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Author Tract

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Why yes, Marl Karx is very much unbiased...

Thompson: It's the Rapture, Shauna, the Rapture! The virtuous have gone to Heaven, and the rest of us have been... Left Below! We were fools! And because we rejected God (tacitly accepting Satan), we must suffer through the Apocalypse.
Buddhist Monk: I thought all religions were a path to God; I was wrong!
Scientist: Why did I put my faith in science and technology?!
Homosexual: Oh, why did I choose to be gay?!

All writers put something of themselves into their stories, but some of them go just that little bit too far. For them, the real point of writing is not to shape worlds or create characters, but to preach their ideological beliefs.

This is not always a bad thing. For some works, the premise is simply a way of putting a political point across in an interesting and imaginative way. Also, sometimes things just have to be said in the most blatant way possible to be understood. However, when the message come across as forced or one-sided, it may prevent some readers from enjoying the book and it will hinge upon where an individual puts their line for where it becomes annoying.

Note that this only applies when the entire universe and characters have been created to put forward the author's viewpoint. If an existing fictional universe or character has been altered to create a medium for a tract, then it's due to a Writer on Board (Author Filibuster is an extreme example of that). If the author's just filling up their story with stuff they like, that's Author Appeal. If it's gotten to the point where the tracting (or whatever personal issues the author has) has all but taken over the author's work, then the author has entered Filibuster Freefall.


Contrast What Do You Mean, It's Not Didactic?. May overlap with Artistic License and Take That!. If being an Author Tract is the whole point of the work, see Propaganda Piece.


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    Anime & Manga 
  • Code Geass has been (and still is) accused of being an anti-American Author Tract. When asked about the subject, director/co-creator Goro Taniguchi's response was "I know some authors have political messages in their works, but that wasn't my intention; I just wanted to tell an entertaining story." Later, when asked again, he responded "You mean America and Britannia are exactly alike? I had no idea!" In case anyone's confused, it wasn't a "Well, duh" statement — it was more along the lines of: "The US is currently led by an Emperor with WTF-curls who believes that all men are not created equal?"
  • Earth Maiden Arjuna starts out as a fast-paced mature Magical Girl series. Then it quickly veers into very heavy-handed ecological preaching. Tolerable, because the animation is freaking sweet, because Theresa is really badass, and because Juna's transformation is damn cool, but the storyline is still Anvilicious to the point of being distracting, and full to the brim of very bad science about why Science Is Bad.
  • Hiromu Arakawa's Fullmetal Alchemist also promotes an anti-revenge message. But it's a bit less Anvilicious here.
  • Another Shoji Kawamori piece, Macross Zero, mixes spectacular mecha battles with the seemingly-opposite message that all warfare is inherently evil. It's set on an island that's a mostly-primitive Eden, inhabited by innocents. The shaman/priestess freaks out over the arrival of UN forces to defend the island, saying they're possessed by evil spirits that are prophesied to destroy everything. For the first half, this is played as "silly superstitious witch doctor". But by the end, you realize that she's absolutely right. The island paradise gets tac-nuked into a wasteland, and only her Heroic Sacrifice keeps the entire world from being obliterated.
    • Technically, Super Dimension Fortress Macross shows that she was only half-right. It was the alien Zentradi who wound up destroying most of the Earth and its people, and it's human culture that leads to the end of the war.
  • Mobile Suit Gundam. War is bad, m'kay?
    You soldiers can decide to live and die by any rules you want, commandant. You can play any games you want, but civilians shouldn't have to lose their lives as a result.
    • Incidentally, most of this came about of it being based off of World War II.
    • The series created in the 2000s (including Gundam SEED, Gundam 00, and Gundam AGE) want you to know that war will end when everyone understands each other.
  • Masashi Kishimoto, author of Naruto really, really wants you to know that revenge is bad, kids. Also that friendship, forgiveness, and self-sacrifice will solve anything.
  • Having been inspired by its creator's battle with depression, Neon Genesis Evangelion (particularly the endingboth of them) contains numerous sequences containing in-depth discussions of the human condition and concludes with a lengthy expose on the thought process that leads the main character to overcome his own depression, go on living and reject the Assimilation Plot he finds himself a part of.
  • Only Yesterday sometimes comes across as a tract about the importance of Japanese farming. However, the monologues are sometimes interrupted by the character saying that he is getting too serious.
  • This isn't Isao Takahata's only film containing an example: there's also Pom Poko, which spends a lot of time establishing the negative impact industrialization and city expansion have on local nature and its resident supernatural creatures.
  • Once per Episode on Sayonara, Zetsubou-Sensei; it wouldn't be the same without the Nozomu's obligatory rant. Usually given an absurdly hammy delivery, but even when it's played straight it circles back around to a self-deprecating sting.
  • Team Medical Dragon was written by Akira Nagai, a practicing doctor — and the manga basically centers around a maverick (but exceedingly skilled) cardiac surgeon and his team fighting against bureaucracy and corruption in the Japanese health services. It's particularly jarring when you realize that all the protagonists are incredibly good-looking compared to most of the antagonists, who are practically caricatures.
    • The issue with the looks is somewhat taken care of in the live-action version, with the antagonists having a fair amount of attractive people, and Dr. Asada being the only one pointed out to be good-looking.
  • Most of Hayao Miyazaki's movies have at least one segment that preaches the importance of respecting and preserving nature. That is, if the plot itself isn't completely built around the aesop. Miyazaki often protests that he does not make films with the intent of sending messages, he just makes them to entertain and for profit. Fans have a hard time believing that given his criticism about capitalism and globalization.
    • Additionally, a few of his films contain an anti-war message, which makes sense considering he grew up in the 1940s.
  • Osamu Tezuka did this occasionally. In Black Jack, Tezuka often criticizes the current state of the medical establishment, lent some weight by the fact that he was trained as a doctor before becoming a manga artist. His science fiction stories, including Astro Boy often discuss the dehumanizing effects of modern society technology, but counterpoint it by showing all the good that can come of modern technology. Karma, the 4th (or 5th, depending on the localization) volume of Phoenix series is largely built around Buddhist themes, discussing Karma and reincarnation at length and lamenting the corruption of the Buddhist faith by political interests. The later (and sadly, final) Phoenix story Sun does something similar with Shinto.
    • Tezuka's science fiction book Apollo's Song did the same as Astro Boy, but touched on the nature of love and romance (not to mention Greek Mythology) as well.
    • Some of his stories that focus on nature like Kimba the White Lion tend to have a Green Aesop, but Tezuka tends to make it play back-burner to other aesops about family and sacrifice.
  • The manga Yu-Gi-Oh! has the main theme of friendship - namely, that it can overcome anything and is better than working alone. This is all well and good, except that Kaiba insists on working alone and has achieved quite a lot for it - namely, his own company and is able to provide for his little brother. Situations where friends can be poisonous don't tend to be shown, and while support makes it easier to win with high stakes, players in real life can't give one another hints. Similarly, manga-ka Takahashi said in an interview that he believed Jonouchi / Joey's casual attitude towards games was stronger than the philosophies of the other characters, which makes sense more in real life than in Yu-Gi-Oh!, where losing a game can actually cause people to die.
  • Fairy Tail wants to remind you that friendship is powerful and good. And that your friends are important. And that they make you strong. And you can't lose with friends at your side. And that even the impossible is possible with friendship. etc. Nearly every battle has at least one character proclaiming this, and sometimes even pointing out that the reason that the villain is losing is because they lack such friends. Note that while it is extremely common for Shounen series to preach the importance and power of friendship (and Fairy Tail in particular can get away with the fact powerful feelings like friendship can actually fuel magic), both fans and detractors of Fairy Tail can agree that the series takes it a little too far sometimes and it's almost like Mashima doesn't want us to forget that Fairy Tail is made of these good friends.
  • Yamada-kun and the Seven Witches can sometimes be a bit heavy-handed with its You Are Not Alone message, to the point that the misery of most characters doesn't last more than a few panels until they see a helping hand reaching out, usually due to the titular protagonist's Chronic Hero Syndrome. Surprisingly, the series' message about the value of friendship isn't that heavy-handed (though still present), given that Yamada tends to befriend the people he helps after he helps them, so the Central Theme isn't really about helping your friends as much as it's about helping people in need.

  • As with most of his satirical paintings, Hogarth fills every square inch of Marriage A-la-Mode with details that in some way reflect his aesthetic and personal philosophies. As well as the attack on Arranged Marriage that dominates the series, Hogarth also took aim at artistic and architectural styles he found repugnant. For example, in The Marriage Settlement, the Viscount's effeminate foppishness is emphasised by the black bow on his wig and the raised red heels on his shoes, high fashion in the courts of Paris and thus detested by the French-hating Hogarth. Meanwhile, the Earl's opulent new house seen through the window is a hideous parody of the neo-Palladian style (the two colonnades feature different numbers and styles of columns, while the basement windows are triangular and the coach house door is barely tall enough to accommodate a coach, never mind a coachman), which Hogarth despised.

  • Bill Hicks' comedy routines were pretty much nothing but this trope. He liked challenging mainstream beliefs on society, religion, politics and pop culture, often in a deliberately controversial way.
  • George Carlin's later concerts have tended to include at least one section that comes across as not so much comedy as a rant to the effect that "the very concept of religion, and in particular Christianity, is inherently illogical and overbureaucratic."

