Warren Girard Ellis (born February 16, 1968) is a British comic book writer and novelist. He is known for introducing transhumanist elements to his books, and for complex stories, including Continuity Nods, expies, and Lawyer Friendly Cameos. Like other Britwave authors, Ellis often operates as a one-man Deconstructor Fleet.
Ellis comic work fills a large bookshelf. Major works include:
The Authority, with artist Bryan Hitch. The Authority gained Ellis his first real notoriety, featuring an expansive and epic art style Ellis dubbed "widescreen comics" as well as inspiring the Decompressed Comic movement, which Ellis would later avert in Fell.
Transmetropolitan, a Hunter S. Thompson inspired Cyber Punk series, created with artist Darick Robertson. The series ran for 60 issues from 1997 to 2002, proving one of the best-selling titles on the Vertigo Comics imprint.
Planetary, with John Cassaday and Laura Martin. While infamous for long production delays, the series was hailed for Cassadays fabulous realism and Ellis interweaving of historical pop culture expies with a modern superhero universe.
Global Frequency, a 12 issue creator-owned miniseries that garnered critical praise and was remade as a TV pilot starring Michelle Forbes of Star Trek: Next Generation and 24 fame. The pilot was leaked to the internet and the show never greenlit. There have been several attempts to develop the property since, though none have yet made it to production.
Iron Man: Extremis with Adi Granov, formed the basis for both an Iron Man anime series and Iron Man 3.
FreakAngels, with Paul Duffield, available online and later collected into six volumes by Avatar Press. Ellis described the story as "what if The Midwich Cuckoos grew up, fucked up, then tried to fix it?" and has called it his "forgotten opus."
Ellis is the writer and co-producer of Castlevania (2017), an animated series for Netflix, with two seasons aired and a third in production. He is the creator of a new DC pop-up line called The Wild Storm, a reboot of the Wildstorm universe from Ellis early days at Image Comics. Ellis continues to work in creator-owned comics, notably with the ongoing series Trees with Jason Howard and Injection, with Declan Shalvey and Jordie Bellaire, as well as shorter works like Cemetery Beach with Howard.
In between all of this, Ellis released dozens of creator-owned and work-for-hire projects. A (mostly) full list is below; suffice to say that he is very busy. Common genres include Black and Gray Morality detective stories (Desolation Jones, Fell), space travel (Ministry of Space, Orbital, Ocean), deconstructing the superhero (Black Summer, No Hero, Supergod, Supreme Blue Rose), and pure silliness (Nextwave, TwoStep).
During the 90s and 2000s Warren Ellis was Very Online through his own e-mail lists, moderated forums, blog, and Twitter. His informal online community included and encouraged many younger creators, such as Molly Crabapple, Laurie Penny, Jamie McKelvie, Kieron Gillen, Matt Fraction, Kelly Sue DeConnick, Chip Zdarsky, Ben Templesmith, Katie West, and many more. Ellis has since reduced his online presence considerably but maintains a weekly newsletter at http://orbitaloperations.com.
Recurring Author Appeal / Author Tracts include nanotechnology, evil corporations, space exploration, people behaving badly, as well a rather unsympathetic view of America and Great Britain. His works regularly feature Black and Gray Morality, Violence Really Is the Answer, and This Is Your Premise on Drugs. None of the above makes his work any less inherently readable.
He's also known as one of the very few British comic writers of his generation to have never worked on 2000 AD, though it's certainly not out of disgust.
He lives in a coast town called Southend-on-Sea with his partner Nikki. He had a major health scare in June 2015; doctors initially diagnosed him with a transient ischemic attack (a mini-stroke) before realizing it was a recurrance of a fifteen-year old extremely high blood pressure problem (before he had even started smoking or begun his coffee addiction) that had put him in a coma for six weeks.
- Aetheric Mechanics: In a war-torn Victorian England that is capable of spaceflight, Sherlock Holmes-expy Sax Raker investigates a ghostly "man who wasn't there".
- Anna Mercury
- Astonishing X-Men issues 25-35 (Ghost Box & Exogenetic), & Xenogenesis mini-series: Superhumans, super-tech, super-weird. Enjoy. Unless you're a fan of Forge.
