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Spoilers for Incredibles 2 will be tagged as usual... However, due to its nature as a sequel, this page contains unmarked spoilers for The Incredibles. You Have Been Warned!

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The incredible adventure continues!

"Done properly, parenting is a heroic act. Done. Properly."
Edna Mode
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Incredibles 2 is Pixar's twentieth animated film, released on June 15, 2018 and the sequel to the 2004 film The Incredibles. Brad Bird returns as writer and director, as does most of the original voice acting cast.

Everyone's favorite family of superheroes is back — but this time Helen (Holly Hunter) is in the spotlight, leaving Bob (Craig T. Nelson) at home with Violet (Sarah Vowell), Dash (Huck Milner), and Jack-Jack to navigate the day-to-day heroics of "normal" life.

It's a tough transition for everyone, made tougher by the fact that the Super Relocation Act is still in force. However, an eccentric billionaire has a plan to turn public opinion to favor the supers, and the family grows aware of baby Jack-Jack's emerging superpowers.

When a new villain hatches a brilliant and dangerous plot, the family and Frozone (Samuel L. Jackson) must find a way to work together again — which is easier said than done, even when they're all Incredible.

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Previews: Teaser, Trailer, Second Trailer.

Incredibles 2 played in theaters along with the Pixar short Bao.

Screenslaver's hypnotic screens make use of patterned strobe effects that could trigger seizures in epileptic viewers leading Disney to issue a warning at the start of the movie.

Please move any character tropes to the proper character page.


Incredibles 2 provides examples of:

  • 10-Minute Retirement: After learning that Dicker erased all of Tony's memories of her, Violet renounces superheroism and unsuccessfully attempts to destroy her super suit. However, when her mother is in trouble and her dad leaves to rescue her, she gets out her, Dash's, and Helen's super suits, and renounces her renunciation.
  • Actionized Sequel: The Incredibles had plenty of action sequences, but Incredibles 2 kicks them up a notch, due at least in part to the better CGI technology available after 14 years.
  • Adult Fear:
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    • Bob and Helen mull over what to do about their family's impending homelessness once the hotel stay runs out.
    • While the fight is largely played for laughs, watching a baby fight a wild and very obviously aggressive raccoon can be deeply unsettling.
    • Dash opening the door to find Screenslaver's mooks claiming to be there to "look after them" when their actual intention is to kidnap Dash and Violet sends Stranger Danger fears that Frozone immediately picks up on, spurring him to step up to protect his godchildren.
  • Adults Are Useless: Played with. The adult supers (including Bob, Helen and Lucius) are actually quite competent, but when they are incapacitated, it comes down to the kids (Violet, Dash and Jack-Jack) to try and save the day. It comes down to Jack-Jack nudging Helen's goggles enough to free her which turns the tide of the final battle.
  • Advertised Extra: Although that raccoon appeared on posters and toys, in the film, he only appears in the scene where Jack-Jack fights him and Bob sees his powers.
  • Alone with the Psycho: When Helen is alone with Evelyn Deavor and gets her Eureka Moment which prompts Evelyn to intervene and reveal herself to the audience as the Screenslaver.
  • Amazingly Embarrassing Parents: When Bob tries getting Violet and Tony back together without Violet being in on the plan, Violet's surprise makes tap water shoot out of her nose while Bob unknowingly hams it up to try and charm him, including complimenting the water even after learning it's tap. Later, the whole family drives the two of them to the movie, all the while admitting that they were planning on being in the theater, but in a different row. While Bob and Helen claim that they just wanted to watch a movie, Violet does not buy it.
  • Ambiguous Time Period: Like with the first film, the film blurs the line between a culture with 1960's sensibilities with that of modern, contemporary technology. Brad Bird has also stated that both films are not meant to be set in any specific period of time.
  • Amphibious Automobile: The Incredibile is already an extremely Cool Car...and then it turns into a boat.
  • Amplified Animal Aptitude: Downplayed, but the raccoon Jack-Jack fights with is smart enough to counter Jack-Jack's Wreathed in Flames power with ash from a nearby barbecue.
  • And the Adventure Continues: The movie ends with the Parrs suiting up to go after a pair of robbers.
  • Animal Nemesis: Played for laughs with Jack-Jack, who strikes up an enmity with a raccoon scavenging in the Parrs' garbage can.
  • Answer Cut:
    • In the Incredible, when Dash wonders what he and Violet have to offer to oppose the villain, Jack-Jack in the backseat make himself known by showcasing his Reality Warper powers.
    • Mr. Incredible who just broke free from the hypnosis wonders why the others talk about escape. His question who they are escaping from is answered when the other mindcontrolled supers break into the room.
  • Art Evolution: Expected from a CGI movie sequel released 14 years after the original. It's clear to see that the character models have been massively refurbished yielding more detail in facial expressions, clothing texture, and hair. In short, everything looks better.
  • Ascended Extra:
    • Jack-Jack, who essentially only appeared in the domestic scenes as the baby in the first movie, is now much more prominent and integral to the plot. While he's still a secondary character by virtue of being a baby, one of the plot threads of the movie is about his family dealing with his Combo Platter Powers.
    • Tony Rydinger is now a prominent character in Violet's story arc. In the first film, he had only two scenes.
    • The Underminer gets his chance to shine after a brief, last minute introduction at the end of the first film. He's still only an introductory villain, but when we get to see him in action he manages to successfully rob the bank and make a clean escape.
  • Ascended Fanboy: The new superheroes who emerge as a result of Elastigirl's growing popularity. Voyd is especially this, genuinely idolizing Elastigirl and eventually getting a chance to directly help her against Screenslaver.
  • Avoid the Dreaded G Rating: Like its predecessor, this film earns its PG rating by portraying more mature content including the drinking of alcohol by primary characters, considerable action-related violence, and dialogue. Evelyn Deavor, gives us not only a "hell" and a "crap" but an "I'll be damned". There are also at least three utterances of "Oh my God!" A Curse Cut Short with Frozone's "What the...!" and Bob himself gives us "I eat lightning and crap thunder!".
  • Badass Boast: Screenslaver announces, "Supers are no longer in control. I am."
  • Badass Bystander: Winston refuses to let his sister murder all the supers and ambassadors left behind on the ''Everjust'. He jumps off the escape plane, frees the supers and ambassadors, and orders them to the back of the ship to be as far from the impact zone as possible.
  • Badass Normal:
    • The raccoon, of all things, earns this title during his fight with Jack-Jack. The raccoon is just a normal woodland animal, while Jack-Jack won the Superpower Lottery. By all rights, their tussle shouldn't have been as even as it was.
    • Screenslaver holds his own very well in his fight against Elastigirl even without any powers besides are the various hypnotic gadgets. Since the decoy Screenslaver is just a hypnotized pizza delivery guy, even Evelyn admits she was surprised at how well he fought back.
  • Bad Mood as an Excuse: Played with. Given the justified emotional upheaval that Violet is dealing with regarding her failed date with Tony, she becomes understandably livid when she learns it was caused by Agent Dicker's memory wipe made at Bob's request. Dash watches her ensuing tantrum and, befitting the naiveté of a 10-year-old boy, wonders aloud if her behavior is somehow linked to her "having adolescence".
  • Bait-and-Switch: Talking to Bob, Helen and Lucius about putting heroes back into the spotlight, Winston Deavor appears at first to be building up to having Bob as their public figure... only to choose Helen as their best option.
  • Bait-and-Switch Comment: Violet when consoling her dad.
    Violet: You're not good. *Beat* You are super.
  • Beam-O-War: During the battle on the Everjust, there is a quick tug of war between Reflux spitting out lava versus Frozone shooting an ice stream. Frozone wins out and frees Reflux from the hypno goggles.
  • Beware the Superman: One part of Screenslaver's plan is to have the supers appear to be bitter at the Super Relocation Act and deliver a chilling New Era Speech on how they are not going to tolerate it anymore.
  • Big Damn Heroes: When the hypnotized supers come to take Violet and Dash away, the Incredible bursts through the door and things turn for the better.
  • Big Fancy House: The spare house Winston Deavor puts the Parrs in while Helen is working with him is gorgeous. It's spacious and tastefully furnished, with a customizable remote-controlled living room with fancy waterworks, a big yard, and a pool.
  • Big "NO!":
    • Dash when Jack-Jack becomes a giant version of himself and breaks his tracker.
