At its core, this trope transpires when a character's logic and train of thought run on Romance Novel conventions.
In its most severe cases, one character is totally in love with another and the idea of confessing his/her feelings sends said character directly into full blown delusions of grandeur about returned affections. The character tends to think of romance in completely idealized terms, and their train of thought plays out like the summary of a category romance novel.
Marks of this in animation include an Art Shift, a misty border if not a misty filter over the entire frame, symbolic surroundings (color background, roses, fireworks, etc), and a liberal coating of Bishie Sparkle for the characters to stare at one another adoringly through. Arguably it is much more fun to see characters thinking like romance novels in animation than anywhere else if for no other reason than these overblown delusions.
In live-action works or literature, it is more common for the mental image to be implied while the character
rambles soliloquizes about how the love scene will turn out, or for the other characters' actions to reveal their Romance Novel idealism.
- Ranma ½: Rumiko Takahashi not only loves giving her characters overblown romantic fantasies, but also idealized visions of victory, etc.
- Ryōga certainly thinks in these terms about half the times he dreams about confessing to Akane.
- During the Gambling King arc, Ukyō makes a bet with Ranma that if he lost against the Big Bad, he would become her partner in a business venture... in the Siberian Tundra... where he would inevitably have a Love Epiphany, and midst the desolation of the landscape their love would blossom. If that's not a Category Romance fantasy, we don't know what is.
- Tatewaki Kunō has these fantasies a lot... usually with two women throwing themselves at him (which, according to his Self-Serving Memory, puts his fantasies in the genre of Nonfiction).
- Kodachi Kunō as well, though her fantasies appear to be a bit more intimate.
- Happōsai's fantasies tend more towards erotic fanfiction than category romance, though he's had his moments.
- Hikaru Gosunguki tends to daydream along the lines of Romance Sitcoms whenever he thinks about Akane.
- Despite being a "Chinese Amazon", Shampoo has also fallen for this trope. She has multiple fantasies about Ranma in a "white knight" or other romantic film/novel protagonist role with her, and has even gone so far as to set herself up as a Deliberately Distressed Damsel twice in hopes of enjoying Ranma being her strong protector for once.
- Black Butler anime has Grelle Sutcliffe, who thinks like this about Sebastian. This has gone to the extent of Grelle yelling that she wants to have Sebastian's babies, complete with roses and sparkles (and a disgusted Sebastian). It's even used to get assistance from Grelle by promising her things such as an entire day to do whatever she likes with Sebastian, or an opportunity to take pictures of Sebastian in sexy poses.
- In Black Cat, Kyoko has a scene like this where she imagines herself confessing her love to Train.
- Kyouko from Skip Beat! lives and breathes this trope. She thinks straight out of classic fairy tales, though. Though there might be some overlap.
- From D.N.Angel we have Daisuke who thinks this way about Risa Harada, and Risa Harada who thinks this way about Daisuke's Superpowered Alter Ego Dark.
- From Flint the Time Detective, we have the Anne Rice Vampire wannabe Merlock, who has such fantasies about the female lead Sara. Kind of squicky when you take into account that she's about ten, his age as a Dhampyr is skewed, and during an episode where Sara was sized up without Magic Pants he saved her modesty by magicking up a Playboy Bunny costume for her. And took lots of pictures.
- In Junjou Romantica it happens to a couple of characters. In Misaki's case, it involves Usami being a pervert (and then the exact thing happens), while in Nowaki's case, it was about Hiro-san being acting like a housewife (not a chance).
- Midori Days: Ayase is very influenced by the shoujo manga she reads, to the point where whenever she imagines her romantic moments with Seiji, he's suddenly a Bishonen and harpsichord music plays.
- One Piece:
- In the anime, Boa Hancock does this for Luffy at the beginning of every episode while they're on the boat in transit from The Island of Women to Impel Down. Actually a Justified Trope: from age 12 to 16, Hancock (alongside her sisters) was subjected to a horrifying Break the Cutie ordeal that severely stunted her social skills.
- Sanji does this at all times. Notably, during the Water 7 arc he imagines he and Robin dancing in a fairy tale-esque setting.
- Ouran High School Host Club:
- The hosts act the way they do because they know this is the way their clients think. Though, Tamaki seems rarely to think in a manner that isn't straight out of some category of Romance Novel.
- On a related note, Renge seems to have trouble at first in grasping that the world doesn't act like a Dating Sim-Game.
- In Sailor Moon, the eponymous character has a number of these fantasies about Tuxedo Mask, sometimes involving the arcade guy or the Moonlight Knight for good measure. She seems to slip into these fantasies at least once every couple of episodes in the first couple of seasons.
- Tanaka of Wasteful Days of High School Girls comes up with extremely off-the-wall scenarios where she conquers boys and men, which show her complete lack of experience with the opposite sex. Every interaction ends up with the man uttering the same phrase about her:
-What an interesting woman!
