Music / Linkin Park
Left to right: Brad Delson, Mike Shinoda, Mr. Hahn, Chester Bennington, Rob Bourdon, Phoenix

An Alternative Rock band from Agoura Hills, California. Since their formation in 1996, the band has sold more than fifty million albums and won two Grammy Awards. They achieved mainstream success in 2000 with their debut album Hybrid Theory, and continued it with the remix album Reanimation, the follow-up Meteora, and their collaboration with rapper Jay-Z, Collision Course.

Linkin Park had a steady start by blending the sounds of Nu Metal, Rap, Rock, and together, eventually ditching the Nu Metal when it became a Dead Horse Genre and bringing in elements of Alternative Rock, Electronic Music, and other influences (though with The Hunting Party, they returned to their Nu Metal roots). While they remain one of the most popular current rock acts, there are also others that aren't keen on all the screaming and the lyrics, leading to the common stereotype of Linkin Park being the band du jour of "whiny, angsty teenagers with no good reason to be" the world over. This is most reflected in forum jokes and memes made about the band, almost always referring to songs from Hybrid Theory and Meteora; songs usually involving those who tried so hard and got so far, but in the end it didn't really matter and CRAWWWLLLLING IN MY SKINNNNNNNNNNNN. Their fanbase has been split since the release of Minutes to Midnight over bringing new influences into their sound. This hasn't deterred the band any from continuing to do what they want with their music, leading to reactions that are more predictable in their hysteria than whatever Linkin Park chooses to put out next.

While their music has been featured in dozens of films, Linkin Park has a particularly strong association with the Transformers Film Series. In addition to providing singles for the first three movies and the video game Rise of the Dark Spark, they collaborated with Steve Jablonsky and Hans Zimmer on the score for Revenge of the Fallen. Hasbro commemorated their involvement with the franchise in 2013 by issuing a limited-edition redeco of G1 Soundwave, cast almost entirely in gold plastic and featuring the LP logo on his cassette door/chest, and accompanied by four of his cassette partners (also done in gold).

They are a popular music source for anime music videos, inevitably featuring shonen series like Dragon Ball Z (and occasionally not-so-shonen series, namely Neon Genesis Evangelion.) Furthermore, their music video for "Breaking the Habit" is an actual anime music video, animated by GONZO. Their music video for "Points of Authority" (Remixed) features CGI Humongous Mecha battling an army of alien invaders, and the band has a strong association with Gundam, featuring one made of mixed parts on the cover for Reanimation, showing several Gunpla models in the video for "Somewhere I Belong", and even having their own Gunpla and their song featured in a Gundam game. Their official music video for "Guilty All the Same" was made entirely using Project Spark.

Their song lyrics have inspired the trope name for The Walls Are Closing In.

Related Acts:
  • Fort Minor (Shinoda)
  • Dead by Sunrise (Bennington)
  • Grey Daze (Bennington)
  • Stone Temple Pilots (Bennington)
  • Tasty Snax (Phoenix)

  • Chester Bennington: Lead singer and metal screamer. Can play guitar when needed. Has a side project named Dead by Sunrise (in collaboration with the members of Julien K); also was the lead singer for Stone Temple Pilots from 2013 until 2015.
  • Mike Shinoda: Co-founder, emcee, singer, rapper, pianist, second guitarist, graphic designer, producer, painter, and blogger. Used to playing several instruments during the same song. Has a side project named Fort Minor.
  • Brad Delson: Co-founder, lead guitarist and lead afro. Occasionally plays the keyboard.
  • Rob Bourdon: The drummer, but can also play piano when the band is writing new songs.
  • Joe "Mr." Hahn: The DJ, synths and samples guy who also directs their music videos. Owns an art shop in Los Angeles called SURU.
  • Dave "Phoenix" Farrell: The bassist and backing singer. Nicknamed in reference to the film Mystery Men, after a fan thought his real name was boring. Also does string arrangements.


Linkin Park provides examples of:

  • Album Filler: Mike Shinoda has said that "Runaway" was included on Hybrid Theory for this reason. They had given up on the song and wrote "One Step Closer" out of frustration. Because they couldn't use the planned song "She Couldn't" for sample reasons, nor did they want to include the re-recorded "High Voltage," they decided to go back to the Xero demo Stick N Move and re-used some of the melody lines to finish off "Runaway." The band regard "Runaway" as the worst song they ever wrote, although fans tend to disagree. At times they've said they don't want to play it live again, but continue to do so anyway.