    • The Big Bad, Screenslaver, when Elastigirl smashes the hypno-goggles on Frozone and Mr. Incredible.
  • Big "YES!": Edna, upon witnessing Jack-Jack's vast array of superpowers. You can practically read "INSPIRATION!" written across her face.
  • Black Comedy: Elastigirl suffering hypoxia while fighting Screenslaver on the plane. She sounds drunk and loopy, but her dialogue conveys a primal fear - "I don't wanna die."
  • Black Comedy Animal Cruelty: Jack-Jack's fight with the wild raccoon is 100% Played for Laughs. However, this is a Downplayed example because for the early part of their fight, the raccoon actually holds its own. It's only after Jack-Jack begins unleashing a wide variety of his superpowers, that the raccoon realizes it's hopelessly out-classed and focuses on trying to get away.
  • Blatant Lies:
    • Violet comes up with a clearly unbelievable story for Tony to explain why she was wearing a superhero costume. However, the lie turns out to be unnecessary, because Agent Dicker had already removed Tony's memories about the incident.
    • Bob tells Helen that he and the kids are fine on her first day away, when they're anything but.
  • Book-Ends: Played with. The first movie has Bob "masking up" at the beginning in the Incredibile to become Mr. Incredible and it ends with the entire family "masking up" to take on the Underminer. The sequel shifts right into that battle. And it ends with the entire family again "masking up" in their new family-style Incredibile ready to fight crime. For bonus points, the first movie opens with Bob pursuing robbers who are being chased by police in his Incredibile. The sequel ends the same way, only this time the whole family comes along for the ride.
  • Both Sides Have a Point: Bob and Helen's conflict in the beginning. Helen wants the kids to be safe and not have to risk going to jail for using their powers. Bob points out that the kids don't have to become superheroes but he wants them to be able to have that choice.
  • Brainwashed and Crazy:
    • All of the supers except Dash, Violet and Jack-Jack become this under hypnosis, as this is how the Screenslaver operates.
    • The decoy Screenslaver, who is just some pizza delivery man Evelyn Deavor hypnotized to be her fall guy.
  • Brick Joke: At the very end of the end titles, the Underminer's mole machine pops up and drives away.
  • Building Swing: Elastigirl uses her elongated arms to swing from building to building, Spider-Man-style. Or to grab a helicopter in flight.
  • The Cameo:
    • Dash, at one point, is watching the classic Jonny Quest cartoon. The Quest Labs building is also seen, implying that that show is based on actual events, akin to the Mr. Incredible cartoon.
    • Usher, a self-proclaimed Frozone fan, plays the chauffeur who gushes over him.
  • Canon Marches On: Given that the film leads off with fighting and defeating the Underminer and then goes into Helen becoming family breadwinner and Bob adapting to being a House Husband, I2 ignores the comic adaptation and the Rise of the Underminer game in favor of only needing the audience to be familiar with the previous film (and, optionally, its spin-off, Jack-Jack Attack).
  • Cardboard Box of Unemployment: Downplayed. During a phone call between Bob and Rick Dicker, we see the latter packing up things at his desk into a cardboard box.
  • Carload of Cool Kids: The first time Elastigirl takes the new Elasticycle out, a carload of cool kids drives up beside her to cheer her on and offer encouragement.
  • Cartesian Karma: When Helen takes down the Screenslaver, they are arrested and sent to jail. They turn out to be a decoy Screenslaver who was an Unwitting Pawn that Evelyn used, and is actually an innocent pizza delivey guy.
  • Casting Gag: Barry Bostwick once again plays the mayor of a big city.
  • Catch a Falling Star: Edna dives to catch Jack-Jack but the latter has the power to elevate and stops his fall right before hitting the ground.
  • Chekhov's Gag: When the Parrs first arrive at Winston's "spare" house, Bob is initially very impressed with the "water feature" when Dash plays around with the house's decorative indoor ponds. A few days later, when Bob is rushing to search through his old belongings he falls into one of the decorative indoor ponds. After getting out, he mumbles "stupid water feature!"
  • Chekhov's Gun:
    • The Incredibile from Bob's Glory Days is revealed to be intact and functional early in the movie. Later, Violet, Dash and Jack-Jack use it to escape from the hypnotized supers that have come to kidnap them.
    • The Flare Gun Elastigirl uses against the Screenslaver can be seen briefly moments before when it pops out of the emergency kit.
  • Chekhov's Skill:
    • Jack-Jack's ability to fire Eye Beams in pulses when held. Violet uses him as an Equippable Ally to fire at a hypnotized Screech who had abducted Dash.
    • Jack-Jack quietly displays the power of telekinesis when he lifts and replaces the lid on the trashcan that triggers his fight with the raccoon. This becomes important later when he uses this ability to dislodge the hypno-goggles from Elastigirl's eyes, freeing her from Screenslaver's control.
  • Clothing Damage: The shoulder of Elastigirl's outfit gets ripped during the endgame battle. Fortunately her red Incredibles costume is immediately made available.
  • Combat Pragmatist: Screenslaver gains a significant advantage over Elastigirl by bouncing her around the airplane cabin with erratic piloting. They also reduce the oxygen throughout the plane, causing Elastigirl to suffer from hypoxia, making it hard for her to fight back.
  • Conspicuous Trenchcoat: Bob and Helen wear trenchcoats over their costumes to go to their nightime meeting with Winston. Violet and Dash are very suspicious.
  • Continuity Nod:
    • Rick Dicker's interview with Tony Rydinger echoes the interview with Kari in "Jack-Jack Attack" right down to both Kari and Tony expressing a desire to forget the whole thing.
    • The movie calls back twice to the EL train accident that contributed to the outlawing of supers in the first movie. First, during the Underminer chase, Frozone saves an EL train when its track is destroyed. Later, Helen's runaway hovertrain chase ends with the train nearly going off the end of its rail. That night, Helen phones Bob about successfully stopping the train, making Bob start to get jealous.
      Helen: I SAVED A RUNAWAY TRAIN! [laughs giddily while Bob scowls]
    • When Lucius extends Winston's invitation to meet him to Bob and Helen, he comments, "Wear the old suits. I've got a feeling he's nostalgic."
    • Helen accepts her mission by calling Winston and stating, "This is Elastigirl. I'm in." similar to Bob's "This is Mr. Incredible. I'm in." to Mirage in the first.
    • While not as foreboding compared to the first film, the scene where Helen goes to work for the first time echoes Bob's second trip to Nomanisan Island but with their roles switched. Helen is a little dismissive in response to Bob's prodding, too focused on work ahead. Bob tries to sound optimistic in an effort to convince himself that everything is still okay. The scene even ends on the same note: as Helen drives off, Bob places his hand on his chin and tilts his head a little wistfully, likely wondering if everything really is okay, as he watches her leave.
    • Violet going for ice cream invisible in normal clothes calls back to the scene from the first movie where she goes invisible in normal clothes to hide from Tony Rydinger behind a short wall.
    • The sequence from the first movie in which Edna unlocks her workroom is reenacted, but this time with Jack-Jack using the biometric scanners.
    • Edna Mode showing Mr. Incredible how Jack-Jack's suit works calls back to the scene in the first movie where she was showing Helen the outfit she'd designed for Jack-Jack.
    • Edna's remark that Jack-Jack seems to like Mozart is a callback to Kari explaining in the first movie that she was going to play Mozart for Jack-Jack to make him smarter, and to her actually playing it (and it triggering his powers for the first time) in Jack-Jack Attack.
    • The sequence where Dash wants to pull Mr. Incredible up, but Violet keeps telling him to wait echoes the similar sequence in the first movie when Bob was wanting to fire the claw but Helen wanted to wait for a closer shot.
    • Violet reintroducing herself to Tony Rydinger at the end of the movie echoes the moment from the end of the first movie in which she introduced herself to him for the first time.
    • At the end of the movie, the family wagon transforms into the new-and-improved family-sized Incredibile just as Bob's sedan did in The Incredibles.
    • In both movies when Mr. Incredible asks another super about their powers, he is rebutted with reference to his own powers. In the first movie, Mr. Incredible asks why Frozone can't put out the fire with his ice powers. Frozone explains that he's badly dehydrated and snarks at Bob "what's your excuse? Run out of muscle?". In the current story, when Mr. Incredible asks Krushhauer why he can't use his telekinesis to clear away wreckage blocking a hallway, he says being asked to uncrush something is like asking Mr. Incredible to "unpunch" something.
