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Nominal Hero
aka: Hero In Name Only

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"According to a loose enough definition of 'hero', we qualify. Well, more or less. The point is that good deeds were done and we were nearby."

Fictional heroes tend to be a diverse bunch, but most have one thing in common: a morally positive motivation. Even morally questionable heroes usually are at least partially motivated by a genuine concern for others, desire for justice, belief in playing by the rules, etc.


The Nominal Hero is the exception to this rule. While at least technically on the side of good, their motivations are neutral at best.

So why are they on the side of good? Usually, it's one of the following:

  • Leave Me Alone: They just want to keep to themselves. But that's not going to happen with the villain blowing everything up; or worse, specifically targeting them.
  • Annoyance/Revenge: For these characters, It's Personal. Maybe the villain did something to them (or to a loved one, which overlaps with the Relationships motivation below) in the past, or maybe they think the minion's uniform is tacky. They aren't interested in fighting evil, they want to see their opponent defeated. Often overlaps with Enemy Mine.
  • Boredom: These characters are basically fighting for good because they don't have anything better to do. They don't care if the heroes actually succeed, they just enjoy the adventure. A Heroic Comedic Sociopath or The Trickster might have this motivation.
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  • Mutual Interest: These characters have selfish reasons to help the heroes succeed. Often, they are characters who would normally be villains, but at least for now are more concerned with stopping some other villain (perhaps the first villain just wants wealth and/or power, but the second one wants to destroy everything). Often an Enemy Mine. A Magnificent Bastard might aid heroes to manipulate events in their favor as a standard tactic. Or a heroic dissident fighting an oppressive regime might end up side-by-side with criminals who probably deserve to be imprisoned or executed.
  • Relationships: Not all Nominal Heroes are purely selfish. Some have a love interest or other that they do care about. A Nominal Hero might do something heroic to impress or rescue that someone, even though they couldn't care less if other people die.
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  • Reward: These characters want something in return for their help, such as a share of the treasure, or simply something to look good on their resume. They aren't interested in whether anyone else benefits. The Miles Gloriosus is an example of a character type that might choose to join a band of heroes for this reason.
  • Force: Some characters become heroes because they literally aren't allowed to be anything else. Maybe they're on an Explosive Leash or are a Cosmic Plaything, but when they fight for the side of good, it's only because it's their only option other than perhaps death.
  • Lawful examples of this trope find themselves "stuck" to the good side by a deal, contract or some similar bind, or (more ideally) simply out of a sense of loyalty to the heroes.
  • Other motivations: Not all Nominal Heroes need to have a motivation that makes any sense to others. They might be a Cloudcuckoolander or have Blue and Orange Morality.

This type of hero is rarely averse to working alone, with other heroes. On a team of otherwise conventional heroes, they'll often be in an Enemy Mine, Sociopathic Hero, or Token Evil Teammate role. Other heroes may only work with them because they could use all the help they can get, or specifically to keep an eye on the hero-in-name-only, so that they don't become a more serious threat.

In terms of sympathy, most Nominal Heroes are Noble Demons. Many other tropes about questionable heroes can overlap with Nominal Hero, but most are not true subtropes:

Note: This is for In-Universe characterization. Subjective/Audience Reaction interpretations go in Designated Hero.


