Sherlock Holmes: [deadpan] You think so?
John Watson: Of course it was. It was extraordinary. It was quite... extraordinary.
Sherlock Holmes: That’s not what people normally say.
John Watson: What do people normally say?
Sherlock Holmes: "Piss off!"
- Perhaps he was the Sebastian from earlier.
- Given the number of nods to the original books (including some fairly obscure bits), I'd be very surprised if Sherlock's school acquaintance being called "Sebastian" wasn't intentional. Could still be a red herring, though.
- I think it's a coincidence that Wilkes and Moran are both called Sebastian; it would be nigh on impossible to hold down the job as a high-level executive at the bank while also being Moriarty's henchman.
Either way, the cabbie is probably not particular about how his 'game' works, since his death is certain be it by aneurysm or pill. He's happy to keep playing the game because of the money going to his kids.h
- The idea that Moriarty planned this gets even more plausible if one takes note of the number of pills in the bottles. When the cabbie first starts going on his murder spree there are quite a few, but by the time he gets to Sherlock there's only one left. From the beginning, the plan must have been for the cabbie to kill four people, then swing 'round to 221b Baker Street and pick up Sherlock (the fact that Sherlock figured it out at that exact moment is merely a happy coincidence). The whole thing is just a way for Moriarty to introduce himself to Sherlock.
It would save money, and Moriarty has just the right sense of humor for that.
- Alternatively, he might have no snipers. It could be a clever trick with the laser pointers.
- We know he has at least one sniper in his employ, because somebody shot Shan and the old lady. Plus there's the WMG above about Colonel Moran.
- For the crack, let's say that Sherlock has no bullets in his gun either. This would make for an... interesting development.
- Not so crack if we assume that Sherlock is clever enough to know that scratching your temple with a loaded gun is a bad idea.
- For more crack, the bomb was fake.
- For even more crack, Moriarty and Sherlock both know all of the above, and each is merely toying with the other
- After Watson shot the cabbie, why didn't Holmes just take both pills and get them analysed?
- Because someone would surely ask which one he'd picked, and he wouldn't be able to dodge the question so easily, his ego simply wouldn't take it if he told someone, and he turned out to be wrong. Doubly so if the theory that both pills were poisoned is correct, because everyone knows Sherlock was dead serious about taking the pill, and that he fell for it would really prove he was fallible.
- Upon re-watching, Sherlock demands to know whether he made the right choice, and before Sherlock declares that it wasn't important, the cabbie shakes his head (admittedly just slightly,) meaning Sherlock did choose the wrong one. All of the victims chose to switch rather than accept the pill they were given, the cabbie was honest in calling it a game of wits, because he understood that people under stress will switch in order to feel in control, that they are unlikely to sit back and do nothing. The question is resolved before Sherlock changes the subject and steps on the guy over the identity of his "fan."
- I saw that headshake, and I always thought it was, "No, I'm never going to tell you," not, "No, you chose wrong." But it could be that, given the way Sherlock immediately changes tack.
- I concur with the above troper; the headshake is a refusal to tell. But I also agree: Sherlock chose wrong. Why? Because. 1. Sherlock's great gift is the ability to deduce incredible amounts of information from tiny details. 2. The cabbie's great gift is the ability to, in his own words, understand how people think, how they think he thinks, and how they think he thinks they think. 3. Sherlock had to ask. That's the key point. This is a match of their two gifts, and Sherlock's gift has no uncertainty about it. That means his gift failed, and the cabbie's won out. The cabbie really did create an impossible puzzle to solve.
- Because someone would surely ask which one he'd picked, and he wouldn't be able to dodge the question so easily, his ego simply wouldn't take it if he told someone, and he turned out to be wrong. Doubly so if the theory that both pills were poisoned is correct, because everyone knows Sherlock was dead serious about taking the pill, and that he fell for it would really prove he was fallible.
- So really, they were both poisoned.
- Both pills are poison... if you don't happen to be suffering from the cabbie's medical condition. So no matter which choice each one chooses, the victim gets the poison, and he gets the medicine, which proves that the cabbie is smarter than his victims. Never go in against a Driver of a Black Cab when death is on the line! HAHAHAHAHABANG
- So you're saying the cabbie spent the last three years building up an immunity to the poison?
- Not really. Let's say that after he was diagnosed with a brain aneurysm, his doctor prescribed him some hard-core blood thinners. He takes them, he clings to life. One of his victims takes them, their blood gets so thin it prevents oxygen from getting to the brain and *thud*.
- Or maybe, as a Tumblr post posited, the poison was in the water. Then all the cabbie would have to do would be to swallow his dry.
This troper's theory is that there is only one sniper, or perhaps none at all. The multiple laser points are just trickery, maybe caused by mirrors.
- "But doctor, it just doesn't make sense! Thousands of people have heart attacks every day, but never all at the same moment! And the only thing they had in common was ... a TV show!"
- Moriarty threw the plans in the pool because he "could get them anywhere". He only cared about them in the first place as a tool to get Sherlock's attention. Also, it's pretty blatant that Sherlock was lying when he told John he'd seen Mycroft.
- Sherlock appears though to honestly not know that Moriarty could have gotten the plans anywhere and that they were a red herring. Although he may or may not have really seen Mycroft in person, it still seems unlikely that Sherlock would be dumb enough to offer a criminal mastermind some real, unaltered missile plans that could potentially begin World War III when he could offer him a wiped memory stick or some altered, useless plans. After all, unless Moriarty had brought his trusty laptop with him and checked them then and there, why give him the actual plans? He'd be long gone (or at least not present) when he figured out the plans were fake.
- But if there were no real plans then why would Mycroft send Sherlock after the fakes? And how would the murdered man not realize they were fake?
- I never said there were no real plans. Just that by the time Sherlock gave the "plans" to Moriarty, he'd tampered with or switched out the memory stick so that the real plans were no longer on it. It was either blank or had been switched out for fake plans that meant nothing.
- Sherlock appears though to honestly not know that Moriarty could have gotten the plans anywhere and that they were a red herring. Although he may or may not have really seen Mycroft in person, it still seems unlikely that Sherlock would be dumb enough to offer a criminal mastermind some real, unaltered missile plans that could potentially begin World War III when he could offer him a wiped memory stick or some altered, useless plans. After all, unless Moriarty had brought his trusty laptop with him and checked them then and there, why give him the actual plans? He'd be long gone (or at least not present) when he figured out the plans were fake.
- My interpretation is that the death of the old woman was Moriarty proving to Sherlock and everyone else that he meant business and was in control and not to be messed with. After all, if Moriarty "played fair" then presumably the old woman would be rescued and tell her rescuers about the "soft voice" anyway. And of course, on a plot level, it was to prove to audience members that the threat to the hostages was real and not a bluff (makes the next two hostage situations that much more frightening- this guy has killed before, and a helpless victim at that, he would theoretically do anything.) It wouldn't have really mattered what she'd said or not said, Sherlock was always going to "lose" that round. After all, Moriarty easily gets bored and probably wanted to spice the game up a bit. Also, indicates that he doesn't play fair and is "changeable."
- I figured it was written in the script to add to the assumption that John was Moriarty, you know because John has a rather soft voice.
- He said no such thing. According to the subtitles, and just from what it sounds like (there is a lot of noise, so it's a bit difficult to make out, and I had to listen to it several times), I'm pretty sure it was one of the soldiers in the dream saying "Hit the deck!" with 'the deck' being repeated a couple times. It's really hard to make out the 'hit' part, actually, but the point is that it sounds nothing like the word Sebastian, and that John's mouth doesn't open, so even if it is Sebasian's name, he's not the one saying it.
- Sort of jossed. Wiggins appeared in "His Last Vow", but there still could be a chance.
She's constantly typing on the Blackberry without any pause for replies because she's not texting, she is transcribing. Like many people with memory problems, she uses her smartphone as a handheld portable external brain. This allows Mycroft to have a complete transcription of any event he can't witness personally, and also means that her memory can be edited or revised or redacted as needed. She knew who John was when she picked him up because that was pre-arranged, which means it's on her screen. When dealing with him in unscheduled events, she doesn't have a clue who he is, even a relatively short time after being told.
It was John. Moriarty and Sherlock don't really look alike at all, so it's difficult to see how she could mistake the two... but we've yet to see Sebastian Moran, or the man who actually did the deed and kidnapped Claudette and her brother from their school. When Claudette starts screaming she is looking up, but John is standing directly behind Sherlock and all she's doing is pointing vaguely in their direction. Who's to say Sherlock's the one she's screaming at?
From the snippets of conversation recorded from his few phone calls (as well as the recording that Kitty made of him in the washroom at the trial), Moriarty was able to piece together enough to remotely threaten and control the kidnapped children. This would explain that it is hearing Sherlock's *voice* that freaks Claudette out and triggers her scream.
Further, the "out-of-character" event that Moffat referred to may have been Sherlock *calling* John from the roof instead of texting him. By this point, Sherlock has realized that his phone has been bugged and so his call to John is as much for the sniper's benefit (and other two killers) as it is for John's. They hear him say all the right things to confirm that he is committing suicide. (When Sherlock tells John to "tell anyone who will listen", I think it's a subtle clue that people are listening right then, as a more natural thing for him to tell John to do is to blog about it.)
On the day Jim was acquitted, Sherlock realised he needed to record the meeting at the flat and anything else that went down, and put the camera on the bookshelf. Jim can't have done it. He would have had to scale the bookshelf in front of Sherlock to put the camera where Sherlock later "found" it. Sherlock's "realisation" later that there was a hidden camera was a complete act. He already knew that much of what later happened was going to be circumstancially against him unless he had some way of recording what was really happening- in Baker Street, anyway. (Until he takes the camera down and presumably has it with him when he's arrested...) The book was moved back when Lestrade and Donovan are there about the kidnapping case; Sherlock has since moved the book over the camera when he "finds" it later, probably so that there's no chance that John will accidentally see it.
- The kicker: Who was the camera for the benefit of? Initially, Mycroft. It was far too dangerous for Sherlock to even text Mycroft, as it might have been intercepted. This was a way for Mycroft to know what was going on without putting Sherlock in danger.
Basically, in order for Moriarty to have a convincing enough story as an actor, he had to have at least some proof that could be twisted. So, he kills two birds with one stone and while building up a successful CV as a children's TV presenter, also conditions children to be frightened of something about Sherlock. I like to think it's his coat, because Moriarty appreciates good tailoring. An expensive Dolce and Gobbana [I think? I don't especially look these things up] coat would be rare enough to not get an accidental reaction out of the children, then Moriarty goes back and, wearing a coat of the same brand, cementing the children's subconscious fear of villains in such attire, violently kidnaps them. Or hires somebody else to do it.
- And hey, if they don't commission a third season, Sherlock can just stay dead, ending the series with a bang instead of a whimper.
- Which ironically was how Arthur Conan Doyle originally intended the books to end. If the BBC starts filming a third season, we'll all have conclusive proof that history does indeed repeat itself.
- If they make us wait three years to Empty House us, I'm going to die. Except if they manage to bring a new series out of nowhere, with no warning beforehand, in which case I will be amazed and delighted with their ingenuity.
- Which ironically was how Arthur Conan Doyle originally intended the books to end. If the BBC starts filming a third season, we'll all have conclusive proof that history does indeed repeat itself.
- In the book, Sherlock Holmes' death wasn't meant to be a trick, it was meant to be real. Doyle had a difficult time explaining how the hell Holmes got out of that one when he resurrected him three years later, and it's not terribly convincing even by the standard of Doyle's outlandish plots. There's no way a ploy like that would in any way work in a modern context, BUT- if you read "The Adventure of the Empty House", you'll see that there was one soul and one alone who knew Holmes was alive- Mycroft. Sherlock needed him to keep an eye on him and send him funds. The whole "chasm" conceit could end on a much more realistic note- Sherlock being declared dead at a hospital, after an apparent serious injury, and John and everyone else told that he was dead. Mycroft has shown himself to be so awesome that it doesn't seem remotely beyond his powers and abilities to have a death certificate faked for his little brother. God knows he might even be crazy enough to mysteriously produce a horribly mangled body to bury. We'll see soon, however.
- He organized a plane full of corpses; one tall Caucasian male shouldn't be hard
Alternatively:
Because that would be an awesome mindscrew for the audience.
In the first episode of the third season, we will see John turn around at the grave with Sherlock behind him, walk towards Sherlock, and then walk through him. That's why they had that scene at the very end, to make us feel confident that Sherlock isn't dead, then mess with our heads during third season.
- Alternatively, this theory will be something they really do, as a mindscrew, and it will turn out Sherlock's still alive, but John's been hallucinating while he waits for him!
Otherwise, there's little to no payoff for the hidden camera. After they find it, Sherlock is seen fiddling with it, and typing something into the laptop (which is, from memory, John's.) We never see or have it explained what he's doing, and the hidden camera is never mentioned again, so it's odd. He's having a tense conversation/argument with John at the time, where he unfairly accuses John of doubting him, which may just have been a distraction so that John doesn't ask what he's doing at the computer. On the roof later, Sherlock asks a lot of leading questions and confirms a lot, getting Jim to explain his evil plan in quite a lot of detail. Why? Sherlock doesn't like people explaining. He likes to "get it" himself, it makes him feel and seem smarter. He was teasing out Jim's confession. He had the camera (which had sound, as earlier demonstrated when it picked up Lestrade's voice) on his person somewhere. At some point, somebody (probably John) is going to find a recording of most if not all of Jim's confession on the laptop. Possibly, also on the phone that Sherlock is so anxious to very, very carefully throw away gently.
- If he had the camera on the roof, it wouldn't have just picked up Jim's confession. It may well have picked up his suicide. Which will be handy-dandy if, as other tropers have commented, it later appears that Sherlock murdered him before offing himself.
- That camera was there at 221B the night the children were kidnapped. If it records time and date, and provided Sherlock was home that night, it may prove to be a pretty solid alibi for Sherlock, assuming anyone still seriously thinks he kidnapped the children (a theory which falls apart if you look at it for longer than five minutes.)
- It's also possible that Sherlock was rigging the camera to play a previously recorded fake feed of comings and goings in Baker Street, causing Jim to think the camera was still in place when Sherlock had removed it. He texts Jim "Got something of yours you might want back." Jim never asks him what it is. It can't be the code, as that's not something Sherlock had access to and even if he did, you can't pass a thought back and forth between two people like that. It's an object Sherlock's talking about, and the only other object of Jim's he still has is his little knife.
- The camera not only picked up Jim's confession, Sherlock shifted it at the last minute to a position where it picked up some freaking amazing first-person footage of his swan dive off the roof.
- Anything the camera did pick up will be found by John, who will put the footage/recording on his blog- which is already popular- and the whole thing will go viral.
Moffat said in an interview, “I’ve been online and looked at all the theories, and there’s one clue that everyone’s missed. It’s something that Sherlock did that was very out of character, but which nobody has picked up on.”This OOC moment came about halfway through Reichenbach, much earlier than the roof scene: When leaving Scotland Yard, Sherlock got into the first cab that stopped (which happened to be driven by Jim, who proceeded to play him the Sir Boast-A-Lot video which looked suspiciously like it might have been filmed on the set of a children's show that might be called something like "The Storyteller", but that's neither here nor there). In the original stories, Holmes more than once goes on at length about how you should never get into the first cab that stops, particularly if you think you might be in danger or being followed. (One of the times he mentions this is in The Final Problem, even! I doubt it's something massive Holmes fanboys like Moffat and Gattiss would just forget about.) He also tells John to take another cab because Sherlock wants to think and "[John] might talk", when previously Sherlock has said that he does better when he thinks out loud. If Sherlock did get into the cab on purpose, it implies that Sherlock, possibly with Mycroft's help, was steering events from MUCH earlier in the episode than previously believed. In fact, if Mycroft went to Sherlock immediately upon realizing his mistake with Moriarty, the two of them would have had ample time to come up with an elaborate plan to thwart him.
... Moriarty did. Possibly, it was he who actually made the call itself- he's a talented actor. Why Moriarty and not Sherlock? Because Moriarty was boredly waiting for Sherlock, and he knew Sherlock wouldn't or couldn't come out to play with him while John was around. Sherlock deduced that the call was a diversion intended to get John out of the way, hence why he refused to buy into it or react emotionally- and he let John believe it was true.