    • When an angry Elastigirl meets Mr. Incredible on Nomanisan Island, he pulls her into a kiss. A hypnotized Elastigirl pulls him into a kiss, but she does so to distract him long enough to put Screenslaver's hypnotizing goggles on him, placing him under Screenslaver's control as well.
    • Fironic, one of the heroes who knew the Deavors' father, was the completely unseen superhero bystanders mistook Syndrome for in The Incredibles. Gazerbeam, the other hero, was the lawyer who defended Mr. Incredible, and the body found in the cave on Nomanisan, in that movie.
    • While Mr. Incredible and Elastigirl are being interrogated by the police, pictures from their interviews in the first movie appear.
    • A TV broadcast about Elastigirl features the interview clip of her from the beginning of the first movie.
    • In a scene where Bob is rummaging through cartons of stuff saved from the old house, some of the items from his study in the first movie are visible, such as the jar of bullets that had bounced off him.
    • Helen mentions that all of Robert's suits were destroyed when the jet destroyed their house, referencing Syndrome's explosive end.
    • Mr. Incredible can be seen pouring coffee into an Insuricare mug at one point, a nod to his previous job in the first movie.
    • When Violet attempts to destroy her suit to underscore her renouncement of superheroism, she can't even damage it a little. Edna did say they were virtually indestructible when she shows them off to Helen.
    • The ending credits begin the exact same way visually as they did in the first film, with shots of the family members doing various things, before changing to reflect the events of the second movie instead of the first.
    • The end credits include the "original" versions of the hero themes that the heroes sing along with Winston Deavor when they meet him.
    • A very subtle one. In a Freeze-Frame Bonus in the first film's opening, when Mr. Incredible turns the dial on the Incredibile, you can see a "Hydro Transport" setting, which he moves past. In this film, we get to see that setting in action.
  • Contrasting Sequel Antagonist: In the first film, Syndrome was bombastic, desperate to be the center of attention, and had a borderline Bond-villain-like organization. Screenslaver, the antagonist of this film, is quieter and has a lower profile than Syndrome. Their motivations contrast significantly as well; Syndrome wishes to make everyone super so actual supers are no longer exceptional, while Evelyn wants supers to go back into hiding so that mankind can stop relying on them.
  • Cool Bike: The Elasticycle, which is capable of splitting in half making it ideally suited for Helen's stretching ability. It also has an electric motor drive, so it accelerates even faster than a typical combustion-powered motorcycle.
  • Cool Boat: The Everjust, the world's largest hydrofoil. It even has a private jet on it.
  • Cool Car:
    • The Incredibile, which initially only appeared in the prelude of the first movie note , comes back with a vengeance halfway through this movie.
    • In the last scene of the movie, the family wagon turns into a new-and-improved family-sized Incredibile.
  • Costume Evolution: An interesting inversion. Helen's costume while participating in Winston's superhero PR plan is a less colorful and darker version of the bright, colorful costume she wore during the Glory Days segment of the first film. After she gets freed from the Screenslaver's mind control, she returns to her Edna-designed Incredibles costume.
  • The Cracker: The Screenslaver has all of the makings of an onscreen, fully-masked cracker super-villain V for Vendetta-style.
  • Creative Closing Credits: Same as the previous film, the closing credits are a very stylistic montage of key scenes from the movie.
  • Crippling Overspecialization: Krushauer is established to have the power to crush anything using his telekinesis. Mr. Incredible asks Krushauer to uncrush the hallway he blocked off before, which perplexes the hero, who says asking him to uncrush something is like him asking Mr. Incredible to "unpunch" something.
  • Curse Cut Short: When Frozone sees Jack-Jack turn into a demon, he yells "What the...!" as the scene changes.
  • Cut Lex Luthor a Check: Invoked and discussed by Helen. Part of her suspicion that there's more going on with Screenslaver is that he's just a pizza delivery boy, when anybody with this level of skill and tech shouldn't need to keep such a low wage job.
  • Deadpan Snarker: Rick Dicker gets in a couple of good ones.
  • Death by Despair: Evelyn and Winston's mother died a few months after her husband from heartbreak.
  • Deliberate Values Dissonance: For the most part the film's attitudes are completely modern, with the aesthetics of The '60s. However if you're looking for them...
    • When Jack-Jack is in his car seat, he's always facing forward, a no-no by modern safety standards.
    • When Violet and Dash escape in the Incredibile, the-super powered sports car has no seat belts. Justified, since its intended driver was Nigh Invulnerable and ease of exit or entry would more vital than personal safety.
  • Department of Redundancy Department: The Unreadably Fast Text of the International Superhero Accord being signed on the Everjust concludes with "...the United League of Nations does hereby proclaim Supers legal henceforth unto eternity and for all time, forever."
  • Designated Girl Fight:
    • During the skirmishes that take place aboard the Everjust, events align for Violet to have the definitive one-on-one fight with a hypnotized Voyd who loses and is knocked out.
    • The Final Battle between Elastigirl and Evelyn Deavor.
  • Destructive Savior: Due to the nature of their powers, Mr. Incredible and Frozone's heroics are noted as causing much more collateral damage than Elastigirl's; that's the reason why she's chosen as the Supers' representative.
  • Didn't See That Coming:
    • Although Screenslaver was aware that the Parr children had evaded their Mooks, they are caught off-guard when the kids show up on the Everjust and is particularly thrown off by the existence of a super-powered baby.
    • Screenslaver didn't anticipate that the Flare Gun from the jet's emergency kit could be used as a weapon.
  • Didn't Think This Through: Regarding having Tony mindwiped, Bob only thought of the situation in superhero terms of preserving Violet's identity. He didn't stop to consider how the mindwipe could affect Tony's budding relationship with Violet so he didn't inform Agent Dicker that Tony was anyone important to Violet.
  • Dirty Coward: The rich guy who bought the Incredibile is entertaining a date with the car shown in the background. When it blows a hole in the wall with its missile launchers and drives away he is shown trying to hide behind his date, who is less than pleased.
  • Disastrous Demonstration: The hovertrain's maiden voyage gets torpedoed by the Screenslaver who turns it into a Runaway Train.
  • Disc-One Final Boss: The film picks up directly where the original left off with the Underminer as the villain, before leading into a separate plot with a new villain.
  • Disproportionate Retribution: Screenslaver orchestrates the events that send a pizza guy to prison because he delivered the pizza cold and was surly.
  • Do Not Adjust Your Set: Screenslaver hijacks the television waves to make "an important announcement". Earlier, the opening titles from The Outer Limits are seen on the Parr family TV set, in a clever bit of foreshadowing.
  • Drill Tank: The Underminer not only has his main enormous tank, but also a secondary smaller tank inside that one for use as an Escape Pod.
  • Dull Surprise: As a plot point. Hypnotized people repeating the Screenslaver's words speak without any expression and with minimal emoting in their voice.
  • Earn Your Happy Ending: After spending over a decade forced into hiding and everything they've been put through in both films, being superhero is finally made legal again and the Parrs can finally be public heroes.
  • Ejection Seat: The Incredibile has these, which allows the kids to get on the Everjust.
  • The Elevator from Ipanema: Typical elevator music plays when Violet and Dash take the ship's elevator to look for Jack-Jack.
  • Epileptic Flashing Lights: Social media health watchdogs expressed concerns, and Disney subsequently issued warnings, that Screenslaver's mind-control hypnosis makes use of patterned strobe effects that could trigger seizures in epileptic viewers.
  • Escape Pod:
    • The Underminer has a second, smaller Drill Tank inside his main tank which he uses to escape Bob.
    • Screenslaver uses a jet built into the top of the Everjust to escape once the plan is in motion.
  • Et Tu, Brute?: Played with. Helen is shocked and betrayed that Evelyn created the Screenslaver persona and that her plan is to smear the image of Supers in the eyes of the public permanently. Evelyn quickly retorts that they barely knew each other, they were hardly best friends or anything.
  • Even Evil Has Loved Ones: Despite Evelyn's hatred of her brother's love for superheroes, she returns to save him before their yacht crashes into the city. After learning her plan, however, Winston isn't having it and jumps off her escape jet to save everyone on the yacht.