- Atmospherics: A shell-shocked woman claims to be a witness to the alien massacre of a small town. Or is she crazy?
- The Authority: "Why do super-people never go after the real bastards?" note
- The "Beware the Superman" Trilogy:
- Black Summer: SuperIron Man decides that George W. Bush Made It Happen On Purpose. Vigilante Execution ensues. Now all his friends have to deal with the aftermath.
- No Hero: What if superhumans weren't all that humane? They'd still be better than The Government.
- Supergod: "Praying to be saved by a man who can fly will get you killed."
- Black Gas: Warren Ellis' take on a Zombie Apocalypse. Everyone dies.
- Carnage: Mind Bomb: An expert psychiatrist is called in to treat Cletus "Carnage" Kasady, only to end up Mind Raped.
- Castlevania (2017): A Netflix series based on the long-running series of video games, specifically the third entry.
- Cemetery Beach : An off-world colony was secretly established by industrialists and scientists in the 1930s. In the present day, earth finds out and sends a reconnaissance agent to see what the colonys grown into. Chases and violence follow.
- Crécy: "The Death Of Chivalry", "How Nightmarishly Annoying Arrows Really Are", or "How badass English Archers Made French Cunts Stop Invading England". In England, the word "cunt" is punctuation.
- Crooked Little Vein: His first novel, a very odd satire of Eagleland wrapped around a detective story.
- Dark Blue: Cop chases a serial killer. Sounds normal until you get into the cop's drug-induced insanity, and oh yeah, it might all be happening in a computer.
- Desolation Jones: A former British intelligence agent/human guinea pig is hired to find stolen pornography that stars Adolf Hitler.
- Doktor Sleepless, Future Science Jesus: This is not the future we were promised. Is he here to give us that future... or put us out of our misery?
- Do Anything: A book of short essays where Warren takes advice from the cybernetically preserved head of Jack Kirby.
- Down: A four-issue crime drama from WildStorm, notable for making much of his other work look joyful.
- DV8 #1-8 and #0.5: Warren takes Gen¹³'s Psycho Rangers and plays with them.
- Doom 2099: Doctor Doom takes over the united states, gets injected with alien drug blood, goes crazy, gets involved in a nanotech deus-ex-machina arms race with a proto Spider Jerusalem Corrupt Corporate Executive and his insane cannibal Captain America clone, becomes a plasma-shotgun toting cyberpunk revolutionary and saves the future from itself.
- Edison Hate Future
- Excalibur issues 83-103: In which Warren introduced his Author Avatar character Pete Wisdom, had Kitty Pryde lose her virginity, and had the team fight a giant demon.
- Frankenstein's Womb: Where exactly did Mary Shelley get the idea of Frankenstein?
- FreakAngels: What If? The Midwich Cuckoos grew up, fucked up, then tried to fix it?
- From The Desk of Warren Ellis: Another series of essays, mostly unrelated to comics.
- G.I. Joe: Resolute: A series that opts for a more realistic aesthetic, in lieu of the more futuristic tech that the Joe's normally use. It has been described as a more "mature" take on the franchise.
- Global Frequency: Kinda like a wiki. But with guns.
- Gravel, including the Strange Killings mini-series and the eponymous ongoing. The book has since been rebooted into a new volume, Combat Magician, with a different writer.
- Gun Machine: His second novel. A Police Procedural set in Manhattan that takes a few decidedly Harlan Ellison-esque twists.
- Hostile Waters: Antaeus Rising. Digital backups of dead soldiers are uploaded into tanks, helicopters and other vehicles. Nano Tech is used to stop a cabal of corrupt corporations who aren't happy about the world being at peace. Most notable for being, well, a video game written by Warren Ellis and narrated by Tom Baker. On December 2, 2013, Warren informed his fans that gog.com had made the game available for non-DRM purchase for $5.99, and when a fan asked if he was still getting royalties, he replied in the negative, going on to say "That doesn't matter to me on this one."note
- Ignition City: Flash Gordon meets Deadwood. Where did the space heroes go to die?
