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Spiritual Successor
aka: Spiritual Adaptation

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"In any event, recently I noticed that there were certain movies which, although not designed to be, are like sequels to earlier, unrelated films. Movies that show you what would have happened years later if only you use a little imagination and poetic license..."

A Spiritual Successor is a type of sequel that is not part of the same world or story as its predecessor, but is nonetheless considered to be a successor because it shares common themes, styles, and elements. In other words, it’s a sequel "in spirit".

The reasons for this are varied. Sometimes, creators may strongly echo others’ work as a sort of "professional Fanfic", implying a connection or parallel while keeping a respectful (and copyright-avoiding) distinction from the original. Other times, the original creators may not want to directly continue the original work (and risk Sequelitis), but their distinctive style and thematic interests remain. Producers may try to adapt a different work following the model of a previous success of theirs, while maintaining a prudent separation between the two Canons. And then sometimes it occurs completely by accident.

Present in all sorts of media, although the term "Spiritual Successor" may have originated within video games (also known as companion games), because developers might own the engine and game code with publishers owning the trademarks to the franchise.

A spiritual successor may succumb to Better by a Different Name. As these successors are often to works that fell victim to Franchise Killers, this can be considered a sort of Franchise Reincarnation.

The series version of an Expy. Often overlaps with Serial Numbers Filed Off. For spiritual successors where the two works actually share the same creative teams, see Creator-Driven Successor. Contrast They Copied It, So It Sucks!, Dolled-Up Installment, In Name Only, Dueling Works, and Thematic Series. See also Production Posse.

The opposite is Spiritual Antithesis, though it is possible to be Spiritual Successor to one work and Spiritual Antithesis to another at the same time.


Example Subpages:

Other Examples:

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    Advertising 
  • The Kroger supermarket chain's 2022 Thanksgiving ad campaign, “Today’s Holiday Moments Are Tomorrow’s Memories,” easily brings to mind the Married Life montage from Up. Both are montages in CGI animation, with no dialogue, and both chronicle a couple's Childhood Friend Romance and long, happy marriage before the wife's eventual passing in their old age. Both also involve a special scrapbook made by the wife: the "adventure book" in Up, and in the ad campaign a recipe book that the widower uses to cook a holiday feast.

    Comedy 

    Fan Works 

    LARP 
  • The MagiQuest simulated-adventure franchise, although much lower-tech and modest in scale, is currently the closest that fans of Niven & Barnes' Dream Park can come to savoring the fictional mega-theme park's attractions.

    Pinball 

    Podcasts 
  • The Dick Show is considered by many fans to be this to The Biggest Problem in the Universe, since it shares one of the latter show's co-hosts.
  • Secretly Incredibly Fascinating is an unofficial revival of The Cracked Podcast, still hosted by Alex Schmidt and even using some of the same music and taglines.

    Radio 
  • Hello Cheeky was this to I'm Sorry I'll Read That Again. Both were sketch shows with a surreal bent, a cast that played exaggerated versions of themselves, No Fourth Wall, a shared actor in Tim Brooke-Taylor and, early on, a shared producer in David Hatch. The main difference was that Hello Cheeky was a lot quicker and looser, with sketches not needing a punchline. (Actually, the first season of Hello Cheeky ran parallel to the last season of I'm Sorry, I'll Read That Again, which resulted in playful potshots by the latter to the former.)
  • Not a programme, but an entire station: 96.3 Radio Aire in Leeds, West Yorkshire, could be considered as a spiritual successor to 103.2 Power FM in Hampshire. Similar playlist, emphasis on personality/music, rather than "more music less talk", and emphasis on dance music at the weekends, whilst retaining an air of locality; in fact they only network 7pm-10pm and 1am-6am weekdays, from 6pm-10pm Saturdays and weekend overnights; otherwise, they're pretty much local.
  • Same could be said for UKRD's takeover of the former TLRC [The Local Radio Company] stations; they sound like live and local stations of the 1990s, with emphasis on the local part. Plus, there were few if any rebrands, except in the North East, and no networking — so it feels local in content terms.

