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Video Game / Death Stranding

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Once, there was an explosion.
A bang which gave birth to time and space.
Once, there was an explosion.
A bang which set a planet spinning in that space.
Once, there was an explosion.
A bang which gave rise to life as we know it.
And then, came the next explosion...

Death Stranding is a game developed by Kojima Productions and published by Sony Interactive Entertainment for the PlayStation 4 and 505 Games for the PC. It is the first game Hideo Kojima has developed since leaving Konami in 2015 and the first fully non-Metal Gear game he's directed since 1994's Policenauts.note  The game was released for the PS4 on November 8, 2019 with a PC release scheduled for June 2, 2020.

The game stars Norman Reedusnote  as Sam Porter Bridges, a courier in a post-apocalyptic United States following "the Death Stranding", a cataclysmic event that altered the rules of life and death. Cynical and jaded from years of criss-crossing the dangerous wilderness of the east coast, Sam is contacted by his estranged mother, Bridget Strand, the President of the United Cities of America.


On her deathbed after years battling cancer, she asks Sam to help fulfill her dream of reuniting the nation through the Chiral Network, a massive digital system that when completed will allow instantaneous communication between the isolated city-states of America. While initially reluctant, an impassioned plea from his sister Amelie (and some... prodding from the government) changes his mind. And so, Sam sets out on a journey across the continent, working to win the trust of America's disillusioned populace and bring hope to a nation that's lost its way.

Mads Mikkelsen and Troy Baker star as the game's main antagonists, Cliff and Higgs. Léa Seydoux, Lindsay Wagner, Tommie Earl Jenkins, and Margaret Qualley also star, with "special appearances" by Guillermo del Toro and Nicolas Winding Refn.note  Emily O'Brien, Jesse Corti and Darren Jacobs provide voice work.


The game is a post-apocalyptic sci-fi stealth-action-horror-sandbox-simulator title with online co-op elements, running on Guerrilla Games' Decima engine. As a courier, the player must find ways for Sam to carry his cargo — a backpack and floating carriers — through a dangerous environment, and retrieve them if they are lost. He faces various environmental hazards both mundane and fantastic; the beautiful wasteland he navigates is full of steep mountains, sheer cliffs, rushing streams, thieving bandits, shadowy eldritch creatures which hunt by sound, and the "Timefall", a strange rain that induces Rapid Aging in anything it touches.

Previews: Reveal Trailer, Game Awards 2016 Trailer, Game Awards 2017 Trailer, E3 2018 Trailer, TGS 2018 Trailer, Release Date Reveal Trailer

This game provides examples of:

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  • 20 Minutes into the Future: The technological advancements obviously indicate that the game takes place some time in the future. Die-Hardman says that World War I happened over a hundred years ago, which places DS sometime after 2014-2018. Deadman later mentions that World War II also happened over a century ago, which pushes the frame a little further into after 2039-2045. How long has it been since the Death Stranding started isn't clear, although it seems to have happened decades ago (that is, at a few years before Sam and Higgs were born).
  • Abnormal Ammo:
    • Anti-BT weapons use Sam's bodily fluids to harm said creatures. For instance, Sam may have to use hematic grenades, meaning grenades that will spray blood, to fight off BTs. Other fluids—like shower water, urine, and feces—can also be used against BTs.
    • In addition, Sam acquires a bola gun in the middle of the game, shooting weighted ropes that can bind human enemies when shot at them. For added subtlety, bolas will merely tie up enemies for a time when hitting their bodies, but a headshot with a bola gun knocks them out.
  • Acronym and Abbreviation Overload: There are many terms referred to primarily or only by abbreviation, including BT, BB, MULE, PPC, DOOMS, and EE. Not helped by many of those abbreviations rhyming with each other.
  • Adult Fear: It's bad enough that Sam has to face against terrorists and horrifying BTs, but to do so at the same time while carrying a baby?! It's enough to horrify any parent.
    • More to the point, being faced with the prospect of your child being taken away from you.
  • Afterlife Antechamber: The Beach is an alternative universe during which the Ka (the soul) of dead people will pass on before transitioning to the Seam, the definitive afterlife. Generally speaking, the Beach takes on the appearance of a beach of black sand under a grey sky, but Beaches are said to differ between individuals. Sometimes a collective of violent deaths can create a mass Beach, where several Ka are trapped and forced to relive their last moments repeatedly. For instance, the dead from a warzone will share a Beach looking like a battlefield.
  • Afterlife Welcome: Inverted. Heartman is separated from his family, and uses his temporary deaths to seek his family and be able to reunite with them.
  • After the End: After the titular Death Stranding, actually; something has made it much more difficult for the dead to journey away from their Beach, resulting in an invasion of BTs, who can provoke nuclear-level explosions if allowed to fester. As a result, humanity has reverted to city-states and alliances of such, too understandably afraid of the marauding BTs for higher-level organization.
  • Alien Lunch: Cryptobiotes are floating, grape-sized tardigrades that have evolved quickly in the world of the Death Stranding. They look weird and taste gross, but eating them quickly replenishes your blood.
  • All There in the Manual: A significant amount of the game's lore and backstory are covered exclusively in the in-game encyclopedia, including some key concepts required to fully understand the game's story.
  • Alternate History: Downplayed. If the 20 Minutes into the Future is of any indication, humanity's technological prowess has increased by leaps and bounds. On a lesser note, there's Bridget Strand, who Deadman states is the first and last female President of the United States.
  • An Aesop: Humanity must come together to survive. The game plays entirely on this message. The plot is about reconnecting the settlements of America together to avoid an extinction. Gameplay-wise while the players plays on his own, he'll eventually be able to indirectly cooperate with other players to make the deliveries easier and pretty much change the landscapes, the interactions being designed to be always positive in nature as emotes can grant small buffs, direct others to a better path, or warn others about hazards.
    • Humanity's greatest strength is its capacity for compassion. The game places a lot of emphasis on being kind to other players even if you can't see them, and you're judiciously rewarded for placing down structures with the intent of helping other people. This is also true within the story, as numerous characters become better people through love and kindness. Fragile's self-sacrifice saves a whole city, and earns her allies in Sam and BRIDGES; Deadman's empathy towards Sam and Lou allow them to go free at the end of the game; and Cliff's love for his infant son ultimately allows him to move on peacefully, and gives Sam a shot at a life he wouldn't otherwise have had.
  • Animal Motifs: Crabs, whales, and other beached sea creatures. The first three trailers begin with prominent shots of thousands of dead crabs piled up across the dirt, and of all the dead animals that have appeared stranded on beaches or lying dead in decayed water, crabs are the only one species that's appeared in all three trailers.
    • Arachnids. There is a spider's web within the logo of BRIDGES. And the circuity on the packages' ID tags looks like a spider.
  • Anti-Frustration Features
    • Player Data Sharing is an integral part of the gameplay experience, so the developers opted to not require a PlayStation Plus subscription in order to utilize them.note 
    • You utility pouch lets you hold a few blood bags on your person without taking up extra inventory space.
    • Later on, you can upgrade your backpack with additional slots for grenades and batteries.
    • Episode 3 introduces a fast-travel system to the game, courtesy of Fragile. While you have to leave most of your inventory behind at your point of departure when you use it, your boots and exo-skeleton (if you have one) remain with you.
    • About halfway through the game, Sam gets an upgrade to his Odradek that allows him to cancel out enemy scanner pings by timing an Odradek scan with it. This makes it immensely useful in raiding MULE camps for supplies and especially terrorist camps as they scan for intruders rather than cargo, as they won't be on high alert before Sam gets there. The timing window for this is also rather generous — all that needs to happen is the two scanner pings colliding with each other, which can give Sam several seconds of leeway after a scanner pole has ID'd him, depending on how far away the camp is. This also applies to Higgs's boss fight, who will also attempt to scan for Sam. The same tactics apply, only now instead of a scanner pole doing the telegraphing, it's Higgs taunting Sam about how useless it is to hide from him.
  • Apocalypse How: The world suffered a Class 1: Planetary Societal Disruption due to the Death Stranding and the Voidouts. Civilization still exists, but in a vastly reduced capacity. Higgs seeks to cause a Class 3a Planetary Dominant Species Extinction by destroying humanity with the Last Stranding. If Amelie allows the Last Stranding to take course, it will explode with the force of the Big Bang, potentially causing an X-4 Universal Physical Annihilation.
  • Applied Phlebotinum: The Death Stranding has devastated the world but it also introduced weird new possibilities for technology, particularly anything to do with "chiral" crystals and the instant transmission of data and energy. Heartman likens it to when humans first discovered fire: it's dangerous and not fully understood, but can be used for all sorts of things impossible without it.
  • Arc Number: Groups of five, often in front of one person. Five vaguely-humanoid shapes which are revealed to be the five previous Extinction Entities appear in the distance before Sam when a voidout is triggered. Cliff appears with four other soldiers whenever Sam has to fight him. Finally, Sam is saved from the Beach by the month-long efforts of Deadman, Fragile, Heartman, Mama/Lockne, and Die-Hardman.
    • Outside of the 5-1 juxtapositions: Bridges uses five in some of its cuff link UI, the Odradek sensor is composed of five "prongs", and can change its shape into a five-fingered humanoid's hand or a small human figure; and John used his security clearance to buy himself and Cliff five minutes to plan out Cliff's rescue attempt of his infant son, and again to allow Cliff to act.
    • There is also 6 (5 + 1). The Q-pid the Sam uses consists of six metal plates; the Last Stranding will be the sixth mass extinction caused by an Extinction Entity, with five other such extinctions having taken place already; and John's handgun holds six bullets, one of which killed the infant Sam alongside Cliff.
    • 28. It's the service number of the BB unit travelling with us, the age at which BB's are taken from their stillmothers' wombs (in weeks) and the week of pregnancy Lucy was in when she commited suicide
  • Arc Symbol:
    • Infants. Sam finds and holds an infant in the first trailer; Deadman is seen holding a device which materialises a Bridge Baby inside it in the second trailer; and in said second trailer, Cliff is connected to four soldiers via a set of wires that resemble umbilical cords. Notably, in the second trailer, Deadman notices a ruined baby doll floating in the water, which then floats (is pulled?) to Cliff and his squad. In the first and third trailers, Sam wakes up on the ground from the fetal position.
    • Hands. Sam is covered in handprint stencils, chiral crystals take the form of creepy grasping hands, BTs are visible from the handprints they leave as they approach, and a massive handprint is left at the bottom of a voidout crater.
    • The trailers heavily feature an otherworldly tar spilling everywhere (even doubling as a cord motif as seen in the stylized title above), dead sea animals scattered around, and handprints appearing people and other surfaces.
    • Strings or strands are invoked in many different forms in the game, signifying connections, not just amongst people, but also with more sinister concepts, like death, politics, and war.
      • The Bridges logo has a spiderweb inside America, and Cliff sometimes appears inside one too. The main goal of the game is to build a network to reconnect America.
      • Amelie wears a quipu, a string-like medal that is Quecha for 'knot', and the cities in America are all called some variation of 'Knot'.