- In Yu-Gi-Oh! Season 0 and the manga, Hiroto Honda (Tristan Taylor) goes into this trope in spades regarding Miho Nosaka. He goes off on a fantasy/rant about them together almost every time he talks about/to her.
- A Durarara!! April Fools story reveals that Erika's inner-narrative, when it comes to the subject of Shizuo and Izaya, is written entirely in Mills and Boon Prose.
- In one episode of My Wife Is a High School Girl , Asami simply walks into a store and has a marriage proposal a few minutes later. The shopkeeper certainly saw her in a favorable light—slightly blurry, with sparkles and roses all around.
- In Fairy Tail, Juvia does this a lot in regards to Gray. Somewhat more understandable than other examples since she's also very naive in regards to social interaction.
- Literature Girl from Daily Lives of High School Boys seems to think this way concerning her crush Hidenori — in fact, her crush with him is out of her desire to re-enact her love novel. Hidenori, meanwhile, doesn't want anything to do with her — in one skit he prefers Potty Failure to being seen by her!
- Kiku in Genzo, whenever she daydreams of she and the titular Puppet Master together.
- May Chang of Fullmetal Alchemist does this in regards to her incredibly exaggerated idea of what Edward Elric looks like. After she meets Ed in person and learns how obnoxious he can be, she shifts her affections (and imagination) to Al after hearing a slightly exaggerated description of his human body. When they meet again up north, Hilarity Ensues, especially when she meets Winry.
- Ryoko constantly exhibits this thinking in the manga and OVA versions of Area 88.
- Misa Amane of Death Note falls victim to this, and it's rarely Played for Laughs after she manages to fall for the handsome, charming, clever Light Yagami... who is, in actuality, the Serial Killer Villain Protagonist in this Psychological Thriller, and who treats her like crap because he firmly believes Love Makes You Stupid and women are useless.
- Sayaka Miki from Puella Magi Madoka Magica. She uses her wish to heal Kyosuke's arm, but it backfires - instead of the two of them getting together, Kyosuke goes back to devoting his attention to his music, and the more she learns about what she's let herself in for as a magical girl the less she feels able to pursue her feelings for him even when Hitomi delivers an ultimatum meant to urge Sayaka to make a love confession. It doesn't end well.
- Hanano from Chihayafuru Thinks Like A Shoujo Manga, initially seeing herself as the Hollywood Homely romantic heroine, Taichi as her popular guy love interest, and Chihaya as the Rich Bitch rival. Unfortunately, this makes her Wrong Genre Savvy, as Chihayafuru is actually a Josei Game Manga, and Chihaya is the heroine.
- In The Devil Is a Part-Timer!: High School, a scene where Ashiya and Emi argue is contrasted with Chiho's perspective of the same event. It is very different from reality.
- Marika from Bokura no Hentai thinks like she is in an idealistic 70s shoujo manga. Unlucky for her she is not. For example, when Ryousuke grabs her hand and pulls her to a secluded area of the school she thinks it's romantic at first. This is until he threatens to kill her if she tells anyone his secret.
- Jun of The Anthem of the Heart thought of the world as a fairytale when she was younger. This only set her up for psychological trauma when her parents got divorced.
- In Comic Girls, the Shōjo artist Koyume has this mindset, to the point that her peers call her the "walking shojo manga."
- Invoked in chapter 2 of Musashi-kun to Murayama-san wa Tsukiatte Mita. When she starts dating Musashi, Murayama tries reading through her collection of romance manga to figure out how romantic couples are supposed to act. Unfortunately, all the stories end with the confession, so she has no idea what comes next.
- A flashback in Miss Kobayashi's Dragon Maid featured a bandit who mentioned that her dream was to become a maid and hopefully fall in love with her master.
- Rumi Asai of Mousou Shoujo Otakukei is in fact in a love story, but her only knowledge is from the wrong sub-genre: Boys' Love. So however much Abe says he loves her, she continues to believe that his real love is his best friend Chiba (and seeing them together, it can certainly look that way) and all his protestations of love to a girl are the phase before he accepts his homosexuality. Even when an actually gay boy becomes involved, he is very different from what Rumi imagines.
- In Bloom Into You, Yuu tends to think about love along these lines, having gotten much of her understanding of it from love songs and shoujo manga. She imagines love to be some kind of overwhelming feeling, so when she doesn't feel anything after a guy confesses he has a crush on her, she ultimately decides to reject it. She does appear to be falling in love with her crush, Touko, but because her feelings don't match up with what she thinks love is, it takes her a while to realize it. While Yuu is genuinely brokenhearted after Touko seemingly rejects her Anguished Declaration of Love, Yuu wonders if she ever truly loved Touko, since she doesn't feel as overtly upset as her friend Akari was after Akari faced something similar.