  • Every Car Is a Pinto: The Elasti-cycle explodes rather dramatically when it crashes into a mountainside. While electric batteries are combustible under the right circumstances, it is a surprisingly large explosion for such a thin and lean motorcycle.
  • Evidence Dungeon: Elastigirl finds Screenslaver's decoy in his lair but it blows up with all the evidence inside.
  • Evil All Along: Elastigirl learns that the Screenslaver she caught was just a decoy setup by the real Screenslaver, Evelyn Deavor. It's revealed that she manipulated the events of the film as an elaborate revenge plot on supers because she blames a reliance on them for the death of her father.
  • Evil Cannot Comprehend Good:
    • Or government in this case. Winston notes that politicians have difficulty believing that somebody would do good solely for the sake of doing good.
    • Evelyn believed her brother would fall in line with her plan once she tried to save them from the yacht. Instead he jumps off the escape jet and actively heads to foil her plan as best he can.
  • Evil Gloating: Where the last movie discussed the inherent silliness of the trope, this movie plays it incredibly straight. After Evelyn has already successfully gotten Elastigirl under her hypnosis, she restrains Elastigirl long enough to shut off her hypno-goggles just so she can explain her Evil Plan and Freudian Excuse to Helen, and then turn the goggles back on and continue with her plan. To Evelyn's credit she does restrain Helen well enough that Helen cannot escape while she monologues.
  • Evil Overlooker: In the poster above, Screenslaver can be seen looming over the "I" above the family.
  • Exact Words: Helen asks Bob how Jack-Jack is doing. Bob replies that Jack-Jack is in excellent health. He's not exactly wrong or lying.
  • Exhausted Eye Bags:
    • Bob develops these as taking care of the kids wears down his patience and sanity.
    • Evelyn is shown with these from her first appearance in the film. Unknown if it's a result of her constant drinking or from all the work she's doing developing tech for Elastigirl or a combination of the two.
  • Explain, Explain... Oh, Crap!: After seeing Jack-Jack fight the raccoon, Bob is initially elated to learn that his son has powers. However, as he talks it through, he suddenly realizes the problems of having a toddler with the powers he just witnessed.
    Bob: Did you go through the locked door? Are those your powers? Who can multiply like rabbits and go right through any solid... Oh my God!
  • Failed Attempt at Drama: After learning that Tony's memories were wiped, Violet throws her supersuit into the garbage disposal while declaring she renounces heroism. As the supersuit is nigh indestructible, it just flails about comically. She pulls it out and reiterates her renouncement while biting the suit before finally throwing it against the wall and storming off in a huff.
  • Family-Unfriendly Violence: At one point during their fight, the Screenslaver actively tries to murder Elastigirl with an axe. Additionally, during the fight scene on the plane, Elastigirl straight-up blasts Screenslaver out the window with a flare gun.
  • Fanservice Pack: Elastigirl was redesigned to be more buxom and Violet has slightly wider hips than in the first movie.
  • Feedback Rule: There is a slight microphone feedback when Winston welcomes the guests on the Everjust.
  • Feet-First Introduction: Besides Violet, Tony's first glimpse of the rest of the Parr family is at their boots.
  • Fiction 500: The Deavors head DEVTECH, one of the world's richest telecommunications companies. As a result, Winston and Evelyn are able to provide Elastigirl with cutting-edge technology, own several "spare" houses, and produce the Cool Boat on which the climax takes place.
  • Fictional United Nations: Logos for a "ULN," which presumably stands for "United League of Nations," (the name being a combination of the current organization and its predecessor) can be seen on things such as the ambassador's helicopter.
  • Five-Second Foreshadowing: While conversing with Helen, Evelyn talks about how consumers will sacrifice quality for ease every time, which is a very similar sentiment to the Screenslaver’s motive rant. She is revealed to be the real Screenslaver before the scene is over.
  • Flare Gun: Helen uses one as a weapon to shoot Screenslaver's oxygen-tank backpack causing them to rupture and propelling them out of the plane.
  • Foil: The Deavor siblings are a study in contrast. Winston is idealistic and a people person, perpetually dressed in an impeccable suit and focused on the bottom line. Evelyn is a cynic and fairly withdrawn, wearing casual, comfortable clothes and more interested in inventing than marketability. Both were also deeply affected by their parents' deaths, but while Winston believes that was proof heroes were needed, Evelyn blames their father for relying on them instead of other means.
  • Forced Friendly Fire: When Elastigirl has to fight both Mr. Incredible and Frozone on the ship's bridge, she jumps onto Frozone and directs his stream of ice onto Mr. Incredible.
  • Foreshadowing:
    • In many of the scenes in which Winston and Evelyn appear, Evelyn is shown in the background, often slightly out of focus, foreshadowing her later reveal as The Chessmaster working behind the scenes.
    • The "Outer Limit's" Do Not Adjust Your Set line foreshadows the Screenslaver's M.O.
    • It's no surprise that Evelyn Deavor turns out to be Screenslaver since her name broadcasts that her endeavors are going to be... well... evil.
    • Evelyn tells Helen, "I'm the genius behind the genius."
    • Evelyn is often seen with unkempt hair and Exhausted Eye Bags, suggesting that she's been busy with other things when she's not working with Helen and her brother.
    • Screenslaver gives a monologue condemning people's addiction to letting entertainment do things for them rather than taking the effort to experience it themselves, preferring simulation over reality. It turns out that the decoy Screenslaver is literally a simulated villain, being orchestrated by the real Screenslaver giving that speech.
    • After Screenslaver is unmasked and arrested, the guy asks "What did you do to me?" The police assume he's just trying to justify that society did this to him. But rather, it hints that this kid is just a pawn in the real mastermind's plans.
    • During the climax, when the Incredibles and Frozone are freeing the heroes from their hypno-goggles, one screen stays on. This tells us that there's one hero unaccounted for, that being Krushauer, who is freed a few scenes later.
  • The Fourth Wall Will Not Protect You: In-Universe. The Screenslaver plans to hypnotize people through many screens.
  • Freudian Excuse: When the villain was young, robbers broke into her father's house and he tried to call two superhero friends for help, but since this was after the Super Relocation Act had passed, there was no response, and the robbers killed him. So now the villain seeks to discredit superheroes forever so people will save themselves instead of looking for supers to do it for them.
  • Gagging on Your Words: Bob can barely get the words out when he tries to be supportive of Helen's new job. Helen actually notes how "painful" it is for him.
  • Gas Cylinder Rocket: Helen shoots the oxygen tanks on Screenslaver's back with a Flare Gun, when they rupture, it causes them to be propelled out of the plane.
  • Get a Hold of Yourself, Man!: Subverted. When the show host falls victim to the Screenslaver's hypnosis, Elastigirl attempt at slapping him out of it has no effect.
  • Getting the Baby to Sleep: Bob struggles to get Jack-Jack to sleep.
  • "Getting Ready for Bed" Plot: The book Mr. Incredible reads to Jack-Jack is about everyone in "doozle-dorf" going to bed.
  • Gone Horribly Right: Agent Dicker did succeed in getting Tony to forget Violet’s secret identity. Unfortunately he ended up erasing all of Tony's memories of Violet, including their budding relationship.
  • Happy Ending Override: The film starts off where the last one left off, with the family getting into their super-suits for a big comeback against Underminer... only for them to get arrested, supers still being illegal at the time, with the NSA's low-funding essentially cutting them off. Violet's big date with Tony is erased from his mind after he accidentally sees Violet without her mask and she is back to square-one with him, or even less so considering the various bad first impressions she winds up having with him.
  • Have You Told Anyone Else?: Rick Dicker asks Tony this before he erases Tony's memories of Violet to check if he needs to do likewise to anyone else.
  • Heartbreak and Ice Cream: Violet digs into a tub of ice cream (while invisible) in response to Tony not showing up for her date.
  • Hellish Copter: The ambassador's helicopter crash-lands.
  • Hero Insurance:
    • Discussed with regards to the damage caused by the Underminer. The money he stole from the bank was insured and there are contingencies in place that would have covered the initial damage. Mr. Incredible's failed attempt to capture the Underminer caused more collateral damage than expected.
    • While explaining his PR plan to the Incredibles and Frozone, Winston mentions that they have set up insurance to cover any potential damage and decides to send Elastigirl out as the first representative since she has a history of causing the least amount of collateral damage.
  • Hero with Bad Publicity: Winston believes the real reason why supers were banned was that the public and the media focused too much on the collateral damage caused by super heroism, instead of their good deeds and the lives saved. His goal is to counter that with good publicity, marketing, and political action.