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    Anime and Manga 
  • In Valvrave the Liberator, L-Elf is this, firmly contrasting to the more typical protagonist, Haruto. He's on the good guys side because it will help him get what he wants, and really only sees them as tools, not allies.
  • Dragon Ball:
    • In Dragon Ball Z, Vegeta goes through a Nominal Hero phase as part of his slow but eventual Heel–Face Turn, starting in the Namek arc as a Villain Protagonist seeking to overthrow his former master, and in the Cell and Buu arcs, defending Earth, but only for his own selfish reasons. After his death and subsequent pseudo-revival in terms of coming back to Earth for one day, he fights for the Earth for the sake of defending it for the first time.
    • While the anime and moreso the English dub made him an outright hero, Goku in the manga just likes to fight stronger opponents and get stronger himself. Dragon Ball Super has caused something of a Broken Base as it favors the original character interpretation. One episode in particular has Goku himself saying that he's not a hero, just a guy who wants a good fight; however, he does also say that if he sees someone in trouble then of course he'll help them out, because it's the right thing to do.
    • Bardock, in his original special, certainly qualifies; he opens the story by wiping out an entire race with no small amount of satisfaction. The only redeeming quality to him is his genuine relationship with his crew, which is what motivates him to rebel against Freeza.
  • In Slayers, Lina Inverse and Zelgadis Graywords both fall in this category in different ways.
    • Lina is fully conscious of her status as one of the greatest magical prodigies in the world, and is not above using her vast power to intimidate and extort food/treasure for herself.
    • As far is Zelgadis is concerned, he is hell-bent on changing his chimeric body back to normal, and is even nastier than Lina in the intimidate/extort department. He will help save the world....if it'll save himself really.
    • Token Evil Teammate Xellos is a much straighter example.
  • Mello from Death Note is this with hints of an Unscrupulous Hero. But despite intending to catch Kira, he is more than willing to shoot anyone in his way, become a mob boss, kidnap innocent girls, and in the manga, threaten the President to sabotage his rival so that said rival can't catch Kira.
    • Near also fits in a similar way; his sole goal lies in "winning the game," and he is far from opposed to putting others in the line of fire or (as Matsuda suggests he might have) using the Death Note himself in order to do it. Unlike their predecessor, both Mello and Near are more preoccupied by personal ambitions and competition than the actual idea of doling out "justice," which is maybe why their target — the Visionary Villain Kira — never develops the same Worthy Opponent respect for them as he had for L.
    • Matt, despite being third in line to succeed L, doesn't seem terribly interested in the Kira case, and to have only gotten involved in it for Mello's sake.
    • There are actually hints that L himself fits into the Boredom category and doesn't so much care for justice as he does for the challenge, and thus distraction, a case will provide him. The fact that he only takes on cases with at least a certain amount of people murdered, or those that personally interest him, supports that, as well as the fact that the authors have said many times that L and Light are two sides of the same coin. Light was bored out of his mind, found the Death Note, and with it something to sufficiently distract himself from the ennui of his daily life. L, who, as the world's top three detectives, has been shown several times to not care about playing by the rules if it furthers his cases, thereby keeping him occupied the same way Light does; only he's still only the good side of the law because of his detective status—even if sometimes that's only because there's simply no one above him to reign him in.
  • Guts of Berserk fits here. His phase as the vengeance-obsessed Black Swordsman takes this Up to Eleven, though. An utterly ruthless warrior who cared about nothing except killing demons, and would not lift a finger to help innocents caught in the crossfire, considering them small fry without the strength to truly live, and in many cases, he could be seen as even more horrifying than the Apostles that he was driven to kill. Only after finding Casca again has he been able to mellow out, though not exactly move out of this territory (since, besides his friends, he's only been concerned with keeping her safe). He also has to deal with a particularly nasty Enemy Within that represents who he used to be.
    • Most of Guts friends and allies, pre-Eclipse and post-Eclipse, are in this territory as well. The original Band of the Hawk are probably one of the most likeable examples as far being mercenaries goes, since they were hired by the Kingdom of Midland and became its national heroes (despite still having little heroic motivations). Guts' current True Companions are all following him for various reasons that also aren't really heroically charged, but they end up doing some good wherever they go.
  • Desert Punk gives us more than one:
    • Kanta has no real redeeming moral qualities and doesn't care about anything except money, boobs and staying alive. However, much of his work ends up being vaguely heroic because of the jobs he's assigned tend to be things like "Take out this gang terrorizing our town." By the end of the series he crosses the Moral Event Horizon and does a Face–Heel Turn.
    • Junko is equally amoral and only not a villain because her job is taking out people who tend to be worse and like Kanta, she ultimately pulls a Face–Heel Turn.
    • Rainspider is a heartless enforcer for loan sharks and implied deviant who has a tendency to abandon his teammates when battles are stacked against them. However, he's hilarious, and always follows his fleeing by a Big Damn Heroes moment at the right time. He's kind of more likable than Kanta, if no morally better.
  • In the Anime version of Afro Samurai, the title character is something of a tragic example of this; he is not without some humanity in him, but ends up burying it in his all-consuming pursuit of vengeance and adherence to his brutal code of honor, to the point where it's not clear whether he's a Nominal Hero or a Villain Protagonist. Afro's goals are, effectively, identical to those that he fights, and a strong argument could be made that the audience only sympathizes with him because we saw his back story, and didn't see theirs. The manga (and by extent, the original doujin) just turn him into a full-on villain.
  • Bleach: Mayuri's sole interest is to work for the advancement of scientific discovery and much of his science does prove beneficial to Soul Society. For example, he's the person the Fourth Division goes to when a patient needs organ transplants. However, he's a sociopath who doesn't care at all for his subordinates and sees everybody as either a tool or a research experiment (which are often cruel and sadistic in nature); he'll go to any lengths For Science! Word of God states he's an example of necessary evil.
  • In Bastard!!, Noble Demon Dark Schneider has some Pet the Dog moments, but on the whole is an egocentric Jerkass and sadist who openly admits that as soon as he takes down the Big Bad of the series, he will subjugate the world through mass-murder and warfare. He also shamelessly gropes girls and treats almost everyone rudely.
  • Kyo of Samurai Deeper Kyo — pretty much see the description of Dark Schneider, except in Sengoku Japan and with no interest in world domination.
  • In Elfen Lied, Noble Demon Bando has some Pet the Dog moments, but he's largely a egocentric Jerkass and sadist who joins the SAT to legally kill For the Evulz or for revenge, particularly towards Lucy after his fight with her. He does get Character Development in the manga, giving him a softer side and redeeming features, though he still retains his obsession with killing Lucy. The anime adaptation just turns him into a full-on villain without any redeeming moral qualities whatsoever.
  • Giuse of Gunslinger Girl, albeit with shades of an Unscrupulous Hero. As he reveals to Henrietta, he's only nice to her until things go to hell and Henrietta is "reset to factory settings", leading Giuse to take a very steep dive over the Despair Event Horizon and treat her like he does practically everybody else following the realization that he could do nothing to help her. Later on, though, he thinks his behavior led Henrietta to frag him during the nuclear power plant strike.
  • Gundam:
    • Domon Kasshu of Mobile Fighter G Gundam, at least in the first half of the series. What we know about his brother (and the Devil Gundam) certainly shows that stopping him would be a good thing, but Domon is ruled by his bitterness and anger until he obtains enlightenment and masters Meikyou Shisui. He'll even rudely barge into others' battles just to get information, and has no problem roughing people up to get answers either.
    • Mobile Suit Gundam 00 has a few; Hallelujah Haptism, the Superpowered Evil Side of Reluctant Warrior Allelujah Haptism, and Lockon Stratos, who seems like a regular hero but hides a powerful desire for revenge. Nena Trinity becomes one the second season by virtue of being against Ali Al-Saachez and Ribbons Almark, who are much, much worse than her.
  • Hellsing: The TV series' version has Alucard (since in the OVA/manga, he's more of a Villain Protagonist). The only reason he can be considered a hero is that he happens to be bound to the right Kid with the Leash. Not only is he a monster who enjoys shedding blood, but he's also aware enough of this fact to declare that only a man can kill someone like him. Alucard is made more sympathetic by his sense of honor and the fact that his enemies are even worse than him, but he is by no means a nice guy (though this isn't actually clear until the end of the TV show, mind you).
  • Nao Yuuki of Mai-HiME strongly believes that the Himes should use their powers for whatever they want, but allies with them to stop the Searrs foundation. And then she is attacked by the other Himes when they think she attacked Yukariko, loses an eye and undergoes a Face–Heel Turn.
  • Masaru "Kodama" Kodaka of Bokurano, is fighting to save the world like everyone else, but not only does he not care about collateral damage, he thinks it's a good thing, since he sees people as divided into those who deserve to survive and those who do not, and thinks that his father (of the former type) would benefit from being able to rebuild.
  • Panty & Stocking with Garterbelt has Panty and Stocking Anarchy, who are incredibly rude and selfish and usually have no desire to help others. They only fight the bad guys because it slowly earns their way back into Heaven.
  • Boa Hancock from One Piece is of the "Relationships" type. She has a Love Interest, Luffy, and some Morality Pets (her sisters and to a lesser degree Nyon and Rayleigh) that she cares about, and she has a genuine Freudian Excuse, but otherwise she is quite the ruthless and selfish bitch who literally kicks dogs (and baby seals and baby kittens) and petrifies people on a whim.
  • Fairy Tail gives us Laxus Dreyar, who is only in the title guild because his grandfather runs the place. That's actually the source of his rage: he believes he's seen as "the guildmaster's grandson" and not his own person. After being booted out and spending six months or so traveling and finding himself, he returns and softens into a Pragmatic Hero.
  • Kill la Kill's Ryuko Matoi plays with this: While she's a good person who cares for Mako and her family, she's not fighting Satsuki and the Elite Four to overthrow them and bring peace to Honnouji Academy, she's doing it because she believes that they know who killed her father. She eventually grows out of this, though.
  • JoJo's Bizarre Adventure:
  • Natsumi Hinata from Sgt. Frog is Earth's primary defender from the Keronians...even when they're dong something good or just nothing at all. Oh, and Angol Mois the Human Alien Apocalypse Maiden is one of her best friends.
  • From Texhnolyze, Doc and Ichise. The former being interested in the pursuit and propagation of Texhnolyze technology, regardless of how it aids others, while the latter, while not actively out to hurt anyone, has little to no qualms about hurting people for even stopping him in the street, shows little hesitance or guilt in caving in a man's skull with his bare hand, and is attached to the people around him purely out of personal interest or even because they asked him to, rather than any idealism or heroism.
  • Zetsuen no Tempest:
  • My Hero Academia: Endeavor is the second-highest ranked hero in Japan, only surpassed by All Might. He's also a petty bastard with an obsessive desire to become Number 1, and abused his wife and children in order to reach that goal through his "favorite son", Shouto. Of course, most of the world is blissfully ignorant of his failings as a husband and father, so they just see him as an extremely efficient superhero with a giant stick up his ass. Character Development has him slowly trying to become more heroic in personality once he finally achieves that Number 1 spot and has a talk with All Might on what it means to be the "Symbol of Peace". Ultimately, he comes to realize the error of how he had treated his family and resolves to be a better hero and rebuild his relationship with his loved ones.
    • One somewhat Played for Laughs is Minoru Mineta. He's a massive pervert, coward, and sudden egomaniac whenever he actually succeeds at something and he admits that he initially wanted to become a hero because they were cool (and thus have people, especially girls, like him.) However, he is going through Character Development as he passes his big hero exam, noting that people don't become heroes to be cool, they are cool because are heroes. He proceeds to use his wit to pass the exam and even save his comrade (which he didn't have to do to pass, but doing so shows his growth.)
  • One-Punch Man has several examples, which helps underscore its critique of superheroes being a paid government service like the police and fire department. S-Class hero Metal Knight only cares about developing his weapons technology, and sees protecting the innocent as a side-effect. A-Class hero Amai Mask is a Bishōnen pop idol who cares more about appearance than saving lives, and has enough sway with the Hero Association that he gets a say over which heroes are allowed to advance to S-Class. The protagonist Saitama initially only cares about getting fans, but his actions when the cameras are off show that he's actually very noble deep down. Genos also starts the series as an example of the Revenge variation of this trope but grows out of it thanks to interacting with Saitama. A major defining moment comes with the alien invasion that caps off the first season of the Animated Adaptation: Saitama and Genos help fight off the invaders while Metal Knight and Amai Mask only show up after the battle is over, the former to salvage the alien spaceship for tech, and the latter so he can bawl out the other heroes for not doing a good enough job (in his opinion) and slaughter some aliens who had already surrendered.
  • Xiaxi, the protagonist of Goddess Creation System, is intentionally morally ambiguous. Her only goal is to survive, but in order to do so she has to cause young men to fall in love with her even though she has zero intention of ever reciprocating and has every intention of abandoning them the moment they do. Despite her completely selfish motivation, she just so happens to be an otherwise good influence on her targets: The wild Mingluan becomes more focused, the narcissist Mingyi becomes more thoughtful and less selfish and the impulsive and lazy Jun'er starts shaping up to be a responsible and mature leader.
  • In Black Clover a huge problem with the Magic Knights is that they aren't really good people. Several of them want to help their country, but a huge part are just elitist nobles and Royal Brats. Zora's backstory included how he decided to become a vigilante mage that attacks Magic Knights after witnessing a two of them causing a ruckus in a tavern, demanding service for their good deeds and them attempting to rape the waitress, as well as learning that Magic Knights killed his father, who was the first peasant to become a Magic Knight and they didn't wanted to be associated with him. The man Zora is introduced attacking, the vice captain of the Purple Orcas, turns out to have just been about to attack an old lady who begged him for help to find her missing granddaughter, because he was too tired to do it.

