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"Breakdowns: Portrait of an Artist as a Young %@?*!", by Art Spiegelman

"Falm... my friend... I would have you understand. I know now, as I look down at what I have wrought here, that were I to think upon what I have done... what I have truly done... I would be struck mad. A deed such as this... the anguish would overwhelm, destroy me. So, First Officer Falm, it must be that there are no innocents in Agarheim... no mothers, no children, no people. Only traitors. Vile, cunning traitors, who deserve no less than the full brunt of our most Holy King's wrath. Do you understand this?"
Admiral, Planescape: Torment

Dehumanization is the denial of someone's status as "human" or "person", whether by assimilating them to animals or things, especially of the harmful and disgusting sort, for the purpose of thus denying them the rights and the sympathy that come with "true personhood", and deliberately ignoring the target's individuality (i.e., the creative and interesting aspects of his or her personality).

Dehumanization can occur discursively (e.g., idiomatic language that likens certain human beings to non-human animals, verbal abuse, erasing one's voice from discourse), symbolically (e.g., imagery), or physically (e.g., chattel slavery, physical abuse, refusing eye contact).

Dehumanization may be carried out by a social institution (such as a state, school, or family) or via an individual's sentiments and actions. Dehumanization can be unintentional, especially on the part of individuals, as with some types of de facto racism.


State-organized dehumanization has historically been directed against perceived racial, ethnic, national, or religious minority groups. Other minoritized and marginalized individuals and groups (based on sexuality, gender, (dis)ability, class, or some other organizing principle) are also susceptible to various forms of dehumanization.

The concept of dehumanization is related to infrahumanization (i.e. calling someone "sub-human"), delegitimization, moral exclusion and objectification. Dehumanization occurs across several domains, is facilitated by status, power, and social connection, and results in behaviors like exclusion, violence, and support for violence against others. Will often lead to a Guilt-Free Extermination War.

Related is the practices of stereotyping, which is basically assigning certain traits to certain group of people. It may overlap with dehumanization in some cases, but just as often it doesn't.


Subtropes include:

  • Call a Human a "Meatbag": Um...calling a human a meatbag.
  • Cybernetics Eat Your Soul: Often a price of having cybernetic implants is making you less than human.
  • Dehumanizing Insult: Insulting someone by implying they are less than human.
  • Demonization: Making something seem despicable like a demon or monster in spite of what it really is.
  • Expendable Clone: What's stopping you from making new clones if one died?
  • Fantastic Racism: When one race is treated as lower than the other.
    • Fantastic Slur: The "names" often used to refer to the "lower" races.
  • Final Solution: When dehumanization is taken to its logical conclusion, this can be the result.
  • Human Weapon: Someone is treated less as a person and more as a means for destruction.
  • Inhumanable Alien Rights: Non-humans wouldn't have the same rights as those of a human. Even if said non-humans are sapient.
  • "It" Is Dehumanizing: Calling someone "it" instead of a proper pronoun indicates that that someone is treated as a "thing" and not a person.
  • Just a Machine: Robots and A.I.s are often considered expendable and/or easily rebuilt, unlike humans, so they have less value.
  • A Million Is a Statistic: Lots of casualties (in a war, disaster, etc) are treated as unimportant especially if there's no recognizable people among them.
  • Mook: A group of grunts whose purpose in the story is to be slain en masse, and they're made to be as unsympathetic as possible.
    • Faceless Goons: Their faces are concealed, therefore they're expendable.
    • Red Shirt Army: Same thing applied to good guys' army. Downplayed in that they can be sympathized with, but because they lack importance they're still the guys to be killed in place of the real characters.
    • What Measure Is a Mook?: Significant bad guys may be treated well enough by the heroes. Not so much for the mooks.
  • Nicknaming the Enemy: Calling the enemies with names will prevent you and your allies from hesitating to attack said enemies.
  • Not Even Human: Implicitly leans on many of the concepts associated with this trope by making the enemies genuinely non-human in order to justify violence against them. If the bad guys is an alien species, why wouldn't it be okay to kill them without any moral issues?
  • Of the People: When a group call themselves "the people" and people outside of said group "not-people".
  • Son of an Ape: Comparing humans to less advanced primates, like apes and monkeys, is a common way to imply that the humans in question are primitive and inferior.
  • We Have Reserves: There's more where they came from, so who cares what happens to 'em.
  • What Measure Is a Non-Human?: A group of sapient species is treated not as human because they're not technically humans.