    Roleplay 

    Tabletop Games 
  • Blackbirds RPG clearly takes heavy inspiration from Berserk, and though the setting only resembles it in Broad Strokes it's probably the closest thing that there is to a Tabletop adaptation of the manga.
  • The design team of City of 7 Seraphs has cited Planescape as a major influence. The City, a planar hub metropolis at the centre of all realities, is Sigil with the serial numbers filed off. Colin McComb, co-creator of Planescape and writer of Planescape: Torment, is one of the designers working on City of 7 Seraphs.
  • Cheapass' Games Kill Dr. Lucky is a spiritual prequel to Clue.
  • Magic: The Gathering Arena of the Planeswalkers is the successor to Heroscape as it is made by the same designers and basically just takes Heroscape and puts it in the Magic: The Gathering universe and adds magic cards but is 90% the same game. It even has compatable terrain and some even say armies and almost everyone that has both games has tried mixing them.
  • Hordes/War Machine by Privateer Press is considers by many to be a better version of Warhammer Fantasy and 40,000, as many Games Workshop designers left to start Privateer Press for the purpose of not only making a better game but in their opinion a better game company.
  • The OGL fostered many of these for Advanced Dungeons and Dragons First Edition: Among them are Castles & Crusades, OSRIC, and Labyrinth Lord.
  • Pathfinder is Paizo's refinement of Dungeons & Dragons 3.5 edition rules, made after Wizards of the Coast released Fourth Edition and upset a lot of fans because it was completely incompatible with 3.5 and was a sharp change in play-style.
    • Dreamscarred Press has made a habit of taking Dungeons & Dragons's alternate magic systems and porting them to Pathfinder.
      • Psionics were revamped in their Ultimate Psionics book, with significant chunks being outright conversions.
      • The controversial Tome of Battle was revamped in Path of War. Notably, while the system is a Pathfinder version of Tome of Battle's, none of the Tome of Battle classes or disciplines have counterparts, so as to avoid rights issues.
      • Magic of Incarnum's meldshaping was reworked into the veilweaving of Akashic Mysteries. Like Path of War, it avoids having direct counterparts to its predecessor's classes. Unlike Path of War, the fluff around Akasha is considerably different to that of incarnum.
    • Kobold Quarterly, from Open Design/Kobold Press, which ran from 2007 to 2012, was essentially a Dragon magazine for 4th ed and Pathfinder. It even had an advice column by Skip Williams, the original Sage of Dragon's "Sage Advice".
  • Frontier Space, released in 2017, is a Dolled-Up Installment of TSR's 1982 classic sci-fi RPG Star Frontiers.
  • The Warhammer 40,000 Gaiden Game Necromunda is a heavily streamlined version of the early 90s game Confrontation with fleshed out background. Serialised in White Dwarf, Confrontation dealt with running underhive gangs in small scale skirmishes and what went on in the downtime between them. The game was known to be exceedingly complex and terrifyingly lethal (roll up a gang in a few hours, have the first guy killed within a minute of starting to play) but interesting nonetheless.
  • Rex: Final Days of an Empire is the original Dune but given a Twilight Imperium reskin.
  • Bread and butter of Restoration Games board game publisher. Some of their titles are straight sequels (Fireball Island, Stop Thief!), while others are spiritual successors (Unmatched to Star Wars: Epic Duels, Down Force to Top Race)
  • Heavy Gear is an Armored Trooper VOTOMS game with the setting of Fang of the Sun Dougram.
  • If there was ever a tabletop game version of Watership Down, it would be called Bunnies & Burrows.
  • Warhammer 40,000:
  • F.A.T.A.L. is... well, let's be fair. FATAL is probably the worst Berserk RPG ever made, but it's was the closest to a Berserk RPG, until the release of Blackbirds RPG.
  • The board game Thunder Road, the "ram and wreck survival game", is about driving through the desert and fighting with the other drivers. The publishers clearly wanted us to think of Mad Max 2: The Road Warrior.
  • Dungeon Lords is Dungeon Keeper: The Board Game.
  • In the opening to their RPGnet review of the World of Darkness ripoff Vampire: Undeath, reviewers Darren MacLennan and Wil Hutton argue that many tabletop games are, in some way, heavily inspired by properties from other media. They cite Dungeons & Dragons as owing a heavy debt to The Lord of the Rings (with treants and halflings as, respectively, ents and hobbits), the World of Darkness as inspired by the works of Anne Rice, and Underground as a stealth adaptation of Marshal Law.
  • The board game Steampunk Rally is Wacky Races, but Steampunk, and starring history's greatest inventors.
  • Werewolf: The Apocalypse is a significantly Darker and Edgier Captain Planet and the Planeteers, given that it's about magical beings tasked by Gaia to battle deformed madmen polluting the Earth For the Evulz.
  • GURPS Reign of Steel is very obviously inspired by the Terminator franchise.
  • Nemesis is a board game adaptation of Alien in all but name. Its Carnomorphs expansion switches to being a board game adaptation of Dead Space in all but name.
  • The Yu-Gi-Oh! card game has the World Legacy archetype and its related archetypes, which are based on JRPG characters. The story connecting them all has plenty of similarities to Xenoblade Chronicles 1 in particular.
  • The British Boarding School RPGs The Skool Rools (Phil Masters, 1994) and Hellcats & Hockeysticks (Andrew Peregrine, 2009) are very much inspired by molesworth and St. Trinian's respectively.
  • Fading Suns with its Feudal Future and Fantastic Catholicism serves as one for Dune and The Book of the New Sun.
  • Wicked Ones isn't shy about its inspirations, and is pretty much a tabletop adaptation of the Dungeon Keeper games.
  • Overlords of Dimension-25 is a deliberate Serial Numbers Filed Off remake of TSR's Buck Rogers XXVC.
  • We Deal In Lead is a deliberate homage to Stephen King's The Dark Tower series. The players are members of a chivalric order of gunslingers in a world littered with magic and the remnants of ancient technology, that occasionally bleeds into other realities.
  • Gods Of Metal: Ragnarock is essentially Brütal Legend as a tabletop rpg.
  • LIGHT was designed by the author to emulate Destiny in both setting and the mechanics of Looter Shooter in general. The players are Beacons, immortal guardians of humanity's last city in a solar system overrun with alien theats with much focus on combat and acquiring new gear and abilities in the field (loot).
  • Because it is intended to emulate Action Movie genre in general, Outgunned already had influences from it; but the recent World Of Killers setting is pretty much John Wick the tabletop rpg. The player characters are all members of a Wainscot Society of assassins, criminal 'Families', and a chain of luxury hotels that are neutral ground for all of them.

