Follow TV Tropes


Video Game / Amnesia: The Dark Descent

Go To

"I have tried everything and there is no way to fight back. You need to escape it as long as you can. Redeem us both Daniel. Descend into the darkness where Alexander waits and murder him."
— Your former self, Daniel

Amnesia: The Dark Descent is a critically acclaimed survival horror with adventure game elements from the Swedish indie studio Frictional Games. It's a Spiritual Successor to their previous Penumbra series of games, sharing many elements of gameplay and storytelling with them.

Daniel, the playable Non-Action Guy, wakes up in the dark of an ancient creepy castle, Brennenburg, without memories. The first thing he finds is a note to himself, which informs him that he has been deliberately self-inflicted with amnesia so that he can make a dark descent into the heart of the castle and kill the proprietor, Baron Alexander. As he journeys further within the bowels of the Prussian estate, Daniel comes across his own diary entries, hinting at otherworldly influences, particularly the dangerous living 'Shadow' that pursues him for something he did in his past, killing everyone it comes across. He also finds notes left by an assortment of castle-dwellers that elaborate on the sinister events that have taken place there.


But mostly, he finds nothing...

A later update added two new components to the game for free:

  • Amnesia: Justine, a short bonus game with its own characters and setting. Inspired by Portal as part of a cross-game Portal2 promotion, Justine follows a woman who wakes up in a series of sadistic puzzles set up by someone named Justine who communicates through phonograph recordings.
  • Remember, a book of linked short stories that relate to the backstory of The Dark Descent.

In 2013 a Non-Linear Sequel, entitled Amnesia: A Machine for Pigs, was published by Frictional Games, with primary development by The Chinese Room, the team responsible for Dear Esther.

In 2020, a second sequel, Amnesia: Rebirth was announced for release on October 20th, 2020. Unlike A Machine for Pigs, it will be developed by Frictional Games themselves and ties in much more closely with the first game.


Not to be confused with the other Amnesia video game series or the Amnesia: Yume Nikki fan-game.