- This seems likely. The episode actually follows the plot of the original story, The Final Problem, pretty closely, from Sherlock's fall from grace, to escaping with only John in tow, to deciding that suicide (or the appearance of it) is the only way to close his story. In the original, a Swiss messenger brought a message to Watson that an English woman was dying, and when she was so far away from home she desperately wanted the company of an English doctor. Holmes knows it's a decoy to separate him from Watson, but goes along with it to spare his friend the trauma of seeing him "die". Of course, in this version, John snookers that plan by refusing to stay away when he discovers the trick.
And they all start with B: the Building, the Bike, the Ball, the Binary and the Body.
Because it all seems too obvious for the fandom to have worked out (mostly) already, and the trolling duo that are Steven Moffat and Mark Gatiss probably set it up this way so they can giggle at the incredibly wrong fandom being diverted in entirely the wrong direction for the next year or so.
- Nope. The ball, bike, and body were all part of the plan.
It's extremely far-fetched that, even given their icy relationship, Mycroft wouldn't tell Sherlock that he'd given information to Moriarty and as such had freakin' assassins on his trail. He's protective of Sherlock. He wouldn't just let John know and hope John would a) tell Sherlock, and b) be able to protect him. There was some sort of agreement between Mycroft and Sherlock which meant that they had to avoid contact (so Mycroft would fall under Moriarty's radar and not be made a target if and when shit started getting real). Mycroft's initial meeting with John was deliberately to give John the impression that the two weren't on speaking terms just then. John is astonished that Mycroft apparently wasn't going to tell Sherlock about the assassins; Mycroft explains something extremely vague about "old scores", which John doesn't entirely buy. After all, they seem on okay terms after The Hounds of Baskerville. There's nary a text between them in this episode and that's very suspicious. As for Mycroft's role in his brother's "death", while Molly can no doubt do creative things with bodies and autopsy reports and such, Mycroft could relocate Sherlock and create him an entirely new identity. Among other things.
- This would also be in keeping with the original stories, in which it's revealed in "The Empty House" that Holmes only informs Mycroft that he's faking his death so that Mycroft can manage his affairs in London until he's ready to resume his normal life.
- I have to wonder about why Mycroft seemingly told Moriarty all about Sherlock and then let him go. Did Moriarty escape somehow or is it a part of Mycroft's and Sherlock's elaborate plan to bring down Moriarty's network of spies and criminals?
- It wasn't a mistake at all; it was all part of the plan.
The episode title is "The Reichenbach Fall" instead of the "Final Solution", why? Because Reichenbach translates to Richard Brooke. Richard Brooke is the one who fell of the roof, not Sherlock. Moriarty had some kind of face mask to make himself look like Sherlock, that is why the kidnapped little girl was afraid of Sherlock when she saw him and that is how Moriarty's body ended up looking like Sherlock.
- Sherlock was being watched while on the rooftop, with his friends' lives hanging in the balance. There's no way he could have done anything odd up there without endangering them. Plus, the camera work has been very careful to show us that it is Sherlock, alive, who talks to John on the phone and jumps down afterward. Rather than a Gory Discretion Shot, the camera is kept on his falling body the entire time. No, more likely that he took his chances and did what he could to improve them - it's not that high a fall. With the right trajectory (he falls very gently into it, and you'll notice he keeps his arms and legs spread out during the fall to slow himself down as much as possible) and the body kept loose and relaxed (which can also be achieved with a drug), serious damage can be avoided. Plus, it would kind of undermine the whole badassery and heartwrenching-ness of his farewell to John. No, far more poignant for him to have taken a significant risk. Also, he was playing with a rubber ball beforehand. Pressing a rubber ball into your armpit cuts off your pulse in that arm. Ergo, the Law of Conservation of Detail states that it was him down there on the pavement.
- Plus, it was Sherlock who chose the meeting place.
- And in terms of the need to furnish a body for official purposes and assuming a closed casket or cremation...Molly's father died recently, didn't he? And didn't he remind her a bit of Sherlock?
- My Dad had an idea; what if Sherlock was so insistent that John stay where he was not just because of the sniper, but because he'd managed to set the biker up? That way, John would be too disoriented - if he wasn't already - to notice something off. But beyond that, I'm not entirely sure.
- Another very likely theory is that Sherlock fell into the laundry truck.
- He fell in the truck, which was manned by accomplices that dumped a bashed up body Molly had doctored to look like Sherlock on the curb. Truck drives away, unnoticed in the excitement.
- They used an airbag, an the Homeless Network. Molly helped.
- They've already had two fake-outs regarding Moriarty's identity (Mycroft and Jim from IT). A third would result in massive eye-rolling from the audience (plus it would completely gut the scene at the swimming pool).
- The opening of "A Scandal in Belgravia" is all about this, it was the real world reason why Conan-Doyle did it and Moffat's already made it the central theme of Doctor Who Season 7.
- Personally, I would have trouble NOT using it as such as soon as it was mentioned to be stuck like that.
- Me and a friend of mine started trying to crack the code and found a possible solution- in the poem "221B" by Vincent Starret, he says "and it is always 1895". 1895 is used as a generic period in which Sherlock Holmes's stories are set. If you think that Sherlock said something along the lines of "it's frozen at 1895" (or, in other words, "it's always 1895"), it could just be an in-joke. Of course, that'd be so anticlimatic I might die a little inside, so...
- That was my impression, as well. It starts to fade to black, comes back, and from then on it's Sherlock's fantasy. It took me a few seconds to even consider that it might be intended as a real flashback.
So, why did Mycroft tell him that Irene is dead if he didn't want John to mention it to his little brother? Because they can't have easy things, that's why.Hear me out: if Mycroft were to tell John that Irene was alive in America and nothing else (the most sensible thing to do), John wouldn't be all nervous and guilt ridden while telling it to Sherlock, leaving Sherlock to raise an eyebrow- what, his brother doesn't know that a terroristic cell tried to kill Irene? What is he trying to hide?
By telling John that she's actually dead, however, he can be sure that he's going to act all weird and nervous (that's what people with feelings and stuff do): Sherlock would of course note it, and understand that he knows (thinks) that Irene is dead- something that only Mycroft could know. That leads to the obvious conclusion- that Mycroft and the Government think that Irene is dead, that they will leave her alone etc.
So there it is: Sherlock is happy 'cause he fooled his older brother, and Mycroft lets him think that while he keeps following Irene closely.
- I disagree with the central premise; Mycroft had every reason to ask John. Despite being his brother, it seems clear the Mycroft simply doesn't know his brother as well as John does. Oh, sure, he knows some. (That's why he can opine that 'tonight's a danger night' earlier.) But how he'll react, what's actually going on in his head? Mycroft's deferring to John. It's a smart play. Sherlock fooled them all.
- And Sherlock followed them because he knew his brother was going to do something like that, which is the reason he found himself disguised as a terrorist to save her. I think it's a good way to connect the final events of ASIB, and it explain what Sherlock was doing there, since I'm pretty sure he has other things to do than follow Irene's every moves instead of just assuming she can protect herself without his help. And Mycroft, the Iceman, probably just though she was way too much trouble.
- It is unlikely that the terrorists who were planning to blow up the plane would target Irene. Her actions let them know that the British government had deciphered their code. In other words, she helped them. The British have much more to gain from Irene's death than the terrorists.
- She could have been involved with other groups besides the one that was planning to blow up the plane. Her losing to Mycroft her phone and all the information it contained probably pissed off a lot of different people. But I think this is a cool theory anyway.
- Also, what would Irene even be doing getting involved with Islamists in Pakistan without a reason like this? Doesn't sound like Irene's idea of fun.
- I'm not saying it's plausible, but something about the way Sherlock chuckles to himself and repeats "the woman..." leaves room for speculation.
- Actually, this is a reasonable possibility. Sherlock rescued her out of emotion, not logic or practicality. Having discovered that he is capable of feelings, he might decide to find out why people make such a fuss about sex. Purely in the interests of science, of course.
- Allegedly Benedict Cumberbatch agrees with this one.
- That's not even wild guessing, the Tumblr Sherlock fans feel an incessant need to make a jillion posts repeating the same thing over and over. What would be a wild guess would be if they crashed it with something actually worth posting...
- So far Tumblr's fine, if a bit hectic. Omegle, on the other hand, has more Sherlock questions than porn. PORN.
- Of course.
- Attention has been called to both, explanation has been given to neither. If another such thing happens in Reichenbach, I will be justified to use the phrase "Once is happenstance, twice is coincidence, three times is enemy action."
- Vandal Savage would be proud of your paranoia.
- The code Jim taps and the "IOU" he leaves Sherlock are both red herrings. Does that count?
- Good idea, but John saw his face after he landed. Also, wouldn't Moriarty's observers notice the change of clothes? He might have used Moriarty's blood to create the fake injuries, however. Now, we don't (probably) have all the pieces for the puzzle, since John loses his line of sight between the start and end of the fall, but clearly something between the two kept Sherlock from actually dying.
- Well, Sherlock was adamant that Watson not move forward; doing so would have moved him in front of the cyclist, plus there was quite a distinctive noise at the collision (audio cue?). It is definately important.
- Could Jim work around Sherlock watching him fake suicide? He's supposed to be Sherlock's equal and so letting him once again win at everything would be - as Jim himself said - boring.
- Maybe Sherlock knows that Jim faked his suicide, and incorporated it into his plan. That could be why he had to tell John he was a fake; he knew Moriarty was still alive and listening. Either way, Jim's death wasn't reported to the public, else the newspaper headlines would have been about a Murder-Suicide or Double-Suicide, rather than just Sherlock's suicide.
- Plus, Moriarty has already beaten Mycroft, in a way, with not cracking under interrogation.
- And he got Mycroft to end up helping him destroy his brother. How much more could Mycroft possibly be beaten?
- Possible. All Moriarty would have needed was exploding dye packs strapped to the back of his jacket set to the gun's trigger, and for the "gun" to make that loud of a noise. After that, it's controlled breathing, all the way. He could very well have trained himself not to breathe, except for when Sherlock was turned around - which he did, often, and almost immediately after the "suicide".
- More evidence provided at the end of "His Last Vow", Moriarty appears on all television sets in London asking "Did you miss me?". He either faked his death as well, or his network was more extensive than Sherlock and Mycroft thought and he had more plans in place for years after his death.
- Headcanon. He really would have done something like that.
- Someone write a fanfic of this now.
- YES! FANTASTIC! * Not once, but twice, have the tropers here deduced answers to cliffhangers.
- I was thinking something similar, but a fake Sherlock mask instead. Moriarty would have worn it and one of Sherlock's trademark coats when kidnapping the girl— that'd probably be enough to provoke a response when the girl saw the real Sherlock. At some point, Sherlock acquires the mask; he puts the coat and mask onto Moriarty's corpse and throws it over the edge. It may not look exact, but it wouldn't have to; it'd only have to be good enough to fool the snipers watching. This is why Sherlock orders John to stay— the snipers watching have to be convinced Sherlock's dead, and the only way for that to happen is if John (who is being watched) doesn't poke further and realize it's a mask on Moriarty instead. Fortunately, John only gets a brief look at the body before being pulled away.
- For all we know, Moriarty merely conditioned the girl to be afraid of men with blue scarves. And he would. Just because it was funny.
- In the Baskerville episode, they mentioned they were doing human cloning...
- The EMTs who show up immediately are not really EMTs. The way they just throw Sherlock on the gurney suggests they aren't trying to save his life, but only want to get him away from John as quickly as possible. Unless it's Artistic License.
- For all we know, Moriarty merely conditioned the girl to be afraid of men with blue scarves. And he would. Just because it was funny.
- Then again, Sherlock did deduce that she wasn't all that clever, which is why she hadn't yet hit big. I'd find it most likely that she was so desperate for a huge scoop that she took the first chance she got without giving much attention to checking out the facts or journalist integrity beyond the most basic check of "Rich Brook's" background. Over time she might have figured out the inconsistencies, but by then she would have to publically admit that she did not do the research, and lose her fame, professional reputation and job in one fell swoop, which someone with her personality is very unlikely to do.
- I doubt any juror would be willing to talk, even if promised anonymity. They all threw the trial for Moriarty so they'd all be too scared to share the information. And anyway, Jim did an extremely good job of creating his fake background. He has so many real details about Sherlock from Mycroft to give his story weight, he probably has been playing Richard Brook since Sherlock got that nickname, and he's good enough to forge the rest of the documents. If it were just a matter of the reporter being stupid and vengeful than it wouldn't have been so difficult to clear up.
- In our real world, or one as close to it as Sherlock is, Moriarty's ruse would not hold up. either his "Richard Brook" persona would not have sufficient supporting evidence, in which case he'd have to find an incompetent journalist or compromise a good one, or he'd have to have been playing "Richard Brook" for long enough to actually have had an acting career. Now, if "Brook" had existed for long enough to have a YouTube channel, bit parts on TV shows, let alone an entire children's programme of his own which is available on DVD, then someone watching the United Kingdom's "trial of the century" would have noticed that "Jim Moriarty" looks just like the "storyteller" their children watch on Saturday mornings. In our world, where there's a whole website
devoted to "X totally looks like Y", Moriarty and "Richard Brook" would be paired before the week was out. Their entry on the Cheezburger network would be Reddited and upvoted through the roof, meme generators with screencaps of "Richard Brook" would spring into being, Neil Gaiman would tweet the phenomenon, Moriarty's Wikipedia page would grow a section entitled "Resemblance to struggling actor Richard Brook", and nothing would play out the way it did in the show. It's much easier to swallow the idea that the journalist was not very good and/or controlled by Moriarty, in which case his supporting evidence for the Brook persona wouldn't have to be very good. And we're not really shown that it is: better investigators than those employed by the scandal sheets could already be unravelling the whole thing by the time the episode ends.
- The thing is, though, the Richard Brook persona doesn't have to hold up, or at least not for very long. Moriarty's endgame all along was to make Sherlock kill himself, after which the story in the papers will be about the suicide, and nobody will care about the old story's source. Could Sherlock have eventually poked holes in the Richard Brook persona? Absolutely, but it would have taken time he didn't have. And now that Sherlock's "dead" and "Richard" has apparently vanished, nobody's going to bother.
- Or, alternatively, Moriarty's brother (who in mentioned in cannon) takes up the job of keeping the Richard Brooks facade going. In the original stories, he makes it difficult for many people to believe Moriarty was guilty of anything.
- What if Kitty Reilly is theimprobableone? Theimprobableone is clearly a fan of Sherlock's work and admires him greatly. So, if Kitty is theimprobableone, she has a pretty good reason to be bitter. Sherlock told her she repelled him, and told her she wasn't clever. Theimprobableone thinks they're clever, and is constantly trying to prove it to Sherlock. Kitty says she's clever and Sherlock says that she's trying to get her editor to notice her. It fits and gives Kitty a reason. She'd probably be willing to believe that Sherlock forced 'Richard Brook' to become Moriarty after what he did to her.
- Oddly enough, by this blog post
she's clearly just realized the truth about Sherlock and Rich Brook and what she has done, and is now trying to make up for it.
- Oddly enough, by this blog post

- Sherlock was playing with a bouncy ball in an earlier scene in the lab...
- Holy Shit. *Mind is blown*
- I agree, and add this: the last time John and Sherlock are together, in Bart's lab, John is napping and his phone is sitting on the counter near him. Sherlock could easily have sprayed it with the drug (or coated it in a liquid solution he derived from the original aerosol drug) while John was sleeping. Then, later, he kept John on the phone as long as possible to make sure John was breathing in the drug for long enough to hallucinate Sherlock stepping off the roof (when in reality, Sherlock probably tossed off a corpse, one that looks enough like him to fool a delirious John). The biker could have been one of Sherlock's homeless network, designed to keep John from reaching the body in time to have a good clear look (or take a pulse and notice the body's too cold and stiff to have just died). It's already been shown that Sherlock likes to keep souvenirs of old cases (the spray paint from "The Blind Banker") and it would be just like him to steal a sample of the "Hounds" drug (at the end of "Hounds," he remarked to John about the leakiness of the pipes in the lab that were spraying the drug into the air, he obviously was in that particular room at some point and could have bottled some up). Plus, "Hounds" established that the camera "sees" what the drugged characters see, so in "Reichenbach" we would have seen Sherlock committing suicide, because that's what John saw.
- Or, alternately...
- It seems much more Moriarty's style, not getting his hands dirty, letting the drug do the work, much more high-risk, but much more fun, to screw with Sherlock and John.