    Comic Books 
  • Lampshaded by Grant Morrison when he literally shows up in Animal Man to (among other things) mention that he feels his own writing for the book has become too preachy and contrived.
  • This is a major theme in Hellblazer. Since the beginning of its publication, writers have been putting their own political and philosophical British ideals in it, and since it follows real time than Comic-Book Time, a lot of those ideals are come from what was happening in contemporary UK. Examples of this include Jamie Delano's negative views of Thatcher's regime and by 2005, includes the War against Terrorism. When Garth Ennis took over writing, he included racism, drugs, and religious fanaticism, which were popular at that time. The most controversial writer, Brian Azzarello, tackled issues such as Neo-Nazism, prison rape, and homosexuality. During Warren Ellis' run, he included American school shootings in a one-shot issue which led to a major controversy. As such, much of Hellblazer's horror often arises from the crises and controversies of its time.
  • Dave Sim's Cerebus the Aardvark eventually came to be dominated by Sim's viewpoints on the evils of feminism and his rather unusual take on the Abrahamic religions. An entire story arc was dominated by the title character reinterpreting pretty much the entire Torah.
  • Jack Chick's Chick Tracts are literally religious tracts in the form of comics. They contain thin stories to provide a framing story for an illustrated extract from The Bible and/or rant about how The Pope secretly rules the world and Dungeons & Dragons is a Satanic indoctrination tool. One tract explains where the idea came from — Communist China found that Western children loved reading comics, so they decided that easy-to-understand comics would be an excellent medium with which to indoctrinate the people.
  • The Invisibles was basically created as a way for Grant Morrison to explain his experiences with extraterrestrial contact and magic.
  • JLA: Act of God is entirely devoted to saying that Batman is right and the only way to fight crime is by being a normal vigilante with no special abilities. And also that superheroes are arrogant because only God should have power, it even goes so far as to have Wonder Woman convert to Catholicism, in spite of her being an Amazon, who has met Greek gods before. Worse when you consider that God explicitly exists in the DC-verse and clearly knows about and approves of them, even empowering some and taking a "light touch" approach supporting others.
  • David Mack's Kabuki started out as action-adventure (though already with some genre savviness and self-reflexivity) and eventually became a meditation on producing independent art (turning the self-reflexivity and self-reference up to 11).
  • Liberality for All is basically one long super-conservative author tract which posits the idea that the UN and Democrats want to put terrorists in charge of the United States. And that only a superhero team made up of a Fox News Channel talk show host and two conservative talk-radio hosts/convicted felons — all with Cyborg Artificial Limbs — can save us all.
  • Friends Forever Issue 14 of My Little Pony: Friendship Is Magic, according to author Jeremy Whitley, was written to address what he believed were Unfortunate Implications from the episode Dragon Quest.
  • Sky Doll by Barbara Canepa and Alessandro Barbucci often veers into this territory, which the overall story could be interpreted as an author tract against all religion in general.
  • While it's Best Known for the Fanservice, Tarot: Witch of the Black Rose often preaches about how Wicca is more inclusive and tolerant than other religions... and how intolerant those other religions are towards Wiccans.
  • "The Truth for Youth" by Tim Todd are comics done in Japanese style artwork. They're like Chick Tracts, but a bit more sane. It's pretty odd to read Japanese-style characters talking about the evils of porn. They still aren't that sane, however. For example, this statement about evolution:
    Rashad: Did you know that evolution is basically a racist concept? Some evolutionists still teach that white people evolved from "negroes" who evolved from apes—meaning "white people are more evolved!"
  • One of the reasons William Moulton Marston created Wonder Woman was to convince everyone to come under "submission to loving authority" and how a "loving matriarchy" would be a superior, peaceful world government. Oh, and bondage is highly enjoyable. Subsequent writers mostly ignore all this.
  • In a borderline case, Scott McCloud's Understanding Comics was an incisive analysis of comics as a medium (though not without its own agendas and prejudices), while the 'sequel,' Reinventing Comics is much more of a personal manifesto.
  • Dwayne McDuffie would often include his thoughts on race relations in his work. One of the more notable examples would be an issue of Icon which talked about the historical importance of the Blaxploitation superheroes of the 70s.
  • Pat Mills was very fond of writing about the evils of Christianity and the glories of Neopaganism in the 80s; Sláine and ABC Warriors were particularly prone to simply becoming mouthpieces for his views on religion. However, he's gotten better about it.
  • Reginald Hudlin really wants you to know that the Black Panther is the coolest badass alive, and that the American government has selfish motives in dealing with African countries.
  • Steve Ditko's comics, which attempted to mix superheroic action of a street-level variety with Aesops on various principles derived from Ayn Rand's Objectivism.
  • Warren Ellis has specifically stated that Transmetropolitan is basically him venting about his various opinions on politics and consumerism, with the main character being a sort of author surrogate. This is particularly notable in the issue where Spider Jerusalem takes on religion, which doesn't even end properly—the issue concludes with him dressed up as Jesus, tearing up a sort of religious convention in a mall (while giving a long speech about why religion sucks, of course) and getting tackled by security. No mention is made of it afterward. Indeed, most of Ellis' comics seem to have characters declaring their sociopolitical views, which always are along the same lines, and close to the author's own opinions.
  • Several times in Wilhelm Busch's stories. Best example may be "Pater Filucius". Gottlieb Michael (the good guy) is generally seen as a stand-in for the good German people, whom the evil Catholic church wants to harm. Pater Filucius was Busch's contribution to the Kulturkampf, the period of intense conflict between Bismarck's government (supported by the Liberals) on one hand and the Catholic Church and its political arm, the Centre Party after the first Vatican Council declared the Pope to be infallible. Most characters in it are allegorical and have significant names. The German people had long been personified as der deutsche Michel ("German Mike"), rather like the British one was represented by John Bull, because St. Michael was Germany's patron saint. Father Filucius (from the French filou, "crook") is a Jesuit, Gottlieb Michael's two maiden aunts Petrine and Pauline stand for the established Catholic and Protestant churches (the Pope tracing his authority to St. Peter, while Protestants place greater emphasis on the teachings of St. Paul). In the end, Gottlieb marries Angelica, signifying Wilhelm Busch recommending an "Anglican" solution to the centuries-old Catholic-Protestant divide in Germany.
  • Alan Moore is no stranger to the occasional tract.
  • The Dutch comic Earthling: Vegan Warrior — which essentially attributes every evil in the world to the fact that we don't live in a global Veganopia, and pits its Animal Man-expy Designated Hero against supervillains representing such horrors as war, pollution, and eating meat or wearing leather — is basically what you'd get if Vegan Artbook were a Rob Liefeld project.
  • The Nightly News by Jonathan Hickman, which prefaces every issue with a Wall of Text on the lies and distortions of mass media is actually a Subversion; the grassroots La Résistance that fights back only rises due the machinations of an even more corrupt politician who blames newscasters for costing him a White House run. Hickman's afterword to the comic actually laments how many readers and reviewers didn't fall for the Bait-and-Switch.
  • Henry Vogel, writer for Southern Knights, had another less-known side series called X-Thieves where almost Once An Issue he'd demonize the IRS as emotionless, implacable puppets of the administration who were even worse crooks than the nominal larcenous heroes. His Taxation is Theft beef even showed up in editorials run in Southern Knights at least once, as well.
  • The infamous original Grand Finale of Young Justice, "Graduation Day", was essentially three issues of Judd Winick ranting about how kids and teenagers have no place in the super hero business and trying to act like adults will only get them horrifically killed.

    Comic Strips 
  • The Boondocks, as well as its animated TV show adaptation. Often expresses the feelings of Aaron McGruder on race, entertainment, religion, and politics. Be warned however, that some of that is also just Huey being Huey. This is subverted, however, by Huey being the character that often voices McGruder's beliefs, making it difficult to distinguish what the character thinks, and what the author thinks. Michael Caesar's role provides a bit of realism or Lampshade Hanging to make the tract less Anvilicious or provide a more temperate view.
  • Bill Watterson admitted that he wrote a lot of his troubles with the syndicate into Calvin and Hobbes, as well as his opinions on comics, film, TV, commercial and other industries, humans' role in nature, art, and general philosophy. However, he always tried to keep the tone of the comic consistent, and would scrap ideas that diverted too far.
  • Dick Tracy's later years often had quite a few blatant tracts where Chester Gould railed against reforms to due process and the expansion of the Rights of the Accused where sadistic and psychopathic criminals were often getting Off on a Technicality.
  • Doonesbury is really just Gary Trudeau telling people what he thinks about politics day-in and day-out, with occasional asides for other things. In its later years, however, the comic has become as much about exploring the gigantic cast of characters' lives as it has about politics. In the beginning it focused almost entirely on humor about the college life of the (much smaller cast of) main characters.
  • Mallard Fillmore started out as an attempt at a standard, character-driven comic, but quickly devolved into a platform for the author to state his conservative opinions on various current events. More often than not, Mallard acts as an Author Avatar speaking directly to the reader.
  • Prickly City was sold to syndicates as "a girl and her coyote buddy" but turned into a conservative soapbox even faster than Mallard Fillmore.
  • This Stone Soup strip from 2002 is basically creator Jan Eliot bashing Roger Ebert for giving Divine Secrets of the Ya-Ya Sisterhood a bad review — on the assumption that he didn't get it because he's a man.
  • In the 1950s and '60s, Al Capp's Li'l Abner and Walt Kelly's Pogo increasingly became vehicles for their creators' respective political views (conservative for Capp, liberal for Kelly).
  • "Umbert the Unborn", a comic about an unborn child, reflects the Christian, anti-abortion views of its creator, Gary Cangemi.

    Fan Works 
  • The entire concept is discussed in the Once Upon a Time fic All Ive Ever Learned From Love.
    • Henry has based his entire view of the fairy tale world off of the book, and has become convinced from it that Regina was always the Evil Queen. He is then shocked learn of her own tragic past, and that she really was a good person once. He asks her why this wasn't included in the book, when every other villainous character was portrayed at least slightly sympathetically.
      Regina: The thing you have to realize, Henry, is that every author has an agenda. And most of the time, they want their point of view to be... obvious. They want the reader to agree with them, to see their heroes as heroes and their villains as villains.
      Henry: But that only makes sense if the author is writing fiction and can just make up the story. These stories are histories. They're true. And, I mean... you are... a... a...
      Regina: Villain? I'm not trying to justify everything I've done in the past. I know that some of the choices I made were wrong. But Henry... a good historian might not lie, per se, but the stories they choose to include still show their agenda. Maybe it is a subconscious decision, maybe they don't even realize they are doing it. But they are still only going to record events that they deem important -– and what they think is important is going to be a reflection of their own beliefs and prejudices.
    • The author manages to avoid doing this in the story itself however. Regina is well aware of the horrible things she has done, isn't very pleasant, and makes it clear she is working with the heroes to stop her mother, she doesn't care about any other challenges they are facing. The other characters aren't very fond of her, and no-one has yet commented that they misjudged/mistreated her.
  • The Harry Potter Crack Fic Becoming Female is, at least superficially, a tract against sexism, with all the villains, especially Ron, being absurdly over-the-top Straw Misogynists. However, the feminist "heroes" are such ridiculous Jerk Sues that some suspect that this whole thing is actually a disguised anti-feminist tract. Either way, this trope is in effect.
  • In Chrono Trigger: Crimson Echoes, King Zeal calling out Crono and the party near the end could qualify as this, given the context.
  • Chatoyance's stories set in the The Conversion Bureau universe have been extremely heavy handed attempts to preach the author's views regarding religion, human nature, environmental issues and sexuality.
    • In particular, "New Universe Three: The Friendship Virus" is an outstanding example. It is 2,548 words pontificating on how testosterone turns men into Always Chaotic Evil savages. And how much better the world would be if the men were "feminized". (The author happens to be a transwoman. Make of that what you will.)
  • Harry Potter and the Methods of Rationality is, in part, its author's attempt to teach lessons in rational thinking through the medium of Harry Potter fanfiction.
  • "Harry Potter Turns to the Lord" is a fanfiction about a Gary Stu teaching Harry Potter that witchcraft is evil.
  • Hogwarts School of Prayer and Miracles in which Harry is raised by the Straw Atheist Dursleys and later becomes a Christian and goes to the eponymous school, may be this, but could be a parody of this, too.
  • Similar to and inspired by Harry Potter and the Methods of Rationality, Luminosity is designed to explain luminosity—i.e., self-awareness.
  • Every chapter of My Brave Pony: Starfleet Magic when it was first posted started or ended with a rant by the author of how much better this story is compared to the original show. It has since been reposted a second time without the author's notes, however. One of the Aesops the fic preaches is "Friendship is useless, what you need is belief." And then every sticky spot the protagonist gets in, he's saved by his friends, except when he calls upon the Uniforce.
  • Prefects After Dark, the first story in The Rival Prefects Trilogy, is a Harry Potter Self-Insert Fic wherein the author makes his pro-nudist views abundantly clear.
  • Rachel Stevens revisits Da Bungalow was basically an excuse by the author to write about Rachel Stevens Covered in Gunge after leaving Dick & Dom in da Bungalow before the episode featuring her ended. The fanfic promptly insults "Stroppy Stevens" for her Rage Quit, blames her for the series' downfall, and is assaulted by the duo on the first episode of the Adults-only revival. Dick and Dom are never punished for this. As Tellygunge mentioned in the comments:
    Rachel is nice in many ways, but running away from Dick and Dom was selfish and pathetic. She disappointed a lot of people – not just those of us who like to see good-looking women getting messy, but more importantly, she spoiled the fun of all the kids who were watching.
    You’re right that she shouldn’t have gone on the show in the first place. But she chose to go on there to promote her single to her target audience (and let’s face it, her musical career was in its twilight at this point), and then refused to take part in the mildly humiliating but harmless activity that guests were required to do – unfair and lame!
  • Happens in-universe in Sharing the Night, when Twilight Sparkle tries to research alicorns.
    These books—this entire pile of books—was a collection of political and theological detritus littering the history of Equestria. Their authors were each just using the subject as a medium to push some unrelated ideological agenda.
  • Sonic X: Dark Chaos is pretty much an anti-religious, anti-right wing tract wrapped in a Darker and Edgier Sonic the Hedgehog fanfic story.
  • The concept is parodied in the Troll Fic Supper Smash Bros: Mishonh From God by portraying the purported author as an unsympathetic and bigoted Straw Character.
  • Pretty much any time any fanfiction creates a Designated Villain based on the author's personal experiences/views/current events, it's getting into an author's tract. It can be excused in some cases, if it's related to the plot, but if it comes out of the blue it looks like a giant lecture in the middle of an otherwise unrelated story.

    Films — Animation 
  • Gisaku mostly exists to tell viewers how aswesome Spain is, forcing national science programs and wildlife protection funds into the story. For instance, one character is an antropomorphic lynx-man who used to be an ordinary lynx, but took on his new form to protect his species. Only now he's desperately searching for a way to return to normal, because Spain's wildlife protection programme is so good that his change turned out to be unnecessary! Amusingly, the film was made shortly before the financial crisis of 2008 and talks up Spain's economy quite a bit. A few years later, Spain was hit by the economic recession and unemployment rates are still very high.