- The yuri pastiche The Lady Is a Romcom Protagonist! has the main character become this, but she uses shonen manga for her fantasies instead of the typical shoujo. As a result, everyday encounters at her One-Gender School become wrought with made up scenarios straight out of the Ecchi and Harem Genre playbook.
- Malon has this viewpoint in The Legend of Zelda: Ocarina of Time. She sees herself as a tragic maiden who needs a prince to whisk her away from her life as a farmgirl. Malon initially declines Link's rescue attempts until she realizes he's grown up a lot in seven years.
- Kaguya-sama: Love is War:
- Miko dreams of a man - a prince - who is always looking after her, understands how she feels and comes to her rescue when she is in distress. Both Fujiwara and Shirogane point out that the man Miko is looking for only exists in her dreams. The Dramatic Irony is that there already is such a person in her life that fits her ideals, and has the same idea of justice and altruistic love that she has. She just doesn't see the kindness Ishigami has shown to her. When she starts to see, she doesn't realize that she's starting to love him.
- "Today Will be Sweet" temporarily turns people that read it into shoujo romance caricatures of themselves, complete with Art Shift. The only character who has proven to be immune to it is Karen, and that's only because she's already in that mindset 24/7.
- Wakamatsu in Monthly Girls' Nozaki-kun often uses tactics only seen in shoujo manga in order to solve his problems with Seo. Since he's in a manga parodying the genre instead of playing it straight, they tend to backfire (for example, writing a challenge letter that turns out more like a love confession). He's also not trying to romance Seo which further makes his preferred sources rather illogical.
Wakamatsu: Senpai...where did I go wrong...?
Nozaki: ...Probably from the moment you started using shoujo manga.
- The DCU character Flamebird appears to think this way: Themed Weapons + Costume + Vigilantism = Instant Relationship with Superhero Crush!
- Harley Quinn exhibits this constantly, idealizing and thinking of her abusive, co-dependent relationship with The Joker as a storybook romance.
- A bit character (the old lady parishioner) in the Immortal Hulk's 3rd issue has this affliction, so her parts of the story Art Shift into a romance comic colored fully pastel, with the villain as a Pretty Boy sparkles included, random flowers, and dramatic posing.
- Bella, from the Twilight fanfic Luminosity, deduces that attraction between two vampires is always symmetrical, mutual and exclusive because vampirism has the odd quirk of conferring the hallmarks of romantic fiction to anyone afflicted by it. She realizes that if she chooses to become immortal then she will also be choosing to be inescapably in love with someone she doesn't even know or like.
- For SpongeBob SquarePants there is this comic. Thinking like a romance novel at its best.
- Ginny from A Very Potter Musical appears to think this way. A lot. She even has a song about it.
- This trait is commonly assigned to Rarity in My Little Pony: Friendship Is Magic fanfics.
- Rarity in The Unexpected Love Life of Dusk Shine, she strongly believes that Dusk is her prince charming and they are destined to be together. Pinkie Pie thinks that she is the first girl.
- In Flash Fog, Rarity inadvertently starts a Love Dodecahedron because of her efforts to try and get Fluttershy to respond to Pencil Pusher's crush. She even complains when Applejack, upon taking one look at the situation, drags all four mares involved into a private room and spells out what the situation is for everyone to be cleared up. Applejack deconstructs this trope and explains why it's a bad thing to act this way by pointing out that romance novels deliberately present unrealistically "dramatic" stories of love because more realistic stories tend to be shorter and more boring, so anyone trying to follow the "rules" for a romance novel in real life is setting themselves up for a lot of heartbreak and disappointment.
- In Absolute Anonymous's Shipping Goggles, Rarity constantly interprets her friends' most minor actions as signals that they are deeply in love with each other, much to their chagrin. She's right about Pinkie Pie and Rainbow Dash, though.
- Justified in A Teacher's Glory: Ino uses experience with romance novels to judge whether Tamaki is just a retainer, or on the way to becoming mistress of the manor. Judging by the lack of jewelry and gifts, Ino correctly deduces that Tamaki and Sasuke, the Uchiha Head are not sleeping together.
- In Sanctuary (TLOZ), Malon thinks like a fairy-tale. However, when Malon finally realizes that Sheik is actually the princess Zelda, she mentions that "the storybook ended" and she has to go back to reality. This is subverted when Zelda comes back to her.
- Both Adrien and Alya have this problem in The One to Make It Stay:
- Adrien sees himself as a Dogged Nice Guy who absolutely deserves to date Ladybug. They're meant to be partners, after all! Never mind how he constantly ignores her asking him to stop joking and flirting around so much and take their duties more seriously, or how she keeps insisting that she doesn't feel the same way about him... so far as he's concerned, she's just being stubborn and unreasonable, and needs to get with the program already.