- Injection: A group of weird investigators accidentally "infected" the world with something called the Injection. Now, they try to find out what's going on.
- Iron Man: Extremis: Tony Stark gets Rebuilt.
- James Bond (Vargr and Eidolon): A James Bond series that extrapolates from Ian Fleming's novels instead of the film series. Ellis wrote two arcs and has has admitted to fanboying a little over getting the job, as he's a huge fan of the books and said years ago that Bond was the only licensed property he'd ever want to work on.
- JLA Classified: New Maps of Hell: The Justice League fights an eons-old sentient alien weapon that threatens Earth.
- Lazarus Churchyard: A reluctant immortal in a post-cyberpunk Europe lives on drugs, murder, and an occasional moment of shared humanity. One of Ellis earliest works. Transmetropolitan was a spiritual successor to this story.
- Ministry of Space: An extremely realistic, if dark, picture of Britain's colonialism extending into the final frontier.
- Moon Knight: the 2014 run with Declan Shalvey.
- Nextwave: Its an absolute distillation of the superhero genre. No plot lines, characters, emotions, nothing whatsoever. Its people posing in the street for no good reason. It is people getting kicked, and then exploding. It is a pure comic book, and I will fight anyone who says otherwise. And afterwards, they will explode.
- newuniversal: A reboot of The New Universe brand. Sadly ended early because a computer crash destroyed his files. However, Jonathan Hickman used many of the same ideas in Infinity and Secret Wars, and newuniversal has become an unofficial prequel as a result.
- Normal: A professional futurist has finally seen too much. Following what was apparently a very public freakout, he's sent to an isolated facility in Oregon that specializes in what's ostensibly treatment and functionally quarantine of people from around the world who have spent too much time looking into what increasingly looks like a dark future.
- Ocean: "One hundred years from today," a United Nations weapons inspector is sent to the outer limits of explored, human-settled space to investigate bizarre alien technologies found on one of the moons of Jupiter. Warren Ellis In the Style of... Michael Bay.
- Orbiter: Spaceflight dies. The last shuttle returns. What is out there?
- Planetary: It's a strange world. Let's keep it that way.
- Red: I'm the Monster. Do your best.
- Ruins: A Darker and Edgier take on Marvels where a dying Philip Sheldon discovers many of the accidents that created the heroes and villains of the Marvel Universe resulting in horrific deformities and painful deaths.
- Scars: One of his earliest works for Avatar. A police officer finds himself dealing with a serial killer when that killer's latest murder strikes very close to home. Ellis has admitted the book came directly out of his anxiety as a new parent, making it the virtual embodiment of the Adult Fear trope.
- Secret Avengers: A six-issue run (so far; he's stated that he'd be willing to write more). If you thought Astonishing X-Men was Crazy Awesome, you have yet to meet the gleefully insane Moon Knight and Pilot Marko. Not to mention his Beast.Hank McCoy: I can't fire a gun! I have paws!
- Superidol: A Black Mirror-styled takedown of the Idol Singer trope.
- Supreme Blue Rose: Supreme reboots again, but something is wrong this time. Where is Ethan Crane? What is wrong with the universe?
- Switchblade Honey: Captain John Ryder — inspired by Ray Winstone in London Gangster mode — commands a starship in a war against a Jerkass Hive Mind in defense of a Crapsack World.
- Thunderbolts issues 110 - 121: Unstable villains are put to work publically roudning up unlicensed superheroes while their leader has a massive Villainous Breakdown.
- Transmetropolitan: Hunter S. Thompson IN THE FUTURE.
- Trees: What if aliens landed on Earth...and did absolutely nothing? What if aliens were giant trees? How would the world change?
- Two Step: In an Absurdly Cool City, a cute blogger complains that Nothing Exciting Ever Happens Here, so she Jumped at the Call when she noticed a "freelance black market agent" stealing a prosthetic Gag Penis from a London Gangster. Exciting and hilarious and demented things happen.
- Counter-X: A revamp of a number of X-Books, which Ellis masterminded and served as co-writer on. Notable for the below mentioned X-Man series, which had in its story-boarding notes a memorable threat by Ellis to other writers that if they tried to introduce standard X-Men elements like Sentinels and mutant-hating government officials, he would have them '[redacted] by well-matured lepers'.