    • Lampshaded by Black Thought on "X-Ecutioner Style."
  • Album Title Drop: "The Requiem" and "The Catalyst" for A Thousand Suns.
    • Probably would have counted as Bookends if not for "The Messenger."
  • All for Nothing: "In the End," explicitly so: I tried so hard, and got so far, but in the end, it doesn't even matter. Then there's the trope's namesake in The Hunting Party.
  • All Just a Dream: The video for "Somewhere I Belong."
  • Ambiguously Jewish: While not presenting any obvious identifiers as being so, drummer Rob Bourdon is in fact Jewish.
    • Lead guitarist Brad Delson, however, not so ambiguous...
  • And I Must Scream: The alien commander who gets enveloped by the blue tentacles at the end of the "Pts.OF.Athrty" music video.
  • Animated Music Video: "Breaking the Habit," "Pts.OF.Athrty," "FRGT/10," and "Guilty All the Same."
  • Animesque: The music video for "Breaking the Habit," though the "-esque" is questionable, as it was produced by Kazuto Nakazawa.
  • Ascended Extra: Mike Shinoda was the founder and original producer of the band, and was its primary vocalist during the underground years; Chester Bennington, despite being the last member to join, is now popularly recognized as the frontman. However, the songs are primarily written around Shinoda's programming and continue to be so.
  • Asian and Nerdy: Mike and Joe.
  • Atomic F-Bomb: Thanks to Chester's Metal Scream, the bridge of "Given Up" gets this treatment.
  • Audience Participation Song: During live performances of "Bleed it Out", there's a chance of Chester and Mike initiating a singing contest between each other with the audience's help, such as on Road to Revolution. The audience is also encouraged to sing with Chester on "In the End."
  • Awesome Mc Coolname: Mike Shinoda. Just SOUNDS badass.
  • Berserk Button: According to the Fort Minor song "Get Me Gone," Mike's is the insinuation that the band was manufactured by their record label. According to him, he would have been kicked out if the execs had gotten their way.
    • As he makes clear in "When They Come for Me," he finds it really annoying that people always want them to go back to their old sound and don't appreciate their new music just because it's different.
  • Big "NO!": The chorus of "Blackout." Emphasis on BIG. Also four times in "The Catalyst."
  • Big "SHUT UP!": The bridge of "One Step Closer."
  • Bittersweet Ending: A Thousand Suns.
  • Black Sheep: The song "Nobody's Listening" from Meteora, with its creepy Japanese flute, Hip-Hop meets Doom Metal feel, and seemingly random placing on the album. It's not surprising to know that the song was the last recorded and added to the album at the last minute. It would be re-recorded for Shinoda's solo project Fort Minor under the title Nobody's Listening (Green Lantern Remix), where it fit slightly better.
  • Boastful Rap: "Step Up," "High Voltage," "When They Come for Me," "I Have Not Begun," and if Fort Minor is to be counted, "Remember the Name."
  • Bookends: "Krwlng", the last track of the remix album "Reanimation" starts with the same violin in "Intro," the intro of the album.
  • Call Back:
    • "When They Come for Me" has a few, being a boastful rap that calls to mind the band's earlier hip-hop tracks "Reading My Eyes," "Step Up," and "High Voltage." He references "Points Of Authority" by saying he's not the same guy that 'forfeit the game'. He also refers to the band's first album "Hybrid Theory" in the line "Once you have a theory of how the thing works, everybody wants the next thing to be just like the first." Also, the Middle Eastern sounding vocals towards the end of the song are quite similar to those of the intro to the band's song "Carousel," The theme of the song is that Shinoda takes his own path and doesn't care what people say, and they can either keep up with him or be stuck behind.
    • It may be coincidental, but "Living Things" fifth track is "I'll Be Gone". The album straight before that, "A Thousand Suns", had "When They Come For Me", which was also the fifth track. And what are some of the lyrics from the song "When They Come For Me"?
      Ohhhh, when they come for me, come for me, I'll be gone.
  • The Cameo: Frontman Chester Bennington has small roles in the movies Crank, Crank: High Voltage, and Saw 3D.
  • Chewing the Scenery:
    • "Blackout" also counts (FUCK IT, ARE YOU LISTENING?!)