    Films — Live-Action 
  • An American Carol, a conservative-fuelled film directed by David Zucker, features a straw-stuffed Michael Moore parody getting the tar beat out of him by George Patton.
  • Tom Laughlin's Billy Jack was slowly overshadowed/overwhelmed by Laughlin's political views. Many a war is waged on Straw, specially if it's anyone on the opposite end of Laughlin's political views. The sequels gradually swapped out much of their predecessor's face-kicking action for even more heavy-handed pontificating, leading to critical panning for The Trial of Billy Jack, while the third movie ended up being both a Box Office Bomb and Creator Killer.
  • Most people assume The Birth of a Nation, which portrays The Klan as heroic saviors, was a tract by director D. W. Griffith. In fact, it's an adaptation of the then-popular novel The Clansman by Thomas F. Dixon, Jr, which was itself a racist author tract. Being the son of a Confederate Army colonel, Griffith may have bought into the novel's revisionist history, but he denied having any ulterior motive for making the movie.
  • In response to criticism against Birth of a Nation, Griffith's next movie Intolerance definitely was an author tract against class-based prejudice, religious discrimination, and sexism.
  • The Blot by Lois Weber is all about attacking the sub-poverty wages given to university professors, going so far as to quote magazine editorials. The whole plot concerns the struggle of Prof. Griggs's family to survive. His daughter faints from hunger and his wife steals a chicken form the neighbors (but she puts it right back).
  • Oliver Stone's films tend to be less than subtle, but the cake goes to the adaptation of Born on the Fourth of July, which is probably his most preachy film.
  • Richard Linklater's film version of the non-fiction book Fast Food Nation went from an exposé of the practices of the fast food restaurant industry to a two-hour rant about why people shouldn't eat meat. Despite becoming an In Name Only adaptation of the book, author Eric Schlosser (who is not a vegetarian) still endorsed the final product (which may not be that surprising when one coniders that the original book is below and its ideas are not that different).
  • Glen or Glenda is essentially Ed Wood's exploration of gender non-conforming people like himself; he even played the title character under a pseudonym.
  • At the end of Charlie Chaplin's The Great Dictator, Chaplin gives a Rousing Speech where he more or less steps out of character and urges the viewers to resist the Nazis. Given that France was invaded during its production, this use of the trope is very understandable.
  • If Footmen Tire You, What Will Horses Do? is a film in which a preacher lectures a young woman about how America will be taken over by Commie Nazis unless the people re-affirm their belief in God.
  • A King in New York is largely a vehicle for Charlie Chaplin's views on nuclear disarmament and the Red Scare, with some comedy tacked on.
  • Steven Seagal's On Deadly Ground caps off its Green Aesop with Seagal literally lecturing the audience on environmental problems and getting a round of applause.
  • Persecuted is largely one long sermon on the claim that Christians are persecuted in America.
  • Akira Kurosawa had a very low opinion of the scandal-mongering tabloids that became very prominent in post-war Japan. The result was Scandal a story about scummy tabloid journalists who incorrectly accuse an artist and a singer of having an affair.
  • Sherwood Pictures makes films (such as Facing the Giants and Courageous) that are specifically intended to teach about Christian morality. This makes sense, as they're produced and financed by a Baptist church.
  • The Atlas Shrugged film series was financed by libertarians and Objectivists to make the case for their political views. There are even cameos by libertarian and Objectivist personalities.
  • Paparazzi is producer Mel Gibson's revenge fantasy on the paparazzi.
  • Seed of Chucky is this for the creator Don Mancini, an openly gay man, who used the film to describe is coming out experiences and what it felt like. This movie is probably the most divisive in the fandom because it sets aside horror for horror-comedy and family drama. In a killer doll movie of all things.
  • Uwe Boll's Rampage films are a particularly weird breed of an Author Tract. Its Evil Genius Villain Protagonist Bill Williamson is a deranged psychopath and domestic terrorist who, while Going Postal, murders innocent people by the dozens for nothing but his own self-serving reasons. However, at least once per film he'll go on a minutes-long rant explaining that his violent actions are supposed to wake up humanity, giving a very thought-out analysis about political and economic corruption.
  • Frank Capra freely admitted that It's a Wonderful Life was created in part with the intention of combating a modern trend towards atheism. That hasn't stopped it from becoming a widely beloved Christmas classic which is often enjoyed by religious and secular people alike, however.