    open/close all folders 

     Tropes in Amnesia: The Dark Descent 

  • Above Good and Evil: Alexander expresses disdain for concepts like "good" and "evil", thinking them only good for comfort and not something to be concerned about. He reminds Daniel that they aren't so different after Daniel calmly went along with Alexander's plans to torture and kill in order to preserve his own life from The Shadow, and thus Daniel has no better claim to "goodness" than he does — sidestepping that Alexander preyed on Daniel's desperation to convince him it was necessary.
  • Absurdly Spacious Sewer: Apparently justified by being used to carry spring water which surges seasonally. It also functions as a cistern system to retain excess water and carefully control its pressure to power water mills.
  • Acceptable Breaks from Reality: While it may seem odd that you generally can't harm the monsters, this helps preserve the tension since the ability to kill monsters would spoil the mood of the game.
  • Achievement Mockery: One of the most commonly earned Steam achievements in the game is titled "NOPE". Its description reads:
    Left when things were getting interesting in Amnesia: The Dark Descent. note 
  • Advancing Wall of Doom: The Shadow of the Orb manifests as an advancing wave of decay and corrosion that you have to run away from at certain key points in the game.
  • Afraid of Needles: In the sewer beneath the castle — in order to keep from being killed by poisonous fungi, you need to drill a hole into the head of a corpse, insert a needle into a copper tube, insert that tube's base into the skull, and then stick yourself on the needle to immunize yourself. That's Malevolent Mutilation, Afraid of Needles, and a makeshift transfusion all in one scene.
  • Aerith and Bob: The three main characters are Daniel, Alexander and... Agrippa. (Agrippa is Heinrich Cornelius A., but his character is almost purely Last-Name Basis.)
  • Alien Geometries: The Choir and Chancel towards the end of the game are... peculiar. Daniel also has visions of these when he first finds the orb.
  • All Crimes Are Equal: As you learn about various torture victims, the severity of their supposed crimes seems to lessen. The worst were accused of rape and arson, but a forger got thrown into the iron maiden as well.
  • Alternate Reality Game: One of the thirteen indie games that form the bulk of the material of Valve's "PotatoFoolsDay" Portal 2 ARG, see the Justine folder for more about that scenario.
  • Always a Bigger Fish: An off-screen variant. Boy, that Brute sure is scary, isn't he? You can't do anything to stop him and if he finds you you're dead in moments. So exactly what was capable of dismembering one so easily?
  • Amnesia Danger: Daniel's amnesia complicates his forgotten goals, but you later discover that he needed the amnesia to overcome his grief over being used by Alexander to murder innocents under false pretenses.
  • And I Must Scream:
    • If Daniel allows Alexander's ritual to take place, or stays in his cell when imprisoned, the Shadow will consume him. It's implied that this traps his conscious in absolute darkness forever.
    • Can also apply to Agrippa, who is chained to a wall for 300 years, conscious but unable to move.
  • Artifact of Doom: The Orbs. If, for whatever reason, the individual who discovers one is unable to master its power, then the Shadow that guards it will relentlessly pursue him, killing everyone he encounters in the process. When shattered, the orbs emit maddening energy, making them handy torture enhancers, as revealed by Agrippa.
  • Artificial Stupidity: One of the few breaks you'll ever get in the game when encountering monsters. Most of them have horrible vision when you're not in light, get bored chasing you after a while, or are generally unable to notice you when you're literally right next to them. In areas with bottomless pits and other falls, you can lure them to falling to their death (despawn). Also, they cannot attack you if you're on top of them or they are somehow stuck on top of barrels, and they can't see you if you can't see them. Probably justified in-game — the monsters are described as "feeding off your fear" in a way, are more likely to see you if you keep staring at them, and their strength is dependent on your mental strength. If you're good at avoiding them, don't expect much Artificial Brilliance.
  • Artistic License – Biology:
    • When Daniel has to vaccinate himself with a corpse's blood. God only knows if they're the same blood type or if he had any infectious diseases. At least upon touching the body while not holding anything it states that it "Can't be more than a day old." Still, as Lanipator puts it in his Let's Play: "The least sanitary thing I could possibly do!"
    • A rather subtle one: In one of Alexander's research notes a dog is referred to as Canis lupus familiaris. This is the dog's modern taxonomic classification, but at the time the game is set in the accepted classification was Canis domesticus or Canis familiaris.
  • Artistic License – Chemistry:
    • According to Amnesia, combining aqua regia, orpiment, cuprite, and calamine all together note  creates simply "acid." No, the pH isn't known either. Note that Aqua Regia is already a mixture of nitric and hydrochloric acid capable of dissolving gold. Why you must add a copper-based mineral (cuprite), Arsenic Trisulfide (orpiment, once used for poisoned arrows) and Zinc Oxide (calamine, used in cosmetic creams and powders) is up to you to guess, when royal water alone would have done the job of dissolving organic tissue.
    • After you use the "acid" to melt the organic tissue, the container it was in isn't washed out, and is re-used for something else later, despite the traces of acid. Even worse, later in the game, Daniel finds a glass jar. He uses it to transport acid, then oil, once again without washing it out. After that, he can use it to prepare Weyer's tonic — the potion Agrippa's survival depends on.
  • Artistic License – Physics: You can light candles and torches that have fallen over and are lying sideways. If you do, the flames still shoot out parallel to the barrel of the candle or torch (i.e. sideways, instead of towards the ceiling).
  • Ascend to a Higher Plane of Existence: What may have happened to Weyer, Agrippa, and Daniel if you choose the right ending.
  • Asshole Victim: Daniel or Alexander, depending of the ending. Either of these two qualifies. Redemptive attempts aside, if we talk about Daniel — he was not even an alien as Alexander was, and even Alexander himself feels a little surprised by him.
  • Back from the Dead: Agrippa in the Golden Ending. The potion Daniel makes for him allows him to be healed and re-embodied in the other world.
  • Bait-and-Switch: Of sorts, but done in a panic-inducing manner. In the final leg of the sewers, you find your path is blocked by a Brute standing guard at the hall you need to go down. Fortunately, the area is circular and you can simply get him to come investigate a noise when you make noise in one direction or the other. No matter how far you manage to lure it away, it'll suddenly be right behind you instead of distracted once you go down the hall, and your only hope is to book it to the ladder and start climbing before it gets you.
  • Barrier-Busting Blow: Doors do not stop the creatures, just slow them down.
  • Beethoven Was an Alien Spy: Agrippa and Weyer were real historical figures, Agrippa being a 16th-century alchemist and Weyer being his apprentice. This game indicates that Weyer, like Alexander, actually came from... elsewhere...
