Pictured above: Killy from Blame!!, especially near the end when it is clear his mission is finally taking a toll on his nigh indestructible body.
Hei and Yin from Darker Than Black are rather woobieish once their backstories come out. Heiwas dragged into a war as a child while trying to protect his little sister, who he had to watch turn into a sociopathic killing machine. He was then (apparently) betrayed by the only other person he trusted, leaving him the sole survivor of his team, lost and alone with his sister's powers, no idea what happened to her, and the Syndicate holding a gun to his head to make sure he stays working as their assassin. Yin is an Emotionless Girl due to Mind Rape, is blind, and lost both her parents in tragic circumstances. Her father died in a plane crash, and shortly afterward, she realized her mother and piano tutor were in love and tried to run away; her mother had to sacrifice herself to save her from an oncoming truck after Little Yin ran into the road, and Yin holds herself responsible for this. No wonder Hei's a shell-shockedstoic.
And there's Gendo, who converts the pain of his loss into long-termplans
Yuki Nagato from Suzumiya Haruhi (who, notably, is partly an homage to the above mentioned Rei). Also woobie re-maker of world, although the remade world was considerably nicer, and she even left a reset button for the main character.
For those unfamiliar, Yuki is the only member of the cast who remembers every iteration of the "Groundhog Day" Loop where Haruhi put them through the last two weeks of summer vacation over and over again. We "only" had to watch it eight times; she experienced it for subjective centuries. Since she's an Emotionless Girl, though, there's absolutely no angst shown.
When Itachi Uchiha was four he watched people die in a world war. As Tobi said: "For a child, war is hell." He grew up under the pressure of being the Uchiha Clan prodigy while trying to maintain peace. At the prospect of his clan causing a rebellion, he received orders to murder them to maintain peace. After that, he developed a terminal illness, and chose to make his own little brother hate him... and yet he still died with a smile on his face. Death was probably the best thing that ever happened to that guy. And later, his little brother takes his eyes and he is resurrected as a zombie. Yes, even after he's dead, the Ninja world won't give him a break!
Actually, the whole zombie thing worked out well for him. It gave him an opportunity to correct his worst mistake.
Kakashi Hatake. At about age 6, father commits suicide. He only recovers normal human emotions through second traumatic loss for which he blames himself. He also happens to be the sole survivor of his original team. One of the Genin he trained defected from the village and joined a terrorist organisation. To twist the knife further, said student was very similar to Kakashi and declared that he intended to kill everyone in their village, including his remaining students and Kakashi himself. Kakashi is continually late because of visiting the grave/memorial stone of his dead teammate, for whom he feels responsible. His only moments of on-screen angsting are at the Third Hokage's funeral and a scene in which he visits the memorial after the failure to retrieve Sasuke and asks the dead Obito how much he has changed. His face when he gets to the site of Naruto and Sasuke's fight at the Valley of the End, too late again, is a study in pain and self-hatred. He later finds out that his "dead" teammate (the same one whose grave he's constantly visiting) is actually the Big Bad of the story. And it's revealed that he was forced to kill his other teammate Rin. Considering all that he has gone through, he may very well be the most emotionally broken man in the story.
Shikamaru Nara. First he gets to see his sensei, who is like a father figure to him, killed right before his eyes. This plays out over a coming of age arc where he recovers and gets revenge on Asuma's killers. Everything okay, right? Nope. After the Ninja Alliance arrives to help Naruto against the Madara, Obito, and the Juubi, his father Shikaku and Inoichi are killed after the Juubi launches an attack that destroys Alliance HQ. So the guy who got him over Asuma's death is now also dead. Only a day after he was forced with his team to fight and defeat a zombie Asuma. Nice. While Ino cries after learning the fate of her father, Shikamaru is stoic after a brief bit of emotion.
Shino Aburame, at least in the anime fillers. During the war, he comes across his Childhood Friend and Big Brother Mentor Torune. Shino then realizes that a) his brother is dead, and b) he's going to have to kill his brother a second time. By himself. We then learn that Torune joined the Foundation so that Shino could have the chance to learn The Power of Friendship. Torune asks Shino if he has made any friends. Shino makes a distressed face, then replies, "I don’t know…I’m not sure if they consider me their friend.”