- Alya, meanwhile, is a dedicated supporter of Marinette/Adrien and Ladybug/Chat Noir. She's so convinced that she understands Mari's heart better than her BFF does that she keeps strong-arming her into Zany Schemes to try and win Adrien, and when Marinette tells her flat-out that she's given up on him and is dating Luka? She promptly accuses her of only doing so to make Adrien jealous, failing to understand why that outrages her so much. Then there's the the stunt she pulls with the Oblivio footage... and her decision to attempt an Operation: Jealousy of her own by having Lila date Adrien, without clearing that with Lila first. Assuming that Lila wouldn't mind getting together with Adrien for the sole purpose of helping Alya hook him up with Marinette later.
- Fate/Black Dawn: Of all people, Morgan le Faye suffered from this. As far as she's concerned, her Fatal Flaw is that she falls in love easily, holds her partners to an impossible standard, and then lashes out when they fail to live up to it. It says something that the only person she considers to have lived up to her standards is King Arthur. Of course, she also hates the King with a burning passion for "stealing" the throne; Morgan is complicated. By the time Shirou shows up, she's mostly moved past this and has no trouble viewing him objectively instead of holding him to an impossible ideal... and then he lives up to that ideal anyway.
- A Nuisance Though Thou Art has a murder mystery novel variant, when Sibenar learns about Maia's guardian suddenly dying and immediately starts to spout guesses about suspects and killing motives. His sister has to yell at him for making him stop.
- Rayna and Rayla from Barbie: Mariposa. They want to marry the Prince and think his being locked away is romantic.
- Princess Anna from Frozen thinks in conventions very similar to most early Disney Princesses: hitting it off with one person after a single night is enough to convince her that they're soulmates. Prince Hans, the guy in question, is anything BUT a good prince, and manipulates this way of thinking for all it's worth in a bid to get his hands on the throne of Arendelle for himself.
- The Princess and the Frog: Charlotte has wanted to fall in love with a prince and become a princess since she was a little girl.
- In The Princess Diaries, Anne Hathaway describes what her perfect first kiss will be like.
- In Sweeney Todd: The Demon Barber of Fleet Street, Mrs. Lovett's entire scene for "By The Sea".
- Hellboy appears to be a big ol' softie for a romantic storyline with his girlfriend like any Romance Novel addict. Arguably, since in the second movie she essentially condemned the world to save Hellboy, Liz Sherman has Romance Novel ideals in the form of "Love at any cost."
- In High School Musical, Zeke appears to have something like this train of thought—he was true to himself, so of course the girl he likes will return his affections! If not, there's always other ways...
- In a deleted scene from Serenity, Inara is having a conversation with another Companion School instructor, revealing that many apprentice companions believe Inara and Mal had quite a lemony love story going on.
- Chet Keefer, in the film The Marrying Kind is annoyed by his wife's view on love and marriage, and thinks she is too influenced by romantic films.
- In Sky High (2005), the main character has one of these moments when he first sees the Student Council President, that song plays and everything faces away. True love, no doubt about it.
- Played with in Sleepless in Seattle. It was lampshaded with Rosie O'Donnell's line "You don't want to be in love. You want to be in love in a movie." However, little did she know, Sleepless In Seattle is itself a romantic comedy, so it turns out Meg Ryan's character was actually Right Genre Savvy.
- Tom in (500) Days of Summer, who insists on imagining Summer as a Manic Pixie Dream Girl against all evidence to the contrary, and gets his heart broken as a result.
- Giselle in Enchanted thinks like a Disney fairy tale romance is the most natural thing in the world. But then, she's literally from an animated fairy tale universe and has to spend most of the film adjusting to life in the cynical reality of New York. Said cynical relaity is still part of a greater Disney fairy tale, though, so it manages to work out.
- Anne of Green Gables: Anne, especially as a teenager. She has an overactive imagination as it is, but add in a hopeless romantic streak and one too many romance novels, and you get some of the funniest moments in the series. As she gets older, however, her idealized notions of who she wants as a partner and what being in love is supposed to feel like start working against her. She is oblivious not only to Gilbert's feelings for her, but of her own growing feelings for him. She suffers a painful reality check near the end of Anne of the Island, when she realizes she isn't in love with the man who fits her ideals, and is in love with the man she rejected for not fitting her idealsthe same man she might lose forever.
- Artemis Fowl: Artemis's alter ego, Orion seems to believe he's the hero of a Romance Novel.
- Caroline B Cooney has a books series that begins with Both Sides Of Time. It is about a girl from our century named Annie Lockwood who dreams of finding romance in a past century when women wore gowns and danced with handsome gentlemen at balls. She gets her wish and transports back to the Victorian era, though there is drama to be had.
- Jane Austen's Emma is perhaps literature's best example, though her Romance Novel thoughts typically center around the people she's playing matchmaker for. Considering that the novel was a satire of thinking like a Romance Novel, it only makes sense.
- From Inkheart, literal Arab Expy Farrid thinks this way about Meggie, even to the point of after their first kiss proclaiming they will get married. It doesn't work out. Really, Meggie?