    Comic Books 
  • The third Captain Marvel, Genis-Vell, ending up becoming this during a period of madness (caused by Entrophy.) Genis becase something of a Villain Protagonist with a severely warped sense of justice and rabid sense of entitlement. Rick Jones, to whom Genis was molecularly bonded, constantly opposed him and (rightly) questioned Genis's sanity. On one occasion, Genis bestowed powers upon a serial killer whom his friend Rick Jones had testified against in order to get the killer to stalk both Rick and his wife, Marlo. After putting Rick through absolute hell to the point where death seemed certain, Genis then executes the serial killer and explains to Rick that all of this was to teach Rick that he only lived on Genis's own whims, and that he was never to question him again. He does get better after freed from Entrophy's control.
  • In Sin City, Miho's motives are unknown since she is mute, but she seems to have loyalty almost exclusively to Old Town. She has assisted Dwight in the past only because he once saved her life but that didn't stop her from essentially threatening to kill him if he interfered while she was torturing a corrupt cop in the middle of a street. Otherwise, the best you can say about her is that she doesn't target innocent people. In the first movie, she does seem like an Unscrupulous Hero, but only because it covered her more heroic actions.
  • From Watchmen, the Comedian: a thrill-killing Blood Knight, rapist, war criminal and all-around Psycho for Hire (and he's actually a more sympathetic version of the trope, believe it or not).
  • Sabretooth usually tends to be this. If he's working with the heroes, it's because he was forced to and / or had something to gain. Other instances, he's tried to do right by a love interest. Holly & Bonnie are examples. He's not a hero when he meets either of them, but was very protective of them, and would've possibly settled down with them had they survived. During the AXIS event, Creed was inverted into a hero due to a spell gone wrong by Scarlet Witch. He starts off as a truly heroic figure wanting to atone for his sins, even refusing to kill for a time. During Uncanny X-Men (2015), his nominal hero tendencies returned after developing feelings for Monet St. Croix, whose well-being he cared more about than anyone else. He's still inverted & repentant, but when Monet is around, his priorities shift.
  • Hellblazer's John Constantine is also a milder case. But being an Anti-Hero, many of his battles are because he was being forced to comply, for personal gain (ready to sacrifice anyone), or simply just being bored and want to do some shit.
  • In The League of Extraordinary Gentlemen, Hyde, Griffin, and Nemo are a pair of serial rapists and murderers, and a psychopathic pirate, respectively, who are offered an official pardon if they'll turn those qualities against the Empire's enemies. In the film version, Griffin is replaced by Lovable Rogue Rodney Skinner, and Hyde and Nemo get a makeover. In the second volume of the comic, Griffin eventually becomes a straight up villain when he betrays humankind to the Martians. His characterization never really changes, though, which shows how nominal a hero he was to begin with.
  • Deadpool is a Noble Demon Sociopathic Hero. He easily eclipses even The Punisher, as he frequently finds it funny to casually torture, dismember, and murder people. Though in later years, Deadpool has become more and more heroic, to the point where he's a solid Anti-Hero in the place of his old Nominal Hero status. To the point where he was the Only Sane Man and the conscience of the X-Men's Black Ops squad under Wolverine who thought that killing the kid who was Apocalypses' reincarnation is just wrong. Throughout the arc, he became more and more heroic too via Character Development, and even convinced the kid to join the Jean School for the Gifted so he can use his powers for good instead of evil.
  • In Sam & Max: Freelance Police, Max considers it a compliment to be called a grade-A sociopath, and was even dubbed the most terrifyingly dangerous force in the universe by the villain in Season One of the Telltale games. The only thing that really seems to keep him in line is his less sociopathic partner.
  • Depending on the Writer, Lobo is sometimes portrayed as one, instead of a Satire/Parody/Pastiche of an unstoppable villain-full-stop. Considering that he is literally worse than Hitler, without any hyperbole involved, as he wiped out his own Pillars of Moral Character utopian species for kicks and giggles... when he was a teenager, this reveals a lot about media conventions in general.
  • Namor can veer between this and Unscrupulous Hero depending on the book and era. Unless he's the villain of the piece.
  • The vast majority of Gaulish villagers in Asterix are like this. They're only heroic at all because they're fighting against The Empire, which they mostly just pick on, usually for fun, rather than make any serious rebellion against them. They have two reasons for fighting them — they love fighting (even turning on each other when Romans aren't available) and they're incredibly set in their ways, usually even when the Roman way is better. They started out intended more as a Ragtag Bunch of Misfits La Résistance, but got Flanderized into this mostly because it's funnier. Asterix, Obelix and Getafix are much nicer people, though.
  • Scrooge McDuck develops into one by the "Empire Builder From Calisota" chapter of The Life and Times of Scrooge McDuck. His life experiences have hardened him to the point that he's become a corrupt robber baron, hates his family, has Ignored Epiphanies, and only derives joy from getting even richer. He is redeemed later on, however.
  • In Violine, Kombo is cowardly, greedy, willing to betray his friends for money, and prone to abandon the heroes to their death at the first sign of trouble, but is treated by the main characters as an ally. If no one is around to steer him onto the right path, the plot will conspire to do so anyway, and he will take credit for "saving" everyone.
  • The head of Suicide Squad Amanda Waller. Depending on the Writer she is either this or a Knight Templar; her job is always for the government's best interest, but she sometimes uses methods that tend to be too extreme. Her plans are not limited to recruiting supervillains to get the job done, but extend to outright hunting superheroes.
  • The Beyonder in Secret Wars II tried being a superhero for a while, just for the heck of it. He quickly got bored and decided instead that he wanted to destroy everything.
  • The Incredible Hulk can frequently turn into this. While he generally dislikes the "puny humans" (and understandably so, given how often they provoke him or misblame him for things that are someone else's fault) he nonetheless ends up doing a lot of good by smashing villains whose plans threaten humanity, even if it's only because they made the mistake of pissing him off.
  • The Clipper, a "hero" from the Great Depression era who is mentioned in The Flash. While he gunned down poor people driven to crime by desperation, and then cut off the tips of the ears of the survivors, he lived in a fancy mansion and had it easy. He's quoted as having said "it doesn't matter if they're guilty, it matters if they're dead!" indicating he didn't even bother to check if his victims were innocent.
  • Wonder Woman: Hercules tries to be heroic, but this is hampered by Deliberate Values Dissonance and the fact he cares little for the people he is supposed to save, expecting them to pretty much grovel at his feet. It also doesn't help that he's a rapist perpetually stuck in a Heel–Face Revolving Door, for a given value of "face".

    Fan Works 
  • Array from the My Little Pony: Friendship Is Magic fanfic Chronicles of Harmony's End. He represents Order, and therefore opposes Discord on principle rather than morality.
  • Ulquiorra from A Hollow in Equestria fits the lawful kind of Nominal Hero, something he spells out when Luna first calls him a hero, noting that the things he's done in the past without remorse means he can't be a hero by their standards.
    Ulquiorra: Hero? I still find it ludicrous that I would be considered a hero. You and the others are aware of my history and my nature of being. I do not qualify as the hero type. I don't act out of noble intention, or a desire to save others because they're in harm's way. Nor do I desire fame and fortune for my actions. I am merely doing as I was instructed upon my initial arrival in this world. The simple fact that several of my actions have been considered heroic is nothing more than a matter of coincidence.
  • In Iron Will's Foalcon Necrophilia Sex Rampage Iron Will is the only hero of the story. The only other character apart from Sweetie Belle is the computer shop owner who finds Iron Will's stash of foalcon and tries to extort money from him.
  • Latias' Journey has an in-universe example in the Red Ranger. An amoral and borderline sociopathic "superhero" is designated as heroic by Mr. Ford.
    Latias: So you even denigrate your comrades who fight alongside you. You attack a pair of Pokémon who had done nothing to hurt you without provocation or warning, intend to beat me to a pulp to capture me, and are also assisting a madman with his evil plans. You are no hero.
    Red Ranger: Hey, as long as the people of Ever Grande City think I am, and I get paid for my work with money and power by Ford, I don't care what you call me!
    • And the kicker? He's Richie of all people.
  • Nikolos Drakonakos from The Conversion Bureau: The Palladium Wings is the extremely cruel, borderline sociopathic leader of a band of Sky Pirates. He fights against the Equestrians out of sheer hatred and desire for booty. In fact, many of the Sky Pirates have the same motivations that he does.
  • Lieutenant Commander Brokosh, the Lethean protagonist of the Star Trek Online fic Red Fire, Red Planet. He does follow an ethical code of his own making, but he's a mercenary who signed with the Klingon Defense Force for the money, since he's married to a minor Klingon noblewoman from an Impoverished Patrician house and they have a son to support.
  • Hakeev, of all people, in the Star Trek Online fanfic Emael Mosekhesailho. He's still definitely a very evil man—he's a leading officer of the Tal'Shiar and at one point he casually speaks of mounting a reprisal pogrom against the Remans after Shinzon is dealt with—but in trying to topple Shinzon and root out the conspiracy that put him in power, he's on the same side as protagonist Sahuel t'Khnialmnae, whom he's trying to recruit into the agency.
  • The people who identify as Animals in The Keys Stand Alone could be see as these, since they were brought over by the Pyar gods as heroes to help overthrow the Black Tower and its minions. Theoretically they're doing this, though all the reader ever hears about them is what miserable torturing cruel bastards they are. Several minor characters even express bewilderment that the gods would bring over such people as potential saviors.
  • A Brighter Dark: Hans, of all people, rescues Sakura and Mozu from Nohrian bandits for the purely selfish motivation of retiring safely in Hoshido, who he believes will inevitably win the war.
  • Fade: Beyond Birthday. The only reason he bothers opposing Kira is because he hates L, who has become Kira in his attempts to stop the original's rise to power. It's implied that if L hadn't become Kira, he would've sided with the original instead just to get back at L. Once Light enters the picture and becomes L's partner (mainly due to a combination of attraction and Stockholm Syndrome), Beyond's motivation goes from "stop L" to "stop L and save Light" in quick fashion.
  • Inverted with the Black Arachnid in Pokémon Reset Bloodlines. As opposed to his canon counterpart, his incarnation in this story is a Gentleman Thief who only targets people who are way worse than him, and takes something of historical or monetary value from them as punishment for their actions. However, despite some doubts among the members of the police force, they make it clear that he's still a thief and it's their duty to catch him.
  • Jen Black in Princess of the Blacks is only fighting Voldemort and his forces because 1) He tried to kill her (Jen even admits to herself she probably wouldn't have bothered reporting his return if he hadn't), and 2) Her patron (Death) has demanded she kill him. When asked, Jen admits she wouldn't join Voldemort, not for moral reasons, but because he's made himself her enemy.
  • The Harry Potter depicted in Seventh Horcrux is a Retired Monster with the mind of Voldemort and a major-league Unsympathetic Comedy Protagonist. He's entirely amoral, but still ends up saving the world largely by accident or for selfish reasons. Of course, it helps that he's mellowed out of the blatant sadism and racism of his canon counterpart.
  • Discussed in It's Over, Isn't It (it's only just begun) after Inko learns about Katsuki's bullying. When her six-year-old son tries to insist that he doesn't want to get Kacchan in trouble because he's going to be a hero, Inko gently questions his logic, walking him through the realization that if his bad behavior is never challenged, he wouldn't be a very good one:
    Inko: "Do you think, if he became a hero, he would suddenly decide to start protecting people, just like that? When all he ever did before was hurt them because he thought they were weak and deserved it? I don't know that he would. But I do know that if any hero decided not to save someone because they were Quirkless, because they were weak, because it wasn't worth their time, then it wouldn't be that person’s fault. It would be the hero's fault for being a bad hero."

