Troperville
Editing Help
Tools
Toys
|
alt title(s): Aesop; Moral Of The Story What a wonderful day we've had! You have learned something, and I have learned something. Too bad we didn't learn it sooner, we could have gone to the movies instead.
"I can't tell you just now what the moral of that is, but I shall remember it in a bit." "Perhaps it hasn't one," Alice ventured to remark. "Tut, tut, child!" said the Duchess. "Everything's got a moral, if only you can find it."
The episode ends with a moral a la Aesop's Fables. Either the last line of the episode summarizes the whole point of the episode, or it leaves the viewer with the issue that the writers want them to ponder. Fifties sitcoms often end on the "Gee, I learned my lesson," type of moral, while Law And Order leaves you pondering.
Since some shows seem to contractually require one moral per episode, you often end up with a Broken Aesop.
A lot of kids' shows go out of their way for this, especially Disney animated shows. Writers often call it the "Object Lesson", and write the episode around it.
In an American Dom Com, the point where the Aesop is delivered is often referred to by writers as the Golden Moment.
For the lesson told or repeated in a separate segment during The Tag, see And Knowing Is Half The Battle.
For the lesson wedged rather arbitrarily within the story, see We Haven't Learned Anything Yet.
For times when the story's lesson is delivered via Phlebotinum, see Aesoptinum.
For times when the show hits you over the head with the lesson, see Anvilicious or Script Wank, but keep in mind that Some Anvils Need To Be Dropped.
In some quarters an Aesop delivered to another character, often a child, directly is referred to as a "You See, Timmy" from the frequent use of that line to deliver the Aesop in the television show Lassie. This definition was put forth originally in the movie Speechless.
Variations:
By the way, in literary circles, An Aesop is properly known as a moral. The original Aesop was a Greek slave of the 6th century BC. A collection of allegorical tales (including "The Tortoise and the Hare", "The Boy Who Cried Wolf", and others) attributed to him have survived to the present day and are known as Aesop's Fables.
Ironically, Aesop probably doesn't deserve the dubious honour of having this trope named after him. In their original forms these stories likely did not end with heavy-hitting moral anvils. The listeners (for Aesop would have been an oral storyteller) may have been left to sort out the meaning for themselves; the one-liner morals (such as "slow and steady wins the race") were likely tacked on by modern compilers.
Also see: Central Theme
An Aesop is among the Tropes Of Legend.
Examples:
open/close all folders
Anime and Manga
- Most episodes in Mokke have mild, safe Aesops in the vein of "appreciate your friends," "set goals in life" or "don't cling obsessively to material possessions."
- The main theme running through the ARIA series is that you should enjoy life to its fullest and pay attention to little everyday wonders. Of course, it helps when you live on a terraformed planet full of mysteries and are allowed to spend your time rowing a gondola in a beautiful city of canals, populated by friendly people.
- A recurring Aesop in Magical Girl Lyrical Nanoha is that regardless of how one was born/created one has the ability to choose whether to do good or evil.
- At the end of each volume of Oishinbo there are cautionary tales that teach a lesson. At the end of Japanese Cuisine there is an Aesop about simple values, at the end of the volume Sake there is one about sobriety and at the end of the Ramen and Gyoza there is one about racism.
- Monster: forgive, no matter how horribly you were hurt.
Film
- Lampshaded in The Spongebob Squarepants Movie, in the following dialog:
SpongeBob: You're right, Plankton. I am a kid. But I've been through a lot in the last six days, five hours and twenty-seven minutes, and in that time, I've learned that no amount of mermaid magic, or managerial promotion, or some other third thing can make me any more than what I am inside: a kid. Plankton: Very impressive. Now, back against the wall... SpongeBob: [on microphone] But that's okay! Because I did all the things they said a kid couldn't do! I went to Shell City, and I beat the cyclops, and I rode the Hasselhoff, and I brought the crown back! So, yes, I am a dork, and a goofball, and a wingnut, and a Knucklehead McSpazatron! But most of all, I'm...I'm...I'm... I'm a Goofy Goober! [ rock music starts]
- And later subverted in the end of the movie:
Mr. Krabs: Mr. Squidward, front and center! I think we both know who deserves to wear that manager pin. Squidward: I couldn't agree more, sir. [Crowd cheers] SpongeBob: Wait a minute, everybody. I need to say something first. I just don't know how to put it. Squidward: I thing I know what you're going to say. After your life-changing journey, you found that you really didn't want what you thought you wanted. What you really wanted was inside you all along. SpongeBob: Are you kidding? I was just going to say that your fly was down. Manager? This is the happiest day of my life!