- The whole story-teller-Moriarty-cab-scene seems nightmarish, but its not just that, at the end and the beginning, the movements Moriarty makes (During the glitchy patches) are oddly similar to the one Sherlock hallucinates him doing during Baskerville.
- Moriarty wasn't even driving the cab, Sherlock imagined that too.
- Not only were cameras hidden in Baker street, so was the H.O.U.N.D drug, hidden everywhere that it might be admitted into Sherlock and Johns blood stream.
- It's even possible that the entire roof-top scene was hallucinated by Sherlock (We've already seen that the drug can drive people insane) causing him to go bat-shit and throw himself off Barts.
- That's why on John's blog, there's no mention of Moriarty's body, because Moriarty wasn't even there.
- John Hallucinated the call about Mrs Hudson being shot as well.
First, Moriarty had a body-double made of Sherlock. He was the one to kidnap the kids—that's why the girl started screaming when he came in, because he looks like the guy who kidnapped her.
Sherlock figured this out, tracked down the double, and killed him. He had Molly bloody him up to look like he just fell from a building (or did it himself), fitted him out with his clothes, and put him in the dumpster under the building.
When he jumped, it was into the dumpster (where there's something soft), tossed out the bloodied body-double, and then let things take their course.
Another component of this (that I didn't agree with) involved the Baskerville gas, which John was sprayed with by the biker. Which is why he was disoriented. I just didn't see any gas being sprayed, or a hint at it, so I didn't think that was likely.
- I would love this to be true, just so that I could see Benedict playing two characters in the same scene, a la the Doctor in The Almost People.
- This also means that, in the Sherlock continuity, Cumberbatch's final resting place is a grave marked Sherlock Holmes.
It's a crazy idea I know, but this is WMG...... Mycroft not only gave Moriarty all the information he needed on Sherlock, he LET HIM OUT. While apparently believing that he has the key to any electronic system, which given his other abilities, resistance to all Mycroft's interrogation methods, and evil nature makes him the most dangerous person in the world.
So perhaps Mycroft did break Moriarty, and got Moriarty not only working for him, but fanatically loyal. Together, they brought down Sherlock. Throughout "The Reichenbach Fall", someone is manipulating people through computers (the jury and the vault guards). The episode would suggest that it's Moriarty, but it could just as easily be Mycroft. Mycroft probably has the power to do all these things, with his security clearance as "the key that opens all doors".
But why would Mycroft bring down his own brother? It's hinted in Watson's chats with Mycroft that there is something between Sherlock and Mycroft, a long-running sibling rivalry. Perhaps there is a lot more to it than simply stealing one another's toys; they are both very unusual, intelligent people without many morals, and might have done some very nasty things to one another.
Sherlock is not in on the plot, and in faking his own death has outsmarted both Moriarty (terminally) and Mycroft. The result of this WMG is that Mycroft, not Moriarty, is going to become Sherlock's nemesis in the next series, because after all he needs a new one.
- More likely than you'd think. After all, since Mycroft practically runs the British Government, he's certainly powerful enough to shut down the paper-thin investigation against his brother and fire a certain biased pair of police officers if he wanted to. Something stinks.
Mycroft has Jim in some creepy torture dungeon somewhere, trying to get information from him (this we can assume from flashbacks and the ending of the previous ep). They are clearly willing to use illegal methods here, but what they really want is for Jim to give them the info necessary to legally put him away for good. Mycroft has multiple private sessions with Jim where he trades info on Sherlock for info on Jim himself - but "only a little" (as explained in the ep). Mycroft doesn't want "only a little", he wants everything he needs on Jim. So, during these sessions, he uses his Sherlock Scan (we know he can do this from A Study in Pink) to build a psychological profile of the kind of man Jim is. Once he's got this profile, he talks with Sherlock in secret (while John is away shopping or something, I don't know) and they come up with a plan. Mycroft releases Jim (seen at the end of Hounds of Baskerville) knowing that Jim will go to Sherlock. Sherlock tricks Jim into feeling powerful and in control by deliberately making bad and occasionally OOC decisions (he talks about the little boy's kidnapping as if he was actually present, he gets in the first cab he sees despite knowing he's got men after him etc - this last is even something he orders Watson not to do in the books, which Moffat will know). He also finds the pocket-sized camera in his apartment and, for all we know, purloins it and finds a way to rig it wirelessly to a computer which Mycroft is monitoring somewhere. Then he lures Jim to the roof of St Bart's - a position deliberately chosen to make Jim feel even more powerful because it allows him to do the whole forced-suicide thing easily. While on the roof, in another OOC moment, he manipulates Jim into explaining everything, rather than his usual work-it-out-myself-and-tell-no-one-til-I-decide-I-want-to shtick. For all we know, he had planted that secret camera somewhere, and is tricking Jim into the villain monologue as an Engineered Public Confession - only not yet public; only Mycroft and anyone else on the other end of the camera connection see it. Then he manipulates Jim into suicide (or at least faking suicide. I mean, y'know, this is Jim Moriarty) and, as several theories above suggest, he leaps from the roof into the laundry truck below, jumping out while John is distracted by a cyclist (possibly also in on it) and faking death with fake blood, good acting and a rubber ball jammed in his arm to cut off his pulse (we saw him play with such a ball earlier, see several theories above). Some paramedics - also in on the gambit - cart him off to be declared dead by Molly (whom Sherlock has convinced to also become a part of the conspiracy - hence his "what I need is you" line) and identified by Mycroft (who is his next of kin after all). Sherlock remains "dead" for as long as it takes to convince Moriarty's men, thus avoiding any revenge-kills on their part. In fact, he and Mycroft possibly use this period of uncertainty among Jim's men to their advantage by tearing apart the network now that its queen bee has eaten his gun. Meanwhile, after a suitable amount of time that won't arouse suspicions as to how it happened so fast, Mycroft releases the video of Jim on the roof explaining how evil he was, and suddenly the public now loves Sherlock Holmes again. Jim's on-tape confession clears up any mucky loose ends surrounding his crimes and subsequent death. As far as the public and probably Mycroft's superiors are concerned, everything was legal and above-board, if unconventional. Sherlock Holmes reveals himself to be still alive, his suicide having been just one more part of the deception to bring down the now posthumously-reviled Jim Moriarty. Congratulations all round, Sherlock goes home to John and Mrs Hudson, Mycroft returns to the Diogenes Club safe in the knowledge that, with his brother's help, he pulled off the most complex sting operation of his career.
- Holy crap, yes. (With the possible exception of Jim's suicide which I'm not sure Sherlock saw coming) but apart from that, holy crap, yes. This. This explains all. This had better be canon.
- Adding to the above, Sherlock's "whole life story" is full of lies. Mycroft didn't give him real info on Sherlock. He made a lot of it up, which will mean that the Sun will have a lot of explaining to do after it's found that their expose on the "Fake Genius" couldn't even get his easily-checked details right. Another step in clearing Sherlock's name in season 3...
- Look at the part where Mycroft tells John "I'm sorry... tell him, would you?" Now think of that line in a totally different context. John's just torn strips off Mycroft for what he perceived to be his betraying Sherlock to Moriarty. If the above Batman Gambit is true (and it seems likely) Mycroft never did any such thing, or at least, if he did so, it was with Sherlock's full knowledge and assent. "I'm sorry" sounds genuine; but Mycroft may not mean "I'm sorry for selling my little brother down the river", but "I'm sorry for my part in what you're about to suffer, John."
When Sherlock sets up the meeting at the hospital roof, he originally intends to: 1) let Moriarty explain his plan, 2) then kill Moriarty, and 3) fake his suicide. Sherlock wants Moriarty to explain his plan, because he guesses Moriarty probably is gonna threaten his friends in order to make sure Sherlock does what he wants, so he needs to make sure his friends are safe before getting rid of Moriarty. His original plan is simply just to kill Moriarty, and then fake his suicide, then start a new life under a new identity. To the public, it would just seem like Sherlock the impostor murdered the actor who blew his cover, then killed himself out of guilt. This would allow Sherlock to get rid of his arch enemy and still walk away scot free. (That’s why he does the ”I’m at the side of angels, but I’m no angel myself” speech; an angel wouldn’t have planned on murdering Moriarty.) However, while he’s at the roof with Moriarty, he finally figures out what Moriarty’s ”final problem” is: stayin’ alive. To Moriarty, life is so boring that the kind of games he plays with Sherlock is the only thing that keeps him going. When Sherlock realizes this, he figures out that he can actually make Moriarty kill himself, if he can convince Moriarty it’s the only way to win the game. He manages to pull that off. (Some theories, like the WMG above, suggest that getting Moriarty to kill himself was part of Sherlock’s plan from the get-go, but I’d say that is taking Batman Gambit too far; even Sherlock couldn’t have predicted things that well.) Now, with Moriarty dead and knowing his friends are safe, Sherlock can fake his suicide.
The mechanics of how Sherlock fakes his death are not important, though it seems likely that Molly and the biker who runs down Watson are part of his plan. It also seems likely that Mycroft is involved. Presumably Sherlock contacts Mycroft at some point and offers him this deal: I will get rid of Moriarty for you, if you help me fake my death and set me up with a new identity. With the sort of power and influence Mycroft has, this would be easy to do. So, in the end Sherlock’s plan works just like he wanted to: Moriarty is dead, neither Moriarty’s men nor any other foe of Sherlock will threaten the lives of his friends anymore, and he is free of public scrutiny. Presumably he still plans to continue his detective work (how could he not?), but in another part of the country – maybe even another country altogether – where no one knows him, and under a different identity.
The reason Sherlock can't reveal the truth to Watson even after he's successfully pulled off the fake suicide is that he fears Watson will then come looking for him, which would both blow his cover and put Watson to risk again, if any of his enemies wants to get to Sherlock through Watson. He did tell the truth to Molly and (probably) Mycroft, but that's he because he needed them to fake his death, and because he doesn't think they will be in danger. Because of the way he's treated Molly in the past, Sherlock assumes no one will think she is close to him; this is kind of confirmed when Molly isn't among the friends of Sherlock that Moriarty threatens to kill. As for Mycroft, well, a man in in his position can take care of himself, so Sherlock isn't worried about him. Also, because of their estranged relationship, Mycroft isn't very likely to seek him out after his identity switch.
- There was a truck full of plastic bags driving away just after he landed...
- O could also mean (Number) One Man, but it still leaves the U in doubt. Flipped the other way (and still a big stretch) O could be Owner or Occupier, and U could be Understudy.
- O means One Friend (as Sherlock said it in Ho B), and the U means Una (as is the actress who plays Mrs. Hudson, Una Stubbs). Bonus is that una is the feminine form of the number one in Spanish. Therefore we have the three "ones" in Sherlock's life: the "one" Inspector that could stand him (I), the "one" friend (O), and the "one" person that is a motherlyish figure in both Sherlock's onscreen and Benedict Cumberbatch's off-screen life (U).
This first came through as just being symbolic, but it's still worth suspecting that this could be a plot point; during Moriarty's heist in the beginning of The Reichenbach Fall, every single target shows someone with a cup of tea but no shot of them drinking it. (The banker might have just started to take a sip.) When Moriarty visits 221B, Sherlock makes tea. Sherlock, who wouldn't leave the house to buy milk or reach into his jacket pocket to answer his phone. He wouldn't make tea unless he had a reason. And when Moriarty arrives, he takes two sips while Sherlock simply rests his mouth on the cup. You can tell Moriarty did drink some tea when he taps his fingers on the arm of the chair, and the cup is a little less full.
It went something like this: Moriarty happened upon a struggling actor named Richard Brooke who bore a striking resemblance to him. Moriarty kept tabs on him for a while, letting the man build up his acting credentials. Then, when he needed him, Moriarty killed the actor and assumed his identity to destroy Sherlock. That is how Moriarty obtained such thorough acting records. He didn't forge them or have an acting career; he stole a man's identity. The man's name being Richard Brooke was just an added bonus, or alternatively, Moriarty stole his identity and set up the Reichenbach case just For the Lulz.
Even a criminal genius like Moriarty would struggle to suddenly create a false persona that was actually a popular and well-acclaimed children's TV presenter and actor who appeared suddenly out of nowhere; establishing a successful acting career takes a lot of time and effort. And in the original stories, Moriarty's criminal pursuits were actually the secret life of a man who, to the public, was nothing more than a well-respected and admired academic; even members of the police struggled to believe Holmes' theories that Moriarty was the criminal mastermind behind crime in London. The man we know as Moriarty is simply living a double life; in public view he's Richard Brooke, respected actor, in the shadows he's Jim Moriarty, consulting criminal. Moriarty didn't have to steal any identity or threaten anyone at all, because Richard Brooke is who he really is.
- "There is a toxin refined from the nectar of the rhododendron ponticum. It's quite infamous in the region of Turkey, bordering the Black Sea, for its ability to induce an apparently mortal paralysis."
There were four assassins who had moved into flats around Baker Street, two of them were shot. This leaves two alive, which means that either this is a case of Writers Cannot Do Math, or Moriarty decided to bring in his best man on the job.
Two important themes were introduced in the very first episode (A Study in Pink) and carried throughout the series: (1) boredom/stimulation as a motivator and (2) love as a motivator. The first has been most obvious in many ways, but for the second, recall that Sherlock utters the line "Bitterness is a paralytic; love is a much more vicious motivator." It is clear that Moriarty's "attraction" to (obsession with) Sherlock stems in part from his boredom with life and all of the "ordinaries" around him and even loneliness: he wants stimulation from an intellectual equal. His games with Sherlock provide some of this. But I speculate that Moriarty is also motivated by love as well.
Regarding (1), when Sherlock figures out that there is a code to call off the assassins, it is pleasing to Moriarty because it means he still has an equal, someone to play games with at his level. This can explain his "Thank You" exclamation just before he shoots himself. But that doesn't seem to be all that's going on there. Why : the suicide? I personally don't believe it was Moriarty's only move given the information we have, unless Sherlock has some more leverage over him that we are meant to figure out. So, back to the fact that Moriarty needs the game as stimulation to make staying alive bearable. Sherlock has just proven himself as a worthy opponent again, hardly a reason to give up... unless the leverage is so good that suicide really is his only move.
So consider: why would Moriarty threaten Sherlock at the end of The Great Game and tell him to stop meddling (even deciding that he can't be allowed to continue and to kill him at that point straight away), when meddling is exactly what he wants him to do at many levels (both to further his revenge plans and to make the game fun)?? I think instead, this threat at that point is about the second theme, love. Sherlock is meddling with something or someone that Moriarty loves more than the stimulation of the game. And here is where my guessing gets really wild: I suspect that someone is Molly.
If so, then this would explain why Moriarty threatens all of Sherlock's friends but Molly. And I believe it is what Sherlock ultimately figures out on the roof — not that he can use a threat of violence to get the code from Moriarty, but that he can hurt Moriarty by using Molly somehow. So I speculate that there is a double meaning to the "You're me!" quote that Moriarty also exclaims just before shooting himself. Sherlock is willing to use Moriarty's love for another against him, just as Moriarty was willing to do to Sherlock (via John). The line, "I may be on the side of angels, but don't think for a second that I am one of them," is meant to signal to Moriarty (whether true or not) that Sherlock shares his contempt for "ordinaries" and is willing to do anything to win the game. This probably does not include hurting Molly directly (especially since I think he still needs her help), but there are other ways that the Jim's love could be used as a weapon against him here.
In this theory, Sherlock may have known about Jim's love for Molly prior to the rooftop scene (although it is not necessary to be consistent). Specifically, if so, it puts the scene with her in the lab in a new light, along with his reply to her question about what he needs as "You". If so, then on the rooftop he just figured out that there was a recall code and then he decided to use Molly as the leverage to get it.
So all of this points to some sort of connection between Molly and Moriarty in the past, perhaps one that Molly was unaware of or forgot about, but not Jim.
In an odd way, a character like this might actually turn out to be more dangerous than Moriarty, since, though he could never match Moriarty's ruthlessness or smarts, he also wouldn't have any of Moriarty's egotism or obsession with proving himself, and he would always take the simplest solution when dealing with people who get in his way. And he sure as hell would never shoot himself just to get the better of someone. Sound like potential Big Bad material to you?