  • Hired to Hunt Yourself: Elastigirl asks Winston and Evelyn to setup another interview with Chad Brently to create a scenario to track the Screenslaver. This creates an interesting situation because Helen doesn't know that Evelyn actually is the Screenslaver and the person they're hunting is just some hapless pizza delivery guy hypnotized into being the fall guy.
  • History Repeats:
    • The Incredibles begins with Mr. Incredible's heroics inadvertently causing property damage and injuring civilians as the bad guy responsible gets away. This film starts off with Frozone and the Incredibles trying to stop the Underminer's heist and inadvertently causing severe property damage in the process, complete with the bad guy responsible getting away.
    • Notably subverted with Elastigirl and Frozone, who both are able to safely stop an out of control Tunneler and Runaway Train without major damage or causing a sudden stop that would harm the passengers. It's a particularly painful blow to Mr. Incredible's ego, since his attempt at stopping a runaway train set in motion the events that led to the Super Relocation Act.
  • Holding Out for a Hero: During a burglary, Winston and Evelyn's father was shot when he chose to call superheroes for help. Evelyn claims he would have survived if he had hidden in the house's safe room.
  • Hypno Pendulum: Downplayed. In Screenslaver's lair, there is a machine that resembles a clock which has one of these along with three hypnosis spirals. It does not impact the plot, merely setting the scene.
  • Hypno Trinket: Helen realizes that the Screenslaver's technology would allow him to create screens that aren't obvious screens. Unfortunately, at that exact moment Screenslaver slaps a pair of hypno goggles on her.
  • Hypocrisy Nod: Elastigirl acknowledges that she is being a hypocrite when she is listening in for a crime to thwart when she herself reprimanded Bob for doing the same thing in the past.
  • Immediate Sequel: The movie starts right where the last one left off, with the family battling The Underminer.
  • Impact Silhouette: When Jack-Jack turns into a giant baby aboard the Everjust he goes crashing through several walls of the ship, leaving a Jack-Jack-shaped hole in each wall. Bonus points in that he's shrinking in size as he's doing this so each hole is smaller than the previous one until the final hole is baby-sized, temporarily stopping Violet and Dash who had been following him.
  • Ink-Suit Actor: Bob Odenkirk and Catherine Keener have a noticeable resemblance to their on-screen characters Winston and Evelyn Deavor.
  • Internal Reveal:
    • Both the ending of the first movie and the short Jack-Jack Attack show the audience that Jack-Jack has powers, although the Parrs are still unaware of that fact until he demonstrates them in this movie. Oddly, Agent Rick Dicker would have learned that Jack-Jack had powers in Jack-Jack Attack but he didn't seem to share that information with the Parrs.
    • Tony Rydinger's memory being erased is shown to the audience in the first scene, but neither Bob nor Violet are informed of this. Initially, Violet thinks that Tony has either stood her up or forgotten their date, then thinks he is pretending to not know her because he thinks she's a freak, then Bob suggests that he's only pretending to not know her because he's afraid that Rick will erase his memory if he doesn't, leading to Violet realising the truth.
  • Ironic Echo: Winston tells the heroes that the reason the world doesn't like superheroes is because of "perspective" (people see destruction, they see superheroes, they blame superheroes). Later, Evelyn points out that her brother has a "childish perspective" — "Superheroes go away, mommy and daddy go away."
  • Irony: Elastigirl is among the hypnotized supers who gives a televised speech to the world about how supers have become bitter whilst in hiding. It contrasts sharply with the Helen we've come to know from the first movie, the one who didn't become embittered, but instead made the most of her normal life (by raising a family).
  • It Has Been an Honor: After Dicker announces that the Super-Relocation Program was defunded, he tells Bob and Helen that he felt honored to work with them.
  • I Was Quite a Fashion Victim: Apparently Elastigirl had a mohawk.
    Helen: There's a lot of things you don't know about me.
    Bob: Yeah, but... a mohawk?
    Helen: Eh, you didn't miss much.
  • Jerkass Ball: When a stressed, sleep-deprived Bob finds out that the Incredibile is not only still intact (having thought it was destroyed) but was bought by a smug rich guy as a collector's item, he takes out the old remote control to it and uses it to control the car remotely, frightening everyone on the scene. He subsequently realizes that he shouldn't be trying to steal his car back.
  • Jump Scare: Violet appearing behind the fridge door gives Bob a good scare.
  • Just in Time: All three runaway vehicles (Underminer's Tunneler, DEVTECH's hovertrain and the Everjust) are stopped by the heroes in the nick of time before they can wreak havoc or endanger anyone.
  • Karma Houdini:
    • The Underminer manages to steal an entire bank's worth of money and successfully escape, and is never seen again in the film.
    • Violet believes that this will apply to the Big Bad who being rich and well connected will probably get off with a light punishment for everything they've done.
  • Kinda Busy Here: Elastigirl gets a call from her kids while being in hot pursuit of the Runaway Train.
  • Kiss of Distraction: Mr. Incredible is forced into a fight with a hypnotized Elastigirl. He attempts to get her to snap out of it, and it seems to work as she stops attacking and suddenly kisses him. Unfortunately, Elastigirl uses the distraction to slap the mind control goggles on Mr. Incredible's face, making him hypnotized as well.
  • Laser-Guided Amnesia: Played with. At Bob's request, Agent Dicker steps in to erase Tony's memories of having seen Violet remove her mask. It turns out the memory-wipe is "not an exact science" and this causes a huge conflict between Violet and her dad when she realizes that Tony doesn't remember her at all.
  • Late-Arrival Spoiler: The first trailer for the movie features a gag of Jack-Jack using his newly discovered superpowers, then cutting to a scene of Bob absolutely delighted over the fact that he has them. In the first Incredibles, the audience was made to believe Jack-Jack had no powers until near the end.
  • Leaning on the Fourth Wall: When Tony Rydinger tells Dicker how much Violet had "changed," the scene cuts to the recreation of the last scene of her and Tony from The Incredibles with the new higher definition rendering of the characters. This results in showing very clearly that Violet really has changed.
  • Lighter and Softer:
    • Incredibles 2 is much lighter in tone than its predecessor with a greater emphasis on action and comedy in general. There's no gratuitous Mook death, less overall destruction and the film is generally less intense overall.
    • Thematically, the movie is this as well. The first film dealt with several darker character issues. Bob is listlessly shuffling through his post hero life in a job as an insurance agent, Helen is frustrated with Bob trying to relive the glory days of being a hero, the kids are trying to come to terms with their super powers in a world where acting as a super hero in public is illegal, and there is a subplot where Helen thinks Bob is having an affair. The sequel focuses more on the action, and the character subplots are more limited to Bob trying to raise the kids without Helen, Violet having boy problems, and Dash struggling with his math homework, all while Helen is out doing superhero work.
  • Logical Weakness:
    • Screenslaver's hypnosis requires the victim to be looking at the screen in order to maintain control, thus not looking directly at the screens or closing your eyes makes you immune. The Screenslaver learns to bypass this weakness with goggles which contain miniature screens that are put directly over a person's eyes. It helps if they are caught off-guard and even partially removing them breaks the trance.
    • Helen can't use her stretching powers in extremely cold environments since she becomes brittle and risks breaking, something that the villain exploits.
    • Violet's forcefield can protect her from external attacks but Krushauer's ability to crush things allows him to crush her forcefield, shrinking it so that it starts crushing her. Also, since Violet usually leaves the area she's standing on unprotected, this gives Voyd the opportunity to create portals within the forcefield on that open patch of ground.
  • Logo Joke: Both the Disney and PIXAR logos at the beginning are animated in the style of the "pointy" end credit art style, with a red background.
  • Low Clearance: Elastigirl has to use all her skills to duck the first train tunnel while on her Elasticycle. The second tunnel is so low that she has to discard her motorbike altogether.
  • Male Gaze: There are more than a few rear shots lingering on Elastigirl's... rear.
  • Malevolent Masked Man: Screenslaver, a new supervillain for the film, has a full mask that covers their entire head with no exposed skin. This is unusual, as no other character hero or villain thus far has a mask covering their entire face.
  • Masculine Lines, Feminine Curves:
    • Again, Bob's Lantern Jaw of Justice and square Heroic Build contrast with Helen's rounder features and Hartman Hips.
