Some shows play a hero's absurdly overpowered abilities and near-invulnerability for laughs. Since the fights themselves are a foregone conclusion, they frequently get skipped or handled in one panel (this trope is particularly common in comics.) The characters frequently lampshade this trope, and in the rare case where a fight actually does have any build-up, it will often end in a deliberate anticlimax. Sight gags are often used to lampshade it further, such as supporting characters playing cards or otherwise ignoring the latest Big Bad (or even the fight itself.)
Works with this trope tend to bring in enemies capable of threatening the hero eventually, especially as time goes on and the initial joke wears thin; this can turn the hero a plain old Invincible Hero if the comedy is discarded entirely. Sometimes this also involves Cerebus Syndrome as the comedy fades into the background at the same time. Up until then, though, the vast majority of fights are deliberate, comical Curb Stomp Battles.
When you have an invulnerable hero in a dramatic show, or one that tries to get you to take the fights seriously, it's an Invincible Hero. When the focus is on the Rule of Cool, it's a Showy Invincible Hero.
- Seiichirou Kitano from Angel Densetsu is Mistaken for Badass by nearly everyone in the entire series. Either some stupid thugs are dumb enough to challenge him, only to be horrified just by looking at him, or other people think he's a demon and try to attack him. The results are either that Kitano just pushes them unconscious or they knock themselves out accidentally. And everyone believes Kitano has defeated them, even when he himself doesn't realize that he's in a middle of a fight.
- Assassination Classroom: Koro-sensei is a super creature capable of moving at up to Mach 20 and is invulnerable to nearly all weapons except the Applied Phlebotinum specially made to kill him. The whole series is about his class trying to kill him, after all.
- Oga is the strongest delinquent in his school. The running gag is that other people spend whole episodes trying to find him and challenge him only to get beaten in a few seconds without him paying much attention.
- Or without even noticing them, in some cases, such as Himekawa's attempt at revenge.
- This invincibility is removed against specific opponents, though (Tojo before Oga was ready, the Pillar Squad before he trained, etc) or for comic effect (Beel's shocks, his sister kicking his ass...)
- Bobobo-bo Bo-bobo: Bobobo and his pals take this trope Up to Eleven. In its run, practically no one was able to truly have him on the ropes. The fights weren't about seeing if Bobobo and his friends would win, but seeing just how big of a fool he could make out of enemies before they do and just how crazy and nonsensical they make those fights. Such methods include having Bobobo and his friends survive the most ridiculous of assaults, having Bobobo treat his allies (namely Don Patch and Jelly Jiggler) as mere weapons to abuse, and laying the hurt on his enemies with GIANT NOSEHAIRS!!
- The Disastrous Life of Saiki K. has a main character with an absurd number of psychic powers... None of which he actually wants, as they don't turn off, and nothing can surprise or challenge him.
- The Devil King Is Bored is the Villain Protagonist version of this trope. The Devil King is bored because he's so overpowered that nothing challenges him. He even kidnaps a princess for the sole reason that heroes would come and rescue her, therefore making his life a little less boring.
- Dragon Ball: The first series was like this early on, with Goku's absurd invulnerability played for laughs most of the time. While it fades after a while, it comes back later on in Dragon Ball Z, such as during the Cell Saga filler where Goku goes looking for the new Dragon Balls. The only "antagonists" are some ordinary human mobsters and Tao Pai Pai, and the level of non-threat they are is totally played for laughs.
"Maybe if this was five hundred times gravity, you might have an advantage. But ten? I don't even feel it."
- Taken Up to Eleven in the start of the Buu saga, where the first two enemies faced, Yakon and Pui Pui, are both comically one-sided curb stomps. Yakon is literally defeated by Goku powering up - Goku never even bothers attacking him. Pui Pui, meanwhile, boasts about how he is unbeatable because he is used to fighting in ten times Earth gravity, only to find out that the Z warriors regularly train in 500 times Earth gravity. Vegeta doesn't even bother powering up.
- Dragon Half almost completely ran on this trope. Nobody even comes close to posing a challenge for Mink, but it's so goofy that nobody cares.