- This seems very likely given the insane amount of trust issues on both sides after the return. Not to mention Moffat saying he wants to explore stories where John gets married. The whole series could revolve around John being married, living away from 221b and the boys struggling to still be friends and solve crimes together while John is trying to balance it out with his new family and Sherlock is jealous of "Mary" note for taking John away. Then, on the final episode, when things finally seem to be sorting themselves out and the three have found how to get on with each other, Mary will be injured or killed in a way that leads John to blame Sherlock.
- Agreed. This is imo most likely folded into the WMG below that has season 3 open with Sherlock interrupting the wedding of John and 'Mary.' And this could also be be utilized in the (highly unlikely, but still possible) event that Moffet, et al, decide to shift the Ho Yay out of subtext and into text. Firstly, John's been messed up by Sherlock's death, but if he has not bottomed out and eaten his sidearm inside the (ACD canon) three years between S2 and S3, it is highly likely that he would be on a steady recovery. Double points for Sherlock's 'death' forcing John to realize that he needs to make his feelings clear to anyone he feels close to ("not letting things go unsaid again.") Sherlock's return would be a kick in the teeth to John's carefully re-built world, and so while John would be overjoyed that Sherlock was alive, it would a) still be a shock b) result in Sherlock getting punched, and c)leave a lot of betrayal and trust issues. Which John would not get over easily. Even IF the sexual attraction is moved into text, this troper thinks it would be wildly OOC for John to abandon a person he married/was on the verge of marrying for the uncertain future with Sherlock. (Or, actually, to cheat on a new bride with him.) (Yes, yes, tons of shipping fangirls would like to believe this. I don't think even Sherlock is arrogant enough to make that assumption. he's learned that he can't get John to abandon Queen & country for him, for example.) I do think it is very likely that Sherlock, being, well, Sherlock, would alienate 'Mary' almost immediately, only to spend the rest of the season between trying to suck up to her and maintain a deepening relationship with John.
- Be ready, though: if they do take the route with John's marriage, it's also pretty likely that John will have to cope with his wife's death at some point. In the books, the marriage with Mary Morstan was introduced because Doyle knew that it would be the perfect happy ending to The Sign of the Four, but Mary was essentially dropped when Holmes made the transition from novels to short stories, since Doyle thought it would be too hard to continue the mysteries with Watson as a married man. Readers only got an offhand remark in a much later story to let them know that Mary died sometime after the events of The Sign of the Four. As much as I hate to say this, a future fridge-stuffing seems likely.
This will be how he comes back. When the priest asks if anyone has any objections, Sherlock will burst in and grab John because they need to go off and solve a crime. (Catch Sebastian Moran?)Sherlock's been ruining John's relationships all this time, might as well go all the way
- Are you me? Because I was seriously planning to add this before I saw that someone had beat me to it.
He'll be bringing down Moriarty's network. Probably hunting them down and killing them before squeezing them for information. We already knew as early as A Study in Pink how ruthless he can be with his enemies. To the police, it would likely look like a new serial killer is on the loose. A further reason is Dramatic Irony - in bringing down Moriarty & Co., he'll become more like them. Throughout the series, "What if Sherlock Holmes started killing people?" has consistently been posed as an issue, culminating in the blunt "I may be on the side of the angels, but don't think for one second that I am one of them." Even more compellingly, there's the matter of characterisation. By the end of Reichenbach, Sherlock has finally become A Good Man - so logically, the only way to head after that is down. In short: We've explored his good side, now it's time to explore his dark side.
- I think this is close to a really good guess - particularly if you take the plot of Doyle's the Adventure of the Empty House into account. My spin on this is - Sherlock is allowing the news to get out he is a fraud and is faking his death so he can usurp Jim Moriarty's position (after all he will be accredited for being the man behind Moriarty's criminal consulting). He will use it to root out the assasins network Moriarty has built up. In fact Sherlock needs to because so long as even one of Moriarty's henchmen is alive and free, Watson, Lestrade and Mrs Hudson (and maybe the rest of his friends) will never be safe.
- "The Empty House," "The Blue Carbuncle," and "The Valley of Fear."
- "Silver Blaze," "The Blue Carbuncle," and "The Devil's Foot."
- If so he will likely be pressured to leave the force over it, which raises some possibilities.
- The minisode shows the above happening to Anderson, of all people.
Sherlock was not only John's best friend, but also a way for him to stop being bored. Because he was discharged from the army due to injury, John might end up in Afghanistan or Iraq as an advisor or desk jockey as opposed to an active soldier, but because the limp was psychosomatic, you never know. And so the third season will involve Sherlock showing up in the Middle East to save John and his unit from an IED - or John saves a disguised Sherlock from a similar fate. Alternatively, Mycroft will recall John back to England.
- There really IS a brief click which may or may not be him sliding his phone open. Well spotted, good sir/madam.
- Right idea, wrong execution. He sent a message to Mycroft, not Molly, and only after Moriarty blew his brains out.
- He'll faint first though. It'd be a good way for them to show how much of a shock it is for John as well as a Mythology Gag.
Sherlock Hello, John.John *thud*Sherlock John?- Frankly it would be even more funny if the encounter inverted the book as described above; rather than John fainting, he punches Sherlock out cold, and then has to revive him.
- John won't faint: Lestrade will.
- And John won't punch Sherlock out: Mrs Hudson will.
- In a twist from the canon, Sherlock never told Mycroft he was alive (he only needed Molly). On meeting him Mycroft Holmes will faint, making for one of the most memorable moments in British history (and British television).
- Correct! John is extremely unhappy and at points, chokes him, punches him and HEADBUTTS him.

- Except it was implied that John saw Sherlock toss his phone away, hence why he stopped talking to him on his mobile and called out; "SHERLOCK!" Theory could still work though if no phone was found on the roof.
- John called out to him because, just prior to throwing the phone back, Sherlock hung up on him. He was too far away to have effectively seen what Sherlock did with the phone, though he may have seen the (reasonably subtle) arm movement. That Sherlock made the effort to quite gently throw the phone behind him may also imply that he wanted it to be recovered by an accomplice (Molly?) at some point in the ensuing post-jump drama. It's unlikely that Sherlock uses his phone simply to text and call- he probably has important information on there that he wanted to keep.
Because TPTB are evil, and know canon inside out. They've set us up for an emotional reunion - or a faint - so that's what we won't get.
And Moffat has already said “He and Holmes don’t always live together and I think that’s become a lazy way of doing Sherlock Holmes – they always live together. They didn’t actually and why would they? Nobody flat-shares forever, so there’s loads of details we can get in there.”
But I quite like the notion "Anthea" will turn out to be Mary.
- There were signs the pain had returned at the end of the last series. This is almost certainly true.
- Alternately, he uses the cane, but doesn't actually need it. Instead, it makes him look like less of a threat to assassins, and is also a handy weapon that's not illegal. (It's implied that he's not, strictly speaking, supposed to have that gun.)
Alternatively,
- Correct! That is in fact why he's spent two years absent.
- Possible, but it seems unlikely. The incident is alluded to in that the finale of "The Empty Hearse" takes place at a Tube station that never actually opened, named Sumatra Road.
- Not to mention that we know that Sebastian Moran has to show up, in some form or another, since we know that the first episode will take some inspiration from "The Empty House". "The Boscombe Valley Mystery" includes a brief appearance by a random woman named Patience Moran—which would also be the kind of Mythology Gag that Moffat and Gatiss would slip in. Maybe they'll combine the plots of both stories, or just combine both characters to make this version of Moran a woman.
- Or, they'll combine three different characters: John, meet Mary Moran.
- Details of her death will be briefly mentioned in the show itself ("Overdose" etc) but will be expanded on with greater tragic detail in John's blog.
- Mary Morstan seems to be a bit obvious, but think about it- she is just about the only actress who could make the Johnlock shippers reconsider their OTP- or at least, accept the idea of John in a serious relationship with someone other than Sherlock.
- As of now, it's been confirmed that the second episode of Series 3 will be called "The Sign of Three" (an obvious reference to "The Sign of Four", where Mary was introduced). Confirmed that she's playing Mary.
- Harry Watson would be a surprising twist, to say the least. Might be combined with the above WMG for a serious Tear Jerker.
- A gender-flipped Sebastian Moran. (See the earlier WMG about the character being combined with Patience Moran from "The Boscome Valley Mystery."
- Sadly, no.
- Or 2014. The first series of Sherlock took place in 2010 when the show first aired. Series two, by the end of the first episode, was set in 2011, one year behind real life.
- Actually, the dates are kept ambiguous in the show, but this blog post
states that "A Scandal in Belgravia" took place in late 2011/early 2012 (so most of Series 2 was already set in the near future at the time of airing.)
- Actually, the dates are kept ambiguous in the show, but this blog post
Instead of Moran's reappearance heralding Holmes' return (like in the original stories), Sherlock's return will begin with him abandoning the identity of Moran and reassuming his old identity. This would provide a clever way of playing around with theories about how Holmes spent those three years faking his death in Europe (a popular Sherlockian past-time, as Moffat and Gattiss can attest), as well as putting a darker spin on the question of how faking his death affected him. And it would bring a hell of a lot of tension into Sherlock and John's relationship.
It would be such a good nod to the original Empty House.
At Comic-Con, Benedict hinted in his epically Troll-ish video that he was playing a second character. Sarcastic Confession, anyone?
- It could also involve Mary dying.
- Interestingly, either Sherlock doesn't scan him, or we don't see his scan of him and he chooses not to voice it. Either way, it's odd.
- Well, she did lie about liking the moustache. Maybe the lie ties into how she's been supportive for John and his post-Reichenbach depression that she's hiding something so he's not worrying about her.
- Additional evidence in favor of this WMG as of The Sign of Three:
- Mary is an orphan.
- Mary got both John and Sherlock out of the house for a significant period of time, and people have already pointed out that the cinematography in that scene (warning: Serious crazy-ass Unintentional Uncanny Valley in the picture) gives her devil horns
◊.
- Mary gets a telegram at her wedding from someone named "CAM" that says "Wish your family could have seen this."
- I Knew It!. I fucking knew it. Confirmed.
Additionally,
- There's a lot of mystery about Mary and her background, and though she's absolutely lovely as a character, something has to come up.
- Now that it's been revealed Mary's pregnant the cliffhanger involving her death would be even more heartbreaking.
- Along those same lines, the "watching Sherlock get beaten to a pulp" thing will come back - but Mycroft will intervene this time.


- More evidence of this in "The Sign of Three." Twice Sherlock seems surprised by some of his deductions, either saying more than he meant to say or not getting as much as he expected, and admits a few times that he doesn't understand something about the cases he's talking about. He also has to slap himself to make focus without getting overwhelmed by the number of people in the room. If not PTSD, there is something wrong.
- Also in "The Sign of Three": Sherlock seems to be suffering the same symptoms as John.
Of course, Sherlock's only show up in stressful situations, so it really could be PTSD this time.
- Also in "The Sign of Three": Sherlock seems to be suffering the same symptoms as John.
She's not just Mary Morstan—there seem to be recognizable elements of the Canon's Elsie Cubbitt in her scenes in "The Empty Hearse". Could the bare bones of "The Dancing Men" actually be running throughout Season 3 and tie in with good ole Charles Augustus at the end?
- Well, yes, but she's more of a composite of Mary and Sebastian Moran- sharpshooter, Empty House, etc.
Lestrade: Phil, that's just your sofa.
- When Sherlock disappears, Anderson doesn't ask him where he's gone, but instead seems frustrated with himself, suggesting that he has possibly hallucinated before.
- In Episode 3, Anderson is apparently working for Mycroft so he's at least sane enough to hold down a proper job.
- CAM is how Charles Augustus Milverton, Magnussen's literary counterpart, signed blackmail messages.
- And his middle name will be Sherlock.
- Jossed- a girl named Rosie.
Magnussen is able to get to Sherlock via Mary, because John, like Molly, is not allowed to be successful in love. As noted above, one of the telegrams she receives at the wedding is from CAM - how Magnussen's counterpart signs off letters in the original Conan Doyle - and made reference to her absent family, which noticeably scared her. This is presumably the source of threat or blackmail he's holding over her. We already know that Mary is a liar, both via Sherlock's scan and her pretending to like the moustache. We also know she has a secret tattoo, so some kind of gang involvement or prison history isn't out of the question either. The most obvious suggestion is that they're hostages, but it would probably be something more subtle like offering information on how to track them down, or who killed them. Or for bonus crack, she killed them, though probably for good reason, and that's how he's blackmailing her. (It's not guaranteed that they're dead, though. Death doesn't stick so much around here.) The real purpose of trapping John in the bonfire was to reinforce Magnussen's threat to Mary, which is also why she was texted with the clues and not Sherlock. Presumably Sherlock's intervention was all part of the plan, or a lucky bonus. Note that when Magnussen was watching the rescue replay, the camera focused on Sherlock, but the audio repeated Mary's distressed cry of John's name, so he could have been focused on either of them.
And finally, I'm going to assume Redbeard is the scary story of some evil criminal that Magnussen is threatening to set on the Watsons if Sherlock doesn't leave. Mycroft may or may not have been trying to warn him. Naturally he will enter the next season protecting them from afar. Alternatively, he re-fakes his death. Because he's a drama queen. Either way, once again we have a frustrating conclusion (as promised) in which Sherlock's gone and John doesn't truly know what's happened to him. If this all goes down as above, there will be strain on his relationship with Mary but they'll probably survive. Sherlock will reappear after a convenient time gap for Baby Watson to be a plot-helpful age (whatever Moff deems this to be.)
- It's possible. Word of God was that Sherlock was going to regress some character development-wise during his travels, implying he would return more to his tactless, uncaring self from the earlier episodes. Arguably, Sherlock returned much nicer than before (his interactions with with his parents and Molly in The Empty Hearse come to mind). But it's not Lying Creator if Sherlock was on drugs the whole time.
- Possibly, but John and Mary do in fact seem happy with the revelation once they get over the initial shock. Given that the Watsons are a little on the older side for newlyweds, this tropette's headcanon is that they didn't want to waste any time in the face of a ticking biological clock, so they started trying, or at least ditched the birth control, prior to the wedding, anticipating that it might take a couple years before they had any luck. Their surprised reaction was not in the fact that they conceived, but in that they weren't expecting it to happen so quickly.
Now, in The Sign of Three, we learn that Sherlock gets drunk quite easily, and that he tends to forget stuff that's happened to him while inebriated. Maybe both Sherlock and Mary were so drunk when they did it that they can't remember how far exactly did they go... So they decide to forget about the whole affair, and to keep it a secret from John, so he wouldn't be hurt. However, Sherlock still has some subconscious memories of them having unprotected sex, which is why he is scanning Mary for signs of pregnancy, and figures out she's pregnant before she herself does.
In The Empty Hearse we see that the Big Bad of this season is spying on Sherlock via hidden cameras. So it's probable he also managed to film Mary and Sherlock having sex. He will use that film to blackmail Sherlock to do what he wants, otherwise he'll send it to Watson. The cliffhanger at the end of this series will then be John finding out about Sherlock and Mary.
- Ummmm, no.
- No no no no.
- no no no no thank you
- No no no no.
- Okay, the cliffhanger didn't happen as predicted here, but in "His Last Vow" Sherlock does suggest that John and Mary should name the baby after him (even though it's a girl). Could it be he has subconsciuosly (or even consciously) figured out the baby is his?
- This... this is a joke WMG, right? Right?
- this is like the worst thing ive ever heard
We know that these two men will literally kill for each other, but unlike John, who shot at the absolute last second (and managed not to get caught), Sherlock is a planner. If he did get caught — or let himself be caught — no-one could deny premeditation. The cliffhanger will be Holmes being placed under arrest.
Note of spoilery interest: the UK magazine Radio Times maintained that the audience will be torn between sniffling and cheering. Having the baddie dead, but Sherlock vanished or imprisoned, would appear to tick those boxes.
- Alternatively, Sherlock and John will break in to Charles Augustus Milverton's house like they did in the book but the person they witness come in and murder him will be Mary.
- ...That would make even more sense, especially if Sherlock then takes the fall for Mary and claims responsibility.
- Disgusting. Admittedly cool, but... UGH. And you think those nice cuddly parents could produce someone as nauseating as Magnussen?
- I don't know. But think about it, Mycroft and Sherlock are pretty cavalier about people's feelings, including their loved ones. But why else would Mycroft turn a blind eye to someone like Magnussen?