    • The Deavors — Winston has a prominent sharp nose and an angular face, while Evelyn has softer features overall.
    • Violet inherits her mother's round face and has wide eyes and a button nose, while her Satellite Love Interest Tony was retooled to have sharper features.
  • Mass Hypnosis: Screenslaver's plan involves hypnotizing various people with the help of flashing patterns displayed on television screens.
  • Mass "Oh, Crap!": While the Parrs praise each other in the Underminer's tank, the police arrive, shining lights down upon them as well as guns.
  • Meaningful Name: Evelyn Deavor. As in, "evil endeavor". "Evelyn" even sounds like "a villain". She may as well have a big neon sign over her head saying "I am the real villain."
  • Men Can't Keep House: Bob struggles in his role as a House Husband. At one point we see a basket full of laundry resting by the TV set, showcasing his more sloppy approach to housekeeping. He also lacks to pay attention when babysitting Jack-Jack.
  • Mind-Control Device: The Screenslaver's hypno goggles.
  • Mind-Control Eyes: Everyone under the Screenslaver's hypno spell has a vacant stare on their face.
  • Misplaced Retribution: Screenslaver wants to keep supers illegal because she, Evelyn Deavor, blames the death of her parents on her father's insistence to call for a hero on a private line during a burglary rather than fleeing to a safe room. The big problem is that the burglary occurred after the Super Relocation Act had passed and all superheroes were forced underground. It's not really the supers' fault that her father decided to call for heroes that would be unable to answer. Furthermore, it's likely the same thing would've happened if he'd insisted on calling mundane law enforcement like the police, who couldn't be there immediately to save him.
  • Mobstacle Course: Played with. When pursuing the Screenslaver across corridors, Elastigirl uses her Building Swing skills to get past the crowd in her way.
  • Mood Whiplash: As in the first movie, the scenes switch from the extraordinary to the mundane and back again.
  • Motive Decay: The Underminer in the ending of the first film talked about exacting revenge on the surface world. In this film he turns out to be a very grandiose bank robber, and manages to escape with the loot.
  • Movie Superheroes Wear Black: Parodied and lampshaded. The new Elastigirl suit is black and grey, contrasting the original's white and red. Helen is bothered by how edgy and gloomy it looks, while Edna is outright appalled by it.
  • My God, What Have I Done?: Both Bob and Dicker show genuine regret of having Tony mindwiped of Violet. Who knows how many civilians they've mindwiped without even thinking of the consequences?
  • Never Trust a Trailer:
    • "The elephant in the room" isn't Mom's new job. The scene, in fact, occurs well before the job offer. It's actually the fact that the attempt to stop the Underminer at the beginning went horribly wrong.
    • The trailers and the television spots for the movie made it seem like the main focus will be on Bob learning to adjust to being a House Husband. It's actually the B-Plot of the movie, with the main story actually being Helen's search to take down Screenslaver.
  • Nice Job Breaking It, Hero!: Bob informs Rick Dicker about Tony Rydinger after Violet expresses her anxiety over having accidentally revealed her alter ego to him, asking him to erase Tony's memories of the incident. Rick does so, which leaves Tony forgetting about Violet entirely and thus unknowingly blowing off their date. Violet spirals into depression as a result, and lashes out at her father when she realizes what he did.
  • Nice Job Fixing It, Villain!:
    • Syndrome's Evil Plan from the first film is what sparks the turn in public opinion that results in a campaign to let the Supers return, more or less the opposite of what he wanted to happen.
    • Evelyn not only fails to discredit supers but her attacks as Screenslaver ultimately cause the world to decide to reinstate their status.
  • No-Sell: Violet's effort to symbolically destroy her supersuit by grinding it up in the garbage disposal and tearing it with her teeth results in not a thread being out of place. This does not help her mood.
  • Nostril Shot: Edna on the intercom.
  • Not Helping Your Case: The fight with the Underminer ends with the villain escaping and his machine causing additional damage throughout the city. While the Incredibles successfully stop it from destroying city hall, politicians use the bad publicity to justify the illegal status of supers and cancel the Super Relocation Act.
    Rick Dicker: If you want to get out of the hole, first you have to put down the shovel.
  • Not So Different: The Screenslaver notes to Elastigirl that they could have been friends if it wasn't for Elastigirl's core beliefs.
  • Not What It Looks Like: Violet has a panicked look at the start of the film when Tony sees her in her supersuit and tries to explain it away. She does it again later, without knowing that his memory is gone.
  • Obligatory Earpiece Touch: Happens with Winston when he talks to his sister via earpiece on the boat, asking her for the missing heroes.
  • Oh, Crap!:
    • Elastigirl has brief look of alarm when Screenslaver activates hypnotising screens in the apartment and attacks her.
    • Dash and Violet stop dead when they see the mind-controlled supers literally at their doorstep.
    • Violet has one when Voyd comes across her on the Everjust. She has another one later when she sees Screech approaching.
    • Krushauer has enough time to mouth this when Jack-Jack starts expanding in the air duct, before crushing him, Screech and Voyd.
    • A crew member on the Everjust's bridge wastes no time in the "MAYDAY!"s when mind-controlled Supers take control of the bridge.
    • Screenslaver knows they're in trouble when Jack-Jack uses his telekinesis to remove Helen's mind control goggles, freeing her.
  • Old Media Are Evil: This is the point of Screenslaver's motif; society lets the television and show business control them willingly, so he inserts his own commands. Evelyn implies this is her own belief as well.
  • Ominous Multiple Screens: The Screenslaver uses a setup like this to track the various hypnotized supers through their goggles.
  • Parents as People: Bob's arc in the movie involves him trying to be a more capable caretaker for his kids while Helen takes on the role of breadwinner. He seems to feel mildly put-out and emasculated when his wife is chosen over him to help bring supers back into the public due to his Destructive Saviour tendencies (especially since her train rescue turned out way better than when Bob tried in 15 years prior), and the stress of his actions trying and failing to handle the situation by himself (trying to help Violet get back with Tony after accidentally ruining it, helping Dash with his homework and dealing with the unpredictable Jack-Jack) causes him to break down. It is not until he finally allows others to help him (Violet and Dash calling in Lucius, who then has Edna look after Jack-Jack) that he is able to catch-up on sleep and finally re-balance his life. He even has a heartfelt confession to Violet about how he is trying to help before he falls asleep.
  • Power Limiter: Edna upgrades Jack-Jack's suit with sensors that allow his family to track him or rein in his powers via remote control, such as triggering fire-extinguisher foam when he spontaneously ignites.
  • The Power of Love: Exploited. Helen, while hypnotized, fakes the "able to free their loved one from mind control" aspect of the trope to trick Bob into lowering his defences and slip hypno-goggles on him.
  • Precision F-Strike: The first use of "damn" in a Pixar film occurs when Evelyn utters "I'll be damned!" Evelyn also utters the word "hell", and there's at least two uses of the word "crap." "Oh my god" also appears a surprisingly amount of times for a Pixar film.
  • Propaganda Machine: Winston explains that people see what politicians tell them to see. In the case of the Underminer chase, the public was given pictures of the destruction and the heroes being arrested. In order to fight Manipulative Editing, he proposes having mini-cameras put into the heroes costumes so they can document their side of the story.
  • Punctuated! For! Emphasis!: "You... have... powers!"
  • Punny Name:
    • Winston and Evelyn Deavor, whose first names both end in "N" which elides into "Deavor" making it sound similar to the word "endeavor". Evelyn Deavor also happens to sound like "evil endeavor."
    • One of the new supers who can become the size and strength of a brick wall is named Concretia Mason, a.k.a. Brick.
    • Mr. Incredible's car is named aloud for the first time note : the Incredibile, a clever portmanteau of "Incredible" and "automobile".
  • Reality Ensues:
    • The opening battle gives us a twofer. The whole family suits up at the end of the first movie, implying they'll take the Underminer on as a family. However, Bob and Helen are Good Parents who wouldn't purposely endanger their children, so they are told to stay back and look after Jack-Jack and keep the civilians out of the line of fire. Furthermore, the family is without work and living in a motel after the events of the first movie.
    • The reason why Elastigirl, among the main three adult superheroes, is the ideal one for bringing Supers back in the public's good graces is because, by the very nature of her powers, she's far less of a Destructive Savior than her husband or Frozone.
