Exactly What It Says on the Tin
Synth Pop is what occurs when you take synthesizers and make pop music with them.
An important stylistic mark of Synth Pop is that the synthesizers deliberately sound like synthesizers, or in Purple Prose
they exploit artificiality
. Synth Pop does not use synthesizers to replicate acoustic sounds but rather as instruments in their own right.
Synth Pop can use acoustic instruments, however the majority of the work must be Electronic Music
in order for a pop song to be classified as Synth Pop.
This genre was very influential during The Eighties
(although it's Older Than They Think
; the very first synth albumnote
, The In Sound From Way Out!
, was an example of Synth Pop in 1966
, nearly 20 years before the genre became popularnote
). Whilst many eighties pop bands were not predominantly
electronic, they were usually significantly
electronic and made generous use of of their synthesizers and drum machines.
The distinction between this genre (at least during The Eighties
) and New Wave
is not easy to establish. One potential distinction is that Synth Pop must be predominantly
electronic, and significantly
electronic pop music can be classified as New Wave
. However, some people do tend to use "New Wave" and "Synth Pop" more or less interchangeably, and use either term to refer to any eighties pop song with a significant electronic component.
There's also been a resurgence of synth pop in the indie arena, taking its cues from early 80's new wave (You know, keyboards and depression, together in perfect harmony. Leads to artists with names like Casiotone For The Painfully Alone
The Darker and Edgier
, more aggressive and punk
-like approach to this style of music results in Electronic Body Music or EBM, which is a subgenre of Industrial
The darker, angstier, Wangst-ier
version of this style of music is called Dark Wave
Significant artists include:
And arguably a good portion of The Eighties
pop acts in general (who are either this or New Wave