  • The Accidental Time Machine: The book contains rants about the evils of Christianity.
  • Allen Drury's Advise & Consent is a Government Procedural with a strong right-wing bent: the book's conservatives are flawed but basically virtuous, the liberals are lying, treacherous, Communist-appeasing dupes. The sequels are even worse in this regard. The Film of the Book tones it down considerably, opting for Gray and Grey Morality with neither side having clean hands.
  • Americanah by Chimamanda Ngozi Adichie is devoted almost entirely to discussions of race, racism, nationality, and immigration, and most of the scenes in it exist to make a point on one of those topics. Sometimes the author simply eschews the narrative altogether to include "blog posts" on those topics by the protagonist.
  • Anarchaos by science fiction author Donald E. Westlake comes off as this concerning anarchism, with the main theme being that Anarchy Is Chaos (as the title kind of implies). He posits a world entirely colonized by anarchists, which quickly breaks down into, well, chaos (in the story the world is named Anarchaos by the anarchists themselves, which seems very unlikely). Despite this, it's a good story.
  • Orwell's Animal Farm is also a thinly veiled satire of the Russian Revolution, and more generally of the nigh-universal Full-Circle Revolution cycle as every new regime becomes corrupted and winds up like the old.
  • "August" by Bernard Beckett is a philosophic idea about free will (or the lack of) with a two main characters and storyline plastered on top.
  • The Bill the Warthog series of children's detective stories are meant as biblical metaphors, including a whole book where the author just rips stories from Jesus's parables. Good thing the parables are in the public domain...
  • Anna Sewell's Black Beauty was originally written as an Author Tract about the abuses suffered by carriage horses in 19th century England, not as a children's novel.
  • Kurt Vonnegut does this a lot. Cat's Cradle not only talks about how the invention of nuclear weapons was a bad thing, but pretty much says that if we insist on inventing things without thinking first about what they might be used for after we invent them, then we're all doomed (one character has given up science altogether, since he's come to believe that anything he invents will probably be turned into a weapon somehow). The parts of Slaughterhouse-Five set in Germany during WWII are unquestionably anti-war. The message of God Bless You, Mr. Rosewater seems to be that society will not fall apart if the wealthy share their money with the poor. The very first page of Breakfast of Champions begins describing the country in which the characters live (the United States) and all the ways in which it is fucked up. And so on...
  • Charlie and the Chocolate Factory. Four kids are punished for their flaws, and the one perfect kid inherits a huge chocolate factory. Whilst no one would deny that Veruca Salt's brattishness probably got her what she deserved, gluttony, gum-chewing and TV addiction (particularly the last) are more personal bugbears of Dahl's. (You could argue that these habits are symptoms of the kids' general Jerkass behavior which, as Dahl also points out, is indulged by their parents.)
  • Christian Nation by Frederic C. Rich is one that speaks against fundamentalist Christianity and their promotion of Dominion Theology, as portrayed through the Alternate History of the United States that follows Sarah Palin becoming its president.
  • In Does My Head Look Big in This? by Randa Abdel-Fattah, about a Muslim girl living in Australia who decides to wear a hijab regularly, this occurs a lot. The main character often has speeches about the fact that non-Muslims should just see it as a piece of cloth and not as her whole personality.
  • Dragon Rider by Cornelia Funke is flagrantly plagued by the author's numerous holier-than-thou agendas. Every character we are supposed to like is a vegetarian, a pacifist, and will never stop bemoaning mankind's need to put animals in cages even though this theme has cursory relevance to the actual plot, at best. The author places Eastern people high up on a pedestal over Western people to a point of othering them.
  • Ernest Callenbach's Ecotopia, a depiction of an environmentalist utopia.
  • All or almost all works from Emilio Salgari (best known for the Sandokan novels) can be counted to have better depictions of women and non-white people than it was standard in the Italy of the late 19th century, brain and firepower trumping over valor and swords, massive doses of reality ruining the characters' plans, and everyone being a badass (Le Meraviglie del Duemila has many unnamed characters fly through the world in airships carrying what amounts to small nukes).
  • Everything Flows is basically one long statement by Vasily Grossman on Stalinist oppression and the necessity of freedom, with story to help the digestion.
  • Tom Clancy's Executive Orders has President Jack Ryan remaking the U.S. government, after most of its Legislative and Executive branch were killed at the end of Debt of Honor, by a Japanese Airlines 747 crashing into the Capitol Building while Ryan was being sworn in as Vice President.
  • Fast Food Nation is highly dominated by Eric Schlosser's political and personal views, particularly against fast food companies, big companies in general, industralization and republicans while the final chapters are all about defending small and medium food businesses and vegetarian or vegan options.
  • Joanna Russ's sci-fi novel The Female Man is partly about Alternate Universe versions of the same woman meeting up and getting to know each others' culturesnote , and it's equally about Russ taking every opportunity to espouse how men are keeping her down. It's telling that one of the most detailed passages is that warrior woman literally tearing a man apart with her reinforced steel teeth and claws. It's also implied that the Lady Land utopia is the direct result not of a plague, but of the aforementioned gendercidal war.
  • The Green Face and later novels by Gustav Meyrink were an Author Tract plus a bit of plot.
  • Hayy ibn Yaqzan, an Arabic novel written by Ibn Tufail in 12th-century Andalusia, is an Ur-Example of this trope. It tells the story of an autodidactic feral child, raised by an animal and living alone on a desert island in the Indian Ocean, who sets out on a journey of philosophical inquiry and self-discovery. Its plot somewhat resembles a more recent best-selling novel, Life of Pi.
  • Hidden Order by Brad Thor is a novel published in 2013, 12th in the highly successful "Scot Harvath" series. In the book, Harvath has to investigate and unravel an elaborate conspiracy regarding the Federal Reserve Board. It is also a book-length diatribe against the Federal Reserve System, which is blamed for high inflation, devaluing the U.S. dollar, and rigging the system to benefit the top 1% of the wealthiest Americans.
  • The elves of the Inheritance books (Eragon, Eldest, Brisingr, and Inheritance) are atheist vegetarians who impart their 'wisdom' to the main character and the reader, by spending quite a bit of time expounding upon how 'stupid' religion is (particularly to the dwarves). Christopher Paolini denies that this was a representation of his own beliefs, claiming it was simply an attempt to portray various cultures and viewpoints in the series. This became a lot more plausible after the third book. However, in the fourth book Eragon devotes two paragraphs to discussing the stupidity of religion, and in many places it is hinted that religion is scoffed at by all the main characters except Orik (the dwarf king) and Nasuada (the human queen).
  • Norman Spinrad's The Iron Dream. An Alternate History Adolf Hitler (who became a writer instead of a politician) writes Lord Of The Swastika, a pulp SF adventure with a plot that mirrors the real-world rise of the Third Reich. It's followed by a review where a scholar heaps praise on Hitler as a brilliant writer of rollicking good adventure stories, and whose only criticism is that he thinks it was a bit implausible for the protagonist to rise to power by creating a rather silly cult of personality and machismo. Naturally the whole thing is one giant Take That! at the Broken Aesop morality of pulp SF and fantasy stories—and more generally, a Take That! at Utopian fiction in general, satirizing the idea that you can write a book to "prove" your social theory will work in practice. In other words, it's an Author Tract about Author Tracts (specifically saying that if your tract is about the real world—rather than fiction—it's pointless).
  • The Jakub Wędrowycz stories are written by a conservative author, and it shows sometimes; in one of the stories, the bad guys are radical left-wing ecologists, and in another the heroes chase away a European Union official.
  • The Jungle by Upton Sinclair is perhaps one of the most compelling examples we have of an author tract, or rather two tracts — first about the hellishness of the meat-packing industry in Chicago at the beginning of the 20th century, and then a defense of socialism. More literal than the usual author tract, because at first he had to self-publish. The meatpacking half (based on Sinclair's undercover observations) was so horrifying that it led to nearly-immediate regulation: the Meat Inspection Act, and the Pure Food and Drug Act (which established the FDA). The socialist half made little lasting impact in America, where the burgeoning movement was forcibly shut down by the government, but was part of a sweeping movement that radically transformed the politics of Europe and Asia.
  • King John of Canada by Scott Gardiner, although nominally a political satire, in reality consists of one Author Filibuster after another against Natives, Quebec Separatists, environmental activists, Saudi Royals, the Asper family, American-style conservatives... in short, everyone that the author doesn't like, all stuck together by a paper-thin plot and shallow characters.
  • Knowledge Of Angels: The entire book is one of these about theism and atheism, set as a story.
  • The Land of Mist by Sir Arthur Conan Doyle is a novel-length tract justifying the author's conversion to Spirtualism, including the massive change in character of ultra-rationalist Professor Challenger, who converts to Spiritualism. There is a suggestion in chapter two that the deaths of "ten million young men" in World War I was ''punishment by the Central Intelligence for humanity's laughing at the alleged evidence for life after death''.
  • The Left Behind series of religious novels are overtly based on the authors' premillennial dispensationalist views on the Rapture. Only Christians with their very specific beliefs are shown to be worthy of going to heaven. Like any didactic religious story, the plot is clearly just a vessel to convert the readers or reinforce their already sympathetic views. Helpfully, the two main characters are both Mary Sues of the authors, giving the reader a virtually unfiltered look into the authors' actual beliefs and point of view. Slacktivist illuminates many of these beliefs in his page-by-page analysis.
  • The Last Days Trilogy preaches a pre-wrath Rapture instead of a pre-Tribulation Rapture. The Author Avatar takes to task anyone in the story series who believes in a pre-Tribulation Rapture, claiming that they would most likely be deceived by The Antichrist and take the Mark of the Beast without knowing it.
  • Looking Backward, an 1887 best-seller set in the year 2000, in which various people go on at length to a Fish out of Temporal Water protagonist about the wonderfulness of their socialist utopia.
  • The Lost Fleet series contains a strong and not at all subtle message about how The Laws and Customs of War exist for a very good reason, and that violating them "just this once because it's important" is a surefire way to end up Slowly Slipping Into Evil. Given some recent trends in military science-fiction this is both necessary and a refreshing change.
  • Matthew Dickens spends the last hundred pages of the book Magnus telling the reader about his personal views on religious doctrines, evolution, theology, Superman Returns, etc.
  • The Maximum Ride novels became one big Green Aesop after book three, particularly The Final Warning.
  • The Arthur Hailey novel The Moneychangers has a recurring character to filibuster about how Gold is Good. Given that he's a pundit with his own popular newsletter, and is married to one of the secondary characters, and the book is about banking, it kinda makes sense. Then, after the 'real' ending, the US establishes a gold-backed dollar, and we are treated to the full text of one of said pundit's newsletters. Guess what it's about? The book ends with the lead putting the newsletter down and reflecting how wise said pundit is.
    • This makes even less sense in Overload, a novel about a power company, when the President establishes a gold-backed dollar. The protagonist, a power company spokesman, promptly comes up with a perfect comment about the dangers of America's dependence on foreign oil, as requested by the reporter who presented the story to him so she could get a soundbyte. Then she sleeps with him.
    • Hailey's novels in general often go into Author Tract territory, as the author has one or another of his character expatiate on a particular failing of the business he is examining in the current book. For instance, Airport goes into a lot of detail about aviation safety, how people who complain about airport noise are in fact sometimes deluded by real-estate promoters looking to make a buck, and the evils of "flight insurance" (a type of life insurance which, at the time the novel was published, could be purchased by passengers worried about whether they would survive the flight).
  • Nation, by Terry Pratchett, is unusually heavy handed with its themes. If one has read many Pratchett books or has ever listened to him speak on religion, it becomes extremely obvious that the book is almost entirely an Author Tract about humanitarianism, atheism, thought, and the role religion plays in society - as well as colonialism and imperialism. This becomes even more obvious at the end of the book where Pratchett drops all pretense of writing a story and simply has a section that may as well be Terry himself making a speech about humanity. When you consider the fact that this obvious Author Tract was written after the author became aware that he has a fatal disease, the straight-forward nature of the book can be outright heart-wrenching.
  • News from Nowhere, published in 1890, is a riposte to Looking Backward, written by another socialist who favored a more agrarian and less urban socialist paradise.
  • Noir by K.W. Jeter is a Doorstopper set in a Dystopian Cyberpunk Crapsack World. The main character is a "Copyright Cop" who spends most of the book discussing how people who infringe copyrights should be dismembered and tortured because, in the Information Age setting of the book, copyright violation is worse than all other crimes. Jeter's personal website indicates that he's against copyright violations himself.
  • Apparently, in The Nutcracker and the Mouse King (the original story, not the ballet), the portrayal of the royal characters as brats and jerkasses while "commoners" like Marie and the Nutcracker became beloved monarchs of the Land of Dolls was meant to attack and subvert the notion that royalty was inherently good and noble and that one needed royal blood to be a good ruler.
    • It also features a fairly-unsubtle jab at Beauty Equals Goodness with Princess Pirlipat, who's also a deconstruction of the fairy-tale princess tropes.
  • Only the Super-Rich Can Save Us! by Ralph Nader. Yes, that Ralph Nader. Although — consumer advocate that he is — he never pretends that the book is anything other than 'how everything could be so much better if a few rich people got together and implemented my program.'
  • Pamela, or Virtue Rewarded by Samuel Richardson was a very popular didactic novel to teach young women the importance of feminine virtues, including piety, domesticity, and most importantly chastity. The main character is basically a Mary Sue of the feminine ideal who repeatedly asserts her virtue against the advances of a rakish suitor.
  • Henry Fielding was so annoyed by the ideals espoused by Pamela that he wrote two parodies. The first is called Shamela, which ridiculed the concept by having long conversations over the heroine's "vartue", pointing out just how meaningless the word "virtue" is when used in the original. These second is Joseph Andrews, revolving around Pamela's brother and casting him in the role of the young innocent whose virtue is continually besieged.
  • Eugen Richter's Pictures of the Socialistic Future, which has the Strawman Political as the viewpoint character who celebrates Germany's slide into Stalinist Communism and saves the Author Avatar for the very end. Interestingly, it was published in 1891 and managed to predict much of the Crapsack World the Soviet bloc would become. The author (1838-1906) was a leading progressive liberal politician of the time of Otto von Bismarck and Wilhelm II.
  • Astrid Lindgren wrote Pomperipossa in Monismania to make a point about taxes — the point being that it shouldn't be possible to have to have a marginal tax rate of 102%. Obviously not a very generic point, but it was relevant to when and where she wrote it (since it was written in reaction to finding out that her marginal tax rate was 102%), and it has the advantage of it being something that most people would agree with (it wasn't actually intended to be the case by the taxation system's designers, they'd just failed to anticipate the combination of being self-employed with having a high income).
  • G. P. Taylor's book Shadowmancer is a heavy-handed attempt to get the reader to convert to Christianity. It's filled with Hollywood Atheists. One of the characters, Raphah, is clearly an author mouthpiece who condemns all things the author dislikes such as witchcraft and coffee.
  • H.P. Lovecraft's short story "The Silver Key" consists almost entirely of his Author Avatar Randolph Carter, who is exactly like Lovecraft except that his family didn't lose its wealth and prestige, musing about all things wrong with the society. He bashes both religion and science for their obsession with order and structure, and declares that dreams are equal to reality, and that the only things worth valuing in a meaningless universe are beauty and harmony. The ending implies a romanticized view of suicide, as Carter abandons the Waking World, ironically in perfect opposite to the Aesop he was supposed to have learned in The Dream-Quest of Unknown Kadath.
  • A minor example from 1632: Almost no down-timers appreciate rock and roll music. Lots of down-timer country music fans. Lots of down-time folk music fans. And it goes without saying that opera and orchestral music are beloved. But... absolutely no down-timer fans of rock and roll. Not even relatively "light" rock and roll like the early Beatles. And the less said about the reaction to rap music the better. Coincidentally, these views happen to mirror the musical tastes of Eric Flint almost precisely.
    • Question: does Eric Flint also dislike jazz?
  • Starship Troopers is an Author Tract, all right. Robert A. Heinlein wrote it in protest of America signing a nuclear treaty with Russia—whom he did not believe would keep nuclear treaties.
  • A large part of Robert A. Heinlein's Stranger in a Strange Land revolves around nudism and polyamory, both of which Heinlein practiced in his real life (For Us, the Living: A Comedy of Customs, a lost early Heinlein manuscript which was first published in 2003, contains similar themes). Indeed, his works can largely be divided into pre-Stranger and post-Stranger, with the latter showing far more evidence of this. There's also a greater-than-average amount of incest, including a mention that in his distant future it's genetically safer in some cases for a woman to bear her brother's children than an unrelated man's — a couple's decision to have children together (or not) is based purely on their gene scans, not on consanguinity. Not that that necessarily stops them from marrying; there's a reference to a happily married couple who are raising seven children, "four his, three hers, none theirs," using donor sperm for hers and donor eggs for his because the genetic risks of having children together were too great. Apparently Hollywood Evolution leads to a world where whatever the creator thinks is hottest happens. Heinlein was probably unaware of the Westermarck Effect, or he would have been less sanguine about the possibility of genetic scans completely replacing the incest taboo as society's method of minimizing pregnancies and births marred by reinforced harmful recessive genes.
  • The Sword of Truth series by Terry Goodkind is often accused by detractors of being nothing more than Objectivist propaganda, particularly the later books. These themes were always slightly present, but really begin to crop up later in the series: Faith of the Fallen is two-fifths desperate battles and angst, and three-fifths clangingly obvious pro-Ayn Rand soapboxing on how individuals working for themselves in a free market works far better than your broken, inevitably corrupt socialism. Confessor also stumps for atheism, in a manner which contradicts earlier books. Essentially the biggest issue readers have with this series, even readers who like it, is that Goodkind frequently halts the plot of his books so that his main character, Richard, can speechify/rant on Goodkind's views for pages upon pages, sometimes taking up more than two chapters, with all the subtlety of a sledge hammer. Pretty much the dictionary definition of this trope.
  • In Rudyard Kipling's "The Three-Decker", he derides the way these writers considered themselves superior to Escapism in the three-volume novel.
    Her crews are babes or madmen? Her port is all to make?
    You're manned by Truth and Science, and you steam for steaming's sake?
    Well, tinker up your engines — you know your business best —
    She's taking tired people to the Islands of the Blest!
  • The Turner Diaries, written under a pseudonym by William Pierce, who was leader of the neo-Nazi organization National Alliance until his death in 2002. Largely about eeeevil liberals and Jews enslaving America, and the actions of the Designated Hero terrorist cell 'The Order' trying to overthrow said eeeevil strawmen. For a scary note, a scene in which the Order blow up a federal building probably inspired the actions of one of its biggest fans — Timothy McVeigh, the Oklahoma City Bomber.
    • The Order also inspired a Real Life terrorist organization of the same name which is responsible for numerous deaths.
      • And to which McVeigh may have had ties, according to Mark Juergensmeyer, author of Terror in the Mind of God — a book about religious terrorism.
  • Uncle Tom's Cabin, "the book that started the Civil War," is a novel aimed at women in an attempt to get them to convince their voting husbands to outlaw slavery. Many times the narrator will address the reader directly to push her down this logical path.
  • Vita Brevis: A Letter to St Augustine by Jostein Gaarder consists of letters criticizing the works of an early Christian theologian, written from his fictional lover's point of view. His beliefs about sex and joy are contested in particular, and often in a way that might be seen as an appropriate reaction to mindsets still relevant, thus instrumentalizing 1500-ish year old texts to point out present day hypocrisy.
    • Speaking of St. Augustine, his Confessions constitue an author-tractish autobiography.
  • War and Peace was the means by which Leo Tolstoy wanted to share his view of history and historical forces. No no, the title doesn't give it away.
    • What gives it away is the 100-page epilogue that drops any pretense of plot, characterization, drama, or interestingness. It even critiques the rest of the book directly.
  • A Wolf In The Soul is ultimately the author's treatise on what it means to be Jewish and what it means to be a human being.
  • Youth in Sexual Ecstasy is a novel dedicated to young people that heavily promotes sexual abstinence and a strong pro-life message.
  • 1984, by George Orwell, is an Anvilicious Author Tract based on his vision of the Soviet Union and on what rampant ideological totalitarianism can lead to.
  • Ayn Rand wrote several novels expounding of the virtues of her personal philosophy, Objectivism, culminating in her Magnum Opus, the Doorstopper Atlas Shrugged. With the Author Filibuster (actually only the longest of several in the book) lasting dozens of pages on end, anvilicious doesn't begin to describe it. Of course, like George Orwell, Rand never pretended her books were anything but author tracts.
  • This trope was Charles Dickens's stock in trade. All of his works are morality plays meant to drive home his socialist (or at least social-democratic) ideals. In A Christmas Carol, Ebeneezer Scrooge rails that the poor are lazy and inferior and deserve to die, on scientific principle, and then an innocent child almost does. In David Copperfield, Nicholas Nickleby, and Oliver Twist, more innocent children are mercilessly abused, either by predators that society chooses to do nothing about, or by the very institutions of that society. In Little Dorrit, citizens are reduced to professional beggars by the debtors' prison system. And the list goes on. Most of these were cases of Some Anvils Need to Be Dropped, though.
  • C. S. Lewis
    • The Great Divorce, an allegory about how people must deliberately choose to reject God and happiness, damning themselves to a life of selfishness.
    • The Pilgrim's Regress, which Lewis wrote this as a deliberate allegory when he thought his path to conversion was typical. He later found out it wasn't.
    • The Screwtape Letters. This is especially true due to Lewis noting in the introduction that, being a demon, Screwtape is an Unreliable Narrator.
    • The Silver Chair
      • The scene where the Lady of the Green Kirtle is set up as a Hollywood Atheist of the "completely evil" variety and Lewis puts into her mouth some deliberately skewed philosophical arguments against the existence of Aslan (particularly bad because the Green Lady actually knows that Aslan exists, and is just straight-up lying, which is another common stereotype regarding atheists).
      • There is also Santa, of all people, who discourages Susan and Lucy from fighting, because they're girls. ("War is ugly when women fight"). One would expect Santa to be anti-war, but he does give their brother a sword, so there is that.
  • Dennis Wheatley does this in just about every novel he wrote. His books often lapse into political polemic about the seductive evil of left-wing politics and the need for Britain to be governed by a strong benevolent dictator according to the principles of libertarianism and free-market economics (take a moment to consider how that just wouldn't work out). After all, the working classes are too docile and ill-educated, so people like us must shoulder the burden of ruling them, for their own good of course. Alongside the politics, Wheatley also held forth in favor of his religion, a kind of cross between Christianity and Buddhism that actually does make sense.
  • Even Edgar Allan Poe wasn't immune to this, though to either his credit or his fault, he restricted it to philosophy.
    • The Imp of the Perverse is entirely about his idea of a previously uncredited motivating force behind people's actions.
    • There's also a passage of about a page or so in The Purloined Letter in which the protagonist, C. Auguste Dupin, explains why mathematicians aren't very good at reasoning. This is tangentially related to the story, but one does wonder if it needed to be explored in such detail.
  • Almost all of Oscar Wilde's works were this, to some extent.
  • Fyodor Dostoevsky
    • He hoped to convey a new way to understand religion through exemplifying the themes of guilt and free will in writing The Brothers Karamazov. This can be seen in what many critics call the pivotal chapters of the book, which include the parable called ''The Grand Inquisitor''. The way in which events play out conform with the Elder Zosima's idea expressed throughout of "everyone is guilty for all and before all."
    • Notes from Underground is arguably an Author Tract; it highlights the societal chaos brought about by the then-fashionable, and highly depressing, trend towards rational nihilism ("nihilists" in Russia also meant radicals who wanted to violently "remake" society by destroying all the existing institutions).
    • Crime and Punishment is an Author Tract in the same vein, with the main character being a cruel nihilist who kills an elderly loan shark to rob her of the money he needs for university, justifying it on the grounds that "great men" such as Cesare Borgia showed no qualms about doing such things in pursuit of their goals. He winds up repenting and becoming Orthodox Christian. Not surprisingly, this was Dostoevsky's religion.
  • John Grisham's books often feature this trope, targeting big business and/or conservative views.
    • The Confession: The book attacks the death penalty by constructing a miscarriage of justice where the pro-death penalty side are all grossly negligent and unlikable, in contrast to the anti-death penalty side. To top it off, once the message is thoroughly beaten through you, Grisham decides to dedicate a few pages to having a character rail against the death penalty.
    • The Appeal featurs a long discourse on the need for an independent judiciary, how ads manipulate the truth, and how often big businesses will hide behind certain causes as an excuse to manipulate tort law to be more favorable. Including having a train of accidents hit the winning election candidate to get him to try and convert, but he stays bought.
  • 99% of everything that John Milton wrote (including, tautologically, his political tracts).
  • John Ringo (a self-described Tea Party Republican) does this on a fairly regular basis, more so as time goes on.
    • The Last Centurion, written in a blog-type format, takes issue with various issues held dear by liberals, including universal healthcare, interracial relations, and "government knows best" attitudes.
    • In Through the Looking Glass, a grandmother ponders why her local Democrats can't be both liberal and patriotic, though this is also a first-person perspective. Later, it turns out various Terrorists and Insurgent groups tried to use captured aliens as a bioweapon, which escaped of course and butchered most of the Islamic fundamentalist movement in the Middle East. It's a good thing to the characters.
    • He wrote Ghost as this deliberately. He never intended to publish it, but it got published due to pressure from the fans, much to his chagrin - he has described it as "the wanker piece" and "the spewings of my id." To give you an idea, the main character pursues kidnapper terrorists to the Middle East, where he kills them all, coaches a group of naked coeds through a siege (while renaming them, because he can't be bothered to learn their names), kills Osama bin Laden and mails his head to the President in a bucket, buys a yacht with the reward money, has kinky bondage sex with some of the coeds and converts them to Republicanism. Later volumes in the Paladin of Shadows series, which tone down some of the more extreme elements of the first book, take aim at extremist Muslims, bureaucrats, and assorted other issues that bother him.
    • Ringo uses Troy Rising to lay into some of his usual Pet Peeves: Pacifism is dumb, the military is extremely important, Nepotism is the bane of humanity, liberalism is evil, the Mainstream Media cannot be trusted. New(ish) ones include "space is really dangerous", "Science Is Good", and "maintenance is very important." The storyline features most "big city liberals" being wiped out when the cities are destroyed, most Muslims (at least, the ones not smart enough to be "modern Westernized Muslims") being wiped out by an alien plague, the free market being enforced, and most Hispanic males being shown to be a pack of ignorant macho yahoos.
  • A lot of Larry Niven and Jerry Pournelle's collaborative work have a message that technology and science is good, religion and treehugging liberal extremists who hate technology are bad.
    • Pournelle's CoDominium backstory is one huge author tract, mostly in regards to socialism ruining the economy and society, though the tract is mostly absent from the actual meat of the novels. Ironically, the author tract was greatly reduced when Niven and Pournelle collaborated on The Mote in God's Eye, set in the CoDominium universe, albeit several hundred years later.
  • L. Ron Hubbard and his final novels, Battlefield Earth and the 10-volume Mission Earth. In Battlefield Earth psychiatry is what caused the evil space overlords to turn from their generally happy live-and-let-live prior existence, into amoral Planet Looters who regularly commit planetary genocide just so nobody will get in the way of their mining operations. Psychiatry is also the big-bad in Mission Earth, to the extent that every single antagonist is either a supporter of the profession or a practitioner or exporting it off-world or using it to take over the world. It doesn't help that almost every character is a Strawman Political.
    • For example, the evil Psychlos. This isn't a play on 'psycho'—it's a reference to psychologists, who are considered evil in Scientology doctrine.
    • His earlier work Masters of Sleep promotes Dianetics and features as a villain a mad psychiatrist, Doctor Dyhard, who persists in rejecting Dianetics after all his abler colleagues have accepted it, and believes in prefrontal lobotomies for everyone.
    • Other common targets for Hubbard's ire include journalists, federal investigators, bankers, elected officials, policemen, doctors, college professors, and modern art. The first two had conducted investigations of Scientology, earning them his animus.
  • A great deal of Meg Cabot's books, especially her YA novels. It was especially apparent in Ready or Not, where Ms. Cabot literally stopped the narrative to rant against the abstinence movement. Her other books contain some amounts of similar commentary.
  • Michael Crichton's books sometimes veer into this. In many of his books, he includes a little author's note at the beginning about the real-world issues the book explores, along with an Author Filibuster or two somewhere in said book. State of Fear was an anti-global warming opinion piece veiled as a work of fiction. He devoted the last 50 pages of the book to a huge author's note, complete with bibliography and list of cited works. The story itself even has citations, and most of the villains are strawmen environmentalists.
  • Orson Scott Card
    • Orson Scott Card's Empire, where the characters will pause during the action to explain exactly why sweeping demonizations of the views of others are destructive. Part of it comes from the ridiculous premise—he was hired to write the backstory for a video game about a second American Civil War taking place 20 Minutes into the Future, with the opposing sides being strawman versions of the Democrats and Republicans.
    • Towards the end, the Ender's Shadow series also features numerous lectures from widely disparate characters on how the only way to really be a part of the human race is to have babies, culminating in one Battle-school grad stopping her troops in the middle of a battle and telling them to go home and procreate.
    • More recently his novella Hamlet's Father, a retelling of Hamlet, has been accused of this. In it Hamlet gets portrayed as staunchly Christian with a firm belief in the afterlife, very different from his doubts about this in the play, but in keeping with the author's beliefs. These revisions would be controversial enough themselves, but it's also shown that his father was a predatory pedophile who sexually abused Hamlet and many other male characters. In fact, his father was not killed by Claudius, but Horatio, in revenge for this abuse. Worse, it's implied this turned Hamlet and the other victims gay. Card has disputed this view, but it agrees with his publicly stated theory on what causes homosexuality.
  • Petrarch's unpublished final work, a poem on Scipio Africanus, was full of long Author Filibusters on how Ancient Rome was better than everything ever. Technically, this is true of all of Petrarch's work, and indeed, most things written during The Renaissance, but he took the cultural inferiority complex Up to Eleven. There's also apparently a fictitious bit where Scipio goes to see a fortuneteller, who speaks of a dark time when poetry will die out and only a man named Petrarch will be able to save it.
  • Philip K. Dick put varying amounts of his own beliefs into his stories, but his short story 'The Pre-Persons' is very blatantly his personal, heavily emotional response to Roe vs. Wade, set in a world where pro-choice activists have legalized "abortion" of children up to age 12. His mouthpiece characters claim abortion is all about powerful people deliberately picking on the helpless, or a certain kind of woman getting off on destroying men and children. He even depicts one woman wanting to get pregnant because she thinks an abortion would be fun and a turn-on.
  • Piers Anthony does these occasionally. One story he wrote was basically a Take That! explaining why the sci-fi publishing business was worthless (Anthony having struggled against it for quite some time before learning the tricks of the trade). One supposes that subjectivity enters in over where the line is drawn between Author Tract, Author Filibuster, and Author Appeal where his other books fall, though he's never been very shy about making his ideas on sexuality (and the ages at which people take notice of it), body modesty, and other things an important plot element of his stories.
  • Much of Sheri S. Tepper's work reads as thinly disguised, feminist utopianism, particularly The Gate to Women's Country and The Revenants. Beauty paints a rather extreme picture of the human race's 'destruction' of Earth's environment.
  • His Dark Materials by Philip Pullman is to teach about atheism and vilify the Catholic Church. Very specifically, it was begun with the direct intention of being an atheist counter-part, and counter-point, to the Narnia series.
  • Hybrids by Robert J. Sawyer spends a lot of time talking about how evil human males are, and how they've done nothing but bring evil into the world. Hominids in the same series, along with some material produced to promote it, includes many arguments about the evils of privacy.
  • Jan Guillou digresses in The Bridge Builders on American railroads mistreating Chinese "slaves" building railroads in the American West, and draws the conclusion that Americans in general are "the world's most brutal people" — even though the novel has no scenes in the US or China and none of the characters have any connection to the US or China.
  • Ray Bradbury uses his story "The Toynbee Convector" (title story of his mid-80s collection) to rail against his society's defeatism and negativism at the time. It is out of character for Bradbury, but works if you view the big lie of the story as representing the writer's art. In that view, Bradbury is just saying how he hopes his writing will influence the "real world" (or bragging that it has had that effect).
  • Jules Verne belonged to a "Heavier-Than-Air" innovation society when he was young, so it's no surprise that one running theme of his major novel about flight, Robur the Conqueror, is a continual deconstruction of the Cool Airship trope. (Of course, since his whole argument was built on hypotheses about future inventions, the novel was also a Fantastic Aesop until practical heavier-than-air crafts were actually invented.)
  • John Twelve Hawks wrote The Fourth Realm to alert his readers to invasion of their privacy.
  • Thriller author and former US Navy Captain PT Deutermann uses his political/military thrillers to air his opinions about military bureaucracy, politicking by senior military leadership (especially the Navy), social engineering and other military related issues. Especially evident in Scorpion In The Sea (Head-in-the-Sand Management by senior naval officials), The Edge Of Honor (the draft, lowering of standards), Official Privilege (race issues in the military, too much power in the hands of admiral executive assistants), Darkside (social engineering, lowered standards and hypocritical senior leadership at the Naval Academy), Cold Frame (morality of drone warfare against terrorists).
  • Most books by Dean Koontz has at least a few rants about the many things that Koontz considers to be wrong with the world, which while never explicitly tied to one political direction or another usually maps well onto the dumbest extremes of liberalism. Sometimes this ties into the themes and plots of the novel - for instance, Dark Rivers of the Heart is explicitly about governmental overreach and the dangers of people trying to use the government's power to create utopia, with a helpful afterword where the author explains exactly what he thinks on the subject in case it wasn't abundantly clear enough - but most of the time the deranged anarchists, anti-intellectual poets and welfare cheats just seem to be there to highlight how wonderful the protagonists and their implicitly-conservative values are in comparison.
  • Victoria is very much this, a story set 20 Minutes into the Future where the US dissolves into one far-right and a number of straw liberal states. It verges on an exaggeration, as it is essentially a modern-day rewrite of the above-mentioned infamous Turner Diaries.
  • This is a signature of Ira Tabankin. This is perhaps most evident in A History Lesson.
  • British children's author Jean Ure almost always brings up the topic of vegetarianism in her books, and the main characters are often converted to it by the end of the book, such as Cherry in Skinny Melon and Me, Pumpkin from Pumpkin Pie, or the character who is a vegetarian tends to be portrayed as the most sensible person in the novel, like Harmony in The Secret Life of Sally Tomato or Stephanie in Passion Flower''.

