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Western Animation / F is for Family

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Frank: I'm putting you in charge of your sister today. You got that?
Bill: Yep.
Frank: Okay. If anything bad happens to her, I will come right home... and I will put you through that fuckin' wall.
F is for Family, trailer

F is for Family is a Netflix original animated sitcom created by Bill Burr along with Michael Price, best known for his work on The Simpsons. The show takes place during 1973-1974 — when TV dinners seemed like space-age technology, boxing was the greatest thing on television, and kids would ride their bikes behind mosquito trucks and play in the sweet-smelling pesticide clouds. While this may seem idyllic, the neighborhood that the family of the Murphy's live in is anything but, filled with prejudices and problems that father and protagonist Frank must deal with day after day. As much as the series is an examination of the 70's, much of it is also a harsh criticism of the time, pointing out the social flaws found in the culture of the time period. The series stars comedian Bill Burr as foul-mouthed patriarch Frank Murphy, and is a semi-autobiographical story of his own childhood. The rest of the Murphy clan include Frank's wife, Only Sane Woman Sue; Dumbass Teenage Son Kevin; younger son Bill; Bratty Half-Pint Maureen; and an old dog named Major.


The show follows the Murphys through typical Dom Com conflicts peppered with profanity. One main difference between F is for Family and traditional animated sitcoms, however, is that there is no Reset Button: Conflicts pile up over the show's episodes with disastrous results. Comparisons in style and tone can be drawn with BoJack Horseman, another Netflix original series.

The series premiered on Netflix in December 18, 2015. A second season was later released on May 30, 2017. A third season was released on November 30, 2018. It has also been renewed for a fourth season scheduled for release on June 12, 2020.


F is for Family contains examples of:

  • Animation Bump: The opening sequence has some rather fluid and detailed flying animation compared to the rest of the show.
  • Arson, Murder, and Jaywalking: Sue's "The Reason You Suck" Speech to Frank in episode five:
    Sue: You are a horrible, rotten human being. (Beat) And you're losing your hair.
  • Bait-and-Switch:
    • Frank sees a commercial for Mohican Airways that features Native American stereotypes (and ends with a Native reacting in horror when offered a blanket). Frank finds it offensive... that the company can afford an ad campaign but can't give its workers a cost of living increase.
    • Kevin manages to get Vic's radio station to listen to his band's demo tape, hoping they'd play their song live. Kevin, Lex, and Bolo later find out a second-long clip of their song was used as a bumper for the weather report. Their surprised reactions almost implied they're upset that they got screwed out of a radio broadcast, but then they started cheering and praising themselves for technically being on the radio.
  • Berserk Button:
    • M*A*S*H for Frank, for condensing the hell he went through into a bunch of womanising doctors.
    • Mentioning drowning, in any context, is one for Kevin.
  • Big Brother Instinct: Kevin to Bill and Maureen.
  • Bilingual Bonus: Chet Stevenson says his Vietnamese-American wife Nguyen-Nguyen is crazy about him, often saying "Chet-Chet" in her sleep. "Chết" is also the word "die" in Vietnamese, which could possibly mean she's having nightmares from the war or she's saying "Die, Chet!"
  • Bittersweet Ending: For Season One, Frank loses his job on Christmas Eve, but manages to get one over on his deplorable employers and help Bill defeat his bully and said bully's father.
  • Black Comedy: In a similar vein like many other animated sitcoms about dysfunctional families.
  • Bling-Bling-BANG!: Vic has a gold plated revolver mounted on a plaque which reads "Thanks for the ride, man. Here's a gun. Phil Spector." He eventually uses it to shoot up his house when he finds out his girlfriend cheated on him.
  • Blonde, Brunette, Redhead: A gender-inverted example with Jimmy Fitzsimmons' gang in the first two seasons. Jimmy was the redhead while the other two filled the blonde and brunette void.
  • Brain Bleach: Bill tends to become privy to unfortunate sights, quickly getting an "I'm traumatized for life" look on his face.