    • Oh God, "The Messenger." Chester really oversings on this little acoustic number. He almost sounds like Bono.
    • "Keys to the Kingdom," "War," "Mark the Graves," "A Line in the Sand."
      • In the same song, YOU DID IT TO YOURSELF!
    • Victimized is one of the harshest ones, if not THE harshest one.
  • The Chew Toy / Butt Monkey: It's an achievement for Chester to go a whole year without a major injury.
  • Cluster F-Bomb: Mike and especially Chester swear like children out of their parents' earshot during concerts, which is rather jarring since they have stated in interviews early after getting big that they're averse to swearing in their music.
    • However, the band decided to be a little liberal with the word "motherfucker" on "When They Come for Me." With Minutes to Midnight and A Thousand Suns, they resigned themselves to getting parental advisory labels.
      • Liberality or just for the hell of doing it? It seems like the seven motherfuckers on "When They Come for Me" is for fun.
      • The exact profanity count for each album; Minutes to Midnight has eight uses of fuck: Two on "Bleed it Out," four on "Given Up," and two in "Hands Held High." A Thousand Suns has eight fuck (or fuck-related words): Seven motherfuckers on "When They Come for Me," and one fuck in "Blackout." There is also three shits in "Wretches and Kings."
  • Combat Tentacles: In the animated music video for "Points of Authority," an alien race invades a highly technified human outpost defended by robotic soldiers. When the aliens breach the perimeter, the humans activate a machine that causes an entire underground installation to rise up out of the ground and destroy the enemy forces with energy tentacles.
  • Concept Album: A Thousand Suns, about war, corruption and the atom bomb.
  • Concept Video: The videos that aren't Dress Rehearsal/Performance Videos.
  • Contest Winner Cameo: NoBraiN, the winner of Linkin Park's remix contest, got his remix featured on A Thousand Suns. He also makes an appearance on the outro to "When They Come for Me."
  • Cool Hat:
    • Not exactly a hat per se, but Delson's headphones count for being both unique and one of his most recognizable features, aside from his Jewfro.
    • More traditionally, Phoenix likes to rock a sweet fedora during concerts.
  • Cover Version: In addition to covering "Wish" by Nine Inch Nails and Adele's "Rolling in the Deep," they've also been known to play "Sweet Child o' Mine" and "My Own Summer." Averted with "Burn It Down."
  • Credits Gag; In the liner notes for Living Things: "Joe would like to thank whoever invented hot sauce. Also, to Heidi."
  • Dark Reprise: "Fallout" from A Thousand Suns is this to the album's third (technically first when not counting the preludes) track "Burning in the Skies," which features an ominous vocoded version of the chorus lyrics and serving as the prelude to "The Catalyst."
  • Demoted to Extra: Joe "Mr. Hahn" Hahn was a key part of the band's appeal in the Hybrid Theory days, but since those days has stayed in the background. Part of the reason is his DJ scratching was a big thing in the Nu Metal days, but has gone out of fashion, and the band's musical style has generally moved to push it into the background as well. Hahn himself appears to have become more reclusive than he was, so this may be an intentional thing.
    • Mike Shinoda during Minutes to Midnight. Compared to Hybrid Theory and Meteora, where him and Chester were a near-equal Vocal Tag Team, his rapping there was largely replaced by guitars. Only three songs on the album ("Bleed It Out," "Hands Held High," and "In Between") featured Shinoda's rapping, and only "Bleed It Out" featured their once-signature Vocal Tag Team style. The rest was pure Arena Rock sung by Chester. He has been more prominent in the albums since, however.
  • Determinator: Chester Bennington. He gets injured/ill so frequently he once wished to be put in a bubble. He's been bitten by a recluse spider, broken his wrists in the middle of a concert, injured his back and ankle, had surgeries because of mysterious illnesses, become allergic to his own sweat, had a tennis racquet go through his lip after he hit himself in the face with it while playing, and he ripped off one of his nipples just by getting in the shower. Nonetheless, totally badass for finishing the show where he broke his arm three songs in.
    • Bassist Phoenix played an entire show even after breaking his hand earlier in the tour.
  • Deliberately Monochrome: The band's behind-the-scenes videos, LPTV, were filmed in black-and-white during the A Thousand Suns touring cycle to reflect the theme of that album.