  • In Braveheart, Steven the Irishman seems to have only joined the Scots because he'll be able to kill Englishmen, not to help the Scots get freedom.
  • Death Note (2017): Light Turner becomes this after Mia kills the FBI agents. Before that happened, he was an Unscrupulous Hero, as he used the Death Note to make the world a better place. But afterwards, he used it to keep it from people worse than him.
  • Escape from New York: When ordered to rescue the President of the United States, Snake Plissken would gladly hijack his transportation and fly to Canada, but a bomb planted in his body makes him do otherwise.
  • The Heisei incarnation of Godzilla saves the world, or at least Tokyo from other monsters, but it's not clear whether he has any motivations other than territorial instinct and devotion to his son, "Junior".
  • Hulk is a milder example. But it's not entirely clear (until possibly the end) if the title character really knows and/or understands what he's doing.
  • I Shot Jesse James: Robert Ford is more than willing to kill Jesse James (and later, John Kelley) when he thinks it’ll get him Cynthy’s hand. However, he also has a sense of honor and seems decent enough in every other aspect of his life.
  • In The Street Fighter, Takuma "Terry" Tsurugi is a brutal and pitiless man. He sells a girl into slavery and kills her brother when they're not able to pay him for services rendered, and he's not above sacrificing innocents that he's not directly helping. He avoids Villain Protagonist territory by fighting against Yakuza, whom he despises, and working to protect the good guys, even though he does so for his own reasons. In the Video Game version, he's portrayed in a somewhat more positive light.
  • Thor: The Dark World: Loki's reasons for helping Thor defeat Malekith are fairly selfish (Loki wants to avenge Frigga's murder, and this mission offers him an opportunity to escape his prison cell), but he nevertheless puts his life on the line to achieve their mutual goal.
  • Lampshaded and played for laughs in Mystery Men. Captain Amazing is constantly viewed by the residents of Champion City as a great hero, even though he is often rude, inconsiderate, thoughtless, and only interested in making money off his powers. He even brings about the events of the film, unwittingly, by getting his archnemesis released from prison so he can fight someone worthy (and save his sponsorship deals), eventually getting himself killed stupidly in the process. The audience isn't supposed to like him. Their sympathies instead lie with the title characters, who are the underdogs of the superhero world; most of them have crappy superpowers (such as only turning invisible when literally nobody is watching...not even himself), and they're respected by next to nobody in the city they've sworn to protect.
  • Guardians of the Galaxy: All of the Guardians have some kind of criminal past, and even Token Good Teammate Groot has apparently spent some time kidnapping and/or impaling people for money as Rocket's accomplice. They're interested in stopping Ronan either to save themselves or to get revenge on him for wronging them in the past.
    Rocket Raccoon: Why would YOU wanna save the galaxy?!
    Peter Quill: Because I'm one of the idiots who lives in it!
  • Terminator 2: Judgment Day: The T-800 is a killer machine with no emotions, only protecting and following the orders of a ten year old because of his programming. By the end of the film he's able to understand human behaviour and emotions, so he becomes a more traditional hero over the course of the movie.
  • The Terminator from Terminator 3: Rise of the Machines plays this far more straight. At one point he even flatly admits he doesn't care at all about John or Kate, and is only protecting them because it's his mission. Even toward the end, when he's been corrupted by the T-X and is about to kill John, it's being reminded that he's about to fail his mission that makes him stop.
  • MacNamara (James Cagney) in One, Two, Three. He cheats on his wife, neglects his children, and all of his actions are motivated entirely by self-interest. To get the prize job in London (for which he already has bought a new umbrella) he has no scruples to destroy the happiness of a young couple, make vanish the marriage documents from the registry office, frame the bridegroom as an American spy, destroying his intended career and at the very least ensuring that he spent several years in prison. Then unfortunately it turns out the bride, the only daughter of MacNamara's boss is pregnant...
  • Vendetta: As evil as Victor Abbott may be, let's not forget that Mason Danver's plan is to kill a man who, while a criminal, had nothing to do with the death of his wife, so he'll be sent to prison, where he can murder Abbott for a crime he's already been arrested and incarcerated for.
  • In John Wick, John himself. He massacres dozens of mobsters simply because the son of their boss, Iosef, killed his puppy and flat-out threatens to kill Viggo if he doesn't hand over Iosef. He's kept from being a full-on Villain Protagonist by a strict sense of honor (for starters, he takes great pains to avoid collateral damage) and the fact that, well, he's going up against The Mafiya.
  • The Good, the Bad and the Ugly: Blondie is "The Good", but only because the other two main characters are even worse.
  • All the protagonists of Kelly's Heroes are disgruntled US soldiers, who intend to abscond to Switzerland with 16 million dollars in Nazi Gold. They are all fairly sympathetic in that they are repeatedly pissed on by their superiors and blamed for things they had no power over, but are also very blatantly only out to line their own pockets and don't care much about what they have to do to get what they want.
  • Yojimbo: Sanjuro cleans up the town in which the film takes place, not out of concern for the people, but because he jumped at the opportunity to make money killing people. He's kept from being a Villain Protagonist only by one or two Pet the Dog moments and the fact that his victims are even worse.
  • Starship Troopers. Humanity in this film is a race of arrogant, jingoistic, xenophobic bastards run by an openly fascist and militaristic People's Republic of Tyranny. Their every action in the war against the Klendathu Arachnids is framed as heroic by in-universe propaganda, embodying the film's intended satire on militarism.

  • Steven Erikson's Malazan Book of the Fallen:
    • Karsa Orlong is just about as anti as a hero can get. Being a deconstruction of the Proud Warrior Race Guy and Barbarian Hero, Karsa aims to improve the world... by slaughtering millions of people and smashing civilization back to barbarism.
    • Seerdomin is a hero to the Redeemer's followers, because his daily presence at the barrow discourages bandits from entering the camp surrounding it, but his reasons for visiting are rather personal and he is even surprised that people would look up to him.
  • Yarol, the Venusian sidekick in C.L. Moore's Northwest Smith stories, is heavily implied to be this. The narration never specifies his enormities, but hints that his angelic beauty belies his absolutely evil nature.
  • Senna Wales, the witch of Everworld. She is motivated by her completely selfish goal of overthrowing the powers of Everworld, seizing control over the foundations of reality, and then ruling over the universe as an absolute god. However, she is kept from being a Villain Protagonist because most of the real villains that she opposes (Huizilopocli, Hel, Ka Anor) are monsters, she helps the other protagonists more often than she goes against them, and she seems to genuinely think that Everworld and its people would be better off with her ruling them all.
  • Uhtred Ragnarsson of Bebbanburg, the main protagonist of the Saxon Stories, is this in his halfhearted service of Alfred the Great. Although he would much rather accompany the Danish invaders, certain events forced him to make an oath of service to King Alfred that he refuses to break.
  • Raistlin Majere is this in the original Dragonlance Chronicles trilogy. Really the only thing keeping him with the Heroes of the Lance is some lingering affection for some of them and the presence of his brother Caramon. Even during Chronicles Raistlin started drifting towards becoming the Token Evil Teammate and the Face–Heel Turn was complete by the next trilogy Legends. Still he did earn his Redemption Equals Death and had a few Pet the Dog moments.
  • Severus Snape in the Harry Potter books does have something of a moral compass, in that he aims to atone for his mistreatment and inadvertent betrayal of The Lost Lenore by avenging her death. He doesn't care much for anyone else, though, as evidenced by his general nastiness... though this may have changed under the years of working with Dumbledore, taking into account his reply to Dumbledore on the lives he couldn't save, and risking blowing his cover to attempt to save Lupin's life at the start of Deathly Hallows.
  • Sherlock Holmes. In the early stories particularly, he's more interested in fighting crime for the novelty of it, and the fact that the more unusual cases give him something to do; if he gets too bored he starts doing cocaine. Later stories shy away from the drug use and make him a bit more classically heroic, though his main fascination with his work is still the strangeness of his cases. He rarely shows an interest in financial gain; he even states that "my work is its own reward." Holmes's motivation is really a combination of a sense of justice but also of a desire for a worthy challenge. He takes cases whose riddles he will enjoy trying to solve. You could say that he is a heroic foil of The Riddler who enjoys creating riddles.
  • Many of the heroes in Worm are morally dubious or in it for the sake of their own careers. The clearest example is Shadow Stalker - a thrill-seeking psychopath with a poorly articulated philosophy that serves only the purpose of placing her at the top of the food chain and regularly brutalizes or kills criminals when she thinks she can get away with it.
  • Hybrid × Heart Magias Academy Ataraxia: As of Volume 8, Nayuta Hida has joined the protagonists in their battle against the Deus Ex Machina. Nayuta has no regrets of what she has done for her pursuit of godhood, such as the way she treated her children, and makes no attempts to redeem herself. For their part, Kizuna and the others know this and only accept her help because she is the best chance they have against the Deus Ex Machina.
  • The protagonist of The Mental State, Zack State, appears to be this. He never does anything virtuous unless he can justify it with a selfish motive. Of course, it is open to interpretation as to whether this is always the case, or if he is simply trying to convince himself that he doesn't care abut others.