    Live-Action TV 
  • Every episode of Adam Ruins Everything centers around the titular Adam attempting to disprove a popular notion about his topic, whether the episode be about the romanticism of proposals or the effectiveness of a border wall. Each time, Adam is portrayed as correct, even if he's obnoxious about it.
  • Boston Legal frequently involved the writers concocting a storyline that would allow James Spader to sue and deliver increasingly lengthy closing arguments. Frequently lampshaded.
  • Harry's Law seems to be another David E. Kelley example, utilizing the characters of Harry and Thomas Jefferson as soap box preachers in court room scenes.
  • Doctor Who:
  • Jack Webb was known for this. Most of Joe Friday's rants on Dragnet were Webb putting in his own views.
  • Joss Whedon touches on his existentialist(-ish) views in the the Firefly episode "Objects In Space", through Jubal Early. Joss goes into much deeper detail in the episode commentary.
  • Buffy the Vampire Slayer:
    • "Smashed" and "Wrecked" from Season 6 felt to some a lot like a great big 'just say NO to drugs' thing. Especially "Wrecked", which was written by Marti Noxon.
    • Season four's "Beer Bad" is not exactly pro-boozing either. It was written specifically to get reward money being offered to shows that dealt with the consequences of alcohol and drug abuse. This failed because the episode failed to deal with alcohol consumption realistically, instead having a magical potion in the beer turn drinkers into cavemen.
  • In "Sick And Tired," a two-part episode of The Golden Girls, Dorothy realizes that she has Chronic Fatigue Syndrome (something co-writer Susan Harris also has). Since the disease was fairly new at the time, most doctors hadn't seen it yet, some didn't know about it, and many of them tended to blame the patient when they couldn't find the answer. She spends two episodes trying to get the diagnosis, dealing with doctors who call her hysterical, simply say she's getting old, and going to a specialist in New York (the show is set in Miami) who tells her to color her hair. After she gets the proper diagnosis, she runs into the specialist from New York, and delivers an epic "Reason You Suck" to him, which sounds like something Susan Harris might have wanted to say to her Real Life doctors.
  • MacGyver (1985) pretty much turned into a show protesting societal wrongs after a couple seasons. The most glaring was probably the one that opened with a warning about a graphic portrayal of a de-horned rhinoceros, then spent about half its running time explaining the poaching in Africa and ended with Richard Dean Anderson as himself narrating about what can be done about it. Very Special Episode, indeed.
  • Next time you watch a M*A*S*H episode — particularly one from about Season 7 or later — check the credits. Is Alan Alda listed as writer and/or director? Then prepare yourself for a whole lot of this.
  • Penn & Teller: Bullshit! is completely blatant about its skeptical and Libertarian agendas from the very first episode. Teller has said (aloud, with his voice) that he likes the show being totally biased, but still fair.
  • Is it coincidence that the soapboxing quotient on Quincy, M.E. increased as Jack Klugman got more script control? Er... no.
  • Saturday Night Live sometimes has this happening, most likely because the host differs from week to week. Christina Aguilera hosted in the midst of her Dirrty phase, and about three-quarters of the sketches where she played a central role (either as herself or someone else) had her character lecturing the others on how she chose to express herself as a woman.
  • Gene Roddenberry, the creator of Star Trek, has a history of putting his atheistic ideals in his work. It becomes most overt in "Who Watches the Watchers?" where the re-emergence of religion among a Vulcan-like race on one planet (due to Enterprise crew members being seen beaming down and being mistaken for gods) is treated as a terrible thing, with much sermonizing on the evils of superstition in a long Patrick Stewart Speech before they successfully prove they aren't gods to the natives.
  • An In-Universe application of this trope occurs in the Star Trek: Voyager episode "Author, Author", in which the Doctor writes a holo-novel which is essentially a screed against the oppression of intelligent holograms, with thinly-disguised versions of the crew as the villains. However, the end of the episode implies that maybe the novel is in fact necessary.
  • The West Wing varied a lot over time — the writing staff was mostly Republican in later seasons, leading to things like Arnold Vinick being the better candidate in the Season 7 election.
  • Aaron Sorkin's Studio 60 on the Sunset Strip takes the preachiness and turned it Up to Eleven.
  • The whole second series of Extras seems to be a thinly-veiled commentary on how television shows can be destroyed by Executive Meddling. It comes complete with a Show Within a Show Stylistic Suck of Ricky Gervais's previous hit, The Office.
  • The Newsroom has Aaron Sorkin spending three seasons lobbing bombs at cable news journalism. Each episode will also invariably include at least one character making a strong political statement that Sorkin obviously holds dear.
  • The Wire can be seen as one five-season-long Author Tract on how selfishness, ambition and stupidity are keeping American institutions in a vicious cycle of incompetence.
  • Roseanne:
    • It was frequently and proudly a left-ish sitcom about the working class, and for the most part it succeeded by showing its opinionated lead characters were just everywomen and everymen who had flaws and failings of their own (cf. "White Men Can't Kiss", where DJ refuses to kiss a girl because she's black). But, regardless of whether or not you agree wholeheartedly with the message of "The Last Thursday In November", there's no denying it was twenty-two minutes of soapboxing about the treatment of Native Americans, with very little nuance.
    • The 2018 revival has the real-life Roseanne's right-wing values (having since gone to the other side of the political spectrum) leak into the show, to the point of outright contradicting older seasons. Though thankfully it's yet to also show Roseanne's opinion on real life political issue like LGBT rights or the current government, which are too volatile to talk about here.
  • Viciously mocked in Garth Marenghis Darkplace, with the titular Show Within a Show getting constantly derailed by the arrogant head writer's Author Tracts. Said tracts also double as Space Whale and Clueless Aesops, with bizarre lessons like "if doctors aren't paid a proper wage everyone will turn into man-apes". At one point the plot slams to a halt so the characters can moralize about why you should always buy name-brand batteries.

