Music: Kendrick Lamar

One of the great young talents in rap music, Kendrick Lamar (full name Kendrick Lamar Duckworth) (June 17, 1987)is a Compton born rapper who released his first mixtape at the tender age of sixteen. Having signed to Top Dawg Entertainment, Kendrick continued to pump out acclaimed mixtapes and finally released his debut album in 2011, titled Section.80. The album won him great critical acclaim and revealed to the public the great potential the young MC had, including Dr. Dre and Snoop Dogg, who crowned him the "New King of the West Coast" at a concert.

With this recognition, Kendrick signed to both Interscope and Aftermath and in 2012 released his second full length, good kid, m.A.A.d city, an album which has been highly regarded and held as one of the best albums of 2012. In August of 2013, Kendrick featured on the Big Sean song "Control". His verse, in which he managed to call out the entirety of the rap game's current artists while simultaneously claiming that he is the best in the game and urging the others to catch up, was widely considered to be the year's best display of raw lyricism. Kendrick's verse is so popular, that some are surprised to learn that there are two other artists on the song. That verse can be heard here.

On March 16, 2015, Kendrick's third full length album, To Pimp A Butterfly was unexpectedly released to widespread critical acclaim.

Kendrick is known for delivering politically charged, story driven, and often nostalgic lyrics, drawing on his experiences growing up in a bad neighborhood. This is particularly expanded upon in good kid, m.A.A.d city, an album all about his teenage years and experiences with drugs, alcohol and gang violence. He has cited Tupac Shakur, The Notorious BIG, Eminem, Jay-Z, Nas, DMX, and Andre 3000 as influences for his music.

Tropes present in his life and work:

  • Arc Words: Every song after "King Kunta" on To Pimp a Butterfly ends with an expanding monologue that begins with "I remember you was conflicted, misusing your influence."
  • Anachronic Order: The narrative of good kid, m.A.A.d city jumps back and forth between Kendrick getting jumped on his way to meet Sherane, hanging out with his friends, and voicemails from his parents. The story ultimately begins at the end of the second track, when K.Dot (Kendrick's younger self) is invited to come along with some friends.
  • Ascended Fanboy: This is true of most rappers, but Kendrick (especially in good kid, m.A.A.d city) makes this a point in interviews and in his music. He has worked with many artists who were his musical heroes growing up, including E-40 (who he references in "Money Trees"), Dr. Dre, Snoop Dogg, The Game and, to crown good kid, m.A.A.d city, he got Jay-Z to feature on the remix of "Bitch Don't Kill My Vibe".
  • Book Ends: Due to good kid, m.A.A.d city's Anachronic Order, "Compton" functions both as the opening and ending credits to the narrative.
    • A variant of the Sinner's Prayer opens the album proper, and is heard again with context before the penultimate song.
    • "Backseat Freestyle" begins and ends with the same break.
  • Breaking the Fourth Wall: Happens three times on good kid: once when he refers to producer Hit-Boynote  on "Backseat Freestyle", another when Keisha's sister refers to Section.80note  on "Sing About Me, I'm Dying of Thirst," and lastly when Just Blazenote  inserts his name into "Compton," the one song on the album he produced.
  • Call Back: The video for "Bitch, Don't Kill My Vibe" stops mid-song at one point and Kendrick is shown being baptized in a swimming pool full of liquor. This is an obvious reference to "Swimming Pools (Drank)."
  • Coming-of-Age Story: good kid, m.A.A.d city's plot seems to be a version of this.
  • Concept Album: good kid, m.A.A.d city is a somewhat fictionalized account of Kendrick's teenage years in Compton. After a night of robbery and drugs with friends, K.Dot (young Kendrick) heads to Sherane's house for sex. Upon arrival, two gangbangers outside her house beat K.Dot up as his gang affiliation (or lack thereof) is not welcome. K.Dot friends get word of what happen and decide to involve these two gang members in a drive-by shooting. This goes awry as K.Dot's friend Dave is shot and killed in the process. K.Dot reassess his life, allowing him to become the Kendrick Lamar we know today.
  • Deconstruction: Ultimately, GKMC is one for Gangsta Rap and the more unhealthy aspects of today's rap. There's nothing glamorous about the thug lifestyle, instead coming off as bloody and pathetic. Partying and excessive drinking is ultimately destructive and hollow. Even sex, represented through K.Dot hooking up with Sherane, leads to an STD and some very poor choices in the name of getting laid. K.Dot eventually is set straight but at a very high price.
  • Dream Team: Really, Kendrick and pretty much anyone, but some noteworthy ones include
    • Kendrick and Dr. Dre on "The Recipe" and "Compton"
    • Kendrick and Jay-Z on the "Bitch Don't Kill My Vibe" remix.
    • Kendrick and Lady Gaga on the original version of "Bitch Don't Kill My Vibe".
    • Kendrick, Big K.R.I.T. and J Cole on DJ Khaled's "They Ready".
    • Kendrick and J Cole in general.
    • Kendrick and Pusha T on "Nosetalgia".
    • Kendrick and Eminem on "Love Game".
  • Drowning My Sorrows / I Need a Freaking Drink: Swimming Pools (Drank)
  • Electronic Speech Impediment: Emulated in the chorus of "Cartoons and Cereal".
  • Epic Rapping: Several of the songs on good kid, the most obvious being "Money Trees" (6:26), "Sing About Me, I'm Dying of Thirst" (12:03) and "Real" (7:23).
  • Expecting Someone Taller: He's 5'5".
  • Foreshadowing: Kendrick's mom tells him to stay away from Sherane.
  • Freestyle Version: He freestyled over Kanye West's "Monster" in 2010 and created a brilliant Villain Song out of it.
  • Gangsta Rap: good kid, m.a.a.d. city is Type 1 of an extremely disillusioned nature, even compared to other albums with a similar introspective style.
  • How We Got Here: "Sherane, a.k.a Master Splinter's Daughter" to the skit after "Poetic Justice" on good kid, m.A.A.d city.
  • If It Bleeds, It Leads: now crawl your head in that noose, you'll wind up dead on the news
  • Leitmotif: Sherane has one, a pitched-up vocal melody that appears in her titular song and "Poetic Justice."
  • Letting the Air Out of the Band: "Poetic Justice" ends like this, just before the skit where Kendrick gets jumped upon arriving to Sherane's house.
  • Listing Cities: In "Recipe". Rap Genius points out that all of the locations mentioned are important to the history of hip hop.
    You might catch me in Atlanta looking like a boss
    New Orleans and then Miami, party in New York
    Texas I be screwed up, Chi-town I be really pimping
    But nothing like my hometown I'm forever living
  • Love Hurts: "Opposites Attract".
  • Motor Mouth: Seen in a lot of his songs, "Rigamortis" from Section.80 being a good example.
    • Also m.A.A.d city, which is full of motor-mouthed tongue-twisters.
  • Odd Friendship: With Lady Gaga, who appeared on the original version of "Bitch Don't Kill My Vibe" (the final version was just Kendrick) on good kid.
  • Oh, Crap: "I'mma tell you where I'm from, OK? You gon' tell me where you from, OK? Or, or, where your grandma stay, where your momma stay, or where your daddy stay, OK? Matter fact, get out the van, homie. Get out the car before I snatch you out that motherfucker, homie."
  • Perfectly Cromulent Word: In the skit following "m.A.A.d city":
    Nigga, pass Dot the bottle, damn! You ain't the one that got fucked up, what you holding it for? Niggas always acting unsensitive and shit.
    Nigga, that ain't no word.
    Nigga, shut up!
  • Punctuated! For! Emphasis!: "THIS. DICK. AIN'T. FREEEEEEEE!"
  • Protagonist-Centered Morality: Averting this trope was the point of "The Blacker the Berry".
  • Running Gag: "Where my mothafuckin dominoes at?!"
  • Shout-Out: Several to establish good kid's mid-2000s setting.
    • A song named "Sherane, a.k.a. Master Splinter's Daughter".
    • When Kendrick meets Sherane, she's dancing to Ciara.
    • When Kendrick is driving to Sherane's house, he references Curtis Jackson.
    • In "The Art of Peer Pressure," Kendrick and his buddies are riding round listening to Young Jeezy (who featured on Kendrick's song "Westside, Right on Time", released as a non-album single just prior to the release of good kid).
    • "I fucked Sherane and went to tell my bros / then Usher Raymond 'Let it Burn' came on."
    • He shouted out Rihanna and Nicki Minaj on the remix to Ab-Soul's "Black Lip Bastard".
  • Tempting Fate: One of his friends in "Sing About Me".
    Just promise me you'll tell this story when you make it big
    And if I die before your album drop I hope —
    (gunshots)
  • Textless Album Cover: To Pimp a Butterfly.
  • Trailers Always Lie: The meaning of "Backstreet Freestyle" (a super arrogant and vulgar rap by a very ignorant young K.Dot whose yet to have his eyes truly opened to the consequences of the hedonist/thug lifestyle he follows) is essentially lost outside of the rest of the album. That didn't stop it from becoming a sequel where listeners would be prone to take its lyrics on its own merit without the context of later songs like "Money Trees" and "Real."
  • This Loser Is You: If you still want to live the gangsta lifestyle after listening to GKMC, you have some problems.
  • True Companions: Him and his Black Hippy clique, consisting of himself, Ab-Soul, Jay Rock and Schoolboy Q. The four of them comprise probably the best young rap group out there right now.
  • A Wild Rapper Appears: He does this in Imagine Dragons' "Radioactive" (remix)
    • Completely inverted in his song "Money Trees", where his friend Anna Wise sings to bridge, which makes it A Wild Singer Appears.
    • On the single version of Taylor Swift's "Bad Blood", which few were expecting.