- Subverted in the Coens Brothers' dark spy comedy Burn After Reading.
FBI Chief: So, what have we learned? Subordinate: I don't know, sir. FBI Chief: Neither do I. I guess we learned never to do that again. Even though I don't know what the hell we did.
- This trope is used and then averted in The Onion movie. Immediately after a pro-West, "violence is not the answer" speech by a former terrorist, the main character goes on to say:
"I think we've all learned a few things in the past 90 minutes. We've learned that Irishmen have huge nipples. We've learned that film-critic intellectuals are a bunch of gaywads. And most of all, we've learned that creeping corporate influence over the news protects us from terrorism."
Literature
- Every Oompa-Loompa song in Charlie and the Chocolate Factory and Charlie and the Great Glass Elevator is An Aesop in rhyming verse.
- The moral of The Brothers Karamazov is to live life, take the good and take the bad and remain true to yourself. There might be other lessons scattered about the book concerning not manipulating others or belief in God, but the big message is to take the ups and downs and keep on. It comes off as bittersweet mostly because of all the events that had to take place for the protagonist to come to this conclusion.
- The poems "Maxims of Baloo" and "The Law of the Jungle" from Rudyard Kipling's original Jungle Books probably qualify.
- War And Peace: There are no Magnificent Bastards, only bastards who think themselves magnificent. Told via an entire part just in case you didn't catch it in the plot.
- Subverted in the poem 'Twice Times' by AA Milne about two bears, one good and one bad who then, for no apparent reason, swapped places. The poem concludes "There may be a Moral, though some say not; I think there's a moral, though I don't know what."
Live Action TV
- A recent example is Full House. Every episode ended with a sappy musical score while Bob Saget explained the moral of the story to one of the girls.
- Most of the episodes of The Twilight Zone and The Outer Limits were morals about human hubris.
- Vehemently rejected in Seinfeld where the credo was "No hugging! No lessons! No point!"
- Strangers With Candy based its entire premise on parodied Aesops: every episode ended with Jerri learning such lessons as the usefulness of illegal steroids.
- Pretty much every episode of My Name Is Earl ever devised concludes with Earl dropping an Aesop on the viewer's head in a voiceover.
- The Weird Al Show's staff were so annoyed by the fact that they had to shove a moral down children's throats every week, they actually started each episode with the lesson to be learned written on parchment and narrated in a fancy voice. It was then torn in half to start the show.
- The Brady Bunch has this in spades.
- Every episode of Scrubs ends with J.D. reciting the theme of the episode over a musical piece. Often, though not always, an Aesop.
- A great many Star Trek episodes end on an Aesop, sometimes even degenerating into a minor Patrick Stewart Speech. In fact, 'every' episode of the Star Trek The Original Series ended on an Aesop, as Roddenberry was apparently obsessed with moralizing everything in the most convoluted way.
- Exception: "City on the Edge of Forever".
- In Doctor Who, The Two Doctors was an allegory about meat-eating, hunting and butchering, ending with the Doctor announcing to Peri that, "from now on it's a healthy vegetarian diet for both of us!" Writer Robert Holmes was a vegetarian.
- He has started eating meat again since...
- Robert Holmes too?
- Just the Doctor. Robert Holmes was a vegetarian up until he died.
- And hopefully, Holmes is still.
- Actually Robert Holmes is dead, so he's (presumably) not eating anything!
- Oft-times used in the Disney show Smart Guy, one particularly creepy example being "Strangers on the Net" in which ten year old T.J. meets up with a man from the internet who later tries to get him to pose for pictures in his underwear, thus teaching us about internet safety. In about the squickiest way possible. And this was on DISNEY.
- Not only used in virtually every episode of Hannah Montana, but occasionally played with too, with Miley once asking her dad if he can't just fix the problem instead of trying to teach her a life-lesson.
Newspaper Comics
- Subverted in Calvin and Hobbes, where Calvin learns the wrong lesson, if he learned any at all.
Theatre
Video Games
- Sonicthe Hedgehog has one in Sonic and the Black Knight. It ended with Sonic teaching Merlina how life simply works
Sonic: Merlina, every world has it's end. I know that's kind of sad, but... that's why we gotta live life to the fullest in the time we have. At least, that's what I figure.
- The Legend Of Zelda: Twilight Princess is all about not judging people or things by their appearances; it manages to make that awesome.
Web Original
- Broken Saints is big on the moral messages, and this is Lampshaded in the credits of Chapter 19, which has a line reading: "today's lesson: strip clubs are bad"
Webcomics
Western Animation
- The first season of Avatar The Last Airbender was pretty notorious about this. Although some of those were along the lines of "Stealing is wrong unless it's from pirates," so...