- X-Man: Nate Grey, an alternate version of Cable from the Age of Apocalypse is retooled as a more Doctor Strange-like character, protecting the Earth as its Mutant Shaman. In the process, he fights an evil alternate Jean Grey, an insane inhabitant of a utopian parallel Earth destroying other Earths to prevent their inhabitants from threatening his, and an alien energy being that's infected all of Earth and is preparing it for consumption by his masters. All while treating the multiverse as his personal stepladder, running into an Expy of The Authority in the process.
- Superhero anime projects: Collaboration between Marvel and Madhouse. Ellis outlines the story lines for each episode of each anime series, including Iron Man and Wolverine.
- Overseeing the 2017 reboot of the Wild Storm universe, which includes:
- Works for Ultimate Marvel:
- The Ultimate Galactus Trilogy: Ellis turns Galactus into something much more intimidating than a man with TV screen on his head.
- Ultimate Human: Tony Stark tries to save Bruce Banner, while somebody plots against both of them.
- Ultimate Comics Armor Wars: Tony Stark tries to find his stolen tech, while Warren Ellis is having fun.
- Wolfskin: Warren Ellis Writes An Awesome Conan the Barbarian Fan Fic.
Tropes associated with Warren Ellis and his works:
- Adaptation Distillation: Two of his works, Iron Man: Extremis and Red have been the basis for major films, Extremis as part of Iron Man 3 and Red as, uh, Red. Only in the case of Red was the storyline drastically altered, as trying to film the book as written would have probably resulted in an NC-17 rating. Ellis has gone on record as saying he didn't mind the changes, to the "Extremis" story in particular; his feeling being that "Extremis" was work-for-hire, and that since Marvel paid him for the story, it was theirs to do with as they pleased.
- Anti-Hero: Spider Jerusalem is easily one of the morally (definitely not socially) nicest, and he will shoot the President with a gun that makes him shit himself, then un-pawn a child's stuffed animal.
- Artistic License Biology: After he explained the difference between normal and artificial mutants (or were they mutants from alternate reality? Probably both) in his first Astonishing X-Men story, people at Scans Daily pointed out that genetics don't work that way. Ellis admitted his mistake.
- When Ellis wrote Iron Man: Extremis, he explained the eponymous magic bullet (a single injection which would turn ordinary mortals into supermen) as a "Data package contained in a few million carbon nanotubes, injected directly into the brain". The information package would then rewrite the repair center in the brain — that is, the part of the brain which keeps a complete 'map' of our organs and functions. "The brain is telling the body is wrong"... and it compliantly changes according to the Extremis instructions. Perhaps needless to say, there is no "repair center" (although the "sensory homunculus" seems a little bit like what is described). Later writers retconned Extremis into a viral package, which is at least borderline believable.
- And in Supergod it is a point that "mushrooms only grow on dead things". Which, well, they do not.
- Author Appeal: New Media. His run of JLA Classified is basically an Expy of Global Frequency; the Leaguers simultaneously find something so weird their brains go blue-screen, so they all call up Martian Manhunter telepathically. He then calls up Oracle of the Bat-clan, who powers up all her computers and digs in.Superman: J'onn, do you hear me?
Wonder Woman: J'onn, this is Wonder Woman. I need a consultation.
Green Lantern: J'onn, this is Green Lantern. I could use some extra brains here.
Martian Manhunter: I Hear You All. This is J'onn J'onzz on the Lunar Watchtower, activating the Justice League Telepathic Link.
Oracle: This is Oracle in the Gotham Watchtower. Information mining system on.
You Are On The Global Frequency.Justice League Is Go.
- Secret Avengers also bore a lot of similarities to Global Frequency, complete with "mini-teams" similar to the GF teams.
- He's also very interested in space-flight, trans-humanism and the Singularity, all of which tend to pop up in his works to some degree.
- Nanomachines and corrupt mega-corporations pop up all over the place in his work.
- A large number of his protagonists wear white suits.
