And he never wondered what was right or wrong. He just knew."
Bob is a hero.
Scratch that. Bob is the hero.
He fights with honor — he never kicks opponents while they're down or uses dirty tricks to win a confrontation. If he takes to the battlefield, he fights with appropriate force and despairs having to see any bloodshed. His goodness is genuine, not some con, and he will always make the right choice even when people would never know he made the wrong one. He looks out for the little guy, stands up for what's morally correct, and serves as the role model for heroes — being their standard-bearer, in many ways — and as a beacon of character for villains — even prompting villains to give up their immoral ways.
The Ideal Hero is seen quite often in children's media. Oftentimes, the Ideal Hero in such stories will get rewarded, and plentifully so, for being a good guy through and through. What's more, he never struggles with himself, being The Hero from sunrise to sunset.
In stories for adult audiences, things are not that simple. Usually, the Ideal Hero does what he does because it's the right way to live. He gets rewarded for it less often (sometimes far less often) than not. What's more, he may even struggle with himself to make the right choice — but always (or almost always) makes the right choice in the end.
When executed poorly, an Ideal Hero can exemplify any of an array of the worst of good guy tropes, like Stupid Good, Lawful Stupid, and — in the worst cases — even a Knight Templar who refuses to allow any deviation from his strict moral code.
At one time, probably a Dead Horse Trope, but the Ideal Hero has been subverted and deconstructed to the point that it's experiencing a quiet resurgence of popularity, mostly as a reconstruction, but sometimes simply played straight.
May overlap with Incorruptible Pure Pureness. Sub-Trope to The Idealist. Super-Trope to All-Loving Hero, The Cape, Knight in Shining Armor, and Captain Patriotic. Almost always a Humble Hero. While The Hero is often an Ideal Hero, the former is the role a character occupies in a group while the latter is a character personality. See also Standardized Leader. Contrast Anti-Hero, a hero with character flaws, and Complete Monster, a villain who is pure evil. Can overlap to some degree with one of either Martial Pacifist, Technical Pacifist, or Actual Pacifist.
- Captain Harlock. In spite of a government that actively tries to stop him, a world that sees him as little more than a common criminal, he still remains firmly on the side of good. He fights for everyone's freedom, not merely his own, and he will continue to fight until all that remains are his bones. Even the incident that cost him his eye won't stop him; the man is that dedicated to his ideals and what he stands for, such that even losing part of his sight is only a minor deterrent in the end.
- Fist of the North Star:
- Kenshiro. Incorruptible, protective of all children and women, intolerant of evil and dedicated to bringing hope and joy to a world ravaged by nuclear fire. Anyone good-hearted person who knows his name cries joyful tears when he walks into town, while every thug promply wets themselves. Yes, he may kill all of his opponents in gruesome ways while telling them "You Are Already Dead," but none of that detracts from the fact that the entire world is made better for his presence. In short, he is a good person who manages to bring peace to the world in greater levels, to infinity and beyond. For Great Justice.
- Rei also qualifies, only slightly more Anti Heroic than Ken at first, though Ken's influence helps Rei turn into a full-fledged hero all the same. Ken even calls Rei his "closest and truest friend" at one point, cementing his status.
- Toki, oh so much. Toki looks like Jesus and ACTS like Jesus. He heals the sick, is nothing but kind and compassionate to everyone he meets and has made it his (tragically cut short) life's purpose to bring joy to the world. He's so compassionate that, when he's forced to kill someone, he uses techniques that make the enemy die without pain and in blissful pleasure. Part of the reason Kenshiro is such a great hero is because he had his Big Brother Toki to guide and inspire him.
- Dragon Ball:
- Akira Toriyama seemed to be unable to decide if Goku is this or a (thoroughly benign and heroic) Blood Knight Manchild. Specifically, Goku himself fulfills the trope by being the best man you'll ever meet or hear of, but will focus on his training to the exclusion of everything else, sometimes including family. This is justified by Earth coming under regular attack by superbeings both terrestrial and extraterrestrial, and the fact that Goku is, in practice, the Big Good of the universe at the end of the series (he's kinda busy sometimes). Goku also tends to fall under a mild case of Adaptational Heroism. In the dub and even in the Japanese anime, Goku's heroics are played up more. Toriyama originally wanted Goku to be a hero, but a somewhat questionable and selfish hero who grows stronger not to protect others, but to fight stronger people. He even says that he wanted people to wonder if Goku is really a good person. That changed a bit after Character Development took over and Goku became more heroic and unquestionably good. He is still selfish and will put a good fight above the safety of the world, but his heart is usually in the right place.