  • Digital Piracy Is Evil:
    • Averted. Members of the band have gone on record saying they really don't care if their songs are downloaded. When Minutes to Midnight was leaked, their only response was to advise people to listen to the tracks in order and ask that they buy the album anyway for all the non-musical stuff they put into it. Especially notable considering that their label is Warner, of all companies. The band themselves downloaded the Xero demo tape from a fansite so that they could relearn "Reading My Eyes" and play it live. In addition Shinoda acknowledged that "She Couldn't" leaked and whilst he said he couldn't legally talk about it, 'didn't' try to take the links down.
    • At the band's Rock Am Ring 2001 show (can be watched on Youtube), Mike tells the crowd they can download "High Voltage" from Napster if they don't have it.
      • On the other hand, played straight with the way the band's label Warner takes piracy, every time a copy of A Thousand Suns was sent to a music journalist for reviewing purposes, a cop was shipped along with it to make sure nothing leaked. Not that it stopped the album from being leaked anyway.
  • Dystopia: The setting of the Shadow of the Day music video.
  • Doomsday Clock: Minutes to Midnight
  • Dress Rehearsal Video: About half of their videos.
  • DVD Commentary: The band has a DVD edition for each of their CDs barring Hybrid Theory (which saw a standalone DVD a year after its release). Footage of them is usually about the music making process, life on tour, music video commentary, and the odd practical joke.
    • There isn't one for "Living Things" yet, but it is possible the band will make one in future.
  • Epic Fail/Hoist by His Own Petard: In "Figure 0.9" there is this lyric:
    "I think of how I shot myself in the back again."
    • "Lies Greed Misery" is all about looking forward to watching an adversary screw himself over.
  • Epic Rocking: "The Little Things Give You Away" clocks in at six and a half minutes while "Krwling", "1stp Klosr" and "The Catalyst" come close to that.
    • "A Line in the Sand" from The Hunting Party edges out of the former example by about 10 seconds.
  • Fading into the Next Song: The only album that doesn't use this is Hybrid Theory. It was intended to, however; the version of High Voltage cut from the album (and on the One Step Closer single) was supposed to segue in from "Cure for the Itch" as can be heard by the remnants of Itch at the beginning of Voltage. It was probably cut because it had already appeared in a different version on the Hybrid Theory EP.
    • Various special editions of Hybrid Theory feature this version of High Voltage as a bonus track, but no attempt was made to restore the original segue.
    • However, "Papercut" does segue into "One Step Closer" as does "Place for My Head" into "Forgotten"
  • Fake Band:
    Baby, if you were my Iraq / I'd never pull out of you if you know what I mean.
  • Fanservice: Frontman Chester Bennington seems to be shirtless about 40% of the time, performing or otherwise. As for the rest of the band, fans will have to scour the behind-the-scenes videos on the group's website for even a hint of fanservice from the other five members.
  • Fiery Redhead: Shinoda, but only in the cover for Hybrid Theory. He dyed his hair to black by 2001.
  • Five-Man Band:
  • Follow the Leader: Well, one could make a case about their earlier years, what with being a Nu Metal/rap-rock band in a time when those subgenres were on their way out. But let's face it, they're really following U2's genre-hopping and philanthropy.
  • Foreshadowing:
    • "The Requiem", the opening track from A Thousand Suns is an ambient, brooding version of "The Catalyst", the album's penultimate track, which also features the Album Title Drop. It also contains the piano track from "Waiting for the End" and the heartbeat-sonar ping combo sound is heard again in the start of "Jornada del Muerto". Shinoda has said that the track contains elements from every other song on the album along with elements that entirely its own.
    • A more subtle version comes in the track "Jornada del Muerto", which features Mike singing "Lift me up, let me go" in Japanese.
  • Four-Star Badass: Invoked by Mike as a form of Badass Boast in "All for Nothing"
    And no, I'm not your soldier; I'm not taking any orders
    I'm a Five-Star General, infantry controller
  • Genre Adultery: Leave Out All The Rest and Shadow Of The Day are soft-rock radio ballads that the band were once considered the alternative to. These tracks are the main reason for the disappointed reception of Minutes To Midnight by older fans.
  • Genre Roulette: Minutes to Midnight. If you need further proof, look at its track order. Within the span of three songs, you'll hear a political hip-hop song featuring a choir and piano, one of the heaviest songs the band ever wrote with Chester coming close to snarling most of the lyrics, and a light alternative ballad about a funeral.