Sousuke Sagura from Full Metal Panic!. Especially after his childhood and backstory is shown in Kyokuhoku Kara no Koe. The poor kid suffered together with his beautiful single mother in the middle of ice cold mountains in a crashed airplane (where all other passengers died), saw his mother freaking die for him before his own eyes, temporarily went mute from shock while he was taken in by the Russian army, got sent away to the KGB to be raised as a child soldier and assassin, got taken in as a child soldier for the resistance in the middle of Afghanistan, the resistance ended up losing the war anyways, and he loses a bunch of his comrades and his kindly father figure... and that's just up until he was eleven years old. He's never shown to have ever complained or wangsted about any of it, and seems to take all of it in stride. There are very, very brief moments where his eyes are described to show loneliness, as well as moments where he's shown to have Bad Dreams about his mother dying. All of this contributes to him being regarded as a Badassand a Woobie.
Any sympathetic character, particularly Ichise in Texhnolyze. These characters show less emotion on average than a two-by-four, but damn are they ever hurting.
Rin Sohma from Fruits Basket has been through LOTS of shit in her life, but once she meets the sweet and gentle Tohru, she despises herself for even wanting to cry on her shoulder.
An earlier example would be Hatori. Under that sand-dry demeanor is a deeply scarred heart.
Fate Testarossa from the Lyrical Nanoha franchise is a Dark Magical Girl who has been put through hell by the person she loved and then left out in the dry, completely shattered. Nevertheless, she manages to get up on her feet and lead a relatively normal life. In the second season, she is trapped in a Lotus-Eater Machine where said person loves her back and her Cool Big Sis is alive—and one of the reasons she can wake up from it is her realization that this reality is treating her too good. In other words, she uses the level of her own suffering to determine if the current reality is fake.
Also, the Lady of War Signum and other Wolkenritter from season two. Fate has been through roughly a year of abuse by her maddened mother. The Wolkenritter are implied to have been through centuries of abuse by various masters who treated them like crap and whose orders they could not disobey.
Frederica Bernkastel of the When They Cry series goes through the ordeal of being murdered by her closest friends over and over. Once she's escaped that fate, an old enemy comes to torment her again, dragging her into a similar situation. She's obviously completely broken, but manages to hide it behind an Emotionless Girl facade. Subverted. She's a twisted psychopath, and the "old enemy" is in fact her just-as-nuts girlfriend; they've been setting up the fake rivalry to mess with everyone's heads.
Ryuuken Ishida initially appears to be cold, aloof, bitter, sarcastic and hypercritical. Then it's hinted that Beneath the Mask he might be gentle and protective. Then a Whole Episode Flashback arc reveals he used to be a warm and kind personality with high hopes for the future of the quincies until Aizen's Hollowfication experiments incidentally destroyed his Arranged Marriage and he was forced to sacrifice that hope. Then it's revealed he could not fix the problem and had to stand aside while a shinigami fixed it instead. Then his wife was killed and an attempt was made on his young son's life when a folkloric quincy prophecy came true. In the current storyline, he and his son Uryuu are badly estranged because Uryuu is furious that Ryuuken refuses both to use his quincy powers AND to explain his refusal. Ryuuken has downright encouraged his son to come to the worst possible conclusions about his motivations and we still don't know exactly why. Yet not once during all this has Ryuuken complained about how his life has turned out.
From the day he was born he's been compared to and completely overshadowed by his brother, who's better than him in every possible way without even trying.
He puts himself through Training from Hell, but no matter how hard he works he'll only be a "good" player who'll never be half as brilliant as his lazy brother.
Said brother, Agon, is a total jerk to him (and to everyone else) but gets away with it because he's just THAT special.
Yet despite having every reason to angst and despise Agon, he instead focuses all his energy into helping his brother live up to his full potential. On top of that, whenever someone starts to feel sorry for him, he tells them not to bother themselves with someone like him.
Pandora of Saint Seiya. Sweet merciful Athena, the girl's life has sucked ever since as a kid she released Hypnos and Thanatos and then she became Hades's adoptive sister, but she never ever complains.
Kaname Kuran from Vampire Knight. He's had just as much shit happen to him, if not more, than fellow Woobie Zero, it's just that he doesn't Wangst about it.
Kurama from Elfen Lied is a particularly excruciating case of this with moments of very justified Mangst.
Wolfwood from Trigun. Actually think about his life, and then think about his failure to ever complain about it. Ever. He has a really grim worldview and gets mad at Vash for optimism, but he doesn't seem to feel that he, personally, has a raw deal.
Excellent angst bait that he never even mentions in the privacy of his skull: the Super Soldier Formula treatments he was subjected to give him a Healing Factor and also make him age at a similarly accelerated rate. He probably knows he'd never make it to forty even if his body was capable of it, so what does it matter?