- Gohan parodies one when he's dressed as the Great Saiyaman in Dragon Ball Z. When he's in Super Hero mode, he's a mixture of Power Rangers and Superman with his poses and grand speeches. When he's not in costume he is closer to a Classical Anti-Hero because of his self-doubt in his ability.
- Jonathan Joestar of Jo Jos Bizarre Adventure Phantom Blood, being a Kenshiro expy himself. Heart of gold? Check. Incorruptible Pure Pureness? Check. The Fettered? Check. Hell, his first and last actions in the manga are those of heroism: trying (and failing) to beat up a group of boys who were harassing Erina, and using his dying breath to destroy the ship he's on, taking him and Dio with it.
- Snow White in Magical Girl Raising Project, is considered this by most people. By the end of Unmarked, she was the only one who did not kill anybody during Cranberry's game. This is later pushed even further after Unmarked in Snow White Raising Project, even after everything Pythie has done, Snow White still chose to spare her. Despite what most magical girls would say about her, she is far from ideal.
- Maka Albarn from Soul Eater eventually becomes this. She starts out a bit short tempered, but over time, becomes a responsible, courageous, strong, caring, kind, honorable, intelligent and selfless young girl.
- Definitely Yusei Fudo from Yu-Gi-Oh! 5D's. He wins every duel, is level-headed, always plays by the rules, always looks out for those in trouble, and generally ends up being liked by any non-villain who holds more than three minutes of conversation with him.
- Digimon Xros Wars: Taiki Kudo would count. He lives to help anyone in need, and refuses to "turn his back on anyone", and strongly believes in the good of people and digimon.
- Daiya Tsuwubuki of Gaiking: Legend of Daiku Maryu always fights fair, never loses sight of his goal, and always tries to help people in his actions. He never uses deception or trickery, and despises those that do.
- One-Punch Man:
- While he's definitely more Pragmatic and battle-hungry than most on this list, Saitama is increasingly like this after undergoing Character Development, finding a point to his otherwise completely unsatisfying heroic career by being a model to other heroes: humble, just, and kind to people who deserve it. Which, given how he originally wanted to be a hero to get famous, is a rather large shift.
- Mumen Rider also deserves mention, being brave, noble, and always willing to put his life on the line to protect the innocent, even though he's just an average man with a bicycle and absolutely no super powers. He's also one of the few people who knows that Saitama is a good man, as seen in the aftermath of the Undersea King story arc.
- The concept of the Ideal Hero ultimately proves to be part of Garou's motivation. Ever since he was a kid, he always found the villains of his cartoons and stories more interesting than the heroes but could never truly "like" them because, well, they were evil. Between bland and unlikeable heroes and interesting but unempathizable villains, Garou wanted to change that, but couldn't convince himself he had what it took to be an Ideal Hero. He ultimately decided to become a monster and defeat those "fake" heroes so that humanity would be forced to bring out true Ideal Heroes to fight him.
- In Endride, among the Ignauts there seems to be the idea that Demetrio can do no wrong. He's heroic, fair, talented in a fight but an advocate for non-violent change, and wants to empower the disadvantaged despite coming from the nobility himself.
- All Might from My Hero Academia is a loving pastiche of American comic book heroes (mostly Superman), and boy does it show. He is explicitly used as society's model for how a professional hero should behave, and the degree to which other 'pros' fall short of his example is frequently discussed in-universe.
- Sailor Venus in the manga version of Sailor Moon is a Subversion: she's very close to one, always doing the right thing even at her own detriment (including, apparently, her own mental health) and being Sailor Moon's role model for a reason, but the "Dream" arc shows that she outright needs her teammates' admiration, and realizing they're now considering the Outer Senshi as role models in her place (and not realizing it's because they see her as too good for them to be able to learn) drives her to extreme frustration and anger (not that she shows it, at least until she snaps) and rash decisions. That said, she actively tries to be this, trying to always be a role model, and even when she snaps at her teammates the worst she does is to shout before going to try and take it out on the villains.