  • Heterosexual Life-Partners: As being one of the few bands to still retain all of the original members after over a decade of working together, the guys are definitely this. Co-lead singer Mike Shinoda has called his bandmates as his "five best friends". The bassist Phoenix has referred to them as his "brothers". Special mention goes to Mike and co-lead singer Chester Bennington.
  • Hidden Track: At the end of "Shadow Of The Day", the song crossfades into a beautiful piece of music that leads directly into "What I've Done". The end of the track has the start of the backwards cymbal that in truncated form, begins "What I've Done". It's likely that this was meant to be the full intro to "What I've Done", and the band (or label) indexed it there so that "What I've Done" would match the single version. On their next album "A Thousand Suns", the band expanded on this idea with seperately indexed segue tracks for virtually every song.
  • Humongous Mecha:
    • The cover of Reanimation and some of their music videos, most notably 'Pts.Of.Athrty'. Their song "What I've Done" also appeared in Transformers (as well as several thousand Transformers Armada Starscream AMVs).
      • The videos for "New Divide" and "Iridescent" feature the Transformers prominently.
    • The video for "Somewhere I Belong", include Gundam models owned by Mr. Hahn himself. Models include the Sazabi, the Wing Zero Custom and the GP-01 Zephyranthes.
      • Bandai-Namco returned the favor by featuring "The Catalyst" in Gundam Extreme Vs. In connection, a Linkin Park version of the [GP-01Fb] was included with the purchase of the "A Thousand Suns" Japanese edition.
  • Hypocritical Humor: On "Rn@wy", Phoenix Orion claims he "can't get with the hybrids". He raps this over an industrial rock track.
  • Instrumentals: Most of which show up on fan-exclusive EP's. These are the ones that don't.
    • "Session" from Meteora, which was actually nominated for a Grammy.
    • "Wake" from Minutes To Midnight
    • "Lockjaw", a piece Mike and Rob were commissioned to make by Digidesign to promote ProTools 8.
    • "Issho ni", a charity track for the 2011 earthquake that devastated Japan.
    • "Tinfoil", from Living Things.
    • "The Summoning" and "Drawbar" from The Hunting Party.
  • "I Want" Song: Pick a song from the first two albums.
  • The Invisible Band: The video for Lost in the Echo
  • Kaleidoscope Hair: During the Hybrid Theory period, Mike Shinoda was known for dying his hair red.
  • Keet: One might be surprised to learn just how hyperactive and rambunctious lead singer Chester Bennington is. He's prone to jumping on things, shouting at random intervals, and performing strange rituals with the stage crew.
    • Many would expect Chester to be more downbeat considering his life, but he is widely known as the funnyman of the group.
    "The loneliest people are the kindest, The saddest people smile the brightest. The most damaged people are the wisest. All because they do not wish to see anyone else suffer the way they do." - Anonymous
  • Large Ham: Chester all the time, whether onstage or on tape. However, Mike isn't that far behind him.
  • Lets See You Do Better: As a response to the typical criticism from fans over "Issho ni", Mike challenged everyone to remix the song as they saw fit (although didn't provide the stems).
    • The theme of the song "When They Come For Me".
  • Licensed Game: 8-Bit Rebellion for the iPhone/iPod Touch. There was concern about the game being good, but fans were still looking forward to the new song and midi remixes of their previous hits included. Critic reviews have been kind, however.
    • LP RECHARGE, done in collaboration with Power The World/Music for Relief to help raise awareness and funds for sustainable energy and solutions to energy poverty, with certain purchasable in-game items counting as a donation. Unlike 8-Bit Rebellion, LP RECHARGE is a social Facebook game with an upcoming mobile version.
  • Long-Runner Lineup: Type 2, since 2000.
  • Loudness War: All their albums, with Living Things being the most audibly affected.
    • Shinoda acknowledged the bad mixing of Living Things by releasing the Acapellas and Instrumentals for digital download from iTunes and Amazon, so that fans could remix it to how they liked it. He already had a great reputation for caring about fans but this increased it tenfold.
  • Lyrical Cold Open: "Forgotten".
  • Lyrical Dissonance:
    • The song "What I've Done" sounds like a moody downer sound, but it's about facing the consequences of your actions, and finding forgiveness.
    • "Bleed it Out" averts this by being actually about writing lyrics, and re-writing them again and again (instead of self-mutilation as many automatically conclude). Bennington and Shinoda vented their lyric writing frustrations by writing more lyrics. This is lampshaded by the opening line "Here we go for the hundredth time."