Played with:

  • Death Means Humanity: A previously dehumanized non-human being has its personhood recognized upon death.
  • Van Helsing Hate Crimes: The monsters are shown to be just minding their own business, or (potentially) outright kind, and a human commits hate crimes on them.


A form of Lack of Empathy; in fact, the whole point of dehumanizing someone is to deem the one in question "not deserving any empathy". Compare and contrast Death of Personality (rendering someone as "dead" by making them lose their humanity).

In real life, averting this is a very important tactic for people in a hostage situation or prisoners of war. Enforcing that you are human with loved ones, likes, and interests will make it more difficult for captors to torture, mistreat, or kill and make it more likely for them to treat you better.


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    Anime & Manga 
  • In Gargantia on the Verdurous Planet, this is the Galactic Alliance's rationale for their galactic war with The Hideauze (intelligent, space-dwelling squid-like creatures), and their harsh living conditions and governing of the human race. It turns out later that the Galactic Alliance knew the Hideauze were once humans who changed themselves with genetic engineering to be able to live in the harsh conditions of space. This was hidden from lower ranking soldiers like Ledo. It's justified again later because the Hideauze are so far gone, and dangerous that they threaten the humans with extinction. If they don't fight it would be impossible to survive and still maintain their humanity, and society.
  • In One Piece, the Hoof of the Soaring Dragon imprinted by the Celestial Dragons marks one "less than human".
  • Both radical factions in Mobile Suit Gundam SEED and Mobile Suit Gundam SEED Destiny do this. The Coordinator extremists consider themselves a Master Race, meant to lord it over the rest of humanity, while Blue Cosmos insists that the Coordinators are an abomination that needs to be exterminated to preserve "our blue and pure world". Most of the series' Heel Face Turns occur when a Natural or a Coordinator is given the chance to view the other side as human beings.
  • Cross Ange: A baby that rejects magic is an aberration, subject to forcible removal from society, a "Norma", not "human". This distinction is so well-taught to the aspiring heiress to the throne, she even clings to it for some time after, ahem, an abrupt career change.
  • Attack on Titan:
    • A young Eren Yeager makes a statement like this after he helps kill some slave traders who were trying to abduct Mikasa: "I didn't kill people. I just killed animals who happened to look like people." The kid was ten.
    • Eldians are seen as "devils" by the rest of the world and are addressed as such to their faces. Injured enemy soldiers will even refuse help if it's offered to them by an Eldian. The Eldians who live on the island of Paradis (i.e., the main charactersnote ) have a reputation of being even worse. Even non-Paradis Eldians hate them and see them as even less human than they are, despite being exactly the same race.
  • Naruto:
    • The title character deals with this during his childhood and early parts of the story, with many of the Leaf villagers treating him with contempt, seeing him as either nothing more than a vessel for the Nine-Tailed Fox, or as the Nine-Tailed Fox itself.
    • It's later revealed that all Tailed Beasts, including the Nine-Tailed Fox (real name Kurama), underwent this as well. Even though they really are non-humans, they are intelligent beings who have feelings, personality, and aspirations. However, for centuries, humans saw them as nothing but dangerous weapons whose only use is for warfare and treated them as such. Also, they only differentiated them with the number of tails they have, even though they all have proper names. Eventually, the mounting hate the Beasts endured caused them to resent humans and snap back, turning them into the monsters that humans thought them to be.

    Comic Books 
  • Requiem Vampire Knight. Thurim, as part of his pre-battle speech to his fellow Teutonic Knights against the Lithuanian army, tells them that the very word Slav means, well, slave.
  • During the climatic confrontation in the X-Men graphic novel God Loves, Man Kills, Reverend Stryker points to Nightcrawler and exclaims:
    Stryker: Human?! You dare call that... thing — HUMAN?!?
  • When Morbius is captured by Hydra he is referred to as a "thing" and an "it" multiple times, likely because they only see him as a piece of equipment that can be used to achieve their goals.