- Even though it's called Hayate the Combat Butler in translation, it's ironic that the battles are few and far between. The battles that don't challenge him aren't even on panel. You see them attacking, then in the next panel Hayate is walking away and the attacker is on the ground with a Cranial Eruption. The ones who do challenge him are the (at worst) minor characters, usually the ones on his side.
- Irresponsible Captain Tylor has a variation on this: Tylor is comically invincible despite the fact that he has no apparent skills that suggest he should be. As a result, his crew is never less incredulous about how they keep surviving encounters that almost certainly should have resulted in all of them being killed.
- Saitama (pictured above), the eponymous One-Punch Man, who rigorously trained his body until he could defeat any enemy with one punch. In the first episode, he's having an existential crisis because he became a hero to spice up his dull life, but it's been so long since he's felt a real challenge that his life has gotten painfully boring again, and he doesn't know what to do next.
- Sunred from Tentai Senshi Sunred. The entire series is just one long Go-Karting with Bowser moment between Sunred and his 'Arch-Enemy', the not-so-evil organization Florsheim. When the monsters demand to fight him due to Contractual Genre Blindness, the battles are hilariously one-sided and very rarely shown on-screen.
- Rimuru Tempest from That Time I Got Reincarnated as a Slime. As the titular slime, he's basically Kirby with his ability to assimilate the powers of those he devours, making him incredibly powerful even just a month or so into his new life as a slime. It's treated as mainly comedic as nearly everyone makes the mistake upon realizing their opponent is a slime that he'll be easy to defeat. The other reason it often becomes a joke is because Rimuru himself often underestimates just how terrifyingly powerful he is!
- Asterix and Obélix frequently play their inhuman strength for laughs.
- And the battles happen off-screen often — on one occasion, pain stars and screams drifted into view, while the narration announced something like "It's such a beautiful day today that we'll skip the extreme violence in this scene."
- Fightman, a one-off character Deadpool has to kill, is like this.
- Deadpool's archnemesis Squirrel Girl has beaten Doctor Doom so many times he doesn't even put up a fight when she invades Latveria, by herself, to borrow his time machine. She's also (supposedly) beaten Thanos, The Mandarin, M.O.D.O.X., and Fin Fang Foom. She's a teenage mutant who has all of the powers of a squirrel.
- Lucky Luke stories often devote more time to the comic failings of the episode's bad guys, since their defeat is inevitable (which isn't to say it's easy, Luke always needs to plan something).
- Plastic Man is usually played this way as his powers basically make him a cartoon character on steroids. He was once scattered in small chunks across the ocean floor for 3000 years and it only sobered him up a little. Well, at least until he got back from vacation.
- Gilbert Shelton's Wonder Wart-Hog is successfully fending off an alien bombardment of the world, throwing the bombs into space - then catches a little firecracker-sized bomb, which goes off in his hand. He's completely unharmed, but the whole city's been vaporized, except for sections of a building and street behind him forming sort of a reverse Impact Silhouette.
- Sometimes Paul's Nigh Invulnerability is played for laughs in The Keys Stand Alone, such as when the Octo-Bot slams him around and all he can do is swearand John and George catch the absurdity of the situation and stagger around helplessly with laughter.
- If the Emperor Had a Text-to-Speech Device has this with the Ultramarines, which the Emperor is fully aware of and uses for his own gains. It's implied that they became this when their Chapter Master Marneus Calgar made a deal with something after seeing his brothers be slaughtered by Tyranids and the guilt is eating away at him, especially since part of the side effects include turning every rank-and-file Ultramarine into an insufferable Mary Tzu.
- Their take on SLY MARBOOOOOO!!! He can fly in the hard vacuum of space wearing nothing but his flak armor for one thing, and can shatter steel with his manly screaming. The only time he's fought opponents who've actually survived his beatdown was when he went 1 v. 3 against the Chaos Champions Lucius the Eternal, Typhus of the Death Guard, and Ahriman of the Thousand Sons after Lucius invited him to a "party" to fight him.
