
Rosemary Sutcliff CBE (14 December 1920 – 23 July 1992) was a British writer of Young Adult Historical Fiction, who published some fifty books between 1950 and 1997. She is best-known for her novels set in Roman Britain, particularly The Eagle of the Ninth. She was appointed a Commander of the Order of the British Empire for her services to children's literature.
Sutcliff was the daughter of a Royal Navy commander, and much of her work focuses on military officers and the life of the service. At two years old, she developed juvenile arthritis which partially crippled her; she spent much of her childhood in and out of hospital and used a wheelchair in later life. Medicine and disabled characters play a prominent role in her fiction. She was educated largely at home by her mother, who introduced her to literature, especially Celtic Mythology and the Matter of Britain. She also became a great admirer of Rudyard Kipling, who strongly influences her prose, settings, and themes. As a young adult, she trained as an artist, working as a painter of miniatures. A vivid evocation of visual detail later translated to her writing.
She published her first books, The Chronicles of Robin Hood and The Queen Elizabeth Story, with Oxford University Press in 1950. They were followed by three more novels before her breakout bestseller The Eagle of the Ninth, which as School Study Media became the Trope Codifier of the Lost Roman Legion for generations of children, and has inspired several adaptations including the film The Eagle (2011). It was eventually followed by seven loosely linked sequels sometimes known as "The Eagle of the Ninth Chronicles" or "The Dolphin Ring series", after the signet ring passed down through the generations of a Roman British family.
Sutcliff was commended six times for the UK's most prestigious award for children's writing, the Carnegie Medal. The Eagle of the Ninth (1954), The Shield Ring (1956), The Silver Branch (1957), and Warrior Scarlet (1958) were shortlisted before The Lantern Bearers won in 1959. She received her final commendation for Tristan and Iseult in 1971.
The official site of her literary estate is rosemarysutcliff.com. A 1983 BBC Radio Desert Island Discs interview with Sutcliff can be heard here
; a 1986 interview can be read here
.
Sutcliff's works include examples of:
- Action Film, Quiet Drama Scene: Her calling-card, too many to list.
- All First-Person Narrators Write Like Novelists:
- Artos, Sword at Sunset; a dozen narrators in The Flowers of Adonis; Dexius in Swallows in the Spring; six generations of Calpurnii in The Capricorn Bracelet; fourteen citizens in We Lived in Drumfyvie; Jestyn Englishman in Blood Feud; Cadwan and Agricola in Song for a Dark Queen; Quintus in Eagle's Egg; Hugh Herriot in Bonnie Dundee; Prosper in The Shining Company.
- Animal Motifs: A lot of people are associated with symbolic animals:
- Canine Companion: Little John, The Chronicles of Robin Hood; Esca "the Centurion's hound" in The Eagle of the Ninth; Cullen "the Hound of Curoi" in The Silver Branch; Drem is a "Hound of Dumnorix" in Warrior Scarlet; Randal the dog-boy in Knight's Fee; The Hound of Ulster, Cú Chulainn; Jestyn Englishman in Blood Feud; Hugh Herriot in Bonnie Dundee; Conn in The Shining Company.
- Savage Wolves: Saxon raiders, or "Sea Wolves"; the Frontier Scouts of Frontier Wolf; Ari "Grey Wolf" Knudsen of The Shield Ring; "lone wolves" Aquila of The Lantern Bearers and Jestyn again; adopted "wolf-cubs" Beric in Outcast and Tethra in The Changeling.
- Foxes: Cottia; Vortigern and sons in The Lantern Bearers; Vedrix of Eagle's Egg.
- Noble Bird of Prey: the Roman Legions, or the Eagles; the Aquila family; the Grandfather of Warrior Scarlet; Captain Faa of Bonnie Dundee; the Montgomery brothers; Pharic and Maelgwn.
- Small birds: Cordaella, Outcast; Regina, Dawn Wind; Rahere, The Witch's Brat; Anita Anderson, We Lived in Drumfyvie.
- Heroic Dolphin: The titular Dolphin House in The Armourer's House; the Aquila family signet The Dolphin Ring; Aquila's nickname and Bruni's crest in The Lantern Bearers.
- Cats: Conory, and the Wild Cats in The Mark of the Horse Lord; Erland Silkbeard in Blood Feud. Tussun Bey in Blood and Sand is lion-like.
- Anyone Can Die: Protagonists, best friends, dads, mentors, dogs, horses, babies...no one is safe.
- Author Appeal: Every trope in this folder, pretty much, but Description Porn, Undying Loyalty, Heroic Sacrifice, Heterosexual Life-Partners and a Canine Companion are a good start.
- Author Catchphrase: Lots, including the coinages "woodshore" (the edge of the woods) and "house-place" (pointless alliteration).
- The North "went up in flames" about once per book
- "It is in my heart that" this is a long way to say "I think" (adopted from Rudyard Kipling)
- Leaf-buds are like green flame or smoke, fire is like a flower, white flowers are like curds, and sea-foam is like cream
- "stirabout": because "stew" is cliche
- "wave-lift": the shape a hill reminds one of, usually the Downs of southern England
- A Celtic woman invariably "carried herself like a queen". She may also wear braids "as thick as a swordsman's wrist" and her love interest may be able to "warm my hands at you". If she's really into him it's probably a case of "whistle and I'll come to you my lad" (a line stolen from Robert Burns' poem.)
- The green plover is always calling. Always.
- To say nothing of the curlew.
- Young men and dogs who "plunge joyfully" into fights.
- "Juicy" wounds.
- Band of Brothers:
- Robin Hood's outlaws, The Chronicles of Robin Hood; the Lost Legion, The Silver Branch; the Spear Brotherhood, Warrior Scarlet; the Company, Sword at Sunset; the Varangian Guard, Blood Feud; the Frontier Scouts, Frontier Wolf; The Shining Company.
- Based on a True Story: Most of her Historical Fiction is set in the context of true events. Though protagonists are usually fictional characters on the ground, they often cross paths with a real Historical Domain Character.
- Shifting Sands dramatises the abandonment of Orkney's prehistoric Skara Brae site.
- The Flowers of Adonis and A Crown of Wild Olive: the career of Alkibiades and the Peloponnesian War.
- Sun Horse, Moon Horse is the story of the Iron Age artist who designs the White Horse of Uffington.
- Song for a Dark Queen: the Roman conquest of Britain and the rebellion of Boudicca.
- Eagle's Egg: Agricola's Caledonian campaigns and the Battle of Mons Graupius.
- The Silver Branch: the Carausian rebellion.
- Frontier Wolf is reportedly an incident from the 3rd Anglo-Afghan War Recycled In Space
- The Lantern Bearers and Sword at Sunset: the Anglo-Saxon settlement of Britain and the possible historical King Arthur
- Dawn Wind: the landing of Augustine of Canterbury, apostle to the English.
- The Shining Company: the Battle of Catraeth.
- Sword Song: the unification of Norway and Viking exodus to Scotland and Iceland.
- Blood Feud: the foundation of Russia and Byzantine conquest of Bulgaria.
- The Shield Ring: the Norse resistance against the Normans.
- Knight's Fee: the battle of Tenchebrai.
- The Witch's Brat: the founding of St. Bartholomew's Hospital.
- Lady-In-Waiting: the career of Walter Raleigh
- The Rider of the White Horse and Simon: the Civil War campaigns of Sir Thomas Fairfax.
- Bonnie Dundee: the campaigns of Lord Dundee in the Covenanter and Jacobite rebellions.
- Blood and Sand: Ottoman campaigns in Arabia and the career of Thomas Keith.
- Beauty Equals Goodness: Averted. Most of her good guys are ordinary and more than a few are downright ugly.
- Ugly as hell: Piers Caunter, The Armourer's House; Justinius, Outcast; Justin, The Silver Branch; Sir Charles Cavendish, The Rider of the White Horse; Bedwyr, Sword at Sunset; Lancelot, the King Arthur Trilogy.
- Plain Jane: Lucilla, Outcast; Bess Throckmorton, Lady-In-Waiting; Anne Fairfax, The Rider of the White Horse; Guenhumara, Sword at Sunset; Serenilla, "The Hundredth Feather"; Anoud, Blood and Sand.
- Scars are Forever: Sir Thomas Fairfax, The Rider of the White Horse; Phaedrus and Midir, The Mark of the Horse Lord.
- Beauty Is Bad: Placidus, The Eagle of the Ninth; Glaucus, Outcast; Ygerna and Medraut, Sword at Sunset.
- Bittersweet Ending: Victory is fleeting, but Heroic Sacrifice is forever. They'll Earn Their Happy Ending at the least; at worst The Hero Dies. And the dog dies. And the horse.
- Bury Your Disabled: Averted, along with other disability tropes. Sutcliff was physically disabled from early childhood, and wrote many characters who work around congenital defects, Career-Ending Injury, chronic illnesses, and in a few cases mental illness, as well as the odd disability-adjacent issue like stammering or disfigurement.
- Congenital physical defects: Adam Hilyarde, The Queen Elizabeth Story; Robert Cecil, Lady-In-Waiting; Drem, Warrior Scarlet; Sir Charles Cavendish, The Rider of the White Horse; Vadir Cedricson, Dawn Wind; Gwalchmai, Sword at Sunset; Archibald Campbell, Heroes and History; Lovel, The Witch's Brat; the Emperor Claudius, Song for a Dark Queen.