    Fan Works 
  • Abraxas (Hrodvitnon): Ghidorah pulls a variation. It considers any of its heads that have detached from Ghidorah's main body and become autonomous creatures to be nothing more than "shed skins" or "shadows" which are inferior to Ghidorah, despite said shed skins retaining their personalities.
  • Child of the Storm explicitly has this as the root of Sinister's More Than Mind Control based control of Maddie Pryor in the sequel, having raised her to believe that she was nothing more than a Living Weapon, entirely artificial and created solely to do his bidding. While he has psychic triggers, until a long process of Gambit's helping her come to realise that she's more than just a weapon, topped off by Harry's faith in her ability to choose for herself — and more importantly, choose right — he doesn't actually need to use them.
  • Kingdom Hearts Ψ: The Seeker of Darkness: In Land of Oblivion Aqua is appalled when she sees Naminé's memories of how DiZ treated her and Xion: "It is a Nobody. It cannot have wants, for those require feelings. It is not real, no more than you are." However, Aqua is later shown to be not much better after she relives her battle with Vanitas and tells Kairi and Naminé "That thing was not a person!" Naminé reacts with Tranquil Fury at this, reminding her of what they just saw and asking if she wants to rephrase that. Aqua does gradually get better about this in later stories.
  • In Plan 7 of 9 from Outer Space, robots are being taught to be Three Laws-Compliant, but one robot suggests that this trope can be used to get around the "Don't harm humans" rule.
    "That's just hate propaganda!" shouted the Sayer, trying to regain control of the situation.
    "So they can harm the enemy without it bothering them."
    A brief look of panic appeared on the Sayer's face — then he said:
    "The Second Law of Robotics is: Do as we say, not as we do!"

    Film — Animated 
  • In The Prince of Egypt, Moses spends the majority of his childhood ignoring the plight of the Hebrews who slave for Egypt. However, when he discovers that he himself is actually Hebrew, and that his father the Pharaoh ordered the wide-scale death of Hebrew children, he can no longer ignore his morals.
    Pharaoh Seti: Moses, sometimes for the greater good, sacrifices must be made.
    Moses: Sacrifices?
    Pharaoh Seti: Oh, my son... they were only slaves.
  • The song "Savages" from Pocahontas has both the English colonisers and the Native Americans declare one another as evil and inhuman as they psyche themselves up for conflict.
    They're savages, savages
    Barely even human

    Film — Live-Action 
  • In Back to the Future Part III, when Marty and Doc are reading about "Mad Dog" Tannen, an old newspaper report indicates that he has killed twelve men, "not including Indians and Chinamen", implying that Tannen's kill count is much higher, but that "Chinamen" and "Indians" were often not thought of as human in the 1880s.
  • Blade Runner: Replicants are said by Tyrell to not have emotions, making them more palatable for use as slave labor to purchasers. This is a lie. They rapidly develop emotions, but merely express them differently from normal humans. Replicants are therefore designed to die in four years before their emotions develop, to keep the narrative that they aren't human alive. Ironically, the Tyrell Corporation's motto is More Human Than Human.
  • In Casshern, the concept of "True Humans" appears; some ancestral race of superior beings who are entitled to treat baseline humans as disposable.
  • This is the entire point of the anti-Semitic movie The Eternal Jew (1940). It was created by the Nazis in order to justify the Final Solution to the German public.
  • The movie Frailty involves a father psychologically torturing his son until he agrees to help him gruesomely murder (seemingly) everyday people the father believes are actually demons. The tension in the film centered around whether the son could be conditioned to see his father's victims as inhuman, and whether the father's assessment was accurate or not.
  • Godzilla vs. Kong: Maia Simmons doesn't have much respect or high regard or any fondness for Kong, prominently only derisively calling him "the monkey".
  • The reason why the "researchers" of Unit 731 are able to perform their experiments on their unwilling test subjects in the Men Behind the Sun Exploitation Film is because they are referred to as maruta, which translates as log from Japanese.
  • In Minority Report, Anderton says of the three Pre-Cogs: "It's better if you don't think of them as human."
  • None Shall Escape: With a movie about Nazis and the atrocities they commit, this is a given. For instance, Willie justifies the harsh measures against the Jews this way to Janina.
    "Anyway, those weren't people, they were Jews."
  • In Silence of the Lambs, Buffalo Bill refers to his victims as "it".
  • The Australian thriller and serial killer biopic Snow Town, which was based on a true story, is essentially the story of a charismatic psychopath convincing a group of socially disadvantaged and alienated locals that it was morally acceptable to torture and kill other members of their community in order to perpetuate a social security scam, providing that they were undeserving of life to begin with. Some of the targets were pedophiles, but others were dehumanized (and tortured and killed) for being members of harmless groups, like being gay or obese. The unsettling thing here is that the writers clearly did their homework, to the point that the rhetoric will sound eerily familiar to anybody familiar with Adelaide's impoverished outer suburbs (and the satellite city of Murray Bridge).