  • Bread, Eggs, Breaded Eggs:
    • Maureen's ideas for Halloween costumes included Adolf Hitler and Jesus (bloodied and on a cross). When Frank reacts negatively towards her ideas she combines the two and asks if she could go as "Nazi Jesus".
    • Kevin's Summer school classmates like vandalising their teacher's car and pushing things onto the train tracks so they can witness some destruction. The final episode of Season 3 shows they destroyed their teacher's car by pushing it onto the train tracks.
    • Frank mentions that while he was at war he "got yelled at, got shot, and got yelled at for getting shot."
  • The Bully: Jimmy Fitzimmons, who torments Bill and Phillip relentlessly.
  • Celebrity Paradox: The band "Lifted Riffs" is supposed to be the Led Zeppelin of this universe, but Kevin's friend Claire wears a "Zep" button on her jacket.
  • Chekhov's Gun: The answering machine that Sue receives from Plast-a-Ware ends up recording Frank sabotaging her job offer.
    • Literally with Vic's revolver mentioned above.
  • Cluster F-Bomb: Much of the show is very salty, but Frank especially is known for his string of swear words. His Fat Bastard boss Bob is similar.
  • Crazy Cat Lady: Sue had to deal with one in Ryetown while she was a Plast-a-Ware saleswoman. One of her complaints about a product she bought was "I don't like the way this one is looking at me!"
  • Dad the Veteran: Frank is a veteran of the Korean War. One of his first lines in the series is announcing he almost bled out in Korea.
  • Daddy's Girl: Maureen to Frank. She is the one person he will never yell at, often apologizing for a flippant comment explicitly saying he thought she was Bill or Kevin.
  • Deadly Euphemism: Nguyen-Nguyen claims she's changing Chet "from the inside", a little every day. Turns out she's poisoning him by putting floor cleaner in his noodles, finally getting fed up and dumping a whole gallon one night.
  • Deliberate Values Dissonance: Used frequently to contrast The '70s with today. When describing the show, Bill Burr described The '70s as a decade where you could smack your kid, smoke indoors, and bring a gun to the airport. Much of the show includes casual racism and sexism, lax safety standards and letting their kids do almost whatever they want outside.
    • A talk show called "What It Is" in the first episode being hosted by a white man. He asks his black guests, "So how do you people feel about these election results? So now that the civil rights movement was over, and we're all equals now... I mean, not that you're going to be marrying my daughter or anything". He also makes similarly off-color jokes when talking to a group of feminist activists.
    • In the first season, Frank (at least at first) has a phobia towards black people (besides his airport coworkers), as shown when he immediately flees after seeing a black guy (actually a white reporter in disguise) ask him for help with refilling his car with gas. More prominently though, Frank expresses a lot of sexism with his wife and daughter whenever they try breaking out of traditional gender roles.
    • One episode has Frank drinking a beer while driving. Then he lets Bill take the wheel.
    • When Sue gets a job in season 2, Frank is shown to be intensely resentful of it, since he thinks that, as the man, he needs to be the breadwinner, or at least be more successful than his wife. While these were ideas relatively common back them, this is less present nowadays, and Sue is understandably pissed at him when these feelings surface.
  • Department of Redundancy Department: When Frank gave his "Reason You Suck" Speech to Bog Pogo in the Season 1 finale:
    Frank: Well fuck you, fuck Dunbarton, and fuck you!
  • Did Not Think This Through: Bill and Phillip plan to take the ultimate revenge of Jimmy Fitzsimmons by leading him down a hill on his bike to get tripped up by a bungie cord extended by two trees, which will send him flying into a soiled port-o-san. They did not, however, consider the possibility that Jimmy could simply ride around the trees once he saw that he was headed for a trap, or that he'd be hit by a car and get one of his legs broken regardless.
  • Dude, Not Funny!:
    • Kevin seems to be having fun with the two slacker employees at Mohican Airways until they play a tape of Frank's boss getting decapitated by a plane propeller and crack jokes during it. Kevin becomes disgusted with them and leaves.
    • Vivian and the rest of the Plast-A-Ware executives exchanging numerous profane and sexist remarks. They're all laughing until one executive (Gene) makes a comment about Vivian that the rest of the group thought was too far and derailed the whole meeting.