- One father in Judge Dee blames his daughter's reading of great love stories for her behavior, refusing to take a husband who isn't "just right."
- Madame Bovary's title character is another classic example. She loved a sentimental novel even before going to a convent in her early teens, and while at the convent, romance novels were passed around by the girls, and she believes love can only exist in the grandiose, sentimental way. She ruins her marriage (and life) for this.
- In the novel Mort by Terry Pratchett, there is Ysabel, who goes into the room with the books of life writing themselves to read all the real-life stories of tragic love that there are, and these stories form the basis of her understanding of romance.
- While a lot of Pratchett's younger female characters have this problem, it's subverted in Unseen Academicals: Glenda secretly reads pulp romance novels as her only known form of recreation, but she's not convinced and ultimately doesn't let them mislead her in her own life or her advice to others. In fact it's the opposite; she eventually decides she's being too practical and hard-headed, especially in her advice to Juliet. She's still not convinced, but she's willing to meet romance tropes halfway.
- Subverted in Wintersmith: The Nac Mac Feegle provide Tiffany with a romance novel to help her with the wintersmith... and she thinks all the characters should just be more sensible.
- The Gordon family in Snuff who are a parody of the Bennetts, except Jane, who is an homage to Austen herself. Their understanding of how the world works is upended by Sam Vimes, leading to the other daughters getting jobs instead of hanging around waiting for a man who'll accept their meagre dowries, and Jane deciding to write crime thrillers instead.
- Tomoya of How to Raise a Boring Girlfriend is easily moved to tears by romance stories, but Oblivious to Love in real life. After a "fateful encounter" with a girl in his class, he is convinced that she would make an ideal love interest, and ropes her into joining a team to create a Visual Novel with her as the heroine. He soon becomes frustrated that Megumi is a subdued and boring girl compared to the fictional characters he's used to, or even to the other girls on the development team, and the story goes through multiple revisions as he struggles to express why despite being boring, he still considers her his "ideal heroine". Naturally, Tomoya is the last person to figure out that it's because he's genuinely in love with her.
- One R.L. Stine novel involves a heroine with perhaps a tenuous grasp on reality, as she typically has fantasies about being more assertive and attractive than she is, and stealing her love interest away from his Rich Bitch girlfriend.
- Michael from the Knight and Rogue Series manages to do this while also being able to use normal logic (or as much of that as he usually could.) He thinks that his love for Rosamund will overcome the barriers between them, but when she falls for another traveler he decides to help her, figuring that when she sees what it's like outside her pampered home life she'll give up on him.
- In Twilight, Bella always compares her situation to romance novels or theater, varying from book to book (Romeo and Juliet, Wuthering Heights).
- Deconstructed in A Song of Ice and Fire when Sheltered Aristocrat Sansa Stark is betrothed to Prince Joffrey. She expects everything to play out like a courtly romance, but then suffers a horrible Trauma Conga Line partly because of her idealism. She grows out of it.
Petyr Baelish: Life is not a song, sweetling. Someday you may learn that, to your sorrow.
- The Count in Pan Tadeusz wishes his "enemy" (it's largely in his head) had a beautiful daughter or wife for the Count to be Star-Crossed Lovers with. He's an artist. It's a thing.
- Ulysses does this in the infamous "Nausicaa" chapter. The first half is narrated by a simple young woman named Gertie MacDowell as she spends a carefree day at the beach with her girlfriends and contemplates a mysterious stranger gazing at her from the far end of the beach; her narration is written in a sappy, florid style that parodies romance novels of the 1920s. Then in the second half, it's revealed that the mysterious stranger is actually the protagonist Leopold Bloom, and the writing style completely changes as it switches back to the perspective of a world-weary adult man. Subverted, though, in that it's left ambiguous whether the first part was actually from her perspective, or just Leopold trying to imagine the thoughts of a young woman.note
- In the book version of The Princess Diaries, Mia has tendencies toward this (and later writes romance novels herself) but a lot of it comes from being friends with Tina Hakim Baba, who is explicitly stated to think this way throughout the series.
- Tina: I dont know. But I do know that Michael loves you, and thats all that matters!!!!!!!Mia: (narrating) Everything is so simple in Tinaland. I so wish I lived there instead of here.
- The entire push of You is how Joe sees himself as the main character of a loveable nice guy just looking for love and getting into rom-com situations. The audience is able to see the truth: That Joe is a sociopathic stalker whose beliefs push him to murderous actions but keeps seeing himself as the hero.
- Neal Caffrey from White Collar may be charming, intelligent, and sly, but he's also somewhat of a hopeless, diehard romantic. After all, this is the man that committed increasingly elaborate crimes to catch the attention of the woman he loved, went to prison because he walked straight into a trap to see her again, broke out of prison with three months left on his sentence to go after her, and countless other things, both for Kate and the women after her.