    • Agrippa was also an occultist in Real Life, about 300 years before Amnesia takes place. He 'presumes' that he was held prisoner by Alexander for hundreds of years, which would make the numbers match up.
  • BFS: The Brute's left forearm is one FREAKING HUGE BLADE. Getting hit just once by one of these things is sometimes enough to kill Daniel dead.
  • Bittersweet Ending: Alexander is dead, Daniel lives and feel redeemed, and the shadow stops chasing him. However, the kindly, old, and battered Agrippa dies in the rubble assuming his forced immortality gave out.
  • Bizarrchitecture: The layout of Castle Brennenburg barely seems to make any sense from any practical perspective. But then again, its owner is hardly the usual kind of person.
  • Black Bug Room: Virtually any room where your sanity meter drops low enough to give you bizarre hallucinations about your surroundings.
  • Bookcase Passage: Two in the main campaign, one in Justine.
  • Brain Bleach: The player will feel like they need one after visiting some of the later portions of the game. Daniel himself eventually needs (and uses) some after the weight of all the things he's seen and done catches up with him, and he is forced to ask himself whether he can live with knowing it.
  • Breather Level: The Back Hall. It's downright serene and pleasant compared to the Archive Tunnels you have to run through to get there... at least, until giant fleshy tumors sprout everywhere and the fountain starts pouring blood.
    • The Back Hall portion was discussed in the Dev commentary, in which they invoked this trope, going along the lines of "This is meant to relax the player a bit so the upcoming horrors will be even worse by comparison."
    • Also the main Cistern area and where you meet Agrippa in the Nave, which works as a breather room.
  • Brown Note Being: Seeing some creatures in this game lowers your sanity score. Vision triggered sanity loss is a Brown Note power for creatures such as the water-dwelling Kaernk and the Shadow.
  • Cat Scare: The scarcity of it makes those few instances much more effective.
    • Not a cat, but opening a drawer full of bones has the same effect.
    • Also, the iron maiden near the end.
    • There's also the torch that turns on by itself. Which is not traditional fire.
  • Chekhov's Gun: Justified. Some of the flashbacks provide hints as how to how to make progress, although it's more of a Chekhov's Gun to Daniel as the memories slowly comes back to him, since the player wouldn't know anything about these pieces of information until the flashbacks are pointing it out.
  • Cold-Blooded Torture: How both Daniel and Alexander treat those that Alexander has captured.
  • Collapsing Lair: At the end of the game when you exit the castle, if you look behind you, you can see rocks completely obstructing the way back to the Entrance Hall. Also, you can hear crumble noises while Daniel opens the big door.
  • Collision Damage: The Meat Moss hurts you if you stand on it, though it is possible to jump on and off it fast enough to avoid damage.
  • The Corruption: The Shadow of the Orb.
  • Cosmic Horror Story
  • Cower Power: Literally, the best way to survive a monster is to find a dark corner, curl up with your nose to the wall, and pray it leaves before it stumbles over you. Justified, as Daniel has no means by which to fight back against these monsters, they can generally outrun him when they break into a sprint, and closing doors will only slow them down at best.
  • Creepy Cathedral: The area names of one section of the castle suggests it is this. It doesn't look much like one, but it's hinted that much of it may have been made by members of a forgotten culture.
  • Creepy Painting: There are portraits of Alexander around the castle. If your sanity's high, they look like normal portraits; but if your sanity's low, the paintings become utterly horrific.
  • Darkness Equals Death: Played with — a core strategy for survival is to hide in dark areas from monsters, as they can't see well in the dark. Doing so does reduce your Sanity Meter note , but there is no other way to evade your pursuers. In the end, it amounts to "When darkness doesn't equal safety, it equals madness".
  • Death Is a Slap on the Wrist: Dying just sends you to the nearest respawn and you can continue on your merry way.
  • Delicious Distraction: The water monster can be briefly placated by chucking one of the many severed body parts lying around into the water.
  • Doomed by Canon: The written supplementary materials focus on characters who were mentioned in-game as dying or disappearing without a trace. Each story ends right before the event that kills them.
  • Doom Magnet: Everywhere Daniel goes, people die. It turns out it's the Shadow hunting him. By the time the games events begin, he is almost a Walking Wasteland. It is hinted at that it only kills people who examine or tamper with the orb and it does so instantly. Whereas Daniel is fine for 27 days and if Daniel stops Alexander from screwing with the orb, it lets him go without an issue.
  • Downer Ending: The bad ending, in which Daniel dies and Alexander gets away scot-free with everything. Many of the custom stories also have downer endings:
    • The Things In The Night: After Fin kills the Evil, the Shadow's Expy, and then confronts his father, there are either the choices of joining him or kill him. The former will trigger the ending in which the father traps Fin in a cage filled with Grunts, killing him, and the latter results in an ending where something is shown busting the door to the room Fin is in, revealing the Evil survived and is implied to kill Fin.
    • Tenebris Lake: Edward can either save himself and leave his family to die in the crumbling remains of the house, save his wife (which dooms his two children) and die in falling debris, or save his children and abandon his wife.
    • Disponentia: The protagonist escapes the cursed house, but upon jumping a fence, he is chased by ferocious dogs and when trying to find sanctuary in a nearby house, he is denied entry and mauled by the dogs.
    • White Night: The psychologist is revealed to be the Big Bad and purposely keeping the patients in the institution to perform experiments on them, and in the end, the protagonist gets captured and the psychologist gets away with everything.
    • The Great Work: There are 2 bad endings. If you get caught by the enemies after stealing the orb, they will regain the orb and fuse it towards your body, resurrecting their master. If you got caught by the Shadow, you will be trapped in the chamber where the orb was originally held with the Shadow guarding it. The only thing that you can do would be to wait for death...
    • The Machine: The protagonist is unable to save his wife, though it does seem like he banishes the demon possessing the titular machine. However, upon waking up after the confrontation, the door to his guest room swings open revealing the haunted corridors of the machine with the demon's laughter in the background implying the protagonist was possessed.
    • Lost the Lights: While this story is silly, the character, Daniel, somehow started WW III by tampering with the unknown power source in the underground complex. He commits suicide by monster due to the guilt.
    • Castle of Devastating Diseases: The Dr. Mathew is unable to cure his patients. In fact, his cure turns the worst cases into monsters. He flees the castle and the plague is no closer to being stopped.
