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Trope Codifier
You have before you three series. The first, Series A, was the first known use of a trope, but it may or may not have been intentional. The second, Series B, was the first intentional use of the trope. The third, Series C, does not claim originality, and may in fact have ripped off series B, but is the template that all later uses of this trope follow.

Series A is the Ur Example.

Series B is the Trope Maker.

Series C is the Trope Codifier.

In other words, if in tracing the history of a trope, one example stands out as the template that many, many other examples follow, that's the Trope Codifier.

The Trope Maker is frequently also the Trope Codifier, but not always. In particular, when the Trope Maker is a work of outstanding quality, the Trope Codifier may often be a story that shows how lesser authors can do a good imitation. Conversely, a great writer may gather up many old tropes and polish them to a shine, codifying them for later generations. Occasionally somebody rediscovers a Forgotten Trope.

The Trope Codifier may be the first theme park version or Pragmatic Adaptation. If the trope is Older Than They Think, the Codifier is usually mistaken for the Trope Maker. Really old tropes may have been codified every couple of centuries for millennia, as successive codifiers show how to adapt the age-old trope to their times. With the advent of television, a trope related to television may be codified by a new show every decade or two after the associations with previous codifiers have died out.

Important: "Trope Codifier" does not mean Most Triumphant Example. It means "Example that has fingerprints of influence on all later examples of the trope". The true marker of a Codifier is that it invents some unique spin on the trope that all later examples have some reaction to. Take, for example, Werewolves. There were earlier examples of werewolf stories, but it is with 1941's The Wolf Man that we first see werewolves as an infection (previously, it was a curse or part of a Deal with the Devil), silver vulnerability (previously, it was vampires or ghosts who were usually associated with weakness to silver), made the werewolf a human cursed to turn into a wolf-man (previously, all kinds of variations were available, from wolf that turns into a man, to man who was permanently turned into a wolf), and tied the wolf to the night of the full moon (previously, they either focused on the three nights around the full moon, or had little to do with the phase of the moon). Almost all later examples of Werewolves bear some of these subtropes, which originated with The Wolf Man, or at least discuss them in order to explain why Our Werewolves Are Different. Thus, we can state with confidence that it is the Trope Codifier.

Examples should be of Trope Codifiers that aren't Trope Makers themselves.

Related to Older Than They Think. If a Trope Codifier is particularly influential, and the Trope Maker a little twisted you may have an Unbuilt Trope.

Also see Most Triumphant Example.

Examples:

    open/close all folders 

     Anime & Manga 

     Comic Books 

    Film 
  • Halloween 1978 was the Trope Maker for the Slasher genre, but Friday the 13th was the Trope Codifier. In particular, Friday the 13th was the actual Trope Maker for Death by Sex rather than Death By Not Paying Attention (Including Having Sex) for all the imitators that followed.
  • Star Wars:
    • is the Trope Codifier for Joseph Campbell's Hero's Journey (as well as a heck of a lot of other ideas). Campbell described the pattern based on a range of heroic myths, but today, any good story that follows the Hero's Journey pattern is accused of ripping off Star Wars — and any bad story that follows the Hero's Journey pattern actually does.
    • Star Wars (along with Blade Runner) was also instrumental in making the Used Future concept widespread.
    • The Old-School Dogfight was popularized by the films' use of it as an homage to World War II air war films, with the Death Star trench run in A New Hope in particular inspired by The Dam Busters.
  • Blade Runner is the codifier of Cyberpunk. It was one of the first films that portrayed the future as more dark and grimy and served as the inspiratin for a lot of films.
  • Batman was not the first Superhero Movie, but it was the one that showed that superheroes were very profitable. It also altered the archetype of the Summer Blockbuster: changed it "huge mass-marketing machines that were as much made to sell merchandise as they were to sell tickets" to "huge mass-marketing machines that were as much made to sell merchandise as they were to sell tickets, and are based on an existing property that the audience already has an attachment to".
  • The 1931 movie version of Dracula codified most modern Vampire Tropes.
  • The 1941 film The Wolf Man codified the tropes for werewolves, as well as being the Ur Example of several tropes such as silver bullets, the famous poem about the curse, and the contagious nature of werewolf bites - before the film, weakness to silver and contagion were vampiric traits.
  • Birth Of A Nation pulled together all of the little camera tricks and editing techniques that were tried in the early years of film into a coherent set of storytelling tools. It was also horrendously racist. The gymnastics film history classes have to go through because of this are quite amusing.
    • The film caused such a headache for critic Roger Ebert when he repeatedly considered featuring it in his Great Movies series of essays that he always held off writing about it. When he finally decided to address it, he did it in two parts, explaining to readers that Part 1 would discuss the racism and history, just to get it out of the way. Part 2 would then be free to discuss the art of filmmaking without offending anyone. Even with the boundaries clearly defined, he had a heck of time writing that essay.
    • Triumph of the Will was this for documentaries. It was another source of mental gymnastics for film history and also a codifier of certain cinemtographic techniques.
  • This Is Spinal Tap: The Codifier for the feature film Mockumentary genre. The Trope Maker is probably Zelig Woody Allen, released just one year before (1983). The older example, The Rutles' All You Need Is Cash being a television film (1978).
  • The Blair Witch Project is the trope codifier for the found footage mockumentary horror films '00s. The trope maker is Cannibal Holocaust.
  • 1972's The Poseidon Adventure pretty much established the template for future disaster movies, despite sharing many elements with earlier entries of the genre like A Night to Remember.
  • Time travel; Ur Example: A Connecticut Yankee In King Arthurs Court by Mark Twain. Trope Maker: The Time Machine by H. G. Wells. Trope Codifier: Back to the Future.
  • The Creature from the Black Lagoon wasn't the first Fish Person, but he's certainly the best-known and most influential example.
  • There were car chases on film before, but the one in Bullitt became the most famous one which all films after tried to emulate.
  • Black Hawk Down is the first major movie that popularized modern, 21st century (although the movie actually takes place in 90s, the principle is intact) warfare. This movie is majorly responsible for the games like Modern Warfare, Metal Gear Solid 4, and Resident Evil 5.
  • The Hollywood Nuns trope owes itself largely to three films. The Song Of Bernadette (1943) was the initial Trope Codifier, and The Nun's Story (1959) and The Sound Of Music (1965) solidly reinforced the trope. Because they were so popular, they were used as templates for nuns in film forever after.