- But Sherlock DIDN'T... and for the same reason (that Magnussen persecuted those who were different) that Mycroft would potentially have. Whatever, I'm the same poster as above who thought it was disgusting, so... if you're right I'll buy you a Slurpee :).
- He could've changed his identity or something. But it just keeps nagging me that Mycroft didn't do anything about Magnussen, it was just so out of character for him, there has to be a reason.
- Unlikely. For one, CAM isn't British. It's mentioned several times throughout the episode, and is one of his favorite taunts when bullying Sherlock and John. Second, Mycroft IS the British government. He knows how it works and what constitutes a valid threat to it. It's entirely possible that he had a "gentleman's agreement" with CAM that certain people were off limits. Given Mycroft's well-known lazyness, it's very much in character for him to refuse to expend the effort of bringing CAM down as long as CAM didn't step out of bounds. Finally, Mycroft's shock at Sherlock shooting CAM is only natural: he just watched his baby brother commit murder in front of countless witnesses. Mycroft knows what that likely means, and had not too long ago mentioned to Sherlock that he truly did care about him.
- I don't know. But think about it, Mycroft and Sherlock are pretty cavalier about people's feelings, including their loved ones. But why else would Mycroft turn a blind eye to someone like Magnussen?
And everyone who knows what she’s done is absolutely convinced that John Watson, despite being a military veteran who has spent a large portion of his civilian life since dealing with some fairly edgy dealings (in which he has shot and killed at least one person in cold blood), will be so completely horrified by what she’s done that he will never be able to forgive her. If she was a run-of-the-mill assassin, either for money or for a Western government, it seems unlikely she’d cross John’s threshold for unforgivable.
The South African government, on the other hand, was notorious for it’s death squads, and their shocking actions. If she got her start participating in that, it could easily be more than the Power of Love could overcome.
- I believe Magnusson's "file" on her specifically said "CIA".
- A fascination with languages and problem-solving: Mummy is a physicist, and Sherlock is a crime-solving graduate chemist who corrects criminals' grammar.
- Tendency to use complicated and emphatic words:
- "I shall turn absolutely monstrous."
- For Sherlock, so many, but let's just cite his best man's speech. "If I burden myself with a little help mate during my adventures it is not out of sentiment or caprice, it is that he has many fine qualities of his own that he has overlooked in his obsession with me. Indeed any reputation I have for mental acuity and sharpness comes in truth from the extraordinary contrast John so selflessly provides."
- Socializing problems:
- Sherlock states that his mother understands very little about her children. Perhaps she seems emotionally distant to them because she cannot communicate effectively with them?
- Everybody's favorite consulting detective has a host of problems of his own.
- Specialization in one area:
- Daddy Holmes said his wife was "a genius" but "daft". He could've meant that she's an excellent physicist but sucks in everyday life.
- Sherlock being a Bunny-Ears Lawyer and deleting things out of his hard drive.
- Self-stimulatory behavior:
- Unclear for Mummy - not enough screentime.
- Oh, Sherlock stims plenty in the series. Twiddling, twirling, flapping his hands wildly... It gets worse when he panics or is deprived of external stimulation (cases or chemicals).
- Literal thinking and trouble with abstract concepts: Sherlock knows that Jennifer Wilson was a serial adulterer but John had to explain to him what a date meant.
- From John and Mary's exchange, it sounds like Harry was invited said she wanted to come but is now so disorganized due to her addiction that John never seriously expected she'd actually make it on the day.
- Since Redbeard is revealed to be Sherlock's childhood friend and not a dog, this is jossed.
- Moran's character in TEH seemed like a bit of a throwaway villain, whereas in the books he was Moriarty's right-hand man. The writers were misleading us by giving him that name, when the role was intended for another character.
- In the canonical story, Holmes lures Moran into the titular empty house, and tricks him with a dummy. In His Last Vow, Sherlock similarly lures Mary into an empty house and tricks her with use of a 'dummy' which is actually John.
- Further to this: Maybe Lord Moran is her father. Maybe "Moran" is the place he's lord of, and his real surname is Augustus (the name of Moran's father in canon). Maybe Mary's real name is something like "Amanda G. R. Augustus".
- Maybe Mary was actually John's would-be assassin. Of all the medical practices in London, a ex-assassin would just apply at John's to become a nurse right at the time when a certain consulting criminal sent an assassin after him. What a coincident. Jim is definitely the type to play with his food before eating it, and CAM did mention that she had gone a bit freelance...
- Fridge Brilliance/Horror: How did they meet? To paraphrase Rick Blaine, "of all the girls in all the cities in all the world... John had to marry a CIA killer?" Really, Mary initiated it- she was his designated sniper, but in order to do it effectively she researched him and his habits and started to keep an eye on him. She started to like him and, after not shooting him, arranged some way to meet him.
- Which could mean that either a) she wouldn't actually have killed John anyway after Moriarty killed himself, no matter whether Sherlock would have killed himself or not or b) she would have, even though she liked him. Choice b) would indicate that however much Mary was the best thing that happened to John, John was also the best thing that happened to Mary, helping to humanize her to the extent that in His Last Vow she did whatever she could to avoid having John arrested and was careful that Sherlock shouldn't die from his wound. Now she cared more about people. John just seems to have this effect...
- Correct me if I'm wrong, but wasn't John's designated assassin shown in "The Reichenbach Fall", and wasn't he a man?
- Do you really think that any sane criminal mastermind would put all his eggs in one basket, CAM aside? She could easily be his back-up plan. Besides, there was no indication that Marry actually performed a Heel-Face turn. She did shot Sherlock near his heart, he flat-lined once. If she had wanted to spare Sherlock, she could have easily shot him in the stomach. She was completely prepared to shoot John again during the confrontation scene, thinking he was Sherlock. She did created a distraction to get them out of 221B in The sign of three, possibly to spy on Sherlock. Now, the reason why she didn't just shoot Sherlock in the head may varies. At this point in time, she may not know whether Jim was really dead or not. If Sherlock could faked his death, there was no reason why Jim couldn't. If Jim was alive and she killed Sherlock, he would probably skinned her alive or something equally gruesome. If Jim was really dead and Sherlock miraculously survived, she could easily killed him in the hospital later, while at the same time proving to the police that John wasn't the killer. Either way, she has everything to gain if she spared him. She may care about John but definitely not enough to care about Sherlock - his best friend and the best man at her own wedding, as well. YMMV on this one but she may only love the normalcy that was associated with John and her unborn daughter, not wanting her daughter to have the same fate of an orphan as well.
- There are hints that there were actually 4 assassins: the three magpies we had already noticed and a 4th one in the music piece Moriarty was listening to- "The Thieving Magpie", the 3 I.O.U that were written and the 4th one Moriarty said to Sherlock face to face. All of these point to a 4th assassin, a more special one, Moriarty's ace in the hole.
- On another note, why did the writers use specifically the word "ex-assassin" to describe Mary and not "ex-agent"? To remind us about the assassins that Moriarty sent, of course! Mary's manila folder in CAM's mind palace was also quite similar to the files Mycroft handed to John in TRF.
- Fridge Brilliance/Horror: How did they meet? To paraphrase Rick Blaine, "of all the girls in all the cities in all the world... John had to marry a CIA killer?" Really, Mary initiated it- she was his designated sniper, but in order to do it effectively she researched him and his habits and started to keep an eye on him. She started to like him and, after not shooting him, arranged some way to meet him.
- Think about how perfect Jim's national re-debut's timing was. There was definitely a spy in there who knew about a definitely top-secret mission and Sherlock's departure time. Mary would definitely know about the time, seeing as she was there. There was also the tiny fact that there's a certain word alluded to season 3 the creators told but hadn't happened yet: rat. The little incident in "The Sign of Three" with the horns also supports this theory. At this point, it would be a plot twist if the woman we knew as Mary Morstan WASN'T this universe's Sebastian Moran.
- Specifically, whoever it was in his family that he is implied to have killed that proves that he is not given to familial sentiment.
- As an offshoot of that: there is a third Holmes brother, and that is to whom Mycroft refers.
- PLEASE FOR THE LOVE OF GOD GET TOM HIDDLESTON IN HERE.
- As an offshoot of that: there is a third Holmes brother, and that is to whom Mycroft refers.
- A boyfriend or girlfriend of his who betrayed him. Hence the whole "caring is weakness" thing. Completely random speculation with nothing to back it up.
- The unknown brother, who CAM referred to as M.I.6, was more likely.
- This is someone in his criminal base, possibly Moran, using his name and image to scare people.
- Alternatively, he really is dead, and what's happening now is some form of plan he set up years ago to to happen some amount of time (let's say 3 years) after his last inputting a passport into his computer. I mean if he was alive, surely he'd have prevented the truth about Richard Brooke from coming out.
- Not necessarily. The info about Richard Brooke coming out might be part of his plan. If the guy you know as Richard Brooke suddenly appeared an every TV in London, you'd think it was a publicity stunt (Richard Brooke was given the cover of being an actor after all). It'd be an unethical publicity stunt, but it wouldn't inspire fear. If Moriarty doesn't try to cover up that he really is a criminal mastermind, whether he's still alive or planning it for after his death, then his face will inspire fear, which is the plan.
- It's worth noting that in the original stories, Moriarty has a brother...
- I actually really like the idea of his brother helping out. In the canon, The Empty House was published (according to Watson) in order to confirm what had actually happened in the face of the character defenses brought up by Moriarty's brother after his death. While that sounds a bit more like Reichenbach, I could see them expanding this to having him hold a more central role in the organization.
- It really isn't all that hard to create an animated GIF of a once-famous person's face and create a synthesized voice that sounds like him that only ever says four words. The person behind it may not be of any relation to Moriarty at all, which makes sense, given that Sherlock is quite certain that he has dismantled Moriarty's entire criminal network.
- Yet in his post-credits scene, he seems truly alive...
- The post-credit scene feels more like a Breaking the Fourth Wall type of gag, not something that happens In-Universe. (Though even if it is In-Universe, there's no reason why it couldn't have been shot before Moriarty's death. "Miss me?" is pretty vague, there could be several reasons why there's a tape of Moriarty saying those words.)
- Yet in his post-credits scene, he seems truly alive...
- In the post-credit scene, there was a blink-and-you-miss-it moment when we can see Jim's head slowly turning toward the audience. The quality was horrible and the background couldn't be made out but his suit could be made out. It was the same suit Moriarty wore when he went to 221B to meet with Sherlock in The Reichenbach fall. Keep in mind that in all his appearances, Jim was never shown with the same suit twice, the angle of the camera in the footage was the same as the angle of the camera Sherlock discovered hidden in the bookshelf would have had to Moriarty, seeing as he sat right in front of it - in Sherlock's chair and he did turn his head to look around slowly. It could be safely concluded that this was the same footage. The only people who had access to this were: Sherlock, Mycroft, Mummy Holmes (by default) and maybe Moriarty himself (if alive).
- Even if he's not alive, his body didn't stay on the rooftop after Sherlock's jump. In neither of the two theories shown in Empty Hearse does his body stay on Bart's roof. Something's up there.
- In His Last Vow, after Sherlock was shot, we were shown an imaginary version of Moriarty in Sherlock's mind palace which, in hindsight, made it easier for viewers to believe that Moriarty was actually behind the video. Think for a moment. The only reason why they would need us to believe that Moriarty was really alive is that he really was not! It's a double bluff!
- He was the main villain of the books, the Napoleon of crime. It would make sense if he is one here as well.
- He wasn't really the "main villain", as each Sherlock Holmes story has a different villain. And the whole "Napoleon of crime" thing, the idea that he was the mastermind behind the London criminal underworld, was a retcon done for "The Final Problem": it was supposed to be the final Sherlock Holmes story, so Conan Doyle wanted his final adversary to be evil enough that Holmes would sacrifice his own life in order to stop him. However, the fact is that Moriarty appears only in that one story, dies at the end of it, and never comes back. (He is involved in the plot of "The Valley of Fear", which was written after "The Final Problem" but takes place before it, but he never appears in person in that story, nor is he the principal villain in it.) The idea that Moriarty is the "main" Sherlock antagonist, the one Sherlock keeps fighting with again and again, was popularized by later adaptations, but it isn't there in the original stories.
- Actually no, he was introduced first in The Valley of Fear as the Professor, an unknown criminal mastermind. Coincidently, Mary Morstan was also introduced in the same novel.
- The Valley of Fear
was first published in 1914, while "The Final Problem"
was published in 1893, 21 years earlier. So Moriarty definitely wasn't introduced first in "The Valley of Fear". And in "The Valley of Fear" he is referred by the name Moriarty, he isn't an "unknown criminal mastermind", as Holmes clearly knows who he is. Also, Mary Morstan was introduced in The Sign of Four, not in The Valley of Fear.
- The Valley of Fear
- In The Empty Hearse, John was almost burned alive. Later, we were shown a scene of CAM watching a recording of it. However, there was no guarantee that it was CAM who directly conducted it. He could have easily asked a certain consulting criminal to threaten Sherlock. Jim, being the person he was, took the opportunity to do what he promised Sherlock he would do: to burn the heart out of him. The taunting was certainly in his style, too. CAM taunted people by only his actions while still keeping his wordings polite and cultured. Jim, however, taunted people with both. He was a criminal and not a "businessman" after all, there was no cover to keep.
- We can also safely assumed that the Moriarty video would be subjected to deep analysis by the government, namely Mycroft. His voice could be faked, certainly, but it would certainly be discovered as so. Therefore, it must be made from the real Moriarty's voice.
- Sherlock's mother is a famous mathematician, who has written a book on the dynamics of combustion. This is extremely similar to the back-story of the literary Professor Moriarty, a famous mathematician who wrote a book on the dynamics of an asteroid. She also seems quite protective of her son, as shown by her badgering him to keep in touch more often in The Empty Hearse, and the fact that she actually attempts to get Sherlock and Mycroft to have a normal Christmas together due to Sherlock's fragile state after being shot. She would likely know about the suicide mission Mycroft was going to send Sherlock on, and would do anything to save her son. Could this extend to adopting the persona and methodology of the most dangerous and insane criminal on the planet? Well, if Mycroft and Sherlock get their genius from her, they likely also get the psychopathy as well...
- Or she's just evil. Wouldn't put it past her.
- "Somebody's put a bullet in my boy and if I ever find out who, I shall turn absolutely monstrous." Hyperbole, or foreshadowing a psychotic break and descent into supervillainery?
- Or she's just evil. Wouldn't put it past her.
- Or she just wanted to protect her son and get his revenge for him after she found a certain USB stick in her fireplace...
- Furthermore, she certainly has the skill and the resources to perform a nationwide hacking, what with being Mycroft's mother and a famous mathematician and all...
- It didn't look like it was in serious danger of being incinerated. USB sticks are built to be resilient, espefially ones that contain the whole profile of professional killers. What happens next? That depends on who finds it first...
- Most probably Mummy Holmes and/or her husband, seeing as it was in her fireplace. There's a chance that it contains sugar-coated truth at best or empty at worse, though, seeing as no sane assassin would conveniently keep her whole life story in a USB stick, which could easily get displaced or stolen.
- Amanda Abbington.
- Amanda G. R. Abbington
- Amanda Garnet Ruby Abbington (referencing the Agra Treasure.)
- There's also a theory that the Moriarty sibling is his sister, Janine. Of course, having a female Moriarty was already done on Elementary, but who knows...
- Well yeah, obviously all of the above can apply to a sister just as well as to a brother. As for the sister being Janine, is there any evidence for that? If Janine is a criminal mastermind, why was she working as Magnussen's assistant? Maybe to get something from him, but what? If she's Moriarty's sister and she's as smart as him, she should've figured out Magnussen's "files" only exist in his head, so there's no way of getting them from him.
- Janine clearly has some sort of Dark Secret she doesn't want getting out, otherwise she wouldn't be willing to put up with Magnussen. And both Janine and Jim are Irish. And Moriarty's only named canon sibling was named James, which looks a bit like a less-feminine version of "Janine" if you squint.
- In The Reichenbach Fall, when Moriarty is revealed as the cab driver, he's completely clean-shaven. At most a few hours later, Holmes and Watson encounter him again as 'Richard Brook' - with a growth of stubble far beyond what could plausibly grow in the allotted time.
- "Sorry, boys - I'm sooo changeablllle! It is a weakness with me..."
- One twin loved Sherlock and wanted to keep him alive as long as possible. The other hated him and wanted to kill him as quickly as possible. The one who left the swimming pool loved him, it was the other one who came back a few minutes later.