      • There also plenty of umbilical cords, like the ones that connect BBs with their users, BTs with... whatever is apparently keeping them in our world, and Cliff with his skeleton soldiers. Severing the umbilical cord usually means death or discorporation, while connecting them imbues some form of life.
      • Several of Sam's equipment are string-based, such as his climbing anchor, sticky gun, and zipline. There is even a piece of permanent equipment called a 'strand' woven from Sam's blood.
      • And finally the word 'strand', which is the surname of the President, Amelie, and formerly Sam, all three who are strongly tied to the fate of the rest of the world.
  • Artistic License – Geography: One of the key features of gameplay is navigating terrain full of inclines and obstacles like rocks, so many locations are far rockier than they are in real life. Somewhat justified, since accurately recreating the flat plains of the midwest would result in a fairly boring worldspace. It's also justified in game that the terrain of the US was radically altered by the Death Stranding, extensive timefall, and the voidouts.
  • Artistic License – Medicine: In his character spotlight trailer, it's revealed that Heartman dies every 21 minutes, and a defibrillator strapped to his chest is programmed to restart his heart 3 minutes after this happens. In Real Life, defibrillators will never work on a patient who does not have a pulse. Of course, this is likely justified by the fact that the rules of life and death have changed as a result of the Death Stranding.
  • As You Know: A large part of the early game dialogue is pure exposition about the state of the world and the technology that humans are currently able to take advantage of, which is helpful for new players. What makes it this trope is that all of these explanations are being delivered to a character who has supposedly lived and operated as a front-line professional in this very world for decades.
  • Attack of the 50-Foot Whatever: At least two in the third trailer: a massive hand-headed humanoid with its fingers replaced by extremely long arms, and a many-limbed aquatic creature who is only seen in a shadow on the water above Sam. Another trailer reveals a sphinx-like BT that Higgs summons from the world of the dead.
  • Awesome, but Impractical: Trucks are these. They can carry far and away the most weight per transporation method available, far outstripping even the trike and hover carriers, but the rough terrain of the world means that they are limited in use. Trucks are only really useful on highways and other flat roadways, and taking them offroading can lead to serious danger- especially if you crash, meaning all the materials you're transporting are now without the ability to be carried. That being said, they turn into Simple, yet Awesome if paired with enough highways, allowing you to cross the wasteland quickly and with a massive load.
  • Bad Black Barf: "Chiralium", a strange oil-like substance from the world of the dead, serves as the phlebotinum that powers the technology used by the characters. The game's eponymous "strands" or cords can be seen wrapped through and emerging from this stuff (and is possibly alive in its own right). Shortly after he first repatriates following Central Knot City's annihilation every time after when he repatriates, Sam pukes up some chiralium, and a few cryptobiotes covered in the stuff.
  • Bait-and-Switch Gunshot: When Cliff takes out his BB from his pod, John/Die-Hardman turns on him in a moment of Oh, Crap! and pulls out his gun on him, telling him to hand over his BB. Ultimately, though, John hesitates and Bridget reaches over to pull the trigger for him.
  • Better to Die than Be Killed: It seems that anyone faced with becoming a victim of the BTs would sooner end their own lives by any means necessary. Igor, after failing with a pistol, tries to stab himself to death as he's pulled towards a BT. This is probably because anyone devoured by a BT causes a nuclear-explosion-like "voidout"; the unlucky Igor is swallowed and the nearest city becomes a massive crater.
  • Big Bad Ensemble: There's no singular primary threat throughout the game. Cliff, Higgs and Amelie all take turns in the spotlight.
  • Bittersweet Ending: Though Amelie is revealed to be an Apocalypse Maiden and is sealed away, Sam finishes his quest to connect America. Sadly, his BB, Lou, dies and while going to dispose of it, learns that he was the BB that Clifford had spent all game pursuing, having been killed by Bridget. With this knowledge, he instead chooses to resurrect Lou and live by themselves away from the UCA.
  • Bloody Handprint: Inverted. Sam is covered in grime and Black Blood, with the only clean spots being human handprints where the grime has seemingly vanished into thin air from on his body, resulting in "stenciling". After escaping from a BT encounter, his backpack will also be covered in black handprints from the tar-like phantoms.
  • Body Horror: The Game Awards 2016 trailer has an M36 tank destroyer covered and filled with whale organs and human bones. The 2017 one involves body being swallowed up by black slime, humanoids rising from the slime, and a baby inside Sam's throat giving the camera a thumbs up.
  • Book-Ends : Sam’s first and last deliveries are to deliver a dead corpse from Capital Knot City to the incinerator nearby, the difference being that the first time he’s delivering Bridget Strand and the last is to deliver his BB Lou. Both times, he saves Lou from the incineration.
  • Boring, but Practical: The humble ladder and anchor rope are far less glamorous than bridges, bikes or ziplines, but they'll likely be used by you the whole game. Ladders can be used as both an easier method to climb sheer cliff faces and be used as bridges, and unlike PCC's do not require you to be within the chiral network. 2-3 ladders can clear a river the same way a bridge can, and they're far cheaper resource-wise than a bridge ever could be. Meanwhile, anchor ropes allow you to move up and down slopes and cliffs quickly, safely, and without using much stamina. A single fabricated container holds five points, which means you can down a mountainside easily and leave points behind for you to climb back up it just as easily.
  • Boss Corridor: Downplayed and zigzagged with Edge Knot City, the westernmost destination in the game. It's definitely not an actual corridor, but the topography its ruins form make it function as such, leaving only one fairly linear path for Sam to traverse — a stark contrast from the rest of the game. It's also not strictly "dead space" as per the trope's description, since BTs still infest the place (specifically, a jellyfish-like Action Bomb with lethargic movement), but they're mostly small fry. Rather appropriately, Higgs is waiting at the end of the "corridor" with Amelie and her extinction-level BT in tow.
  • Boss in Mook's Clothing: Virtually all BTs are these, as every encounter with the normal floating invisible ones will lead to you being attacked by a huge monster in a lake of tar unless you can shake off the phantoms. Fortunately escaping from that monster will cause the rain to stop entirely for a while.
  • Breaking the Fourth Wall: Mads Mikkelsen's special "Happy Birthday" flashback has him grab the camera (usually fixed to BB's perspective) and move it through the pod's glass window to directly address the player.
  • Briefcase Blaster: Sam's weapons, such as assault rifles and bola guns, share this cargo design. Once they're first equipped, they unfold and pop the cargo frames off.
  • The Cameo: Several celebrities lend their likenesses (but not their voices) to NPCs in sidequests. Confirmed so far are a Ludens fan played by TV host Geoff Keighley, comedian Conan O'Brien (who uniquely also actually voices his cameo), director Edgar Wright, horror mangaka Junji Ito, and a musician played by singer/songwriter Daichi Miura .
  • Cast from Hit Points: Sam can draw from his own bloodstream to recharge his anti-BT weapons. It reduces his health bar but Sam may have no choice because the supply of weapons is not always enough to deal with large BTs. Thankfully, these weapons draw from any blood bags you have on you before before they dip into your own blood.
  • Casting Gag: Troy Baker playing a psychopathic terrorist leader with associations to ancient Egypt and has delusions of grandeur relating to the reality-warping powers that led to the post-cataclysmic state of the world? Where have we seen this before?
  • Call a Rabbit a "Smeerp": The discovery of the afterlife led to the creation of scientific-sounding terms for concepts once relegated to religion and spirituality.
  • Came Back Strong: On a grand scale. In the game's epilogue, Amelie, the Earth's sixth Extinction Entity, theorizes that the reason why her kind even exists is to make the few survivors of each of their extinction events stronger. Or, as she puts it, "extinction is an opportunity".
  • Chekhov's Gun: Early in the game, Sam complains sbout not having any privacy in his room, to which Deadman admits that the shower stall is the only private spot. Much later, Sam and Deadman have a secret conversation in said stall.
    • At one point in the game, you're tasked by the Junk Peddler to deliver contaminated goods to a bottomless pit. A bit later on you end up having to repeat this process with a nuclear bomb, with little to no prompting from the game.
  • Context-Sensitive Button: The L2 and R2 buttons are linked to left and right hand actions but when Sam’s balance is in danger, the player can push said buttons to shift his weight in the desired direction to avoid tripping.
  • Continuing Is Painful : If Sam is killed by a "Catcher" BT, a voidout has happened. An explosion of antimatter creates a crater in the middle of the landscape, destroying any traversable terrain and the infrastructure that was in it, forcing Sam to go around the crater for the remainder of the terrain. This can also happen if Sam kills an NPC and does not incinerate their body. The body will go necro and create a BT which could then make contact with another NPC, which also triggers a voidout. (Albeit a much, much larger one that can possibly cause a Game Over.)
  • Cool Bike: Sam can gain access to a reverse trike that can swap between a three-wheeled mode to navigate difficult terrain and a faster two-wheeled mode.
  • Cool Plane: WWII-era aircraft such as Mustangs, B-17s and Lancasters can be seen flying around when Sam is in conflict with Clifford Unger, presumably piloted by skeleton soldiers.
