Kurt Cobain: "It's not going to be about food, is it?" Al: "No, it's going to be about how no one understands your lyrics."
So you've just bought a new novel from your favorite author. You've read every book thus far, and are outright giddy about this new book. You pop onto your couch and open it up, and... hey! This doesn't look like anything before it from this author, or, as you will learn later, after it. You've discovered the outlier; the author has committed Genre Adultery
. Perhaps the sausage machine producer of crime novels has shifted from a light hearted Great Detective
to a hard boiled Dirty Cop
or is even experimenting with a completely different genre. Keep in mind that just because it's different doesn't mean it's bad.
This trope doesn't just exclusively apply to literature, but it's certainly an obvious way to phrase it. Music albums, movie sequels, even TV shows can be a radical departure from the creator's norm. The only thing that matters is that the new style is never return to again in such a manner which is what distinguished it from He Also Did
, its Supertrope.
For musicians it may lead to a Black Sheep Hit
and may occur for when trying for New Sound Albums
but never return to that sound. See also: Playing Against Type
and Genre Shift
. compare with Genre Roulette
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- Mel Brooks produced The Elephant Man but had his name removed so that nobody thought it was a comedy.
- He also produced David Cronenberg's remake of The Fly.
- Busby Berkeley, best known for his lavish musical numbers, directed a crime drama remake called They Made Me a Criminal in 1939. Warner Brothers gave him the oddball project in an attempt to keep him occupied so he wouldn't leave the studio; it didn't work.
- Horror director Wes Craven directed Music of the Heart, a based on a true story drama starring Meryl Streep, about a music teacher in a school in Harlem.
- What's more, this film was actually Craven's pet project, and he only directed Scream 3 so he would be financed and allowed to direct Music of the Heart
- He also directed a segment of Paris Je T'aime.
- Bob Clark directed several notable horror films in the early '70s, including Children Shouldn't Play With Dead Things, Deathdream, and the groundbreaking Black Christmas 1974. Then he abandoned horror, directed the teen sex comedy Porkys, and spent the last 20 years of his career making more family-friendly films such as A Christmas Story and Baby Geniuses.
- Kevin Smith's Red State.
- LIGHTS, a Canadian Synth Pop artist released and acoustic EP with re-workings of some of her previous songs, as well as a brand new song and a light re-imagining of an old punk song.
- Remain in Light by Talking Heads.
- Pet Sounds by The Beach Boys.
- Pinkerton by Weezer. Might be a bit premature, as the band hasn't broke up yet.
- The Rolling Stones album Their Satanic Majesties Request. Despite the title it is surprisingly psychedelic. The jury is out on its good status.
- Elvis Costello's The Juliet Letters. This was a collection of songs based on letters written to Juliet (who's considered to be a help to the lovelorn). The album was done as a collaboration with the Brodsky String Quartet who had much more collaboration into the writing process than was usual on an Elvis Costello album.
- The Queen album Hot Space is full of disco songs, a departure from their usual rock music. After Hot Space they never touched disco again.
- The Melvins have had several album-length left turns, but possibly the most surprising is The Bootlicker: while their sound usually involves sludgy walls of feedback, this album features absolutely no guitar distortion. The actual content doesn't get any lighter and softer, but the arrangements bring to mind Tom Waits and krautrock more than they do grunge or stoner metal.
- The Butthole Surfers' Weird Revolution, which is much more electronica-influenced than anything they'd previously done. It may have been an attempt to roll with their popular Black Sheep Hit "Pepper", although it was actually preceded by a couple of electronic-based soundtrack contributions, along with the similar but much more experimental After The Astronaut, which got shelved after promo copies got scathing reviews.
- Brian Eno noted that he wanted the first reaction of U2 fans who bought Achtung Baby to think that either their stereos were broken or that they accidentally purchased the wrong album.
- Although it was recorded as a joke, Anal Cunt's Picnic Of Love is a complete inversion of their trademark style: instead of short grindcore songs with Black Comedy lyrics and song titles, it consists of 2-3 minute acoustic ballads sung in falsetto, with titles like "I'd Love To Have Your Daughter's Hand In Marriage".
- KISS had the disco album Dynasty.
- Part of the reason for the violent backlash against disco was that this happened with so many artists that it began to appear that disco would engulf everything.
- Ween's 12 Golden Country Greats was a country album, which used veteran country session musicians as a backing band. Though they'd had the odd country-influenced song before and since, it was still a pretty unexpected turn, especially because they generally played it straight (well, aside from "Piss Up A Rope" and "Mr. Richard Smoker" anyway).
- "Anniversary" by Voltaire is a straight love song, with no references to death, goths, evil, or Sci Fi shows.
- His later country album may also count.
- Joy Electric is Synth Pop, as the name implies. The album Unelectric featured acoustic arrangements of prior songs.
- Pete Shelley, frontman of the punk group The Buzzcocks, was regarded by fans as having invoked this trope in 1981 with the synthpop album Homosapien.
- Most Pat Benatar albums are album-oriented rock and roll... except True Love, which is jump blues.
- Alice In Chains' Sap and Jar Of Flies EPs. The albums surrounding them can best be described as grunge metal, but these eps are acoustic alternative rock.
- Country Music singer Alan Jackson did a very blues-pop oriented album, Like Red on a Rose, in 2006. It was also the only album on which he did not work with producer Keith Stegall, instead choosing bluegrass pioneer Alison Krauss. Also, despite having written maybe 75% of his own songs, his only contribution as a writer on Like Red on a Rose was "A Woman's Love", a re-recording of a track from his 1999 album High Mileage.
- This is what launched Ludwig von Beethoven's fame, for when got deaf, he moved out of his classical style and shifted music towards the romantic period.
- Attention Please by Boris is a dance rock album that sounds nothing like their usual metal/hardcore/noise oriented albums.
- Country legend Buck Owens had already displayed a lot of non-country influences in his music by 1969, but that year he released two singles that could unquestionably be considered rock: "Who's Gonna Mow Your Grass", which featured fuzztone guitar and harpsichord (!) as lead instruments, and a live cover of "Johnny B. Goode" that would've put most garage bands to shame. However, he was a big enough star that they still managed to become #1 country hits.