  • Dysfunctional Family: The show reaches something between this and Stepford Suburbia. As a result it's played a bit more realistic and not as absolute chaos. Frank is a foul mouthed father who is stuck in a dead end job, Sue wants more for her life then being a housewife, Kevin is a slacker teenager with implied brain damage, Bill constantly goes through one traumatic experience after another, and Maureen is basically out of control.
  • Establishing Series Moment: Doubling as both this AND Establishing Character Moment for the whole family in the first 5 minutes of episode one. Frank drives home through a typical, idyllic 70's neighborhood of cars, pastel homes and beautiful front lawns, sits down at the table with an attentive and caring family, and begins to tell a story about work- only to fly into a rage from a single phone-call during dinner, establishing his anger problems and setting the profane tone for the rest of the series. Kevin reacts with disgust while obviously being high, Sue attempts to calm him down but fails and tries to deal with the fallout, Bill shirks away in fear and Maureen ignores him. The last words before the title sequence are "GET THE FUCK OUT OF HERE!", said by Frank to a child.
  • Euphemism Buster:
    • Vic gives us one regarding some sexual affairs he had as a student with the then lunch lady Vivian.
    Vivian: Remember how we (air quotes) "cleaned the kitchen"?
    Vic: Yea, you (air quotes) "fucked the shit outta me"?
    • The Lifted Riffs song "My Pickle" is full of phallic metaphors. Later in the song the singer just flat-out says "I'm talking about my penis!"
  • Expy:
    • Frank's alpha-male neighbor, Vic, looks and acts just like Wooderson from Dazed and Confused.
    • Rosie bears a very close resemblance to late comedian Patrice O'Neal, who was a good friend of Burr's.
    • The band seen in S1 E5 is a blatant Led Zeppelin clone, with a Robert Plant lookalike lead singer who performs a sexually charged blues-rock song clearly spoofing the chorus to "The Lemon Song" (complete with a Euphemism Buster Lampshade Hanging of the ham-fisted phallic metaphor).
    • Bongwater & Spliff, a stoner comedy duo are based on Cheech & Chong.
  • Extremely Short Timespan: For a tv show, at least, each season takes place over a couple of months, rather than the typical "one season equals one year" format. The first season ends around Christmas, while the fourth season starts touching on summer stories.
  • Fan Disservice: The show does have some obliquely-depicted sex scenes, but "Bill Murphy's Day Off" has an explicit view on Frank's hairy testicles.
  • Fat Bastard: Frank's manager, Bob, who is morbidly obese and a Pointy-Haired Boss. He is so heavy he has to shuffled from chair to scooter to car, while also constantly yelling like he is about to pass out.
  • Fictional Counterpart:
    • Plast-a-Ware is heavily based on the real life Tupperware. The sales meetings Sue held at people's homes was a real marketing tactic called "Tupperware parties" that were prominent in the mid-to-late 20th century. "Burping" containers are also mentioned which came from an early Tupperware trademark used to boast their products air-tight seals. The themes of modern feminist issues in the series revolving around Sue's work can also parallel Tupperware's praise and criticism from mid-century feminist groups, the positives being the company employed a lot of women (most without prior work experience) and the negatives being a lot of the target marketing towards housewives sometimes invoked the Stay in the Kitchen stereotype.
    • Mohican Airways is based on Mohawk Airlines, a regional airline based in the Northeastern US from 1945 until 1972. Like Mohican, Mohawk used Native American imagery in its branding.
  • First World Problems: Sue got her salad spinner idea stolen by the company owner, and immediately struggled with a new idea just as good. After venting to Nguyen-Nguyen, a Vietnam war wife, she gives a harrowing description of her village when the birds stopped chirping and the sound of gunfire, but adds "Your thing is sad too."
  • Foreshadowing:
    • When Sue and Frank are debating about the fact that they don't see their parents anymore, Sue says that she still loves her parents. Later in season 3, it's revealed that Frank's father was horribly abusive and Frank tries to keep him as far as possible.