- It was the one who hated him that committed suicide to ensure Holmes' demise. Now that Holmes is back, the remaining twin's love has turned to hatred far more ferocious than that of the dead twin's.
- One twin loved Sherlock and wanted to keep him alive as long as possible. The other hated him and wanted to kill him as quickly as possible. The one who left the swimming pool loved him, it was the other one who came back a few minutes later.
- Sherlock's dismissive, "It's never twins," in the New Years special could be a foreshadowing of this.
- Sherlock is Mycroft's pressure point. Despite his protests to the contrary, he's fond of his "stupid little brother," even saying at their parents' house that he'd be heartbroken if Sherlock died on that MI6 suicide mission. So, the Moriarty video, which he definitely had access to, was a ruse to get Sherlock off said mission; this is what Lady Smallwood actually authorized, with all involved being intentionally vague about it in the committee meeting. She may have also authorized/recommended a pardon, effective after "Moriarty"'s defeat, as thanks for killing the man responsible for blackmailing her husband to death.
- No particular justification beyond Mycroft's apparently superfluous mention of 'the other one' in 3x03.
- This is almost a given, seeing as hers was one of the reactions we were shown in the end of His Last Vow, giving us a hint that she was now counted as one of Sherlock's friends. Also, she helped Sherlock fake his death and got away with it just because Jim dismissed her. He (if alive) wouldn't make the same mistake twice.
- She was killed off offscreen in ACD canon.
- As an above WMG theorized, Mary might be John's would-be-assassin and her possibly not-so-Heel–Face Turn.
- A baby and a wife would certainly change the relationship between John and Sherlock, which was the main emphasis of the show, and Status Quo Is God.
- After John had married Mary, there are evidences that Sherlock had gone solo again and John had stopped posting about Sherlock, seeing as it was Sherlock, not John, who posted The Sign of Three and that was the man's wedding. If they want to make a 4th and 5th seasons, Mary would need to go. Domestic bliss didn't suit John at all. It also didn't endear him to the legion of slash fangirls who makes up a large part of the show's fans.
- Offscreen romance was usually frowned upon. Amanda Abbington was Martin Freeman's real life partner.
- That and Amanda Abbington had just dyed her hair black recently.
- Mr. Holmes tells Mary that his wife gave up a promising academic career to raise their sons. Mary will do the same - staying at home and raising the Watson baby, leaving John free to solve crimes with Sherlock without interfering in that dynamic.
- And Mary Morstan was such a classical housewife...
- Well, she did leave her assassin life then settled down into married life and, unlike John, was not having PTSD nightmares about the good old days of killing people. She was willing to commit murder to keep her past a secret and, if she and the baby live, someone will need to take care of it. She obviously wanted to leave her past behind her and this would be one way to do it.
- Well, she did tagged along with John to a drug den while she was pregnant at an ungodly hour for her neighbor's kid. So, no. She doesn't seem like the type to just retire like that. Besides, if John just leaves her and the baby at home, it wouldn't be fair for the them. Mary married a caring and responsible John Watson, not a John Watson who leaves her at odd hours to run after the best friend with whom he has a large amount of Ho Yay with. She's his wife. She must know that before he met her, almost everyone around them thought that Sherlock and John had been a couple. She had read his blog, so she would know that before her, Sherlock was the best thing that had happened him. Any sane woman won't stand for that kind of marriage life.
- John tagging along with Sherlock on crime investigations isn't the same thing as abandoning Mary, so I'm not sure how it's not fair to her. If the baby lives, someone will have to take care of it and it's not a ridiculous conclusion that it might be the baby's mother. Why are you arguing so vehemently against this? It's just a theory based off the brief comment Mr. Holmes made to Mary in "HLV" about Mrs. Holmes being a stay-at-home mum.
- I'm against it because were I in Mary's situation, I wouldn't stand for it either. Babies, especially new-born infants, need constant care from both the mother and father. With just the mother's care alone, while it was still possible, it would be unimaginably difficult. Mix that with a dangerous life of crime-fighting and an mostly absent husband and see how well Mary will react.
- And Mary Morstan was such a classical housewife...
- Considering every season so far has ended on a cliffhanger of sorts, this is less a WMG and more of just an analysis of the writing style.
- He could also be an interesting Friendly Enemy with Holmes-they clearly admire each other in the Red Headed League and Holmes compliments Clay on his scheme. Also, Moffat, Gatiss, if you're reading this, DO IT. JUST DO IT. MAKE JOHN CLAY THE BIG BAD. And try to get Matt Smith to play him. Because that would be cool as well.

- Confirmed, sort of: The Victorian Times case took place in Sherlock's Mind Palace it seems.
- So far, there have been at least two mentions of stillborn babies in this series. Rachel in "A Study In Pink" and how Mary acquired her current identity. Since we know that Moffat and Gatiss have planned for years in advance, this could be foreshadowing for their future. Also, considering Mary and John's age, there will naturally be a lot more risk to consider in having a child. Throwing babies into the mix have been known to make or break shows, it's very tricky thing to pull off. Thinking about how hectic it already is, focusing on a newborn (especially when one or both of your main characters will be caught up with it.) doesn't seem to be a very wise decision.
- The Detective and Doctor will answer to Holmes and Watson, being the Victorian era, but in the end, it will be revealed that their first names are not Sherlock and John, and thus, they're their ancestors.
- My guesses are Sherrinford Holmes and James or Ormond Watson.
- There've been several examples in the series so far (especially season 3) that show how much Sherlock means to Mycroft - he is his big brother's pressure point. And while it's been established that Sherlock does care for Mycroft, he's never shown the kind of loyalty that Mycroft has for him. If season 4 does adapt "The Red-Headed League," something the creators have hinted at and have long wanted to do, Mycroft (not as much of a redhead as Gatiss is in real life, but it's there) will be featured prominently, and Sherlock will help him.
- Modern day Watson, even in later seasons, tends to shy away from publicity. But Victorian Watson suddenly shoves (in)famous deer stalker hat at Holmes. Maybe he's trying to get his stories (the record of his adventure together with Holmes) to sell?
- The Season 4 teaser trailer showed constant shots of a hospital, and Sherlock looking quite pale and haggard, as well as what seem to be burns or lesions on his hands. As well as that, Toby Jones is playing "C. Smith", who could very well be Culverton Smith. Culverton was the main villain of "The Adventure of the Dying Detective", where Sherlock apparently caught an incurable disease from Culverton's nephew and was dying from it.
- People have also theorized that it may refer to a city named "Hell". Which was Jossed as of The Lying Detective.


- Jossed. She's a year younger than him.
- It's a prison or a sanitarium. When it became apparent that Eurus was dangerous, she was locked up at Sherrinford to protect people, mainly Sherlock. Mycroft isn't in direct contact with Eurus, but rather her keepers. He's unaware that Eurus has escaped, because someone at the facility is covering for her.
- Confirmed
- After all, people always stop looking after three.
- Because while Mrs. Holmes gave up her career for her sons, someone had to be bringing in enough money to put the boys through what is pretty clearly a prestigious education. It also explains why and how Mycroft occupies such an important role within MI6 - his father gave him an in when he was much younger and had yet to prove himself. Mr. Holmes calls himself "something of a moron", but there's no real evidence he is one. He and Mary bond over being "the sane one", when Mary worked for the CIA as an assassin, also a job where appearing sane and normal is a necessary cover. On the other hand, Mr. Holmes is very much like John in manner and demeanour, making it possible that, like John, he is much smarter and more badass than he first appears, but prefers to present himself to the world as "the sane one" of the family.
- Just wait for it.
- The still alive comment could be a reference to Moriarty's ringtone, "Staying Alive".
- It seems like the precisely the kind of pop culture Sherlock would delight in ignoring, though.
- This makes sense as the puzzles Anonymous left on Sherlock's blog, while still fun, are certainly not of Moriarty calibre. Not to anyone who has Google as their homepage. On the other hand, this could be Moriarty patronising Sherlock with "child's play" games.
- The still alive comment could be a reference to Moriarty's ringtone, "Staying Alive".
Alternatively:
- Alternately, Sherlock could be using nicotine patches to hide injection-marks.
- This could be why John is trying to get him to quit cold turkey at the start of 'Baskerville'. And when John gives in, he doesn't hand Sherlock his nicotine patches, he gives him cigarettes. In 'Belgravia', Sherlock accepting a cigarette from Mycroft was a Big Deal. Maybe because it meant he wasn't going to use the relatively low-dose patches, but (as was suggested in the pilot) start shooting up again.
- This could be an important plot point in an episode for Season 4: If Moran will have to kill Sherlock, John will beg him to remember the fun they had together and not shoot Sherlock. Moran will lower the rifle and hand himself over to the police.
In Belgravia, there's an exchange at Buckingham Palace and an implication at a morgue to suggest that Mycroft, who is significantly older than Sherlock, basically raised Sherlock himself.
In A Study in Pink, Mycroft suggests that Sherlock's attitude "upset Mummy", and tells John that Sherlock is "resentful."
Putting it all together, we might assume a scenario where a very young Sherlock, having his skills of deduction, deduced that his father was having an affair. Being- well- Sherlock, and young, he may have let this be known in a blunt and unsympathetic way (e.g., casually one morning at breakfast.) Exit Dad, Mummy takes it out on Sherlock. (Sherlock's line "it wasn't ME who upset her, Mycroft" seems at first glance to be an accusation that Mycroft upset Mummy; but what he could mean is "I didn't upset Mummy by telling her Dad was having an affair, he upset her BY HAVING ONE.") Anyhow. If Mrs Holmes withdrew from Sherlock either to "punish" him for "ruining her marriage", or in revulsion of his uncanny skills, it's possible that Mycroft then had to step up for his little brother and basically raise him himself. Sherlock may have learned his uncaring nature from Mycroft, and both boys may have used it as a self-defence mechanism. Mycroft's bond with his brother is a protective one, and he understands what it's like to be able to see far too much about people around him but not have much personal experience with human emotions like love. But unlike Sherlock, Mycroft understands the basics of tact and courtesy (mostly) and is able to put his skills to use to advance his career. Sherlock may resent Mycroft's well-meant meddling because he didn't want Mycroft to "be mother", he wanted his mother to be mother. Taking that out on Mycroft, when Mycroft apparently did the best he could, isn't exactly saintly of Sherlock but it adds a new complexity to his character.
And then, of course, there's his relationship with Mrs Hudson. She worries about him; she does his laundry (say so in John's blog), buys his food and cooks for him, tolerates his eccentric living habits and accepts how weird the inside of his head is... and as A Scandal in Belgravia shows, she is a bit of a kindred spirit, conspiring with him, showing herself willing to do anything to protect him no matter what the cost. She is the mother Sherlock never actually had growing up. Puts extra weight to Sherlock barking at Mycroft for insulting the woman he sees as his mother, and warmth to "but do, in fact, shut up." Sherlock feels justified in saying things like that, because he's familiar with her and genuinely does love her, whereas Mycroft saying the same thing is basically just a lack of respect.
- I had thought that that meant he had deduced that his mother had been having the affair.
- That makes little sense of Cumberbatch's "Sherlock finds out that his father is having-" comment in the Great Game commentary. While it hasn't (yet) made it into the series, it can be considered "canon" in the sense that this was a discussion between the actor and the writer/creator, and they were referring to script elements that were cut for timing and not for plot reasons. It doesn't mean that Mummy didn't also have an affair, but there are few things that Cumberbatch's sentence could be ended with and none of them really suggest that it was the mother having the affair.
- Don't forget this helpful quote, from "A Scandal in Belgravia":
Sherlock: And there is a whole childhood in a nutshell.
- They seemed like perfectly normal parents when introduced. His father kind of resembles John actually. Most likely, Sherlock just caught him having a wank at a young age and brought it out in the middle of breakfast conversation or something.
- Interesting that you mention that Sherlock says he gets the flat at a discount. In the original books, John says that he noticed once how much Sherlock was actually paying for his share, and it was a rather large amount. With this reasoning, it may be that on the final bill, Sherlock pays the "discussed discounted amount", and doesn't realize that Mycroft is really paying Mrs.Hudson the difference. That obscene pay to spy on Sherlock might also be why Mrs. Hudson deals with the constant property damage; because She has to spy on Sherlock to get money and she knows that Mycroft will pay for the property damage even if the boys don't.
- Alternatively, he "let her down" by failing to solve a case she was personally connected to somehow.
Many of the characters in the credits are given by their full names, even if it isn't necessary. Dr John Watson? Really? The audience needs the title as well as the first and last name? But when it comes to the man threatening them, it's simply Jim. Not Jim Moriarty, not Professor Moriarty, just Jim.
Second, the story in which Doyle tells us Sherlock has turned down a knighthood? "The Adventure of the Three Garridebs." The fact that Sherlock jokes about it in passing in this episode is quite interesting.
Third, if "Jim" could stand for James when we think he's Moriarty, why couldn't it stand for James in the name James Winter?
Fourth, to those Sherlockians out there, you know that "The Adventure of the Three Garridebs" is near to most of the fandom's hearts. It's one of the very few times Sherlock ever reveals that he cares for Watson or values their friendship at all. In the end of "The Great Game," we have an extremely similar situation, which is different than the note that Holmes wrote for Watson in "The Final Problem," in that Watson actually *sees* Holmes emotional over him.
Fifth, "Jim" leaves for a bit, and then comes back after the tension seems to be cleared. Could be that he changed his mind. Or he could have been receiving instructions based on the real Moriarty's analysis of the confrontation. He may have initially intended for Sherlock to be played with for a bit longer, but decided he was too dangerous, and so told his subordinate to go back in and take him out.
- Actually, I think he really was Richard Brook, the actor, because all of his information as an actor was real. As Sherlock himself says, it is easiest to believe a lie with some truth mix in with it. And the truths there in was not just about Sherlock, but the actor Richard brook (AKA Jim Moriarty). The red herring that is Richard Brook posing as Moriarty will make it easier for the REAL Moriarty to continue his operations from underground operations centers. it's a shame that Sherlock used Moriarty's own method against him when Sherlock used the dead Richard Brook as his suicide double.
If Sherlock had failed, they could make one more miniseries revealing Jim to be Moriarty and then have some kind of resolution to tie up all the loose ends.
If however, the series was a hit (which it was) then they can go on to set up a longer, better, more complicated arc where Jim turns out to be a decoy etc., etc.
There's a whole bunch of Chekhov's Guns that the writers have set up to make things interesting if they need to, but which they could disregard if they just needed to end the whole thing.
This would explain why nobody even mentions the possibility that both choices are poisoned.
Today, 'popular fiction of the day' would include The Princess Bride. Sherlock doesn't consider this solution as a possibility because he hasn't read or seen the source that codified this solution to the real problem.
- I really like this idea, though I do have one question (sorry), I know this book/movie is part of American pop-culture, but how popular is the movie/book in Europe? Specific England? If it is as popular there as in America, then it can be assumed that in Sherlock this book/movie either doesn't exist, or isn't something that Sherlock has read. Does anyone know the populatity of this book/movie in England?
- It's a pretty popular movie here in England. Not everyone knows it, sure, but it has cult status probably equal to Labyrinth.
- Thank you~ Alright, then I agree that Sherlock just hasn't ever read it because it's not important to him. XD
- And I'm afraid you are misremembering: the quote from ASIS is: 'knowledge of sensational literature: immense'
- You're both right. His knowledge of literature (poetry, plays, novels, etc) was limited, but sensational literature was the term given to what would now be called the true crime genre.
- It's a pretty popular movie here in England. Not everyone knows it, sure, but it has cult status probably equal to Labyrinth.
- I'll do you one better: on Sherlock's website, while Sherlock is muttering about Bond films, "theimprobableone" posts a comment about how "Citizen Kane" is better. Why is this important? Because there are parallels. In "Citizen Kane," Kane is discovered to have had an affair. The affair ends his political career, sort of like how the political figure in "Scandal in Bohemia" would have had a hard time if anyone discovered his previous involvement with Irene. Furthermore, Kane marries his mistress and then forces her into an operatic career. Irene was an opera singer. Coincidence? I think NOT.
- "theimprobableone" also talks a lot about how Sherlock should find someone who can "match his intellect." Irene is famously one of few people who did.
- theimprobableone also wonders how John could have missed the case (in s01e02) would be pink. This could be snarky, like John's comment "Why didn't I think of that?" in the actual episode, or it could be Irene's savviness about female outfits. You can easily imagine her picking detail that up right away.