    • Exaggerated. After spending years as the bread-winner and generally dreaming of reliving his super-heroic past instead of living in the present, Bob is ill-equipped to be a stay-at-home dad, even with his superpowers. This is only made worse by the fact that his children have super-powers, and Jack-Jack's needs are made much greater than others by his plethora of abilities, leaving Bob completely exhausted in a short amount of time and reaching out to everyone he knows in mere days to get advice and experience he didn't bother to develop over years.
    • Even though the family saved the day in the first film and garnered a positive public reaction, their subsequent battle with the Underminer and the resulting collateral damage again soured their public image. It shows how fickle public opinion can be and how it often takes a concerted effort to promote a positive and accurate representation of Supers.
    • It is pointed out that going after the Underminer for robbing the bank wasn't really necessary because the money in the vault was insured and can easily be replaced.
    • Winston states that an important part of his plan to re-introduce Supers is Hero Insurance because Supers are still only human and will make mistakes so he is setting up malpractice insurance just like many high-risk professions have in real life.
    • Elastigirl unhooking the trains. When the train comes to a stop, Elastigirl takes a breath of relief, only for the rest of the train to slam into the one she unhitched and almost derail it. In many a movie, the hero has unhitched the train and never explains what happens to the cars they unhitch.
    • The raccoon, rather than being a lovable cartoon animal, is portrayed as an actual wild animal, snarling, hissing and spitting at Jack-Jack during their fight.
    • Elastigirl has difficulty hanging onto a jet in mid-flight and it takes her and Voyd multiple tries to finally get Helen aboard.
    • A threefold one occurs when Elastigirl and Evelyn are falling from the plane. First, there's the acknowledgment that Soft Water doesn't apply and Evelyn hitting the surface will be fatal for her. Secondly, Voyd can't just immediately portal Elastigirl and Evelyn back to the ship because it's been shown that objects leave her portals at the same speed they enter so Voyd has to wait for Helen to slow down Evelyn's velocity. Finally, Voyd recognizes that even with Helen's parachute technique, they are both too close to the water to decelerate in time, and thus she shifts her final portal so they emerge horizontally to give them more time to slow down.
    • When Violet learns that her relationship with Tony has been erased and that her father was the instigator of the erasure she has a tantrum. For the first time, she's having to face the real and unfair consequences of being a superhero and trying to have a normal teenage life. She impulsively decides to renounce being a superhero and tries to destroy her supersuit. However, she quickly discovers just how sturdy Edna's creations can be.
  • "The Reason You Suck" Speech:
    • Screenslaver lays out his contempt for a society that relies on the ease of watching things instead of doing them.
    • Near the end, when Elastigirl confronts Evelyn, she makes fun of Elastigirl for her core principles; Elastigirl quietly retorts that at least she has core principles.
  • Red Herring: The appearance of the Screenslaver along with the train incident helps boost the public opinion of supers. However the advantageous timing of these two events makes it appear that Winston Deavor may be setting up Engineered Heroics to support his superhero fanboyism. It turns out his motives are sincere and it's actually his sister who is Screenslaver.
  • Red Sock Ruins the Laundry: When a very tired Bob drops off Jack-Jack at Edna's house and begins to lament about the many blunders he made while trying to be a House Husband, mixing red and white clothes in the laundry is one of the things he mentions.
  • Ribbon-Cutting Ceremony: The opening ceremony for the DEVTECH hovertrain.
  • Role Reprisal: With the exception of Spencer Foxnote  and Bud Luckeynote , all of the original voice actors and actresses for the Parr family and several major supporting cast members return as their respective characters. This is a bit impressive given how long the production gap was.
  • Rule of Three: It takes Voyd three attempts to portal get Elastigirl onto the jet.
  • Runaway Train: The newly opened hovertrain, after its conductor gets controlled by the Screenslaver. Elastigirl manages to stop it Just in Time.
  • Running Gag: Violet and Dash keep leaving Jack-Jack with each other to look after while the other charges into action.
  • Save the Villain: Helen saves Screenslaver from plummeting to their death despite the villain actively refusing and resisting to be saved. Justified, as not only is she a super-heroine, but keeping Evelyn alive will help prove the Supers' innocence and it's implied she also did it out of respect for Winston.
  • Scenery Porn: New Urbem is an absolutely gorgeous city, and we're treated with some pretty spectacular shots of it throughout the film. The greenery around the Parrs' new house is also lovely to look at.
  • Schizo Tech: As in the first installment. 1960s era car types, fashions, and land-line phones exist alongside cordless phones, wireless microphones, miniaturized closed-circuit cameras, big-screen color monitors, high-speed hovertrains, voice-command and eye-scan security systems, and technology induced hypnosis.
  • Screw the Rules, I Have Money!: Violet points out that Screenslaver could play this card once they go to trial for their actions since she realizes Evelyn is a high-ranking and well-paid employee of a major corporation.
  • Second Person Attack: When Dash punches out Screech on the ship's deck, the camera shows the moment from Screech's POV as he gets the fist into his face.
  • See the Invisible: Invisible Violet accidentally leaves behind soiled footprints in the carpet which makes it easy for Voyd to follow her. During their fight, Voyd sprays foam from a fire extinguisher to make Violet visible.
  • Self-Destruct Mechanism: When Helen encounters the Screenslaver in their lair and gives pursuit, they activate one which destroys the lair with all the evidence inside.
  • Sensory Abuse: Screenslaver uses this to such an effect that there had to be official seizure warnings. Even people who weren't epileptic found themselves covering their eyes.
  • Shoot Out the Lock: Helen uses a grabbed gun to shoot open the lock on the door of the driver's compartment on the Ambassador's helicopter.
  • Short-Lived Aerial Escape: Evelyn has the supers set the Everjust on a collision course with the city and then tries to exit stage left with her jet. The escape attempt is foiled by Elastigirl who gets onto the jet and brings the villain down.
  • Shout-Out:
    • A double one with the movie Violet and her boyfriend are going to see at the end of the film: Dementia 113. This is a shout-out to the famous Room A113 at the California Institution of Arts, legendary as a school for graphic design and animation, with a shout-out in every Pixar movie. It is also a shout-out to 1963 film Dementia 13, a cheesy Psycho ripoff that also happened to be the feature film debut for director Francis Ford Coppola.
    • A113 is also seen in the model number of the out-of-control hover-train, on an oven in the Parrs' new house, and in other places.
    • The name of the ambassador who roots for Elastigirl is Henrietta Selick, a tip of the hat to fellow animation director Henry Selick.
    • The Japanese supers during the climax are a nod to Science Ninja Team Gatchaman.
    • The Pizza Planet Truck can be seen outside the building where Elastigirl captures and rescues the fake Screenslaver. The truck likely belonged to them considering Evelyn revealed the one she set up was a pizza delivery guy.
    • One of the tracks on the OST has the title "Looks Like I Picked the Wrong Week to Quit Oxygen".
    • Bob's "I eat lightning and crap thunder" Badass Boast is an obvious nod toward Mickey's line to Rocky in Rocky II.
  • Sibling Yin-Yang: During one of her conversations with Evelyn, Elastigirl describes Winston and Evelyn's relationship as this. Their respective talents are opposite yet complimentary; she invents the products with her tech genius and he markets them with his social savvy.
  • Slapstick Knows No Gender:
    • The scene with Helen first trying out her new Elasti-cycle. Because it's an electric drive, it's "torquey", able to accelerate surprisingly quickly. Elastigirl smacks into many things before eventually getting a feel for the bike.
    • Violet shoots the water she's drinking out of her nose when it turns out her amnesiac crush Tony is the waiter for her table.
  • Sleep Deprivation: Bob is unable to sleep for several nights while trying to watch the kids, due to Dash's difficult math homework, Violet's relationship trouble, and Jack-Jack's newfound powers. He spends a chunk of the film completely exhausted and not thinking clearly. When circumstances finally allow him some much needed rest, Violet reports that he slept for 17 hours.
  • Small Role, Big Impact: As with the first film, Edna Mode has limited screentime, but makes the most of what she had. She proves vital to understanding and controlling Jack-Jack's powers, which in turn is a major asset in the climax.
  • Snowy Screen of Death: Evelyn has Ominous Multiple Screens for each of the supers wearing hypno goggles. Whenever the goggles are destroyed, the associated screen goes dark.