    • Nguyen-Nguyen's two phrases "I'm a survivor" and "I'm changing Chet from the inside" greatly foreshadows the couple's fate in the last few episodes of that season. She is a survivor because she isn't taking Chet's abuse, and is "changing him from the inside" by poisoning him with drain bleach.
  • Free-Range Children: Bill, Maureen, and other neighborhood kids run off unsupervised to climb tall trees, play in construction sites, and touch fiberglass insulation. Justified as an aspect of the time period.
  • Freeze-Frame Bonus: A good number of episodes have some moment where a subversive picture (like a dead Charlie Brown) or a Wall of Text (often in the form of a fully fleshed out newspaper) appears for a few seconds, giving the viewer several bizarre satirical articles to read.
  • Freudian Excuse: Frank came out of high school a relatively optimistic graduate. Then he got drafted into the Korean War, got Sue pregnant, married her too young, and started to grow old. As revealed in season 3, his awful childhood didnt help.
  • The Friend Nobody Likes: Ginny. Never stops talking about herself. Not to mention that she is a constant downer as well.
  • Genre Deconstruction: Of the adult animated sitcoms about dysfunctional families. Different than others, where this is just Played for Laughs, this show actually showcases the awful effects of this kind of family dynamic in the children and parents' lives. The straining marriage, the children's increasing issues that are often ignored or worsened by their home life and the constant stress and trauma everyone is under. In an aversion to Negative Continuity, the show instead is very slow paced with each season only covering a few months at a time, meaning each episode is only a few days apart from each other and we see the fallout and impact of every major event in detail.
  • Get a Room!: Frank has a nice comeback to this one:
    "Aw, fuck you, get an apartment!"
  • Get Back in the Closet: Ginny's rocky marriage is shown to be the result of her complete denial of her husband's homosexuality, calling him "silly" and forcing him not to divorce her, even when he begs her to, when he tells her he's been living a lie.
    • Sue's otherwise liberal parents refuses to accept that their son, who lives in Florida with his "roommate" Jeremy, is anything other than a "confirmed bachelor".
  • Good Girls Avoid Abortion: Frank and Sue had to put their own life's ambitions on hold when Sue got pregnant with Kevin and they decided to raise him together. Somewhere along the line, they had two more children and are implied to have a forth in season 3.
  • Grew a Spine: This seems to be the point of Bill's arc. Though he tries to grow a spine several times throughout the series, it never ends well.
  • Hair-Trigger Temper: Frank. The very first episode begins with him flying into a rage over a telemarketer call during dinner.
  • Heavy Mithril: Shire of Frodo, a progressive rock group and Kevin's favorite band. Their musical style contains a lot of fantasy and Tolken-esque themes. Merlin's Monocle, Kevin's own band he starts with Lex and Bolo follow a similar theme.
  • Hilariously Abusive Childhood: While Frank's abuse of his children is clearly shown be harmful, it's still otherwise depicted as Black Comedy.
  • Homoerotic Subtext: Frank and Chet, especially their private conversation at the drive-in. It's Frank's admiration for Chet that makes it hard for him to believe in Sue telling him about his abusiveness.
    Sue: [Chet] is not the guy you think he is.
    Frank: He's better?
    Sue: Jesus Christ, Frank! Why don't you drive him to Make-Out Mountain and queer off with each other?
  • Hooker with a Heart of Gold: The morbidly obese prostitute has a son in Maureen's computer club who she genuinely loves and cares for.
  • Hope Spot: In the Season 1 finale. The Deal is finally about to go off, Dunbarton tells Frank that his proposal is impressive, and is just about to sign when his wife asks for a pen. Needless to say everything falls apart, and he leaves quietly goes back home. It's seemingly over when a fight with Bill's bully Jimmy and his father reawakens Frank's passion for the deal to still go off. He goes once more to plead with his boss, who agrees but under an unmentioned agreement. This ends up being Bob's agreement to fire Frank for failing to do his job to keep the employees from striking.
  • Horrible Camping Trip: The cabin the family rents for summer vacation in season 3, which turns out to not only have been incredibly poorly maintained (it's filthy and when they first walk in, there's two geese mating on the table), the lake outside has been turned into a toxic waste dump and it starts raining basically the second they leave the car. Oh, and the cabin itself was the site of a mass murder in 1925, according to a plaque on the wall.