    • Obscurity: Simon stops the mad leader of the communion who has been sacrificing townspeople, including his sister, to the monsters. With the last of the communion dead and the village abandoned, he finds his long lost mother and everything seems fine until he hears rumors of disappearances near the village. This, coupled with his chronic nightmares, drives him mad. At this point, he decides that the monsters must be dealt with... by having the mine reopened and the village repopulated so that HE can continue the sacrifices.
    • Gustav: The main character is killed when the orb explodes. He's the lucky one, as he is sane enough to have his life flash before his eyes, while the powerful Mad Scientist, Gustav, is too insane from drinking his own potion to remember who he is any more. Lastly, Alexander survives the explosion and is able to continue his experiments until Daniel shows up 37 and a half years later.
  • Down the Drain: There is an awful lot of this, including an invisible monster that devours you if you touch water, just to give all subsequent drain sections that little extra touch of paranoia
  • Dramatic Spotlight: During the Archives bit, there is a (barely) playable flashback from when Daniel first laid hands on an Orb, during the expedition in Algeria. There is a pedestal with the Orb on it, in a circle of light. Everything else is darkness.
  • Easter Egg: See that tiny six-digit code at the bottom of the screen when you finish the game? Get all the endings and write down the codes, because you can use them to unlock the "super secret" .rar file in the game folder, containing Concept Art, design documents, unused audio, and footage of the game's alpha versions.
  • Eldritch Abomination: The Shadow.
  • Evil Is Visceral: The Shadow.
  • Evil Mentor: Part of why Daniel finally snaps in the first place and drinks the amnesia potion is because he learns that not all of the Baron's victims are criminals... victims that Daniel has happily tortured in the past.
  • Expository Gameplay Limitation: In several of the flashbacks, the player is limited to only walking or running forwards.
  • Eye Scream: One of the flashbacks in the Torture Cellar contains this... thankfully in text form, but given the limitations on character models, that might be worse.
  • Facial Horror: If the player is caught by a monster, this is likely to be the last thing they see. Also applies to Agrippa, though his friendly attitude tends to undermine the horror after the initial shock wears off. If you look at one of Alexander's portraits while your sanity is low enough, the result also qualifies, but since it's heavily implied that Alexander is actually an alien creature, it could just be his true form.
  • Fan Sequel: The custom story "Abduction" is one. Daniel is on Earth for this one.
    • "Through the Portal" is another. Daniel starts in the alien world and tries to find his way back home.
    • "Gustav" is a fan-made prequel and is set 37 and a half years before Daniel's arrival at Brennenburg.
  • First-Person Ghost: As in Penumbra. Averted only by your left hand, which visibly holds the lantern.
  • Fission Mailed: Near the end, where Daniel is captured and put into a prison cell. Complete with a special game over message!
  • Flower Motifs: Roses. The "amnesia" potion is made of oil-of-roses, and rose petals appear at key moments when memories start to return to Daniel. And when he goes through the gate.
  • Food Chain of Evil: As you head into the second half of the game, you find the grunt's eviscerated corpse on the floor and are left to the realization that now you get to run from whatever did that.
  • Glass Cannon: The Kaernk, that invisible monster, can tear the player up, but can be killed by simply throwing a box on it. Good luck hitting it, though.
  • Glamour Failure: Never stated outright, but looking at Alexander's portrait at low sanity is implied to be this — rather than simply an insane hallucination, the player is probably, in fact, seeing his true form.
  • Golden Ending: Considered by some fans who invoke Story Branch Favoritism. By tossing Agrippa's severed head into the portal, Agrippa gets through the portal, leaving Daniel and Alexander trapped in the Inner Sanctum. The Shadow kills Alexander and apparently kills Daniel too, but Daniel is drawn through the portal by Agrippa before he truly dies. Agrippa (alive and well due to the potion Daniel gives him) and Weyer both begin to tend to Daniel's wounds. Agrippa tells Daniel "everything will be alright," implying they will bring him back from the brink of death, and give him the potential Immortality they have in their world.
  • Go Mad from the Revelation: The revelation in this case being a Heel Realization. Voluntarily erasing his memories was Daniel's mean of coping with it.
  • Gothic Horror: Dark, decaying, (kinda) haunted castle? Haunted Hero? Mysterious, morally ambiguous, (kinda) vampiric Baron? Madness and curses? Check, check, check, double check.
  • Grey-and-Gray Morality: While both the protagonist (Daniel) and the antagonist (Alexander) have both done terrible things, neither of them is totally vile and both had reasonably sympathetic motives.
  • Have a Nice Death: When you die, the game will give you helpful advice such as, "Tread carefully..." and, "Block the path. Run..."
    "Stay out of the water..."
  • Haunted Castle: Turns out that's because of Daniel.
  • Hazardous Water: The archives under the castle are all flooded knee or waist deep. Unfortunately for Daniel, that is the only environment in which invisible, flesh-hungry monsters from another dimension can survive...
  • Heel Realization: Daniel, once he finds the final Diary entry — the player will realize it beforehand, though.
  • Heroic Sacrifice: Daniel in the Agrippa ending. Arguably doubles as Redemption Equals Death.
  • Hollywood Acid: At one point you have to mix cuprite, calamine, aqua regia, and orpiment to make an acid and use it to dissolve a large growth blocking your progress. While aqua regia (a mix of nitric acid and hydrochloric acid that can dissolve metals like gold) and orpiment (an arsenic sulfide used in tanning) make sense and could probably do the job by themselves, it makes little sense to mix them together with a non corrosive mineral like cuprite and calamin, a substance used as the basis of LOTION.
  • Hollywood Darkness: Completely shattered — if you try to peer into a dark room from a lit hallway, you will see nothing beyond the doorframe.
    • Played around with throughout too; a lot of areas do have subtly blue ambient light, and standing in darkness helps Daniel see in the dark in bluish hues, but then there's an area with no ambient light at all that is stated to be "unnaturally dark" and areas with similar lighting appear throughout as a sign of incoming horror.
  • Horrifying the Horror: In one of the loading screens and in one of his memory jars, Alexander expresses stupefaction at how changed Daniel has become — ironically, under the guidance of Alexander himself, who successfully turned his friend into a Torture Technician.
  • Hub Under Attack: The game has multiple Hub Levels that the hostile monsters lurking within Brennenburg cannot enter, alowing the player to rest before tackling the castle's many horrors. As you complete the levels within those hubs, however, the latter will gradually sport anomalies such as blood-poring fountains and Meat Moss — the calling card of the Shadow pursuing Daniel. Downplayed, however, in that the player can still be safe in the hubs regardless.
  • Humanoid Abomination: Baron Alexander, possibly.