  • Couch Gag: Of a sort. The third trailer onwards has a shot of the Bridge Baby inside of Sam's throat, with the B.B. looking at the camera and giving it the thumbs-up before said camera is pulled out. Further trailers vary on this shot, including the camera going down the B.B.'s throat, and the B.B. being replaced with the second trailer's Creepy Doll (see below).
  • Crapsack World: The entire world is now Swiss cheese. Society is now down to individual cities dotting the landscape. Emotion demons only really visible to jar babies prey on humans. Humans have mutated into living antimatter bombs. Nihilistic gangs love to use themselves as antimatter bombs. Humanity’s last hope is people cooperating over the internet. Oh, and rain causes rapid aging. Dark times indeed.
    • This becomes a plot point late in the game. The Extinction Entity is working overtime to destroy the world because she doesn't believe humanity can survive the Death Stranding, and wants to hasten the end of the world to end the suffering of mankind quickly.
  • Critical Encumbrance Failure: Averted; though there's a hard cap above which Sam can barely move, every kilogram affects him both with its weight and how it's being carried. Death Stranding is the first major game that is centered around encumbrance mechanics, with a highly-detailed inventory system that resembles a Jenga tower on the character.
  • Creepy Doll: A broken baby doll appears in the second trailer with a leg missing, nails on its head and bearing the same scars Sam has. Once the water level rises, Deadman notices it being pulled towards the nearby tunnel by a strange cord. The doll glows red as Cliff approaches, just like his minions, and then its right eye twitches open as it stops by his feet.
    • The same doll also appears in the Release Date Reveal trailer—most notably replacing the B.B. in Sam's throat and doing the thumbs-up in its place.
    • The dolls become a plot point; they can function as Bridge Babies for people aligned with the Extinction Event.
  • Cursed with Awesome: "DOOMS" is a disease in the Death Stranding world that makes people more sensitive to The Other Side and BTs. It's considered an affliction because common symptoms are suicidal ideation, depression, mania, psychosis, and allergic reactions. But it comes with a couple benefits, like being able to sense BTs or, in advanced cases, utilize the Beach. Fragile is able to teleport by popping into a Beach and then back out again into the physical world in a different location. Higgs can teleport and also conjure up and control BTs.
  • Dark Is Not Evil: Not all BTs are evil; some just live in peace near their living relatives.
  • Death Is Cheap: Played With. Sam is a repatriate, meaning that when he dies, if he is not killed by a BT, he returns to the world of the living with no ill effect. If he is killed by a BT, however, he triggers a voidout, a massive explosion that decimates the landscape where he dies. Other such craters already exist due to people without this condition dying to BTs, among them suicide bombers from Homo Demens; Sam's superiors in BRIDGES tell him to avoid this happening.
  • Death World: The Death Stranding has left humanity in a world where the natural cycle of life and death may have abandoned them. Among the survivors are people who have either their souls or bodies left behind on the "beach" between worlds, which leads to symptoms like Heartman's 21 minutes of life/3 minutes in death and Amelie's inability to age, respectively. More immediate problems manifest in the form of the Timefall, which induces Rapid Aging on any living matter; and the Beached Things, which will drag anyone unfortunate enough to fall into their grasp to a Fate Worse than Death.
  • Dem Bones: Clifford Unger, in almost every appearance he has in the game, is in control of a squad of skeletal soldiers, dressed first in the clothes of WW 1 soldiers, then WW 2 soldiers, then Vietnam soldiers, who follow his tactical commands.
  • Determinator: Invoked with the first teaser's music, with the refrain of "I'll keep coming."
  • Developers' Foresight:
    • On your birthday, there will be a cake for you in Sam's room, and you'll also get a message from Mads Mikkelsen (as himself, not as Cliff) wishing you happy birthday and some extra Likes.
    • Since Sam's body fluids, including urine, are integrated into his anti-BT weapons, you can urinate on/near a BT, which will have the same effect as using one of your anti-BT weapons on it.
    • When transporting human cargo, if you come across a hot spring and decide to take a moment to bathe, the person you're delivering will join Sam and BB and later give you a couple Likes for it.
    • When Sam first gets the harmonica, he's not particularly good at playing it. However, the more Sam plays, the more proficient he gets.
    • During Episode 1, if the player attempts to urinate on Bridget's corpse, Sam will flat-out refuse and ask "What the fuck is wrong with you, Sam?" Sam will be equally disgusted with himself if you attempt to relieve yourself on the unconscious bodies of MULEs.
    • MUL Es who are entangled with bola or knocked unconscious into water are saved from drowning by auto-inflating life jacket collars that keep their heads above the water.
  • Devious Dolphins: One of the manifestations that BT's can take is the form of a large dolphin.
  • Diegetic Interface: The interface comes from the cuff links and his Odradek scanner displaying critical informations to Sam. When the player enters the options menus, it’s only because Sam looks at his cuff links and the camera flies toward them.
  • Divided States of America: The synopsis says that after the Death Stranding, the United States of America fell, leaving only the United Cities of America (composed of numerous "Knot Cities" across the country) in its place. Footage from the Gamescom 2019 showcase briefly shows us a map of the UCA, where there are several huge craters from Voidouts in the Midwest that literally divide the country into western and eastern halves.
  • Double Jump: Strangely enough, Sam can double jump after jumping a first time, allowing him to cross some obstacles more easily. It also amuses Lou who will give some likes whenever Sam double jump.
  • Double Meaning: The word 'Strand' has its two contradictory meanings constantly referenced throughout the game. It can mean 'string', an object that connects and binds different objects, or 'to set a boat or sea creature ashore', to separate something from its natural state and leave it for dead.
  • Dramatic Necklace Removal: Sam carries a Q-pid around his neck. When arriving at a new outpost he will dramatically rip off the Q-pid and use it to connect the outpost to the Chiral network. How he puts the necklace back on after doing this is not shown.
  • Dramatic Unmask:
    • Cliff is introduced in the second trailer wearing a helmet equipped with goggles. He lifts the goggles, the helmet fades away, and then immediately holds up a finger as if to say, "Shhhh..."
    • Higgs in the TGS 2018 trailer removes his golden mask right in front of Sam, showing that his face is...still covered.
  • Dug Too Deep: It's revealed that scientists caused the Death Stranding by accident after performing too many experiments with chiral energy and the Other Side.
  • Dungeon Bypass: One of the gameplay elements is taking advantage of all of the tools at your disposal to circumvent areas that would be difficult to traverse, whether it be rough terrain or BT infested zones.
  • Eagleland: The old USA is consistently described as The Beautiful, an idyllic utopia where everyone cared about everyone else, and those preppers who started digging in before the Death Stranding because they didn't think much of it are lightly shaded as eccentrics. Of course, the game takes place after an event that obliterated the US and most of its infrastructure, and revelations about the BB experiments the government conducted Just Before the End are clearly meant to tarnish that nostalgia.
  • Early Game Hell: The first few hours of the game are actually the most difficult, primarily because the player does not have access to all of the tools that would allow them to traverse large distances more efficiently, or any weapons to fight off MULES and BTs. This means the player is forced to move around on foot and run away from any threats. Options start opening up significantly once the player reaches Lake Knot City, where they finally get wider access to an array of tools and weapons, as well as online access to more player built structures.
  • The End of the World as We Know It: The 2017 premier trailer opens by framing the game as taking place during or after a monumental event that changed the world, and closes on the declaration that it will be "our [humankind's] last".
    • Amelie's plan to end the world — the Last Stranding — is to release an "explosion" of antimatter that will destroy everything in a flash, which she compares to the Big Bang.
  • Enemy-Detecting Radar: The Odradek scanner is Sam’s most useful tool for detecting BTs. It is portable device with a shoulder-mounted, star-shaped detector which can detect the closest BT and whose branches shake more violently the closer Sam gets to one. In as much the terrain can become an enemy, it also scans Sam’s surroundings and tells him where the terrain is the most stable.
    • Played straight if you unlock an upgrade for it that lets you literally scan for human enemies as well.
  • Everything's Better with Rainbows: Absolutely not. Timefall, and so potentially BTs, are heralded by the appearance of an upside-down rainbow with no blue in it, even if it’s completely overcast. UCA personnel therefore regard rainbows as very bad news. However, rainbows and rainfall turn normal again in the ending, implying that the Death Stranding is finally over.
  • Eye Awaken: In the second trailer, there's a dramatic slowdown as the Bridge Baby held by Deadman opens their right eye. Later, the baby doll that floats towards Cliff and his squad eerily makes the same expression.
  • Fan Disservice: Fragile isn't bad looking herself however she got a body of an old woman as a result of Higgs forcing her to run though timefall naked (actually wearing a tank top and underwear) wearing only a mask.