    Theatre 
  • Director-writer Franco Dragone helmed the bulk of Cirque du Soleil's shows through 1998, and has since struck out on his own. Two of his solo shows, Le Reve (2005, Las Vegas) and The House of Dancing Water (2010, Macau, China) can be seen as spiritual successors to one of his last Cirque efforts, "O" (1998, Las Vegas), if only for the fact that they're all stylized fantasies that take place in, around, and upon enormous pools that can be converted to conventional stages as needed. (Le Reve, which was competing directly against "O", was initially poorly regarded by critics for being little more than a grim recycling of the Cirque effort, and substantial retooling resulted.)
  • Henrik Ibsen had a number of successor plays: An Enemy of the People follows up the political themes from The League of Youth, with a character from the former play showing up in the latter. Also The Master Builder, who follows the same pattern as a sequel to The Lady from the Sea. Both The Master Builder and When We Dead Awaken have themes in common with Brand.
  • Hamilton can be compared to 1776 for a few reasons. Most obviously, they're both a musical about the Founding Fathers trying to create America. Although 1776 is a Government Procedural about the efforts to declare independence in the summer of 1776 and Hamilton is a fictionalized account following the life of one specific dude, both have songs about their leads grappling with principles and the need to compromise to accomplish their goals. While 1776 portrays the Founding Fathers as griping, mopey, bored aristocrats who painstakingly earn their "Mount Rushmore" stature by learning to compromise their ethics and rise above their flaws, the Founding Fathers in Hamilton are a mixture of the previously-described aristocrats and young, poor revolutionaries who have a fire lit under them, yet are no less flawed and taken a bit more soundly to task for it. Where 1776 alludes to the fickleness of historians through John Adams' lament that he'll be forgotten and Franklin's ironic "What will posterity think we were, demigods?", Hamilton turns it into a central theme as its principal characters struggle to define and control their legacy. Both Adams and Hamilton were also "forgotten" Founding Fathers in spite of their zeal and accomplishments, whose profiles were raised dramatically by the plays, and had a tendency to piss off everyone around them. (Including each other, in fact; "despised" would be a mild way of describing their mutual animosity.)
  • William Shakespeare used a limited number of themes in his works, to the point that some of his plays are almost identical in mood. For example: King Lear, Timon of Athens, and Titus Andronicus are all dark and heart-wrenching tragedies with Bittersweet Endings about great and powerful men who are reduced to insane beggars because of a single decision which was idiotic in retrospect.
  • Peter Fenton's Abandon All Hope as one for No Exit, which is lampshaded in the script.