- Acquired physical disabilities: Robin, The Chronicles of Robin Hood; John Carey, Simon; Marcus, The Eagle of the Ninth; Walter Raleigh, Lady-In-Waiting; Talore, Warrior Scarlet; Midir, The Mark of the Horse Lord; Lucian, The Fugitives; Timotheus, The Flowers of Adonis; Lucianus Calpurnius, The Capricorn Bracelet; Rory the Dirk, We Lived in Drumfyvie; Jestyn Englishman, Hakon One-Eye, Bardas Schlerus, Blood Feud; Moon-Eye, Shifting Sands; Hugh Herriot, Bonnie Dundee; Anoud bin Aziz ibn Rashid, Blood and Sand; Conn, The Shining Company; Onund Treefoot, Sword Song.
- Invisible physical conditions: Sir Thomas Fairfax, The Rider of the White Horse; Aracos, A Circlet of Oak Leaves; Prasutagus, Song for a Dark Queen.
- Blind Musician: Rhiada, Outcast; The Bard, Warrior Scarlet; Thorn, Literature/Blood Feud.
- Speech Impediment: Justin, The Silver Branch; Sir Thomas Fairfax, The Rider of the White Horse; Claudius, Song for a Dark Queen.
- Mental irregularities: The Tom-o'-Bedlam, Brother Dusty-Feet; the mazelin, The Shield Ring; Cullen, The Silver Branch; Dicken Gibberdyke, The Rider of the White Horse; Stripey, Swallows in the Spring; Daft Fergie, Old Nannie, and Geordie Breck, We Lived in Drumfyvie.
- But Not Too Gay: Attraction between men is mentioned in three of Sutcliff's five novels for adults, but much more discreetly than her already inexplicit relations between men and women.
- Original characters: Gault and Levin, Sword at Sunset; Arcadius and Astur, The Flowers of Adonis.
- Historical figures: James the First, Robert Carr and the Duke of Buckingham, Lady-In-Waiting; Socrates and Alkibiades, The Flowers of Adonis.
- Call to Agriculture: Background, sideline, or destiny of many characters.
- Robin of Locksley, The Chronicles of Robin Hood; Adam Hilyarde, The Queen Elizabeth Story; Simon Carey, Simon; Marcus et al., The Eagle of the Ninth; Beric and Justinius (as horse-breeders), Outcast; Bjorn and Frytha, The Shield Ring; Flavius, The Silver Branch; Drem, Warrior Scarlet; Aquila (as a slave), The Lantern Bearers; Sir Thomas Fairfax, The Rider of the White Horse; Randal and the d'Aguillons, Knight's Fee; Owain, Dawn Wind; Artos (horse-breeding), Sword at Sunset; Aracos, A Circlet of Oak Leaves; Lovel (physic gardening), The Witch's Brat; Jestyn Englishman (cow herd), Blood Feud; Damaris Crocker and Peter Ballard, Flame-Coloured Taffeta; Bjarni and Angharad, Sword Song.
- Canine Companion: Heroes Love Dogs, as did their author.
- Trusty, The Chronicles of Robin Hood; Bran and Peterkin, The Queen Elizabeth Story; Bunch, The Armourer's House; Argos, Roland and Oliver, Brother Dusty-Feet; Jillot and Joram, Simon; Cub, The Eagle of the Ninth; Gelert and Canog, Outcast; Garm, The Shield Ring; Whitethroat, Warrior Scarlet; Cabal, The Lantern Bearers and Sword at Sunset; Math, The Bridge-Builders; Bran and Gerland, Joyeuse, Matilda, Math and Mathonwy, Knight's Fee; Boatswain, Houses and History; Dog, Dawn Wind; Syrius, The Fugitives; Dexius's hound, Swallows in the Spring; Garm, Tristan and Iseult; Brindle, Blood Feud; Caspar, Bonnie Dundee; Gelert, The Shining Company; Astrid and Hugin, Sword Song.
- Celtic Mythology: Most of Sutcliff's fiction is set in the British Isles and Ireland, in a period when most of the population is Celtic. She wrote two volumes of Celtic legends, and referenced elements of Celtic mythology in many of her novels.
- The Hound of Ulster: retells the life of Cú Chulainn, including the Táin Bó Cúailnge and The Exile of the Sons of Uisnech. He's also mentioned in Frontier Wolf, The Shining Company, and Sword Song.
- The High Deeds of Finn Mac Cool: retells the life of Fionn Mac Cumhail.
- The Shining Company is based on the semi-historical Welsh poem Y Gododdin.
- "The Children of Lir" is retold inThe Queen Elizabeth Story, and mentioned in Sword Song.
- The Washer at the Ford, a forerunner of death, appears (or is thought to appear) in The Hound of Ulster, Song for a Dark Queen, Frontier Wolf, and Bonnie Dundee, and is perhaps alluded to in Flowering Dagger and The Changeling.
- Using a sword to mark This Is My Side of There Is Only One Bed in Sword at Sunset and Song for a Dark Queen refers to Pwyll of Dyfed's adventures in the Mabinogion.
- Dogs named Bran or Skolawn (after Fionn Mac Cumhaill's), Gelert (Llewellyn's), and Math and Mathonwy (Mabinogion) appear in various books.
- Childhood Friend Romance: Romance is not a prominent element, so if anyone does get together, it's probably two old friends, and often a Last-Minute Hookup.
- Robin and Marian, The Chronicles of Robin Hood; Perdita Pettle and Adam Hilyarde in The Queen Elizabeth Story; Tamsyn and Piers Caunter in The Armourer's House; Simon Carey and Susanna Killigrew, and Amias Hannaford and Mouse Carey in Simon; Marcus and Cottia, The Eagle of the Ninth; Frytha and Bjorn, The Shield Ring; Drem and Blai, Warrior Scarlet; Randal and Gisella, Knight's Fee; Owain and Regina, Dawn Wind; Gault and Levin, Sword at Sunset; Hugh Herriot and Darklis Ruthven, Bonnie Dundee; Damaris Crocker and Peter Ballard, Flame-Coloured Taffeta; Conn and Luned, The Shining Company.
- Color-Coded Eyes: Grey eyes are code for "this person has a cool head or other Hidden Depths".
- Esca, The Eagle of the Ninth; Justinius, Outcast; Ambrosius, The Lantern Bearers; Regina, Dawn Wind; Rahere, The Witch's Brat; Tristan, Tristan and Iseult; Thormod Sitricson, Blood Feud; Nessan, Song for a Dark Queen; Guenever and Lancelot, the King Arthur Trilogy; Alexios, Frontier Wolf; Thomas Keith and Anoud, Blood and Sand.
- Coming of Age Story: Classic Young Adult growing up, figuring out where you belong, deciding what to do with your life stuff.
- Simon; The Eagle of the Ninth; Outcast; The Shield Ring; Warrior Scarlet; Knight's Fee; Dawn Wind; The Mark of the Horse Lord; The Witch's Brat; A Crown of Wild Olive; The Capricorn Bracelet; The Changeling; Blood Feud; Sun Horse, Moon Horse; Flowering Dagger; Frontier Wolf; Bonnie Dundee; The Shining Company; Sword Song.
- Conflicting Loyalties: Though their duty is usually clear, characters are often challenged with personal ties to enemy friends or the other side of a mixed ancestry.
- The Chief's Daughter: Ness arranges the escape of a captive she's befriended.
- The Truce of the Games: Athenian Amyntas befriends Spartan Leon and debates whether To Be Lawful or Good.
- The Changeling: Tethra chooses between his adopted father's and his birth mother's peoples.
- The Eagle of the Ninth: Esca, a British rebel, owes his life and personal service to Marcus, a Roman soldier.
- The Bridge-Builders: Androphon and Cador force a truce between Roman garrison and Celtic tribe.
- Frontier Wolf: Alexios fights his best friend in a blood feud and the Arcani desert to the tribes.
- The Lantern Bearers: Flavia and Ness marry into the enemy and Aquila spares the life of his Saxon nephew.
- Sword at Sunset: Bedwyr and Guenhumara leave Artos over their Love Triangle.
- Dawn Wind: British thrall Owain serves a Saxon family.
- Blood Feud: Christian and doctor Jestyn Englishman swears a pagan blood feud.
- The Rider of the White Horse and Simon: the English Civil Wars.
- Bonnie Dundee: Hugh fights his rebel family as a redcoat.
- Blood and Sand: Thomas Keith converts to Islam.
- Creator Provincialism: Sutcliff grew up in north Devonshire and later lived in the Down Country in Sussex. She set many of her books in both regions. On a broader scale, almost all of her writing concerns the history or mythology of the British Isles, with few sidetrips elsewhere.
- The West Country: The Queen Elizabeth Story, The Armourer's House, Brother Dusty-Feet, Simon, The Eagle of the Ninth, Outcast, Sword at Sunset, Tristan and Iseult, Blood Feud.
- The Down Country and Selsey: The Eagle of the Ninth, The Silver Branch, Warrior Scarlet, The Lantern Bearers, Knight's Fee, Dawn Wind, Sword at Sunset, The Witch's Brat, Sun Horse, Moon Horse, Flowering Dagger, Flame-Coloured Taffeta.
- Oop North: The Chronicles of Robin Hood, The Eagle of the Ninth, The Shield Ring, The Silver Branch, The Rider of the White Horse, Sword at Sunset, The Mark of the Horse Lord, A Circlet of Oak Leaves, The Capricorn Bracelet, We Lived in Drumfyvie, Frontier Wolf, The Shining Company, Sword Song.