- Sailor Moon eventually becomes one at the end of the manga, cementing herself in this role when she doesn't destroy the Cauldron and gives Sailor Cosmos the hope to win her battle back in the future. Notably, she's the one Sailor Soldier who continued to hold Sailor Venus as a role model (partly because she was the first to see through her facade and not holding her as too good), and the side stories show that they sometime go around superheroing together with Sailor Moon as the sidekick.
- Touma Kamijou from A Certain Magical Index claims he's a Heroic Neutral, but otherwise he fits the mold. The guy will do anything, say anything, help anyone, fight anyone (gender be damned), and throw himself in front of any person who is in need simply because he wants to. His Incorruptible Pure Pureness is so intense that he's even gotten multiple (and in some cases, all-powerful) villains to join his side. Quite a few who know him sometimes wonder if he's got a very bad case of Heroic Self-Deprecation.
- In Fate/Apocrypha Saber of Black, aka Siegfried, was basically what Shirou Emiya wanted to grow up to be. He spent his whole life serving and saving people and never regretted it. Like Shirou, this is deconstructed when he realizes he never had any real desires of his own and decides to be more selfish. That his "selfish" act consisted of him tearing out his own heart to save someone he had just met when there were no other options and because he wanted to to save that person when no one else ordered him to tells you everything you need to know about his character.
- Superman, consistently, but given an especially provocative portrayal in Kingdom Come, where Superman plays this trope straight, subverts it, and reconstructs all over the course of the story. In fact that ends up being the way they challenge the Invincible Hero in many of his better stories, putting things in front of him that could legitimately compel him to break this character type or putting him up against less ideal sort of hero (frequently Batman) to make a case for being an ideal hero versus being a more "pragmatic" hero. Some of his most crippling defeats were victorious battles that could only be won by breaking one of his rules.
- Supergirl is usually torn between her desire to become the same kind of selfless, responsible and brave hero than her cousin is versus her responsibilities given by her incredible powers as well as her longing to live a normal life like a regular girl/woman. Although she always makes mistakes and missteps, she eventually develops into this.
- Nightwing plays this absolutely straight. Despite being a Badass Normal without the advantages of other characters, he's a compassionate idealist to the degree that Superman admires him (check Supes out beaming like a proud parent◊). As Screenrant.com put it, "while Batman fights in the name of vengeance, Nightwing does it because its the right thing to do."
- DC Comics' Captain Marvel:
- During the Bronze Age and Modern Age, Billy became characterized as even more ideal and pure than Superman. Superman felt pressure as The Ace and The Paragon to get things done, since everyone looked to him for aid. Captain Marvel, however, always did what he thought was right and utterly refused to compromise that in any way.
- New 52 Billy Batson, while rougher around the edges than pre-52 Billy, is still inherently a good kid, no matter how hard he tries to be a brat to other people. He puts on a tough act but he is very much a child. Half of the job of the Justice League (notably Cyborg) is trying to get him to grow up and realize how much good he can do with his powers instead of creating ping pong tables from thin air.
- Captain America is Marvel Comics' moral equivalent to Superman. Little wonder, then, that the two would be combined into the character Super-Soldier in the Amalgam Universe.
- Spider-Man is mostly this in his own series and team ups, aside from doubting himself, being a goofy motor mouth and being generally awkward, he is Marvel's most lovable and warm hearted hero who always does the selfless and right thing for anyone and anything in his career only second or rivaling the Captain himself and in the future is destined to be the greatest hero of all (according to Cable).
- Tintin, a teenage detective/reporter. He'd risk his life to save yours, even if you just tried to kill him not five minutes prior; he's just that noble and uncompromising on his principles. In spite of being that forgiving towards his enemies, he's also a textbook case of Good Is Not Dumb.
- Asterix is one of these - kind, does the right thing all the time, won't fight physically unless there are no better options even though he has super strength, always stands up for people who are suffering, and plays by the rules. However, he also has a sneaky side, especially in earlier stories.