  • Hypocritical Heartwarming: The first episode sees Kevin leave a make-out session with his girlfriend just when it was heating up to save Bill from being bullied by some teenagers. He drives Bill's tormentors off in a surge of Big Brother Instinct... and then he punches Bill in the gut for making him go through that trouble.
  • Ink-Suit Actor: Kevin and Sue bear a fairly strong resemblance to Justin Long and Laura Dern. However it’s completely averted with Frank who looks nothing like Bill Burr. However Bill Murphy is based on Bill Burr and looks like what you’d picture a childhood version of him to look like.
  • Is That What They're Calling It Now?: Kevin reassures Frank that he's not doing anything with the girl down the street. Frank sarcastically tells him that he used to "not do anything" too, and that's where Kevin came from.
  • Jaded Washout: Frank is a Korean War veteran with dreams of becoming a pilot who found himself in a mediocre desk job and stressful family.
  • Jerk with a Heart of Gold: In general, while everyone has their share of jerkass tendencies and selfish moments, few of the characters actively wish harm on one another and are decent people just trying to get through life. Frank especially, who's anger issues are the result of a stressful job, strained financial situation, and having to put his ambitions on hold to raise a family, whom he clearly loves (in his own way).
  • Jerkass Has a Point: In Bill Murphy's Night Off when Frank yells at Anthony for rambling on and on. While it can be chalked up to Frank having a short fuse, it needs to be said that Frank was especially high strung from having Billy go missing and an attention-hungry toddler was wasting valuable time. Any decent parent would blow up under that kind of stress.
  • Jizzed in My Pants: Kevin manages to have this happen to him twice in a row when his crush invites him over to give him a haircut. When she first sits him down, he imagines a fantasy scenario of the two of them in his head with plenty of phallic and penetrative imagery, which causes him to cum. His crush rubs his shoulders when she sees he's stresses and the whole thing happens again, only twice as fast.
  • Limited Animation:
    • Anytime a character is shown walking, it's clearly stock animation.
    • When Goomer draws a pair of glasses on his face to look more like Frank, the asymmetry makes it clear that the animators used the same face and occasionally flipped it rather than come up with a new face.
  • Meaningful Background Event/Rewatch Bonus: Among the carnies standing in the unemployment line we can see a young black man with albinism, which is only meaningful in retrospect after Smokey recalls that he sold his infant son to the circus because the baby was born albino. Smokey mentions in Season 3 that he actually does know of his son's whereabouts, but avoids him because he can't stand albinos.
  • Middle Child Syndrome: Bill's major issues surround being ignored over his slacker older brother and genius younger sister, all while dealing with a particularly sadistic bully.
  • Mood Whiplash: Happens to both Sue and Bill during respective Woobie moments: Sue's emotional breakdown is interrupted by Major trying to hump her leg, and Bill's heartbroken reaction to overhearing his father calling him a "pussy" is quickly superseded when he tries to crawl out from under the parents' bed and gets a traumatizing view of his dad's balls.
  • Must State If You're a Cop: Randy believes this trope is true, while Phillip knows it is not.
    Randy: (to Phillip) Are you a cop? You have to tell me if you're a cop!
    Phillip: No I don't, that's a popular misconception!
  • Negated Moment of Awesome: In the season three finale, "Bill Murphy's Night Off", Bill goes missing. Three attempts fail at rescuing him.
    • Vic looks for him in a helicopter. He finds Bill, but the helicopter runs out of fuel and crashes, knocking over a streetlight and causing Bill to fall in the river.
    • When the fire department can't throw life rings to Bill, Pogo announces he was a discus thrower in college, so he picks up a life ring and gets ready to throw it... and has a heart attack.
    • Kevin announces he has overcome his fear of water, so he grabs a life ring and jumps in... and is immediately swept away by the current and has to be rescued off screen by the coast guard.