- Bonnie Scotland: The Eagle of the Ninth, Sword at Sunset, The Mark of the Horse Lord, A Circlet of Oak Leaves, The Capricorn Bracelet, The Changeling, We Lived in Drumfyvie, Shifting Sands, Frontier Wolf, Eagle's Egg, Bonnie Dundee, The Shining Company, Sword Song.
- Wales: The Lantern Bearers, The Bridge-Builders, Sword at Sunset, A Circlet of Oak Leaves, The Chief's Daughter, The Shining Company, Sword Song.
- Ireland: The Hound of Ulster, The High Deeds of Finn Mac Cool, Tristan and Iseult, Blood Feud, Sword Song.
- Aversions: The Flowers of Adonis, A Crown of Wild Olive, Blood Feud, Black Ships Before Troy and The Wanderings of Odysseus (Greece); Outcast (Italy); Beowulf (Scandinavia); Blood and Sand (Ottoman Egypt).
- Culture Clash: Individuals connecting across cultural barriers is Sutcliff's bread and butter.
- Briton vs. Briton: The Changeling, Warrior Scarlet, The Mark of the Horse Lord
- Celts vs. Romans: Song for a Dark Queen, Eagle's Egg, The Eagle of the Ninth, Frontier Wolf, The Bridge-Builders
- Roman Britons vs. Anglo-Saxons: The Silver Branch, The Lantern Bearers, Sword at Sunset, Dawn Wind
- Dated History: Not all of her research has held up against later discoveries and interpretations – most egregiously, the Ninth Legion might or might not have been lost.
- Does This Remind You of Anything?: The colonization of Roman Britain (or Norman England) and the crumbling of the Roman Empire evoke The British Empire, particularly The Raj, to the point of anachronism. Most of these novels were written during the dismantling of the British Empire and following in the footsteps of Rudyard Kipling.
- The looming threat of the Saxon invasions and the imminent Dark Ages also evokes the Battle of Britain, which Sutcliff lived through in her early twenties.
- End of an Age: The decline and fall of the Roman Empire in Britain, with the Dark Ages in the role of After the End.
- The Exile: A recurring form of marginalisation, like disability and enslavement.
- Beric in Outcast; Evicatos, The Silver Branch; Drem in Warrior Scarlet; Owain, Dawn Wind; Midir, The Mark of the Horse Lord; Stripey, Swallows in the Spring; Tethra, The Changeling; Alexios, Frontier Wolf; Hugh Herriot, Bonnie Dundee; Tom Wildgoose, Flame-Coloured Taffeta; Bjarni Sigurdson, Sword Song.
- Failure Is the Only Option: For the Celts against the Romans; the Britons against the Saxons; and the Saxons against the Normans. Versus history, basically.
- Fiery Redhead:
- Elizabeth Tudor, The Queen Elizabeth Story; Amias Hannaford, Simon; Cottia, The Eagle of the Ninth; Drem One-Arm, Warrior Scarlet; Gisella, Hugh "Goch" Montgomery, Robert de Bellême, William Rufus, Knight's Fee; Elizabeth Percy, Lady Ogle, Houses and History; Bryni Beornwulfson, Dawn Wind; Phaedrus and Midir Mac Levin, The Mark of the Horse Lord; Iseult of Ireland, Tristan and Iseult; Thormod Sitricson, Blood Feud; Essylt, Song for a Dark Queen; Connla, Frontier Wolf; Alan Armstrong, Bonnie Dundee; Aethelfrith the Flame-bringer, The Shining Company.
- Aversions: Susanna Killigrew, Simon; Flavius, The Silver Branch; Prasutagus, Song for a Dark Queen; Cunorix, Frontier Wolf; Cordaella and Vedrix, Eagle's Egg.
- Gray-and-Grey Morality: Despite frequently using light versus dark as shorthand for Order Versus Chaos, most stories acknowledge that the protagonists and antagonists are just people with opposing goals or incompatible worldviews, and the cultural perspective shifts from Roman to Celt to Saxon to Viking to Norman from book to book.
- The Great Wall: Hadrian's Wall ("the Wall") and the Antonine Wall ("the Northern Wall") hold off the Picts and allow the Romans to monitor traffic between Roman Britain and the semi-lawless territory of Valentia. In narrative terms, many a Sutcliff protagonist crosses the Wall to have adventures beyond the pale, and the Wall is a refuge/plot goal that they must reach or prevent someone else from reaching.
- Crossing and coming back: The Eagle of the Ninth, Frontier Wolf, The Mark of the Horse Lord, Sword at Sunset
- Garrison duty: The Capricorn Bracelet, The Silver Branch, "Swallows in the Spring"
- Building: The Capricorn Bracelet
- Heterosexual Life-Partners: If it's not the central relationship of the book, the protagonist probably has one in the background. A frequent source of
Ho Yay and a magnet for Anyone Can Die.
- Robin Hood and Little John, The Chronicles of Robin Hood; Robin Pettle and Adam Hilyarde, The Queen Elizabeth Story; Simon Carey and Amias Hannaford, Simon; Marcus and Esca, The Eagle of the Ninth; Justin and Flavius, The Silver Branch; Drem and Vortrix, Warrior Scarlet; Thomas and William Fairfax, The Rider of the White Horse; Androphon and Cador, The Bridge-Builders; Randal and Bevis d'Aguillon, Knight's Fee; Artos and Bedwyr, Sword at Sunset; Tristan and Gorvenal, Tristan and Iseult; Amyntas and Leon, A Crown of Wild Olive; Jamie and Johnnie Douglas, Eckie Brock and Donal Dhu, Johnnie Forsyth and Hugh Maitland, We Lived in Drumfyvie; Jestyn Englishman and Thormod Sitricson, Blood Feud; Lubrin Dhu and Dara, Sun Horse, Moon Horse; Alexios and Cunorix, Frontier Wolf; Darklis Ruthven and Jean Cochrane, Bonnie Dundee; Thomas Keith and Tussun Bey, Blood and Sand; Prosper and Conn, The Shining Company; Achilles and Patroclus, Black Ships Before Troy.
- Historical Domain Character: Usually limited to cameos, but several novels are based on the lives of real (or allegedly real) people.
- Alcibiades stars in The Flowers of Adonis and is referred to in Bonnie Dundee.
- Boudica stars in Song for a Dark Queen and features in The Capricorn Bracelet, and is mentioned in The Eagle of the Ninth. Her Roman opponent Suetonius Paulinus is also mentioned in Outcast.
- Agricola is wistfully looked back to as the height of Roman Britain in The Eagle of the Ninth, writes home to Mother as a young man in Song for a Dark Queen, and conquers Scotland as Supporting Leader in Eagle's Egg.
- King Arthur
- Beowulf, the subject of Beowulf: Dragon Slayer and related by the Saxons in The Shield Ring and Dawn Wind.
- Elizabeth I features in The Queen Elizabeth Story, Lady-In-Waiting, and Houses and History, and The Armourer's House and Brother Dusty-Feet also take place during her lifetime.
- Sir Walter Raleigh, a local hero of Sutcliff's native Devonshire, makes a cameo in Brother Dusty-Feet, enjoys gratuitous mentions in Simon and The Rider of the White Horse, stars in Lady-In-Waiting, and has a chapter in Houses and History.
- Sir Thomas Fairfax is a Supporting Leader in Simon, the protagonist of The Rider of the White Horse, and receives a chapter in Houses and History.
- James Graham, Marquis of Montrose doesn't get a novel of his own, but he's mentioned in Simon and Blood and Sand, is the final "Hero" featured in Heroes and History, is the Supporting Leader in "We Sign the Covenant" and "God Be with You" in We Lived in Drumfyvie, and the kinsman and hero of Dundee in Bonnie Dundee.
- Montrose's kinsman John Graham of Claverhouse, Viscount Dundee, in Bonnie Dundee.
- Blood and Sand: Thomas Keith
- Honor Before Reason: Ubiquitous, usually in a heady combination of Undying Loyalty, Heroic Sacrifice, Because Destiny Says So, and Give Me Liberty or Give Me Death!.
- The Eagle of the Ninth: "Let's search the entirety of Scotland for the symbol of my father's lost honour!"
- Sun Horse, Moon Horse: "I shall dedicate my masterpiece with my ritual suicide"
- Sword at Sunset: "I can't possibly assassinate him, it's his destiny to kill me, for my sins. Also I shall let the vengeful children of my defeated enemies go free."
- Blood Feud: "I will nurse my sworn enemy though tuberculosis"
- Bonnie Dundee: "We must fight to the death for our rightful king, who has abdicated"
- Human Sacrifice: A common thematic and plot point in pagan settings, often as a form of Heroic Sacrifice associated with kingship (an idea borrowed from Sir James Frazer's influential The Golden Bough.)
- Beowulf: Beowulf faces the dragon alone because "he was the King, and for him in the last resort was the duty and the privilege of dying for the life of his people."
- Knight's Fee: The unexplained death of William II in the New Forest is suggested to have been ditto.
- Sword at Sunset: Ditto the High King Ambrosius's death
- The Mark of the Horse Lord: the Horse Lords are expected to commit some form of Heroic Suicide if hard times require a Human Sacrifice.
- The Chief's Daughter: Nessan tags in for the friend who's supposed to be the victim, because she's the king('s daughter)
- The Flowers of Adonis: Alkibiades who (allegedly) sacrifices himself for Athens is identified with Adonis, a fertility god who symbolically dies every year.