- Power & Glory is all about playing with and subverting this trope. While A-Pex may resemble an all-American superheroic ideal, it's all a media manipulation job by his government creators, and the real person is far from an ideal anything.
- The Silver Agent of Astro City is the paragon of the heroic ideal that all other heroes strive to reach for. His heroic influence is powerful enough to inspire others millennia after his death.
- Surprisingly, considering her genetic progenitor, X-23 is increasingly becoming more and more like this. Although raised to be a Living Weapon and constantly having to fight against her Tyke Bomb conditioning, Laura is selfless, idealistic, and constantly searches for something noble to aspire to and be inspired by, to the point she almost breaks down when she finds herself in the shit-hole that is the Ultimate Universe and realizes that there's actually places even worse than her home reality. No matter the situation, she will always try do the right thing.
- Mirek Duín in Rychlé ípy is basically the Czech prototype of an ideal hero in children's comics / literature: always trying to do the right thing, helping others, not using swearwords... It's done entirely on purpose.
- Last Child of Krypton: In this story Shinji is half-kryptonian. Since his powers began manifesting he used them to try to help people because he is genuinely good, caring, kind-hearted, and hates seeing people hurt and suffering. In a instance Kaji notes that despite of being a tad cynical he really believes Shinji when he tells he would never hurt people and he only wants to help.
- Superwomen of Eva 2: Lone Heir of Krypton: As she undergoes Character Development Asuka begins to truly try to live up to this lofty ideal. At the beginning she becomes Supergirl to earn a bit of extra praise, but later she realizes everyone automatically think that she is a paragon of morality and decency because she has those powers, and she really does not want to let anybody down.
- Code Prime - R1: Rebellion simultaneously deconstructs and reconstructs this with Suzaku and Optimus Prime, respectively.
- As in canon, Suzaku's idealism and belief in nonviolent reform are noble, but in the world he inhabits and the system he serves, it just leaves him as an easy tool for the Britannian Empire to exploit. Even worse, his naïveté makes him completely susceptible to Megatron's influence.
- Optimus Prime still remains the same benevolent Autobot leader he has always been known for, yet understands that sometimes more morally questionable actions are necessary in a world so mired in corruption and oppression. He is also more willing to kill humans but still knows to distinguish between soldiers and civilians as well as between true evildoers and innocents.
- The Incredibles: The Parr family, aka The Incredibles. Sure, they have their minor flaws, but they are all extremely determined, heroic, and more than willing to risk their lives to fight against any serious threat.
- Wreck-It Ralph: Fix-It Felix Jr. is the ideal hero. The film satirizes the cliché, tedious personality of the ideal hero.
- Mary Poppins is explicitly stated to be "practically perfect in every way".
- Star Wars: Luke Skywalker was designed to be one. Contrast him to Han Solo, and especially to his own father. While Luke wanted to save Leia out of sympathy, Han only did so because Luke promised that Leia is a rich princess who would reward Han. Seeing Luke fall into defeat and despair in The Last Jedi is a hard pill to take - especially to Mark Hamill!
- X-Men Film Series: Played with in Professor X's case. On the one hand, he's an All-Loving Hero who wishes to preserve life, he practices For Happiness as part of his daily routine, he's brimming with compassion, hope and love, his Goal in Life is for mutants and humans to live together in harmony, he endeavours to induce a HeelFace Turn in Magneto and Mystique, and he was a Wide-Eyed Idealist when he was younger. However, Xavier periodically slips into moral lapses when his dread over a likely disaster overrides his good nature, such as burying the Phoenix deep inside Jean Grey's subconscious without her awareness or permission. In between 1963 and 1973, he undergoes a Heroic BSoD which degenerates him into a junkie hermit who doesn't give a rat's ass about anything (besides alcohol and the addictive Power Nullifier serum) or anyone (besides his caregiver Hank). Charles breaches his once-sacred Thou Shalt Not Kill principle in X-Men: Apocalypse when the eponymous villain leaves him with no other solution to Save the World.