  • Never Speak Ill of the Dead: Averted in the first episode. Frank's boss dies, leading to Frank getting a promotion, which he feels lucky about. When Sue calls him out on this and points out a man is dead, he just goes "Yeah, but he was kind of a dick."
  • Not in Front of the Kid: Averted. Frank swears like a sailor in front of all the kids. And it's shown to have rubbed off on Bill, who uses profanity jarringly often for a 5th grader.
  • Obnoxious In-Laws: Sue's parents to Frank. While they love and dote on their grandchildren, they have never forgiven Frank for getting Sue pregnant so early, forcing her to drop out of college, and constantly treat him like dirt and make snide remarks about his job problems.
  • Only Known by Their Nickname: Vic's girlfriend is only ever referred to as "Cutie Pie", and it's implied that Vic doesn't use her real name because he doesn't actually know it.
  • Pædo Hunt: When Frank sets up a viewing spot at the Memorial Day parade, he tells his to kids to yell "He touched! He touched me!" if someone tries to sit there, which would cause anyone to run away.
  • Parental Neglect: Both Frank and Sue become so invested in being better parents to Kevin, that they seem to be oblivious to all of Bill's problems (being bullied, blackmailed, called a pussy behind his back, only to made an alter boy, due to a series of events that accidentally lead to a huge fire), even down a proper conclusion of his character arc.
  • Parents as People: Pretty much the biggest point of the show; as much as your parents might love you, they're still their own people with their own feelings and won't always be able to put your needs ahead of their own.
    • Finally reaches it's climax in season 3 where all three kids suffer this to an extent due to Frank and Sue dealing poorly with Sue's pregnancy. It ends with Kevin robbing a liquor store, Bill running away and Maureen attacking a kids show host.
  • Pet the Dog: Frank stomachs interacting with Vic just so he can get Kevin tickets to his favorite band.
    • In the first episode, Kevin vouches for Bill several times - he saves his younger brother from bullies and takes the blame for the broken TV when it was Bill's fault, though this backfires. He also protects his brother from their father, due to knowing that the timid Bill can't handle his rage.
    • Randy jumps to Bill's defense when Jimmy is robbing him and yells at Philip for doing nothing.
  • Please Dump Me: Greg begs Ginny to divorce him when he tells her that he's gay, while she cries at him to stop "being silly."
  • Poor Man's Porn: In "This Is Not Good", Kevin goes through a masturbation montage to prepare for potentially losing his virginity on a date. His wanking material includes pictures of women from non-pornographic magazines, a biology textbook, and a roast beef sandwich that vaguely resembles a vagina.
    • Discussed by two firemen in "O Holy Moly Night" while discovering the burned remains of Jimmy's stash of porno magazines.
      Fireman 1: Look at the stash this Fitzsimmons kid had.
      Fireman 2: Lucky bastard, I had to jerk off to the Indian girl on the butter box.
  • Porn Stache: The Murphys' neighbor Vic has one. He lives up to it.
  • Reality Ensues: A running theme throughout the series is of aspirations and expectations getting crushed under the hard heel of reality. Here are just a few examples out of many:
    • Flashbacks show that Frank and Sue were caught off guard by her pregnancy, but nevertheless optimistic that they could still pursue their dreams of being a pilot and scientist respectively. The show's central premise is about what ended up happening instead.
    • Sue's desire to have a career outside of being a homemaker runs into the reality that holding down a job is pretty much the opposite of "liberation" to the vast majority, and often means putting up with a bunch of unreasonable assholes who either don't value your contributions, or outright steal your ideas and take credit for them.
    • Frank's Hair-Trigger Temper outbursts are seen by him as something he just has to do to get things done sometimes, until he blows up on Bob Pogo again, thinking he's been strung along. This screws him out of a job recommendation at a bigger airline and gets him blacklisted from the industry. He later bursts into tears of shame over making such a catastrophic mistake.
    • Bill greatly enjoys his new job as a paperboy, and we get a montage of him nailing his morning deliveries with only a minimum of trouble. Then he learns what usually gets left out of period pieces where the kid has a paper route: in order to get paid, he has to go around and collect the money from subscribers himself, with the not-so-assuring assurance from his boss that "most will pay."