    Literature 

     Live Action TV 

    Music 
  • By the time of Michael Jackson, music videos were evolving beyond just shots of the band, but he set the standard for everything that came after him.
  • If Led Zeppelin was the Ur Example of Heavy Metal, and Black Sabbath was the Trope Maker, Judas Priest is certainly the Trope Codifier. They started the standard image of leather, spikes, studs, and denim, removed much of the blues elements that were very apparent in earlier examples of metal (Led Zeppelin was called blues-rock, after all), and made metal cool again in the late 70s. Motörhead also helped in the codifying of metal. They took influence from Punk Rock and from Heavy Metal and, in turn, inspired much of Thrash Metal.
    • W.A.S.P. was the Trope Codifier of heavy metal's image in the 1980s, combining the Judas Priest facade above with KISS and Alice Cooper-style shock rock antics turned up to eleven, unsubtle Satanic imagery, songs about sex, drugs and rock 'n' roll, big hair, pointy guitars and spandex.
  • Pierre Schaeffer's 1948 opus Cinq Études de Bruits was not the world's first musique concrète. John Cage's Imaginary Landscape and perhaps other such works predate it. But it was the first music to have that label (coined by Schaeffer), and codified the genre.
  • Richard Wagner coined the term "leitmotif" in an 1851 essay and codified the concept in his famous cycle Der Ring des Nibelungen, which he had been working on at the time. But the trope was invented two decades earlier by Hector Bérlioz, who called it "idée fixe" in his own writings.
  • Using Auto-Tune for a robotic effect didn't become prominent until the arrival of T-Pain in 2005. Unlike other artists that relegated it to subtle uses or genres aiming for a digitalized sound (such as electronica or techno), T-Pain used it obviously and flagrantly on nearly all of his releases. His huge success led to a slew of imitators within pop, R&B, and hip hop.
  • If this trope is possible on one network, then Hilary Duff is the trope codifier for the current batch of teenage Idol Singers on Disney Channel. Before her, Disney Channel stars didn't really do much outside of the show. After her, Disney practically required all of their actresses to sing regardless of talent.
  • Despite Buck Tick and X Japan being prominent early examples, Kuro Yume set the template for nearly every Visual Kei band that followed, including better known (at least in the West) examples such as Dir En Grey and Luna Sea.
  • While Todd Edwards certainly didn't invent sampling, he made it into an art form. What he does is he takes sometimes up to 100 samples from different songs and creates new melodies with them. This type of sampling is often referred to as "microsampling."
  • Dizzee Rascal's debut album, Boy in da Corner, popularized grime, a fusion genre mixing rap with electronic music.
  • Nitzer Ebb combined many of the particulars of early EBM bands and brought all the elements together for the sound that most EBM bands afterward would follow. Front 242 created the name EBM, and DAF (or perhaps Kraftwerk) had many of the elements of the sound, but Nitzer Ebb would be the model for the future.
  • LL Cool J's "I Need Love" is considered the first rap ballad (though the Ur Example would probably be Sugarhill Gang's 1982 song "The Lover in You"), showing that rappers need love too. Because of this song, even the most gimmicky One Hit Wonder-y rapper will release at least one slow love song.