    Live-Action TV 
  • 24 protagonist Jack Bauer skirts along this trope during the show's eight seasons, but manages to stay away from it for the most part. The sequel mini-series "Live Another Day," however, shows that he's officially entered this territory due to how much his experiences in the show's original run have soured him. He comes out of hiding to save the day again solely because he learned that his old flame Audrey and her father and his former boss James Hellar were in danger, and displays a much more ruthless attitude than he did during the original series, including shooting a group of people in order to incite a riot for a diversion and outright murdering the main villain of the first half of the season with little provocation even after she's been successfully captured, a stark contrast to the original seasons where he primarily killed only in self-defense or if someone murdered someone important to him.
  • Blake's 7:
    • Over the course of his development, Kerr Avon varies from Token Evil Teammate to a Jerk with a Heart of Gold but loses all sympathetic qualities towards the end of Series 4 when he tries to kill Vila in cold blood. He's still fighting the Lawful Evil Federation but he only cares about saving himself.
    • His reasons for fighting the Federation also change as time passes: in Season 1 he claims to have nothing to do with Blake's revolution other than living on the same ship, in Season 2 he's playing along because he wants the ship, in Season 3 the Federation is a threat to his freedom and by Season 4 he genuinely hates them, though by this time he's sliding down the sanity slope and it's hard to tell what his true motivations are.
    • Most of the other "good" main characters — except Blake, Cally, Dayna and perhaps Jenna and Gan — are being dragged along behind Blake's idealism. They fight because there's nowhere for them to run.
    • Dayna seems to stay with Avon out of a combination of not having anywhere else to go and wanting revenge on Servalan for her father's murder. While the seven more or less end up as Fire-Forged Friends, only Blake and Cally really have anything approaching idealism, rather than being motivated by loyalty or self-interest, and they're both gone by Season 4.
  • Farscape, which was blatantly Blake's 7 with money, was also filled with Nominal Heroes. The only reason why the main characters come together is because they're all being hunted by the oppressive government, but only one of them was anything approaching an idealistic revolutionary. (That one person was not the main protagonist and died just over halfway through the show's run.) In four seasons, they only consciously set out to do something "good" for the universe on two occasions, at the end of the third season and in the Grand Finale Wrap It Up.
  • Dexter: The titular character is at the far, dark end of this to the point where he could fairly be considered simply a likeable Villain Protagonist, being a Serial Killer who was disciplined at a young age to channel his sociopathy toward killing other evildoers. By the end of Season 7, he is 100% Villain Protagonist
  • Father Ted: Father Jack Hackett is a violent, selfish, perverted alcoholic and flashbacks suggest he was once a bullying fire and brimstone preacher and a paedophile. The only thing keeping him from being a Villain Protagonist is that his alcoholism and old age usually renders him too docile to harm anyone. And sometimes they do the exact opposite.
  • Firefly: Jayne is working for Mal only because Mal offered him more money and his own bunk. When given the offer he immediately shot the mercenaries he was currently working for and sided with Mal. He makes it clear throughout the series that he would do the same again if a better offer came along... Maybe. The big lug goes through a lot of Character Development in thirteen episodes and one Big Damn Movie and shows regular signs of Hidden Depths.
    • Arguably this can be applied to all the crew (with the exception of Book, whose motivations are unclear though his loyalty less so), who are on the crew for either financial gain or survival. Though there are moments of sincere heroism that even Mal can't ignore - such as returning the medicine they stole (only Jayne objects), helping out the whores (which only Jayne agrees to when he realises it'll get him free whore sex), and risking everything to out the secret behind the Reavers (even Jayne agrees to this).
  • Amos from The Expanse (who is very reminiscent of a heavily Flanderized Jayne) only seems to stick around with the others out of personal loyalty and/or Unrequited Love for Naomi and because he has nowhere else to go, at least in Season 1.
  • The Arms Monsters in Kamen Rider Kiva. They’re no fans of the Fangire, but they aren’t afraid to indulge in rape and eating humans to survive. They only assist Kiva as a life debt to his father.
  • Kamen Rider OOO: Ankh is only helping Eiji against the other Greeed because it's in his own best interests, and has no qualms about who is hurt so long as he gets what he wants. though he gradually transitions into a Knight In Sour Armor by the end.
  • Kamen Rider Ex-Aid:
    • Taiga Hanaya/Kamen Rider Snipe, who fights against the Bugsters not because he cares about the patients or their lives. He just wants to collect all the Gashats so can he destroy all the Bugsters and get his revenge on Graphite. He also doesn't care about who gets hurt because of his actions. However, he later reveals Hidden Depths and shows that this is mostly just an act of him pretending to be a jerk.
    • Former Big Bad Kuroto Dan/Kamen Rider Genm eventually joins the heroes, but not out of a change of heart. He's upset because his father Masamune, the new Bad, has hijacked his scheme and diverted it away from the purpose he intended it for, and taken credit for all his hard work. There are also bits of the Relationship and Force motivations there, as he feels a familial connection to Poppy (for reasons that are complicated to explain here) and can now be trapped in a Bugvisor if he starts acting up.
  • Power Rangers Lost Galaxy: Magna-Defender is like this. He may assist the rangers taking down a monster or two and want to take down Scorpious, but he's only does it for the revenge. This definitely becomes clearer when he tries to destroy Terra Venture because it might destroy Scorpious. Although he gets better, near the end.
  • Revolution: Rachel Matheson reveals herself as this in "The Longest Day", when she directly tells Aaron that she wants to turn the power back on not to help anyone, but to give the other factions the power to kill Monroe as revenge for killing her son Danny.
  • Sherlock: In this 2010 BBC modernization, Sherlock Holmes describes himself as a "high-functioning sociopath," and cautions Dr. Watson: "Don't make people into heroes, John. Heroes don't exist; and if they did, I wouldn't be one of them." This shows that his motivations are not those of a typical straight hero, and that he's possessed of a very cynical worldview. His motivation is quite explicitly boredom and a need for intellectual stimulation.
    Sherlock: I may be on the side of the angels, but don't think for one second that I am one of them.
    • However, later episodes strongly imply that this is mostly an act. The real high-functioning sociopath of the piece is Moriarty.
  • The Sopranos: Tony Soprano is a con artist, a thug, a womanizer, a thief, a murderer, an extortionist, and an adulterer. But the things separating him from a Villain Protagonist are his genuine love for his family, kindness to his friends, occasional pangs of guilt and moments of vulnerability, and the fact that his friends (and enemies) are even worse than he is. It actually makes him seem like a milder case of the trope....and then he loses much of it by season 6B and the finale.
  • Crowley in Supernatural starts off as this. He's no less evil than the other demons, but he is the only to realize that it's in his best interest to stop Lucifer from destroying humanity.
  • In The Wire many policemen and public servants don't really care about fighting crime or improving the city and would only perform good deeds when it furthers their own agendas.
  • On X Company Mirri asks to join the resistance spies in order to get the chance to kill her enemies.
  • While Lucifer Morningstar from Lucifer (2016) has a strong sense of right and wrong (albeit a very twisted one), the only reason why he joined up with Chloe and her investigations was because she fascinated him due to her moral compass and immunity to his charms and because he found punishing criminals to be exciting. He only ever stays the course whenever it interests him in any way, becoming easily distracted or simply dropping out of the case all together if it bores him, only to re-enter the case if it suits his needs.
  • Zigizagged on Leverage. In the pilot, the heroes are clearly only motivated by payback and greed. Throughout the rest of the series, their motivations flip back and forth almost every episode between wanting to atone, wanting to help the victims, and the love of stealing. Also, the "alternative revenue stream" is occasionally mentioned, implying that the team continues to profit from their work by betting against their marks in the stock market, like they did in the pilot.
  • Andromeda: Tyr Anazasi is a mercenary. He is also a Nietzschean, a member of a Human Subspecies that practices enlightened self-interest, genetic engineering, and social darwinism. Tyr is ultimately on no-one's side but his own; he is not only not much of a hero, he is an out-and-out antagonist at times and will always play the heroes and villains against each other for his personal benefit (though he is more than willing to drop an immediate benefit for a larger, long term one). He will stand by the heroes, even at great personal risk, when their interests align with his and it seems like they will come out on top (which, he recognizes, is most of the time; Dylan and Rommie are good enough to beat the odds more often than not), but doesn't hesitate to throw the heroes under the bus when he thinks the risks are small and the payoff big enough.