  • In The Brightest Shadow, a fully sentient non-human culture is reduced to being Always Chaotic Evil Mooks by the Hero.
  • In Fate/Zero, Ryuunosuke — a Serial Killer of women and children — finds that his "art" was incinerated and demolished by a third party, and cries to the heavens: "Who could do this and still call themselves human?!" There are other places where this pops up.
  • Discworld: A repeated motif, and ultimately what distinguishes "good" from "evil" in the universe.
    • Used by Granny Weatherwax as her yardstick for evil, as seen in Carpe Jugulum. It also shows up in the main villains of the piece; the Count Von Magpyr and his "modern" vampires view people as little less than cattle and practice Industrialized Evil on them in order to be "maximally efficient", while the Old Count was a sportsman who viewed the individuals who happened to enter his castle as challengers. Despite the Old Count being just as bad as the new Count in terms of body count, ultimately this distinction saves the Old Count from death because the nearby villagers treat him as "their monster"; someone who keeps them on their toes and respects the rules.
    • In Monstrous Regiment, this topic is discussed repeatedly. The protagonist makes a particularly vivid reflection that the literal straw men they stab in training do not serve the purpose of training them in combat (they are soft, and don't fight back) but in making them forget that, unlike them, a human, when stabbed, will bleed, and cry, and more than straw might fall from their wounds.
    • Snuff examines this idea using the goblins, a sentient human race, as exemplar for Fantastic Racism. The goblins are viewed as animals and vermin, and it takes a real shift in attitudes to get them recognized as a sentient race deserving the same rights that are accorded to men, dwarfs and trolls. But any indignity can be inflicted on them, including torture and slavery.
  • In The Forever War, the soldiers are mentally conditioned to view the enemy Taurans as sub-human by being shown images of Taurans burning cities, eating children, and raping women. The soldiers know that the images are fake, as no-one has even seen a Tauran before their battle, but they still work to send them into a bloodthirsty frenzy, to the point that their mission to capture a Tauran fails because the soldiers slaughter them all.
  • Played with in Halo: Hunters in the Dark. During the expedition, several of Captain Richards's soldiers are lost. She realizes that she hadn't even bothered to learn their names and quickly scans the nametags of the others but finds that it's easier to keep relaying battle orders if she doesn't register them as human. That said, Richards does genuinely care about her subordinates (on the other hand, she doesn't care much for her Sangheili allies, but she's professional enough to not let it interfere with the mission).
  • A great literary classic by Osamu Dazai is titled No Longer Human.
  • In Salammbô, the priests of Baal-Moloch make throwing Carthaginian children to be burned alive as Human Sacrifice easier by getting the crowd to yell with them "They are not men but oxen!"
  • The Deryni are often spoken of this way by their human foes.
    • In Deryni Checkmate, Archbishop Loris asks Warin de Grey, "You would kill Morgan without chance to repent his sins?" Warin replies, "I doubt there is hope in the Hereafter for the likes of him, Excellency. The Deryni were the spawn of Satan from the Creation. I do not think salvation is within their grasp." Warin later tells Morgan much the same thing to his face, admitting that Morgan will be granted time to confess his sins before he is killed against Warin's "better judgement": "Personally, I feel that such is a waste of time for your kind; but Archbishop Loris disagrees."
    • Years later, in The King's Justice, Loris tells Duncan McLain, "I do have a care for your soul, though — if Deryni even have souls, of course."