  • Fetal Position Rebirth: In both the first and third trailers, Sam is shown waking up in a way that resembles this position, continuing the heavy emphasis on babies and birth in the game.
  • Fingore: After a mission, Sam pulls out his toenail after it got damaged during his mileage journey. He does that in order to grow it back via Timefall exposure.
  • Flushing-Edge Interactivity: Subverted. In the first hours of the game, Sam can wash himself and go to the bathroom for seemingly no reason. But then, it is discovered that Sam’s bodily fluids ward off BTs so now private rooms’ toilets can be used to collect “ammunition” and supply weapons.
  • Four Is Death: Subtle example. Sam's opening monologue goes over three metaphorical "explosions": one that "gave birth to time and space", one that created the Earth, and one that brought about life on Earth. Sam then continues about a fourth explosion—"[a]n explosion that will be our last"—which references the Death Stranding, which has changed the rules of life and death as humankind knows it.
  • Foreshadowing:
    • There are multiple signs showing that Amelie never actually existed in the world of the living. For starters, it makes no practical sense to live on a Beach in an immaculate red dress and equally clean high-heels. In the world of the living, none of the Bridges I expedition members you come across have ever actually met Amelie in person, and the ones who could verify her existance are all conveniently dead. Even Higgs, the only other character seen physically interacting with Amelie, joins the list, leaving Sam as the only witness to Amelie's "existence".
    • When Sam teleports to the Beach to face Higgs, you can see Higgs kneeling in front of Amelie, as if he were worshiping her. This is one of the early clues that Higgs hasn't taken Amelie hostage, he's merely serving her will.
    • Higgs makes it no secret that those inflicted with DOOMS receive their abilities directly from Amelie. This should make you question why Amelie allowed Higgs to be so powerful in the first place. In addition, the moment he's defeated by Sam, Higgs loses all of his DOOMS abilities, further demonstrating that such abilities can be taken away. All this further suggests Amelie and Higgs were working together, until he was no longer useful to her.
    • Amelie and Bridget are never shown together, or interacting with each other. Amelie doesn't make an appearance as herself until after Bridget passes away; and when Bridget utters the line "I'll be waiting for you on the Beach" to Sam, the camera suddenly cuts to a younger Bridget's face speaking. Regardless of this face being either a younger Bridget's or Amelie's, this implies that they are the same person.
    • Bridget's introduction/death scene has Bridget, moments from dying, fiddling with Sam's cuff link. Even on her death bed, she's not above manipulating her son.
    • In Die-Hardman's recording that Deadman finds, he says that Bridget's uterine cancer would mean Amelie can't be her biological child. He doesn't say that this would also mean Sam can't be her biological child either... because he already knows that. Which begs the question of why Die-Hardman would know this.
    • Whenever Sam plugs into BB-28, he gets flash-backs that seem to go back several decades, despite Deadman telling him that BBs are usually only active for one year before decommissioning. This is a hint that the BB memories are actually Sam's.
    • When setting up the network at the Distribution Center on the Western coast, Sam is told to deliver to and hook up the city with an irreplaceable key. The key looks suspiciously like a BB pod, which hints at the Powered by a Forsaken Child nature of the chiral network.
  • Fully-Clothed Nudity: Fragile is stated to have been forced to run through the Timefall naked, even though she's shown wearing a tank top and panties.
  • Hammerspace: Inverted. Yes, objects take up more space when you store them, because Sam puts them back in their packaging when he stuffs them on his back. This means that otherwise small objects like a blood bag have to be suspended in a crate unless he's got a utility pouch to put them in. He also has an animation for breaking a fresh assault rifle out of its packaging when he first uses it. Could be justified in that his backpack is designed for containing box-shaped cargo and a loose blood bag would just fall out of the sides, but it still results in him having a huge stack on his back if he comes even moderately prepared for a future encounter.
  • Hell Is That Noise:
    • Invoked with the first teaser, which uses the discordant bass and mechanical clicking in the song "I'll Keep Coming" by Low Roar to add to the trailer's unnerving atmosphere.
    • Any growls and other sounds from the Beached Things.
    • The mechanical radio sound your comm makes when it receives a message.
  • Helmets Are Hardly Heroic: In a world where the rain can kill you through rapid aging, you would think it would be prudent to always wear a face mask in addition to a hood, but then we'd be dealing with people whose faces we can't see most of the time. So Sam makes do with just his automated rain hood and Fragile has a funky angular umbrella. Plus, the characters who do wear helmets are the MULEs and Homo Demens, two factions who aren't the most glowing examples of human decency.
  • His Name Really Is "Barkeep": Most of the station managers for Bridges facilities have on-the-nose surnames for their stations, like "Jake Wind" for the wind farm or a guy named "Lake" for Lake Knot City. It seems Sam Porter Bridges is not the only person with a name like that.
    • Taken to the extreme where Amelie's full name (who becomes President of the UCA for a while) is Samantha AMERICA Strand.
  • Gameplay and Story Integration:
    • Fast Travel is handled through Fragile's teleportation abilities; she is able to transport other people to any place with sufficient chiral density, such as chiral network nodes. She can't transport more than the clothes on a person's back when teleporting other people though, forcing you to deliver goods the hard way. This is why she couldn't just grab the nuke, jump to the tar lake to get rid of it and jump back—it'd be left behind, and she wouldn't have the time or capacity to become emotionally attached to a nuclear explosive, especially since she'd unwittingly delivered such a nuke to a city already. Sam's lack of access to fast travel near the end of the game is also justified — Fragile is exhausted from evacuating all of the important characters to Capital Knot City, and even if she wasn't, Hartman explains that everyone's Beaches have started to coalesce, which would make traveling through them dangerous.
    • Post-End Game Content is justified by simply moving the story back two weeks before the events of the epilogue, framing 100% Completion as Sam passing the time before having to attend President Die-Hardman's inauguration.
    • Die-Hardman cautions Sam to try and avoid dying to BTs as even his ability to repatriate doesn't prevent voidouts. This is not an idle warning — dying in such a manner actually makes a crater near where he died and an Invisible Wall around the crater so the player can't simply walk through it. As an added detail, true to the game's lore, this event doesn't occur through other means of death like fall damage or at the hands of MULEs.
  • Gameplay and Story Segregation:
    • In the prologue, it's shown that Sam can sense BTs without a Bridge Baby, and they're rendered as faint silhouettes in cutscenes. This is decidedly not the case in-game, however — when he doesn't have control over the Odradek (his BB goes into autotoxemic shock or doesn't have it at all in at least one episode), he's unable to sense BTs except for when he gets goosebumps stepping into their territory, which isn't particularly helpful as it's a vague hint at best.
    • It takes about 48 hours for a corpse to necrotize into a BT. In your first incineration mission (AKA, incinerating Bridget's corpse), if you take that long to do it, nothing will happen, presumably because it could be considered an un-failable tutorial mission. However, this is subverted since there is an in-game spoiler as to why this is.
    • In snowy areas, Sam's face could potentially be caked in snow due to blizzards. Despite the fact that Timefall (even in snow form) causes rapid aging in anything it touches, this won't affect him at all. In a similar fashion, if Sam moves in and out of Timefall cover too fast, Sam's automated hood won't be able to keep up with it, pelting his head with the stuff. Even so, he comes off no worse for wear.
  • Global Currency: If it can even be called currency. The primary reward Sam gets for helping people is more Likes on a meter that functions sort-of like experience points and the few times you can do something bad (like killing a guy) you get docked Likes. But your tangible rewards are usually from individuals you've helped whose communities have grown; they give you resources for completing orders and schematics for new "Connection Levels". If in-universe money is changing hands we don't see it (though it gets mentioned occasionally).
  • Hand Wave: The Death Stranding is said to have disrupted humanity’s sense of time, thus explaining the lack of a day/night cycle and the absurdly short time it takes to cross North America from east coast to west coast.
  • Healing Spring: There are hot springs scattered here and there in the map. If Sam stumbles upon one of them, he can take a brief bath to replenish his strength, regaining stamina. Some springs can also recharge his equipment’s batteries.
  • Hell Is War: When many people die on the same place in a short timeframe, their beaches might merge together into a reconstruction of the place they died in, and force them to relive their last moments indefinitely. This usually happens to soldiers, who died during great battles, effectively invoking this trope.
  • Hit Stop: Whenever Sam downs a human enemy, time slows for a bit. It mostly allows Sam to take whatever cargo the enemy had midair and then use it as an Improvised Weapon.
  • Holler Button: Pressing the DualShock 4's touchpad makes Sam call out, mostly asking if anyone can hear him. The only time he gets a reply is if he's near an online object, whose Likes counter starts blinking and calling back to Sam in response. When he's near BTs or MULEs, however, the callouts become decidedly hostile, which catches the enemy's attention.