  • Human Resources: Humans are tortured and killed to collect Vitae.
  • Hyperspace Arsenal: You can carry a lantern, lantern oil, other important items and Agrippa's head, without much lack of space in your inventory.
  • Identity Amnesia: Done via a Laser-Guided Amnesia potion which wipes Daniel's memory about himself — thankfully he still knows how to use tinderboxes and refuel his oil lamp!
  • Ill Girl: Daniel's sister/cousin will either have died or survived depending on how "kind" you are in the game. (She is only mentioned in loading segments.)
  • I'm Cold... So Cold...: At a certain spot you'll hear this phrase as a disembodied whisper.
  • Immortality Immorality: It's strongly indicated that the Baron, being stuck in human form, needs vitae (cosmic life force) to prolong his life until he can find a way back to his own dimension. Unfortunately, the only viable source of sufficient quantities of vitae is the prolonged torture and agony of human beings. Daniel, likewise, needs to regularly perform human sacrifices to keep the Shadow at bay.
  • Interface Screw: As your sanity decreases, the screen distorts, as if you're looking through a thin layer of water. At really low levels, Daniel's movements lag behind your mouse movements.
  • Interface Spoiler: Early on, a helpful hint appears instructing you to hide in darkness from enemies... even if you had no idea anything was there.
    • Subverted as there isn't actually any threat yet. It is played straight when the game tells you about being able to hide in cupboards, though.
  • Invincible Boogeymen: Almost every monster in the game is one of these, but they do give up and go away if the player hides themselves well enough. Just looking at them is enough to drive the player character mad, and as soon as one catches sight of you, you're practically dead. However, the most prominent example is the Shadow, as unlike other monsters which you can hide from or distract, the Shadow will find you wherever you go and is truly unstoppable. It will NEVER stop chasing you until it decides otherwise.
    • Normal Fish in a Tiny Pond: If Rebirth is anything to go by, creatures like Alexander's Gatherers are stronger than humans, but just as vulnerable to bullets as anyone else. It's just that Daniel doesn't have access to anything even remotely resembling an effective weapon.
  • Ironic Echo: Fail to escape the cage filling with Meat Moss and you hear echoes of other Brennenburg prisoners pleading for mercy. Their fate is now yours!
  • Iron Maiden: An iron maiden is included in a late part of Brennenburg Castle. Coming close to it triggers a (hallucinated) Jump Scare when it opens. Using it when you're next to the thing triggers a kind of flashback through the memories of one of its victims.
  • Jump Scare: Such scares include a wind extinguishing a set of torches, or a desk that opens to a set of human skulls. Unlike traditional jump scares, they can inflict sanity damage. There is a nasty one where you reach an iron maiden and when you get too close, it will suddenly open revealing a red mist.
  • Just One More Level!: A design decision. The game's levels were designed to be short and bite-sized to provoke this effect.
  • Large Ham: The guy they got to voice The Baron seems to be really into it. Some of his line readings border on mood breaking, especially a couple at the very beginning of the game, most notably the first time he says "The Inner Sanctum".
    " fact, it lies beneath the very stone of Brennenburg!"
  • Leitmotif: Each character has their own associated piece of theme music. Each piece has several variations to represent different moods. Most commonly this can be heard while reading notes written by various characters. Specific songs also "give away" when a monster is lurking around, and of course, the screech when a monster is actively chasing you.
  • Lightning Bruiser: The Brutes. They run faster than Daniel and can kill him in one hit.
  • Karma Houdini: Both Daniel and Alexander depending on the ending.
    • Though, some endings can be interpreted as the Shadow brutally killed Alexander and leaving Daniel alone completely. He had gone through Hell via the entire ordeal of killing Alexander and that was his penance, so to speak.
    • However, the definitive example, in the Justine expansion, is Justine herself.
  • Madness Mantra
    Daniel: Paint the man, cut the lines. Cut the flesh, watch the blood spill — let it come!
  • Male Frontal Nudity: This game is not at all shy about full frontal male nudity, and the final confrontation might remind you more than a little of Watchmen.
  • Meaningful Name: The title itself is one. Just play it if you want to know why.
    • Agrippa points out that Daniel shares the same name as the Biblical figure and he compares Daniel's quest with the story of Daniel In The Lion's Den.
    • Brennenburg roughly translates to "Burning Castle" in German. The castle was burned by a fire before the events of the game take place and was rebuilt by Alexander.
  • Meat Moss: All over the place, and more growing all the time. It is strongly implied this is a residual effect of the Shadow that is pursuing Daniel.
  • Memory Jar: The game has a few unexplained cylinders of Alexander's (each containing a single vague memory) scattered throughout the castle.
  • Misplaced Wildlife: The cockroaches infesting Alexander's castle look and sound like Gromphadorhina portentosa (Madagascar hissing cockroach), rather out of place in a castle somewhere in Prussia.
  • Motivational Lie: Some of the tips the game gives in tutorial messages and loading screens is straightly lying to the player. For example, noting that if Daniel's Sanity Meter gets too low, he will attract monster's more readily is flatly false, there is simply no gameplay mechanic that ties monster spawning or attention to the sanity state. However, it is quite effective at scaring players away from spending too much time in darkness.
  • Multiple Endings:
    • If you break Alexander's machine before it opens the portal, Alexander dies and Daniel leaves Brennenburg free of his curse and content that he did the right thing.
    • If you let the portal open and didn't help Agrippa, Alexander will go through the portal and the darkness will kill you.
    • If you let the portal open and throw Agrippa's head through it, both you and Alexander will die, but Agrippa will call out to you in the ethereal realm and ask Weyer to help you, before assuring you "it will be alright."
    • There is also a fourth, lesser known ending only possible if the player decides to remain in the cell after the three Grunts attack him in the Chancel. This ending is similar to the 'bad' ending, in that it means Alexander will go through the portal and Daniel will be consumed by the shadow.
  • Murderous Mannequin: Played Straight and Subverted in the Custom Stories. Some mannequins (read suits of armor and statues) follow you, some hurt you if you get near them, one talks to and hurts you if you touch it, some seem to move to shield you from view, and at one point some outright talk to you and protect you from a Brute. It Zig Zags all over the place.
  • Musical Spoiler: You can easily tell if the enemies are nearby or still chasing you.
    • Averted when hiding from monsters, the music will still play until you stop shaking in the darkness and go check if the monsters are gone.
  • My God, What Have I Done?: Daniel, detailed in a note found late in the game.