- The Changeling: Tethra was saved from ritual infanticide by being switched with Murna's son.
- Flowering Dagger: Brychan was conceived for the purpose of ritual infanticide.
- Sun Horse, Moon Horse: The horse has to be dedicated with a sacrifice. Of the guy who is sort of king.
- Intrepid Merchant: From Merchant Venturers in the Age of Exploration, to Viking traders, to wandering blacksmiths and quack doctors.
- Robin Pettle in The Queen Elizabeth Story; Martin, Kit, Piers and Tamsyn Caunter in The Armourer's House; Zackary Hawkins in Brother Dusty-Feet; "Demetrius of Alexandria" in The Eagle of the Ninth; Aristobulo in Outcast; the bronze-smith in Warrior Scarlet; Laef Thorkelson in Knight's Fee; Sinnoch the Merchant in The Mark of the Horse Lord; Thorkel Thorkelsson and John and Anita Anderson in We Lived in Drumfyvie; Hakon Ketilson in Blood Feud; Phanes of Syracuse in The Shining Company; Heriolf Merchant in Sword Song.
- Kill the Ones You Love: Or at least take a stab at it.
- Mercy Kill: Owain and Dog, Dawn Wind; Artos and Ambrosius, Sword at Sunset; Alexios and Connla, Frontier Wolf; Hugh Herriot and Jock, Bonnie Dundee; Thomas Keith and Musa ibn Aziz, Blood and Sand; Prosper and the white hart, Cynan and Cynran Mac Clydno, The Shining Company.
- Honor Before Reason: Simon Carey and Amias Hannaford, Simon; Marcus and Cradoc, The Eagle of the Ninth; Cuchulainn and Ferdia, The Hound of Ulster; Phaedrus and Vortimax, The Mark of the Horse Lord; Lubrin Dhu and Cradock, Sun Horse, Moon Horse.
- We Used to Be Friends: Zeal-for-the-Lord Relf and James Gibberdyke, Simon; Thormod Sitricson and Anders Herulfson, Blood Feud; Alexios and Cunorix, Frontier Wolf; Hugh Herriot and Alan Armstrong, Bonnie Dundee; Tussun Bey and Thomas Keith, Blood and Sand.
- Made a Slave: Happens with some regularity to protagonists or their sidekicks. See also Slave Liberation.
- Esca, The Eagle of the Ninth; Beric and Jason, Outcast; Aquila and Flavia, The Lantern Bearers; Owain and Regina, Dawn Wind; Dara, The Chief's Daughter; Timandra, and the Athenian prisoners, The Flowers of Adonis; Jestyn Englishman, Blood Feud; the Iceni-Epidi tribe, Sun Horse, Moon Horse; Thomas Keith, Blood and Sand; Conn and Aneirin, The Shining Company; Muirgoed and Erp Mac Meldin, Sword Song.
- The Medic: One of the professions Sutcliff was most interested in, often alongside soldiering.
- Jonathan Whiteleafe, Brother Dusty-Feet; David Morrison, Simon and The Rider of the White Horse; Brother Ninnias, The Lantern Bearers; Lovel, Brother Eustace, and Brother Peter, The Witch's Brat; Wattie Aiken, We Lived in Drumfyvie; Brother Pebwyr, The Shining Company.
- Combat Medic: Little John, The Chronicles of Robin Hood; Amias and Odysseus Hannaford, Simon; Marcus (posing as an occulist), The Eagle of the Ninth; Justinius, Outcast; Justin, The Silver Branch; Gwalchmai, Sword at Sunset; Aracos, A Circlet of Oak Leaves; Tethra, The Changeling; Jestyn Englishman, Blood Feud; Donald MacLeod, Blood and Sand.
- Wise-women: Lizzy Cobbledick, The Queen Elizabeth Story; Tiffany Simcock, The Armourer's House; Mother Trimble, Simon; Rowena, The Lantern Bearers; Ancret, Knight's Fee; Ia, The Changeling; Lovel's grandmother, The Witch's Brat; Iseult of Ireland, Tristan and Iseult; Old Effie and Old Nannie, We Lived in Drumfyvie; Genty Small, Flame-Coloured Taffeta; Old Nurse, the Queen and Princess Niamh, The Shining Company; Angharad, Sword Song.
- A Minor Kidroduction: The novels are typically loosely-plotted affairs with their opening chapters devoted to minor incidents of youth that happen to set the protagonist onto their path. Most novels that close on a teenage or young adult protagonist open in their childhood.
- Simon, Outcast, The Shield Ring, Lady-In-Waiting, Warrior Scarlet; Knight's Fee; Dawn Wind; The Witch's Brat; Sun Horse, Moon Horse; Song for a Dark Queen; Bonnie Dundee; The Shining Company. The Eagle of the Ninth has an important flashback embedded in its first chapter.
- Most Writers Are Writers: Sutcliff was both a writer and a painter. Her creative types include draughtsmen, painters, and sculptors; musicians, storytellers, actors, and medieval jesters, and memoirists.
- Artists: Piers in The Armourer's House; Jason in Outcast; Lucian in The Fugitives; Nick Redpoll and Brother Luke in The Witch's Brat; Lubrin Dhu and Gault in Sun Horse, Moon Horse; Vedrix in Eagle's Egg; Hugh Herriot, his father, and Cornelius van Meere in Bonnie Dundee; Andros in "The Hundredth Feather"; Colonel D'Esurier, Blood and Sand.
- The Bard: Rhiada in Outcast; Bjorn and Haethcyn in The Shield Ring; Cullen in The Silver Branch; Tristan in Tristan and Iseult and The Sword and the Circle; Sinnoch, Sun Horse, Moon Horse; Cadwan of the Harp in Song for a Dark Queen; Aneirin in The Shining Company.
- Court Jester: Peterkin, The Chronicles of Robin Hood; Jonathan Whiteleafe, Brother Dusty-Feet; Hunferth, Beowulf; Rahere, The Witch's Brat.
- Poets and playwrights: Jonathan, Brother Dusty-Feet; Sir Walter Raleigh, Sir Philip Sidney, Ben Jonson, Lady-In-Waiting, William Shakespeare, Andrew Marvell, Lord Byron, Houses and History.
- The Storyteller: Deborah Caunter in The Armourer's House; Jonathan Whiteleafe in Brother Dusty-Feet, Unna in The Shield Ring.
- Wandering Minstrel: Robin "the Minstrel", The Chronicles of Robin Hood; the Palmer in Brother Dusty-Feet; Pentecost Fiddler in Simon; Rhiada in Outcast; Bjorn and Haethcyn in The Shield Ring; Cullen in The Silver Branch; Herluin in Knight's Fee; Bedwyr in Sword at Sunset; Rahere in The Witch's Brat; Thorn in Blood Feud; Cadwan of the Harp in Song for a Dark Queen; Shadow Mason in Flame-Coloured Taffeta; The Minstrel and the Dragon-Pup.
- Narrative Filigree
- Officer and a Gentleman: Most protagonists are their culture's equivalent, be it Roman army officers, chieftains' sons, or English knights. This is unsurprising, as Sutcliff's father was an officer and she grew up on Royal Navy bases (what is perhaps surprising is that she never wrote about Wooden Ships and Iron Men).
- Order Versus Chaos: Romans and Roman Britons representing order and the Celts and Saxons representing chaos. Since the Sympathetic P.O.V. is usually on the Romans, order is generally seen as a good thing, but they're also shown to be at fault for inflexibility in dealing with their Celtic subjects.
- Our Fairies Are Different: The Little Dark People are demythified aboriginal Britons in her Historical Fiction. The Sidhe appear in her myth retellings like The Hound of Ulster and The High Deeds of Finn Mac Cool.
- Perfectly Arranged Marriage: Truth in Television compels some characters into Arranged Marriage, but it generally turns out all right, after perhaps a little Belligerent Sexual Tension.
- Lucilla and Valarius Longus, Outcast; Gille and Gerd, The Shield Ring; Anne and Thomas Fairfax, The Rider of the White Horse; Aquila and Ness, The Lantern Bearers and Sword at Sunset; Philip de Braose and Aanor, Knight's Fee; Artos and Guenhumara, Sword at Sunset; Phaedrus and Murna, The Mark of the Horse Lord; Boudicca and Prasutagus, Song for a Dark Queen; Thomas Keith and Anoud bin Aziz ibn Rashid, Blood and Sand; Aud the Deep-Minded and Olaf the White, Onund Tree-foot and Aesa, Groa and Dungadr, Sword Song.
- People of Hair Colour: Romans, Picts, and Little Dark People are (you guessed it) mostly dark, while Celts, Saxons, and Norsemen are fair, and characters of mixed ancestry tend to look tellingly like the side of their parentage they identify less with.
- Prophecies Are Always Right:
- The Wise Woman in The Armourer's House; Unna in The Shield Ring; Ancret and the Norman crone in Knight's Fee; the Old Woman, Sword at Sunset; the Old Man of the Green Hills in The Mark of the Horse Lord; Cordaella, The Capricorn Bracelet; Old Effie and Old Nannie in We Lived in Drumfyvie; Dark Thorn in Blood Feud; Darklis in Bonnie Dundee; Genty Small, Flame-Coloured Taffeta.
- Proud Warrior Race: Celts, Romans, Irish, Saxons, Vikings, Normans, Scots. . . all of them, in fact.
- The Queen's Latin: There are no accents in text, but Roman characters clearly speak British English... in contrast to British characters.