- From Babylon 5 we have Marcus Cole, who out of idealism for love refused sex, and then fell in love with Susan Ivanova. Unfortunately, his Heroic Sacrifice and her bad timing is one of the reasons why All Love Is Unrequited.
- The Adventures of Brisco County, Jr. has a Historical Romance Novel right in the middle of the plot basically any time the eponymous Brisco interacts with his Love Interest Dixie Cousins. Whether this was the writers or characters thinking like romance novel plots is debatable.
- Buffy the Vampire Slayer:
- For a short period near the end of Season 6, Spike seems to believe that his relationship to Buffy is the plot of a Gothic Romance Novel. That whole attempted rape thing really puts a damper on their relationship at the beginning of Season 7.
- And in Season 5 Spike follows the conventions of Courtly Love; justified given his past as a Victorian-era wannabe romantic poet.
- And sixteen year-old Buffy with Angel.
Angel: I'm just tryin' to protect you. This could get outta control.
Buffy: Isn't that the way it's supposed to be?
Angel: This isn't some fairy tale. When I kiss you, you don't wake up from a deep sleep and live happily ever after.
Buffy: No. When you kiss me I want to die.
- Kaylee from Firefly seems to think this way when it comes to Simon Tam — even trying Beautiful All Along (though it was more for her benefit), Through His Stomach (though she seems to cook for the whole crew a lot, and being his best friend (resting her legs on his lap).
- In The Magnificent Seven TV series, the character Casey Wells is introduced as an injection of estrogen and love interest for upstart-youth J.D. Dunne. Her crush and idealism are so strong that she enlists the aid of Buck Wilmington, the group womanizer, for a Beautiful All Along gambit.
- In Roswell, Liz had more than a few elaborate fantasies about her Love Interest Max coming on to her. They were very nice strawberries...
- In the Star Trek: The Original Series episode "Who Mourns for Adonais?" the eponymous Adonais has everything lined up to be the Marty Stu hero of his own Romance Novel, pretty little Yeoman and all. It doesn't work out.
- In the reboot V (2009), it would seem that the heroine's son who's unknowingly dating Cthulhu's daughter seems to think that he's just in some cross-cultural successful love story.
- On Gossip Girl Blair Waldorf Thinks Like A Romantic Movie, or more specifically romantic films of the golden age Hollywood variety. To the point where her ex-boyfriend thinks the most romantic thing he can do to win her back is give her an ultimatum a la An Affair to Remember.
- In The Office (US), this is one of the main culprits of Michael's personal failures. He consistently tries to live up romantic tropes but ultimately this is doomed because This Is Reality. Until he marries Holly, anyway!
- Subverted on Hot in Cleveland. In the first season, Melanie's ex-husband shows up and they go out for part of the episode. He decides to go back to his ex (whom he left Melanie for), and Melanie runs to the airport to catch him. An airport employee even lets her through and there's a lot of talk about the trope. She then proceeds to tell him off. Melanie, never swears.
- Lorna Morello of Orange Is the New Black is obsessed with West Side Story, Twilight, and gossip magazines, and spends most of her time in prison planning her perfect wedding with her perfect fiance, Christopher. In reality, they went on one coffee date before he broke things off, and she's a delusional Stalker with a Crush who's in prison for threatening him and his actual girlfriend.
- The point of Crazy Ex-Girlfriend is how Rachel sees her life as a grand romance novel or film, not quite getting how incredibly crazy she comes off as her "romance" of her ex is just stalking.
- Cheers: One of the many, many, many problems between Sam and Diane is that Diane thinks like this, hoping their relationship will be a tale for the ages, ending with them dying in one another's arms, while Sam generally doesn't. Diane doesn't tend to take it well.
- Anytime "True" by Spandau Ballet plays, you can be sure that it's an indication of this.
- "Love Story" by Taylor Swift is what Romeo and Juliet would be like if it were a YA Romance Novel instead of a cautionary tale. The more you know.
- Psychostick's "It's Just A Movie, Stupid" features its lead singer discouraging his audience from following this line of thought in the bluntest, most vulgar way possible. It also acknowledges the typical gendered scenarios for the men and women who hope to invoke this trope in their love lives.
- The music of HIM is all about love, so it's natural this attitude may crop up from time to time in their lyrics. That being said, there are songs that are really just commentaries on this way of thinking (e.g. "Soul on Fire"), or deliberately insert lovesick narrators who do think this way into situations where things obviously aren't working that way (e.g. "The Face of God", which appears to be about a Love Martyr).
- Gordon Lightfoot references this trope in 1970 Break Up Song "If You Could Read My Mind":
If I could read your mind, love, what a tale your thoughts would tell
Just like a paperback novel, the kind that drug stores sell
When you reach the part where the heartache come, the hero would be me.
Heroes often fail
You won't read that book again because the ending's just too hard to take.