- Godzilla: Mothra is an ideal hero, as she represents compassion and respect for humanity's right to live. This can mainly be interpreted by the fact that she is primarily guided by the Shobijin, two twin fairies who sympathize and often befriend numerous humans.
- Ward of Hurog is this, being just flawed enough to be believable. His Incorruptible Pure Pureness is resistant to severe parental abuse, and everything else he goes through.
- Michael, a Knight of the Cross, in The Dresden Files plays with this. Michael is a Paladin who wields a Holy Sword that represents Love. He will give the shirt on his back to anyone who is in need, and willing to take the place of a friend in a dire situation because that person is in need of help. From the POV character Harry Dresden, who is a Knight In Sour Armor, Combat Pragmatist, and willing to do evil things for a good cause, he views Michael as an Ideal Hero. To him, Michael doesn't let his wrath control him, a frequent issue with Harry. Michael has compassion for his greatest enemies and would stop trying to kill murderous sociopath who was knocked unconscious on the chance he could seek redemption, while Harry would keep on strangling until he was good and sure the man was dead. To Harry, Michael is a combination of big brother and father figure for Harry and so is placed on a high pedestal. Michael, who knows his heart, and Archangel Uriel both know Michael is actually an Anti-Hero because he does have his flaws. His biggest one is his capability to be consumed by wrath when his family is involved. When a Well-Intentioned Extremist Catholic Priest kidnaps one of Michael's daughters and tries to justify killing her and Harry by claiming it is God's Plan, Michael comes within an inch of beating the man to death with a baseball bat. Harry stays him by offering to kill the man if it is actually needed. This is enough for Michael to think and then calm down enough to grant the man mercy.
- R. A. Salvatore's Forgotten Realms character Drizzt Do'Urden, the heroic dark elf ranger who rebelled against the evil of his people and fled to the surface world, where he had to overcome a huge amount of prejudice, but always remained unquestioningly true to the ideal in his heart that made him rebel in the first place.
- The Odyssey features Odysseus, who may well be the Trope Maker, making it Older Than Dirt. However, in The Iliad he's not so admirable. And in ancient times Odysseus had detractors, who thought that an Ideal Hero shouldn't rely so much on guile. Actually, it's pretty debatable if he's this trope, but he is the Trope Maker. Why? Well, Greeks had different ideals than this website and the current world, so while Odysseus is the perfect Greek Hero, to us modern readers he can really seem like a sneaky, selfish Jerk with a Heart of Gold as opposed to this. It's just Values Dissonance, really.
- Although Solomon Kane is typically classified as a Anti-Hero, he could arguably fall under this instead. He never compromises his princples, nor does he question what the proper course of action is when he encounters someone who needs help (or, if they are beyond help, someone who deserves to be avenged). In The Blue Flame of Vengeance, he even tries to talk one of the villains into giving up the fight and walking away from the evil men said villain has entangled himself with; when the villain refuses to accept his offer and subsequently dies, Solomon becomes visibly grieved.
- King Arthur and Galahad definitely, and a lot of the other knights of the Round Table come close.
- Simona Ahrnstedt usually gives her characters some flaws, even if they're not villains. And the only male exception is Johan Stierneskanz from Överenskommelser. He's basically perfect and flawless, the lily-white Nice Guy in a story with three jet-black villains.
- In the series Acacia the Acacian prince Aliver Akaran - the man is compassionate, honours his word, forgives his enemies without hesitation...etc. He dies for that, but gets better in the end before dying again though not before reforming the Acacian empire and bringing world peace
- A Song of Ice and Fire deconstructs this. The Starks (including Ned Starks illegitimate son Jon Snow) and Daenerys Targaryen follow a moral code modern readers find commendable and they all possess great compassion but — just because theyre good — it doesnt mean things are going to go well for them and their morality/heroism can also make them very judgmental to those who can't be too moral. At the same time, it gains them followers whose loyalties are absolute, as (in the case of the Stark family) the Boltons are finding out, and they are able to save and protect lives when successful.
- Ser Davos Seaworth (later Lord Seaworth) is very much this. He loves his wife and sons, shows Undying Loyalty to his King Stannis, his Brutal Honesty so impressing Stannis he is named Hand of the King, and he acts as a Morality Pet to Stannis, trying to talk him out of doing bad things and smuggling Edric Storm of Dragonstone for fear Stannis will burn them. Davos was a smuggler before the series, though.
