love wounds and marrs any heart
not tough or strong enough
to take a lot of pain, take a lot of pain..."
Forget life-threatening superheroism, acting Too Dumb to Live, and Tempting Fate. The dumbest, most insane and dangerous thing any hero can do in any media is... falling in love. Dare to love someone else and you set up yourself and your beloved for a plethora of emotional griefs. Love in Real Life is responsible for vast quantities of anguished poetry and tragic literature; factor in all the crazy stuff that happens on TV, and drama and disaster are practically guaranteed.
About to commit permanently? Look for an Anyone Can Die to put a permanent end to the Will They or Won't They? issue. Forget to say goodbye to your beloved that one time? It'll haunt you for the rest of your life. And let's not forget that becoming emotionally attached to one person leaves you open to the stress caused by the villain abducting your beloved or them even being killed off senselessly just to shape you into the Anti-Hero out for Revenge, or at the very least a Heartbroken Bad Ass. Your love is hurt but alive? Don't You Dare Pity Me! — they will shove you away. Or perhaps you'd be their Second Love — if only they and you didn't think Silly Rabbit, Romance Is for Kids!. Love will make your heart go soft and pitter-pattering into the path to be crushed by the cruel forces of fate against Star-Crossed Lovers. Small wonder that so many try to protect their loved ones by dumping them.
If you've got more than one love interest, you've got a headache-inducing Love Triangle or even Love Dodecahedron on your hands. Tread these waters very carefully, lest you be on the receiving end of a Yandere's poisonous affections or a Tsundere's Megaton Punch. Pick one lover and you can look forward to either a Thundering Herd of jilted rivals or the silent shattering of many other hearts. All in the name of comedy, you say? Comedy never became as twisted as it does when dealing with lovers crazy enough to beat down your door, commit trespassing, glomp you, and refuse to let go. And remembering the love interest anywhere you go makes it worse. Could also result in the character being Not Good with Rejection.
And heaven forbid if your love turns out to be one-sided. You'll become a crazy Love Hungry psycho stalker if you don't choose to nobly sacrifice your love. Sometimes you'll even go all the way into a full-fledged villain with a grudge against humanity because humanity was not kind enough to let you have that one person. Sometimes it's even your own creator who decides that you can't get them because he couldn't get her in real life!
Such a fragile illusion... Isn't it?
- Anime & Manga
- Comic Books
- Fan Works
- Live-Action TV
- Web Comics
- Web Original
- Video Games
- Western Animation
- The original version of The Little Mermaid: The mermaid loves the prince and gives up her voice and family to be with him, but he ends up marrying someone else and she turns into sea foam. But a tacked-on Aesop-fuelled ending gives her an immortal (i.e. human) soul anyway. Reputedly fueled by Creator Breakdown. Technically, in the Hans Christian Andersen version, she doesn't get a soul - yet. She get's turned into an air spirit that, after a preset amount of time, will get an immortal soul. As an extra twist, whenever she passes through a house with a well behaved child, she gets a few years knocked off her sentence. Ill behaved children add years. That's right, kids. If you don't eat your vegetables... you're preventing mermaids from going to heaven.
- Pick an Opera, any opera. Aida by Giuseppe Verdi is a good example. Aida, an Ethiopian princess in hiding, falls in love with and is loved by Radames, the general of the Egyptian army. Her mistress, the Pharaoh's daughter is her canny rival. After Radames saves her father, the king of Ethiopia, from certain death after being captured in battle, he brow beats her into fulfilling her "duty" as an Ethiopian to get Radames to reveal the Egyptian's troops' positions, sentencing him to death and dooming them to live apart. It's a "Happily Ever After" ending though; Aida sneaks into the tomb where Radames has been buried alive so they can slowly die together. So yes, the Deus Angst Machina is as integral a part of Opera as humor is to Comedy.
- Fate/stay night:
- The ending of the Fate route exhibits this to a certain extent. Saber dies, and although Shirou manages to get over the loss remarkably well, he says that he will always remember that he loved her Luckily for them, they do reunite in Avalon.
- The Heaven's Feel Normal End, however, takes this trope Up to Eleven. Shirou dies in order to protect Sakura, and she moves into his house and spends the rest of her life mourning him and waiting for him to return to her (he never does...).
- Love, be it platonic, familiar, or romantic, in the When They Cry franchise tends to end in tragedy.
- In Danganronpa, generally speaking, if characters seem to care about someone else, it won't end well.
- In the first game, Makoto and Sayaka get some cute Ship Tease in the first chapter that is then horribly Subverted because Sayaka intended to frame Makoto for killing Leon so she could graduated the killing game, but Leon overpowers her and kills him instead. Makoto then finds her corpse in his shower the next morning. It's also implied Leon had a crush on Sayaka, only for her to pick him to attempt to murder and then he's brutally executed because he killed her before she could.
- Toko is madly in love with Byakuya, who generally treats Toko with nothing but disdain and even uses her feelings for him to manipulate her more than once. Toko's backstory also had her writing a love letter to a crush at school, only for him to publish the letter and show it to everyone, who laughed at her and Toko was bullied even more harshly than before.
- Whether you interpret it as platonic or romantic, Aoi has a complete breakdown when Sakura dies and she barely recovers after the trial, even ranting at the class that they didn't even see her as a human. Ishimaru also goes something like this when he becomes close friends with Mondo and then Mondo kills Chihiro and is executed and he loses the only friend he's ever had.