Ikuto Tsukiyomi from Shugo Chara!. . . where do we begin, oh yeah! His dad walked out on his family because he didn't want to be the leader of the family company. His mom gets sick and he and his sister have to move in with old family friends. Said sister has a major stalkerish crush on him (Not so much woobie as comic relief but still) leaves his sister to go with the family friend to find their dad. Then he gets kidnapped by the family company, his mom gets remarried to the Evil Stepfather, said strepfather forces him into a contract, he has to crush the dreams of children, etc. When all he wants is to be free! Then, later in the series, he gets brainwashed and is thrown in the company jail cell thing . . . and he always stops what he's doing to protect the people he loves . . . DAWWW! Don't you just wanna give him a hug?
Yoite and Miharu from Nabari No Ou fit this trope. Both are stoic and aloof, yet do their best to hide their pain from everyone around them.
Jeremy from A Cruel God Reigns is a mixture of this and the Tin Man. After he finds out his mother knew his stepfather was sexually abusing him all along, Ian doesn't believe him when he admits to the abuse, he runs away back to Boston and works as a teenaged prostitute and becomes a Functional Addict to drown out his post traumatic stress disorder, attempts to kill himself three times, and is then brought back to England by Ian to recover, Jeremy denies feeling anything toward sex, pain, love, and emotional attachment in general. He also suffers from a case of the Thousand-Yard Stare quite often. But whenever anyone brings any of this up, he denies that anything is wrong and usually yells at them that he doesn't need or deserve their sympathy or help.
Ryu of Kimi ni Todoke has it pretty difficult; arguably, he's had it a lot worse than any of the other main characters, being in unrequited (at least for now) love with his childhood friend and having lost his mother to a car accident when he was little: to add salt to the wound, she died whilst driving to pick him up from school. This doesn't stop him being the least outwardly emotional character in the whole series.
Cyclops, leader of the X-Men. Even though some think he acts like a Knight Templar dick, you have to pity this guy. Starters he lost his family in a plane crash where he and his brother were the only known survivors; said brother would then be adopted and taken away from him, leaving him alone in a Crapsack of an orphanage where he was bullied by other children and tortured/experimented on by Mister Sinister. He can’t control his powers. His first two wives turned crazy and evil with one of them resurrecting and dying over and over. He's been Mind Raped a number of times. Yet he never complains, ever.
Subverted with Superman. A lot of people think he's a poor beleaguered orphan who must be haunted by his destroyed planet and species, is probably horribly lonely and has no social life, is driven to save the world by serious guilt issues, and hides his broken heart behind his colorful costume. Actually, he's a jolly, happy-go-lucky guy who not only can't remember jack about his birth planet, but has actually never experienced any truly horrible personal tragedies, helps people for no reason whatsoever (other than the fact that it feels good) and is surrounded at all times by an awesome wife, a supportive family, loads of friends both hero and civilian, an adoring home city, and a highly enjoyable job that has won him Pulitzer prizes. So much for that whole dreamy tragic hero fantasy.
"Never experienced any truly horrible personal tragedies" would be false as most media adaptation will go with him losing his father. Though it happens when he is an adult. Still sad though.
His Silver Age counterpart loses both parents as a teen.
Hit Girl from Kick-Ass. However, not so much after her father died.
Many Digimon Tamers fanfics that focus on Rika and Renamon prior to the former's defrosting tend to depict the latter as this, usually with one or two Not So Stoic moments (like silently crying when no one's looking).
Chuckles the Clown from Toy Story 3, a perpetually frowning clown doll who used to be friends with Lotso the bear and Big Baby, before they were accidentally abandoned by their owner. Chuckles was fortunate enough to be taken in by a new kid, but feels sorry for the embittered shell his former friend Lotso has become.
At the end, when he sees a picture Bonnie (the girl he belongs to) drew of him, he smiles for the first time, realizing that he is indeed loved.
Films — Live Action
As of Star Trek, both versions of Spock, in which they both bear witness to the destruction of their homeworld.
Meanwhile, in the sequel, Dr. Carol Marcus. She discovers that her father is at the head of a conspiracy to start a galactic scale war, is transporter-kidnapped by him so she can't stand in the way of his attempt to murder the entire crew of a Federation ship (which she is forced to watch helplessly from his side), has her leg broken by Khan, and then watches him brutally murder her father. She holds up remarkably well given what she goes through.
After Wash's death in Serenity, Zoe becomes this (even in-universe, look at Kaylee's face when Zoe says Wash isn't coming). Until the Reavers arrive, and then she goes into creepy Tranquil Fury mode and engages them in hand-to-hand combat, almost getting herself killed in the process, which horrifies even Jayne with the sheer death wish of the move.
Aicha in Fighter. Despite everything, she tries to keep her traditional place in the family.
Princess Leia Organa in Star Wars, who despite watching her home planet blown up in front of her very eyes, felt that there is no time for her own sorrows.