- To a lesser extent, Kaldor Draigo. His only weaknesses (aside from his insanity) are that he's forced to go back to the Warp when summoned to the material plane, and that when the chips are down he can get screwed over by his own dice like anyone else. His rampant insanity renders him incapable of self doubt, which in the Warp means that nothing can stop him, simply because he believes they can't.
- In Security!'s sequel I, Scion, the protagonist is sent into Scion's head. He already had a pretty good grasp of the original Worm, so after being shoved inside the resident Reality Warper Physical God, it literally takes him no more than a few days to fix Earth Bet.
- Metro Man of Megamind deconstructs this trope. Metro Man is so invincible, the people take him completely for granted, never allowing him to have his own life. He actually fakes his own death, tricking his nemesis into believing his latest evil scheme actually succeeded. Played the most explicitly for laughs when an angry Roxanne grabs everything heavy within reach and throws it at him and he just stands still with a blank expression and lets her finish venting and the objects shatter against him.
- Ace Ventura. In one scene, Ace catches a bullet fired at him in his teeth.
- The Blues Brothers, where among other things Jake and Elwood casually dodge bullets from multiple shooters, survive a propane explosion, having an apartment complex dropped on them, and walk away from several car crashes that would probably kill a normal human. It's heavily implied to be the result of Divine Intervention, as they're on a Mission from God.
- The Mask has Stanely act like a goofball and/or a prop comic as he defeats his enemies and the villains (they're not necessarily the same)
- The Pink Panther: Chief Inspector Jacques Clouseau of the Sûreté is a stealth example. On the surface he's a bungling incompetent, but try to hurt or kill him and the would-be assassins will wind up killing each other or themselves...
- Black Dynamite: Black Dynamite is a parody of the blaxpoitation action hero, being the meanest, most badass black dude in this world and the next. Secondary characters keep dropping like flies around him but any opponents at best just momentarily inconvenience him personally.
- The Tick (2001) usually played the eponymous character's nigh-invulnerability for laughs. He even lampshades it in the opening moments of the first episode of the TV series by trying to blow himself up as a demonstration.
- Angel Summoner on That Mitchell and Webb Look, whose power is to "summon a horde of celestial superbeings at will". The joke is that he's one half of a superteam with Not-So-Badass Normal "the BMX Bandit", who struggles to look relevant next to his nigh-omnipotent partner.
- Saxton Hale of Team Fortress 2 fame. Just about every piece of material with him in it has to do with ridiculously dangerous stunts such as skydiving out of exploding planes and murdering massive beasts with his bare hands. There's even a custom game mode called Vs. Saxton Hale which pits an entire team of mercenaries against a one-shotting Hale with an absurd amount of health. The only thing that ever canonically puts a stop to him is Gray Mann forcing him to fight a little girl.
- The eponymous Adventure Dennis takes visible damage sometimes, but it never affects him and always goes away.
- Dan in Bad Guy High, for the most part.
- Girl Genius:
- Othar Tryggvassen, GENTLEMAN ADVENTURER! is generally treated as so invulnerable that they often don't bother to show or explain how he escapes traps (or only a vague Noodle Incident-style description of the items he used is listed).
- When der Kestle opens a bottomless-pit trapdoor under him, his sister yells at it in anger and grief. Der Kestle is unswayed, saying that he wasn't much of a hero if he could be killed by a little something like that... and sure enough, Othar strolls back into the room in the very next panel, with an offhand comment about how annoying the Castle is.
- Exploited by Gil when he chains Tarvek to "OTHAR TRYGGVASSEN Gentleman Adventurer, vanquisher of eeeevil", dumps them in his prototype flying machine, and drops them out of his airship, knowing full well Othar (and Tarvek by extension) will survive. He even calls out to Tarvek wanting to know how Othar gets out of that one.
Tarvek: How did you—
Othar: HA! A mere chain is nothing for an adventurer such as myself!
Tarvek: What? No! I thought he'd broken your back!
Othar: Oh, that. Special trousers.
Othar: Very heroic.
- Powers Guy in the webcomic Man-Man is a Superpower Lottery winner who can sort out anything; usually off panel.
- The Non-Adventures of Wonderella. There's no question that anyone she fights is going to lose; the problem is convincing her to fight.