- Satellite Love Interest: To a degree. Female love interests are rounded characters, but their story function is to be the hero's female friend. While sometimes very important to his motivations or Character Development, they're seldom directly involved in the main events of the plot or shown interacting much with the other main characters. Sutcliff's few female protagonists tend to have Deuteragonist male love interests.
- Susanna Killigrew, Simon; Cottia, The Eagle of the Ninth; Ness, The Lantern Bearers; Gisella, Knight's Fee; Regina, Dawn Wind; Guenhumara, Sword at Sunset; Alexia, Blood Feud; Anoud, Blood and Sand; Niamh, The Shining Company; Angharad, Sword Song.
- Scenery Porn: Prone to Description Porn of all kinds, especially in her most Slice of Life stories, but Scenery Porn is most abundant. Usually involves British Weather. Consider a typical description of Scotland in late winter:"They mounted the waiting ponies, and with hounds loping on in front, headed down the steep slope to the river crossing, where the black stone that the troops called the Lady stood in the sere winter grass beside the ford. They splashed across it and headed on up the estuary, past the faint track that Alexios had ridden with the old Commander on their courtesy visit to the Lord of Six Hundred Spears, and still on towards the ruins of Credigone and the eastern end of the old Northern Wall. Presently they turned inland, with no track to follow this time, leaving the narrowing estuary with its gulls and its crying and calling shore-birds behind them, and heading up a side glen where alder and hazel crowded the banks of a small fast burn. The burn was coming down in spate, running green with melting snow-water from the high moors, so that they must follow the bank a good way before they could come to a good crossing-place; but between the darkly sodden wreck of last year's bracken and the soft grey drift of the sky, the catkins were lengthening on the hazel bushes, making a kind of faint sunlight of their own, and in one especially sheltered place, as the two young men brushed past, the first pollen scattered from the whippy sprays so that they rode through a sudden golden mist. Even here at the world's end, spring was remembering the way back, and for a moment a sense of quickening caught almost painfully at Alexios somewhere below the breastbone." – Frontier Wolf, ch. 5
- Shout-Out: See also King Arthur and Celtic Mythology.
- The Eagle of the Ninth's Esca and Placidus are borrowed from George Whyte-Melville's The Gladiators.
- To Rudyard Kipling alone:
- Sutcliff reused several of the settings visited in Kipling's Puck of Pook's Hill and its sequel Rewards and Fairies (in which two children are told stories of England's past by various ghosts) in her novels, and directly lifted several of his turns of phrase. She also wrote a monograph about his writing for children (condensed version here
).
- Marcus Flavius Aquila of The Eagle of the Ninth was inspired by Parnesius, the young Romano-British officer of auxiliaries from Puck of Pook's Hill.
- Outcast's Justinius is inspired by "The Roman Centurion's Song".
- The Dacian Cavalry, who appear in The Eagle of the Ninth, The Capricorn Bracelet, A Circlet of Oak Leaves and Swallows in the Spring, was not a historical unit. It's the outfit Parnesius wanted to join in "A Centurion of the Thirtieth".
- Parnesius and Pertinax's participation in the cult of Mithras, which Kipling treats like his beloved Freemasonry, is probably the reason why Marcus, Justinius, Flavius, Alexios, and Ambrosius are Mithrans.
- "The Men's Side" and "the Women's Side", which appear in all Sutcliff's British tribes, are inspired by "The Knife and the Naked Chalk"'s accompanying verse, "Song of the Men's Side", from Rewards and Fairies.
- "Seisin", a ritual dedication that appears in Brother Dusty-Feet and Knight's Fee, is performed by the children in Puck.
- The rowing song ("A long pull for Miklagard!") in Blood Feud is inspired by "Thorkild's Song" ("A long pull for Stavanger!") in Puck.
- The character of Rahere in The Witch's Brat is influenced by his portrayal in "The Tree of Justice" in Rewards.
- "It is in my mind (or heart) that...", "mine to me", and "we be [X], you and I" are from The Jungle Book(s). Beric's troubled adoption in Outcast has echoes of Mowgli's travails.
- The phrase "a singing magic", used in Warrior Scarlet, The Lantern Bearers, The Hound of Ulster, and The Changeling, is taken from "The Cat Who Walked By Himself
" in the Just So Stories.
- "Oar-thresh", a word used by Bruni in The Lantern Bearers, is coined by a character in "The Finest Story in the World
".
- Sutcliff's The Bridge-Builders, in which no literal bridges are built, is presumably named in tribute to Kipling's The Bridge-Builders
, in which one is.
- Sutcliff reused several of the settings visited in Kipling's Puck of Pook's Hill and its sequel Rewards and Fairies (in which two children are told stories of England's past by various ghosts) in her novels, and directly lifted several of his turns of phrase. She also wrote a monograph about his writing for children (condensed version here
- Shown Their Work: Most of her stories are situated quite precisely in time and geography, though this is usually indicated via Cryptic Background Reference in her work for children. Her five adult novels are much more explicit about "kings, dates, and battles".
- Slave Liberation: With few exceptions, characters who are Made a Slave tend to get out of it again.
- Esca in The Eagle of the Ninth; Beric in Outcast; Drem in Warrior Scarlet; Aquila and Flavia in The Lantern Bearers; Randal (as a villein) in Knight's Fee; Owain and Regina in Dawn Wind; the citizens of Eburacum in Sword at Sunset; Phaedrus in The Mark of the Horse Lord; Dara in The Chief's Daughter; Arcadius and Timandra in The Flowers of Adonis; Jestyn Englishman and Anders in Blood Feud; the Iceni in Sun Horse, Moon Horse; Thomas Keith in Blood and Sand; Conn and Aneirin in The Shining Company; Muirgoed and Erp Mac Meldin in Sword Song.
- Supporting Leader: Powerful and high-ranking people, particularly Historical Domain Characters, are almost invariably seen through a Supporting Protagonist.
- Elizabeth I in The Queen Elizabeth Story; Sir Thomas Fairfax in Simon and The Rider of the White Horse; Jarl Buthar and Aikin the Beloved in The Shield Ring; Carausius in The Silver Branch; Ambrosius in The Lantern Bearers and Sword at Sunset; Philip de Braose in Knight's Fee; Aethelbert and Augustine in Dawn Wind; Alkibiades in The Flowers of Adonis; Rahere in The Witch's Brat; Sir James Douglas and Montrose in We Lived in Drumfyvie; Vladimir of Kiev and Basil "the Bulgar Slayer" in Blood Feud; Constans in Frontier Wolf; Agricola in Eagle's Egg; Claverhouse in Bonnie Dundee; Muhammed Ali Pasha, Ibrahim Pasha, Tussun Pasha, Abdullah ibn Saud, Blood and Sand; Mynyddog, Ceredig, Gorthyn, and Cynan Mac Clydno in The Shining Company; Onund Treefoot, Thorstein the Red, and Aud the Deep-Minded in Sword Song.
- Supporting Protagonist: Relationships of Undying Loyalty usually involve a leader and a follower. The leader might be a Supporting Leader, The Mentor, or just the more assertive Heterosexual Life-Partner, and is seen from the perspective of the follower, who is often more reserved, lower-ranking in some way, or sometimes the Love Interest or a First-Person Peripheral Narrator.
- Hugh Copplestone, Brother Dusty-Feet; Simon Carey, Simon; Frytha, The Shield Ring; Justin, The Silver Branch; Bess Throckmorton, Lady-In-Waiting; Anne Fairfax, The Rider of the White Horse; Randal, Knight's Fee; Timotheus, Arcadius, Timandra et al., The Flowers of Adonis; Jestyn Englishman, Blood Feud; Blue Feather, Shifting Sands; Lubrin Dhu, Sun Horse, Moon Horse; Hugh Herriot, Bonnie Dundee; Prosper, The Shining Company; Bjarni Sigurdson, Sword Song.
- Tragic Bromance:
- Thomas and William Fairfax, The Rider of the White Horse; Randal and Bevis, Knight's Fee; Artos and Bedwyr, Sword at Sunset; Conory and Midir, The Mark of the Horse Lord; Eckie Brock and Donal Dhu, Johnnie Forsyth and Hugh Maitland, We Lived in Drumfyvie; Jestyn and Thormod, Blood Feud; Lubrin and Dara, Sun Horse, Moon Horse; Thomas Keith & Tussun Pasha, Blood and Sand; Achilles and Patroclus, Black Ships Before Troy.
- Turbulent Priest:
- Allies: Friar Tuck, The Chronicles of Robin Hood; Timothy Pettle, The Queen Elizabeth Story; Peter Copplestone, Brother Dusty-Feet; Zeal-for-the-Lord Relf, Mistress Killigrew, and other Puritans, Simon; Anthonius, The Silver Branch; Midir, Warrior Scarlet; Brother Ninnias, The Lantern Bearers; Priscilla and St. Augustine, Dawn Wind; the Archbishop of Venta, Sword at Sunset; Laethrig, The Chief's Daughter; Rahere, the Benedictines of New Minster, and Lovel, The Witch's Brat; Master Gilliechrist, Master Simon, Andrew Beaton, and John Meikle, We Lived in Drumfyvie; Aneirin, The Shining Company; Aud the Deep-Minded, Brother Gisli, and Brother Ninian, Sword Song.