- The sequel Super Danganronpa 2 also has Fuyuhiko and Peko, who keep their previous association a secret from the other students. When Monokuma reveals that Mahiru helped cover for the girl who killed Fuyuhiko's sister, Fuyuhiko is furious and just when he is about to kill her Peko steps in and does it herself. During the trial, Peko gets the class to vote for her as the culprit, then says she is merely a tool of Fuyuhiko's who has no will of her own, making him the real killer, hoping to spare him from the game. Fuyuhiko then faces a doozy of a Morton's Fork - either he can agree and take credit for the murder and walk out of the killing game, confirming to Peko he never cared for her, or he can deny he only thought of Peko as an object, stay trapped in the game and live with the fact both his sister and Mahiru are dead. Either way, Peko dies. He chooses the latter and tries to save Peko from being executed, but fails and loses an eye for his trouble. To further twist the knife, Hiyoko tells him it's his fault both of them are dead and Fuyuhiko fully agrees with her.
- Akane and Nekomaru get some Ship Tease, which adds for some tragedy when Nekomaru ends up Taking the Bullet for Akane, destroying his body and forcing Monokuma to rebuild him as a robot. Then Akane has a full-on breakdown when Nekomaru dies for real.
- A lesser example than the above, but Kazuichi becomes enamoured with Sonia and unintentionally creeps her out with his Stalker with a Crush tendencies and as the game goes on, Sonia (who is generally polite to her fellow students) treats Kazuichi like dirt and even tells him during the fourth trial it's a pity he isn't the killer, basically implying she wants him dead to his face. Sonia also gets a crush on Gundham over the course of the game and when it's revealed he killed Nekomaru, she actually begs Monokuma to spare him.
- A big example in the second game comes in the form of Hajime and Chiaki. They have a lot of Ship Tease in later chapters, and they actually get intimate in one Free Time Event when Hajime catches a falling Chiaki. Come Chapter 5, and not only is Chiaki the case's killer (through a completely unfair technicality, no less), but is also revealed to be the traitor sent to spy on the group by the Future Foundation. Suffice it to say, after her execution, poor Hajime breaks entirely, being unable to even get out of bed for the entire next day.
- In New Danganronpa V3, we have Shuichi and Kaede, who form a Savvy Guy, Energetic Girl duo and become very close over the course of the first chapter when they wake up in a classroom together and comfort each other during tense moments. Later on, Kaede is the culprit of Chapter One, after setting a trap to try and kill the Mastermind and killing Rantaro instead. She is executed in front of Shuichi and he mourns her for the rest of the game.
- Also from the same game, Tenko clearly has feelings for Himiko, who doesn't reciprocate. Tenko attempts to bond with Himiko throughout the game and becomes very concerned when Himiko starts preferring the company of Angie and becomes detached from reality as a result. Just as they appear to be mending their friendship Tenko is killed in a trap originally intended for Himiko, and Tenko's parting words to Himiko kickstart her Character Development that carries her through the game.
- Kiibo and Miu are a Masculine Girl, Feminine Boy who get along very well, as Miu is the Ultimate Inventor and Kiibo is the Ultimate Robot. They are frequently seen together from the end of the second trial onwards, Miu frequently repairing and upgrading Kiibo and being one of the only students who treats him with any respect. Kiibo is devastated when Miu becomes Chapter Four's victim, lamenting he is Unable to Cry for her death and vows to continue on to the end of the Killing Game in her memory.
- This is even an Invoked Trope - Maki starts out the game as cold, rude and aloof from her classmates, only for her to gradually warm up to them thanks to Kaito and Shuichi reaching out to her. By the end of the fourth trial it's clear she has feelings for him and she is not happy when he's taken hostage. Unfortunately, her attempts to rescue Kaito make everything worse and then it's revealed Kaito was secretly dying and he killed Kokichi in an agreement between the two of them to try and end the killing game and save Maki from being executed. Maki admits she's fallen for Kaito and tearfully begs him not to leave her. Which is revealed by Tsumugi in the final chapter to be all a part of Maki's "storyline", and they made her fall in love with Kaito to boost ratings and gave Kaito the terminal illness that killed him because it would make his character "more interesting." Maki does not take it well.
- Linguistic examples:
- In Swedish, Norwegian and Danish the word "gift" (pronounced "yift" in Swedish/Norwegian, but with a hard g just like the English word "gift" in Danish) means both "married" and "poison", one wonders if this was made so on purpose...
- In Japanese, "Ai" means love but it can also mean "grief/sorrow" when written differently.
- The Japanese got it from Chinese, where the exact same thing happens: save for the tones, the words for the two concepts are homophones.
- In Russian, "брак" ("brak") means, among other things, both "marriage" and "spoilage/defect."
- In English:
- Apparently, "to wed" (Or some form of marriage word) comes from the same roots as "gamble".
- The word "passion" itself ultimately descends from the Greek pathos, "suffering" (i.e. The Passion of the Christ).
- In Spanish, "Cazar" is "to hunt" and "Casar" is "to wed." In Latin America and some parts of Spain, the pronunciation is identical. The word "esposa", which means wife, also means handcuff. Same goes for the plural "esposas".
- In Portuguese, "Caçar" is "to hunt" and "Casar" is "to wed."note , so it's as above.
- In Danish:
- The words for heart (hjerte) and for pain (smerte) rhymes, which is sometimes used as a proverb.
- Again with "lidenskab" meaning "passion" and "lide" meaning "to suffer", though unlike German, the connection is for some reason rarely made, possibly because the word "lidenskab" is barely being used among most people in everyday life. In an inversion, "(at kunne) lide" can also mean "to like".
- In German the word "Leidenschaft" which means "passion" belongs to the root word "leid" which means "suffering".
- As if we need to say it: Truth in Television.