    Theme Parks 
  • This happens frequently with the haunted houses at Universal Studios' Halloween Horror Nights event when they don't own the property the house is based on, especially in its earlier years in the 90s and 00s. These days, they're more likely to officially license the property to make a house out of, though the rights to some may be held by other theme parks (namely Disney and Six Flags).
    • The RUN series of houses is big on this. The first one from 2001 is this to The Running Man, while the sequel house RUN: Hostile Territory from 2005 is based more on Hostel. The 2015 house RUN: Blood, Sweat, and Fears makes the Running Man influence even more blatant with its '80s retro-apocalypse setting, while also drawing inspiration from The Hunger Games (itself often seen as a YA version of The Running Man; see Literature above).
    • 2004's Horror In Wax is this to House of Wax (1953).
    • 2005's Demon Cantina is this to From Dusk Till Dawn. They eventually got a From Dusk Till Dawn house in 2014, albeit based on its TV adaptation.
    • 2008's Interstellar Terror is this to Event Horizon.
    • 2010's Legendary Truth: The Wyandot Estate is this to The Legend of Hell House.
    • 2011's The Forsaken is this to The Fog.
    • The "Body Collectors" are strongly based off of the Gentlemen from the Buffy the Vampire Slayer episode "Hush".
    • Universal will likely never be able to use The Joker or Harley Quinn at their parks (not with Six Flags holding the rights to use DC Comics characters), but for the time being, they have Jack and his sidekick Chance, the Monster Clowns who delight in terrorizing, torturing, and killing people with sick games. Chance's 2015 redesign especially is almost a dead ringer for Harley in the Batman: Arkham Series. This became even more apparent when Chance was made the icon of the event in 2016, the same year that Suicide Squad (2016) was released, a decision that many fans believe was made in part to capitalize off of Margot Robbie's popular take on Harley Quinn in that film.
  • Years before Universal Japan would open Super Nintendo World, they essentially adapted Super Mario Galaxy into the original attraction Space Fantasy: The Ride, a whimsical science fantasy ride where guests help a cosmic princess and her adorable starry sidekicks save the solar system.

    Visual Novels 
  • Hotel Dusk: Room 215 is considered to be the Spiritual Successor to Another Code (Trace Memory in the United States), and is set in the same universe. Again!! is in turn the Spiritual Successor to Hotel Dusk: Room 215.
  • The Tokimeki Memorial series got, during its 15 years-long run and ongoing, three Spiritual Successors:
    • Mitsumete Knight in 1997, which used Tokimeki Memorial 1's game engine and most of its mechanics, with several twists such as easier girl management, an expanded battle system, and a rich medieval/heroic-fantasy storyline where Anyone Can Die ;
    • Meine Liebe in 2001, using too the same game engine than Tokimemo but in a Gender Flipped version, making it the predecessor of the Tokimeki Memorial Girl's Side branch of the series ;
    • Love Plus in 2009, reducing the datable characters to a measly three of them, but with lots more development around them and an After Story of sorts where the player can interact with the girl long after having they have confessed their feelings (a system which got a lot of controversy, especially with some Otaku pushing the thing a bit too far).
    • In 2007, Konami released Brooktown High in English. It was an In Name Only successor to the Tokimeki Memorial series. It received mixed reviews and weak sales.
    • Shira Oka: Second Chances was meant to be an unofficial fan-made spiritual successor to Tokimeki Memorial, but in English. It began development around 2005, but the full game was not released to the public until December 2010. Therefore, the title of "first fan-made spiritual successor in English with a commercial release" goes to the independent game Summer Session.
  • Umineko: When They Cry is a spiritual sequel to the two-installment Higurashi: When They Cry. It shares many elements with Higurashi: written by the same person, "Groundhog Day" Loop that loops at the beginning of each new arc, and spikes from happy scenes to horrific scenes; however, it's in an entirely new setting: instead of a small, secluded village, it takes place on an island owned by a multi-million-yen family with new characters. It does have a couple Continuity Nods, however, in the form of Bernkastel and Lambdadelta. But that hasn't stopped the fans from theorising that there is a connection between the series, especially since Bernkastel has been confirmed to be an amalgamation of all the Rikas who never made it past June of 1983, plus Higurashi was labeled When They Cry 1 & 2 (Higurashi and Higurashi Kai) while Umineko is When They Cry 3 & 4 (Umineko and Umineko Chiru). This might indicate a closer connection between the series.
  • The Zero Escape series can be seen as a spiritual sequel to the Infinity series (which includes Never 7 and Ever17), including similar themes about existence and involve a shady pharmaceutical company.

