It's an epic saga of rebellion and romance.
A
space opera is a work set in a far future space faring civilization, where the technology is ubiquitous and entirely secondary to the story. It has an epic character to it: The universe is big, there are lots of sprawling civilizations and empires, there are political conflicts and intrigues galore. Frequently it takes place in the
Standard Sci Fi Setting. In perspective, it is a development of the
Planetary Romance that looks beyond the exotic locations that were imagined for the local solar system in early science fiction (
which the hard light of science revealed to be barren and lifeless) out into an infinite universe of imagined exotic locations.
Space opera has a lot of romantic elements: big love stories, epic space battles, oversized heroes and villains, awe-inspiring places, and insanely gorgeous women.
Expect to see a dashing hero cavorting around in sleek, cigar-shaped
Retro Rockets,
Green Skinned Space Babes,
Crystal Spires and Togas civilizations full of
Space Elves,
Wave Motion Guns capable of dealing an
Earth-Shattering Kaboom on a daily basis, and an evil
Galactic Empire with a
Standard Sci-Fi Fleet, including an entire universe full of
beat-up mechanical objects capable of being resurrected with
Percussive Maintenance.
Note that this is quite different from the original definition of space opera, which was a derogatory term. It was a variant in a long line of terms for substandard genre fiction: 'horse opera' was bad
Western fiction, whereas a 'soap opera' (so named because they began as hour-long ads for soap) was a hackneyed drama. The phrase was coined in 1941 by Wilson Tucker to describe what he called "the hacky, grinding, stinking, outworn space-ship yarn". (It's said that before 1975 or so, the only author who ever intentionally set out to write a space opera was
Jack Vance, who wrote a novel about an opera company in space.) Weirdly, this means that today many works which were originally touted as examples of 'serious' science fiction, such as the
Lensman series, are today held up as prime examples of
Space Opera. As more authors and writers came to embrace the space opera style, the term has largely lost its negative connotations. Assisted by writers who regarded all tales of action and adventure in space as bad, and so tried to label it all "space opera" in pejorative sense; they succeeded with the label, but not with keeping it pejorative.
Planetary Romance is an older variant, which is basically
Heroic Fantasy In Space — or on a
Dying Earth of some sort. While works such as
John Carter of Mars and various fantasy novels set on a planet are
Planetary Romance, characters like
Buck Rogers and
Flash Gordon essentially codified the
Space Opera concept in the popular imagination by the late 1930s.
Star Wars is probably the most famous modern example of space opera. (Indeed,
The Empire Strikes Back was an important moment in changing "space opera" from an insult to a more neutral genre descriptor, due to the involvement of writer Leigh Brackett.) In
Star Wars, technology is either
magic (the Force) or slightly faster versions of today's gadgets (
blaster rifles, hovercars, space ships) and the characters would be right at home in a fantasy novel (
evil emperor,
farmboy,
princess).
The genre is useful for long story- and character-
arcs but also expensive to film. Unless you do it in animated form, like dozens of
anime series.
The opposite of Space Opera would probably be
Hard Science Fiction *. In recent years, however, there has been a trend towards incorporating hard sci-fi elements
into space opera, as in
Starship Operators, the 2000s
Battlestar Galactica,
Firefly or especially
Revelation Space — in fact, "New Space Opera" has gained some currency as a term referring to works that combine fast-paced adventure plots with some degree of hard SF rigor.
See also
Two Fisted Tales,
Pulp Magazine, and
Wagon Train to the Stars. In many ways, this is the science fiction equivalent of
High Fantasy.
Note that while many more famous space operas go to the "ideal" side of the
Sliding Scale of Idealism Versus Cynicism, more recent ones are
harder and more cynical:
Babylon 5,
Battlestar Galactica and
Firefly being most prominent in
Live-Action TV.
Examples
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Anime
Comic Books
- Flash Gordon and Buck Rogers are the Trope Codifiers, and both feature lots of Retro Rockets and a Galactic Empire of some sort. Star Wars started after Lucas couldn't get the rights to Flash. King Features, realizing their mistake, made the Flash Gordon film after Star Wars came out.
- Valerian
- Marvel Comics turned cosmic part of their Shared Universe into one giant Space Opera, since 2006. Starting with X-Men: Rise And Fall Of The Shi'Ar Empire and Annihilation, we got one epic story after another - Annihilation: Conquest, War Of Kings, The Thanos Imperative and adventures of many cosmic-themed heroes, like Nova and Guardians of the Galaxy between them.
- The whole Jodoverse - but particularly The Metabarons.
- Green Lantern has a foot firmly placed in Space Opera, especially for Crisis Crossover comics like Sinestro Corps War where Sinestro himself [[spoiler: set the war up to he wins either way.
- X-Men ventures here occasionally, such as for The Dark Phoenix Saga.
- Dan Dare
- The Ballad Of Halo Jones
Fan Fiction
Film
Literature
- The Lensman series by E. E. "Doc" Smith is generally given as the defining example, along with its predecessor and spiritual twin the Skylark of Space.
- Buck Rogers, an early and influential example, is probably the trope codifier in pulp fiction.
- John Carter of Mars and other Planetary Romance novels contain elements of Space Opera, making it an Unbuilt Trope.
- Dune.
- Foundation, by Isaac Asimov, an extremely influential series inspired in part by Gibbon's Decline and Fall of the Roman Empire and which in turn partly inspired Star Wars.
- Perry Rhodan series (over more than 2500 books that span from 1971 to 5050).
- Hyperion, Dan Simmons
- Lois McMaster Bujold's Vorkosigan Saga, complete with an in-story Space Ballet.