Most of the sympathetic characters in Tinker, Tailor, Soldier, Spy. Intelligence work is portrayed as both physically dangerous and emotionally exhausting, but the secretive nature of everything they do requires spies to keep their sorrows to themselves. Peter Guillam and Jim Prideaux may be the Stoic Woobie kings.
K in the Men in Black films. It is directly addressed in the third movie but really it is present in the first two films.
The burglar Marv in the Home Alone films suffers horrendous abuse at the hands of Kevin, but unlike his partner Harry, who often groans and mumbles after falling into Kevin's traps, Marv never complains at one point in the sequel even adopts a Superman pose and bellows "NEVER!" when Kevin tauntingly asks him and Harry if they've had enough pain.
Aragorn in The Lord of the Rings. Family? Dead. The culture of his birthright? Declining steeply. Hope of success? Virtually zero. Chances of marrying his true love? As low as previous, because his success would itself be bride-price. Complaints? None.
The hobbits are also written this way, always keeping a cheerful face for everyone despite the fact that they are all in way over their heads.
It isn't ever outright stated, but Elrond's life severely sucked. His parents and his wife leave for Valinor long before he does. His twin brother, his daughter, and possibly his twin sons choose to be counted among the Men rather than the Elves; when he sails West to reunite with his wife, he knows that Arwen at least is lost to him even beyond the end of the world.
Galadriel didn't have it easy either. She has been fighting the Long Defeat since before the first rising of the Sun, all her family that came with her in Middle-Earth from Valinor is dead, she has been here to see all the failures of her people, and her daughter was tortured by orcs until she was so damaged she had to leave this earth to find peace. Despite all this, she is still very supportive of Aragorn in his quest to win Arwen's hand, even if her grand-daughter choosing a mortal life means she will lose her forever.
Faramir also qualifies. In the Houses of Healing, his mother is long dead, his brother is recently dead, his father is very recently dead (and they had a bitter parting, what with him admitting he'd rather his brother survived in his stead and all), his culture is slowly declining, they have almost no hope of success (unless a small hobbit in Mordor can throw the One Ring into Mount Doom - unlikely), he is wounded and reduced to inaction while all his remaining friends and family are away on a desperate suicide mission to try and hold Sauron's attention for a while, and he will be expected to lead the last futile defense of his people should this plan fail. He doesn't complain, and can still find it in himself to sympathize with Éowyn's predicament and smile at her.
Wedge Antilles, for that matter. Pirates killed his parents when he was sixteen or seventeen. Imperials killed his girlfriend only a few years later. In both cases, and in plenty after that, he "luckily" survived. But he takes care to only express feelings of anger and helplessness when there's no one there to see - he takes being a Reasonable Authority Figure seriously. Must be part of the reason he and Tycho get on so well - they've both been hurt terribly, they've both had to pick up and keep going and have healed, more or less, even if there are scars.
Catelyn Stark of A Song of Ice and Fire. Readers see her inner turmoil, but her own son wonders if she even remembers her losses. Won't show her pain to Jaime Lannister or Jon Snow. Arguably puts on a mask as a response to expectations of stoicism from her environment, so she actually can admit when she needs a hug.
Also Faolan in The Bridei Chronicles. Juliet Marillier is a big fan of this trope—she has a number of other characters who could fit here as well.
Elphaba in Wicked. Due to her skin's acidic reaction to water, she can't even allow herself to cry, because it would burn her.
Precious in Push. Even though she has two children by her father, one of which has Down's Syndrome, and she is repeatedly raped by her mother as well, she rarely shows much emotion. In fact there is only one scene in the book when she truly breaks down and can't take it anymore.
Severus Snape in Harry Potter is a combination of this trope and Jerkass Woobie. Think about it. Since young, it's implies that his parents weren't exactly the best, and he lived a lonely childhood where he was in love with Lily Potter, had to see her eyes on the face of the man she chose over him, and died thinking well in advance that the only thing he'd been living for was going to be ultimately worthless.
Also Luna Lovegood, who always manages to stay cheerful and happy in spite of being the main target of bullying along with Neville.
Fiona Patton's The Stone Prince has that title for precisely this reason. It's about a Crown Prince who has been raised by his mother to be utterly stoic, and his life has been framed by assassination attempts, a lot of scheming, and a literal rebellion. It is not until he inherits the throne that he starts to shake off the hard, unyielding mask forced on him by duty.
Matt from The Power of Five, by the last book. Also Pedro, who never really complains despite being a starving street urchin who spends most of his pagetime being hunted, abused, betrayed, nearly killed on several occasions and repeatedly exhausting himself trying to use his power on grievously-injured people who often don't make it anyway.