    Newspaper Comics 

    Real Life 

     Tabletop Games 
  • It's unclear whether or not Advanced Dungeons & Dragons ** was the first to present an alignment alignment system beyond good/neutral/evil, but it was definitely the most prominent, and its nine-point alignment system comprises all of the Character Alignment tropes today. Ironically, the most recent version of the game has done away with the alignment system, for the most part.
    • The Order Versus Chaos aspect was borrowed from Michael Moorcock, for what that's worth.
    • Original D&D only used Law/Neutral/Chaos. Later in the Strategic Review (the forerunning of Dragon) Gygax penned an article with five alignments: Neutral plus the four pairs using Good/Evil crossed with Law/Chaos. This version was used in Holmes's Blue Book Basic D&D. Soon after the AD&D PHB had the nine-fold system.
    • While the connection might be coincidental, The Nolan Chart (a Trope Codifier in its own right) was published in 1971 (seven years before the AD&D 1e Players Handbook) as a two-dimensional alternative to the traditional left-right political analysis. Communitarianism vs. individualism might be analagous to law and chaos, but YMMV as to whether free markets are chaotic and good or chaotic and evil.
    • D&D in general either made or codified a whole slew of gaming tropes, including Armor and Magic Don't Mix, Character Class System, Linear Warriors, Quadratic Wizards, Skill Scores And Perks, and so forth.
  • The Zerg of StarCraft may have been the namers for Zerg Rush, but the Tyranids, of Warhammer 40000, were infamous for the tactic long before the Swarm came around. Of course, both being based on the Bugs from Starship Troopers the similarities are unavoidable, the Result being an odd case where the Trope Namer came after the Codifier.
    • Also The book also broke all the Bugs into casts of Worker and Warrior bugs, all directed by a special hierarchy of subterranean Brain Bugs.
  • GURPS quite literally defined the Weirdness Magnet trope.
  • Although there were Trading Card Games older than Magic: The Gathering (mostly using baseball cards), most of the tropes associated with modern TCGs started with Magic.

    Theatre 
  • William Shakespeare is another example; he used almost entirely unoriginal plots (with his fame coming from executing them brilliantly), so anybody harkening back to Shakespeare for a basic plot is going to the Trope Codifier, rather than the Trope Maker.
  • "Laurey Makes Up Her Mind" from Oklahoma! was the Trope Codifier for Dream Ballets in musicals.
    • Oklahoma! can also be considered the Trope Codifier for integrated musicals in general. Prior "musicals" were generally either plays interrupted by occasional songs or flimsy plots that were just an excuse to move between song and dance numbers. Show Boat is usually considered the first musical to integrate song, dance, and story, but it was hard for others to imitate. Oklahoma! provided a template that other musicals used pretty much until Andrew Lloyd Webber showed up.

     Video Games 

     Web Original 

     Western Animation 

    Other 
  • Digital Devil Story codified the Mega Ten metaseries, providing the original source material that eventually set the rules for all Mons.
  • An earlier work by William Gibson coined the term "Cyberspace". Both Neuromancer and TRON set the standards for what we think of it.
  • Acorn Computers' Arthur OS had the Ur-Example. NEXTSTEP had the original and the user-interface trope namer. But if you've got a dock in your operating system, the OS you're inevitably accused of copying is Apple's Mac OSX. So of course it's also Older Than They Think.
  • For graphical interface conventions in general (mice, menus, windows, etc.), the Ur-Example was Xerox PARC's groundbreaking research of the '60s and '70s, which never turned into commercial products on their part, but was Xeroxed by Apple (the Trope Maker) as the basis for its Macintosh interface, and then ripped off (and made even more popular and mainstream) by Microsoft in Windows, the Trope Codifier.
  • Fortune teller characters nowadays will likely take some influence from Miss Cleo. This results in Romanians with Jamaican accents.
  • Clarence Darrow's defense of Leopold and Loeb was the codifier for Society Is to Blame
  • James Watt didn't invent the first stationary steam engine, and George and Robert Stephenson didn't invent the first steam locomotive. But their versions were so much more efficient than previous ones that they are often credited as the inventors.
  • Former Israeli prime minister Golda Meir is believed to be the first person to utter the "even a paranoid can have enemies" line so often used in reference to Properly Paranoid characters.

Trope BreakerMeta ConceptsTrope Makers
Mini-GameIdle Game    
Tribute To FidoShout-Outs IndexTuckerization
Richard WilliamsNoteworthy Looney Tunes Staff    
Tear JerkerJustForFun/Tropes of LegendTrope Maker
Thomas LigottiNew WeirdShifting Elements

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