no intention of stopping and nearly exterminated humanity. Finally Ra himself stopped her, and then only by making a literal sea of beer mixed with pomegranate juice. Sekhmet, mistaking it for blood, drank herself stupid, and thus the world was saved by alcohol.
- A version of the legend makes this even scarier by having the massacring goddess being Hathor, the nice and happy goddess of the moon, music, dance joy, feminine love and motherhood, with Sekhmet being the one who made the sea of beer mixed with pomegranate juice. Another version would see Sekhmet and Hathor being Not So Different.
- Cuchulainn from Irish mythology has a prime example of the "monster within" kind of unstoppable rage. In the epic, Táin Bó Cúailnge, he enters a "ríastrad" or "Warp Spasm". In this state he transforms into a horribly mutilated monster who doesn't know friend from foe. At one time, they broke him out of his rage by dunking him into three separate water barrels. The first one exploded, the other began boiling, and the last one finally cooled him down.
- This would later be co-opted into 2000 AD's Slaine, where they got really creative.
- In Classical Mythology, Hercules killed his wife and children in a rage induced by Hera. Less supernaturally, as a kid Hercules killed his music teacher with a lyre.
- The normally gentle Hindu goddesss Uma can transform into death dealing, world ending Kali. She does this to kill the demon Raktabija, after all the gods cut into the demon, only to find that his blood creates clone of himself once it hits the ground. Kali fixes the situation by inhaling all the blood before it touches the ground as she goes on her killing frenzy. Some legends continue that she would have turned her violence on the gods if Shiva, her husband, didnít lie amongst the dead in a desperate gambit to get her to stop. This is particularly sobering as Shiva has the ability to unmake all of creation and was pretty sure the only thing that could stop his wife from killing everyone was to gamble on his importance to her.
- Norse Mythology is the very source of the word 'berserker' (from an Old Norse word meaning "bear shirt"), and was full of them, most famously Thor. The god of the berserkers (and Thor's father) was Odin, whose very name means "The Furious One".
- According to Japanese Mythology, the storm god Susano-o flew into a drunken rage and did everything possible to mess up his sister Amaterasu's life. He defiled all her shrines, killed her handmaidens, and threw shit in her temples. The gods were unable to stop his overwhelming douchedness.
- In Romeo and Juliet, Romeo goes into unstoppable rage after Tybalt kills Mercutio ("...Mercutio's soul/is but a little ways above our heads.../either you or I or both must go with him.") Also seen again when he kills Paris ("Tempt not a desperate man"). Romeo's always in some exaggerated emotional state or another. (What do you expect? He's fifteen.)
- Hamlet is theoretically in unstoppable rage after the last soliloquy of the play ("...from this point forth/my thoughts be bloody or nothing worth"), but, given that this is Hamlet, two scenes later he's cracking jokes with a gravedigger.
- The Winter's Tale is about what happens when an extremely powerful man gives in to paranoia and unstoppable rage and takes it out on his subjects.
- When Flint kills Ruby in Bunnykill 4, Snowball proceeds to flip out in a manner that can only be described as Super Saiyan meets frenzied Mimiga.
- And in 5, Dust does Snowball one better after killing him under the influence of the Psycho Serum that Smoke had injected into him by completely devastating Smoke's army of mooks, wrecking his helicopter gunship as he tries to get away and then sending the bastard right through its rotor blades.
- Flippy of Happy Tree Friends goes into this whenever anyone does something that reminds him of the war he fought in. Subverted in "Remains To Be Seen", "Class Act", "Autopsy Turvy", and "By The Seat Of Your Pants" when he is killed while in his flipped-out state. Taken Up to Eleven in "A Vicious Cycle" where his rampage continues even after his death.
- In If the Emperor Had a Text-to-Speech Device, the Emperor is prone to do this when he hears about something particularly wrath-inspiring about the Empire, such us the Inquisition, senseless waste of resources or Traitor Legions. As he's immobile, this mostly manifests by him spawning warp storms.
- This went to the logical extreme when he found out that the Inquisition had killed off nearly all of the Senseis, his biological children, wile the others had gone into hiding and are now nearly impossible to find.