Live Action TV
Mr. Bates in Downton Abbey. He goes to jail for his insane wife, and the millisecond she finds out he's semi-happy she comes roaring over to Downton to make his life miserable. And then when she kills herself, he ends up in prison. Even in prison, he gets picked on. Everything seems to happen to Bates, and yet he never complains.
Olivia Dunham in Fringe. She's a tough FBI agent; she's not allowed to cry. That, and she cares about other people's feelings too much to dump her own on them.
Star Trek: Enterprise: Malcolm Reed, who has been repeatedly shot, concussed, nearly frozen/suffocated to death, made to believe his entire ship had been blown up, pinned to the hull of said ship by a Romulan mine via a metal spike through the leg, almost hanged, crushed under rocks... and that's just in the first couple of seasons. And he never once complains about it, taking the attitude that as The Security Officer, it's his job to die to save the ship and her crew. Oh, Malcolm...
Star Trek: The Next Generation: Picard has a moment at the end of the now famous two-part episode "The Best of Both Worlds" that reveals him as this. He had just been rescued from the Borg who had forcibly abducted him, implanted him with cybernetic parts and made him part of their collective consciousness in order to conquer Earth. They used his knowledge and experience to kill thousands of people before he was finally rescued. At the end of the episode, Picard has almost completely physically recovered and is chatting away with his officers as if he were completely fine before they leave his office. He then undergoes an incredibly subtle Heroic BSOD.
He finally gets to let some of it out in the next episode, "Family", after getting in a fight with his brother.
After season five and the Reaper arc? Half the fanbase and nearly all the main characters of Criminal Minds want to tuck Aaron Hotchner (and his son) up in blankets somewhere and shoot anyone who tries to drag them back out. Despite having been abused as a child, almost blown up (suffering hearing damage as well as having to treat a friend as she lay dying in the immediate aftermath), being psychologically tortured and later stabbed nine times by the Reaper, he rarely ever does more than wince and/or collapse, and almost never raises his voice. The only time he ever loses it is when the Reaper kidnaps his ex-wife and forces him to listen to her murder, before threatening to kill his son.
Reid, anyone? Crazy mom, disappeared dad, shot, blown up, captured, tortured, bullied, and addicted to dilaudid. NEVER COMPLAINS.
Castiel on Supernatural. He rebelled, was hunted by his brothers, saw his friends die, discovered God had abandoned the world, is caught in the middle of a Heavenly civil war, has had no discernible success in convincing his fellow angels to respect humanity, has to deal with those whiny Winchesters who expect him to be at their beck and call and do anything they ask with never a word of thanks and the closest thing he has to a friend is a hedonistic asshole of an angel who ran away during the apocalypse and left him to deal with it all on his own, then had the gall to say he was following Castiel's example. To cap it all off, he's been blown up twice. Fans would give anything to see him get that damn hug, but at this point most of them would settle for someone, anyone, showing him some genuine gratitude.
And Sam denies him a hug in 'Like a Virgin', not so subtly sitting down as soon as Castiel opened his arms.
Comes to a heartbreaking head in The Man Who Would Be King Castiel finally gets his gratitude from Bobby, Sam and especially Dean. Too bad it's 1. Not (knowingly) to his face and 2. Too little too late. Castiel made a deal with Crowley and chose to keep fighting alone rather than go to the Winchesters for help in order to protect them and it seemed like the best plan at the time. When this gets found out the boys are quick to judge and quicker to claim had Cas come to them for help they could have fixed it. It's clear from the conversations that follow and from Castiel's surprise at being told he's like family to them, Castiel had no idea he meant that much to them. And with the way they treated him during the season he had no reason to think it.
In the Jag episode Each Of Us Angels the actor normally playing Bud's brother plays a Medic who has his eye shot out and instead of accepting his fate, insists on helping the nurses aboard a hospital ship while constantly Deadpan Snarkingabout his eye.
Scully does this a lot in The X-Files, often saying "I'm fine" even when she's not. In the episode "Irresistible", after being kidnapped and almost killed by a death fetishist, Mulder non-verbally calls her on it, which leads a cute comforting moment between the two.
Also one of the very rare times Scully actually cries.
Cameron of The Sarah Connor Chronicles makes it quite abundantly clear that she doesn't feel emotions. This makes all the bad stuff she goes through over the course of the series even more apparent - it's quite clear that she's confused and concerned (we would say afraid, but she can't feel fear) about her conflicting programming, her inability to empathize with humans she is quite clearly concerned for, and the danger she represents to the very people she's trying to protect - especially when they hold her in scorn, suspicion, or distrust. And that's a good thing for her, too, since if she was human and could feel emotions, Cameron would probably be a gibbering, half-insane wreck due to all these issues.