  • In The Sorceress's Orc, orcs are treated this way. People think of them as a sort of slightly more intelligent animal, even though they hire them as mercenaries. The moment when the protagonist decides to invite her orc bodyguard into her home because it is raining outside is a turning point in the story; she half expects him to vandalize her furniture, instead he asks intelligent questions about the security of the apartment.
  • Done intentionally in The Turner Diaries. The novel is centered around a group of Neo-Nazi terrorists trying to start a race war.
  • In Ancillary Justice, the captured enemies whose bodies are taken over by a spaceship's A.I. are referred to as "units". The protagonist, who is such an A.I., is also treated as nonhuman, and seems to be okay with this; though it's hard to tell whether she's just resigned. She does show a preference for people who treat her like a person.
  • Martín Fierro: This is a Narrative Poem about Martin Fierro, a Gaucho who is Press-Ganged into Conscription trying to Settling the Frontier, and is an accomplice (and later victim) of a Final Solution. Martin Fierro denies various people's status as "human", comparing them to animals.
    • In Song III, he compares the Indians to ants, because they are Determinators who never sleep; to tortoises, because they are very hard to kill, to wild mares and to hawks (while the Gauchos are the doves that flee of them).
    • In Song V, he describes a "Gringo" Napolitan immigrant as a non-Christian. This article (in Spanish) explains that for the Catholic Gauchos, if you are not baptized, you are not a person but an animal. Also, Fierro trolls the Gringo by calling him "snake" and "lizard".
    • In Song VI, Fierro calls the War Minister "Don Gansa" ("Don Gander"' or "Don Goose"). His real name was Martin Ganzia, but Fierro calls him "Gansa" because its an animal with a reputation for stupidity.
    • In Song VII, he insults a black woman calling her "cow". He later trolls her black husband by implying that he was created by the Devil, and when Fierro later kills him, he says he did to "leave one less devil in the world". When the black woman cries about this, Fierro compares her with a wolf howling.
    • In Song VIII, he calls a Bit Part Bad Guy "El terne" ("The Calf"). At the end of the song, Fierro kills him.
    • In Song IX, he kills a lot of the soldiers of "La Partida" (Mooks) while calling them "dogs" and "sardines".
  • In The Fifth Season, people born with the Functional Magic of orogeny are formally classified as non-human and are enslaved by the Fulcrum to serve The Empire as Human Weapons.
    "Friends do not exist. The Fulcrum is not a school. Grits are not children. Orogenes are not people. Weapons have no need of friends."
  • Ravensong: As said in chapter 15, Stacey's Momma's thoughts towards the people of "white town":
    "They aren't human," she had told Stacey a while back, categorically dismissing them all. Momma took a look around room at the streamers and doubts about the wisdom of sending Stacey out to learn to be like them took shape took shape. She shrugged. She would have to trust Stacey to understand her laws and hope — hope that the Raven spirit that snapped behind Stacey's eyes would not be culled out of her by their inhumanity.
  • The Diabolic: Anyone who is not a noble is considered less than human. The servitors are bred and engineered for their roles, so that at least makes sense (though Sidonia argues vehemently that it's a self-fulfilling prophecy), but even the peasants are referred to as excess. As far as the nobles are concerned, they have no purpose but to make the nobles look good by having free-willed employees.
  • Black Fleet Crisis: The Yevetha view and refer to all other species uniformly as "vermin", treating them as such — thus, they exterminate any within "their" home star cluster, as it's viewed as a contamination of the sacred All.