  • Hot Springs Episode: Sam and BB can find various hot springs to relax in that give you buffs. Mama or the Chiral Artist can join you during their respective Escort Missions.
  • I'm Dying, Please Take My MacGuffin: When it's clear that he's about to be abducted by the BTs, Igor tosses Sam his Bridge Baby before attempting to shoot himself.
  • Improvised Weapon User: Sam (and the player) has the ability to knock enemies down and take their possessions to use as temporary weapons, with a short time-freeze as the enemy is knocked down so the player can steal the held cargo of the enemies before they fall. Sam can punch out one bandit, takes the case he drops, and hit a second bandit with it. This feature becomes important during the boss battle against Higgs where Sam's only available weapons are his strand and destroyed cargo beached in the arena.
  • Informed Equipment: Averted. Everything is displayed on Sam’s outfit, from cargo containers, to his equipment like unfoldable ladders, ropes, and weapons.
  • Interface Screw: Later trailers, and the TGA Day 1 gameplay footage, use the Bridge Baby's blinking as shot-to-shot transitions.
  • Interface Spoiler:
    • Invoked. At one point, Higgs tries to trick you into delivering an unmarked package to South Knot City. Checking your UI is the only way to figure out that what you're really carrying is a portable nuclear bomb. It even explains that if you let go of the package for too long, the bomb will detonate.
    • If Sam dies in the prologue before obtaining BB, the cutscene that plays when he repatriates shows a doll in his throat giving a thumbs up. It's revealed all the way in the epilogue that Amelie uses these dolls as a stand-in for BBs when people connect to her Beach, somewhat spoiling a major plot point about Sam and Amelie's true relationship.
  • Inventory Management Puzzle : The game places a great emphasis on managing one’s cargo. There’s not a volume limit but a weight limit on what Sam can carry on his back before it becomes impractical and he gets exhausted. Moreover, the cargo must be placed right, in his backpack, on his shoulders or even thighs so that it doesn’t mess with Sam’s balance. On the other hand, there’s a button to automatically optimize the management.
  • Invisible Monster:
    • During the 2018 E3 trailer, while resting in a cave, Sam and Fragile have a brief encounter with a Beached Thing, an invisible creature that leaves human-like handprints wherever it goes in the corporeal world.
    • The floating "Gazer" BTs that appear during gameplay can only be seen if the player is standing still. When they sense Sam, the "Hunter" BTs make themselves known by an approaching trail of black handprints shooting up from the ground.
  • Jitter Cam: Much like MGSV, the first three trailers have a lot of Alfonso Cuarón-esque handheld-camera action going along with the use of long takes.
  • Justified Extra Lives: Sam is a "repatriate", meaning if he dies in gameplay, he comes right back.
  • Kill It with Fire: Corpses need to be incinerated within 48 hours or else they will necrotize—that is, release loads of chiralium that adds one BT to the world in addition to attracting other BTs (and greatly increases the likelihood of a Catcher eating someone and making a voidout). BRIDGES has special facilities known as Corpse Disposal facilities, which contain incineration chambers. These facilities are located in mountain ranges far from settlements, to ensure that inevitable BT swarms stay away from civilization when the body is incinerated, in addition to decreasing the likelihood of Timefall in settlements due to the chiralium smoke that gets released.
  • Leaning on the Fourth Wall:
    • In one of the trailers that first introduces Amelie, it ends with her asking "You have no idea who am I, do you?", referencing both her Mysterious Waif nature and that the target audience would be unfamiliar with her actress Lindsey Wagner's most (and arguably, only) significant role, The Bionic Woman.
    • Almost all of Higgs' confrontations with Sam has him cheekily wink at the player about how his scenes break the monotony of the game's grindy delivery premise.
      Higgs: So how 'bout it? Aren't you getting tired of the grind? Isn't this what you've been waiting for this whole time? ...A game over?!
  • The Magic Goes Away: A rare positive example. In the epilogue, Sam travels to the incinerator without getting attacked by any Beached Things, despite it usually being their territory. He also ends up walking out into the rain with his hood down while carrying a naked baby Lou with neither suffering any effects from Timefall, and when the rain clears we see a normal rainbow with all its colors, when rainbows previously shown in the game have all been inverted and noted for lacking any blue. All of this heavily implies that the Death Stranding is over.
  • Magical Defibrillator: Heartman goes into cardiac arrest and dies every twenty-one minutes, but after a three-minute delay, a defibrillator strapped to his chest restarts his heart. This situation exaggerates the trope to the extreme; not only is a defibrillator useless or even harmful when applied to a flatlined heart, but it is shown to be perfectly reliable in every death, brings him back with a single jolt, and bypasses additional resuscitation.
  • Magitek: The discovery of the Beach was rapidly followed by technological innovations that utilize it, such as the Bridge Babies. One of the biggest, most obviously supernatural "technologies" in the world of Death Stranding are the highways you can build with automated printer-pavers. The edges of the road have weird pebbles that float upwards and the undersides of the highways are covered in creepy black tar tendrils.
  • Memetic Hand Gesture: The thumbs-up seems to be one among BRIDGES. The Bridge Baby gives one whenever Sam repatriates, the odradek sensor can give one as congrats for killing or escaping a Catcher BT, and Heartman gives them to reward Sam with likes during your visit to his office.
  • Mercy Kill: Igor is forced to shoot his fellow CD worker after the latter gets exposed to Timefall and is dragged away by the Beached Things. This is less to spare him a painful death and more to prevent the explosive voidout that would happen if his buddy got eaten by a Catcher BT.
  • Mental World: The "Beach", a person's path to the afterlife; Sam has the tech and the abilities to enter his own to evade certain dangers.
  • Might as Well Not Be in Prison at All: Amelie. She's being held in Edge Knot City, but is allowed full, unrestricted communications with the UCA government by her captors. They claim that they don't want to hurt her and are only holding her hostage as leverage to ensure their continued independence. As it turns out, Homo Demens isn't "holding" Amelie captive at all; they are serving her, counting on Sam reconnecting the country to save her to enact the Last Stranding.
  • Mind Screw:
    • From the debut trailer, which features Sam naked with a cross-scar on his stomach holding a baby amidst whale carcasses on a beach. The only thing anyone could get out of it... was this is definitely a Hideo Kojima trailer. The rest left people too confused to comprehend the majority of it. The Game Awards 2016 trailer offers even fewer answers, if anything.
    • A user on Reddit noticed that if you play both the E3 2016 trailer and Video Games Awards 2016 trailer at the same time, the baby in Sam's hands disappears at the same time Deadman activates his machine and reveals the baby inside to us. YouTuber YongYea later tested and seemingly disproved this theory, as the "exchange" only occurs by offsetting the videos by about 27 seconds. YongYea did, however, find that the effect happens if you make both trailers the same length.
  • Monsters Everywhere: America is riddled with zones of high chiral density and Timefall rains, thus Sam has to cross zones infested with BTs on a daily basis to make his deliveries. Unlike most games, Sam is not really equipped to fight these monsters, so he has to use the map and weather forecasts to plan routes that have the least chances of going into BT territory.
    • You eventually get access to weapons powered by your own blood, which allow you to actually fight back against BTs.
  • Mook Chivalry: MULEs play this straight in the early stages of the game, attacking one at a time with very telegraphed polearm attacks.. However, the MULEs in Central America onwards have more devious tactics, like appearing to charge in for an attack only to kick Sam in the gut to mess with parry attempts (or not attacking at all), attacking Sam while he's in the middle of binding an enemy, coming to battle armed with Sticky Guns and stealing cargo at range, and even attempting to hijack any cargo-loaded vehicles Sam may have laying around while he's distracted.
  • Morality Pet:
    • Insomuch as Sam is more of an antihero than a villain, but if he starts killing people (which in the Death Stranding universe is an even bigger no-no than normal) he will not only get chewed out by Die-Hardman but his BB will show its disapproval by getting stressed out, to the point of suffering autotoxemia if Sam continues killing people in quick succession. It helps that throughout the game, BB helps Sam grow as a person, so extra points there.
    • Sam himself is one to his "sister", Amelie. The main reason she decides to delay the Final Stranding at the end of the game is because Sam talks her out of it.
  • Motif: Strands. Strands are in the logo of the game; strands are part of the characters designs, for both the main character and the antagonist; and Kojima has hinted that strands are intended to be used as metaphorical elements to relate to the themes of connection in the game.
  • Mundane Utility: One settlement, the Timefall Farm, uses carefully calculated timefall predictions to grow crops at high speed and harvests them before they rot. What's one of the things you can deliver, that becomes a feature in Sam's room? Beer.
    • Another example is using Hematic Grenades (Anti-BT grenades filled with Sam's blood) for another purpose — typically Smoke Grenades obscure the enemy's vision and causes those caught in the smoke to cough, rendering them vulnerable to takedowns. Hematic Grenades just so happen to act in a similar manner, meaning Sam can use clouds of blood in a pinch to disable human enemies too!