- Percy Jackson and the Olympians: Percy Jackson, though reckless and mischievous, is still undoubtedly this. Even his Fatal Flaw (excessive loyalty to his friends) only reinforces how heroic he is. The Darker and Edgier The Heroes of Olympus Sequel Series makes him into more of an Anti-Hero by playing up his fatal flaw, which is one of a number of reasons why it's been less well-received by the fanbase than the original series.
- Corporal Carrot in Discworld, in stark contrast with the series' typical more cynical (though nevertheless undoubtedly heroic) protagonists. The narration in Men at Arms mentions that for an ordinary person, being as honourable as Carrot is in Ankh-Morpork would be suicidally idiotic, but Carrot gets away with it because he's really, incredibly, almost superhumanly likable.
- The Bible: Jesus, obviously and also Job, who is explicitly stated to be a flawless man.
- Atticus Finch in To Kill a Mockingbird represents the ideal of what a human should be: brutally honest, highly moral in all aspects of his life, a tireless crusader for good causes however hopeless, respected by everyone including his opponents, and a virtual pacifist.
- The Novelization of Revenge of the Sith describes Obi-Wan Kenobi thusly. He is powerful and nearly invincible in combat, but he's also wise and humble, preferring to negotiate his way out of trouble.
- While Batman (1966) may be a parody of sorts, the fact of the matter is that this incarnation of Batman wants to be the Incorruptible Paragon and inspiration to the Gotham City masses.
- Wonder Woman is the same; if you watch her whole show, the number of times you'll think "She could've handled that situation a little better" is somewhere around zero.
- Captain Picard of Star Trek: The Next Generation is the pinnacle of 24th-century enlightened humanity, to the point that he's chosen as their representative when Q puts the species on trial. He favors diplomacy to force whenever possible, respects all forms of life, has no greater desire than to learn and explore, and knows exactly when to disobey the Insane Admiral or violate the Prime Directive.
The only time this portrayal is played with is in Star Trek: First Contact when he briefly becomes consumed with getting revenge on the Borg even at the expense of his crew. When Lilly confronts him and compares him to Captain Ahab, he realizes his mistakes and regains his nobility. An argument once given in the eternal Kirk vs Picard debate was presented as such: Kirk is the kind of Captain and leader who many people would love to go on an adventure with and have a beer with afterwards, Picard is the kind many would willingly follow right into hell itself.
- When he finally stops being The Ghost or The Faceless in the second season of Supergirl, Superman lives up to his reputation of being The Cape and The Paragon. Essentially the only bad things you can say about this version of him is that he's initially suspicious of Lena Luthor because of her family name and has an understandable disagreement with J'onn, which they work out.
- Poldark - In Season 1, Ross Poldark fights courageously in North America, graciously accepts his girlfriend's decision to marry his cousin, rescues a street urchin from poverty, dresses down an arrogant judge in righteous indignation, and in contrast to his corrupt cousin — doesn't have vicious habits (e.g., soliciting prostitutes).
- President Josiah 'Jed' Bartlett from The West Wing is a more realistic version of this. While he does have flaws and makes tremendous mistakes over the course of his tenure, he ultimately cares for the smallest and meanest of his countrymen, and he wields his position and power with grave responsibility, never for personal gain. His example inspires his very competent staff, who at times may critique him to his face, but have nothing but unconditional love for him.
- The song Holding Out For A Hero by Bonnie Tyler may possibly be describing one of these:
Where have all the good men gone and where are all the gods?
Where's the street-wise Hercules to fight the rising odds?
Isn't there a white knight upon a fiery steed?
Late at night I toss and I turn and I dream of what I need...
- Dino Attack RPG had quite a few such agents, especially early on. Zenna, Rex (at least, prior to the Adventurers' Island arc), Andrew, Zachary (pre-Stromling), and David being good examples- and that's just among primary characters. Pierce could also be considered an example, although justified by the fact that he's a doctor.