- Mystery Skulls Animated: When Lewis stops his rampage and seems to be connecting with Vivi Arthur (understandably) takes the opportunity to grab Vivi and run, Lewis and Vivi lose their moment to reconcile, breaking Lewis' heart (literally). As a result, Lewis becomes enraged and cuts loose with his power.
- RWBY: Do not touch Yang's hair.
- Outside of trailers, the first time we see this is in the Emerald Forest where Yang nearly blows up an Ursa.
- Happens occasionally in Survival of the Fittest, especially when a nice guy is pushed too far.
- Such as Adam Dodd going ballistic on Cody Jenson near the end of V1, who he has every reason to want dead.
- Sailor Nothing: although Himei usually just wills her opponents into non-existence, she has been known to tear them apart with her bare hands if put under sufficient emotional stress.
- While it is debatable whether Nist Akath of Dwarf Fortress falls under this or Video Games, the scene where Ironblood is betrayed by the nobles certainly springs to mind. Ironblood is poisoned by the nobles who are servants of an evil god, stripped naked, and thrown into the arena he himself ordered costructed. Then, to kill him, they release a hydra to kill him. While naked, poisoned, and vomiting, Ironblood kills the Hydra with his bare hands. By crushing its skulls. Then, he climbs out of the arena, and... well...
"As he watched the dwarf crushed his wife's form, he came to a sudden, horrid realization. Ironblood didn't use an axe because he needed it. He used it to be kind. And right now he wasn't being kind."
- Badfic is so horrendously bad that unstoppable rage is a common reaction for Protectors of the Plot Continuum agents, especially when a favorite canon character is threatened.
- Parodied in Linkara's review of Wolverine: Adamantium Rage.
- Caboose tries to intentionally invoke this in himself when he and Sarge are trapped in a bizarre land of eternal war in Red vs. Blue. 'I am Michael J Caboose ... and I HATE BABIES!' Followed by 'Hurk! Blagh!' repeatedly.
- Comes back in Season 10; as the Blood Gulchers are lining up for a battle, Church says he needs Caboose to get a little angry; Caboose replies that he forgot how to do that. Church helps him remember, and Caboose charges headlong through a massive group of Tex copies.
- From The Gamers: 'Barbarian rage! Blood, death, and vengeance!'. Success rate? 1 for 2.
- In Fine Structure, a series of otherwise normal humans acquire Flying Brick powers. In each case, for the first 15.8 seconds after getting their new powers, they are stuck in an absolute berserker rage wherein they immediately attempt to obliterate anything and everything around them. Since they also perceive time at an accelerated rate, this gives them long enough to kill millions of people if the local population density is high enough.
- The whole point of the RAEG TRAIN.
- The Angry German Kid, which is a staged performance of a kid getting angry after his computer breaks, and then he proceeds to scream and throw his keyboard across the room.
- Along with his better-known abilities, SCP-682 is noticeably prone to these. Given that he's unstoppable even outside his rages, this is a bad thing.
- SCP-096. When someone sees its face(It doesn't matter if it's in person or 4 pixels in a picture) it will enter a homicidal and unstoppable rage that won't end until the person who saw his face is dead. One attempt to see just how far it would go involved putting a guy in a bathysphere over six miles underwater and hundreds of miles away from its containment before showing him a picture. It bought the guy forty minutes.
- Among the boards of 4chan, /v/ is (rightly) the butt of many jokes as being rage incarnate...
- The mere mention of the infamous Bat Credit Card from Batman & Robin has this effect on The Nostalgia Critic.
- Arthéon in Noob Season 4 finale, after Kary turns out to be more interested in the new game content than in their wedding ceremony.
- In Episode 18 of Dragon Ball Z Abridged, when Vegeta discovers that Gohan stole his dragon ball, he completely loses it. His scream of rage can be heard over the entire planet, in space, in the afterlife, and on another planet in another solar system twenty years in the future. When he catches up to Krillin, he's been driven temporarily insane, his perception of color keeps changing, and he's shouting at Ghost Nappa. Gohan receiving a power-up from Super Kami Guru is the only thing that saves Krillin from a horrible death.