    Professional Wrestling 
  • In professional wrestling, good deeds, good sportsmanship, generally being a good person and of course, being a good or even adequate wrestler, will get one cheered somewhat reliably. But audiences are not static; it's impossible to really know how they will react until you're in front of them, and any wrestler who gets consistently cheered for will become a face by default. Generally one designated face or heel beforehand will try to invoke the "correct" response or correct the opposite, but sometimes, fans set their minds on someone being worth cheering for, no matter how reprehensible that someone might be. In the lucha libre territories of pro wrestling, tecnicos have a slightly easier time with this, as the battle lines are more clearly defined, but if they get booed enough they'll turn rudo too.
  • Invasion angles have a tendency to create faces by default, since no matter how disagreeable a heel is he still represents the company the fans came to see, that those jerks are getting in the way of. Ray Gonzales, who was directly responsible for bringing AAA luchadors into WWC in the first place and only fell out with them when they stopped doing what he told them, is a prime example, since, hey, he's still a Puerto Rican fighting the foreigners in the Puerto Rican company. In fact, this can apply to invaders that have simply been around longer than more recent arrivals, such as the W*ING wrestles becoming faces in FMW when IWA Japan and Víctor Quiñones's Puerto Rican Army came in. The Dominican Los Compadres and Los Broncos becoming faces when different foreign wrestlers came into WWC and the Dominicans were nominal faces again when wrestlers from the Puerto Rican independent circuit came into WWC. There are a few aversions though, as Carlito Caribbean Cool remained a heel when Savio Vega invaded WWC with IWA PR(mainly because his argument to Vega about not being a tecato just made fans think he was lazy instead). Another was Averno, El Texano Jr and El Terrible taking advantage of first Los Independientes attack on CMLL to blindside Brazo de Plata, Jon Strongman and Místico, as they ran out to stop the independent circuit invaders.
  • In heel based promotions such as Fuyuki Army, Oz Academy, Kai En Tai Dojo and Perros Del Mal Producciones or on heel based shows like nWo Souled Out or the NWA Wildside "Elite" events, it is incredibly easy for a heel not associated with the dominant Power Stable to become a face by default, as Eddie Guerrero discussed when the nWo were taking over WCW.
  • "Stone Cold" Steve Austin in 1997. Although events involving Bret Hart made him firmly a face in the fans' eyes, he retained all of the aspects that made him a heel, to the point where some fans thought he was just a Designated Hero. He beat up people who tried to help him, smashed Bret Hart's leg into oblivion with a chair and then hijacked an ambulance to beat him up some more and generally acted like a massive Jerkass to everyone.
  • Similarly, Randy Orton still acted as a heel after his 2010 face turn, beating up anyone who gets in his way.
  • The only real differences between Triple H as a heel and as a face is whether or not he's directly insulting the fans, and how often he tries to weasel out of a fight.
  • La Sombra, La Máscara and especially Rush, the most hated man in CMLL, only avoided being officially designated rudos by the latter's sheer insistence that they were merely "Los Ingobernables, técnicos diferentes", and that the other técnicos they typically opposed like Volador Jr. and Místico were still their brothers.

  • Satan in Series 5 of Old Harry's Game. The Story Arc of the season has Satan attempting to get humans to be less sinful because Hell is getting too overcrowded and it's placing an intolerable strain on the people who work there.

    Tabletop Games 
  • Voiree Misallo from 8BitGamers. Though firmly on the side of good after a religious experience and a genetic examination revealing her to be born with a semi-sociopathic defect, her motivation mostly has to do with wanting to avoid hell, keep her boyfriend, and remain friends with her True Companions.
  • Nagash is one of Warhammers biggest douchebags, and likely the single most evil person in the setting. He still has a vested interest against Chaos destroying the world however, and so for a good chunk of the lore he's technically been a "good guy". The quote marks are very much justified, and in Warhammer: Age of Sigmar it's no real surprise when he finally gives in to his baser urges. It's fair to say he was only prevented from betraying everyone in Warhammer: The End Times because one of the other "Why are we friends with this guy again?" characters betrayed him before he had the chance.