Cameron's issues can best be summed up by a single line she speaks to John when he asks her if she can't be "more happy." She tells him that she cannot be happy.
Jack Harkness of Torchwood. Being alive for over 2000 years, watching friends and lovers die is definitely not a healthy thing to live through. Not to mention being buried alive by his own brother and being murdered over in a butcher shop because the public think his blood has magic properties. It doesn't.
Jake Brockman in Season 1 of Out Numbered. He suffers from bullying at school, including having his phone stolen, given severe chinse burns and is implied to be beaten up on a regular basis. Doesn't say a word the whole time, and lies to ensure his parents don't find out the truth.
Nick Cutter from Primeval. Where to begin? Having his wife disappear for eight years, return as a Manipulative BastardNietzsche Wannabe bent on wiping all humanity from exitence and who turns his best friend against him. And just when he's found someone else to love, she's erased from existence.And then just as he's beginning to get along with her alternate self he gets shot - by his wife!
Parker of Leverage, despite the Woobieness being almost entirely in her Back Story. Although she hides it well by being extremely good at her job and eternally chipper, there are some serious wounds in her past. She does, however, break down in "The Future Job" when a psychic correctly deduces that her brother was hit by a car when they were young.
It's implied that Eliot is this, too, but he's too damn stoic for even the audience to be sure.
Dr. K from Power Rangers RPM. She hardly shows any emotion at all and rarely, if ever, mentions her life growing up in the government think tank named Alphabet Soup. Although she does begin showing emotion, she typically remains deadpan, even when she confesses to her Series Operators that she created and accidentally released the Venjix computer virus responsible for destroying nearly all of humanity.
Horatio Hornblower. Not particularly demonstrative of outward emotion (with a few exceptions, notably at the end of "The Wrong War/The Frogs and the Lobsters") but beneath the surface he's plagued by self-doubt and constantly berating himself for what he sees as his failures, despite his considerable skill and the admiration of his men.
Sherlock gives us an interesting example in John Watson. It's abundantly obvious to the audience that he's absolutely crushed after Sherlock's apparent suicide but spends the entire series making sure to stay calm around other people. Even when he's strapped to a bomb he manages to stay perfectly steady until the danger's over. Then after Sherlock jumps off a building he shoves everyone who tries to help him away, and the audience is only allowed to see him cry in a reflection.
Benedict Cumberbatch's portrayal of the young Stephen Hawking in Hawking is a mild example. He does show positive emotions at times - enthusiasm for science and affection for his girlfriend - and is Adorkable then, but throughout most of the film he's quite stoic about the fact that he's been diagnosed with a degenerative neurological illness and may not live to complete his doctorate. This arguably makes the few moments he does break down all the more heartbreaking.
Abed Nadir, from Community. Most of the time he's stoic to the point of being called robotic, and compares himself to Data and Spock. When confronting his father for having blamed him for his mother leaving when he was six, he makes an emotional movie but doesn't show direct emotional reaction himself. When in the midst of a Christmas breakdown caused by his mother's abandonment, his grief manifests as denial, fantastic delusions of a claymation Christmas wonderland, and eventually catatonic freezing. And when he loses his best friend Troy to the cultish Air Conditioner Repair school, apparently forever, he visibly tears up but only says "Sorry I got emotional" before retreating to his room.
Gibbs and Ziva from NCIS. Gibbs, who is the resident stoic, lost his wife and eight-year-old daughter to a drive by shooting. Ziva was held captive by terrorists, tortured, and who knows what else for four months between seasons 6 and 7. As of the tenth season, she has lost her entire family - mother, father, younger sister, older brother - and yet whenever anyone asks her how she's doing, she always insists that she's fine.
Alucard from Castlevania. Especially if you factor the radio drama into account.
Solid Snake in the Metal Gear Solid games. Also, arguably the majority of the cast, who wait until their "I'm dying" speech before they angst, and invariably reveal an insane amount of misery in their backstories before passing away.
In 3, The Boss. She lost her son on the beaches of Normandy when the Philosophers kidnapped him. She was subjected to high levels of radiation from atomic tests, was sent into space in a highly dangerous test launch of a prototype spacecraft but treated badly because she wasn't the 'official' first in space. She was seperated for years from the man she trained and was a surrogate son to her. During the seperation she was sent on a mission to kill the father of her child. The next time she met the man she trained she knew that she would have to defect and break his heart, even though the defection was a ruse planned by the US Government to get their hands on a fortune to fund their war. During the mission she is blamed for an atomic explosion caused by the insane general she was supposedly defecting to, accepting the blame to stop all-out nuclear war. She knows that she has to be killed by the man who was like a son to her, and can never reveal that she didn't betray him or her country. Finally, she would go to her grave in silence, knowing that future generations would believe her to be a monster who would have allowed the world to burn in nuclear fire. But not once did she break down or abandon the mission. "A normal person would have broken under the pressure" indeed.