  • So Much for Stealth: Violet's attempt to go unnoticed while invisible on the Everjust is foiled when she makes noise knocking over a potted plant and leaves behind soiled footprints in the carpet, prompting her to retreat.
  • Spanner in the Works: Screenslaver succeeds in pulling off the first part of their plan. However, they did not expect Dash, Violet and especially Jack-Jack to start unraveling everything.
  • Spotting the Thread: Elastigirl noticed that, despite the fight the Screenslaver put her through, it was just too easy. She remarks that his locks were too conventional, that the odds of a surly pizza delivery boy being able to mastermind everything himself were too steep, and that one of the screens in Screenslaver's lair was tuning in to the signal on her costume-cam.
  • Spraying Drink from Nose: Violet sprays water from her nose when she realizes that not only did her father bring her to a restaurant owned by the family of her crush Tony, but Tony is working there as a waiter. Their waiter, to be precise.
  • Start X to Stop X: Helen discusses the dilemma of accepting the Deavors' job offer with Bob.
    Helen: To help my family, I have to leave it; to fix the law, I have to break it!
  • Stealth Pun: Edna's Jack-Jack tracker with its touch-sensitive screen gives new meaning to the term "baby monitor".
  • Stock Sound Effects: Jack-Jack's babbling is mostly reused from the first film, which explains why Eli Fucile is once again credited for voicing the character, even though he should be at least 14 years old.
  • Stock "Yuck!": Dash is visually displeased when Helen shoves broccoli on his plate.
  • Stood Up: Violet is devastated when Tony didn't show up for their date.
  • Suddenly SHOUTING!: Winston loses his demeanor momentarily and shouts at his sister when the latter argues that their father should have gone straight to the safe room instead of calling the superheroes.
  • Super-Persistent Predator: While Jack-Jack's persistence can be excused, the raccoon choosing to stay and fight an enemy that can multiply, shoot laser beams, and catch fire shows a lot of dedication for a scavenger.
  • Super Registration Act: Despite having recently saved the city from Syndrome and the Omnidroid, being a public hero is still outlawed. A super rich tycoon seems to want to bring heroes back into the light and show they are still good people who want to help others, but he does so at his own risk. He and the Parrs are successful, and the law is repealed in the end.
  • Switching P.O.V.: Between the end of The Incredibles and the introductory scene. Via flashback, the rise of the Underminer is seen not from the Parr family's viewpoint, but from Innocent Bystander Tony Rydinger's. It's a lot more unsettling to have a supervillain bursting through the ground with his giant drill vehicle, and having cars crashing down around when you don't have superpowers.
  • Take That!:
    • While trying to help Dash with his homework, Bob's brief tirade about New Math sounds like it could just as well be about the Common Core Math Standards adopted by U.S. public schools in the early 21st century.
      Bob: WHY WOULD THEY CHANGE MATH?!
    • Elastigirl doesn't like her new suit, saying it's too "dark and angsty" for her, which can be taken as a shot at gratuitously Darker and Edgier superhero redesigns.
    • After Evelyn is taken into custody, Violet gets a little too real and points out that she's rich, and will probably get off with a slap on the wrist.
    • There's a brief line about public opinion believing dart-throwing monkeys able to accomplish more than Congress.
    • Dicker at one point admits that politicians have difficulty accepting the idea of people doing good without seeking something in return.
  • Take That, Audience!: When the Screenslaver gives a chilling monologue to the people about how they are so content to only watch things from the comfort of their TVs. It also apply to the people of our times addicted to their phones and tablets, and the people sitting in the comfort of their theater watching Elastigirl find the Screenslaver. It goes even further when the Screenslaver lambasts how superheroes are conveniently packaged and portrayed to allow this, drawing to mind the many superhero films produced by Hollywood, including Disney's own Marvel Cinematic Universe.
  • Take This Job and Shove It: When Violet finds out that Bob and Dicker accidentally erased all traces of her in Tony's memory, she renounces the NSA and superheroes in general, trying and failing to destroy her super-suit. She later renounces her renunciation when she finds out that their parents are in trouble and need them.
  • Tempting Fate: After seeing Helen's new costume, Bob teasingly notes Helen will have to explain to Edna why she's using a costume by another designer. Bob ends up taking the brunt of Edna's anger since Helen doesn't meet with her in this film.
  • Thememobile: Elastigirl gets a new Elasticycle designed by Evelyn and Bob gets his Incredible back.
  • They Changed It, Now It Sucks!: In-universe example with Bob's rant about Dash's New Math homework, which is based on a real thing, but also echoes the sentiment of many U.S. parents with the Common Core curriculum (see the Take That example above). "You can't change math!"
  • Thicker Than Water: Subverted. Winston turns on Evelyn when she reveals herself as the Screenslaver and works to free everyone on the boat from her hypnosis.
  • This Is Gonna Suck: Bob is first ecstatic upon discovering Jack-Jack has a plethora of powers... and it dawns on him that parenting just became a lot harder.
  • Thou Shall Not Kill: Downplayed. Elastigirl is no murderer, and she doesn't set out to kill anybody in battle, but if it's necessary to save lives or protect her family she will not pull punches. However, Elastigirl is able to save Screenslaver from a fatal fall.
  • Toilet Humor: One of Jack-Jack's first actions when alone with his father is to visibly soil himself (a lump appears in his diaper), and when sneaking aboard the Everjust, the kids stop at one point so Violet can change Jack-Jack's diaper.
  • Too Dumb to Live: Winston and Evelyn's father had two superhero hotlines installed into his home, but didn't think to make them accessible from within his panic room. So, when thieves break into his house, he tries to go for the phones sitting in the open which allows the thieves to shoot and kill him.
  • Traveling-Pipe Bulge: When Mr. Incredible is sucked in by the Underminer's vacuum, we see him as a bulge traveling along the tube.
  • Twerp Sweating: The film ends with the entire family doing this to Tony, with Bob doing the traditional father-cheerfully-intimidating-date routine.
  • Two Lines, No Waiting: The middle act flips between Helen at her new job with DEVTECH and Bob being a House Husband at home before these storylines converge in the final act.
  • Ungrateful Bastard: Winston sees the public as mistaken in their treatment of the Supers since they began focusing on the damage they do instead of the good they achieve. His goal is to make it legal again for them to help others.
  • Unwanted Rescue: Helen saves Screenslaver from plummeting to their death despite the villain actively refusing and resisting to be saved.
  • Verbal Backpedaling: Bob when encouraging his wife to take on Winston's assignment.
    Bob: Of course you can leave. You've got to. So that I...we can be Supers again.
  • Villain Has a Point:
    • Screenslaver is possibly correct in that her father could have survived if he had just gone into the house's safe room instead of trying to call some heroes to help. His over-reliance on heroes was his undoing. Her problem is putting the blame entirely on the Supers, when the same thing would've happened if he'd called the police or anyone else.
    • Screenslaver had a legitimate point in saying that society is becoming dependent on screens and uses visual media to supersede reality. That is, after all, why Screensaver can control anyone they want at will.
  • Villainous Face Hold: When Screenslaver monologues they hold up Elastigirl's chin as she's being incapacitated by hypoxia.
  • The Voice: Honey remains an off-screen voice, just like in the previous film.note 
  • Vomit Indiscretion Shot: Reflux has the power to vomit lava.
  • What Happened to the Mouse?: When the family battles the Underminer, he escapes and is never seen again (until a very small animation of him burrows his way out of the bottom of the movie screen at the very end of the credits).
  • What You Are in the Dark:
    • When he realizes what his sister has done, Winston refuses to go along with her plan. He ditches her escape plane and gets back on the boat to free everyone from her hypnosis, and create a plan to protect the ambassadors.
    • Elastigirl has every opportunity to let Screenslaver fall to her death. Instead, to demonstrate that her moral compass trumps Screenslaver's lack thereof, Elastigirl saves her.
  • Women Are Wiser:
    • Elastigirl has the idea of breaking the boiler to stop the Underminer's drill machine.
    • When it turns out they can't access the steering controls or the engine room, Violet comes up with the plan of turning the boat by physically manipulating its rudders and hydrofoils.
    • Mrs. Deavor begs her husband to retreat to their safe room instead of trying to call the supers which results in his death.
  • X-Ray Sparks: During their battle, Violet traps He-Lectrix in one of her forcefield bubbles which makes him electrocute himself and we see this effect.

"I've got to succeed! So she can succeed! So we... can succeed!"

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