    Web Animation 

    Webcomics 

    Web Original 
  • New York Magician: Compare the writer's earlier Ethereal Park Ethereal series, which also features magical elements in an otherwise normal New York, along with some Urban Exploration influence. However, the protagonists are very different; Michel is a rich man experienced at all this magic stuff, while the narrator of PE is a broke homeless guy who can't remember his name or past and has no real idea what's going on.
  • Discussed in SF Debris' review of Star Trek: Nemesis. Like many Trekkies, Chuck Sonnenberg feels that a major problem with Nemesis is that it tried way too hard to be a Spiritual Successor to Star Trek II: The Wrath of Khan, a film often cited as the best of the Star Trek movies; it features a genetically modified human villain who's framed as the Evil Counterpart of the heroic Captain, an experimental doomsday weapon figures into the plot, it climaxes with a one-on-one starship battle, and it even ends with Data pulling a Heroic Sacrifice to save the crew à la Spock. But as Sonnenberg argues, the producers didn't realize that they had already unintentionally made a much better Spiritual Successor to The Wrath of Khan with Star Trek: First Contact. Both films are follow-ups to classic episodes of the TV show ("Space Seed" and "The Best of Both Worlds", respectively) that feature Kirk and Picard attempting to come to grips with their Fatal Flaw while battling their most personal enemy, and they feature them confronting the legacy of the brutal 21st century in the personage of Khan Noonien Singh and Dr. Zephram Cochrane. note 
  • TikTok could be considered a successor to Vine in several aspects; both are online platforms where users can share short videos with each other, and both have had trends that have reached Memetic Mutation levels of popular.
  • The Whateley Universe is the spiritual successor to the Of Masks and Marvels universe. The author of the latter is one of the key creators and main authors of the former, and they are both superhero universes with transgender protagonists. The main character and main superhero team of the Masks and Marvels world even have expies in side characters at Whateley Academy.
  • The RPC Authority is a spiritual successor to the SCP Foundation created by some members of the site's old guard in response to ideological and creative differences with the changing userbase who looked down on its roots in 4chan.
  • The Jolly Roger Telephone Company, which provides bots designed to waste the time of telemarketers and other unwanted callers can be said to be this to "Lenny." Lenny is a set of recordings designed to sound like an old man which have enjoyed some popularity on YouTube and which is also engaged to waste the time of telemarketers and other undesirable callers. However, Lenny is only one bot with a very limited repertoire, and no A.I. to customize the routine to engage. Jolly Roger, on the other hand, provides a number of different bots and has added new features over time, including the ability to pass from one bot to another when material runs out, as well as detecting certain scams and engaging custom routines.
  • The sports/culture news website, Defector, is a spiritual successor to Deadspin; Defector was formed by former Deadspin writers after they all quit in protest of the current owners' controversial "Stick to Sports" policy.
  • Sprout is popular, but only has one fansite - Parents and Kids Share Together, which launched in 2020. A few years prior, founder Madeline Fretz founded another Sprout fan blog known as Let's Grow and wrote about the blog here.