  • Madness Mantra: On multiple songs, most notably Given Up and One Step Closer. Also have a tendency to have an ending Punctuated! For! Emphasis!.
  • Metal Scream:
    • "Given Up" contains a seventeen-second, two pitch scream while "Across the Line" has a prolonged scream lasting eleven seconds, also Wth>You has a 9 second prolonged COME ON!! at the beginning.
    • The chorus of "Blackout" also finds Chester giving his voice a serious work out.
  • Mohs Scale of Rock and Metal Hardness: Varies from 3-8, depending on the song.
    • Their older Nu Metal songs generally have a harder sound to it than their newer songs. There are exceptions, though.
    • Majority of The Hunting Party's lineup actually hit the 7-8 scale.
  • Mr. Fanservice: Chester Bennington. He has already appeared in a few live performances without his shirt.
  • Myspeld Rökband: The band's name refers to a Lincoln Park in which Chester resided in shortly after joining the band. One of the band members reasoned that the name would also help forge a connection with fans, since there were many cities with a Lincoln Park in them. It should be noted, however, that the name is misspelled not because it was "cool" but because was already taken.
  • Neoclassical Punk Zydeco Rockabilly: Their music has pretty much always been a mix of rock, hip-hop, and electronica. Which of these ingredients takes prominence depends on the song.
  • New Sound Album: Every album since Meteora. Each album goes:
    • Hybrid Theory: Nu Metal, rap, and rock.
    • Meteora: Nu Metal, rap, and rock, with some electronics thrown in.
    • Minutes to Midnight: U2-esque Alternative Rock with almost no rap apart from a few songs.
    • A Thousand Suns: A mix of electronic and experimental rock. More rap than Minutes to Midnight but not as much as before.
    • Living Things: A combination of their electronics from A Thousand Suns, as well as some sounds from their earlier albums.
    • The Hunting Party: Back to Nu Metal again, though with a bigger emphasis on Alternative Metal and Hard Rock compared to their first two albums.
  • Ninja Pirate Zombie Robot: The video for "Iridescent" features Mike as a one-eyed serpent king with spikes growing from his shoulders in a post-apocalyptic world where the rest of the band imitates The Last Supper while the Autobots hang around.
  • Not Christian Rock: While some of their lyrics vaguely hint at a higher power and others directly reference God, only a few members of Linkin Park are Christian.
  • Not So Different; Referenced in Numb:
    But I know, you were just like me, with someone disappointed in you.
  • Once per Episode: Their first two albums had one solo track of Joe Han D Jing.
    • Until Age of Extinction, each of the Bayformer films ended with one of their songs.
  • Older and Wiser: Minutes to Midnight and A Thousand Suns disposes of much of the angst of their earlier work, in place of it being deeper and with more meaningful messages and themes. The fanbase for that album is also possibly older than the band's earlier fanbase. It could also be argued that they've done a J. K. Rowling and had their music/lyrical themes age as their audience (and they themselves, in this case) have aged.
  • Perishing Alt Rock Voice: Whenever Mike's singing.
  • Piss-Take Rap: Chester's vocals in the verses of "Blackout" strongly resemble rapping.
    • Piss Take Reggae: Mike's toasted vocals in "Waiting for the End," Chester's half screamed-half toasted vocals in "Wretches and Kings."
  • Polish the Turd: According to Mike, this was Rick Rubin's opinion of their songwriting and production process before adopting "automatic writing" for A Thousand Suns.
  • Pop-Star Composer: Mike worked with Joe Trapanese, best known for helping Daft Punk on the score to TRON: Legacy, for the soundtrack to an Indonesian martial-arts film called The Raid.
  • Preppy Name: Chester Charles Bennington, though he grew up poor.
  • Protest Song:
    • "Hands Held High," "No More Sorrow," and "The Little Things Give You Away."
    • A Thousand Suns as a whole. It's a concept album dealing with war and nuclear power, as well as human fears of what's going to happen to the world.
  • Punctuated! For! Emphasis!:
    • "Bleed It Out:" "I'LL MAKE YOU FACE! THIS! NOW!"
    • "Faint:" "Don't turn your back on me! I WON'T! BE! IGNORED!"
    • "A Place for My Head:" "STAY! AWAY! FROM ME!!!"