- Harriet from Dawn of a New Age: Oldport Blues, rather surprisingly given her personality, has been greatly influenced by Visual Novels when it comes to her ideas of romance. Before he mysteriously disappeared, she was more than happy to ignore David's obvious faults and instead see him as the sort of handsome, aloof character that would whisk her away from her worries.
- The villain Tenderheart from Dark Champions believes in the delusion that life works like a romance novel and her criminal career is based around the idea that a superhero will fall in love with her.
- In The Man of Mode, Mrs. Loveit thinks this way, despite the fact that the man she's in love with, Dorimant, plays the field and is a trickster. Played for Laughs
- Fiddler on the Roof toys with this in the song "Matchmaker".
- In Reefer Madness, the musical, High School Sweethearts Mary and Jimmy have not yet finished their coursework for Romeo and Juliet. They believe that the two will get married, "have a baby, and make lots of friends!"
- Tsubaki Yayoi in BlazBlue, which makes the circumstances of her More Than Mind Control and Mind Rape induced FaceHeel Turn all the more tragic. This is clearest (and funniest) in Bang Shishigami's joke ending, when she ends up "helping" him propose to Litchi... via trying to stage a Shotgun Wedding, which makes Bang himself go all "WTF?!"
- Granblue Fantasy: Korwa is obsessed with the idea of happy endings, and often tries to orchestrate melodramatic or cliched scenes into happening. This does have a more positive angle as well, however; she's the one, alongside Tweyen, who gently encourages Carren to get in touch with her parents and try to understand their position, because she knows that Carren permanently falling out of contact with her parents can only lead to regret later in Carren's life.
- Elphelt Valentine in Guilty Gear Xrd -SIGN- never changes out of her stylized wedding gown and frequently launches into lengthy tirades about how wondrous married life with her defeated opponents (or their friends) would be.
- One stage in Osu! Tatakae! Ouendan 2 has Christine Kamogawa, an actual romance novelist who draws inspiration from her wild Imagine Spots.
- The Sims 3 has Sims with the "Hopeless Romantic" trait.
- Lunar: Eternal Blue:
Bar Wench: Right now, I'm just a lousy, stinking bar wench, but one day my knight in shining armor will ride through those doors and sweep me off to a new life with shimmering palaces and dazzling wealth...
Ruby: Uh, I think you'd better lay off the romance novels for a while, sister... Fabio ain't comin' for ya, I'm sorry to say...
- Yakuza: Kazama Kiryu, though using a more classical definition of "romance". He believes in a heavily romanticized version of the Yakuza, and tries to embody this ideal of an honorable enforcer who does what is just even when the law disagrees. However, the games portray Yakuza activities much like reality: thugs and strongmen for organized crime, with just enough standards the law leaves them alone more often than not. A good deal of drama is wrung from Kazama's worldview being completely incompatible with the reality around him.
- In Stardew Valley, this is Elliot's shtick. He's a dreamy, romantic writer with a romanticized vision of just about everything, he constantly talks in a flowery and overwrought way, and if you decide to romance him, he constantly uses poetry and glittery metaphors in order to describe his affections for the player character and even takes them on an Old-Fashioned Rowboat Date. He can even potentially even write a romance novel dedicated to the PC, whether or not they decide to date him.
- In Rune Factory 4, Porcoline is like this towards the Player Character. He has a massive crush on them regardless of their gender, and is convinced that they're madly in love with him as well and that they're going to sweep him off his feet. If you make a Platonic Declaration of Love towards him, he even interprets it as a marriage proposal and tries to carry them off to get married right that second. Since he's not an actual Love Interest for the PC, however, he's never successful.
- In the Mass Effect franchise:
- Tali, perhaps not surprisingly, has moments of this if you romance her. She deliberately plays up the Rescue Romance trope since Shepard's saved her life so many times, saying that she can't imagine why a sweet young woman would fall for the dashing space captain who rescued her. In the third game's Citadel DLC, it's further revealed that her favorite movie is an Interspecies Romance love story... and she's been stealing romantic dialogue from it in order to woo you. It's played mostly for awkwardness, and if you tease her about it, she notes that "You're not complaining."
- Garrus shows signs of this on his romance path. In his case, it's less that he has an idealized version of love and more that he has no idea how human relationships work and is implied to have been watching romance vids for pointers. This is especially obvious in the Citadel DLC, where he and Shepard decide to have a pretend first date, and he reveals that he's been taking very real dance lessons in order to impress her. Like Tali, this is mostly intended to make him endearing.
- Contract Demon: It's downplayed, although Eleni was hoping for a romance between her and the demon she summoned, she didn't genuinely expect to develop a crush on Kamilla.
- Ace Attorney: Pearl has a tendency to see things this way, spending most of the original trilogy believing Phoenix was her cousin Maya's "special someone". Played for Drama in that she thinks this way because she grew up in a village with a ridiculously high divorce rate - it's implied she's never seen a relationship that worked, leading her to romanticize romance.