    Video Games 
  • In Marathon, not only does Durandal make it quite clear that he is only fighting the Pfhor as a means of escaping the end of the universe, he is the one who brought the Pfhor to Tau Ceti in the original game, an action that resulted in the deaths of nearly everyone in the colony.
  • In Hexen II, two of the heroes are the Assassin (who wants to prove she can kill the most powerful and best protected being on the planet) and the Necromancer (who has a problem with Eidolon being more feared than him).
  • In God of War, Kratos, to the point that, particularly after the first game, many consider him an outright Villain Protagonist, even worse than the people (or gods) he's trying to kill. In which case the gods themselves become Nominal Hero antagonists. Their motivations for opposing Kratos are purely selfish, and they have little concern or empathy for humanity itself. This gets epically flipped on its head in the finale of the third game which reveals that the Gods were actually heroic until Kratos opened Pandora's Box in the first game to beat Ares. The evils from inside infested and corrupted the Gods and twisted them from benevolent leaders into despotic bastards. Kratos is so shocked by this reveal, as well as the realization that he's caused and inflicted so much pain and destruction in his quest for revenge, that he kills himself and releases the powers of hope in order to give humanity a chance to survive on their own. Or not. Kratos makes a triumphant return in God of War (PS4), pretty much alive and raising a son, but now Older and Wiser, and considers his time as the Ghost of Sparta to be the darkest acts committed by him.
  • In Drakengard, Caim is this in the first game. The only thing that made him "heroic" in the first place was the fact that he was fighting against an evil empire that was even worse. Once they're defeated, he defaults back to RIP AND TEAR.
  • In Mass Effect 2:
    • Zaeed Massani is a ruthless revenge obsessed merc on Commander Shepard's team. During his loyalty mission, he burns an entire refinery to the ground while callously disregarding the innocent lives trapped inside just to get revenge on another merc who screwed him over 20 years prior. In Mass Effect 3 he becomes an Unscrupulous Hero through character development.
    • Aria T'Loak is a crimelord who allows slavery, drug running and pretty much anything else as long as it doesn't undermine her power. She is however willing to aid Shepard to some extent, and seems none too fond of Ardat-Yakshi or the Collectors. Probably both for practical reasons and on principle. In Mass Effect 3, she helps you out of self-preservation because, as she puts it, the reapers are a threat to all existence, including hers, so it's "within (her) interests" to help Shepard.
    • This trope is actually a plot point in the first game, where Saren is believed to be a hero throughout the galaxy and is well-liked by many. In reality he's a very amoral Knight Templar who is willing to cause many civilian casualties as long as he gets the job done and is a severe racist. His popularity in the galaxy means that a big problem in the game's opening act is actually convincing the Citadel Council that he's not on their side anymore and has to be brought in.
  • In the numbered Fallout games, an evil player character could be seen as this, since you have the freedom to blow of civilian’s heads with absolutely zero provocation, enslave children and nuke cities. However, this is somewhat moderated by the main story pitting you against monsters who want to wipe out the vast majority of the remaining human race. With New Vegas, the player has the option of becoming a full-blown Villain Protagonist by siding with Caesar’s Legion, as they bring the region under the grip of a nation endorsing rape, slavery, child molestation and murder for public entertainment.
  • Demitri Maximoff from Darkstalkers. He only confronts Planet Eater Pyron and Dark Messiah Jedah because they are a threat to his plans in conquering the Makai, and treats everyone who aren't his servants with great disdain.
  • Augus in Asura's Wrath only joined the Eight Guardian Generals so he could have exciting battles. 4 of all the Seven Deities are implied to be this.
  • Metal Gear:
    • Meryl, Psycho Mantis, and Liquid claim that Solid Snake is a Sociopathic Hero who enjoys combat and killing, with the latter two telling him that he's far worse then they are. However, Psycho Mantis and Liquid are mass murdering psychopaths attempting to 'kill as many people as possible' and bring on a Darwinist 'warrior's paradise' respectively, which makes their attacks on him border on Hypocritical Humor and possibly Unreliable Narrator as well.
    • Enforced in the Metal Gear Solid V duology, which shows Big Boss becoming more and more monstrous during his Protagonist Journey to Villain.
  • In the Fable games:
    • In Fable I, the Heroes' Guild espouses this mindset, with its Guildmaster teaching that each Hero should strive for greatness but choose their own moral path. The Hero of Oakvale might pursue noble quests for money, fame, Revenge against his family's killers, the thrill of combat, or personal amusement — or turn evil for any of the same reasons. One quest NPC even asks whether the Guild is here to help them out or murder them this time.
    • Reaver from Fable II and III. He tries to double cross the hero at least twice and only helps the hero because the Big Bad proceeds to double cross him when Reaver tries to turn the hero over to him.
  • In the first No More Heroes, Travis Touchdown. The only thing that makes him any kind of hero is that the rest of the assassins are sociopaths. Later, though, his motivation becomes more heroic.
  • In Kingdom Hearts II, Maleficent, while still not "good" in any sense of the word, is allied with the heroes in a common goal of stopping the Organization, and helps the good guys out at least twice.
  • Grom Hellscream and Illidan Stormrage of Warcraft: the first is an amoral Blood Knight and the other is a subject obsessed with demonic power.
  • In the Super Mario Bros. series, more particularly in his own spin-off games, Wario frequently ends up doing a lot of good in defeating various bad guys, but he usually only does it when he's competing with them for treasure. Otherwise, he couldn't care less. Word of God notes that Wario doesn't really care about anything, he just wants to keep doing what he wants.
  • In Blood, Caleb spends the entirety of both his games killing everything that moves. The only reason he's the good guy is, excluding a few mimes and other innocents, everything that moves is part of the world-spanning Cabal.
  • In Ace Combat Zero, Cipher on the Mercenary path. As opposed to Soldier, on this path he's willing to take out anything not specifically on his side, be it enemy combatants, disabled enemy units, or even civilians on occasion.
  • BlazBlue:
    • Kokonoe has a few soft spots here and there, but REALLY has no problems in nuking a whole city just so she can claim the frag of Terumi's head... never mind thousands and thousands of innocents who will die along the way. That said, it is very much a last resort, to the point where she's willing to undergo self-experimentation on her own brain before legitimately considering the nukes.
    • Yuuki Terumi himself was forced to be part of the Six Heroes and he did not care for anyone at all. Once they succeeded to defeat the Black Beast, the Evil Hero Terumi betrayed his "comrades" when he had the opportunity so he can continue with his Evil Plan.
  • One of The King of Fighters' main characters, Iori Yagami (introduced in 1995 as the rival of Kyo Kusanagi), plays this role. A loner and a very angry and consumed character, he lives to see the defeat of Kyo and won't stop until that happens. He does do genuinely heroic things (even teaming up with Kyo when the situation warrants it) but only so that he can resume thirsting for Kyo's blood. He has no friends and has attacked his own team members in the past (be it willingly or unwillingly when his Orochi blood goes out of control).
  • Lord Scourge in Star Wars: The Old Republic is a Sith Lord who is a companion to the Jedi Knight class; he sides with the Jedi to stop the Sith Emperor from destroying the entire galaxy. In the back story he was responsible for Revan's capture and the Exiles death because he saw that they would fail in defeating the Emperor. By the end of the Jedi Knight storyline, he is credited as a hero of the Republic, which both him and Satele Shan really don't like the idea of.
  • Gensokyo, the setting of the Touhou games, is run by these. Reimu Hakurei is, at best, motivated by a desire for her life to be predictable mixed with not wanting it to be too boring, either, and is at worst solely motivated by the possibility of getting donations and being a Slave to PR. Marisa Kirisame is one part motivated by the prospect of getting to loot magical artifacts from the villain's lair, one part the opportunity to upstage Reimu and one part getting to kick someone in the teeth. Remilia Scarlet is more interested in alleviating her own boredom and maintaining her power than actually fixing Gensokyo's problems (and she's not the harmless kind of vampire, either). Sanae Kochiya is interested in spreading the worship of and gathering faith for her ancestor-goddesses. Youmu Konpaku fights because her mistress says so, as does Remilia's maid Sakuya Izayoi, who is also implied to have done something ''really'' nasty in the past. And Yukari Yakumo is the Magnificent Bitch who founded Gensokyo as a Fantastic Nature Reserve and everything she does is to further the survival of youkai, up to and including striking up deals with the humans that favor them, because she knows that if humans become content and don't feel as threatened by youkai, they'll lose their edge and become easier prey. Her colleague Okina Matara isn't much better, as her main concern is to make everyone in Gensokyo (native and permanent residents alike) to remember her, yet she is disliked by some of them due to her Attention Whore and totalitarian nature.
    • Subverted with the first later on in that as Reimu matures, she does later missions out of a sense of duty, even if she's reluctant to admit it. Unfortunately, this places her to be manipulated by the above Yukari and has at least once led to her accidentally contributing to an invasion of the moon.
  • Sacrifice: The player takes the role of Eldred who use to be a tyrant on his own world, then when his own people turn against him he summoned the demon Marduk to defeat them, then Marduk proceeded to destroy everything else. He is really regretful of having to kill a dragon, but is ok with slavery.
  • The Daemoness in Sacred: Underworld. At the start of the game she gets stabbed in the back by her master, Anducar, and has a prophetic vision that working alongside the other heroes is her best chance of getting revenge.
  • Several of the protagonists of Baldur’s Gate: Dark Alliance 2. Vhaidra wants to hone her skills as a monk so she can take bloody revenge against the assassins who murdered her family, and Borador, as a result of a debt owed to the elves, wants to get his hands on as much coin as he can. Dorn is a borderline example, since his motivation comes across as equal parts 'make the realms a better place' and 'earn as much glory for myself and seduce as many women as I can.'
  • Dark Pit from Kid Icarus: Uprising. He isn't too concerned with the war between the gods. He just likes beating up monsters. After the time skip he gets more involved in order to make sure Pit remains alive (since he learns his existence depends on Pit's).
  • Conker's Bad Fur Day: Conker's primary interest is in stumbling home in one piece, and (with some exceptions), he's not doing anything heroic without some serious compensation.
  • Sonic the Hedgehog:
    • All of Team Dark, who only ever join up with the rest of the good guys when something even worse comes along, and it gets too big to ignore. The most straight up example is Shadow, mostly in his own game. After Sonic Adventure 2 had him pull a Heel–Face Turn, he protects the world only because Maria wanted him to, or to boost his ego and superiority over others as the Ultimate Lifeform. Shadow has been shown as willing to cross any line to succeed his mission and goals, which may or may not be for the good of Earth. Most of the time, it is, but it's always about Shadow achieving his own ambitions first.
    • As for the rest of Team Dark, E-123 Omega only ever does anything either because it involves his goal of getting revenge on Eggman for abandoning him for other robots, or because Shadow and Rouge asked him to help them out. Rouge the Bat's main motivation in being a government spy is her obsession with the world's most famous jewels, which she expects to be rewarded with.
    • Eggman is this when he is fighting against the Deadly Six in Sonic Lost World until all the Deadly Six meet their final defeat!
  • Many of the Grey Wardens in the Dragon Age universe qualify as this. The Wardens will take people of any background with sufficient talents at killing darkspawn, whether they're warriors, thieves, murderers, or even blood mages - anyone is acceptable as a candidate as long as they're able to survive the Joining. The Wardens have broad powers of conscription that are honored by most governing bodies, so many Wardens are pressed into service against their will.
    • Oghren is a warrior who fights because thats what he was trained to do and his training left him going stir crazy in dwarven civilization. He joins you to find his wife and stays with you because it means he can start swinging his axe again. Nothing more.
    • Morrigan is a witch with a dark background and little to no regard for the well being of others. She's only with you because her mother told her to come and only helps because killing the darkspawn is in her own best interest (though she can develop an attachment to the main character, depending on how you play).
    • Shale is a golem who likes to squish things and see blood fountain, especially if those things have feathers, and is mostly following the Warden around because it's something to do after spending thirty years as an amnesiac statue.
  • Tyler Smith in Clear Vision, whose motive is sole money and later to save his beautiful wife, in every shooting he does regardless if the targets in question are actually evil.
  • Isaac Clarke, the protagonist of the Dead Space series. In 1 and 2, he's just an ordinary engineer who wanted to survive the Necromorph Zombie Apocalypse. In the third game, he literally had to be coerced to get back into the fight, and even then only agreed because he learned his ex-Girlfriend was in peril. However, near the end of all three games, he ends up pulling a Heroic Sacrifice, willingly entering a situation that would likely result in death in order to end the greater threatnote .
  • Garrett of Thief doesn't really give a damn about anyone other than himself. He winds up in the "hero" role primarily out of circumstance: the Big Bad is usually (in addition to their main plan) gunning for him personally for one reason or another. Also, it's of no benefit to him if The City is destroyed, then where would he do his thieving?
  • Magical Girl Lyrical Nanoha A's Portable : The Gears of Destiny:
  • In the final stages of RefleX, the Phoenix is thoroughly trashed by ZODIAC Virgo and its pilot killed, causing its AI to take over and transform into ZODIAC Ophiuchus. It then proceeds to tear up Virgo, and later the other ZODIAC units. At first, the people of earth hail the Ophiuchus as its savior from the "Winged Menaces", but the Ophiuchus is not interested in protecting humanity, only dueling with the other ZODIAC units until they are all destroyed, no matter how much collateral damage happens in the process. The damage and death toll pile up, and before long, humanity sees Ophiuchus as simply yet another menace to the planet.
  • Joel from The Last of Us. 20 years of hardcore survival in a world long gone to Hell and the death of his young daughter Sarah have left him an extremely bitter and almost nihilistic middle-aged man who will cross any moral line to survive in a harsh world. However, he is given the task to escort Ellie, a young girl who may be the key to curing the plague, to a holdout on the other side of America. He's not at all doing it because he cares about the ongoing factional conflict, or because he cares about Ellie's well-being note  or because his doing so could end up saving mankind from extinction; he's doing it to get his guns back.
    • Eventually his priorities do change, but even then he still remains this. Ellie is ALL he cares about to the point that he slaughters the Fireflies when he learns they plan to dissect Ellie to learn how she's immune to the cordyceps. Marlene tells Joel that Ellie would want to give her life if it could save humanity, and that Joel even realizes that its what Ellie would want. Joel still shoots Marlene and then tells Ellie that the Fireflies gave up trying to cure the fungus, which Ellie seems to realize is a lie.
  • Luke in Tales of the Abyss for the first third of the game. Our “hero” is functionally a child, having been kept inside and away from people ever since an accident stripped him of his memory, leaving him a moody, selfish and arrogant Sheltered Aristocrat brat with little people skills or knowledge of the world. He is then told that he is The Chosen One, which does very little to help his already over-inflated ego and sense of entitlement. This is made even worse by the encouragement of his mentor, the only person he truly respects. Luke continues to become more whiny and insufferable until the game's Wham Episode kicks in, where he's called out on his actions by the entire party. It takes a few more rather unpleasant experiences all in a row before he finally snaps out of it.
  • Harold Berselius in Tales of Destiny 2 is an amoral Mad Scientist who just wants to kill a goddess, no other questions asked. Otherwise she's only considered good because she's on the side of the Er'thers, who are fighting the genocidal racist aristocratic Aetherians. While she does have Pet the Dog moments, she also experiments on people without their consent and threatens to join Elraine at a point. Essentially, everything she does is for her own amusement, and our heroes' quest provides her with a lot of it.
  • The entire party in Tales of Berseria except for Laphicet and Eleanor are fighting for personal reasons instead of some noble cause. Velvet is driven by revenge, Rokurou wants to kill someone from his past, Eizen's target is part of the enemy group, and Magilou's along for the ride because she's bored and wants to see how things turn out.
  • Rufus of Deponia. His main goal of escaping the titular trash planet for Elysium is entirely selfish, he is arrogant, rude and beyond egotistical, and much of the first game is him using, manipulating, and outright backstabbing other people in order to achieve his goals. The "intentional" part comes due to the fact he's actually a Deconstruction. Its made clear that nobody likes Rufus precisely because he's such an asshole, most, if not all of the series' crises are directly his fault, and he is constantly called out for his actions. In fact, in the sequel, Lady Goal abandons the other Goals and all of Deponia to certain doom just so she could get away from Rufus after everything he's done to her.
  • The titular Tomba! Sure he's a nice guy and sure he goes out of his way to help a lot of people along his journey, but all he ultimately cares about is getting back his grandfather's bracelet. Had the Koma Pigs not stolen it he'd have been more than content to sit back and relax as they did their thing to the island.
  • Castlevania: Lords of Shadow: Said Lords of Shadow are the Enemy Without of the original heroes of the Brotherhood, and have terrorized the Old World with hordes of monsters. However, due to a combination of Mutually Assured Destruction and fear of the REAL demons clawing their way from Hell, they've been forced to become the secret guardians of Earth - the license to kill anyone for fun is just a small bonus. Unfortunately, Zobek got sick of this détente with his bickering siblings and decided to take the fight to Hell for Level Grinding... and got possessed by Satan for his trouble.
    • In the sequel, Dracula has to save the world from Satan or he'll be tortured for eternity. He wouldn't care otherwise.
  • Lara Croft in the PlayStation Tomb Raider series is an archaeologist that is willing to kill anyone who stands in her way and destroy priceless objects as long as she can collect the fabled artifacts she had researched on. The only reason Lara can be considered "good" is because she's usually trying to get to the artifacts with power before the villains do so that they can't abuse them. If Lara does manage to work with someone, she only helps them as long as it helps her reach her goal. By Chronicles and Angel of Darkness, Lara becomes a total bitch to everyone. The Crystal Dynamics reboots scale her back a bit. In the first reboot (Legend, Anniversary, and Underworld) Lara's motivations are more personal, and in Anniversary she shows scruples against killing other people (while she seems to have given them up in Legend and Underworld, Legend at least introduces the mooks by having Lara overhear a conversation where they discuss their orders to kill her on sight). The second reboot features a younger, less experienced Lara trying desperately to survive.
  • The protagonists of the [PROTOTYPE] series are vengeful shapeshifting monsters whose primary goals are revenge. They do save the city of Manhattan from the villains of their respective games and genuinely care about those closest to them, but both Alex Mercer and James Heller acknowledge that they are not particularly morally upstanding people.
  • If one does a Pacifist Run in Undertale after having previously done a Genocide run, the ending will acknowledge the fact that the player has already dirtied their hands and so must effectively be the "did it because they were bored" variant of this trope.
    • To parallel this is the fact that upon discovering his SAVE ability, Flowey first used this power to solve everyone's problems and become friends with everyone, just as the player likely did before reaching the point where this is revealed. Flowey describes these activities and the friendship of the monsters as "amusing... for a while."
  • Most of the Vault Hunters in Borderlands 2 are not particularly upstanding people. Axton is motivated by money, glory and the chance of a worthy enemy; insofar as anything about Zer0 is nailed down, it's that he likes to kill things; Gaige isn't all the way sane; and Krieg is a rampaging murder machine.
    • Salvador the Gunzerker is heavily implied to be a mass-murdering criminal, responsible for lots and lots of deaths, and other assorted crimes. So much so that he's managed to rack up a ridiculously large bounty as seen on posters throughout the game. The only reason he became a Vault Hunter is probably because doing so would allow him to continue to cause chaos while searching for treasure at the same time.
  • The Speed Runners are supposed to be superheroes, but all we see them do in game is race each other. In the in-game comics, it is shown that they are getting in the way of the police by running through crime scenes, and their use of items is dangerous to civilians.
    • While the main character is more than willing to stop a series of bomb threats in New Rush City, he seems to care more about running than anything else as he deliberately refuses to help people at times, such as the runner known as The Falcon.
  • In Chrono Trigger, you can recruit Magus as an Optional Party Member. He doesn't really care about doing the right thing, and only aids you because you're his only shot at getting revenge on the Big Bad.
  • Copen in the Azure Striker Gunvolt series is the type of person who fights the right people for the wrong reasons. He is fueled solely by bitter vengeance and Fantastic Racism and has personally declared war against every single Adept on the planet until either they drop dead or he does. It just so happens that most of the Adepts he kills (at least on-screen) are much worse on the moral compass than he is. The sequel goes a long way in humanizing Copen while maintaining that his justifications for terminating Adepts with extreme prejudice is wrong; the revelation that his biological sister was born an Adept leaves him deeply conflicted, and by the game's ending he considers himself beyond saving and cuts ties with his family for their own protection.
  • The Material Defender from the Descent games. Even in Descent 3 after the Red Acropolis people rescue him, he makes clear he's just in it for the money (and revenge on Dravis). That said, he does have some Pet the Dog moments such as saving hostages in the first two games and saving a trapped medical frigate full of sick and hurt people in the third game.
  • Hat Kid from A Hat in Time is a "Leave me alone"-type example, not that she isn't a nice person, but all she really cares about is getting her time pieces back so she can go home. Notably, save for a couple of disparate exceptions, she doesn't even do much to save the day or make the world a better place: pretty much all of the major characters and worlds have problems or conflicts that go unresolved in her journey to get the time pieces back, like the cursed state of the Subcon Forest or the Mafia of Cooks controlling Mustache Girl's island (though you do have the option of letting her keep a single time piece to help fight them off in the end), and in a couple of cases she leaves things worse off like the Arctic Cruise.
    • This could be seen as Fridge Logic when you consider she's a time traveller and most likely doesn't want to do anything that might alter history anymore than losing the time pieces already have.