    Live-Action TV 
  • In 24: Redemption, a bunch of Child Soldiers are being trained to kill by presenting them with a trussed-up enemy and denying his humanity, calling him a "cockroach" and having them chant "Kill the cockroach!"
  • In Battlestar Galactica (1978), the Cylons were originally supposed to be aliens. They were changed because executives thought that "killing sentient robots" was more child-friendly than "killing aliens" — basically, trading one issue of dehumanizing with another.
  • Doctor Who:
    • In the serial "The Savages", this is how the Elders of the city view the savages native to their world. They regard the savages as sub-human and have no qualms about using them in machines that drain them of their life energy and nearly kill them to keep their own society going.
    • And let's not forget the Daleks — their Catchphrase, "EXTERMINATE!", perfectly demonstrates their attitude towards all non-Daleks. In the words of Dalek Sec, in "Doomsday":
      "This is not war — this is pest control!"
  • The Reavers in Firefly are a race of insane people who have been poisoned during an experiment on live human subjects. In effect, they are the sci-fi equivalent of undead beings and the reason that they are dehumanized is because they are in fact physically dehumanized.
  • Discussed frequently in Game of Thrones in relation to slaves and slavery, particularly among Daenerys' inner court, who will respond by any allowances she makes for former slaveholders by pointing out that the slaveholders will exploit and pervert Dany's kindness, since they still don't see former slaves as people.
    • Slavery is technically illegal in the Seven Kingdoms, but none of the locals particularly minded when Ramsay Bolton turned hated traitor Theon Greyjoy into his "creature". Part of the dehumanization process involved giving Theon a humiliating slave name ("Reek"), mutilating his body so that he and the people around would see him as a freak, locking him in dog cages and not allowing him to bathe or eat human food. The process worked so effectively that almost everybody he interacted with actively started talking and treating him as non-human and Theon responded to his sister's rescue attempt by biting her arm (in the same way a cornered dog would) and running back in the dog cage. This is partly because he's been tricked previously by Ramsay into thinking he was being rescued, after which the worst was done.
    • Grey Worm and the members of the Unsullied were given the names of vermin — and new ones every morning, allowing for no sense of identity — by their former slavers to remind them that they were not human. When Daenerys freed them, they retained their slave names to demonstrate how proud they were to be associated with Daenerys and the slave rebellion. Grey Worm says that his is a lucky name because he had it the day of his liberation.
    • The Brothers of the Night's Watch and the Wildlings/Freefolk tend to describe one another this way, through the process of demonization.
    • Becoming a faceless man involves eschewing personal identity and desires and a lot of other things a person would ordinarily associate with being human. They still describe themselves as members of the human race, though.
  • The Wesen from Grimm are Beast Men who may or may not be monstrous depending on their species and individual personalities, and have traditionally been hunted by a race of humans known as "Grimms". Each groups dehumanizes the other, although both have many identifiable human traits. Many of the storylines revolve around Wesen and the main character (who is a Grimm) figuring out how much to trust each other and what their social and moral obligations to one another are.
  • Jessica Jones (2015): In his conversation with Jessica at the end of "The Sandwich Saved Me", Kilgrave refers to Malcolm only as "the junkie". Bear in mind, Malcolm is only a junkie because Kilgrave used his powers to force him to touch drugs.
  • Several episodes of The Outer Limits (1995) play this straight, but the episode "Hearts and Minds" subverts it by having the "bugs" turn out to be humans from a rival corporation; the soldiers had been drugged to see the enemy as disgusting aliens so that they would feel fewer qualms about killing them. The soldiers from the rival corporation were similarly drugged.
  • American Horror Story:
    • In American Horror Story: Asylum, Doctor Hans Grüper/Arthur Arden, a former Nazi scientist, thinks this way about Jews, prostitutes, and mental patients, and has no problem subjecting them to horrifying medical experiments.
    • This is how the witch hunters see the witches in American Horror Story: Coven, to the point that they actively murder girls that they suspect of witchcraft.
    • In American Horror Story: Freak Show, two grifters show up at a freakshow in the hopes of murdering the performers so that they can sell them to a museum of natural curiosities, excusing their behavior by explaining that — due to their deformities — their lives weren't worthwhile anyhow. People in the nearby town also tend to talk about the performers as inhuman, to the point that one of the characters cries tears of gratitude because the doctor who identifies her terminal medical condition talks to her respectfully. The "freaks" also find it unsettlingly easy to murder cops, based on similar logic.
  • In season two of Hemlock Grove, the mad doctor convinces a physically deformed, but very intelligent and sweet-natured, teenage girl to transfer her memories into the body of a physically attractive clone/test tube person, and then to commit physician-assisted suicide of her "old body", even though she still retained all her memories and had not changed in any way when her memories were copied. It's very clear from the storyline that both girls were very human, and that the act of copying the memories onto the test-tube girl also meant wiping her brain and essentially killing her, but the doctor uses the third girl (who has the body grown in the test tube and the memories and emotions of the physically deformed girl) as evidence that no actual people would be harmed during the procedure, since the two dead girls lacked personhood. It was even weirder than it sounds, because the deformed girl was not only one of the most prominent characters, but also one of the most consistently moral and likable people on the show, and there was no way the audience would interpret the scene as anything other than suicide or murder. Slightly justified, because she was extremely depressed, and it would may have been looking for a way to kill herself without hurting her loved ones and had a history of being treated like an inhuman monster by the people in the surrounding township. In this series, Roma are occasionally described as dogs or similarly dehumanized.
  • Orange Is the New Black: Caputo, trying to toughen up Fischer, tells her to not think of the prisoners as human beings in one episode.
  • Discussed occasionally in Bones, either with someone is upset with Brennan for treating remains as anthropological curiosities instead of as former people, or conversely Brennan giving advice to think of the former people as remains in order to suppress the emotions of (for example) autopsying a friend.
  • Brave New World: New Londoner tourists visiting the "Savage Lands" have a tour guide refer to said "savages" in terms very much like animals on a safari.