- In Step 1 of There she is!!, Doki imagines Nabi in this way, and continues with the mindset throughout the series.
- Ensign Sue Must Die: This trope fuels nearly everything Ensign Sue does. She freely imagines everyone she chooses is in love with her, and that she will have a relationship with them that will conform to her expectations. She also happens to be a Yaoi Fangirl, and wants to get Kirk and Spock into a torrid gay romance with each other (once she's "taught them", of course).
- Jareth in Girls Next Door thinks like a shipping fic when it comes to his relationship with Sarah. So yes. He genuinely expects things like a fight with her ending in an anger fueled make-out session. Sarah's opinion about this is pretty much: "Eurgh. Whatever you've been reading, you shouldn't be."
- Girls with Slingshots: Tucker had the wrong idea about stalking here.
- Kimchi Cuddles: Amalthea's idea of telling her ex she still has feelings for him involves bookmarking a poem with a piece of ribbon torn from her dress, and leaving it out in a bookshop in the hope that he'll notice. Kimchi explains to her that that doesn't count as "talking to him".
- MegaTokyo: Ping, for understandable reasons. As a Robot Girl designed for non-porn Visual Novels, she basically is a romance novel.
- The Order of the Stick:
- Tsukiko has this mixed with two other tropes — Wrong Genre Savvy and Insane Troll Logic. First, she thinks that because Living Are Bastards, then the Undead, as the antithesis of life, must actually be good and just misunderstood. This makes her act like she lives in a romance novel with strong Twilight overtones, not in a fantasy setting based on Dungeons & Dragons. Because of that, she considers Xykon to be this perfect man who will finally fall in love with her, and sees Redcloak as nothing more than his cowardly loser sidekick who gets between them and who she can humiliate without consequences. Finally, Redcloak decides to prove to her that a) she is wrong about the undead and b) underestimating him is a very bad idea.
- Therkla, Kubota's assassin, falls in love with Elan at first sight, writes about it in her journal, and is willing to betray her master if Elan will become her boyfriend. Her prequel story shows that she is an avid reader of trashy romance novels, even though her job rarely gives her time to read them before someone else spoils her.
- Ms. Intimidating Cow Monster in Rhapsodies seems to think a relationship can fix a man's problems.
- In Weak Hero, Lily's got it in her head that her beautiful, aloof classmate Gray is a pitiable soul in dire need of protecting from all of the cram school's bullies, and that it's up to her to be his protector. The truth is quite the opposite. H's a Bully Hunter who instils fear in anyone who crosses him.
- My Little Pony: Friendship Is Magic:
- In the episode "The Ticket Master", Rarity is certain that going to the Grand Galloping Gala will play out just like a fairy tale, with her introduction to the country's most eligible stallion (the princess' nephew) who instantly falls in love with her and marries her after a whirlwind romance.
- When she actually meets the Prince in "Best Night Ever", she tries to make the fantasy a reality. It... doesn't really work out, mainly because the prince in question is a self-centered jerk. In fact, when the mane cast are forced to flee the chaos they've caused at the gala, Rarity loses her glass slipper, and when Pinkie Pie lampshades the obvious trope, Rarity freaks out and stomps the slipper into pieces before continuing. Not that it really matters.
- In Teen Titans, Starfire feels this way about her True Companions, enough to recite novel-length poetry with a brightly-colored floral background.
- Western Animation's champion of this would have to be Looney Tunes' Pépé Le Pew.
- Naturally, with the premise of Tiny Toon Adventures being "Looney Tunes characters mentors a next generation of Spiritual Successor", Pépé's main student, Fifi La Fume, also has this as her chief personality, right down to often reading actual romance novels to pass time.
- Jinora from The Legend of Korra is this way, as her idea of a perfect romance is based on the historical fiction she reads. Considering the sort of universe she lives in, and that she's only 10, stories involving genocidal dragon battles and suicide by volcano qualify as historical romance.
- Played With in Adventure Time: when Lumpy Space Princess was living with wolves she tried to analyze pack dynamics like it was a teen drama, with the wolves "cheating" on their significant others whenever they licked somebody else.
- An experiment in which one group of participants watched a romantic comedy and another group watched a drama found that the group watching a romantic comedy became more idealistic about love and romance.
- A similar study by a University of Michigan doctoral student found that viewing such movies also distorted people's views on stalking behavior, given how frequently such behavior is portrayed as sexy and romantic.
- Very few Romance Novel heroines actually think this way, as it would sort of defeat the black moment of the three-act structure. Their authors, however, are literally paid to invoke this trope but only as part of the writing process. Many, if you sit down and talk to them, have similar ideas about love as most people who don't read romance novels. It's all about selling the fantasy. They're very aware of what they're doing. Just because someone can enjoy a romance novel doesn't mean they can't tell the different between it and reality. Reality has way fewer single billionaires running around waiting to fall in love with the plain girl who doesn't bother with her appearance, but still has great hair and skin.