  • Mythology Gag: In the intro, you get a throwaway reference from Daniel about him living in Mayfair, London. That's the same place where the protagonist of the Penumbra series goes to retrieve the heirloom of his missing father (which kicks off the plot of the first game).
    • Also, the "memory capsules" are very similar to the Tuurngait artifacts in Penumbra.
  • Nightmare Face: The Facial Horror of the monsters is one major source of this. The other source is the paintings of Alexander when viewed Through the Eyes of Madness.
  • Note to Self: Daniel writes himself a note before quaffing a potion to erase his memories, telling him to descend to the bottom of Brenenburg Castle and kill a man. This is found at the end of the first area.
  • No Escape but Down: Played on throughout the whole game. While Daniel has to go up some stairs and ladders at times, he cannot escape the castle until he "descends into the darkness" following one of the very first instructions the player is given, all the while fleeing from various opponents. Taken most literally towards the end of the game when Daniel has finally gained access to the Inner Sanctum by recreating an orb, and he must run down stairs with the Shadow hot on his heels.
  • Non Standard Game Over: If you fail to escape the jail cell and let the shadow consume you, you will trigger the Downer Ending. It is very similar to the bad ending towards the end of the game.
  • Nothing Is Scarier: In spades. The monsters are scarce enough to keep them from being a source of frustration, but frequent enough to ramp up the terror. Add to that ambient sounds that, at times, sound like footsteps, and you'll be cowering in a corner for fear of a monster you haven't even seen yet — or may not even be there in the first place. The game doesn't even let you get a good look at the monsters, ever, because just looking at them drops your sanity meter and causes the screen to blur... and makes them notice you.
    • The splashing water scene. A lot of players claim the scene nearly gave them a heart attack.
      Yahtzee: Amnesia understands that a monster stays scary the less you see of it.
    • One of the measurements of your low sanity is simply "..."
  • Offscreen Teleportation: The monsters are capable of this.
  • Ontological Mystery: The beginning of the game. After you struggle through a few corridors and staircases, you find your notes and learn a bit more about who you seemingly are and what you supposed to do after willingly inducing amnesia on yourself.
  • Our Vampires Are Different: They are extra-dimensional travelers who became trapped in our dimension, and consume Life Energy in blood in order to extend their life long enough to find a way home. Said Life Energy can only be infused in the blood through pain and horror, hence the kidnapping and torture.
  • Pay Evil unto Evil: Bloodcurdlingly subverted. Alexander convinces Daniel to learn and practice the art of torture on innumerable victims by claiming repeatedly that, as Daniel himself puts it in a diary entry, "they are all wicked men." The Baron manages his training so well, Daniel all too naturally invokes God to justify his crimes and resorts to Dehumanization, calling the prisoners "monsters" at one point.
  • Potion-Brewing Mechanic: You make an acidic potion out of Calamine, Orpiment, Cuprite and Aqua Regia.
  • Powered by a Forsaken Child: Vitae, a substance containing the cosmic lifeforce Baron Alexander needs for his alchemy, can only be obtained through the prolonged torture and suffering of human beings. This, more than anything else, is why Castle Brennenburg is such a gallery of horrors. The reason the amnesia potion was made was to ensure the torture victims wouldn't grow conditioned and numb to their suffering, thus producing less vitae, and could successfully keep producing the stuff until/unless they actually died.
    Baron Alexander: As long as the body suffers, it will continue to produce the vitae and saturate the blood with its properties.
  • Primal Fear: Plays heavily on several of these. Fear of the dark is, as the title suggests, a frequent one, but that is also subserviant to a more general fear of the unknown. The game uses lots of little tricks to ensure this fear is invoked, such as noises to suggest what might be near, and Teleporting Key Card Squad to ensure that monsters can be anywhere, and Nothing Is Scarier to keep players tense and on-edge. Even if one tries looking at the monsters (Body Horrors though they are) Daniel's vision will be blurred and distorted, ensuring that they retain an element of mystery and unknowability, in addition to their role as predators after helpless prey.
  • Psychological Horror: The backbone of the whole game, even more than in its predecessor Penumbra.
  • "Psycho" Strings: When monsters are chasing you.
  • Plot Tumor: Everything Agrippa is, and the errands he has Daniel running around to accomplish, is this. It derails the original story, and subverts Daniel seeking revenge upon Alexander's corruption and crimes. It also robs from the challenge as doing these tasks gives players many opportunities to restore sanity. Little wonder many gamers do not consider the Golden Ending to be the Canon Ending.
  • Quest for Identity: The reason you'll want to pick up the Diary entries.
  • Redemption Equals Death: Daniel to Agrippa in the good ending.
  • Redemption Quest: Not revealed until the final Journal entry, but strongly hinted at prior.
  • Roaring Rampage of Revenge: Became Daniel's motivation to kill Alexander for manipulating him into torturing and killing innocent people all the while never intending to protect him from the Shadow in the first place.
  • Run or Die: Your only two choices when a monster spots you.
  • Sanity Meter: Daniel's nyctophobia and monster-phobia means that he starts losing it if he looks at monsters or stays in the darkness too long. This ranges from slight headaches to shaky hands.
  • Scenery Gorn: The decaying ruins of Brennenburg. It progressively gets worse once the Shadow starts taking over.
    • The torture chambers and the Choir.
  • Schmuck Bait: Go ahead and hop inside the Iron Maiden in one of the torture rooms. See what happens.
    • Try lighting a fire under the Brazen Bull in the Choir. You won't get hurt, but your sanity will take a nasty hit. And the Choir is the absolute worst place to have low sanity.
  • Shout-Out: Daniel's backstory, wherein he loses his memories of a large portion of his life and is involved in exploring an ancient set of ruins hidden under a vast desert which contain Alien Geometry, is reminiscent of the H. P. Lovecraft story "The Shadow Out of Time".
  • Shut Up, Hannibal!: Possible in two of three endings.
  • Smash to Black: When you enter the Cellar Archives, you will hear the Shadow's roar and it will suddenly go black as the protagonist is knocked unconscious. When he wakes up, he discovers that the corridor is all flooded and there is something in the water that is after him...
  • Spooky Painting: Toyed with — as your Sanity Meter depletes, portraits of an old man become grotesque to look at. It's a portrait of Alexander, by the way. It may be what he really looks like.
  • Stealth-Based Game: You don't even have a weapon to fight back.
  • Story Breadcrumbs: Diary entries, miscellaneous documents, and the occasional flashback.