    • Kevin managing to have sex for the first time isn't presented as something awesome to high-five his friends over, as he deals with the complexity of physical relationships and ends up being deeply ashamed and guilt-ridden for sleeping with Vic's girlfriend, while "Cutie Pie" is, in turn, horrified that she unwittingly slept with a 14-year old boy.
    • Frank gets off a great sitcom-style zinger at the start of the Season 2 finale ("...Breakfast sucked."), but it just puts even more strain on their relationship because Sue wasn't setting him up to make a smartass quip; she was trying to get a sincere attempt at reconciliation out of him so they could move on together, and as dawns on him afterward, his flippancy in the face of the awful things he'd said and done up to that point severely hurt his wife's feelings.
    • After getting into a fight at school, Bill is suspended and must get a form detailing the punishment signed by one of his parents. Bill is terrified of what Frank's reaction will be and voices his concerns to Kevin. Kevin proceeds to take the form and forge Frank's signature, telling Bill that he's been through the same thing and the school administration doesn't actually bother checking whether the parent's signature is authentic. While the suspension form is a big deal to Bill, to them it's just another bit of paperwork they have to sort through.
    • In the season 3 finale, while looking for Bill, Frank engages in Driver Faces Passenger to ask Kevin and Maureen if they really think he's a bad father. He runs a red light and is hit by a truck, then crashes into a streetlight.
  • Rustproof Blood: Whenever blood is seen, it's always a bright red color and the stains never darken.
  • Sequel Hook: The final scene of Season 2 heavily, heavily implies that Sue is going to be pregnant with a 4th child, as Smokey is shown poking holes in the same brand of condoms she and Frank are using to have sex, all while "You're Having My Baby" is playing in the background.
    • Season 3 confirms Sue to be pregnant and the family getting ready for the fourth child is an arc throughout the season. The baby still isn't born yet after the season finale but Frank is left with a new problem: his dreaded father is coming to visit.
  • Real Song Theme Tune: "Come and Get Your Love" by Redbone.
  • Scary Black Man: In essence of Deliberate Values Dissonance, Frank showed his fear against African Americans (besides his coworkers) due to fear of being mugged by them. This bites him back when a reporter does a Black Like Me undercover story, disguised as a black man, and simply asks Frank for gas before Frank drives away in fear.
  • Spiritual Successor: To Wait Till Your Father Gets Home, another animated Dom Com about a family of five, and which was made in the early 70's, when F Is For Family is set.
  • Status Quo Is God: Averted entirely. The closest thing to a Snap Back thus far is the implication that Frank regained his job at Mohican Airways at the end of Season 2, but there's also the possibility of another unplanned pregnancy on the horizon changing the family's dynamic even further. Seeing as the Murphys were already at borderline poverty level another child could be the absolute last thing they need right now
  • Stay in the Kitchen: A running theme in season 2.
    • Sue struggles to be respected as anything more than something to have sexist comments made at while working as a secretary for her chauvinist pig bosses, learning from Vivian that the only way to keep her head above the water is through Volleying Insults, regardless of whether or not she proves her worth to them. While dealing with a difficult customer, she even weights the pros and cons of simply being a doting housewife.
    • A subtler example is Maureen's subplot about her sudden interest in science and computers constantly being shut down by her parents, who keep forcing her to participate in a girl scout troupe (mostly by Frank). When she gets a perfect score on a math test, her teacher automatically assumes that she cheated off of her Asian classmate (they eventually let up when the boy confesses that he cheated off of her).
  • Stylistic Suck: The family's favorite tv show Colt Luger, a detective show with terribly choreographed fight scenes, a comically out-of-shape main star and cartoonishly racist characters.
  • Suck E. Cheese's: Captain ChuckleCrust's Family Fun Time Pizza Palace in "Bill Murphy's Day Off," with a animatronic band of bears.
    • Which ends being converted to a strip club, Captain ChuckleThrust's, by season 2.
      • And the animatronic bear band can be seen in the episode "F is for Fixing It" "doing sex stuff with each other."