  • A Perfect Circle's album Emotive is an anti-war tract, specifically against the invasions of Iraq and Afghanistan in the Aughts.
  • While normally Bob Dylan puts enough subtlety in his protest songs that you could naively assume they were made purely for the artistic merit, he didn't even try with "Neighborhood Bully." His 1964 song "Ballad in Plain D" is a fairly straight forward rant about the end of his relationship with Suze Rotolo (the woman with him on the cover of The Freewheelin' Bob Dylan), blaming her "parasite sister" for breaking them up.
  • Early Chicago had a lot of these. If it's penned by Robert Lamm, expect this trope (also, expect a lot of vitriol aimed at the establishment). Exemplified by "A Song for Richard and His Friends."
  • Most of the work of The Cranberries is about their political views stemming from The Troubles. Even their international hit song "Zombie" ("It's been the same old theme since 1916") is a cry to Think of the Children! and stop the fighting.
  • Taken collectively, the soundtrack to the 1994 fantasy-action film The Crow is a combination of this and Author Appeal by proxy. The line-up is primarily a showcase for the kinds of bands that James O'Barr, the creator of the comic on which the movie is based, enjoyed growing up (especially The Cure, who contribute the movie's unofficial theme song: "Burn"). But there are also a few songs that get preachy, sometimes excessively so, reflecting some of the more extreme left-wing positions of the 1990's. "Golgotha Tenement Blues" (by Machines of Loving Grace) is a more subtle example, since it comments on the urban corruption ("Down on the boulevard, children are sold, to pave the way for your streets of gold") that is one of the major undertones of The Crow. But Pantera contribute the anti-cop "The Badge," which outright refers to policemen as "badge wearing fascist villains" (while the police lieutenant in the film is sympathetic). And on "Darkness," Rage Against the Machine's Zack de la Rocha raps: "My people were left with no choice but to decide, to conform to a system responsible for genocide!" The Crow is, at its heart, about one man's private anguish and contains no explicit political themes (except, perhaps, for "slumlords are evil").
  • Diary of an Unborn Child is an anti-abortion Author Tract.
  • Dixie Chicks did this so much in "Not Ready To Make Nice." They basically come to terms with their now-dwindling fan-base (due to a disdainful comment by lead singer Natalie Maines after President George W. Bush was re-elected). They even recognize the death threats they received on their tour that year.
  • The album Firestorm by filk musician Leslie Fish is intended as a set of instructions for surviving after a nuclear war. Many of her other songs are author tracts on the subjects of religion, anarchism, and civil liberties.
  • Much of Green Day's American Idiot album contains constant Take Thats against the George W. Bush administration. One song on the album, "Holiday", despite already being an Author Tract manages to still have an Author Filibuster where the song stops for the singer to Strawman Political Arnold Schwarzenegger and George Bush directly through spoken word, complete with pulling a Godwin. Only a couple of tracks on the album ("Holiday" and "American Idiot" especially) are explicitly political, though, with the main focus of the album being a narrative about disaffected youths. Most assume the entire album is nothing but political ranting because the two most Anvilicious songs were released as singles and, consequentially, received the most airplay
  • Not the Discovery album specifically, but the music video Interstella 5555 is basically a gigantic middle finger to the celebrity system and the corporate world's exploitation of artists, which fits Daft Punk's core philosophies quite well.
  • Several of John Lennon's works from '72 and '73. "Woman Is the Nigger of the World" is a good example. There is even the Nutopian International Anthem — which is silent...
  • Lynyrd Skynyrd created quite a few:
    • "All I Can Do Is Write About It" talks about destruction of the Southern enviroment.
    • "God and Guns" takes a stand about anti-gun politicians.
    • "Saturday Night Special" talks about the dangers of readily-available cheap guns.
    • "Simple Man" extols the virtues of simple, humble living.
    • "Things Goin' On" shines a light on poverty in the United States and claims it doesn't have enough attention from politicians.
  • Marilyn Manson's "Triptych" albums, Antichrist Superstar, Mechanical Animals and Holy Wood (In The Shadow of The Valley of Death) are three separate ones that, at times, overlap. The first is about individuality, a tract against Christianity and also an adaptation of the Book of Revelation (though it took the fandom a while to figure this out, because Manson says little about the plots and embedded a lot of obscure imagery from both the Bible and occult and historical sources) from the viewpoint of the Antichrist, who is also a musician. The second is a tract against the rock star life, based on Manson's own experiences, told from the viewpoint of two alien rock stars and the "Mechanical Animals" are their band. The aliens, Alpha and Omēga, are enslaved to their label, addicted to drugs and in love with a woman named Coma White, who might not even be real (though, Holy Wood shows she is). Finally, Holy Wood (In The Shadow of The Valley of Death) was written in 1999 and 2000, hot off the heels of the Columbine Massicare and Manson's misblaming, and is another tract against Christianity, as well as America's gun culture, sports culture and government worship, centered around a protaganist named Adam Kadmon, a musican and reveloutionary.His name comes from the Kabbalah and meanss "original man". Much of this era was also explained in various public apperances and even a few speeches, and there was to be a Holy Wood book, but it was never released (although Manson still wants to, 15 years after the album). Oh, all three are connected, as stated before. In the opposite order.
    • Outside of the Triptych, there are numerous songs about various things, including many off of the first album, Portrait of An American Family, as well as ones off of later albums like the song We're From America.
  • Ministry did an entire TRILOGY of full-length albums specifically against George W. Bush.
  • Neal Morse left his Prog Rock band Spock's Beard after becoming a Christian. His Testimony album is pretty much the story of his conversion, although he tends not to be didactic and simply calls it "my story."
  • Oingo Boingo danced around this trope. They drifted into politics occasionally throughout the 1980s... but since Danny Elfman's sociopolitical views are (or were) all over the map, he comes off more as an extremely disgruntled anarchist ranting about how he hates everything. He even admitted that the entire point of Oingo Boingo's existence was to "piss everybody off."
  • Nerina Pallot's "Everybody's Gone to War" was even lampshaded on the radio, with DJs saying she had a slight problem with Iraq.
  • "Long Leather Coat" by Paul McCartney, issued in 1993. If you are not an animal liberationist, you will get chills listening to this.
  • Porcupine Tree delivers a bitter and blistering Take That! against music industry in "The Sound of Muzak", accusing it of robbing music of any creativity, emotion and sincerity.
  • Just about all the music of Canadian far-left band Propaghandi is like this, although it's gotten to the point where they spend so much time at their concerts ranting to the audience instead of actually playing music, that their fans have been known to yell at them to shut up and play.
  • Rammstein prefers to stay out of politics, but made an exception with the song "Amerika", a song mocking America and sarcastically "celebrating" how America's culture has dominated and overwritten other peoples', and "Moskau", a sister-song to "Amerika" from the same album that focuses on Russia's corruption and comparing the country to an old prostitute.
  • Rush's Rock Opera 2112 was heavily inspired by Ayn Rand's Anthem, and a number of the group's other songs reference Objectivist ideals, such as "Tom Sawyer", and (appropriately enough) "Anthem".
    • Their much later album, Roll the Bones, particularly the title track, can be seen as an Author Tract repudiating their earlier Objectivism, or at least softening it greatly; and propounding more of a 'life is random, you deal with what you get' attitude, incorporated with a strong anti-religion/superstition message.
  • Stan Rogers sang unabashedly about many social issues, but really only dabbled tractfully into politics by taking on the subject of The Troubles with his song "House of Orange" — this despite being Canadian, not Irish.
    And causes are ashes where children lie slain.
  • Stereolab have a lot of songs espousing a Marxist / Situationist worldview. It's all but impossible to find a professional review of the band that doesn't mention this fact.
  • System of a Down lost a lot of their fandom after their concerts became political talk-downs instead of politically charged music.
  • Parodied with a hint of deconstruction by Tenacious D in the song "City Hall", where the duo take over the world — first, they legalise pot, then they try to reduce pollution with an absurd and impractical tube system, then they start to lose steam, showing that rock stars aren't really the type of people who you should take political advice from. After they've settled down, the band tries to kill each other — and succeeds.
  • Woody Guthrie wrote an entire album protesting the bias that was shown in the landmark Sacco and Vanzetti trial, which took place about 20 years prior.
  • In the 2000s, it has become chic to produce remixes of existing songs (protest songs in particular) containing soundbytes from the creator's political candidate of choice. Buffalo Springfield's "For What It's Worth" has been mashed up with a John Kerry speech in 2004, and 2008 has seen a hip-hop remix of several Barack Obama speeches.
  • Many thrash metal bands moved in this direction during classic metal's Götterdämmerung between 1988 and 1991, trading sex and violence for left-wing politics and anti-war messages, and beer-fueled fury for punkish societal indignation. Some bands, like Sacred Reich and Toxik (whose second album is a Concept Album about how television is bad for you) made their entire careers doing this sort of music.
    • With that said, at least 70% of post-"The World Needs A Hero" Megadeth is frontman Dave Mustaine taking personal potshots at the American government.
  • Terre Thaemlitz's entire career as a musician has revolved around exploring leftist and queer socio-political issues, all of which are printed in extensive liner note essays (and available on her website.)
    • Since Instinct Records wouldn't allow any liner notes in their albums to keep ambient music as "a universal experience", she protested that notion sonically on her albums for that label. Tranquilizer includes a song designed to sound like a jerk-off session; others commented on brutality and domestic violence. Soil followed suit, with commentary on AIDS and abuse. Both album titles were double entendres meant as additional commentary (on the genre's banality and on its then-obsession with undefined earth-positive spiritualism, respectively.)
    • Her album Couture Cosmetique subtitled, Transgendered electroacoustique symptomatic of the need for a cultural makeover (Or... What's behind all that foundation?), is a discussion on the dominance of male heterosexual producers in electronic music, the influence that their gender has over all producers, and what a queer piece of electronic music would really sound like.
    • Love for Sale: Taking Stock in Our Pride, released in 1998, was ahead of its time in criticizing the media and retail worlds' attempts in repackaging and selling queer culture back to LGBT people. The album also criticized LGBT peoples' decision to exchange their fight for all basic human rights for the sole ability to get married.
    • Lovebomb talks about the overexposure of the word "love" to the point that it has become almost meaningless in the Western cultural climate.
    • Her piano cover albums of Gary Numan, Kraftwerk and DEVO songs contain essays exploring how each artist queered their surroundings (by camouflaging in dystopian landscapes, transforming themselves into robots or by just plain being weird, respectively.)
    • Soullessness meditates on the decontextualization and repackaging of cultural and subcultural mores to fit into and satiate "the mainstream norm", and where transsexuality, wage labor and spirituality belong in that conversation.
    • Deproduction takes an uncomfortable and unflinching look at how every sector of the LGBT+ community conspires to live and act like heterosexual people, down to marriage, children and military service, and offering commentary on why this isn't the correct path. The first half of the text/visuals that accompany the album depict explicit and disturbing scenarios of teen pregnancy, forced child support, pregnancy denial, and cultural sex taboos from around the globe, in an effort to highlight things swept under the rug that are much, much worse than LGBT+ couples being allowed to live as they are (as in, not as a married, co-habitating, one-person-is-the-bride-and-the-other-is-the-groom kind of way.)
    • Her entire body of work as DJ Sprinkles is about the re-appropriation and homogenization of black and latinx queer culture for heterosexual masses. The song "Sloppy 42nds" was about and dedicated to all the transsexual people and bars that were thrown out of Times Square when it was revitalized into the tourist trap it is today. Her critically adored album Midtown 120 Blues posits, "The House Nation likes to pretend clubs are an oasis from suffering, but suffering is in here with us;" and that house music, while promoted as a universal shared experience, is actually hyper-specific and means different things to each person you talk to. The 21-minute, two part "Grand Central" ends with an ambient re-imagining of her traumatic one-way move from Missouri to New York City at age 18 by train, taken to escape the near-constant physical and emotional abuse from all sides for being queer, to illustrate that last point.
  • Todd Rundgren's 1975 album Initiation was a retort to his fans who wanted him to ditch the synthesizers and Buddhist symbolism that had crept into his crunchy rock/AOR pop sound on previous albums A Wizard, a True Star and Todd. Instead, he went on for 68 full minutes about it, telling his fans that he was a "Real Man" "Born to Synthesize", and taunting them to follow him or lose him forever. Then came the 32 minute synth freakout that closed the album, containing movements named after the seven chakras.