Ocelot, is this too. He grew up as a child soldier after being kidnapped by The Philosophers, his best friend and mentor Big Boss gets effectively killed, His arm gets cut off as part of The Plan to revive Big Boss, He gets labelled a terrorist and traitor by everyone (even people on his own side), has hypnotherapy and nano-machines to convince The Patriots he's Liquid knowing that it will lead to his death and he has to play the bad guy to motivate Snake. All to resurrect his best friend (and crush) Big Boss, who he knew he would never get to see again as the plan would lead to his (Ocelot's) death. He suffers everyone on the entire planet Earth thinking that he's pure evil, even though he's trying to free them from The Patriots control and not once does he break down, just grimly continues playing the bad guy until his death at the hands of his best friend's son.
Lana Skye, Adrian Andrews (at first), (presumably) Celeste Inpax and Vera Misham are female examples.
Setsumi in Narcissu, although she becomes slightly less stoic as the story progresses.
Soren from Fire Emblem Path of Radiance/Radiant Dawn fits this very well, though he sometimes borders on Jerkass Woobie territory. He comes off as being cold and unkind, and is the Greil Mercenaries' resident Spock. You'd never guess that he has a Tear Jerker past...but does he ever. Thing is, though, this past is revealed through support conversations and other bits of the story that are easy to miss, so even the player might not realize it.
Gorath from Betrayal at Krondor: His decision to do the right and very difficult thing - trying to bring peace between two nations that have been warring since forever and fully intend to keep doing so - has cost him everything, but don't expect to ever hear anything about it from him.
Ange Ushiromiya. The poor girl grew up in a Bad Future where one entire side of her family (including the half-brother she hero-worshipped) died, with the exception of a now Ax-Crazy aunt, who loathes and resents her for still being alive while her child died on Rokkenjima (And later it turns out it's not true, and said truth that her "crazy" aunt hid from her is FAR worse). She got sent Off to Boarding School, where she was bullied and treated like a freak, and her only remaining relative on the other side of the family is an even moreAx-Crazy aunt who actively tried to kill her. And as icing on the angst-cake, Bernkastel manipulated all of these events specifically so she could bring Ange back in time with the false hope of fixing her world and then kill her, purely to torment the aforementioned brother, himself an Iron Woobie. You wouldn't know any of this from talking to her, though; she's a Deadpan Snarker who keeps to herself and rarely shows any expression except for a vague frown.
Shinjiro Aragaki in Persona 3. Let's go over his life: First of all, he's an orphan. Second, one of his childhood friends died in a fire. Third, two years prior to the beginning of the series, he lost control of his Persona and accidentally killed a woman, orphaning her son. As a result, he left SEES and began living as an outcast. During those two years, he began taking drugs to help control his Persona. Said drugs are slowly killing him. When he learns that Ken, the boy he orphaned has joined SEES, he decides to rejoin. During that time, he tries to maintain a distance between himself and the others. He has his own Social Link with the female protagonist where it becomes painfully clear that he really is a nice guy, and he slowly falls in love with her. However, Shinjiro is certain that he doesn't have much time left and is extremely reluctant to pursue those feelings, especially since he realizes that Ken joined SEES in order to seek revenge on him. Shinjiro ultimately either dies at Takaya's hands or falls into a coma, waking up just in time to see the girl he loves die. Despite everything, he never complains or gives any indication that he's suffering.
Joshua in The World Ends with You. It might not seem that way, but after the stinger ending, it's hard to see him as anything but.
Atsuki Saijo/Saijou from Lux-Pain, particularly after finding out what happened to his family and yet, still use his stoic mask to hide it.
Kaidan Alenko. He joins the Alliance Navy to do good, despite the abuse he suffered as teenager in an Alliance program, and he refuses to dwell on it. Or at least, so he says, in the conversations with him he dwells quite a lot on it, especially if your Shepard is female. It still seems to affect him, but he insists it does not:
Kaidan: "I've put my personal demons to rest long ago."
Thane Krios, the Atoner who's dying of a disease. Was forced into assassin training at age 6, thus had no formal education in anything else and had to continue the job to win money for his family, his wife was killed by people trying to go after him and his son hates him for having left afterwards. Nonetheless, he remains the quiet and calm individual he is, only shedding Manly Tears when the situation warrants it.
Tali'Zorah has aspects of it. Not an example of having no emotions, but she nonetheless sees no reason in pity or resentment about what happens to her:
Tali: "I don't think life is about what you deserve."