- Guns feature heavily in his stories.
- Author Avatar: Pete Wisdom both in Excalibur, and later in Ultimate Human. Curzon, the British detective in his run on The Mighty Thor. Spider Jerusalem in Transmetropolitan. The Wildstorm Universe has at least two: Planetary has Elijah Snow, and The Authority has Jenny Sparks.
- With Pete, it actually gets fairly weird, considering Wisdom goes on to take Kitty Pryde's virginity, when Kitty was, at the time, only just turning 18 (and even there, it was Ellis who established her as such, as her actual age wasn't clear before and previously she'd been depicted as 13-15). It leads to some really weird implications considering he fully admits Wisdom being an Author Avatar.
- Author Filibuster: Related to author avatar above, as the said characters are always ready to explain at length their views, sometimes at odd moments.
- Awesome, Dear Boy: Ellis is completely okay with any and all changes made to the film of Red, because said changes ultimately resulted in Helen Mirren wielding an automatic machine gun.
- Badass Boast: Ellis knows how a superhero battle goes down.J'onn J'onzz: We're the Justice League. We've beaten up real gods and made them cry. You are nothing to us. (cue League delivering epic smackdown to mind-devouring abomination.)
- Berserk Button: Holy shit, does he hate dogs. Ellis will rant about this on his website or Twitter if given an excuse, but he finds a lot of reasons in his work for dogs to die in ways that he finds funny: accidentally crushed underneath a falling unconscious goon, "culled" for being feral and sentient, infected with a zombie gas, etc.
- Beware the Superman: He has to like this trope very much; Black Summer, No Hero, Supergod are all about it, echoes of it can be found in Planetary, Authority and Thunderbolts, and one of his first Stormwatch stories quoted it explicitly.
- Black and Gray Morality: Many of his titles.
- Black Comedy: As a result of the above.
- Composite Character: Ultimate Pete Wisdom, introduced in Ellis' Ultimate Human is a mix of mainstream Wisdom, Neil Burnside, and Hulk's archenemy, The Leader.
- Characterization Marches On: Following the direction Joss Whedon took Cyclops, Ellis ignored Badass Decay the character has been subjected to by other writers, and wrote him true to the spirit of Chris Claremont's portrayal, who'd always seen Summers as "a Heinlein character". Maybe even took it step further, as he admitted trying to make Scott Batman with eye beams. (Opinions vary one whether it was this trope or Scott simply taking a level in Jerkass.)
- Creator Thumbprint: Many of Ellis's protagonists are partially or wholly defined by their addictions: smoking, drinking, caffeine, self-destructive behavior, etc. To listen to him talk on his various blogs and newsfeeds, Ellis himself wasn't far behind them for most of his life, until a health scare in the 2010s got him to cut back on most of his vices.
"I went to war and I stayed in the Navy because I knew that I needed the human race.
- Many of his protagonists are also former idealists, who've become cynical or at least more realistic due to greater experience in the world. In his longer-form works, these characters' arcs are often about overcoming that and accomplishing something anyway. Switchblade Honey in particular is notable in that it compresses that entire set of character beats into a single-issue story.
- Deconstruction: He wrote a whole trilogy which is deconstructing Super Hero genre, telling what would happen if superheroes were too human (Black Summer), crazy assholes (No Hero) or have no humanity at all (Supergod).
- Eagleland: Any of Warren's works set in America will feature people who are either selfless, heroic martyrs, or abusive, misanthropic jackasses; and locations ranging from a splendid New York City to the most rundown trailer park imaginable. Ellis has said in Q & A's that his feelings on America are mostly that while he thinks it is the greatest country in the world, he also feels it has the potential to be far greater, and is annoyed by this.
- Somewhat inverted in his Secret Avengers run: Americans ends up being the only people moral enough to step in and stand up for some Eastern European villagers being hunted and abducted, and in the end of the issue it turns out the ones responsible for the abductions were all British, with Steve suspecting they may have government ties.
- Expy: Eli Warren, created by Kieron Gillen in his Iron Man run, shares a name, an accent, an appearance and an obsession with Transhumanism with Ellis. (Of course, given that he lives in the Marvel Universe, he's more inclined to act on that obsession...)