    Video Games 
  • The Ace Combat series, at least the ones based in Strangereal, tends to lay the War Is Hell themes on rather heavily. Most if not all the supporting protagonists are Technical Pacifists who constantly lament the state of he war and war in general, often launching into monologues on how the enemy faction are Not So Different from them, or ranting at someone about the state of the war and how violence only begets violence....often while blasting enemy planes and vehicles into oblivion.
  • BioShock and its sequels seem to be one big Author Tract against Extremism, in addition to having more mainstream anti-slavery and anti-discrimination themes. The second game also handles the issues with Collectivism and its With Us or Against Us mentality.
  • Deiland is a light-hearted survival game set on a Baby Planet. The language options are English, Spanish, Valencian, German and French. Most linguists will tell you that Valencian is the same as Catalan, but if you are from Valencia, then the name of your language is Serious Business.
  • Several members from the GTAForums community pointed out efforts of a Russian hacker named Dageron, which began as a series of fan translations for the Grand Theft Auto series of games that eventually ended up as a means to turn them into a platform for him to push his extreme right-wing, Russian ultranationalist/monarchist ideology, replacing billboards with author-tract messages about the purported dangers of gaming and censoring or nulling out missions and references he deems sacrilegious or offensive.
  • The Last Resurrection portrays Jesus (the game's final boss) as being personally responsible for crusades, inquisitions, witch-burnings and even Nazism; during the ending sequence the heroes conclude that world peace will not be achieved until all religions are abolished. It's a long-shot, but there's a small chance that the designer might not be too keen on organised religion.
  • Spiritual Successor Scelus' Path adds a strange bit of eco-feminism to the mix, with female nature spirits proclaiming things like "The humans have spreaded lies of a male, God, and are using this left-brained thinking which invokes sexism and specism." There are many more statements like that, with similar spelling.
  • Captain Bible In Dome Of Darkness is chocked-full of Author Tract. It's a Christian video game, and it shows - there are tons of not-so-nice lessons in the game like that science and religion are incompatible, every line of thought other than Christianity is wrong and a lie, and that you should beat your children.
  • In the first Left Behind, most every unit on your side is assigned a name and history complete with conversion story about how finding Jesus fixed their life. Neutral (and borderline hostile) units can be recruited by evangelizing at them, while the evil recruiters are (white) rap artists (because secular media are evil and will take you away from God). Every mission is even followed by an explicit tract on some right-wing evangelical Christian bugaboo that has nothing to do with the game, like why evolution is evil and wrong, or how archaeology is proving the Bible 100% accurate.
  • Hideo Kojima's Metal Gear series has a tendency to pause the action for long cutscenes proclaiming the danger of nukes.
    • Kojima isn't just anti nuke, but anti war in general. Everything from the story down to the gameplay (such as the fact that from MGS2 onward, you weren't required to kill anybody) reflects a certain reverence for human life not typically found in video games.
      • Kojima also really hates people drafting children into war. Additionally, his dislike of PMCs is also quite evident. In general, he hates people profiting off of death. Also, a more subtle one, the idea of VR Troopers being an idiotic idea is likely a Take That! at the idea of video games making people hardend killers.
  • The Odd World games have shades of this. The save the environment aesop being essentially the point of the entire series.
  • Knights of the Old Republic II: The Sith Lords is Chris Avellone Tract about everything that he doesn't like about the Star Wars Universe via the character of Kreia. Which is a lot of things. While a significant audience appreciates the deconstruction, even its fans recognize that it could have been handled better and more subtly than having a mouthpiece character rant to the player, and not giving the player a chance to argue with them meaningfully.
  • It's very, very evident that the developers of the Persona series aren't big fans of Japanese Idol Singer culture - more specifically, the exploitative nature of it from managers and producers.
    • The Persona 2 duology features Ginji Sasaki, producer of the in-universe idol group "MUSES" - a guy depicted as a washed-up, One-Hit Wonder pedophile who's so desperate and selfish to get his own fame back that he performs a demonic ritual.
    • Persona 4 has party member Rise Kujikawa, a famed idol singer known as Risette. While Rise herself is a very sweet, friendly girl who loves being able to perform and express herself, the stress of the industry and her own insecurities forced her to retire though she ends up signing back on sometime after the events of the game, and she hates the "Risette" personality that was crafted for her to perform as - numerous characters even remark on how different Rise is as a person compared to how she's seen on TV. While her Character Development eventually helps her come to accept Risette as part of herself, she's also much more confident in showing her true self rather than hiding behind metaphorical masks.
    • Surprisingly for such a game that looks so silly and cheerful, spinoff Persona 4: Dancing All Night features a storyline that constantly jabs at the exploitation of women idol culture is somewhat infamous for. It continues on the Rise storyline presented in 4, with a group of idol singers all with drastically different stage personae compared to their true selves and some rather creepy in-universe advertising for the group, such as comparing themselves to edible meats as part of a tagline and promising that "[their] meat will be extra delicious". The opening of the game even features an idol killing herself due to stress.
  • Persona 5 starts off with a cliche Protagonist Thieves versus Antagonist Corrupt Adults, using the seven sins as a central theme. But the end reveals that the real tract is Tokyo's populace, who are effectively too apathetic / cynic to even think that any rebellion could change things for the better, which reaches an ugly head when Tokyo is turned into a hellish landscape filled with broken spines and raining blood, and almost everyone pretends nothing happened, walking calmly even as the rain of blood disintegrates pedestrians at random, while the Phantom Thieves are busy drowning to death in the middle of the street. It takes a few headshots at the guys regulating the masses and a big public speech to get them to move, which kind of makes things more depressing as it implies Tokyo needs to be led by people to get anything done.
  • Shin Megami Tensei IV: Apocalypse wants to make sure you know that the Power of Friendship conquers all and that Loners Are Freaks. The game mixes this in by making the central conflict a friendship vs loner dilemma while mixing it with Black and White Morality, putting friendship as white and loner as black. This goes further than the central conflict however, with characters completely unrelated to it commenting on friendships power, and any character that make loner-like statements are either evil, smug or horribly misguided. All of which are either killed or made to realize the error of their ways.
  • The Witness:
    • The lengthy audio excerpt from NASA astronaut and aeronautical engineer Russell Schweickart's No Frames, No Boundaries, with how interconnected we can become with our surroundings, comes off as this. Bonus points for the audio recorder containing this message appearing on the top of the mountain, after you've probably explored everything else.
    • The projection room, where solving one puzzle six different ways shows videos elaborating on the theme of the game, including James Burke contemplating "the key to change is the key of the world" (from the "Yesterday, Tomorrow and You" episode of Connections); and of American guru Gangaji, who implores her followers to stop looking for what they want, "not cynically, but innocently and openly."
  • The creation of "Courtney Gears" in Ratchet & Clank: Up Your Arsenal is at the very least, a Take That! aimed at Britney Spears, and female pop singers in general. Especially since she becomes a boss later on.

    Web Animation 
  • The online flash series Broken Saints is deeply immersed in Author Tract, all taken Brooke Burgess' new-found (as of the original writing) philosophical outlook on life. He also makes no secret of his political views, particularly as regards the relationship between the U.S. and Iraq post-Gulf War I. One of the main protagonists is an Iraqi 'freedom fighter' who is struggling to balance his desire for justice against the Western invaders and the peaceful teachings of his religion. It is worth noting that the series was well under way before 9/11, and was almost completed before the second Gulf War.