  • Sympathy for the Devil: The show is more or less a fanciful biopic cartoon of Bill Burr's father who he despised for most of his life, examining the circumstances and motivations that made their relationship so awful in the first place. In-Universe, Bill is shown to take at least a little pity on his bully, Jimmy Fitzsimmons, when he learns that Jimmy's father is more abusive than his own father.
  • Take That!:
    • One of the records in Kevin's room is of a Led Zeppelin expy called Lifted Riffs, a dig at Robert Plants notorious habit of borrowing portions of old blues songs in his own without crediting the original songwriters.
    • Frank evidently detests M*A*S*H, describing it as the show that "Took the hell I went through and turned it into a bunch of doctors playing fuckin' grab-ass in the Hollywood Hills!"
      • Similar to Frank's hatred for M*A*S*H, Otto Holtenwasser understandably dislikes Hogan's Heroes saying he "see's nothing funny about that show."
    • One episode made fun of animation from 1970s, where Colt Luger made a cameo with an expy of The Harlem Globetrotters. Everything from goofiness and Wraparound Background, which the latter was lampshaded by Maureen.
    • Rosie doesn't seem to like Syracuse, New York. Calling it a shithole in the second season.
  • That Came Out Wrong: Done by Bob Pogo twice while he eats Frank's vending machine stock as revenge.
    Bob: You fuck me, then I'm gonna fuck you... with my mouth! (beat) You know what I mean!
    Frank: God dammit Bob open this door! I gotta get home to my daughter!
    Bob: Fuck your daughter! (beat) You know what I mean!
  • Time Skip: Season 2 starts three weeks after the Season 1 finale.
    • Season 3 is set several months after the Season 2 finale, with Sue visibly pregnant
  • Tempting Fate: In the final scene of season 2, Frank and Sue agree that the children are finally old enough to take care of themselves so that they can get their lives back on track, Frank can go to flight school and Sue can go back to college. All is well, and the two decide to have celebratory sex... with the condoms that Smokey poked holes in.
  • Toad Licking: One of the many drugs offered at Vic's party in "Pray Away". After he decides to get clean, one can still be seen dead in his yard until he accidentally runs his lawnmower over it.
  • Unsympathetic Comedy Protagonist: Frank has a bad temper with some racist and sexist attitudes that often ends up directed at his family. What keeps him from being completely unlikable is that he is surrounded by a lot more overt racists and misogynists, and while his rants can be hurtful most of the time it is just him venting his own frustrations and can equally turn around and be kind and supportive.
  • We Used to Be Friends: In Season 2, we find out that Frank and his former Mean Boss Bob were in the military together and were pretty close friends at that. They seem to have drifted apart over the years, until their relationship reached it's current state. Bob's heartfelt desire for them to go back to being good friends again in the season finale is a major Pet the Dog moment for him.
  • We Want Our Jerk Back: At the beginning of "Heavy Sledding" Kevin mutters "I liked it better when he yelled at us." Regarding a very somber and depressed Frank.
  • Weird Trade Union: The baggage handlers form/join one with circus carnies, unambiguously run by The Mafia.
  • Wham Line: In "Bill Murphy's Day Off".
    Frank: Oh, God, are you really gonna bring that up again? Kevin was only down there for two minutes!
    Sue: Two minutes, Frank, at the bottom of a motel swimming pool!
    • In the season 3 finale:
      Sue: Evidently... your grandfather is going to be staying with us for a while
  • Where the Hell Is Springfield?: The exact location of where the show takes place is not revealed, though it's continuously stated to be in the rust belt, which could be anywhere from the upper Midwest to New England. Some other hints included: Bill Burr as Frank speaking in his native Massachusetts accent, but nobody else has one, the football stadium where the Rusties play is a lot like old Cleveland Municipal Stadium, the few mentioned flights from the Airport are going to Syracuse and Boston, Ryetown, NY, is apparently within a day's driving distance, and there's a direct connection to Pittsburgh by train.
  • Younger Than They Look: Maureen talks to a middle-age looking carny running a bottle toss game, whose dream is to run the tilt-a-whirl. He claims it's too late for him because he's almost 17. Maureen recoils in shock.


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