- The problem is that "theimprobableone" doesn't use capital letters. When Irene texts Sherlock, she does.
- It's painfully obvious why she isn't using them-one, Sherlock could recognize her, two, she's supposed to be dead. So she needs to sound like a crazed, adorkable and die-hard Sherlock fangirl to hide her identity.
- Maybe Moriarty is more than meets the eye?
- If I remember correctly, didn't book Moriarty have a brother called James?
- Nope—that was Moriarty's first name. Which should have tipped us all off from the beginning, really.
- Actually, it was both his brother's name and his own name. Continuity was not Doyle's strong suit.
- Nope—that was Moriarty's first name. Which should have tipped us all off from the beginning, really.
As a sociopath, Sherlock would need to feel, at minimum, that John was the best of a bad lot to put up with living with him. Sherlock seems to accept that people assume they’re a couple. He doesn’t turn John in when he shoots the cabbie. He manipulates John so that his date with Sarah is at the circus, giving him an excuse to tag along and disrupt it when he could have just let them go and gone to the circus alone. (He doesn’t mind working alone.) He seems eager to get John out of his clothes at the pool — although granted, there was a bomb in them.
The reason he told John he was married to his work, and therefore not interested? Sociopaths can't deal with emotions.
Not exactly conclusive, but this is Wild Mass Guessing.
This becomes even more believable when you consider how absolutely panicked Sherlock was at the pool. He's clearly extremely concerned for John's safety; this is interesting because, earlier in the episode, he says that he doesn't care about the people whose lives are at stake as long as he can get the job done and save them. It makes you wonder what sort of feelings he would have to have for someone to make them an exception and evoke an emotional reaction like that.
This is also slightly evident in the scene when John and Sherlock are looking at the flat for the first time. The moment John comments that the place is a mess, Sherlock stumbles a bit and then moves a few things around in a useless attempt to clean up. Sherlock is normally cold and doesn't change to suit another person, except here. If you think about it, the obvious reason for such a behavior would be to better suit his living conditions for John. In order to please him on some level. Of course this all bollocks if Steven Moffat is just messing with us. Again.
- In short, check out the Ho Yay page.
One might think that he keeps talking about John as a friend partly because he's never had one and partly because of his asexuality. Sherlock isn't really one to question norms as he relies on solid predictable patterns to make sense of the world, and he's mostly detached from other people which means that he's never explored his relationships to or feelings for other people. The only thing he knows about love or romance is what people tell him, and the dominant story is that love always includes sex. When Sherlock then does develop strong enough feelings for someone, he's going to categorize them as a friend because he has no point of reference and because being as antisocial as he is, he has no interest in looking for definitions outside the norm.
- Sherlock certainly comes off as asexual and homoromantic (see his hostility towards any woman that comes onto him vs. attempting to let John down gently in the first episode). Though you could intereprate the fact that he seems threatened by female sexuality as evidence that he's a really repressed heterosexual and his relationship with John is just a particularly close Heterosexual Life-Partners.
Also relevant: despite constantly having to clarify to everyone that he and Sherlock are not couple, John never actually denies anything except actually being in a relationship with Sherlock. A series with this many Mistaken for Gay jokes, and not even one "I'm not gay"? Suspicious.
- For the record, John does indeed say "I'm not gay" in the comments on one of his blogs, but supposes Sherlock might be [1]
; of course, he could still be bisexual, or otherwise.
- On the blog, John only says he's not gay when he's directly prompted to say if he's gay or not; initially, he ignores the question. So the argument more-or-less still holds: as a character, John seems to lack any interest in clarifying that he isn't gay, despite the fact that pretty much everyone thinks he is. Of course, this could just be because it's not a big deal to him, but it'd be still kind of unusual for a straight guy with John's generally high degree of interest in getting laid. Regardless, from an out of universe perspective it seems impossible that the ambiguity is accidental given how much talk of sexual orientation has occurred on this show already. Either Moffat and Gatiss are strongly committed to leaving it open ended, or they're setting up one hell of a Wham Episode for a future season.
- During A Scandal In Belgravia, John says something along the lines of "I don't know if anyone's interested, but I'm not gay!".
- ...and then a certain someone informs him that she IS gay except for her intense, clearly non-platonic interest in Sherlock, and implies that John is in the same boat. And then John looks like he's been thrown for a loop. This on the heels of him getting really rather angry about her flirty texts and being called out as jealous. So it's true that we now have an instance of Watson saying the magic words, but they seem less magic in context.
- As a point of fact, John could still be into Sherlock and be telling the complete truth when he says he's not gay. Being bisexual and being gay are two very different things.
- It's also possible to be heterosexual and homoromantic. Or heterosexual and biromantic for that matter. It also seems more like Irene is bi and her comments are more trolling John than anything. Whatever the true inclinations of the characters are, it's nice that this series acknowledges that human sexuality is way more complicated than just gay vs. straight.
- Jim sounds like a nephew's name, to a Professor James. So he is a Moriarty. Just not the Moriarty.
- The credits at the end of the episode don't list his last name as "Moriarty". It just says "Jim". So Yeah.
- Didn't the canonical Moriarty have a brother also called James?
- It was his name and his brother's name. Doyle was consistent like that.
- An older brother, the real mastermind, who is a famous physicist (like Brian Cox), played by Cillian Murphy.
- Which would be brilliant for parallels, too. Sherlock faced off with the younger brother. The younger not-quite-as-clever Moriarty against the younger, not-quite-as-clever Holmes. Wouldn't Sherlock just hate that?
- It was his name and his brother's name. Doyle was consistent like that.
- The old lady said that the man who captured her had a soft voice. Jim's voice was not soft.
- Her intonation suggests that it's more than volume she's talking about — it's possible she means soft as in effeminate, or slightly camp. Which Jim is, and a hypothetical older brother might well be too, though if he did have a more sober, reserved older sibling, it seems in order that he'd try to take the piss out of him by being hyper-expressive and theatrical.
- The Hounds of Baskerville seems to support this theory. At the ending we see Jim being released from some kind of prison cell with the word "Sherlock" written all over the walls by some older, more dignified gentleman. It doesn't look like he's running the show after all, so perhaps the older man is the real Moriarty.
- Actually, that seems to be Mycroft agent,who is letting him out under his order for the trial in "The Reichenbach Fall".
- What trial? And if Mycroft has the real Moriarty in his hands, why wouldn't he just have the man shot in secret?
- See the preview here
. It also confirmed that his name really is James Moriarty not Jim Moriarty.
- Jim is a common nickname for James. James would be used in the presses, Jim would be used personally.
- Actually, that seems to be Mycroft agent,who is letting him out under his order for the trial in "The Reichenbach Fall".
- In A Scandal in Belgravia, She's wearing five pearls. Canonically, Mary had six by the time she brought her case to Holmes, but the span of time should have given her seven pearls. Also, John was not displeased to see her again.
- Anthea was not in "A Scandal in Belgravia." That was someone working with Irene and who was pretending to be part of a Mycroft pick-up so John would come quietly.
- I see this as a possibility if you rely solely on Arthur Conan Doyle's canon (in which Mary is given no characterization other than the name of John's wife). If you're looking toward movie/series canon from over the years though, then the chances are slimmer.
- Mary did get characterization in The Sign of Four, which introduced her. She was a sweet, extremely nurturing woman, somewhat melancholy due to a troubled past, and smart enough in the way she presented the details of her case that even Holmes was impressed and declared that she had a "decided genius" for "such work". Sadly, she never really came in again, only making a few cameos, and by the time of "The Empty House", she'd died offscreen during the Time Skip. Considering the expansion in Sherlock on characters like Moriarty, Mycroft and Mrs. Hudson, it's not unlikely that Mary will be developed into a recurring character.
- Jossed. Anthea is not Mary Morstan.
On that note:
- The only problem this troper finds with this is that, in two series', John and Molly have never actually been seen having a conversation together on-screen. What makes this worse is that they've been in several scenes together but never actually talk to each other. They barely acknowledge each other and only do so when talking to Sherlock about Sherlock's relationship with either one. So it would seem incredibly rushed and out of nowhere if come Series 3 they were suddenly head over heels in love and about to get married. Even if it was all implied to have happened off-screen during the hiatus it would feel cheap for the audience who never got to see anything develop for the pair. Unless Series 3 is going to be all about the build-up of John and Molly with the two of them getting married at the end of the last episode, but that's a whole other WMG right there.
- It's very much WMG :) And they needn't currently be besties or into each other for it to happen somewhere in series 3 or even series 4 or 5 (there's no compulsion for anything at all to happen in Ep 1, Series 3, as the fandom expects.) There are instances of what can either be seen as totally incidental or indications that they do in fact regard each other a great deal (particularly John's regard for Molly) which could be the basis of a deepening friendship, at least, after Sherlock's apparent death. These are particularly obvious in the blogs, which being BBC-initiated do count as canon. note
- This seems to be the most plausible and least W WMG here. Molly fits every detail of the sparse characterization given to Mary in Doyle's canon. Plus, let's not forget that Molly is a nickname for Mary.
- Honestly, I want this to be true, if for no other reason than after two seasons of putting up with Sherlock treating her like dirt and being used by Moriarty and still being willing to help Sherlock fake his suicide, I just feel like the writers should throw this woman a bone. She's positively saintly. John is a sweet guy who would actually treat her well, though there's certainly the possibility of some ugly emotional fallout when Sherlock inevitably returns. It would also neatly solve the problem ACD had in the original stories when it became increasingly implausible for Watson to just up and leave his wife at a moments notice to go adventuring with Holmes, since Molly already helps Sherlock on cases and is probably the only woman in the world who would be understanding about John's attachment to the man. If anything, the only person this doesn't work out well for is Sherlock, who's probably going to be jealous of them paying attention to each other, rather than to him.
- Jossed. Molly is not Mary Morstan.

- Sherlock doesn't seem to believe it when Mycroft claims that. At most, he believes that Mycroft's official title is that of a low-level bureaucrat when he actually has a great deal of power.
- Like such.
- What if, instead of being Cameron, he is Lord Peter Mandelson (very british case of The Man Behind the Man )?
- Like such.

- Well, being that he is the government, I suspect it wouldn't be good to not have protection while going out. His umbrella could also be a gun firing 9mm/.45 ACP bullets.
- Confirmed, in both cases, it's both a sword and a gun.
- So Jim is...?
- Just another hireling, of course. Should be clear without further explanation, with all these speculations that Jim isn't the real Moriarty because that would be too simple. Perhaps he actually killed that boy all those years ago, so Mycroft got him involved, so that Sherlock could find another "meaningful" link connected to himself.
- She could already be seen as heading this way. After all, she did refuse to divulge the location of Sherlock's cigarettes, even when he was wielding a harpoon and seriously on edge from nicotine withdrawal.
- And probably well into his teens, watch his face in The Blind Banker when Sebastian tells John how all the kids at uni hated Sherlock.
- She certainly appears to have hidden badass qualities that seem a little unusual for a mild-mannered doctor. But then, John has hidden badass qualities that seem a little unusual for a mild-mannered doctor. It's implied that her initial interest in John was sparked by his military history; she's either got a man-in-uniform fetish or, more likely and more like John himself, she's a bit of an adrenaline junkie and thrives on danger. Hence why she keeps dating him after nearly getting killed in 'The Blind Banker.' That, and yes, Mycroft could be paying her. He's not above paying people to spy on Sherlock, why would he be above paying people to spy on John as well?
- She's certainly addicted to something. Angry Birds?
- The last person to do that, Mr. Hudson, ended up on death row in Florida. Possibly after being tossed out of several windows.
Real-world memory champions have memorised huge amount of houses and palaces and whatnot just to use as memory palaces. The next logical step for a genius like Sherlock would be to use a whole whopping city and organise the data around the boroughs and districts.
- Actually, it is yet another call-back to the original stories. The notion that Moriarty never existed is one of the oldest known WMG's in the world (In The Final Problem we, or rather Watson, never meets Moriarty, only hears about him from Holmes.)
- Who is to say that he can't be a sociopath with Asperger's? Looking at the Hare Psychopathy Checklist (which also applies to sociopathy), Sherlock fits many of the criteria: need for stimulation, callousness/lack of empathy, manipulativeness, grandiose self-worth, impulsivity, etc. Although "high-functioning sociopath" isn't a diagnosis, Sherlock likely just means that he doesn't fit the criteria regarding criminality.
- Um, yeah. I thought this was obvious, and I think It's even been said by the creators.
- Or it could be that the universe is no longer aware they exist....which brings me to the silly guess......
- To coincide with this, Sherlock!Doyle was still as famous as Reality!Doyle. Instead of being mostly known for writing the Sherlock Holmes stories, people know him for his series of books focusing on a man named Professor Challenger. The Professor Challenger series would go on to spawn a number of adaptations and spin-offs, including a Granada series, a film focused on his youth entitled Young George Challenger, and eventually a modern BBC series simply entitled Challenger.
- But then what would Challenger!Doyle be known for?
- His Historical Novels, the ones he actually wanted to be known for.
- Alternative: The conception of a Challenger universe and a Sherlock universe creates a sort of "fiction loop", if you will, where the Doyle in Sherlock is famous for Challenger and has the BBC series Challenger, and in the Challenger universe Doyle is famous for Holmes and has the BBC series Sherlock, which is identical to our Sherlock.
- But then what would Challenger!Doyle be known for?
- I'd been thinking "No poo, Poirot."
- Or Dick Donovan, or Sergeant Cuff, or C. Auguste Dupin, or good heavens, there were a lot of these, weren't there?
- And he knows how to pick locks really well too. And seems to have no aversion to torture either....
- And he can easily break into houses (TGG) and government facilities (the tube station in TEH, and even Baskerville might count) and is a very good con artist (also TGG) I just assumed it was skills he learned as a former serious drug addict who didn't have an actual job. He had to pay for that stuff somehow.
- Skills of a misspent youth....
- WOW... you're good. Actually, it sort of depends who you ask.
This puts Hounds of Baskerville in a rather more tragic context— John basically took away Sherlock's ADD meds, pushed him into accepting a case, and then got upset when the poor guy had problems focusing. Way to be a doctor, John.
Now, why do I think Anthea might be James Moriarty Sr? False name, pretends a poor memory for remembering people (a special mention should be made that Mycroft of all people seems to accept her poor memory as a given, which as far as I’m concerned proves that Anthea is dangerous). There’s the fact that she is constantly on a phone, but never calls someone. This implies, as stated above, that either she or the party she contacts needs anonymity. It could also imply that she has trust issues, never revealing her voice over the phone to a face that she cannot see. Or it could imply that she simply very much does not want anyone to ever overhear her conversations and who she is communicating with. In all likelihood, it is a combination of these reasons. There’s also the fact that a sibling thought to be male but turning out to be female has already been foreshadowed. Even if Anthea herself turns out not to be James Moriarty Sr, it wouldnt surprise me at all to learn that James was a female in this adaptation. Still, no matter what, Anthea is definitely more than she appears.
- Adding to this for the sake of irony, he thought it was his greatest work, but it was overshadowed by the far more popular Professor Challenger books, as was the rest of his work.
- Today, Steven Moffat and Mark Gatiss are preparing for the third series of George.
- If so he's apparently really bad at it. T So T make a joke out of how much of a lightweight John an Sherlock both are. Their bar hop only lasts two hours before they nearly pass out on 221b's staircase and Lestrade specifically laughs at them because they managed to get themselves in jail before closing time.
- He the following traits of schizoid personality disorder: Emotional coldness, detachment or reduced affect; consistent preference for solitary activities; very few, if any, close friends or relationships; indifference to social norms and conventions; and lack of desire for sexual experiences with another person.
- This troper has a friend with Asperger's who gets perfect scores on online emotion recognition tests (the ones that have you identify an emotion from only the eyes.) He claims that this is because he is also a sociopath, and thus needs emotion recognition to be able to manipulate people. This could be the same case with Sherlock. Sherlock's recognition of facial expressions and body language is likely an acquired skill he worked at in order to improve his manipulative and case-solving abilities. However, he lacks understanding of social norms that he has not previously studied.
- One can have both.
- Aspies can often, in their adult years, read faces as an active process, essentially making it a science. I think that describes Sherlock pretty well. What he and they lack is the intuitive, non-active registering of emotion (via facial expression) in everyday personal dealings.