  • Strong as They Need to Be: Most of the terror of the game comes from the fact that you're playing as a regular human who lacks any skill or ability that would allow him to fight back against the creatures stalking him. This is somewhat undermined by the fact that Daniel seems to be crazy strong, judging by various puzzle sequences in which he busts open stone walls with a shovel or smashes through foot-thick wood pillars with his bare hands. He also has no problem picking up and throwing large rocks and boulders (some bigger than he is) — but struggles to open a perfectly normal wooden trapdoor. Perhaps it's made out of plot, well-known for its resistance to even the most panic-boosted strength.
    • Also discussed in-game in one of the notes. Given what Daniel's facing, it's not surprising he can pull it off from time-to-time.
      Baron Alexander: Even the most timid creature can break out in fits of violence where their strength exceeds their expected prowess.
    • It also bears mentioning that, in those particular instances, the wall or floor has already been weakened to the point of the mortar being loose enough for it to happen.
    • This is actually Lampshaded by Lanipator during his Let's Play of the game.
  • Sympathetic Murder Backstory: Daniel is manipulated by Alexander into sacrificing what he thought were criminals. He is devastated after he was forced to kill a little girl, and nearly loses his sanity. He vows revenge on Alexander for that. Amongst the flashbacks in-game involve the cries of the lives he took (children's voices were amongst them).
  • Tactical Door Use: Doors will not stop monsters, but they will slow them down, requiring several Barrier Busting Blows to batter down before they can enter. This is essential in some scenarios for buying Daniel extra time to put distance between himself and the threat or finding a better place to hide.
  • Taking You with Me:Before quaffing the amnesia potion, Daniel has no illusions that he is ever going to escape the Shadow, but he has every intention of making sure Alexander doesn't either.
  • Technicolor Science: The acid is bright, glowing green. Even without a heat source, it boils dramatically to the point of hurling out glass bottles dropped in it.
  • Teleporting Keycard Squad: Unfortunately played straight some of the time: generally, when there's a puzzle-relevant object in plain sight, you can bet that a monster is going to spawn two rooms back to terrorize you after you pick it up. Of course, knowing this makes it even more tense, because you'll be afraid to even find the solutions because you know they could cause a monster to spawn.
    • To quote Yahtzee again: "It's like they're being summoned by the autosave function."
  • The Croc Is Ticking: The terror music, which signifies that a monster is chasing you. Apart from being very bad news whenever it happens, the sound itself is terrifying, sounding like someone screaming bloody murder.
  • "The Reason You Suck" Speech: Delivered by Alexander when you reach the second half of the torture chambers.
  • The Reveal: Why Daniel is in the castle, of course! It wouldn't have the amnesia factor without a reveal as to how he got there, after all.
  • Through the Eyes of Madness: The paintings, especially the portrait of Baron Alexander, change as your sanity gets lower. Although, given that he is explicitly stated to be from a different world, this might actually be a somewhat bizarre case of Glamour Failure.
  • Throwing the Distraction: Enemies react to sound, so this is a good strategy to get them to wander in the direction you want. It's also entirely necessary to pass one particular enemy.
  • Title Drop: A note discovered late in the game indicates that the elixir Daniel drank just before the game begins (which he reads a Note to Self about in the first level) is actually titled "Amnesia", because it causes exactly what it says. The real purpose of it is to erase the memories of torture victims, so that they forget the specifics of the torture, and leave them to only wonder what caused their scars, their minds constructing fresh horrors anew in anticipation of the next session.
    • While not word-for-word, there is a subtitle drop in Daniel's note to self in the beginning of the game ordering him to "descend into the darkness" and kill Alexander.
  • Torture Cellar: Brass bulls that people are crammed into to be broiled alive, torture wheels that allow for multiple bone breaks, and cells that permit the neighbor to hear nothing but the anguished screams emitting from the torture chambers. Even worse is the reason behind the torturing. See Powered by a Forsaken Child.
    • Almost all of those items are real medieval torture devices that actually existed and were used on people, with the exception of the Iron Maiden, which (despite its many appearances throughout popular culture and inside some historical "tours") is purely fictional as a means of torture.
  • Torture Technician:
    • Alexander, judging by his notes on the subject. He leaves instructions on how to best inflict prolonged suffering, and deliberately pipes the sound of ongoing torture into the cell areas of the other prisoner awaiting their turn, knowing that the anticipation will only make it worse for them. For all the elaborate devices in the castle, the torture techniques are very primitive, dating back to the Dark Ages. Possibly justified because Alexander is immortal and has been alive for much longer than the era in which the game takes place. However, his torture technique is further backed up by the use a memory-erasing draught called "Amnesia" after each session, just so their imaginations will produce new horrors afresh in anticipation of next time.
    • Daniel, too, becomes an apprentice of sorts to Alexander as he revels in torturing supposed murderers, arsonists, and rapists.
    • The Developer Commentary points out that the techniques laid out by Alexander are quite similar to the techniques they use to keep the player on edge throughout the experience, making the devs themselves Torture Technicians. Parallel to how the prisoners have to hear their cellmates torture and death, the player is also subjected to auditory hallucinations featuring each of the torture apparatus and their effects before we see them and how they function.
  • Trauma-Induced Amnesia: Subverted. Daniel induces amnesia on himself willingly, by drinking a certain type of potion. The game starts at the point when he wakes up from his dreamless sleep, now only knowing his name and nothing else.
  • Überwald: The Prussian woodlands that surround Castle Brennenburg, including the tiny village of Altstadt just down the road. Most of the information on it is revealed through diary entries, notes on the location, and supplemental materials.
  • Unbroken First-Person Perspective: The entire game is played from Daniel's perspective.
  • Uncanny Valley: Deliberately invoked with the Grunt; in what looks like a pale, drooping corpse, there's a jaw that looks like it was designed by Salvador Dali.
  • Walking Wasteland: Anyone who examines or tampers with the orb is killed by the shadow. Daniel, unwittingly, gets several people killed this way. He never makes the connection that the Shadow who murders certain people and does so instantly (whereas Daniel wants nothing to do with the orb and the Shadow lets him live for a long time and lets him go in one ending), so he panics and runs to Alexander... Which leads to many, many more deaths.
  • Was Once a Man: The creatures hunting Daniel were once soldiers working under Alexander; after giving them tainted wine, Body Horror ensued, causing them to explode and become horribly misshapen.
  • Well-Intentioned Extremist: What Alexander tries to paint himself as, claiming the ends justify his means of returning to his people in another dimension, and tries to give Daniel a "Not So Different" Remark.

