"And when I find that girl, I'm gonna kill that girl! I'm gonna WHAM, BAM, BLAM, and drill that girl! Won't rest until that girl is safe and sound six feet below! Ooooooh, No! When I find my baby, I ain'tlettin' her go!"
And the worst part is, the happy, upbeat music just keeps going. That's Lyrical Dissonance: when the music and the lyrics are going in opposite directions. Happy upbeat lyrics set to sad music also qualifies. This can also be used for comic effect, either by putting serious, dramatic music to silly lyrics, or by simply treating the subject matter as if it did fit the tune. This trope also applies with lyrics that seem unfitting for reasons other than happiness versus sadness - for instance, a particularly angry or violent-sounding song that has lyrics that are clearly humorous, or sad, or perhaps just thoughtful and introspective; or the reverse, a cheery tune with angry or violent lyrics*
In Macross Frontier, Ranka's signature song Aimo is later modified into a war song. The dissonance doesn't fully set in until the last episode when it's revealed that Aimo is a love song. In fact, they let the first line (Aimo, aimo, netel lhushe) intact - and Aimo means Anata.
It doesn't help that half of the song is in Zentran.
In Steve Martin's famous stand-up routine, "Excuse Me!", Steve gets angry with "the backstage crew", and then cheers himself up by playing the banjo. Which leads to this lyrical dissonance:
You just can't sing a depressing song when you're playing the banjo. You can't go:
[grins, plays happily and sings] "Oh, murder and death and grief and sorrow!" [continues grinning and playing happily]
The world's about to be destroyed There's no point getting all annoyed Lie back and let the planet dissolve around you So long, so long, and thanks for all the fish!
The "Share and Enjoy" song from the Radio series is a cheerful little ballad, sung out of tune by a badly-programmed choir of robots. The lyrics are about how, when malfunctioning Sirius Cybernetics robots tear off doors and rape cats, the company's complaints department won't give a fig.
"Go stick your head in a pig!"
Disaster Area's song "Only the End of the World Again" can be heard on the now-rare Hitchhiker's Guide EP (with the rubber duck on the sleeve). It's a heavy rock ballad about a guy who kills his best friend to be with his girlfriend, takes her for a crash in her daddy's car, and then makes out with her as the moon explodes for no adequately explored reason.
"That Thing you Do" in the movie of the same name is an upbeat, Beach Boys-esque song about a guy lamenting his girlfriend leaving him.
In story, the songwriter intended for the song to be a slow ballad, but it became the peppy dance hall song it is after the new drummer decided to up the tempo without telling anybody
The opening number for Phantom of the Paradise, "Goodbye Eddie Goodbye," is about a singer who commits suicide in order to promote the sales of his upcoming album. The song is sung in catchy 50's style complete with "ya-ya-ya-yaahs" and the lead singer pantomiming Eddie's death throes.
The end credits song contains a bouncy piano breakdown along with the lyrics "Good for nothing / Bad in bed / Nobody likes you / You're better off dead / Goodbye."
The Hangover has a band playing 50 Cent's "Candy Shop" in lounge style as well.
This Is Spinal Tap had fun with this one while parodying some of the more overblown conventions of the Heavy Metal genre.
"Tonight I'm Gonna Rock You Tonight" seems to be a fairly straightforward parody of sexually-charged, self-promoting Rock and Roll anthems directed at adoring female fans; until you realize it's talking specifically about pre-pubescent female fans.
At one point in the film, guitarist Nigel Tufnel plays a short piano piece. It's a hauntingly beautiful excerpt from a trilogy he's composing in D-minor, "The saddest of all keys", inspired by his love of Mozart and Bach. The name of this melancholy tune? Lick My Love Pump.
How is the best way to promote RolandEmmerich's latest film 2012? Give it a trailer tune sung by Idol Runner-up Adam Lambert, that's what! And the title of this song is "Miracle", of all things.
Maskerade has the "Departure Aria". It's said to be about how hard it is for the heroine to leave her lover, and when the last great diva sang it, "there wasn't a dry eye in the house". The lyrics translate to:
This damn door sticks This damn door sticks It sticks no matter what the hell I do It's marked "Pull" and indeed I am pulling. Perhaps it should be marked "Push"?
The Arrested Development episode "Afternoon Delight" involves a running gag in which several characters belatedly realize that the song of the same name is much more overtly sexual than its innocent tune suggests.
Or that a highly relaxing type of marijuana also shares that name.
In an episode of Terminator: The Sarah Connor Chronicles John Henry and Savannah sing the Scottish novelty song "Donald Where's Yer Troosers?". It's sung slow and hauntingly over images of Sarah being arrested and Derek being buried.
The song "What A Difference A Day Makes" from Mongrels, a happy melodious love duet about underage sex and statutory rape. Just listen to it here.
Annabelle Dickson When girls take drugs And then they die Who would have thought At Summer Heights High On days like these It's a Bummer Heights High
Not really lyrical dissonance, but the 1970s game show The New Treasure Hunt, a largely comedy-based game show not unlike Deal or No Deal, had a somber, mellow ending theme.