Sherlock doesn't show a lot of these traits. But you know who does? John.
Bear with me. John is very likable and charming most of the time... except when he's inexplicably not. He can go from charming a stranger into telling him their whole life story, to saying something suddenly insensitive like referring to someone's addict son as "the drugs one," without seeming to realize the change. He can be extremely shallow at times, flirting with Sarah after they've been kidnapped and even assuming there will be a "next date." Unlike Sherlock, who is generally rude and inconsiderate all the time, John tends to switch between sweetness and heartlessness, sometimes on a dime. His relationships bear special study. He fought in the military and is heavily implied to be decorated, yet we see a grand total of one fellow soldier. This is really unusual and only one of a series of hints that John didn't fit in or make friends, even in the army. During the course of the show, he accumulates a small group of people he's close to... yet if you look closely at his interactions, it becomes apparent that it's even smaller than it looks. He treats Mycroft with indifference, is hardly ever shown talking to Lestrade or Molly and has certainly never been depicted to act like a close friend towards them, and he has never had the kind of relationship Sherlock does with Mrs. Hudson. His close friends are essentially limited to Sherlock and Mary. Also, of the people he's shown genuine interest in, just about zilch of those relationships have been non-sexual, or at least not marked by some kind of romantic interest, whether subtle, fleeting, or neither. How John reacts when those people are threatened doesn't need recounting. One example, however, is interesting. When D.I. Dimmock calls Sherlock a "weirdo vigilante," John's immediate, violent reaction seems almost like a reflex. Actually, a lot of John's more violent scenes seem like they're done almost on reflex. He also has quite the temper, sometimes blowing up at small things. Yet he's totally calm through kidnappings, bombings, gunfights, and meetings with serial killers. His hands don't even shake "at all" when firing to kill, and he doesn't seem to care at all when he's done so. And finally, aside from a canonically psychosomatic limp, he's never been shown to have any kind of pain in his shoulder, where - let me remind you - he was shot, badly enough that he had to be discharged.
In conclusion, John is scary and you wouldn't like him when he's angry. Run. Run far away.
- You actually SEE them in The Empty Hearse, but it's actually a fanfic theory of how Sherlock survived.

- One, this is awesome. Two, seeing how Moriarty masterminds nearly all the crimes in London in the original stories, I think the modern equivalent would be him having a nationwide/worldwide network of criminals and his own private army.
- "Moriarty" is a private intelligence agency- or, to put it another way, a consulting criminal firm. Its upper echelons consist of the nation's most devious criminal minds, who are kept sealed in Sherrinford. The few stable enough to earn their way out- like Jim- are kept under constant observation by the government, just in case. But accidents can still happen.
- Hey guys! Love the show! Get season four out here quick, why don'tcha?
- Technically, your "Jeff" could be Jeff Hope, the cabbie, even though his name is Doyle-canon (and quite possibly Doyle-canon only, as I don't remember seeing it in any Sherlock material)...
- This theory is excellent and explains quite a lot about the show's universe in general.
The first husband, (Mr Hudson) is the one she regards fondly as she watches Sherlock and John solving crimes together: "There he goes again... my husband was just the same."(It's unlikely that she would have been talking about the same husband that Sherlock convicted). Furthermore, the fact that she still goes by "Mrs Hudson" (especially in a time when everyone else is on First-Name Basis) implies that the name is important to her, and she wants to honour the late Mr Hudson.
- Apparently not- according to the third season, she was actually somewhat fond of her drug lord adulterous murderous husband in a strange way. Actually, it was all physical.
- In addition, it is possible that Moriarty and/or Irene Adler are also fragments of his broken psyche. Irene Adler, due to his bad luck with women, agrivated by the Holmes person, was created as "The Woman." For Moriarty to be a figment of his psyche would imply that more of this is in his head than just the invented persona of Sherlock Holmes. In this instance, Watson never actually went into solving crimes under the Holmes persona, or if he did, it was very minor ones. However, to match the scale of the persona of Sherlock Holmes, he needed an equally mythic-scale foe. Each of these stories is another delusion his mind creates to cope with his friend's death, and presents his friend as a mythic figure of impossible intellect.
- "I may be on the side of the angels, but don't think for one second that I am one."
It doesn't make any sense at all that Sherlock would be a sociopath. Sociopaths are capable of growing fond of other people, but still hold themselves to be the most, and only, important person. Self-sacrifice is impossible for a sociopath, high-functioning or otherwise. He obviously cares very deeply for many people in his life, and is prepared to send himself to prison for them, as revealed in the series 3 finale. He's also very adept at reading people, so autism/asperger's also doesn't make sense.
There is a sociopath in the Holmes family, but it's Mycroft. The series 3 finale revealed a small glimpse of what Sherlock was like as a child, and he seemed like a sensitive, well-adjusted little boy. However, it became clear that Mycroft was something of a bully to young Sherlock, frequently calling him "stupid". To an extremely intelligent little boy, that's one of the most hurtful things a person can say. Between that, and other boys shunning him for being "weird" (read: intelligent), Young Sherlock learned it was safest to keep his emotions to himself. He also began, even if unconsciously, emulating the person who seemed to be the strongest and most intelligent person Sherlock knew: his big brother. In time, he fooled even himself with the act, and, upon reading the DSM, diagnosed himself as a sociopath.
- I came here to posit this idea. What are the odds that two relatively normal people would produce not one, but two borderline sociopath genius children? I think the only one who is genetically abnormal is Mycroft. Sherlock developed the way he is due to Mycroft's influence. Presume Mycroft as a supergenius first child. The parents would likely become used to him being very independent and self-directed. So much so that Sherlock didn't receive as much attention as he should have from them when he came along. Instead, he was almost entirely socialized by his sociopath of an older brother. Further he doesn't need to be supergenius also. Intelligence can be learned and a desire to learn and think can go a lot further than "natural" intelligence. Yes, Sherlock is smart, but that's more due to the drive caused by sibling rivalry. Yes, Sherlock is inept with people, because by the time he was around other people, Mycroft had poisoned him against them. His interactions were always clouded by his persistent belief in their inferiority. It's not until he starts being around people with some consistency that he starts developing his emotional center.
- Or his reflexes are ridiculously fast.
One day, John was going over his blog when he realised that the blog posts were a bit too brief. After reading some crime novels, he decided to write up his cases properly and make them into books, when he overheard Mary complaining about how she missed an issue of one of her favourite magazines and now didn't now what had happened to the protagonist.
Eventually, after some requests for changes by Mycroft (such as changing Sherlock's line about him being the British Government into the head of the Secret Service) and extensive interviewing and collecting of police paperwork, John sent "A Study In Pink", written in the style of a modern thriller, to the Strand Mystery Magazine. The editors loved it and published it. Sales of the magazine tripled immediately, and it was able to set up foreign-language branches around the world.
And a month later, John selected some illustrations from the magazines to accompany the 6 stories that he was going to publish together in a book called "The Adventures Of Sherlock Holmes." Like the magazine, it become a smash hit worldwide, with it staying on the New York Times Bestseller list for 3 months, and it was translated into every language, as well as Braille, Morse Code, Shorthand and binary versions being produced. Sherlock, naturally, complained about the stories being overly dramatic, but at the same time approved due to his deduction skills given plenty of space in the stories.
- Or for an alternate pun, John's blog was originally called "Stranded", because that was the only word he could think of to describe civilian life. When he first met Sherlock, he briefly changed the name to "Stranded with Sherlock".

- He went through my blog and found someone he believed would know how to uncover her closed account and her deleted emails, just on the basis of how they wrote their comments. A person we knew as theimprobableone.
Now, Kitty works for The Sun. And what were Sun journalists known for doing? Phone hacking. And being a fangirl of Sherlock, of course she would try to follow him by making deductions based on people's comments.
- I love this so so much.
Meanwhile, Sherlock has ALSO journeyed to Middle Earth. Related to all the above WMG about him taking over Moriarty's role; what is less dull than becoming a consulting criminal? Becoming a consulting criminal in Middle Earth. Thus, the Necromancer/Smaug.When 'Bilbo' eventually reaches the Lonely Mountain and meets 'Smaug', who reveals himself to be 'the Necromancer', disguised as a dragon because I said so, Sherlock reveals himself to John, who has noticed the similarity to his old friend's voice. The two are joyfully reunited, the Dwarves are confused but get their treasure back, Gandalf makes a few wise comments, looks mysterious and pretends he saw it all coming, and everyone is happy. John and Sherlock return to 221B Baker Street in time for Series 3 to begin.
- Here's a YouTube interview where Moffat is speculating briefly on what a meeting between this version of Sherlock and The Doctor would be like. We can but dream: [2]
- Link to this video/article, please?
- There is a (fanmade) trailer for this [3]
- Unfortunately, though, they're very emphatically not in the same universe (Sherlock Holmes is fiction in the Whoniverse). We could but dream.
- Please let this be true. A modernized version of Lupin would be epic in numerous ways... mostly all the new disguises he would not have had access to in the original setting. The fact that Holmes (or a Captain Ersatz depending on the publisher) was used as Lupin's Worthy Opponent makes this all the more interesting.
- More evidence for this theory is a picture of what is possibly the Eiffel tower on Dr. John Watson's blog
. Look at the one in the middle of the top row. Is it just me who thinks so?
He was not remembering all of that information. He was accessing it with his mind.
- Or he's like Gary from Alphas, and can read electromagnetic wavelengths. See the news, access GPS, read people's texts...
- Considering the high amount of Light/L and Johnlock shippers, John can also be amnesiac Light, as both pairs end up handcuffed together for a period of time.
- Reverse the polarity of the causation flow. L was, in no small part, based on Sherlock Holmes.
- Sherlock's smile frequently provides a perfect real-life version of L's cat-smile.
◊
- There's that whole problem of him having, you know, a face. And an actual identity. And needing to strangle people rather than just mindrape them to death or dissecting them and putting their organs in bags.

- Which would make Beckett Moriarty, I suppose?
- Nope. Opal Koboi is Moriarty. ...Try not to think about that too hard.
- Or Artemis is Moriarty; he went back to his criminal ways. He has the right accent after all.
- Moriarty???
- They all look the same with the flesh scorched off their skulls.
- Moriarty???
- "It's time to choose a side, Dr. Watson."
- "Did it ever occur to you that we belong on the same side?" "Oddly enough, no."
- (Concerning Moriarty) "What are we dealing with, here?" "...Something new."
- Suddenly, the dialog on the hospital's roof about the sides of angels and demons also starts to make sense. Maybe too much sense.
- Yes Yes Yes Reece as Moran YES PLEASE!!
- ...what? What has the Teselecta got to do with fugitives? Aren't they a justice department of some sort?
- 'fugitive' here meaning she's a cross-over character. The Teselecta is the device, used by a justice department (of sorts), which looks/functions like a person, and is used to replace them without distrupting the timeline (allowing a Teselcta to be killed, rather than our protagonist)
- But he'd keep his momentum regardless... what he really needs is those fancy bouncy shoe... things.
- This is so beautiful that I think I might cry. And I demand a Judi Dench cameo as Mummy in season 3.
- Ever hear of the short-lived series Forty Something? In a way, House is indeed Sherlock's father!
- ALL of Elementary!Sherlock's tattoos are covering scars (not just the one on his wrist). And now we know what kind of "experiment" BBC!Sherlock was doing with those spare body parts in the fridge.
- Then which character's a Shaftoe? Sherlock seems to have Jack and Robin's talent for "having the makings of either a successful entrepreneur or a total loser", as well as being able to "hoover up information", while Mycroft is "a pretty straightforward by-the-book type", like M.A. and Bob.
- Well... there is the minor fact that John Harrison is an alias, and his real name is Khan Noonien Singh...
- Maybe Khan Noonien Singh is the alias , and he's really Sherlock frozen by Moriarty. That's why he's so desperate to get to his crew. There were 70 people kidnapped, one of them John. Sherlock was trying to rescue them when he got frozen, and Moriarty froze himself and Moran afterwards. The next Star Trek will involve Bones reanimating John. The next film will be call Star Trek: Burn, in which Moriarty will try to burn the heart out of Sherlock and Starfleet has to capture Moriarty.
- And how does Moriaty himself survive up to the 23rd century? In the form of a sentient hologram of course! (Him having been turned into a non-corporeal A.I. would even fit well with the cliffhanger at the end of Season 3...)
- Adding to this, Sherlock was actually completely serious when he asked the Major if there were any aliens in Baskerville.
- That's how Moriarty will return- as the true face behind the man. Moran is dead.
- If the above theory about Father Holmes' affair is true, and he was a high ranking military official as he was in the original Conan Doyle stories, it wouldn't be a stretch to say he met with another military high up, this time from America, and somewhere met his wife along the line. The two get on, then they get it on, and suddenly two borderline sociopathic geniuses with great skills of deduction exist. We already know House's father wasn't his biological one, and that his mother was a serial adulterers. And to top it off, House sure looks like he's got some British blood...
- Also, after the events of Skyfall, Mycroft (working under the codename "Gareth Mallory)" becomes the new M.
...wrote only one detective story about a consulting detective named "Sherringford Hope". However, in this world modern forensics developed just in time to solve the Whitechapel murders: this, along with other general reforms restored public belief in the police system and they didn't like how Doyle made Scotland Yard look incompetent, and the book flopped. Doyle devoted the rest of his life to writing Historical Fiction and the occasional experiment into other genres such as Science Fiction and Science Fantasy.
It's this world's version of Arsene Lupin that popularizes detectives, in which the dapper (French) Gentleman Thief had a Worthy Opponent (British ex-pat) police detective named Harry Showford—in fact, most early detective stories had significant overlap with the police procedural. It's only after WWI eroded faith in all government institutions that private detectives became popular and quickly went to more hardboiled/borderline vigilante depictions—Agatha Christie instead is the first (British) writer who popularizes the "drawroom detective" archetype.
When he's not off stopping career criminals or escaping death traps as Britain's greatest assassin, 007 bodyguards Mycroft, who is this universe's M. However, as he's frequently off on assignments overseas, Anthea, who is this universe's Moneypenny, protects Mycroft in Bond's place. Sherlock occasionally sees him and correctly deduces that he's an elite bodyguard of some sort, but Mycroft never refers to Bond by name, as part of concealing his identity.
The Bond in this universe, like Sherlock, is a modern-day version of Ian Fleming's Bond, complete with the same appearance, but without the political incorrectness that his predecessor had. The black ops missions he goes will follow the plots of the original novels, with modern settings and changes.
However, as his missions made for rather exciting case files, Mycroft and Anthea decided that Bond would make a useful propaganda tool. So Bond's case files were converted into a series of spy novels, but draw from the plots of the films in our universe to make them seem less believable, by introducing new characters and changing the villain's schemes from fairly plausible to larger-than-life, over the top ones. The name of a deceased Naval Intelligence operative was used as an author, and an actor was hired to portray him in public.
Actors like Timothy Dalton and Pierce Brosnan were also hired to pose for the covers. The character in the books was also more of a suave, womanising superspy than his ruthless, grim inspiration. The result was that the books became instant hits with the public, but were outlandish enough to reassure them that Bond was fictional.
Unlike, say, whether the Earth goes around the sun or vice versa, knowing the name of the local DI is something pretty important and relevant to his job. Sherlock just loves screwing with him by pretending to forget.
If one looks at the clues it's all there from Sherlock's eccentric outfit, the way he sees the forest and the trees of a mystery, the way at times he seems to channel small bits of the persona of the Tenth Doctor during his thought process, the reason Sherlock seems "bored" with nearly everything in ordinary life, his disdain for standard human intellect is typical Time Lord arrogance, and the final nail is after a while of being on his own for a while more he still needs a assistant/companion thus we have Dr. Watson.
Also Sherlock's brother Mycroft is the Doctor's brother sent to check on him by their mother, the now lord president of Gallifrey who has his own companion (the hot chick that was constantly texting.)
Also, Sherlock did die when he fell, but that was his future self. His future self told his past self about the fall and what to do.
Sherlock cares about nothing but knowledge and proving himself to be the best. He also quite happily fires guns several times. He hates being around people - except John- and gets his kicks from violent crime and murder. Ergo, not the Doctor. The Master.
Sherlock's similarity to the Doctor has already been noted, but can you imagine the Doctor cold-heartedly torturing a man? Casually describing himself as a sociopath?
- This also means that Solar Pons is on to him.