- Fandumb: The consistent belief that Ellis 'hates' superheroes. Often due to people looking at something like The Authority (when Ellis' run was much, much less severe than say, Mark Millar's) and getting the wrong impression entirely. Either that, or they confuse him with Garth Ennis.
- A column from Ellis shows that it's not that he hates superheroes, but rather that he never grew up with them the same way other comic fans did. Thus, his view on characters like Batman or Superman would mirror how a man would suddenly discover manga or pulp comics.
- And yet despite that, he manages to write some of the definitive work on the same. Probably because this distance, while on the surface merely enabling him to take them apart and show up all the bad bits, also enables him to put them back together better once he's done.
- See this very page for many repetitions of the idea that Planetary #8's John Constantine Expy was transformed into Spider Jerusalem by Ellis. Word of God is that Ellis' intent was to have the character turn from John Constantine into King Mob. It was Cassaday who decided to keep going and make him Spider. (Not that Ellis didn't enjoy the idea, but it wasn't his.)
- A column from Ellis shows that it's not that he hates superheroes, but rather that he never grew up with them the same way other comic fans did. Thus, his view on characters like Batman or Superman would mirror how a man would suddenly discover manga or pulp comics.
- The Government: Often opposing and critical of it. In particular, Ellis seems to like having the president of the United States of America killed or at least disgraced in his works.
- They're also hilariously ineffective, as seen in The Authority and Planetary; In the former, no government or political power can stand against the threats he lines up, and in the latter, the world's progress is actually controlled and allowed to progress at a snail's pace by an evil pastiche of a popular superhero group.
- Also in Global Frequency, where The Government has usually created the threat of the week but fucked it up to such a degree that they're unable to handle it when it gets out of control, and thus have to rely on the global civilian network to clean up their messes.
- Insult Backfire: Ellis related a time when someone who hated his work tried to dishearten him by showing his books in a discount bin. Ellis was instead enthused by this due to such discount bins being where he was first exposed to reading (he came from a rather poor family), which eventually led him to be a writer, which meant the hater accidentally encouraged Ellis by implying someone will be inspired by his work and take up writing as well.
- It Amused Me: This was literally his answer to why the G.I. Joe character Dial Tone was Gender Flipped in G.I. Joe: Resolute after Hasbro insisted that a tech Ellis gave a lot of dialogue to be a named Joe.
- Knight In Sour Armor: His favored protagonists tend to be world-weary and cynical chain-smokers living in Up to Eleven Crapsack Worlds who nevertheless possess rigid moral cores and a commitment to doing the right thing despite themselves.
- The Mentor/Team Dad: Kind of is this among current Marvel writers, as several important creators with the House of Ideas admit being influenced by Ellis: Kieron Gillen learned scriptwriting from his scripts, Brian Michael Bendis calls Ellis his favorite writer, Jonathan Hickman, Matt Fraction and Kelly Sue DeConnick were frequent users of his fanforums(Fraction and DeConnick actually first got to know each other posting there, then met in real life, began dating and ended up getting married) and he introduced Brian Wood as his protege in the 90s.
- Must Have Caffeine: There's nary a character in his works that don't demand coffee.
- No Ending: A fair few of his shorter works don't end so much as they stop.
- Random Events Plot: Ellis admitted that his Ultimate Comics Armor Wars miniseries was just essentially Marvel paying him for his Stream of consciousness writing. The result? Tony Stark beating on — in order — Dr. Wily with a MODOK in his head. Doctor Frankenstein in power armor. Master Chief ripoffs in the process of doing what the MC was canonically designed to do; slaughter protesters. And finally, Howard Stark, Sr. AKA "Ernest Borgnine in an ill-advised love triangle with farming machinery and the wreckage of a Lincoln Continental".
- Shown Their Work: Whether he's writing about bleeding-edge speculation about physics, biology, and technology; world history; or the characters of an established Shared Universe, Ellis demonstrates a knowledge of even obscure or minor details.