- Antagonists: the Abbot of St. Mary's and Abbess Ursula, The Chronicles of Robin Hood; the wandering druid, The Eagle of the Ninth; Merddyn the Druid, Outcast; the Church, Sword at Sunset; Liadhan, The Mark of the Horse Lord; the Covenanters, We Lived in Drumfyvie; Long Axe, Shifting Sands; Morvidd the Oak Priest, Frontier Wolf; the Covenanters, Bonnie Dundee; the Wahabis, Blood and Sand; Asmund and Thara Priestsdaughter, Sword Song.
- The 'Verse: Despite a dearth of direct sequels, Word of God has it that "it is all part of the same series, really"
, as borne out by consistent world-building and a few recurring details.
- The Dolphin Ring: The Flavius family's signet ring, a dolphin on a flawed emerald, is passed down through The Eagle of the Ninth, The Silver Branch, Frontier Wolf, The Lantern Bearers, Sword at Sunset, Dawn Wind, Sword Song, and The Shield Ring.
- Artos, or King Arthur, in The Lantern Bearers, Sword at Sunset, Dawn Wind, and The Shining Company.
- Frontier Wolves in The Mark of the Horse Lord, The Capricorn Bracelet, Frontier Wolf, and The Shining Company.
- A song called "The Girl I Kissed At Clusium" in The Eagle of the Ninth, A Circlet of Oak Leaves, and Eagle's Egg.
- Knight's Fee takes place in the same valley as Warrior Scarlet, featuring the Hill of Gathering. Lewin the shepherd's left-handed flint hand-axe is implied to have belonged to one-handed Drem.
- Tristan and Iseult takes place in the same continuity as the King Arthur Trilogy. Tristan makes a cameo in The Sword and the Circle.
- Vestigial Empire: Britain, where most of her books are set, is of course cut loose from the crumbling Western Roman Empire and its inhabitants left to fend for themselves. The Lantern Bearers, Sword at Sunset, The Shining Company, and Dawn Wind are set in the immediately post-Roman period, but even 400 years later the Viking protagonist of Sword Song can recognise Roman ruins.
- Undying Loyalty: A major source of Author Appeal.
- The Eagle of the Ninth: "I am the Centurion's hound, to lie at the Centurion's feet."
- The Silver Branch: "I am the Hound of Curoi"
- The Lantern Bearers: "I never had a sister, but if I had, I hope I would be as loyal to her after twenty years"
- Sword at Sunset: "I ran off with your wife but left her to come back to you"
- Knight's Fee: "along with most of their faults he has learned the hound's chief virtue of faithfulness"
- Blood Feud: "he had whistled me to heel like a hound; and like a hound I had followed"
- Blood and Sand: "My boss sent an assassination squad after me, but we're still best friends"
- White Stallion: A favourite symbol of leadership (and therefore Heroic Sacrifice)
- The Rider of the White Horse: Sir Thomas Fairfax, Parliamentarian general, rides one.
- Dawn Wind: the Saxons set white stallions as the 'kings' of the horse herds and sacrifice them in place of men.
- Sword at Sunset: Artos rides white stallions and is crowned on the White Horse of Uffington.
- The Mark of the Horse Lord: Phaedrus sacrifices a white stallion at his coronation.
- Sun Horse, Moon Horse: a prince ransoms his tribe with the White Horse of Uffington.
Sun Horse, Moon Horse
Lubrin Dhu, the Iceni chief's Black Sheep artist son, finds himself the spokesman of his clan when they are conquered by the Attribates. He ransoms his Slave Race with the design and construction of a great boundary marker and his own Heroic Sacrifice.- Because Destiny Says So: As Lubrin puts it, "it is the pattern of things."
- Best Friends-in-Law: Lubrin's Heterosexual Life-Partner Dara is chosen as the future husband of his sister Teleri, the heiress of the tribe. It makes things a little weird for awhile.
- Bittersweet Ending: The Hero Dies.
- Friendly Enemy: Lubrin and Cradock might have been friends, if Cradock hadn't conquered his tribe and enslaved him.
- Human Sacrifice: The White Horse must be dedicated with a death, and a chieftain must die for the good of his people.
- Landmark of Lore: The Iceni's building project is the famous prehistoric chalk drawing the White Horse of Uffington.
- Matriarchy: Almost. The patriarchal Attribates assume Lubrin, the chief's surviving son, is the new chief of the Iceni. They're actually matrilineal, so the legitimate chief is his sister Teleri's husband, Dara.
- The Migration: The novel purports to explain the coincidence of both the Scottish Epidi tribe's and the East Anglian Iceni's names meaning "horse people" by having Lubrin's conquered Iceni depart for greener pastures in Argyll that Lubrin and Dara once heard of from a wandering trader.
- Solar and Lunar: The Iceni worship a moon goddess and the Atribates a sun god. The White Horse secretly symbolises both.
- White Stallion: What the White Horse was supposed to be. Cradock remarks after it's finished that he may not be an artist, but he can recognise a mare when he sees one.
The Witch's Brat
Lovel, an orphan with a crooked back and foot, becomes an infirmarian monk and helps found St. Bartholomew's Hospital.- Career-Ending Injury: Nick Redpoll was born to be a builder, but he crippled his leg in a fall off a scaffold.
- Court Jester: Historical Domain Character Rahere is King Henry I's Jongleur or minstrel, a role with which he is not entirely satisfied.
- The Medic: Lovel learns medicine from his grandmother and then the infirmarian brothers of New Minster. He takes the job when Rahere founds St. Bart's and, not content with splints and herbs, invents physical therapy on the go by experimenting on Nick Redpoll.
- Patron Saint: After nearly dying of malaria in Rome, Rahere decides to found a hospital for the poor in London. In a dream, St. Bartholomew advises him that if he throws in a priory as well, he can get the devout King Henry to pay for the lot.
- Taking the Veil: After the loss of young Prince William and the White Ship, Rahere has a religious epiphany and joins the church. Lovel takes his vows mostly because he could never afford secular training as a physician.
- Witch Hunt: Eleven-year-old Lovel is prime suspect in the case of "Who Put the Evil Eye on My Cow?"
The Chronicles of Robin Hood
- Action Girl: Marian knows her way around a sword and bow and dies in battle defending her ancestral castle, leading to Robin's return to the Greenwood.
- An Ass-Kicking Christmas: One Christmastide is spent rescuing Will Stukely from the gibbet.
- Bittersweet Ending: The Hero Dies.
- Defeat Means Friendship: Per legend, Robin acquires many of his followers by challenging them to a fight or a shooting contest, including Little John, Will Scarlet, and Friar Tuck. He also duels Marian in disguise.
- Disguise Tropes: Robin poses as a minstrel and a potter; Marian runs away in drag; Much pretends to be a halfwit; Will Stukely claims to be a thatcher (he hasn't got the hands for it); Little John poses as a pilgrim; King Richard disguises himself as a monk; Guy of Gisburne dresses up as the Phantom Horse of Barnsdale, and Robin steals his costume.
- Turbulent Priest: Friar Tuck is a hard-hitting priest who's been kicked out of his monastery. Robin is first stitched up by the local abbot who wants his land, and spends his career as an outlaw specially targeting rich churchmen. He is finally betrayed by the acquisitive Abbess Ursula, his own cousin.
The Armourer's House
Tamsyn Caunter, who desperately wishes she could be a merchant venturer, must instead go to live with her uncle in London. She settles into the colourful life of the household and city while sharing the secret of their mutual seafaring ambition with her quiet cousin Piers.- Chekhov M.I.A.: Piers's hopes of becoming a sailor went down with his elder brother Kit's ship.
- Childhood Marriage Promise: Tamsyn and Piers agree to marry so Tamsyn can also sail on Piers's theoretical future ship.
- Cool Ship: Piers's Dolphin; Tamsyn's Joyous Venture; the royal fleet's Great Harry and Mary Rose, which they tour on a visit to the Dockyard.
- Christmas Miracle: Kit returns alive and well on Christmas Eve, after a miraculous rescue plus all-expenses-paid two-year round trip to India, no opt-out.
- Description Porn
- Fantasy Sequence: Tamsyn and Piers reimagine the attic as the deck of their ship.
- Historical Domain Character: Henry VIII and Anne Boleyn make a cameo appearance.
- Intrepid Merchant: The "merchant venturers" like Tamsyn's uncle Martin who are exploring the New World in search of new profits.
- Slice of Life
- Show Within a Show: Most of one chapter is an in-story telling of Tam Lin.
The Queen Elizabeth Story
Perdita Pettle, who can see "Pharisees", is granted her wish to see the Queen's Grace in a year and a day. The year passes through the adventures of Elizabethan country childhood.- Best Friends-in-Law: Perdita makes friends with Adam Hilyarde, her brother Robin's bestie, when they take her to the fair. They marry many years later.
- Cool Old Lady: Incurably rude Great-Aunt Phoebe, who once walked down a London street cross-dressed.
- Cool Ship: Bideford's tallest wool trader, the Rose of Sharon, which Perdita receives a guided tour of courtesy of her master, whose ears were trimmed on the Inca death stone.
- Description Porn
- Early-Installment Weirdness: This first novel is the only one of Sutcliff's Historical Fiction to have a significant magical element, the wish-granting fairies, but even they could be Maybe Magic, Maybe Mundane.
- Fantasy Sequence: The chapter in which Perdita and Adam Hilyarde reimagine his drawing room as Samarkand the Golden and its tapestry figures as their party guests.
- Historical Domain Character: Queen Elizabeth I.
- Intrepid Merchant: Perdita's brother Robin is to go to sea with their uncle, and means to become master of his own ship.