- Optimus Prime from (almost) every incarnation of Transformers is the noble, dignified, courageous, self-sacrificing, compassionate leader of the heroic faction, with many versions verging on Messianic Archetype. If Optimus Prime is involved, it's usually not a question of whether he'll attempt a Heroic Sacrifice, it's how many he'll attempt, and whether achieving one will lead to him staying dead or if he'll just Determinator his way back to life to continue protecting innocent people from evil space robots. Some versions do meddle with this setup - the one in the IDW comics has plenty of skeletons in his own closet, even though he is still a hero, and the version in Transformers Animated starts out a decent but not saintly person who's in over his head and has to undergo Character Development to live up to his archetype - but most versions default to the endlessly forgiving, superhumanly idealistic and moral Robo-Jesus version.
Optimus Prime: Freedom is the right of all sentient beings.
- Paragon Commander Shepard of Mass Effect is a Reconstruction of this trope after a parade of anti heroes and blood thirsty warriors in video games of all genres had been popping up for a good amount of time. While Paragon Shepard does enter Good Is Not Soft often (especially in Mass Effect 2), is a Combat Pragmatist, and every now and then breaks the law, s/he only does so when s/he has no other choice and when attempting to pursue the greater good, and will never break it if it would result in innocents being hurt in the process. In the end, Shepard's good, forgiving and selfless nature and absolute trust in others, comes back to reward him/her time and time again when s/he needs it the most.
- Hilbert in Last Scenario really, really wants to be this kind of hero, but he rapidly finds that he's in the wrong genre. He still manages to be much more heroic than is typical for the setting, and of five characters who Jumped at the Call, he's the only one who doesn't become a Fallen Hero.
- Fate/stay night: No matter what the route, Shirou Emiya tries to be an Ideal Hero. However, the story challenges the idea of the ideal hero and whether it's really an attainable goal for any psychologically normal person. The answer it comes to is no, not really, and it won't make you happy to be one either. It's still an admirable goal even if you can't do it, though, and even the bitter Archer (an Alternate Future version of Shirou) still finds the dream beautiful. In the routes themselves, Shirou can give up the dream for his loved one, do the best he can to achieve it by saving as many as possible, or dedicate himself fully to it while knowing the pain and hardship he'll endure, but with the caveat the woman he loves is waiting for him on the other side when it's over.
- The Hero of the Quest for Glory series can be played this way, while The Paladin is this trope. The player is outright told by Rakeesh that the Paladin must do what is right, even if the right thing to do isn't lawful (in Quest for Glory III he breaks the law to give food to a convicted thief). His powers are also based around honorable behavior (doing good deeds, being honest) and performing dishonorable acts will cost him the use of his abilities.
- Leonhardt Raglen in Record of Agarest War is the most heroic protagonist out of the entire series as he is selfless, responsible, all-loving, willing to sacrifice his life for a little girl who is hunted by his very own nation, and is badass enough to kill the guy who killed him in the first place.
- Artix von Krieger from Artix Entertainment games: AdventureQuest, DragonFable, MechQuest, and AdventureQuest Worlds can be this. He's a magic Knight in Shining Armor who is incorruptible, noble, polite, and protects the innocent. However he's also a Blood Knight who hunts The Undead and really loves it.
- Skies of Arcadia, and its protagonist Vyse in particular, is notable for being a return to cheerful idealism after a long trend of ever-increasing grayness in RPGs.
- Skyhawk, one of the superheroes of Boston in the Whateley Universe. He always tries to do the right thing, and stands for morality and righteousness. Most of Team Kimba views him as a big dork, and his determination to do things the right way very nearly got Generator and Bladedancer killed by supervillains.
- Samurai Jack: the titular character himself. Even though he has his low moments, ultimately he never gives up on doing the right thing - helping the innocents, defending the weak, setting right what once went wrong.
- Reconstructed in Adventure Time with Finn the Human. Finn is essentially a paladin, but this causes him to not know what he's doing when placed in a situation where the right thing to do is unclear. However, the Adventure Time universe runs enough on both Black-and-White Morality and White-and-Grey Morality for him to still be this trope most of the time.
- I Am Weasel is not only impossibly skilled and talented but also morally upright.