The jaunty, upbeat Red Dwarf theme: "It's cold outside, there's no kind of atmosphere, I'm all alone, more or less..."
The song "Tongue Tied" is an upbeat pop song which graphically deconstructs the Cardiovascular Love trope.
The chirpy Ending Theme from Captain Scarlet: "They crash him, and his body may burn. They smash him, but they know he'll return... to live again". Accompanied by images of a terrified Captain Scarlet in a variety of perilous and painful-looking situations.
Deliberately, blatantly, and hilariously invoked by Andrew Hansen of The Chaser, in his lounge arrangement of the Cannibal Corpse song "Rancid Amputation".
During "Yes We Canberra", they had a song with fast-paced and cheery music about the candidates. It's called the "Fucked Song".
Pretty much all the music-based games in Whose Line Is It Anyway? are built around this trope - except when it's Colin Mochrie trying to sing, then it's funny for a different reason.
Victorious does this from time to time, the most recent being "Freak the Freak out" a techno-pop, autotune, dance song about someone getting fed up with being ignored.
The theme from M*A*S*H was usually played in instrumental form, and if not overly cheerful, it's at least a nice, relaxing tune. Then there are the lyrics, which are less so.
On Glee Blaine decides "Candles" by Hey Monday is the perfect song to sing a romantic duet with Kurt at regionals. The problem? It's about a girl who is alone for the first time after breaking up with her abusive boyfriend.
Also, similar to the Arrested Development example above, Emma decides that Afternoon Delight is the perfect song to sing with the celibacy club. When Holly informs her that it's about a nooner, we get this gem:
Emma: Exactly! A nooner is when you sneak out for desert in the middle of the day... right?
In Doctor Who the full version of Murray Gold's Song for Ten (featured in part at the end of David Tennant's first full episode) is a cheery tune with lyrics describing his eventual separation from Rose.
"So have a good life Do it for me Make me so proud Like you want me to be And wherever you are, I'm thinking of you Oceans apart."
The theme song to Pretty Little Liars is the chorus of the song "Secrets" by The Pierces. It's very catchy, but the lyrics are absolutely bone-chilling:
"Got a secret, can you keep it? Swear this one you'll save Better lock it in your pocket, takin' this one to the grave If I show you, then I know you won't tell what I said Cause two can keep a secret if one of them is dead."
In a round of One Song to the Tune of Another on radio comedy show I'm Sorry I Haven't A Clue, in which Tony Hawks was given The Smiths' "Girlfriend In a Coma" to sing to the tune of "Tiptoe Through the Tulips". He made the rendition as upbeat and bouncy as possible, the result being hilarious. (This was reprised by Tim Brooke-Taylor in the live stage show.)
My Fair Lady has "Ascot Races", in which lines of motionless, expressionless aristocracy sing about how 'thrilling, absolutely chilling' the race they're watching is (though in this example, the music fits the restrained visuals rather than the words).
The Ballads of Booth, Clozgosz, and Guiteau from Assassins.
A Very Potter Sequel has Guys Like Potter, a song with lyrics such as, "so many assholes in my face," and "you were totally pwned." It's a sad song.
A very darkly hilarious example comes from the Sister Act musical, where Shanke is singing of "finding" his girl (who just saw him commit a murder). It starts off like a jazzy love song, until he gets to the part about killing her in multiple violent ways. As horrible as it is, it's actually one of the most hilarious songs in the musical, especially when he starts adding the dance moves, and his henchmen begin singing in the background. It must be heard/seen to be believed...
When he keeps repeating the line "When I find my baby, I ain't letting her go," it only gets worse as the song moves on.
One verse in particular:
"Yeah, yeah oh yes I know that girl, and man I need that girl, I gotta have that girl, so I can snuff that girl. See I know my baby, she's already running. That's how my baby, is gonna be done in. I'm gonna drown that girl, or disembowel that girl, or give her skull a big dent with a blunt instrument, I tell ya soon that girl is looking at a world of WOE! (Wo-wo-wo-WOAH!)
Little Sally: What kind of musical is this?! The good guys finally take over and then everything starts falling apart. >Officer Lockstock: Like I said, Little Sally. This isn't a happy musical. Little Sally: But the music's so happy! Officer Lockstock: Yes, Little Sally. Yes it is. * Little Shop of Horrors, true to its over-the-top comedy-horror nature, has toe-tapping, rock-out songs about impending doom ("Little Shop of Horrors"), the pleasures of sadism ("Dentist!"), and justifying murder to gain your own ends ("Feed Me (Git It)"). "Now (It's Just The Gas)" counts on some level, regardless of how it's played: some productions play it grim and scary, while others play it cheerfully. Either way, it's a song about being gassed to death with lyrics like "Though I giggle and I chortle/Bear in mind I'm not immortal".
Probably intentionally invoked in Richard's de facto theme song, "Slaughter Your World", in the Looking for Group movie. It's all about him being a genocidal maniac, set to the tune of "Part Of Your World" from The Little Mermaid. Yes, seriously.