    • "Qwerty:" "LIES! You hide behind. LIES! You're lost inside that cold disguise. BEHIND! YOUR! LIES!"
    • "A Line in the Sand:" "GIVE! ME! BACK! WHAT'S! MIIIIIINE!"
  • Rags to Riches: Chester was so poor before he joined the band note , he and his first wife (later divorced) tattooed wedding rings on their fingers, instead of buying 'em.
  • Real-Person Fic: Chester Bennington and Mike Shinoda have a very close friendship and as a result many a fanfic written about them, they even have a Portmanteau Couple Name of "Bennoda."
  • Red Oni, Blue Oni: Chester and Mike's vocal roles. Chester provides the aggression, passion and sensitivity while Mike provides reflectiveness and observations.
    • Occasionally Mike provides aggression such as on "When They Come for Me."
      • This is also true of Mike and Chester in real life — as can be seen in any of the band's Making Of documentaries, Mike is hard working and focused on the music, but friendly. On the other hand, Chester is always clowning around, cracking jokes and generally making the sessions entertaining. Chester's involvement in the music generally comes after the instrumentals are demoed, when adding vocals and lyrics. He has the endurance to perform many takes to get the song just right and find the right vocal approach for each song. And often a song will take multiple different arrangements which he has to voice endless times as well. The chemistry between the band members has kept them close.
  • Refrain from Assuming / Non-Appearing Title: A good third of their songs.
    • All the ones on Hybrid Theory feature the title as part of the chorus except for "Papercut," "Points of Authority," and "Cure for the Itch." This was not coincidental, it is a proven method of making music catchy and appealing to radio listeners.
  • Real Song Theme Tune: Two of their songs have been used in three video games: "The Catalyst" in Gundam Extreme Vs. and The 2010 Continuity Reboot of Medal of Honor; and "Castle of Glass" in Medal Of Honor Warfighter. One of the latter game's multiplayer trailer also used Lies Greed Misery. In addition, the instrumental riff from "Somewhere I Belong" is the theme music to The Mark Levin Show, one of the most popular conservative talk radio programs in the U.S.
  • Rockers Smash Guitars: Brad threw one of his guitars during the Live in Texas concert DVD after performing "A Place for My Head," but didn't actually broke it like usual. So Chester goes ahead and finishes it.
  • Rule of Symbolism: Really, the whole A Thousand Suns album, but "Jornada del Muerto" stands out even in the middle of it. The album is about the threat of nuclear weapons. Jornada del Muerto was the site of the Trinity test, the world's first atomic explosion. In addition, Mike is singing "Lift me up/Let me go" in Japanese at the beginning of the song. Japan is the only country in the world where nuclear weapons were deployed offensively.
  • Sampling: Linkin Park has sampled High and Mighty, Brand Nubian, Lamont Dozier, UNKLE and the first Pokemon movie, mostly on Reanimation. Conversely, they've been sampled by Krayzie Bone and Juicy J.
    • In the early days they often didn't credit the samples. This led them to being banned from releasing the track "She Couldn't" because it got released on a promo without paying for the samples first.
  • Self-Titled Album: Double-subverted by the Hybrid Theory EP. It's not the band's current name, but it was at the time it was released.
  • Shout-Out:
    • "Wretches and Kings" contains part of the immortal opening line from "Bring the Noise," which comes full circle in the HavocNdeeD remix which features Chuck D himself.
    • A few in "When They Come for Me". From name-dropping Lauryn Hill, Biggie, Chuck D and Big Daddy Kane to this:
    Mike: 'Cause even a blueprint is a gift and a curse.
  • Solo Side Project: Mike Shinoda had the side project Fort Minor.
  • Spoken Word in Music:
  • Step Up to the Microphone: Mike has "No Roads Left" all to himself, as well as most of the vocals in "In Between."
    • The later albums have a lot of tracks where Mike is singing lead instead of rapping, though Chester will usually still join in on the chorus.
    • Played completely straight in "Until It Breaks," where Brad actually sings after the third verse 'til the end.
  • Subdued Section: Quite a few times, most notably "In the End" and "The Catalyst."
  • Subliminal Seduction: Playing "Announcement Service Public" backwards yields Chester howling "YOU SHOULD BRUSH YOUR TEETH AND YOU SHOULD WASH YOUR FACE!"
  • Surprisingly Gentle Songs: "My December," "Leave Out All the Rest," "Iridescent," "Shadow of the Day," "Castle of Glass," "Roads Untraveled," and "Final Masquerade."