    Web Comics 
  • The Order of the Stick:
    • Eugene Greenhilt swore a Blood Oath to defeat Xykon the Sorcerer because the latter killed his mentor, but he was the one who muttered "yeah, whatever," afterwards. He was a horrible father, an inattentive husband, and the small amount of interest he has in Xykon being defeated is only because that oath he swore is keeping him from resting. He's only barely inside heaven in the afterlife. When his son Roy died and went to heaven, Roy was able to get much further inside heaven because unlike Eugene, he actually gave a damn and did everything he could to fulfill the family oath.
    • Belkar Bitterleaf is an unapologetic Heroic Comedic Sociopath with no actual redeeming qualities. At one point, Roy claims that the only reason he keeps Belkar around is to keep him from using his abilities to become a full-blown villain. Belkar's Stupid Evil antics are entirely deliberate on his part, as he finds being his own personal Mook Horror Show is not only entertaining but also an effective way of gaining XP. Later, he shifts to a more subdued Token Evil Teammate role, and gains an actual Morality Pet of sorts, his Right-Hand Cat, Mr. Scruffy.
  • Curse Quest: It is unclear why Avalon is even in the group considering he cheers on monsters trying to kill his teammates and pretending to be someone else when he needed to provide identification in the International Heroes Guild book. He does get excited about getting a quest to the Land of Avalon, so it can be assumed he has ulterior motives and is simply siding with the heroes as a cover.
  • Magick Chicks: Melissa was introduced as an antagonist, back when she first appeared in Eerie Cuties, but was eventually given her own Spin-Off series which was meant to reform her — against her will. The comic stuck her with a sentient wand that acted as her conscience and Tiffany as her self-appointed instructor. Except Melissa couldn't care less and remained as self-centered and petty as before - despite occasional moments of heroism.
  • In Sluggy Freelance, any time Bun-Bun does something good in the series, Pete Abrams is always careful to give him a completely selfish reason (usually either that the good guys bribed him, or that the villain happened to piss him off). It's rare that he's implied to do anything solely because he cares about a member of the main cast.
  • The Light Warriors in 8-Bit Theater (with the exception of Fighter) only possess the distinction of being protagonists due to showing up at the recruiting station at the right time. Both in-story and by Word of God, they are far worse than any of the monsters they end up facing. The worst of the lot are Black Mage (a pure Villain Protagonist and an Omnicidal Maniac who wants to deliver the world to Chaos) and Thief (a kleptomanic Jerkass Miser Advisor and race elitist who's only in it to screw over as many people as possible). Red Mage is an amoral Munchkin who's in it for the XP but will happily commit atrocities toward that end. Fighter, on the other hand, is an Idiot Hero who is only going along with the others because he thinks they're actually on the side of good.
    • Still, the epilogue has them being credited as the individuals who started the events that led to the world being saved. That is, by being responsible for the world-ending threat in the first place.
  • In Ansem Retort, the only difference between Axel and the villains he fights is that the villains want to destroy all of humanity at once while Axel would prefer to do it one person at a time.
  • The Midnight Crew in Homestuck are a group of bloodthirsty, vicious criminals. The only thing that keeps them from being outright Villain Protagonists of the first Intermission is the fact that the gang they're facing off against, the Felt, is even worse and is led by the Greater-Scope Villain of the whole story.
    • Vriska is normally fairly solidly on the heroes side, and still comes across as a villain most of the time. Any time she becomes too sympathetic she'll gleefully kick some random dog, and never stops being in it mostly for her own ego.
  • Abigail from BACK seeks to overthrow a corrupt dictatorship, but only so that she may more easily bring abut the apocalypse. Any lesser villain she fights is because they got in her way.
  • Sebastian in True Villains is a Living Legend who took on heroic exploits more for the thrill and reward than any real benevolence. He becomes a Villain Protagonist more or less as soon as he gets a more interesting offer from a demon he'd intended to vanquish.
  • Learning with Manga! FGO has its take on the protagonist, generally referred to as Gudako. As a satire of the average gacha fan, she's self-absorbed, lazy, a massive pervert, and plays the game to obtain as many pretty girl Servants as possible. She's so uninterested in actually resolving the plot that her Servants have taken to doing it themselves without her. Her male counterpart actually does try to get through the story, but he's pretty transparently doing it because he thinks it's the best way to get lots of cute boy Servants.

    Web Original 

Alternative Title(s): Hero In Name Only


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