    Web Videos 
  • Alex Albrecht's show 4Points on the Nerdist network can be seen as a successor to Diggnation as it more or less picks up on the same format but with an additional two hosts.
  • The Action Button series is Tim Roger's successor to both the text game reviews he did for his old action button dot net website, as well as the video essays he previously did for Kotaku.
  • The YouTube channel AOK is a spiritual successor to the FOX ADHD channel and television block. The type of content on both channels is very similar, not to mention that two of ADHD's writers, Heather Anne Campbell and Eric Moneypenny, are the writers for AOK.
  • Crossed was a series of short video by Karim Debbache where he reviewed movies based on — or talking about — video games. The series ended after the 28 episodes negotiated with JeuxVidéo.com, the website which hosted his videos. After negotiations with the website and other potential partners failed, Karim launched in 2016 a new, crowdfunded show called Chroma. The new show doesn't just have a similar title and subject as Crossed but also the same length and format, the same humor, Karim's friends Gilles and Jeremy coming back, and generally feels like a season of Crossed that doesn't focus on videogames.
  • Diggnation and TWiT are both spiritual successors to The Screen Savers
  • Both created by Jreg, the web series The Mental Illnesses is the spiritual successor of Centricide. Fourth-Wall Observer Schizophrenia outright calls it a spiritual successor in the third episode.
  • Linus Tech Tips: TechLinked is a spiritual successor to Netlinked Daily, the former daily news show on NCIX Tech Tips. "HEARTBROKEN... NCIX YouTube Channel" even explicitly states that TechLinked is the spiritual successor. After NCIX went bankrupt in 2017, Linus tried everything he could to purchase the YouTube channel and related assets, with the intention of at least reviving Netlinked. When this plan fell through, they instead launched TechLinked, with Riley Murdock, the final presenter of Netlinked, as the main writer and presenter.
  • Discussed on the Midnight Screenings review of The Book of Henry, where Brad Jones claims the movie's downright insane plot (a child dies, and his mother tries to follow the instructions he left to help the girl next door who is seemingly being abused... by killing her father!) would be a great triple feature with two 90s coming-of-age films that end up going in ways that don't fit emotionally, Radio Flyer (two kids have a stepfather who is abusive to one of them, but the kids cover it up because their mother loves him; so instead of telling the authorities about the abuse, the abused kid decides to build a machine and fly away). and Jack the Bear (a drama about starting life in a new place, until a Neo Nazi moves in next door and somehow turns the story into a thriller).
  • Richard Michael Alvarez, creator of Stupid Mario Brothers, announced that a spiritual successor to SMB called That Stupid Video Game Show. It will feature generally the same characters as SMB but will not have an overarching storyline like its predecessor. Each episode will be self-contained.
  • The Totally Rad Show is a spiritual successor to Geekdrome and Burt Monroy's Pixel Perfect can be seen a spiritual successor to Bob Ross' The Joy of Painting
  • TV Trash could be seen as this to Benthelooney's 2009-2011 run of rants, because of The Rowdy Reviewer's characterization, the way he voices his opinions (Fair and less harsh when compared to other caustic critics), less focus on jokes, and more focus on the subject at hand with an occasional joke thrown into the picture. (Especially so, since Benthelooney took a different direction to the way he was before cancellation, when his rants restarted production.)
  • World War II: The series is one to The Great War following the same Real Time format, the same host, and some of the same production staff but about World War II following on from the original series coverage of World War I.
  • In-Universe, this occurs in The Nostalgia Critic's review of The Princess Diaries 2, when Benny the assassin says he didn't know they made a video game of The Purge, but the Nostalgia Critic says it's actually Grand Theft Auto VI.
  • Discussed in Honest Trailers (see under "Animated Films"):
    Epic Voice Guy: And don't tell me there's no way to make a good Fantastic Four movie! It's called The Incredibles, and it's perfect!
  • Creep Catchers: Inspired by Dateline's To Catch a Predator. A Canadian grassroots movement (not so much an organization) dedicated to confronting would be child predators. As with Dateline, they pose as children in chatrooms and wait for would be "creeps" to take the bait and arrange a meeting. They will film their encounter and often aggressively persuade the "creep" to own up to their actions in light of the evidence in the chatlogs. The encounter is then posted on social media such as Facebook and Youtube as a shaming tactic. Their encounters with said "creeps" can get confrontational and some of the members have been charged with assault. They are especially noted for the theme song that was created by K-Blitz and adopted by individuals who act as creep catchers. Several individual unaffiliated groups use the name "Creep Catchers". Justin Payne, calls his operation P.O.P or "Prey on Predators" but still has used the K-Blitz theme song.
  • Like the aforementioned Death Battle, Epic Rap Battles of History can also be seen as an updating of WWWF Grudge Match for the YouTube age in how it pits both historic figures and pop culture icons against each other, though here, it's done through Battle Rapping rather than an Ultimate Showdown of Ultimate Destiny.

 
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Alternative Title(s): Spiritual Sequel, Spiritual Predecessor, Spiritual Licensee, Spiritual Adaptation

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