- Whateley Universe: "Ragers", as they are called in-universe, are common enough that they actually classify them into three groups: Class One ragers are basically the equivalent of a person with Intermittent Explosive Disorder, and tend to forget to use their powers; Class Two ragers use their powers while raging, and can cause considerable damage; Class Three ragers actually grow more powerful the angrier they get (similar to the Hulk, except affecting all their powers), with their powers buffed higher and higher as they continue to rampage.
- On campus at the time of the original stories, the best known class-3 rager is Razorback, who has the appearance of a velociraptor and communicates through sign language. While he is a nice guy most of the time, anything that sets him off is likely to result in a drawn-out fight, as he is both a speedster and a regenerator. For their combat finals, the teachers pitted him against Jimmy T.; the fighting went on until they were both too exhausted to continue, with the match being decided by a coin toss.
- A humor website called Grudge Match (Where Useless Knowledge Breeds Champions) was a Celebrity Deathmatch-like site run by two guys named "Brian" and "Steve" who pitted pop-culture icons against each other and argued about who would win. Butt-Monkey characters were often prone to what was simply known as "The Rage", which made an otherwise weak character virtually invincible. The most awesome manifestation of "The Rage" appeared in the Beavis vs. Butthead fight, when Beavis, pushed beyond his limits by Butthead's constant mistreatment of him, experienced such an explosion of "The Rage" that he split into four separate personalities: himself, Cornholio, Carrotjose, and Rutabagajuan. These four "maniacs" proceeded to give Butthead the beatdown of a lifetime.
- The savage Wolverine after which the popular X-Man is named after is infamous for its relentless refusal to stop chasing, attacking and mauling it's prey/threat until either it or itself is dead. In fact, it's jaws will clamp down and lock onto its victim in death, and nothing short of a crowbar can pry it open if you do not want your limb to go gangrenous.
- All of the above also applies to the Tasmanian Devil, it's closest Australian Marsupial equivalent. Made doubly scary (or hilarious) for the fact that that unlike the wolverine, it's no bigger than a large house-cat.
- Played with in the common honeybee: although they will pursue and sting all threats to the hive, they literally do so unto their deaths only in the case of mammals, as the curved and barbed nature of their stings causes them to get lodged in a mammal's skin, and thus should they attempt to fly free, their insides will be pulled out in the process. Hornets play this trope straighter as they, with a straight and smooth sting, do not possess this problem, and will repeatedly sting any mammal that poses a threat to their hives until it is either dead or driven off.
- Defied with the poor animals killed in bull fights, which are by nature peaceful herbivores, and have to be goaded into anger with multiple stabs of the dagger moments before they are sent to their deaths at the blades of the Matador in the arena.
- Bull elephants in Musth would be the crowning animal example of unstoppable rage. A periodic hormonal condition where male elephants are extremely violent towards its surroundings unless they mate with a female, these frenzied monsters are capable of destroying everything in their path, including trees, vehicles, and houses. They can easily kill any animal within range, from carnivores to large surly animals such Cape Buffalo, Rhinos, Hippos and even other male Elephants. Outside of musth, it is still very unwise to provoke any elephant; they are the largest land animals, so not many things can stop an angry elephant's rampage. There is a reason Elephants are ranked as number one on The Most Extreme: Hissy Fits; even over Grizzly Bears and Africanized Honeybees!
- And then there's the kind of groupthink-inspired unreasoning hate and rage that only the most vicious, ruthless, and destructive species on Earth is capable of. Man. The festering anger of an entire society feeding back on each other with dehumanizing propaganda and echo chambers provoked by anything from an attack on their soil to simply losing a sporting event or a single human being lost or killed. The resulting frenzies have left cities in ruins, entire forests laid waste in a singleminded hunt for any animal that dared attack on of them, and even vast swaths of continents turned into a grinding battlefield and nations left in ruin. Anyone who starts to calm down is simply roused back up again by the constant clamor or ostracized and silenced. Just look at what we can do when we work together.