    Web Comics 
  • Parodied in The Adventures of Dr. McNinja when the Alt Text claimed that:
    This whole comic has been a setup for me to push my views on you that man should not fly.
  • Fans! is vehement in its defense of fanboys, portraying them as having the specific combination of strengths that makes them the only ones capable of defending Earth, and that the biggest, geekiest fanboys alive will be revered by future generations as heroes who made all of society possible.
  • Shortpacked! seems to take the opposite tack in its satire and often portrays fans with complaints of any sort as self-entitled morons. Not surprisingly, what is considered unfair and what is considered perfectly okay seems to coincide with the author's tastes
    • Willis often acknowledges that obsessiveness fanishness, even his own, is Not Okay. This was parodied when he shows up at the store and gets in an armed fight with Ethan over an Edit War. The arc ends with him and his girlfriend sneaking into Ethan's apartment—Maggie in a Transformers costume—and smashing up his computer so he wouldn't be able to edit the wiki. Then there was the time he made fun of people who said that the second Transformers movie sold out because of all the marketing. In case you don't get it, Transformers is probably the most popular and transparently Merchandise-Driven franchise ever.
  • Vegan Artbook is an incredibly pure example. There's barely any story or character, just non-vegans endlessly getting smacked down by their vegan counterparts who act as mouthpieces for the creator's beliefs.
  • The Flobots webcomic has varying levels of Anviliciousness.
  • General Protection Fault briefly delved into this in the 'Providence' arc in 2005, showing Akhilesh (a kindly doctor bordering on Ned Flanders-like religious outlook) witnessing to Trudy, with verse upon verse of scripture, accompanied by author commentary.
  • Jesus and Mo is an unabashed Author Tract ridiculing religion. The comment box is headed with the note "This comments section is provided as a safe place for readers of J&M to talk, to exchange jokes and ideas, to engage in profound philosophical discussion, and to ridicule the sincerely held beliefs of millions. As such, comments of a racist, sexist or homophobic nature will not be tolerated."
  • Kit N Kay Boodle is entirely a vehicle for Richard Katellis' views on free love, yiffing, and the plight of the furry community. The world outside of idyllic, nudist Yiffburg is full of monstrous dictatorships and ruthless capitalist states that criticize Yiffburg for being horny layabouts. Any character who doesn't constantly want sex with total strangers is either an evil fascist or an oppressed soul, and the answer is invariably anonymous sex, either to defeat or convert them to the yiffy way of life. It doesn't help matters that the story is occasionally interrupted by the author describing the sexual exploits he and his wife have with their parents.
  • With The Last Days of FOXHOUND, this is bound to happen when a biochemistry student writes a comic about Metal Gear Solid, but it's noticeable how he still makes it funny. Mantis is the typical mouthpiece. Dr. Naomi Hunter supplements Mantis' rants with more reasonable but obviously frustrated objections.
    • Also played with when the plot stops so that Mantis can rant against banning gay marriage. The best part is that it is entirely in-character — he isn't so much arguing for gay marriage as he is saying that having sex with reproduction is just as gross as having sex without reproducing.
  • MAGISA — this comic contains political and religious issues that reek of Jack Chick. The author is often suspected of being part of the "Christian Conservative Right Wing" but he is not if you read deeper into his work.
  • The Order of the Stick unashamedly pokes fun at gamer attitudes which Rich Burlew finds obnoxious, such as players whose paladins use the letter of the rules to act like Sociopathic Heroes until their class status is endangered, then perform a token good deed to retain it.
  • In Scenes from a Multiverse Internet trolls and fundamentalists end up on the receiving end of the author's pen.
  • While in previous years Sinfest tended to stick towards light humour and general satire, it gradually adopted a more preachy feminist propaganda tone. These days, it's rare to see a comic that doesn't in some way promote Ishida's views.
  • In Sunstone it is common to encounter short speeches from the characters' mouths about BDSM informing the reader of such things as the importance of considering safety, the responsibility of the Dom and the importance of trust and honesty in the relationship. The reasoning given is that this comic partially exists to educate and dispel BDSM myths.
  • Tiny Dick Adventures, a side webcomic by one of the creators of Looking for Group does this very often, almost too often. At first the strip started off rather lighthearted and charming, much like the original series, but then gradually turned into a soapbox for the authors views on subjects like religion, government, presidential elections, transgenderism, homosexuality, Linked In, and so on. As one could probably guess, some of these episodes didn't sit well with the audience.
  • Tales of the Questor — While the comic has become incredibly more reasonable about this, earlier strips were suffused with a certain subset of Christian theology, culminating when the author updated with rants about other belief systems. Those rants have since been moved elsewhere, but the author still provides nods towards Christianity now and again.

    Every other comic by the author, on the other hand, is still chock-full of pro-Christian, American (especially Southern), libertarian soapboxing and anti-pretty much everything else.
  • Unicorn Jelly and Pastel Defender Heliotrope, both by Jennifer Diane Reitz, both start out as (respectively) amusing and cute fantasy and science fiction stories, but the Author's soapboxes about religion, homosexuality, and transgenderism overwhelm the plot more than once. It is revealed at the end of Pastel Defender Heliotrope that it was about anti-piracy legislation as well (which seems like an Ass Pull to boot since it only comes up in the last page or two).
    • This even happens in the only commercially available video game she made, Boppin', a mostly inoffensive Puzzle Game (well, except when the main characters kill themselves...) where the plot is set in motion by crazy, holier-than-thou Moral Guardians who want to erase all bad guys from videogames, and one of these is explicitly identified as a priest.
  • Critics of YU+ME: dream have branded it an author tract, saying that all straight characters are portrayed as evil, especially in the first section.
  • Dana Simpson tended to veer into left-wing politics in regards to her Orphaned Series Raine Dog, with Anvilicious soapboxing about "Blue State" Democrats and transgenderism, coupled with the Unfortunate Implications of the various intended metaphors. Previously, I Drew This! was pretty openly a political comic, but even her least political webcomic, Ozy and Millie, still had political commentary, usually with geoglobal politics boiled down to playground puppets, and famously Millie's Mr. W sockpuppet. (Phoebe and Her Unicorn, however, has averted this trope, which may explain in part why it was the first Simpson comic to win syndication.)
  • Parodied in L's Empire when a character deconstructs the concept of a soul. The local Fourth-Wall Observer threatens to kill the author if he continues to inject his philosophical beliefs.
  • When not simply joking about the various cultures it parodies, sometimes to the extent that it often relies on the author point-blank telling you what's so funny because chances are you otherwise wouldn't get it, Scandinavia and the World wears its left-wing views on its sleeve, and doesn't pull punches with regard to its type-2 views on Eagleland. It's not surprising that the vast majority of the registered users on the series' official website lean in the same political direction.

    Web Original 
  • 2084, from the author of Rachel Stevens revisits Da Bungalow (above in the fanfiction folder) (Chapter 1 and Chapter 2 (NSFW)) is a long tract on why copyright is wrong and bad. It was written after the SOPA fiasco, and it shows. It shows a Straw Dystopia where a powerful superbody, RACKET, enforces insane copyright laws to the point where even science and wheels are placed under copyright, and the protagonist can't do anything about his game show without dealing with numerous red tape.
  • The creator of the Global Guardians PBEM Universe carried around a burning hate for the New England Patriots football team, to the point that he had the entire team wiped out and their stadium burned to the ground by a supervillain team. The NFL then decides to not reconstruct the team out of "respect" for the fallen players]
  • The Atheist Experience: "Theists, we don't hate you, we just think you're wrong!"
    • If Jeff Dee is hosting that week, do not threaten him with Hell, unless you're willing to listen to a long, loud rant about how inherently unjust Hell is.
      • Matt does not like it when theists call science a religion. See?
    • Matt is very critical of Pascal's Wager. He's outright called it one of the only religious talking points he'll refuse to deal with.
    • A lot of atheist trolls disguise themselves as theists with absurd worldviews and make prank calls to the show, to see the hosts' reaction to it. Of course, because the actual purpose of the show is to call out stereotypical Christians sometimes the hosts will continue the call for the benefit of the audience.
    • The Atheist Experience will happily debate any theist who calls in but the hosts aren't afraid to insult or degrade the deep-seated beliefs of others when the opportunity arises.
  • For Pyrrhic the author went on a fairly lengthy one in the ending author's notes of the seventeenth chapter in regards to the Unfortunate Implications behind Double Standard: Rape, Female on Male and how it's just as bad as the opposite. He also decried the use of Rape as Backstory, saying that it disgusted him. However, in story, he justified the scene where Xenia rapes Tom in order to have a healthy discussion on why these dark subjects need to be stopped and to help people understand why mocking these tropes is a good way to demean those who have been affected by them. He then said he'd get off of his soapbox. However, Some Anvils Need to Be Dropped.
  • Whenever The Nostalgia Critic is complaining about a cliche in a film, it's based on the fact that the cliches are the ones that Doug Walker hates. The author tract is more common in his editorials where he's more discussing subjects than reviewing films. Most notably "The Dark Age Of Movies" was how Doug Walker felt about summer films from 1996 to 2001.

    Western Animation 
  • Seth MacFarlane has bluntly stated that American Dad!, a show about an extremely stupid conservative CIA agent and his family, was created primarily out of his frustration at George W. Bush's re-election in 2004. However, despite its overtly political premise, it has generally been far less preachy than the Family Guy episodes that have aired during the same years. An episode focused around Bush showed him to be pretty stupid.
    • For contrast, an appearance of Bush on Family Guy depicted him as hopelessly inept with the intelligence of a child. Brian finds him hiding out in a treehouse reading Superfudge after Hurricane Katrina, Brian tries to tell him what happened and Bush tells him to go away and not to make him "do stuff".
    • And then there's the one where Brian keeps 9/11 from happening, so Bush, not having any huge anti-American event to ride on creates a second Confederacy and starts American Civil War II: Time for Nukes. No Really.
    • Family Guy's most notable occurrence is "Not All Dogs Go to Heaven", where Brian goes on a rant that says a loving God can't exist because Meg is ugly and has a bad family.
    • Brian also seemed to serve as MacFarlane's mouthpiece for a very long time, mostly whenever the subject of religion or politics came up with the show. This was one of the many, many things that Quagmire brought up in his "The Reason You Suck" Speech.
  • DuckTales (1987) occasionally delved into this territory. Some episodes dealt with themes such as capitalism vs organized labor (showing the importance of responsible management, without totally demonizing, when Uncle Scrooge lost his memory).
    • This was also a recurring theme in the original comics — making money by being stingy is OK. Making money by being totally unfair to consumers, the environment, or employees isn't.
  • While Fillmore! is usually good at avoiding these, the episode about standardized tests went a wee bit overboard. One of the recurring dialogues of the episode is that standardized tests are not only ineffective, but are damaging and counterproductive for more creative children (Ingrid noted a boy who was terrified of the test was also an amazing inventor "but that doesn't show up on the S.A.T.T.Y.9") and for others who do not test well. Although the points about "bad test-takers" are actually pretty valid, the constant reiteration of the observation reaches Author Tract levels when pretty much every child who takes the test either gripes about how pointless it is, or the children who actually want to take the test are depicted as rather neurotic overachievers.
    • Notably Ingrid, who is the smartest girl in school, was shown to not really care about the test, whereas the other "good test takers" were all obnoxious stereotypes of The Smart Guy who used words like "Machiavellian" and "reprobate" to describe the person who stole the tests and cried about them being lost to the point of needing a counselor who says things like "they may have stolen your answer sheet, but they didn't steal the answers" while Ingrid cringes.
  • The entirety of the infamous "Son of Stimpy" episode of The Ren & Stimpy Show is this. It's basically a half-hour author tract about what the author thinks is wrong with Hollywood drama; namely how he feels it relies more on cheap tricks and less on the interactions of the actual characters. To this end, the episode was intentionally written to be as unfunny and parodic as possible, all to show how easy he feels it is to create drama and pathos over something he feels has little to no real substance.note  The article in question has all of the "stinky" details note ...
  • A writer for The Simpsons admitted that the creative team has deliberately made Ned Flanders, in later seasons, less of a 'turn the other cheek' Christian and more of an intolerant Moral Guardian, as a protest against the growing influence of Moral Guardians in Bush's America (as if that hadn't been a problem since the era of Hoover's America, and possibly earlier). Much of this has been viewed as being massively out of character compared with earlier seasons. Flanders was de-Flanderized in The Movie, though, being portrayed as a genuinely caring guy who just has some annoying quirks.
    • Marge's opinion about guns in "The Cartridge Family" is also that of Matt Groening.
    • Parodied with the film Left Below from "Thank God, It's Doomsday".
    • Also parodied with the Itchy & Scratchy cartoon written and directed by Mr. Burns.
      Burns: So remember children, nuclear power is your friend. And so is Monty Burns.
      Scratchy: Don't end up like me. Vote Republican.
      Itchy: God bless America. This cartoon was made in Korea.
    • Groening himself stated in an interview that one of his favorite things about doing The Simpsons is how unfair (his actual word) they get to be to nuclear power.
    • Just as Brian served as MacFarlane's mouthpiece, Lisa Simpson has been Groening's mouthpiece several times; just like Brian, mostly when politics or religion comes up on the show.
  • South Park often devotes episodes to be heavy handed over the top Author Tract, with Strawman Political.
    • And then lampshades it in "Cartoon Wars". Repeatedly. Let it never be said that, whatever their views, Parker and Stone are not self-aware.
    "And if you ask me, your show has become so preachy and full of morals that you have forgotten how to be funny!"
    "At least [Family Guy] doesn't get all preachy and up its own ass with messages, you know?" note