- Sliding Scale of Idealism vs. Cynicism: Generally pretty cynical though to what extent varies from story to story. There's often a small glimmer of hope at very least, regardless of how dark the plot is. His Avatar Press Superhero trilogy is notable for veering hard right into the furthest reaches of the cynical side of the scale, all ending in a complete Downer Endings.
- Spiritual Antithesis: Ellis himself put his Black Summer in contrast with Mark Millar's Civil War, saying that latter is watered-down vision of conflict between superheroes and government and the former is what would really happen. He also responded to Kurt Busiek's Marvels with a extremely depressing miniseries called "Ruins".
- His Switchblade Honey is this to Star Trek: it shows a future where the exploration of space is handled by a bunch of insane egomaniacs, which leads to a war with a much more powerful enemy, which humanity is losing. Heroic idealists, who would become great heroes of Starfleet in Star Trek, here end up in prison for opposing the corrupted system.
- Status Quo Is God: Criticized a lot, especially in Planetary, which really strongly criticizes Reed Richards Is Useless and similar tropes used by editorial mandate to make their worlds closer to ours and preventing any changes. Even John Constantine has been criticized for not really changing since his first appearance (oddly, Planetary suggests Constantine should become more like Spider Jerusalem, although Ellis insists that this was a Throw It In! by John Cassaday and he actually didn't intend for this).
- Thou Shalt Not Kill: Averted; most of his heroes don't have those kind of issues. There's an oddly frequent idea in his work, that some people contribute nothing to the world but sorrow and thus need killing. It's most clearly articulated in the Hong Kong issue of Planetary.
- He occasionally causes controversy when he does work for hire, because Ellis flatly refuses to write a character with an iron-clad code against killing. The closest he comes is Swift in The Authority, who under his pen will kill if necessary but doesn't want to. (This was not a trait that later writers adopted.) There was a mild controversy after Ellis's first issue of Secret Avengers, after he had Hank McCoy make an impossible choice: either use an improvised dirty nuke to kill a few hundred members of the Shadow Council, or lose the city of Cincinnati to a weaponized time machine. Hank picked the first one, but not without comment or complaint.
- Took a Level in Badass: It may sound impossible, but he made Iron Man take one.
- As a matter of fact, it transpires that this was, if not impossible, than at least hard to swallow: in order to make Stark more badass, Ellis first made him a bitch. Extremis in a nutshell; a Right-Wing Militia Fanatic shoots up with Nanomachines, and the resulting Hulk-level sociopath Curb Stomps him. The hero who once flew a nuclear reactor the size of a city block in the process of meltdown out to sea ends up in severe danger of being killed by a redneck using a car as an improvised sledgehammer. Stark survives to shoot up on nanomachines himself, enabling him to plug his brain into a brand-new suit, then goes back in swinging an earthmover bucket like a foam rubber bat.
- Also, Ellis' Doc Samson was probably the most spot-on compelling portrayal that the character has ever received. It would have been awesome to see more Ellis work starring the literally ragingly ethical Balls of Steel bruiser psychiatrist. Just say that Loeb's version was a clone, life mode decoy android, an anal Skrull, one of those alternate universe tourists that Dan Slott introduced, or somesuch. It didn't get the history straight anyway.
- Trenchcoat Brigade: Ellis seems to love the hell out of John Constantine, given that a chunk of his characters are essentially Expies of him.
- Villain with Good Publicity: Thunderbolts during Ellis' run were so popular they had their own line of toys.
- Well-Intentioned Extremist: The Authority and Doktor Sleepless.
- World of Snark: We dare you to find a Warren Ellis book where there aren't any grumpy smartasses.
- Writer on Board: Often very unsubtle about his opinions. If he writes a Take That!, you'll probably know it.
- Writing for the Trade: Averted as all hell. While noting that he probably has more trades out than any other writer (it's not uncommon for comic book shops to have an entire shelf of his work), Warren has strived to make his comics such as Fell, Planetary, or Global Frequency as self-contained within each issue as possible.
- You Keep Using That Word: In at least two instances (JLA Classified: New Maps of Hell and Planetary), Ellis has used "ancestors"(those you're descended from) when the text clearly should have used "descendants"(those descended from you).