- Slice of Life
- Show Within a Show: Two chapters are given over to in-story recountings of "Sir Gawain and the Loathly Lady" and The Children of Lir.
- Undying Loyalty: Meeting Her Majesty inspires a lifelong quasi-religious fervour in Robin.
Brother Dusty-Feet
Hugh Copplestone runs away from home and falls in with a company of strolling players.- Canine Companion: Hugh ditches his abusive aunt and uncle because they've finally done the intolerable: threatened to put down his Big Friendly Dog Argos. He runs away with Hugh and later becomes the beneficiary of a Christmas Miracle.
- Five-Man Band: The Joyous Company – Tobias Pennifeather is The Leader, Jasper Nye is The Lancer, Benjamin Bunsell is The Big Guy, Jonathan Whiteleafe is The Smart Guy, Nicholas Bodkyn is The Heart. Hugh is their Tagalong Kid.
- Friend to All Living Things: The Palmer, or the Piper, has an Orphean power to charm animals with his music, which he offers to teach to Hugh.
- The Runaway: Hugh aims for Oxford, the demi-paradise where his father went to university, but the Joyous Company does just as well for him. Eventually he is spotted by an old friend of his father's and offered a settled home and the tuition, an opportunity which the actors insist he seize.
- Stock Punishment: The reward of actors who perform without a license, especially in miserable little villages in the New Forest.
- Walking the Earth: Travelling actors belong to the fraternity of itinerant riff-raff, along with pilgrims like the Palmer, Zackary Hawkins, the Tom-o'-Bedlam, and other assorted carnies and ne'er-do-wells. The Tom-o'-Bedlam gives Hugh an Initiation Ceremony called the Seisin of the Road.
- Young Future Famous People: The Fine Gentleman, Captain Walter Raleigh.
Flame-Coloured Taffeta
Two children in the Sussex smuggling country shelter a wounded Jacobite courier.- Batman in My Basement: Damaris discovers Tom "Wildgoose" in the woods with a bullet in his leg the day after a smuggling run and stashes him in an abandoned cottage. She enlists her best friend Peter and the local witch doctor Genty Small to perform surgery and feed him. Luckily for Tom, hiding hot goods and dodging the customs officers is in their blood.
- Exact Words: When Damaris asks Tom whether he's a spy, her new friend replies that the letters he's carrying can't possibly threaten King George's peace.
- Great Escape: After Tom is arrested and locked up in the squire's barn, Damaris and Genty threaten the stablemaster into arranging a distraction to cover his escape. Then he has to skulk in Genty's secret cellar until it's time to retrieve his secret documents by walking into the middle of a smuggling run intercepted by a police raid.
- Literary Allusion Title: A Shout-Out to Shakespeare from Henry IV, Part 1, in a rather different context.
- Still Fighting the Civil War: Tom is too romantic to abandon the Jacobite cause, even knowing that Bonnie Prince Charlie is a hopeless prospect in more ways than one.
The Flowers of Adonis
The rise and fall (and rise and fall and rise and fall) of Alkibiades, the notorious Athenian politician – and of Athens – through the eyes of his companions as he sets out on the Sicilian Expedition, reignites The Peloponnesian War, seduces the queen of Sparta, escapes to the Persians, is welcomed back with open arms by the Athenians, and then loses it all again.- Historical Domain Character: Alkibiades; Antiochus; Timandra (loosely); Timea; Agis; Endius; Pharnobazus; Socrates; many others.
- Supporting Protagonist: At least eleven, including one from beyond the grave: the Citizen, the Soldier, the Seaman, the Dead, the Priest, the Queen, the King, the Spartan, the Rower, the Whore, the Satrap.
- Protagonist-Centered Morality: Sympathetic character = forgives Alkibiades anything.
- But Not Too Gay: Alkibiades is said by Antiochus to be strictly a ladies' man, though he was noted for his beauty in a society where bisexuality was normal (this is consistent with Plutarch's remark that he spurned all his admirers but Socrates.) Arcadius ("The Soldier") falls in love with a comrade who dies before they can do anything about it, and then is never interested in another man.
Shifting Sands
A twelve-year-old girl is promised to the tyrannical chief of her prehistoric village, who proposes to sacrifice the boy she prefers to the gods who protect the great sand dune on which the village sits.- Chekhov's Gift: The Combat Haircomb Long Axe gives to Moon Eye is the only weapon allowed into the sacrificial gathering.
- Full-Boar Action: Singing Dog attracts Long Axe's notice when he disputes the credit for killing a ferocious sow. Unfortunately for his survival prospects, this is regarded as tantamount to Challenging the Chief.
- Rescue Romance: Blue Feather and Singing Dog get together when she hurts her foot on the beach.
- A Storm Is Coming: It's a foregone conclusion to the reader, but Moon Eye warns Long Axe about the rising winds. Unfortunately, Long Axe practices Head-in-the-Sand Management.
The Chief's Daughter
Nessan frees a prisoner intended for human sacrifice and volunteers to take his place.- The Chief's Daughter: Averted; the protagonist is the chief's daughter. And she's ten.
- Cargo Cult: Nessan's people worship a standing stone called the Black Mother. The negotiation of sacred debt that causes the characters so much mental agony is all done in the name of a rock.
- Equivalent Exchange: Nessan initially saved Dara from Human Sacrifice by offering a glass bracelet to the Black Mother. When the stream dries up and the priest decides they need to sacrifice him after all, she engineers his escape knowing that someone will have to take his place. His guard knows he'll have to take the fall, until Nessan volunteers in his place. When Dara comes upon the Black Mother and finds a spear left as an offering, he takes it in exchange for all his food, inadvertently undamming the stream. When the water returns, the priest concludes that Nessan's willingness to die was an acceptable sacrifice.
- Ridiculously Difficult Route: Nessan sends Dara down the cliff face that's usually covered by the water of the stream.
Flowering Dagger
A chief's daughter and a hostage from another tribe fall in love, before discovering an even more insurmountable obstacle.- Fourth-Date Marriage: After being distantly acquainted for more than a year, Saba and Brychan suddenly notice each other for the first time, then immediately acknowledge a powerful sense of connection. They pledge their devotion to each other and make plans to elope during their second conversation.
- Moses in the Bulrushes: Brychan was a Doorstop Baby. The titular dagger is his Orphan's Plot Trinket, which combined with his Distinguishing Mark leads to the revelation of his parentage.
- Suddenly Suitable Suitor: Subverted. Yes, they're from the same tribe after all. That's not all they're both from!
- Surprise Incest: Whoops.
- Together in Death: Good thing they've got this dagger handy.
- Foreshadowing: Pervasive. Aside from the characters' conscious hints in dialogue, we have:
- The first paragraphs describe what the scene doesn't yet look like so early in the year, with full growth and beauty still to come, just as Saba and Brychan aren't yet mature (and never will be.)
- Cuckoos aren't just a sign of spring
- The women washing at a ford in the first scene is probably another of Sutcliff's references to the Washer at the Ford, a harbinger of death from Celtic Mythology.
- The observation that Cordaella's husband was of the correct degree of kinship to marry, and that Saba is more free to choose, is ironic. Cordaella and Garim's sibling interaction is a marked contrast to Saba and Brychan in the same scene.
- The death of the bee by the sting that's compared to the dagger, the superstitious associations of the elder flower the bee is sitting on, and Saba's remark that she doesn't care if Brychan hurts her removing the sting.
- The observation that Brychan's parents' relationship didn't get enough time for "flowering and fruiting", just as his won't.
- The symbolism of flowering dagger, whose blade holds both life (the flower design) and death, and which is both beautiful and fatal, like Saba and Brychan's love for each other.
The Changeling
Tethra, a changeling child adopted by the chief of the Epidi, is driven out to rejoin the Little Dark People. When his father is mortally wounded, he must choose between his two tribes.- Moses in the Bulrushes: Complete with Orphan's Plot Trinket, in order to escape Human Sacrifice. He is Happily Adopted by a Mama Bear and Papa Wolf.
- Of the People: Other Epidi claim that he isn't, and Tethra has to choose whether to throw in his lot with his biological mother or the father who raised him. He decides that Upbringing Makes the Hero.
The Truce of the Games, or A Crown of Wild Olive
A young Athenian runner befriends his Spartan competitor at the Olympic Games in the middle of The Peloponnesian War.- To Be Lawful or Good: Amyntas is torn between his duty to represent his city and honour the gods, and his feeling that No Challenge Equals No Satisfaction after Leon is injured.
- Don't You Dare Pity Me!: It's The Spartan Way. Leon refuses to acknowledge to Amyntas that his injury might affect his performance. Leon is trying to validate the race for Amyntas, as Amyntas did for him by competing in earnest.
- Suck Out the Poison: In a gratuitous, poison-free example, Amyntas washes the dirt out of Leon's cut foot, then sucks it just to be sure.
- My Country, Right or Wrong: After the Olympic truce expires, Athens and Sparta will resume their war and Amyntas and Leon will return home and enter opposing armies. There is no third option, and they have no realistic hope of meeting again without bitterness.
Eagle's Egg
Quintus, a standard-bearer, can't marry Cordaella without a promotion to Centurion, but it will take Agricola's three-year Caledonian campaign, a mutiny, and the battle of Mons Graupius to get it.- Framing Device: How I Met Your Grandmother
- Unable to Support a Wife: Quintus, a junior officer, isn't allowed to marry before reaching the centuriate.
- The Mutiny: One is brewing in Quintus's fort when a few men are given A Taste of the Lash for stealing wine during their third miserable winter in Scotland.
