Not to mention the denouement was too short.
"If you want to make enemies, try to change something."
As long as it is still the same basic story and keeps all the best bits and characters intact, then it doesn't matter too much that Bob's bald, Alice dies in a train wreck instead of a car crash, the football game ended with a different score, and they cut the watermelon scene, right? It's a bit of a shame they screwed that bit up, but really, it's not as if the entire work is Ruined FOREVER, right?
WRONG!
...or so you would be told by many, many, many fans.
For some people, the very act of adaptation is decay. A film version of something should be a direct word-for-word transcription, with utmost care that the sets, costumes and people be reproduced in every detail. If a character who wears a homburg in the original now wears a fedora, that will be enough to ruin the character, and therefore ruin the film. It will be all you will hear about from these fans on message boards, with them going on at length to explain how his homburg visually defined his entire personality in a way that a fedora never could.
And don't you dare suggest that in changing it they made it better. If certain fans take the Chicken Little approach and announce that the sky is falling, it's mainly an expression of their fears that the writing staff don't care much about the source material (particularly if it's not mainstream-friendly).
This also happens a lot with translations. People can become religiously attached (sometimes quite literally, in the case of texts like The Bible) to one translation of a work, and when a new translation comes out they condemn it as a travesty, accusing it of distorting and cheapening the meaning of the original, whether or not the new translation is a more literally accurate rendering.
This trope is not only used for adaptations and translations. It is also applicable to ongoing series where a significant change is made between seasons. The trope can be explained in terms of prospect theoryExamples
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