     Tropes in Justine 
  • Checkpoint Starvation: The Justine DLC lasts only a couple of hours but you cannot save anywhere, unlike the main game where you could. This is a problem, because the player character is a One-Hit-Point Wonder and there are three terrifying and dangerous puzzles you have to survive.
  • Country Matters: Basile calls Justine a "cunt" at one point.
  • Cutting the Knot: All the rooms are easily passable by killing the prisoners instead of saving them.
  • Easter Egg: There is a letter from "A.S Laboratories" hidden behind some books on a bookshelf in one of the rooms that mentions a Space-Span Device. A.S Laboratories is the same Aperture Science from the Portal series and the Space-Span device is the portal gun. If you find the letter, at the end in the final room, the body covered in chains and tied to the ceiling is a direct Shout-Out to GLaDOS, and the dialogue between Justine and Clarice changes: Justine requests that Clarice post a letter to the mysterious A.S Laboratories to let them know that she is "still alive". The entire set up of the game acts as a Shout-Out to Portal.
  • Even Evil Has Loved Ones: Implied with Justine and Clarice, at least once upon a time. A paper indicates that Justine actually cared enough about Clarice to comfort her when she cried, although it seems that Clarice was actually forbidden from playing with her. Clarice has apparently grown up to be Justine's servant, and she herself seems to be on good terms with Justine, though utterly oblivious to her employer's "games".
  • Evil Is Easy: Killing the three men is easier than solving the puzzles required to save them. On the other hand, you have to save them in order to get 100% Completion... And the potato.
  • Eye Scream: A phonograph has some of this. It's also fully voice acted.
    • And the result of this? That monster trying to kill you.
  • Fission Mailed: When you try to find a way to escape the closing walls, you are unable to escape and it seems as though it is game over. Luckily, it turns out to just be a test.
  • French Jerk: Justine, obviously. Basile qualifies too, although he's understandably mad at Justine for what she did to him.
  • Gratuitous French: Every character who speaks.
  • Hidden Purpose Test: Averted. Justine tells the Player Character that she is in Justine's dungeon at the beginning for Justine's entertainment and to test whether humans will take the easy, selfish way out of a problem or look for a harder way out that does not hurt others. The secret part is that Justine is testing herself.
  • Male Frontal Nudity: The Suitors are all fully nude, and their genitalia are clearly visible. Given the context, Fan Disservice is the clear intent.
  • Manipulative Bitch: Justine. She succeeded to get all three suitors into the chambers, all physically and psychologically tortured, mostly by words and manipulation. It's stated that the reason Malo is insane was because she tried to completely break him long before she began to physically torture him. And she did this all only for her own, twisted, selfish amusement. No wonder the suitors want to kill her!
  • Meaningful Name Justine's name (Justine Florbelle) is a reference to two works by the Marquis de Sade, Justine and Les Journees de Florbelle. The subtitle of Justine is "The Misfortunes of Virtue" which may apply to the ending, if you get the good ending. Les Journees de Florbelle was destroyed, perhaps reflecting the bad ending and the fact that you can't save the game — if you die, you are destroyed forever and cannot be recovered. The horrifying content of these novels is reflected in the game and the character.
  • Murder by Inaction: The titular character is presented with the option of doing this three times.
  • Nintendo Hard: Getting hit once by a suitor results in instant kill, and you'll have to start over again.
  • Nothing Is Scarier: Justine doesn't quite follow this... to an extent. There is only one type of monster Justine's former fiancee Alois, and yes, he's still alive and human, a guy named Basile who Justine blinded and calls you profane names, and Malo, who wants to eat you, you encounter each once throughout the expansion, and while looking at Basile drops your sanity, it doesn't always make him more likely to see you... because he's blind. However, he can hear you, and if any of them hits you once, you die, and the game closes, not to mention there are no save points in the expansion whatsoever.
  • One-Hit Kill: One hit from a suitor and you're dead. Worst part about this is; there is no saving point. You're back at the start of the game.
  • Room Full of Crazy: "The tattered yellow king shall dethrone", "Climb the highest tower, "Oh Father", "The skinless one is waking", "The inside", "Gluttony", "I am emerging", "The beautiful pain", "Lonely", "Through the gates", "It will be the end of everything","What will that perfect sphere bring", "It will be again, It's coming", "From within", "Playful", "Death shall move across the floor", "Spin the wheels crank the engine", "My darlings", "Liar! Alois does to use dust as a sore muse", and who could forget "Suffer the trial" and "Stay alive".
  • Shoot the Shaggy Dog: Even if you save the hostages, at the end Justine just locks them up in the basement to either starve to death, or to be used again in a later "game".
  • Shout-Out: Justine has several coy references to Portal, especially towards the end, and a reference to Robert E. Chambers's The King in Yellow.
  • Trial-and-Error Gameplay: There's no checkpoints, you're a One-Hit-Point Wonder, and there is a monster that will kill you if it spots you. Combine this with the puzzles and you'll be restarting numerous times.
  • Video Game Cruelty Potential: The entire game builds on this; you're set up in a series of rooms which each contain one victim you can either kill or save. Killing them makes it easier to make progress, while sparing them takes more effort. Depending on how many people you spared (or not at all), determines which ending you'll get.
  • The Walls Are Closing In: The final challenge room, the player must overcome this. The exposed gears on the wall and various dodads scattered about the floor to jam into them are red herrings to give the player a Hope Spot, though Failure Is the Only Option. There is no way to stop the walls from closing... until they stop on their own.
  • Was Once a Man: Justine is terrible about this, because we learn that the monsters stalking the protagonist are still alive, and very much human thanks to Justine. No wonder they want to kill her.
  • Whole Plot Reference: A psychotic woman forces a seemingly mute woman to run through a series of death traps while making clever remarks.
    • For good reason, too — the DLC was part of the "Potato Sack" Alternate Reality Game carried on through several indie games, leading up to Portal 2. The backstory for the ARG explains that GLaDOS hijacked all of the games, adding in references to potatoes and so on, and unlocking hints in one game would lead to certain tasks in another in the Sack, all which would unlock clues and actually managed to knock the release time of Portal 2 down by several hours, all by fan cooperation.
  • Wham Episode: The entire Twist Ending. Justine willingly created the monsters from her own friends and lover. The entire story was all a sick "game" she plays purely for her own twisted amusement. And depending on what you did in the final areas, she now has the resources to do it all again.
  • You Bastard!: Go ahead, kill all the prisoners. It will make it easier for you to continue, but that shows how much you put your own life above others.