- Tension-Cutting Laughter: Quintus makes an incredibly lame joke about the eagle standard and a duck egg that the troops decide through Contagious Laughter is So Unfunny, It's Funny. Cue "Everybody Laughs" Ending to the mutiny.
- Alas, Poor Antagonist: Quintus sees Calgacus only once, when his body is lying on the battlefield of Mons Graupius after his Last Stand. He also points out that Doomed Moral Victor Calgacus's famous "Rome makes a desolation and calls it peace" Rousing Speech was written by Tacitus.
- Very Loosely Based on a True Story: The Caledonian campaign is closely based on Tacitus's account in his Life of Agricola (including the Historical Domain Characters Agricola, Calgacus, and the dead Glory Seeker), even quoting it, but Quintus and his experiences are fictional.
Swallows in the Spring
A survivor of the Ninth Legion returns to Eburacum.- Lost Roman Legion: The vanished Ninth Legion casts a long shadow over their replacements the Sixth Victrix, even a dozen years after their disappearance. No one knows whether they were really destroyed, or worse, deserted.
- Shell-Shocked Veteran: Fulvius, who was left behind by the Ninth and then kept in the same fort as part of the Sixth; Stripey; and to some extent the narrator, Dexius, who claims that a lifetime in the frontier garrisons would drive anyone mad.
- Stranger in a Familiar Land: Stripey was one of Fulvius's men from the Ninth Legion, but he's so covered in Pict tattoos he's unrecognisable, and so traumatised that he can't tell anyone.
A Circlet of Oak Leaves
Aracos, a medical orderly, turns a battle against British tribesmen while disguised as a standard bearer.- Emergency Impersonation: Aracos takes the place of nearly-Identical Stranger Felix, a Shell-Shocked Veteran, so Felix won't be charged with desertion.
- Battle Amongst the Flames: The valour of the auxiliary cavalry is at issue in the tavern because they stampeded when the Picts fired the heather. Only the Dacian cavalry, which Aracos led, rode through the flames because they train their mounts to charge through fire in a trick riding display. Aracos collapses afterward from smoke inhalation.
- Scrap Heap Hero: Aracos, two or three times over – rejected from the cavalry for a heart defect, left to join the medical corps; invalided out of the army, ending up an obscure horse-breaker in Britain; and by the end of the story, believed to have lied about winning the Corona Civica by everyone in his local pub.
The Bridge-Builders
Androphon, the son of a fort commander on the western border of Roman Britain, is held hostage by Britons during a territorial dispute.- I Have Your Son: Kyndylan the Chief plans to use Androphon as leverage for persuading the Commander to abandon the construction of the signal tower.
- She Will Come for Me: Androphon threatens Kyndylan with his father's Disproportionate Retribution, but he's bluffing, as the Romans don't know where Kyndylan's village is, and Kyndylan is planning to move him somewhere better hidden anyway.
- Shame If Something Happened: The story is bookended by two indirectly threatening conversations. Kyndylan claims that his hotheaded young warriors will be upset by the building of a signal tower in the tribe's lands, leading the Commander to predict a series of fatal accidents during the construction. Then Androphon pointedly doesn't accuse his "host" of kidnapping him, so that the Commander can spare the British village and Kyndylan can cooperate in return.
The Fugitives
Lucian, an army officer's paralysed son, hides a deserter from the men sent to recapture him.- Face Your Fears: Lucian hates acknowleding his disability to other people. The deserter has to decide whether army life is worse than life on the run.
- Prayer Is a Last Resort:The affair was out of his hands now; only the gods could hold back the terrible thing from happening. In desperation, with no time to think, he did the one thing that was left. He made a sacrifice to the gods. It was an odd sacrifice, but strong, for it meant giving up old dreams that he had not known until that instant he was still clinging on to; it meant doing the hardest and bravest thing he had ever done in his life.
- Throwing Off the Disability: An aversion, which is the whole point. To save the deserter, Lucian has not only to finally accept his Dream-Crushing Handicap, but cheerfully admit it to the Centurion.
- Would Hurt a Child: The deserter is desperate enough to threaten Lucian, which doesn't work.
The Capricorn Bracelet
Six short stories of a Romano-British family, linked by an heirloom military decoration, from the Boudiccan Rebellion to the end of the Roman occupation.- 61 CE Death of a City: Last Stand
- 123 CE Rome Builds a Wall: The Engineer, One Last Job
- 150 CE Outpost Fortress: Ensign Newbie, Face Your Fears
- 196 CE Traprain Law: For Want of a Nail, Maybe Magic, Maybe Mundane
- 280 CE Frontier Scout: Bring Help Back
- 383 CE The Eagles Fly South: Great Offscreen War, End of an Era
We Lived in Drumfyvie
Citizens of a Scottish Royal Burgh witness its social changes and great events over the course of more than seven hundred years. Originally written as radioplays for BBC Scotland.- 1137 CE Duncan the Red: Feudal Overlord
- 1139 CE The Red Sheriff: Karmic Death
- 1160 CE Midsummer Fair: Intrepid Merchant, Bar Brawl, Stock Punishment, Loophole Abuse
- 1314 CE The Man Who Liked A Peaceful Life: Storming the Castle
- 1360 CE A Burgess Builds His House: Rich Suitor, Poor Suitor, Unable to Support a Wife
- 1443 CE The Pest Comes to Drumfyvie: The Plague
- 1512 CE The Man-at-Arms: Heterosexual Life-Partner, Curb-Stomp Battle
- 1562 CE A House With Glass Windows: Big Fancy House, No Good Deed Goes Unpunished
- 1588 CE Witch Hunt!: Exactly What It Says on the Tin
- 1638 CE We Sign the Covenant: Heterosexual Life-Partner, Give Me Liberty or Give Me Death!
- 1644 CE "God Be with You": Fighting the Lancer, Supporting Leader, Heroic Suicide
- 1740 CE Anderson Brothers: Intrepid Merchant, Blithe Spirit
- 1785 CE Drumfyvie Elects A Provost: King of the Homeless
- 1897 CE The Jubilee Wing: The Vicar, Ribbon-Cutting Ceremony
Sutcliff's list of works:
Historical NovelsSutcliff's historical fiction isn't a tightly-linked series, but it forms a consistent Continuity.
- 900 BCE: Warrior Scarlet (1958)
- 415 BCE: The Flowers of Adonis (1969)
- 100 BCE: Sun Horse, Moon Horse (1977)
- 33 CE: Song for a Dark Queen (1978)
- 126 CE: The Eagle of the Ninth (1954)
- 130 CE: Outcast (1955)
- 180 CE: The Mark of the Horse Lord (1965)
- 292 CE: The Silver Branch (1957)
- 341 CE: Frontier Wolf (1980)
- 450 CE: The Lantern Bearers (1959)
- 480 CE: Sword at Sunset (1963)
- 585 CE: Dawn Wind (1961)
- 595 CE: The Shining Company (1990)
- 890 CE: Sword Song (1997)
- 986 CE: Blood Feud (1976)
- The Sea Dragon (1990, television)
- 1090 CE: The Shield Ring (1956)
- 1094 CE: Knight's Fee (1960)
- 1115 CE: The Witch's Brat (1970)
- 1184 CE: The Chronicles of Robin Hood (1950)
- 1534 CE: The Armourer's House (1951)
- 1566 CE: Lady-In-Waiting (1956)
- 1569 CE: The Queen Elizabeth Story (1950)
- 1581 CE: Brother Dusty-Feet (1952)
- 1640 CE: Simon (1953)
- 1642 CE: The Rider of the White Horse (1959)
- 1683 CE: Bonnie Dundee (1983)
- 1750 CE: Flame-Coloured Taffeta (1986)
- 1807 CE: Blood and Sand (1987)
- Love and Death in Arabia (2008, Takarazuka Revue musical)
Short Stories
More historical fiction in shorter form.
- Stone Age: Shifting Sands (1977)
- Bronze Age: The Chief's Daughter (1966)
- Bronze Age: "Flowering Dagger" (in The Real Thing, 1977)
- Iron Age: The Changeling (1974)
- 412 BCE: The Truce of the Games, or "A Crown of Wild Olive" (1971)
- 60 CE: The Capricorn Bracelet (collection, 1973)
- 80 CE: Eagle's Egg (1981)
- 130 CE: "Swallows in the Spring" (in Galaxy, 1970)
- 150 CE: A Circlet of Oak Leaves (1965)
- Roman: The Bridge-Builders (1959)
- Roman: "The Fugitives" (in Miscellany One, 1964)
- Roman: "The Hundredth Feather" (in Hundreds and Hundreds, 1984)
- Dark Age: A Saxon Settler (1965)
- 1137 CE: We Lived in Drumfyvie (collection with Margaret Lyford-Pike, 1975)
Myths and Legends
Novellas that include the magical and anachronistic elements of their source material.
- Beowulf: Dragon Slayer (1961)
- The Hound of Ulster (1963)
- The High Deeds of Finn Mac Cool (1967)
- Tristan and Iseult (1971)
- The King Arthur Trilogy
- The Sword and the Circle (1981)
- The Light Beyond the Forest (1979)
- The Road to Camlann (1981)
- Black Ships Before Troy (1992)
- The Wanderings of Odysseus (1993)
Non-Fiction
- Rudyard Kipling (1960)
- The Batsford Living History Series:
- Houses and History (1960)
- Heroes and History (1965)
- Blue Remembered Hills (1983)