- Alastair Reynolds' Revelation Space series actually does consider seriously how changes in technology would affect culture, even language.
- The Culture books by Iain M. Banks, although again it does have a society changed by technology - in particular near-perfect medicine and a lack of the need for money due to massive technological advances.
- Lacuna is firmly in the "New Space Opera" (space opera with hard science) genre.
- Larry Niven's "Known Space" universe.
- The Rowan series by Anne McCaffrey.
- Most of Peter F. Hamilton's books, though technological advances have significant societal and cultural impacts.
- The Saga Of Seven Suns
- Stationery Voyagers is a definite space opera, though it alters between this and an unabashedly political Supernatural Soap Opera.
- And of course, Scientology founder L. Ron Hubbard's opus Battlefield Earth.
- David Weber has an extensive one in Honor Harrington. As well as pretty much everything else he's written.
- Walter Jon Williams trilogy Dread Empire's Fall is space opera on the fairly hard science side.
- Alan Dean Foster's Humanx Commonwealth series. It adopts many Speculative Fiction tropes but plays them for Space Opera themes.
- Stephen R. Donaldson's The Gap series is literally this, as it's Richard Wagner's Ring Cycle IN SPACE!. Newer editions of the first volume have a cool author's note explaining how the dramatic elements (and thus, tropes) of Opera work in a sci-fi setting.
- Vernor Vinge's Zones of Thought series.
- David Brin's Uplift.
- C.J. Cherryh's enormous Alliance Union universe. Probably the "hardest" of all Space Opera, with Faster-than-Light Travel being the only deviation from known physics.
- Greg Egan's Schild's Ladder. Probably even harder than Alliance Union, with no Faster-than-Light Travel whatsoever.
- Parodied and lampshaded in Jack Vance's Space Opera, which is a space opera about - yes - a touring Opera company.
- Many of Vance's works - such as The Demon Princes- are more straightforward examples.
- Parodied by Harry Harrison in his Bill The Galactic Hero and Star Smashers of the Galaxy Rangers.
- The Hitchhiker's Guide to the Galaxy derives a lot of its humor through parodying space opera conventions. The unrealistic elements typical of the genre are either lampshaded or replaced with even sillier ideas.
- The Space Captain Smith series by Toby Frost.
- Simon R. Green's Deathstalker books.
- The Deathstalker series is both a parody and an homage to more traditional Space Opera's and exaggerating or taking various tropes to their most extreme conclusion.
- Karin Lowachee's Warchild Series.
- Julie E. Czerneda's Species Imperative.
- John Barnes Occitan series.
- Philip Reeve's Larklight series, which combines Space Opera with Steam Punk.
- Stephen Baxter's Xeelee Sequence may well be the ultimate example in terms of scale, as well as being much harder sci-fi than the average space opera.
- Margaret Weis' quadrilogy The Star of the Guardians.
- The Conquerors Trilogy by Timothy Zahn
- Edmond Hamilton: Big love stories? Check. Epic space battles? Oh Yeah! Oversized heroes and villains? You might say that; Awe-inspiring places? Yep. Insanely gorgeous women? Heck yes! And they usually rule the universe - or at least a star kingdom to boot.
- The Stardoc series has elements of both this and Medical Drama.
- Space Vulture, a George Lucas Throwback to the original pulp Space Opera, by Gary K. Wolf and Archbishop John J. Meyers.
Live Action TV
Music
Tabletop Games
- Warhammer 40,000 is a Space Opera setting, although it's about as cynical, grim and dark as you can get. Actually, it's that, turned Up to Eleven.
- Battletech. The RPG, as distinguished from the series below.
- Traveller was pretty much the first RPG set in the Space Opera genre, and set the standard for those that followed. It's in the "semi-hardened" category of Space Opera and an incredible amount of work went into the Backstory including fairly realistic science and social science.
- Traveller is a fairly flexible game that has a Space Opera like Backstory and can be played at the Space Opera level. Much of the point is that the Traveller Universe is a Framing Device of sorts, which means local circumstances can be adapted to taste quite a ways.
- The forgotten board game Imperium was used as a source for some of the Traveller universe. It depicts a young and expansionist republic on earth, conquering a Vestigial Empire in space. There are a number of other Space Opera board wargames, but this one is notable for historical reasons.
- Fading Suns
- There was an entire RPG named Space Opera.
Video Games
- Asura's Wrath has some of this. It's mixed with South Asian Mythology.
- The Halo series
- The Mass Effect series. The writers actually put quite a bit of consideration into how the futuristic technology in it works, though (although, admittedly, writers have done this in a lot of other series classified 'space opera', such as the aforementioned Halo) .
- Star Control
- Many a science fiction TBSG (turn based strategy game) - most prominently Master Of Orion II
- Wing Commander
- Star Fox mixes Funny Animals with Space Opera.
- EVE Online
- Freespace
- Starcraft
- The Metroid series, although this slides more towards After the End Planetary Romance in the context of individual games.
- Metroid Prime: Hunters and Metroid Prime 3: Corruption are straight Space Opera, however, as they are the only games in the franchise that internally take place on multiple planets.
- Total Annihilation
- Warhammer 40,000: Dawn of War
- Marathon
- Galaxy Angel gameverse
- Xenosaga
- Advent Rising
- Infinite Space
- Colony Wars
- Ratchet & Clank, a space opera with a hefty dose of Looney Tunes thrown in.
- Super Mario Galaxy and its sequel.
- The Star Ocean series, when you aren't exploring underdeveloped planets.
- Spore's Space Stage.
- Otherspace
- MechQuest and WarpForce by Artix Entertainment.
Webcomics
Web Original
Western Animation