- Parodied in the "I've learned something today" speeches that close episodes of South Park — though as often as not these speeches really are didactic.
- The Tick also ended most episodes with The Tick turning to Arthur and saying "Arthur, I think we've learned a valuable lesson today," and then expounding semi-incoherently.
- The Weekenders loves Aesops. The ep "Listen Up" subverts their convention two-fold by having Carver (instead of the usual Tino) deliver it, and then having him off-center on screen and fading him out, forcing Carver to cut it short.
- The Rocky And Bullwinkle segment Aesop and Son subverted not only this trope, but the fables themselves. The titular philosoher would tell a parodic version of his story, say the moral, and then Junior would chime in with a second moral, usually a pun off some element of the story.
- Subverted on The Simpsons; at the end of one episode, the family debates what lesson they're meant to learn from the events of the past 22 minutes before finally concluding that it was all "just a bunch of stuff that happened".
- Repeatedly and in many different ways, too. For example, after an episode about not trusting TV Homer judges Willie just because of evil background music, pronouncing "Marge my friend, I haven't learnt a thing."
- Or when Apu loses his job, seems to be happy again leading Marge to philosophise: "I guess happiness is wherever you find it" and the episode seems over until they hear Apu sobbing outside.
- The episode where the family house sat for Mr Burns had what probably amounts to a genuine aesop, with Marge saying they have everything they need right there and Homer tries to agree but breaks down after doing so, trying to say that being rich isn't that important but stopping and crying that he wants to be rich 'Like these guys' as the names of Brooks, Simon and Groening appear on screen.
- Taz-Mania often featured the characters saying at the end "What have we learnt from this?", and usually concluding that they hadn't learnt anything.
- The original He Man And The Masters Of The Universe animated series always ends with an aesop. The Centurions always had some sort of science lesson at the end.
- Subverted in Family Guy: While Peter recovers in the hospital, Lois says, "I guess you learned an important lesson." Peter leans back smugly and says, "Nope," at which point the episode ends.
- Of all the animated Disney kids shows, The Proud Family must be the worst in terms of heavy-handed, Anvilicious morals. Every episode only exists to deliver an aesop. The plot always revolves around the daughter of the family learning an Important Lesson of Modern American Conservative Middle-Class Values.
- Disney Channel's Lilo And Stitch The Series is another one of those animated kids shows that works by rote, it's usually a lesson about the power of friendship and tolerance and honesty, to the point of being cloyingly cute. But it's still not as annoying as The Proud Family. Nothing can quite manage that.
- On What It's Like Being Alone, Aesops are usually provided by one-off characters that are on the verge of death. They then die, violently.
- Jem did this in practically any episode about the Starlight Girls - one of them would do something stupid and have to have An Aesop explained to them. Anything from stealing to drugs. A few featured other characters. Such as the one where Roxy got screwed over again and again because she couldn't read.
- Parodied in an episode of Futurama. After Fry and Bender drag the Planet Express headquarters along on their joyride in the Planet Express ship, they exit the ship to find the rest of the Planet Express staff, battered and seriously pissed off, waiting for them. Attempting to divert inevitable trouble, Bender says, "And that's how we learned our lesson."
"It's just like the story of the grasshopper and the octopus. All year long, the grasshopper kept burying acorns for winter, while the octopus mooched off his girlfriend and watched TV. But then the winter came, and the grasshopper died, and the octopus ate all his acorns and also he got a racecar. Is any of this getting through to you?"
- Lampshaded in Animaniacs (repeatedly) with their Wheel of Morality. "Wheel of Morality, turn turn turn. Tell us the lesson that we should learn."
- Gargoyles had the episode 'Deadly Force,' in which Broadway finds Elisa's loaded gun and starts playing Cops n Robbers. Elisa walks in, startles him, and she's shot in the arm, showing just how deadly guns can be. Wasn't even healed in the next episode, either. Too bad it turned into the Missing Episode.
- Roughly a third of all Kim Possible episodes ended on An Aesop (sometimes due to Aesop Amnesia), roughly a third of the episodes ended on a Subverted Aesop, and the remaining thirty took the aesop and twisted it about as far as possible to create fantastic aesops (don't buy mutant toys) Space Whale Aesops (Eat healthily or your DNA will mutate you into a mini-Hulk) or just outright lampshading them for comedy value.
- Fat Albert and the Cosby Kids had a heavy-handed Aesop in every episode, driven home by a song from the Kids themselves. One example: "Dope is for dopes/Drugs are for dummies/And if you mess around with them/That kind of mess isn't funny."
|
|