    Tabletop Games 
  • Warhammer 40,000:
    • Imperials and Chaos have the same view of each other: blind fools clinging to false gods and weaklings only good for extermination. Some Space Marine chapters have this view of normal humans, whether allied or fallen to Chaos.
    • Tangentially used by the Imperial Guardman's Uplifting Primer. Of course, their foes aren't human, but it still makes them out to be inferior to the basic human, and doesn't hesitate to make up "facts" like Tau being descended from bovines and stampeding at loud noises and orks being easy to defeat in close combat. An updated edition features Tau sympathizers which it claims are easily recognizable as degenerate sub-humans (other than a tendency to wear braids and sometimes paint themselves blue, they're no less healthy that the regular humans), reminiscent of Nazi sub-racial distinctions.

    Video Games 
  • In BioShock, citizens of the laissez-faire capitalist gulch of Rapture are taught that the poor and lower classes are "parasites".
  • In Disco Elysium, you meet the Deserter, an old Communist who is very bitter about the violent suppression of the violent revolution. After talking about the bombardment, he says: "The bourgeoisie is not human."
  • In Spec Ops: The Line, Walker gets less dehumanizing as the story progresses. He starts with neutral, technical, professional expressions, distancing himself from what he's doing and making it seem like something simple and clean. "Target confirmed." "Tango down." By the end of the story, he's relying on moral condemnation and sheer spite to keep him going: "GOT THE FUCKER!" "AND STAY DOWN!". He's not removing targets anymore, he's killing people.
  • Xenoblade Chronicles: The true Big Bad considers the people of Bionis merely part of the cycle of life and death, a vehicle for his continued existence as a god.

    Western Animation 
  • South Park:
    • In the Japanese dub, "You killed Kenny! You bastards!" is rendered as "You killed Kenny! You aren't human!"
    • In the episode "Die Hippie Die", Cartman provides the memorable quote "Hey! They are not people, they're hippies!" and later uses a Drill Tank on them. The entire episode treats hippies like an exponentially growing termite invasion.
    • Then there's the homeless episode, where the head of homeless studies treats the homeless as an infestation of undead.note 
  • Steven Universe:
    • On Homeworld, Pearls are at the very bottom of the caste system. Peridot explains that Pearls are for "standing around, looking nice and holding your stuff for you", and implies that Pearls aren't even considered actual gems.note  When she asks "our" Pearl who she belongs to, Pearl angrily replies she doesn't belong to anyone. Which prompts Peridot to ask "Then what are you for?" Later, she insults Pearl by calling her "somebody's shiny toy", and saying that she's "just a Pearl". This ticks Pearl off so much that she socks Peridot in the face.
    • A less blatant example occurs with Garnet. As a fusion of two different types of gems (Ruby and Sapphire), her entire existence is taboo by Homeworld's standards. Peridot constantly reminds everyone of this by expressing a huge distaste for Garnet and referring to her only as "the (perma)fusion", or more derogatory terms such as "filthy war machine" and "two clods, walking around like she's one clod". Counting from the moment she was captured, it took her a total of nine episodes to refer to Garnet by name, and the first time she did was only in her private log and accompanied by another insult.
      Peridot: Additionally, it is without question that the permafusion Garnet... Is the worst.
  • Savage Opress in Star Wars: The Clone Wars is almost exclusively referred to as a beast, monster, or other terms that don't indicate he is an actual person. His brother, Darth Maul, often is as well; Obi-Wan Kenobi himself says, "He's a broken, unbalanced monster."