The theme song of The Spoony Experiment, "Break Me" by The Irresponsibles. While being a rousing piece of Crowning Music of Awesome, it has rather dark lyrics you might notice on first hearing it. Lampshaded by Spoony in a commentary where he said he loved the song but it was "basically implying that I'm a girl who likes to be domestically abused."
In an episode of The Critic, the national anthem of an unnamed country sounds like a repeated chant of "pee-pee, pee-pee, pee-pee, poopy", but has a rather different meaning.
Tim Burton is a master of mixing the macabre and the lighthearted, so it's no surprise that the music in his movies are the same. The best example is "Remains Of The Day" from Corpse Bride, a swinging jazzy tune about death and murder. Even while you're tapping your feet to the beat, you probably don't miss the extremely dark chorus:
"Die, die, we all pass away, but don't wear a frown, cause it's really ok! You might try to hide, and you might try to pray, but we all end up the remains of the day!"
"The World's Greatest Criminal Mind", from The Great Mouse Detective, is one of Disney's cheeriest villain songs. The most disturbing lyrics?
Even Meaner? You mean it? Worse than the widows and orphans you drowned?
The Island of Misfit Toys segment from Rudolph the Red-Nosed Reindeer starts with a song about the toys being unloved and missing out on the joys of Christmas, when the song itself sounds very cheerful.
If we're on the island of unwanted toys, we'll miss all the fun with the girls and the boys...
"L'il Ark Angel" from Cats Don't Dance starts with Darla singing about the world being destroyed in a flood and people and animals drowning in exactly the same cheerful tone she later sings about the various animals she's rescuing. If you hadn't already realized she'd be the Big Bad of the film from the foreshadowing in the intro, it's hard to miss it after that.
Some of the Silly Songs With Larry invoke this. From an 80s love ballad...about cheeseburgers to a tango...about manatees, the team purposely make the music sound completely authentic to the genre while keeping the silly lyrics.
In the episode "Welcome Back, Carter", Peter sings a song to a soft romantic tune to "set the mood". Unfortunately, he chooses his favorite song, "Surfin' Bird".
South Park: Bigger, Longer & Uncut is built almost entirely on this trope:
"Up There": A rousing Broadway showtune about loneliness and wanting to get out of a bad place. Sung by Satan.
"La Resistance": "They'll cut your dick in half/ and serve it to a pig./ And though it hurts you'll laugh,/ and dance a dickless jig/ for that's the way it goes/ in war your shat upon/ though you die, La Resistance lives on." Sung by a choir of eight year olds.
"Blame Canada": A rousing march about evading personal responsibility to the extent of going to war with Canada, a country that seems to go out of its way to be America's friend. The song, however, is a satire on American tendency to scapegoat others.
Cartman and Cthulhu's Song from South Park episode "Mysterion Rises". Super cheery song about, well, being friends with Cthulhu and going on a rampage with him.
Made worse by the fact that it's a spoof of a song from "My Neighbor Totoro".
On the other hand, it grows to be pretty creepy...
The children's movieThe Brave Little Toaster contains a song near its end which the other wiki sums up perfectly: "Worthless is sung by the junkyard's broken down cars, each singing a few verses about their life before being smashed and killed by the compactor." However, they fail to mention the upbeat music it's sung to.
"Christmastime Is Here" from A Charlie Brown Christmas. It has lyrics that describe how wonderful Christmas is ("Fun for all that children call their favorite time of year") but has a very slow, almost melancholy feel to it. This makes it memorable.
"Won't You Come over to My House?", best known from the famous short One Froggy Evening. If your memory's a bit hazy, here's the cartoon, and here are the full lyrics.
This is pretty much the entire gimmick of Dethklok on Metalocalypse, as they render everything, from the blues to a jingle for a coffee shop to a birthday song, as over-the-top death metal.
The song "The Violin", by Brian Dewan, is included on the album Where In The World Is Carmen Sandiego?, notably a kid's show. It is set to decidedly upbeat, Irish-sounding music. The song's lyrics discuss a kid who is constantly trying to break away from his controlling parents' desire to make him learn the violin, getting snubbed by his crush for someone who does, and then ultimately drowning in a shipwreck. It's a children's album, fun for the whole family!
The titular song by Rockapella could qualify, as a peppy upbeat number about an impossible-to-catch criminal and her various misdeeds.
Music by Jody Gray are great examples of this trope. Both "Arthur's Missing Pal" and Clifford's Really Big Movie features upbeat music... with downer lyrics about the protagonist's lost dog?!? In the latter, the opposite also occurs on a tribute CD: the owner of said big red dog sings upbeat lyrics about her dog to a bitter-sounding tune.
The song "Mother Knows Best" in Tangled is a cheerful, bouncy song where Gothel terrifies Rapunzel by listing off all the "scary and dangerous" things in the outside world and how all of them will happen to Rapunzel if she steps out of the tower. Throughout the song, Gothel is intentionally emotionally abusing Rapunzel by playing with her fears to make her seem like she's the only one in the cruel world Rapunzel could trust.