- Bun-Bun from Sluggy Freelance, most of the time. While he's faced some serious challengers, the majority of his fights are him utterly dominating someone just off panel. Then again, the "hero" side of it is questionable, as he usually has to be bribed, tricked, or otherwise convinced to fight villains.
- Tom the Dancing Bug: GodMan, the superhero with omnipotent powers. He's basically God (from the Bible) fused with Superman. He's the image of the God-Mode Sue page for a reason.
- Basic Instructions has Rocket Hat, who dishes out constant effortless beat-downs of the Moon Men (or at least their emperor), but when the reader can actually see him, he never moves or even speaks. In fact, throughout the entire run of the comic, he only appears in two poses.
- Looney Tunes
- Speedy Gonzales' Super Speed made him completely untouchable in most of his original appearances, all of which was played in a slapstick tone. In the De Patie Freleng shorts, he was made slightly more fallible but still had shades of this.
- To a lesser extent Bugs Bunny and the rest of the hero ensemble. Bugs lost slightly more often even in his earliest appearances but his obvious superior wit over his foes is often a defining trait and a prominant source of humor.
- Pair this trope to an Iron Butt-Monkey, and you have many of the Chuck Jones Road Runner and Coyote shorts, where an invincible Roadrunner will wade through all of Wile E. Coyote's "ingenius" traps. The Zany Cartoon Cartoon Physics, Wile E. Coyote's inability to think things through, and the Roadrunner's ability to always surprise the Coyote conspire to keep the Roadrunner perfectly safe.
- Sonic the Hedgehog occasionally leans into this, especially in Adventures of Sonic the Hedgehog and Sonic X; every now and then, however, Dr. Eggman will remind him he is a Not-So-Harmless Villain. More so in Sonic Boom wherein Dr. Eggman is pretty much a Harmless Villain by comparison.
- The animated incarnation of The Mask in spades. He is basically a Nigh Invulnerable Reality Warper who can make things work on Cartoon Physics at will. As soon as Stanley puts the mask on, the villains no longer stand a chance. But since he also is a huge Troll who enjoys messing with his opponents with hilarious hijinks, you usually still spend a good time watching him win constantly.
- Star vs. the Forces of Evil: Armed with Charles Atlas Superpower and an incredibly powerful Magic Wand, Ludo and his minions (for now) hardly pose any threat to her. But she just so happens to be a Genki Girl and a Magically Inept Fighter so she'll often use the most zany, over-the-top, and outrageous of methods to defeat her enemies in the most hilarious way possible. From narwhal blasts to super syrup waves. As a bonus, she often leaves quite a bit of collateral damage in her wake. Star is also hilariously inept at using her wand for anything other than combat purposes, which leads to her accidentally doing things like sucking Marco's room into a black hole or turning her home-room teacher into a troll.
Star: (In the credits) I'm blasting monsters and I never break a sweat!
- Cow's Spanish-speaking superhero alter-ego, Supercow, from Cow and Chicken. Whenever she becomes Supercow, there's always a Curbstomp Battle without Cow getting a single scratch. Otherwise however, things are different.
- The Tick: The show is certainly prone to using the Tick's Nigh-Invulnerability for a laugh, such as when he auditions for his super hero locale by surviving an absurd deathtrap during the pilot. Even when in an actual scrap that has some dramatic weight behind it, the Tick will often suffer a comic pratfall that turns on his being nearly indestructible.
- Much of the humor in Baby Huey revolves around this trope. The fox frequently tries to do him in and have a meal, but every one of his traps backfire horribly due to Baby Huey's size. Of course, Huey is usually completely unaware of this.
- In many of his appearances, Droopy was absolutely unstoppable. Drop a safe on him, and he'll open it from the inside. Throw him off a cliff, and he'll be standing behind you when you turn around. Usually he was just that good, but on one occasion the punchline was that there were dozens of him.
- When the Road Rovers came up against a foe they couldn't beat, there was always a last resort: releasing Muzzle from his Hannibal Lecter-style straitjacket frame. The camera stayed on the other Road Rovers while Muzzle took care of business off-camera. This only failed once, when Muzzle was distracted by a female dog.