  • No-Gear Level: The final showdown with Higgs takes place on a Beach, and Sam uses Fragile's help to get him there. Fragile can't teleport more than the clothes on a person's back when she takes them somewhere (and a few scattered items that they consider precious, like his dreamcatcher) so he shows up to the fight armed with some climbing rope and his fists and that's it.
  • No-Harm Requirement: Most weapons you are given are non-lethal, as the last thing anyone wants is to have a dead body that turns into a BT lying around. The human enemies in the game similarly start out use shocking weapons to stun you, though later ones are reckless enough to use actual guns. You are given some lethal weapons, but they are considered last-resort options, as any dead bodies you create will inevitably have to be disposed of before "going necro". Most players will save a lethal weapon to use with hematic rounds (rounds which can force a BT back to the other side), as they are more effective against BTs than nonlethal weapons using hematic rounds.
  • Noob Cave: The outskirts of Central Knot City in the prologue. Bonus points for featuring a literal cave less than five minutes into the actual game. It's the only area where players can get used to the balancing mechanics without getting harrassed by enemies or Timefall, and players lose access to the area when it gets wiped off the map by a voidout at the end of the prologue.
  • Non-Standard Game Over:
    • Near the end of the game, if Sam doesn't figure out in time how to stop Amelie, she goes through with her plan to end the world.
    • At one point Sam is given a portable nuclear bomb. If this package is destroyed or delivered to it's intended address, Die-Hardman informs Sam (presumably after he comes back to life) that the bomb's detonation has knocked down the whole Chiral Network, making Sam's efforts up to that point All for Nothing.
    • A downplayed example: at the southern end of the Central region, there's a giant waterfall. If a player is unfortunate enough to get swept over the edge of this waterfall, they get treated to a cutscene from a now-panicking Sam's point of view as he falls over the edge, although the resulting death doesn't have a special game over screen — Sam just repatriates as usual.
    • Letting a killed NPC necrotize instead of disposing of it properly causes one of these, under the assumption that the BT it spawned ended up devouring another NPC, causing a voidout and destroying the Chiral Network.
  • Ominous Fog: The first three trailers have taken place primarily in either thick fog, overcast rainy grey skies, or both. In the prologue, the hands-headed giant, and its fellow BTs, are only seen through heavy grey mist that obscures all but the basic silhouettes.
  • Ominous Latin Chanting: Music of this type is heard when Higgs uses his Level Seven DOOMS abilities to summon a Catcher BT.
  • The Oner: The first 3 minutes of the TGA 2016 trailer are done in a single, unbroken camera movement, similar to the cutscenes from Ground Zeroes and The Phantom Pain.
    • More-so for The Game Awards 2017 trailer, where the first 6 minutes are done as one continuous long take.
  • Our Ghosts Are Different: The Beached Things, the souls of people who have been caught on their "Beaches", their personal pathways to the afterlife. Many are benign, but more than enough are viciously angry that they caused an apocalypse.
  • Our Weapons Will Be Boxy in the Future: The guns you eventually unlock are all rather plasticky, boxy affairs that look like they've been 3D-printed out of the cheapest materials around, which is because they were, using the chiral network's ability to share 3D-printing information. When you deploy a fresh one, Sam even breaks it out of its packaging like snapping a plastic model off its frame.
  • Outside-the-Box Tactic: As you would expect of a Kojima game, there's quite a few. Urinating directly on ghosts is an option. Urinating elsewhere makes mushrooms grow that health-restoring cryptobiotes eventually grow on. Throwing a hematic grenade leaves behind a blood cloud, and you can shoot bullets through it at any remaining BTs to turn them into blood bullets for additional damage. And late in the game Sam has to find a way to cross an impassable lake of tar...and the solution is to trigger a BT fight, because of the buildings that randomly appear to climb on during said fight.
  • Paper-Thin Disguise: Since Higgs is wearing masks on a daily basis it would make him easy to disguise himself except he acts so over the top and barely changes his voice when he acts as a BRIDGES agent it's obvious to connect the dots. He even lampshades in an email he couldn't help himself write "thermonuclear bomb" on the tag because he correctly assumed no one read those anyway.
  • Path of Most Resistance: Raiding MULE camps can provide you with a bonanza of supplies and lost cargo. Players can take this trope even further by carrying an entire camp's stockpile on poor Sam's back to an allied storage unit.
  • Player Data Sharing: Much like Dark Souls and its successors, players can indirectly cooperate through the "Strand system", which is available after the first time a player connects to the BRIDGES national network. Players can leave behind informational signs, equipment, constructed objects, and even lost cargo for other players to discover (and optionally give Likes to, like a social network). In boss battles, the Strand system gets a bit more involved by having holograms of other players tossing weapons and equipment to Sam.
    Hideo Kojima (translated): (during a battle against a Catcher) "You're not alone. You may be fighting alone, but You Are Not Alone."
  • Playing God: Bridget/Amelie explains that they split into two because of some unspecified incident (relating to experiments relating to chiral energy) when they were twenty. When she and her colleagues realized they could study chiral energy and learn how to use it in order to see the memories of all life that ever existed, perhaps even to the birth of the universe, it led to the first voidout in America. Things went downhill from there.
  • Pocket Dimension: The terrain during BT fights shifts into a chaotic, surreal mess of black tar, buildings and wrecked vehicles that emerge from nowhere (even if the area was formerly a pristine forest) and dead fish and other sea life raining from the sky. It seems as if the fight arena is a sort of smashed-together crossroads of dimensions, which may be why you can end a BT fight by running out of the zone as well as by killing it.
  • Precautionary Corpse Disposal: Monsters called BTs roam the Earth. Any corpse left in the open will be inevitably eaten by them, causing an Anti Matter explosion. It's heavily implied that the initial wave of deaths/explosions more or less wiped out most populated areas. The only solution is to incinerate the corpses as soon as possible (with nobody present but the courier team who brought them to the crematorium). This also serves as a gameplay mechanic; should Sam Bridges die, the explosion leaves a permanent crater in the game world.
  • Product Placement:
    • A rather egregious example; every safe house has cans of Monster Energy Drink displayed prominently, drinking it boosts your stamina, and it can show up as a delivery item. Also, whenever you defecate, Sam’s body is censored by an advertisement for AMC’s Ride with Norman Reedus.
    • More placement for Ride: the best reverse trike in the game is themed for it, complete with RIDE painted on in bold lettering. For the most absurd placement in the game: Sam talks about the show himself whenever he rides it.
      Sam: This should be on an episode of Ride with Norman Reedus. Fuck yeah.
    • Amongst some of the collectibles that can be delivered include Kotobukiya's model kits, in particular both the Frame Arms and Frame Arms Girl Baihu. Looks like Kojima is paying respects to both Koto and his favourite designer Shinkawa.
    • You can also find hologram data for characters from Horizon Zero Dawn, as well as a man-sized hologram of a Ludens nendoroid.
  • Psychic Powers: The Japanese script calls those with DOOMS 能力者 (nouryokusha, literally "one with brain powers"), something akin to ESPers. Indeed, those with higher DOOMS levels can pull off stunts that seem like psychic powers to the average bystander, like Fragile's ability to teleport and Higgs's control over BTs. Even those with level 1 DOOMS like Sam, who can only see BTs as extremely faint silhouettes without a BB, are still seen as exceptional to normal people, as evidenced by the reactions of the corpse disposal team in the prologue.
  • Quest to the West: Sam is tasked by Bridges to go West and cross America to connect each of the remaining settlements to the chiral network. That way, the knots will be able to communicate, share information and cooperate and the American nation may rebuild itself. The further he gets, the more challenging things become as terrorist influence grows and the people are less cooperative, and the terrain gets even rougher.
  • Rapid Aging: Caused by Timefall. In the intro, the driver who gets stuck under the broken-down car ages significantly over the span of a few minutes, with his hair greying and ultimately balding as he becomes more and more wrinkled. This is the effect on anyone who doesn't have the proper protections from Timefall (e.g. the Porter suits' automated rainhoods), and even that equipment can get damaged beyond usability. Fragile was forced to run almost naked through a Timefall, aging everything but the face that was covered by a mask.
  • Real Event, Fictional Cause: In the game's story, Earth's five major mass extinctions were caused by previous Death Strandings and the current one happening would be the sixth.
  • Red Herring: Sam and the player are initially led to believe that the visions he sees of Clifford when he hooks up into his Bridge Baby are its father. Deadman outright states that this occasionally happens with B Bs and that Sam's particular BB had some redacted history. It's also quite special as it's apparently the only DOOMS compatible BB. At the very end of the game, it's revealed that those were actually Sam's memories and apart from being DOOMS compatible, there wasn't anything particularly special about Sam's BB.
  • Rule of Symbolism: Everywhere in the game.
    • Sam's relationship with BB/Lou comes across like an unwanted pregnancy for a single parent, with Sam being saddled with a delicate fetus that he has to carry around and handle very carefully, frequently stopping his work to nurse or placate the thing when it gets upset and demands attention. Over time, the relationship grows more loving, until the end, where Sam pretty much gives birth to Lou.
  • Scenery Porn: The game offers breathtaking landscapes of large lush plains, high snowy mountains and valleys to cross, and a few alien yet gorgeous places, highlighted by the soundtrack. This is kind of a given because the gameplay is about walking through these places so they might as well be nice to look at.
    • Scenery Gorn: That being said, there are several ruined and abandoned settlements, structures and wreakage strewn around the map, and the scenery during BT fights is a surreal mish-mash of floating ruined buildings and wreakage that sink and rise out of the ground.
  • Schizo Tech:
    • The Game Awards 2016 trailer showed what looks like undead soldiers in World War II-era gear, with a detailed character in modern military gear. Compare the juxtaposition of a World War era tank leaking animal organs with the futuristic incubators and high-tech handcuffs worn by Sam and Deadman, in addition to the wrecked personnel carrier, robotic motion detectors, and protective hazmat gear worn by Sam and his coworkers in the third trailer. It turns out it is only because the characters are drawn into a Beach recreating a World War II era battlefield.