    • "She Couldn't" is like a boyband ballad, which stands out particularly as the only song without any crunching guitars in it from the Hybrid Theory period. Unfortunately, this side of the band wasn't known for years because the song was never released until it leaked unofficially.
      • The king of them all must be Chester's rendition of the Weeds theme "Little Boxes," which is even softer sounding than "Leave Out All The Rest." Probably for this reason it remains soundtrack only.
  • Take That!:
    • "When They Come for Me" for the contingent of fans who still yearn for the Hybrid Theory days.
      • There's even a line in it where Mike outright says he's not "the same person telling you to forfeit the game," in reference to "Points of Authority."
    • "Step Up" addresses other rap-rock bands in a less-than-flattering fashion.
    Mike: Rapping over rock doesn't make you a pioneer, 'cause rock and hip-hop have collaborated for years. But now they're getting randomly mixed and matched up all after a fast buck and all the tracks suck.
    • And since we're counting Fort Minor, "Get Me Gone" and "High Road" calls out those skeptical of Linkin Park's success. This should probably tell us something about Mike.
    • "Nobody's Listening" is basically a long "screw you" to all the people in the early days of the band who said they would amount to nothing.
    • "Guilty All the Same" counts as this, considering Rakim's jab at how the music industry handled both Rock and Rap genres. See the Executive Meddling entry on the Trivia page.
  • Textless Album Cover: A Thousand Suns and The Hunting Party.
  • This Is for Emphasis, Bitch!: "No Laundry."
  • Tired of Running: The song "Easier to Run" talks about how it is a lot easier to run from your problems instead of choosing to face them head on.
  • Tough Act to Follow: invoked Directly referenced by Mike in the song "When They Come for Me", referring to the mega-success of Hybrid Theory and Meteora where the majority of the band's fans were introduced to them.
  • Unfortunate Names: Chester Bennington, at least while he was in school and had to deal with "Chester the Molester" jokes. He didn't find this funny.
    • He got (a bit) better, considering he was wearing a shirt bearing the words "Chester the Molester" during LP's early years.
  • Unstoppable Rage:
    • "SHUT UP WHEN I'M TALKING TO YOU!" in "One Step Closer."
    • The chorus and bridge in "Lies Greed Misery:"
      I wanna see you choke on your LIES! swallow up your GREED!, suffer all alone in your MISERY!
      You did it to yourself! You did it to yourself! YOU DID IT TO YOURSELF!
  • Video Full of Film Clips: The aforementioned video for "New Divide." "What I've Done" may also count.
  • Vocal Tag Team: Chester and Mike. When Chester doesn't do the lead vocals, Mike commonly raps (or, nowadays, sometimes sings) the verses while Chester does the chorus, or contributes a single verse in a song otherwise sung by Chester.
  • Walking Shirtless Scene: Chester is frequently seen without his shirt during concerts.
  • A Wild Rapper Appears; Done twice in The Hunting Party: Hip-hop legend Rakim in "Guilty All the Same"; then a variation with Helmet's Page Hamilton in "All for Nothing."
    • Minutes to Midnight has a variation. Shinoda was severely Demoted to Extra after being nearly equal Chester in their first two albums, as such most of Minutes to Midnight is pure Arena Rock with Chester doing all of the vocals. So when, after three songs where only Chester sings, you get to "Bleed It Out" and finally hear Shinoda rapping, it has this feel. Then it goes back to Chester doing all the singing, except for two more songs where it's rapped entirely by Shinoda.
    • The song "Burn It Down" has this feel too. The whole time it seemed like yet another Linkin Park song where Chester solos, which made it a bit surprising when Shinoda delivers a rap verse out of nowhere towards the end of the song.
  • Word Salad Lyrics: "High Voltage" has some pretty bizarre boasts.
  • Word Salad Title: Frat Party at the Pankake Festival, their first DVD. It documents the Hybrid Theory tour.
  • Xtreme Kool Letterz:
    • The track titles of Reanimation.
    • The band's name on two different occasions. They originally formed as Xero in their garage band days and their current name came about because they couldn't get as a domain.
  • You Gotta Have Blue Hair: In the early days of the band, Mike was known for dyeing his hair bright blue or red.

When life leaves us blind
Love keeps us kind

Alternative Title(s): Chester Bennington