    • In the game proper, the technology is fairly even with high tech scanners, 3-d printers who can create entire roads, holograms so precise one could be mistaken for a real person and so on. Nonetheless, humanity is still relying on people to carry cargos from settlement to settlement. Justified in that Chiral Printers can only replicate inorganic matter, and automated drones aren't terribly reliable.
  • Sheathe Your Sword: During the confrontation with Amelie, the player is given a gun. However, shooting Amelie does nothing, and instead the player has to unequip the gun (as you are otherwise locked into an aiming stance) walk up to Amelie and hug her in order to progress.
  • Shout-Out:
    • Cliff's third and final boss fight features him rising out of a tar pit that's identical to the famous shot of Martin Sheen doing the same in Apocalypse Now.
    • Plenty to Metal Gear, Kojima's previous IP:
      • When the hazmat-suited bandits spot Sam in the gameplay trailer, their sensor devices light up red accompanied by a Scare Chord.
      • In Episode 1, when Deadman says "Game over, man" to describe the Voidout-decimated Central Knot City, the Game Over splash screen from Metal Gear Solid appears on the world map, although it's altered to have orange text and slimmer letters.
      • One of Die-Hardman's inspirational speeches to Sam over the Codec talks about footprints eventually giving way to highways, blazing a trail for others to follow. At one point, he says "if you were a spy on a mission, you would have failed" — many a Metal Gear game from Solid onwards featured the player's footprints as one of the methods in which the enemy can detect the player.
      • After finishing the game's very first delivery, Mama tells Sam that he "really kept us waiting". Later on, Amelie asks Sam what took him so long.
      • The final battle between Sam against Higgs is none other than a throwback to Metal Gear Solid 4: Guns of the Patriots Snake against Ocelot fight.
      • The look and feel of Cliff's boss fights are evocative of the SKULLS Parasite Unit in Metal Gear Solid V, which similarly features the protagonist fighting a squad of Superpowered Mooks. The core difference between the two groups, however, is that Cliff is the primary target and the defeat of the rest of his squad is not a requirement.
    • At one point, Sam compares his relationship with Amelie to be like Mario and Princess Peach. In a game not released for any Nintendo platforms.
    • The Odradek Terrain Scanners are a reference to the short story "The Cares of a Family Man" by Franz Kafka — the Odradek, the creature described in the story, is a diminutive being of unclear origin that leaves a strand of thread behind itself. Its laughter is described as similiar to rhat of a child but at the same time lifeless. The narrator seems to believe it useless and that this uselessness might make it somehow immortal.
    • In one interview, Deadman recommends The Shape of Water to Sam, a movie directed by Guillermo del Toro, Deadman's Ink-Suit Actor.
    • As Heartman shows Sam around his room, he shows him a copy of Charlie Chaplin's Twenty Minutes of Love, which gets cited by in-game text as the "King of Comedy"'s first directing credit.
  • Silence Is Golden: The first two trailers feature no dialogue at all, and the third one features very little.
  • The Singularity: Discussed. People in the world of Death Stranding generally agree that robots will never be able to surpass humans, due to their lack of a Ka.
  • Space Compression: Although the map is huge by videogame standards (over 20 kilometers wide), in story it covers the entire continental United States. The Midwest is especially notable for being extremely brief to cross.
  • Spiritual Successor: The game shares many similarities to previous Kojima games, particularly the Metal Gear series:
  • Sprint Meter: Sam has two of such meters. The Endurance gauge and then Stamina gauge. The Endurance gauge depletes as he performs actions that exhaust him such as running or climbing. Then the Stamina gauge represents his overall energy level which depletes over time and caps his endurance. To restaure endurance Sam only has to stay still but restoring stamina requires consuming Monster Energy or rest.
  • Suspicious Video-Game Generosity:
    • You get the blueprints to produce your first lethal weapons mere seconds before you get sucked into Cliff's beach for a boss fight.
    • Right after activating the westernmost terminal in Edge Knot City, Sam automatically receives a blueprint for a quadruple rocket launcher to help him deal with the giant BT Higgs brings with him for his first boss fight.
  • Tank Goodness: In a strange Hell Is War "Beach" Sam is drawn into, a M10 tank destroyer moving along with a group of soldiers. Contrary to the trope name, however, it's covered in guts and bones, and is clearly not on your side.
  • These Are Things Man Was Not Meant to Know: The scientific confirmation of the existence of an afterlife is what paved the way for the Death Stranding that devastated the world. Bridget instructed the United States' top scientists to perform experiments on it in an attempt to learn the truth of how the universe came to exist, and something went wrong that triggered the first voidout and let the BTs into our world.
  • Timed Mission: Deliveries can have a time limit, which forces Sam to plan out his route to be as short as possible even if it means crossing hostile territory.
  • The Fourth Wall Will Not Protect You:
    • The second trailer ends with Cliff smiling, pointing, and holding a figure to his lips in a "shush" gesture while staring directly into the camera.
    • Sam interacts with the player when sitting in his room in the different ports. If you stare at his crotch too long, he'll punch the camera.
  • Tokyo Is the Center of the Universe: Or, at least, America is. American civilization is used synonymously with human civilization, both in regard to its fall and in regard to its reconnection. It’s true that air travel is impossible now and global communication no longer exist, but no other country is so much as mentioned by name, even to confirm their destruction — even Mexico or Canada, which directly abut the US.
  • Touched by Vorlons: It's eventually revealed that everybody who is a repatriate or afflicted with DOOMS have had their abilities granted to them directly by Amelie.
  • Unexpected Gameplay Change:
    • Cliff's boss fight, as befitting of a character first introduced as "The Combat Veteran", takes place at the end of his World War I-themed Beach and plays much like the average Third-Person Shooter, with both sides of the conflict armed with lethal assault rifles and grenades and using them liberally. This also marks the point in the game where encounters with MULEs play out in a similar manner.
    • Higgs’ boss fight ends in a fighting game-like brawl between Sam and Higgs with a sideway screen and button prompts to beat up Higgs, much like the final fight of Metal Gear Solid 4: Guns of the Patriots.
  • Unstoppable Mailman: Sam. The journey from settlement to settlement is actually difficult, but Sam is a deliveryman who can come back from the dead so nothing will stop Sam from carrying the packages to their destination, retrieve them if they are stolen if need be, but this will have an impact on the state of the package upon delivery.
  • Video Game Caring Potential: Thanks to the asynchronous multiplayer features, players can use structures and items left behind by other players. This means you can build an entire transportation network to make traversal easier across a given region not just for your own benefit, but for other players that may come after you, as well.
  • Video Game Cruelty Punishment: Lethal kills are strongly discouraged since in this world, dead bodies decay into a bunch of chiralium that creates a lethal BT, and that BT can in turn cause a horrible voidout if it gets its hands on a living human. If you do happen to kill someone like a bandit, Die-Hardman expects you to personally deliver the body to an incinerator to dispose of. And if you take a break in a Private Room or whatever before the body's cremated, you get docked a bunch of Likes. It'll also upset BB.
  • Video Game Delegation Penalty: Sam can eventually unlock drones that will perform deliveries for him, but these are way less efficient that he can be: the drones will take more time to complete deliveries and the cargo will invariably get damage, earning him less likes.
  • Vomit Indiscretion Shot: Sam, whenever he repatriates, vomits up a bunch of black gunk similar to that which is found near Beached Things.
  • Was Once a Man: BTs can mutate in rather horrifying ways from their original origin as ghosts.
  • Waddling Head: The delivery drones are a more realistic example of this; they're basically robotic eyes attached to human-like legs.
  • What the Hell, Hero?: If you kill an NPC but visit a private room before cremating them, the facility's staff will dispose of it for you and Die-Hardman will verbally rip you a new one for your negligence.
  • We Will Use Manual Labor in the Future: Despite incredibly advanced technology, packages are always transported between cities by people, apparently by foot most of the time. There's no working road network between cities and the terrain is often too rough even for offroad vehicles. It's mentioned unmanned drones operated by AI existed and were rejected because people insisted these jobs remain for people to do in person, even if it's less efficient. It's also explained that ever since the Death Stranding, humanity has largely lost the knowledge to make advanced drones, and the high levels of chiralium in the upper atmosphere make flight impossible (the timefall would just rust flying vehicles to pieces in seconds).
  • Weird Weather: "Timefall", a supernatural rain that causes anything it touches to rapidly age. It's harmful enough that the packages you carry can be damaged from exposure, so the player will need to use Timefall shelters and cargo-repair sprays to reverse the damage.
  • Would Hurt a Child:
    • Deadman and the rest of the Bridges staff have no qualms about incinerating Igor's "defective" Bridge Baby after his death, especially since its apparent failure in the prologue led to an entire city getting wiped out by a voidout. Admittedly, given that Bridge Babies are apparently not capable of surviving outside their pods, it leans toward a Mercy Kill. Either way, the arrival of a multitude of BTs quickly change the plan.
    • During an altercation with Higgs, BB blocks a couple of bullets aimed at Sam using the odradek. Higgs responds by firing a couple of rounds right into BB's pod. Luckily, she comes out alright.
  • World Limited to the Plot: The UCA and BRIDGES focus on reconstructing America, while the cast can only wonder about the state of the rest of the world during the Death Stranding. Given that America's various settlements aren't even in contact with each other until Sam connects them, we can assume contact with the rest of the world has also been cut off (if not already dead) too.
  • Year Inside, Hour Outside: Upon Sam's first visit to the World War 1 Beach where he battles Cliff, he finds out that while his experience lasted possibly hours, to those outside a second or less had passed. Heartman theorizes time basically stops for those on the Beach.
    • A moment of Fridge Horror occurs when you realize that the 3 minutes Heartman spends dead every "go-around" could potentially be hours, days or weeks to him.
    • Another moment occurs with Sam at the Beach credits sequence where a whole month outside had passed. How long had passed in Sam's subjective perception of time on the Beach?
  • Zombie Apocalypse: Played with. The dead are rising from their graves, but the "zombies" are actually insane ghosts, and they have far more... surreal effects than eating your flesh.

... An explosion that will be our last.

Video Example(s):


Beached Things

The Beached Things (or "BTs") are ghostly things that manifested on Earth after the Death Stranding.

How well does it match the trope?

4.83 (6 votes)

Example of:

Main / UndeadAbomination

Media sources:

Main / UndeadAbomination