Likewise, it is entirely possible to interpret the Grey Warden from Dragon Age: Origins as this. Even more so since the Warden's facial expression is rarely ever anything but The Stoic. One notable exception occurs in the Human Noble Origin after finding the Warden's murdered nephew and sister-in-law.
Princess Zelda gets this treatment in The Legend of Zelda: Twilight Princess, which gives her a personality of The High Queen. She's suffering deeply for the tragedies inflicted on her people and her kingdom, but she doesn't dare show it because the enemy could easily exploit any perceived weakness.
Cyrus from Pokémon. When you get down to it, his entire motivation is his unhappiness with his own life and his failure to live up to his parents' perfect standards, to the point where he refuses to let himself feel anything—and thinks the entire world would be better off not feeling anything either. You don't hear any of this from him, or even while he's still in the game. You don't hear a whisper of his backstory until he's either run off in shame or gone into self-imposed exile (depending on version).
Cammy White, when she's mid-awakening from Killer Bee to human being and starting to question her actions and orders.
When you look at his personality, his goals, and his motive for fighting in the 2nd Maverick Wars never mind him being on the wrong side of said war, Harpuia is quite a complex, tragic character, and people love him for it.
Leon is this in Resident Evil. On his first day as a police officer he's forced into the middle of a Zombie Apocalypse, during which he's shot and led to believe his Love Interest died, and after he escapes he's blackmailed into working for the government lest they experiment on the young girl he and Claire were trying to save. He's sent to investigate a drug lord where he meets Manuela, an innocent girl he sets out to protect who either dies in the bad ending or is taken in by the government in the good. Oh, and his friend Krauser resents the role he was blackmailed into doing and as such becomes his enemy. Then he's sent to rescue the president's daughter, in the process getting beaten up a ridiculous amount by the bad guys, injected with a mind controlling parasite that causes him a lot of physical pain and nearly leads him to kill the Back from the DeadLove Interest, and having to watch anyone who tries to help him die. Apart from the occasional instance of Say My Name when a comrade dies you never hear him angsting over it, despite having good reason to.
VincentValentine. Let's start: he never got along with his father. We know that because said father tells Lucrecia, who accidentally killed him by experimenting too much, to apologize to his son for not being a good dad. Next, we have Vincent being employed as the girl's bodyguard. Well okay, the girl is hot, he falls in love with her. Then Vincent finds out that Lucrecia worked with and watched his father die. He's all "Whatever, I still love you", it seems like an unrequited feeling, but why is she flirting with him? Moving on: Lucrecia is in fact Hojo's assistant. Hojo is old, ugly, creepy and downright EVIL. So she sleeps with him. Vincent says that he doesn't care, as long as she's happy. Turns out, they needed a child to be conceived, to experiment on it. Remember Sephiroth? Yeah, this one. That's the child. Still being pregnant, Lucrecia falls ill and Vincent loves her too much to just watch. So he confronts both of them. Hojo kills him because he's 'noisy'. Lucrecia puts him in a tube and brings him back to life by making him the host of Chaos. And then she goes into a cave and seals herself in a Mako crystal, apologizing a lot. Vincent wakes up, discovers he's a bit different than before (no way?) and goes into rage mode. Then he closes himself in a coffin for 30 years (by the way, his body is now nearly indestructible and he never ages), saying that it's the punishment for his sin. Apparently, his sin was doing nothing, but watching the experiment. Then Cloud and co. wake him up in the basement of Shinra Manor and greet him with some great news - Lucrecia's child has become pretty homicidal and is about to destroy the world. And then, when the heroes finally kill Hojo in the game, he tells him to rest in peace. So? Want to hug him yet?
Cloud Strife. Lonely, alienated childhood, check. Told that he was too weak to join SOLDIER, which was his dream, check. Watched his mother killed, best friend almost killed, and childhood crush apparently mortally wounded, check. Used as a human guinea pig by Hojo, check. Is dragged across a continent by his best friend while Shinra chases them and can't do anything when they catch up and kill said best friend, check. Resulting in Trauma-Induced Amnesia, check. Manipulated into almost killing a potential love interest, twice, check. Same manipulation and a serious Mind Screw result in him giving the Big Bad the black materia, again twice, check. Watching Aerith die, check. Realizing he'd promised to be his living legacy and to never forget, and then having ''forgotten'', check. Failing to find a cure for Geostigma and coming down with it himself, check...
Final Fantasy X: Auron. At first, he comes off as an aloof, stoic mentor. Then comes the backstory. He started out as an ostracized monk and decides to go on the pilgrimage with Braska and Jecht because he had no other purpose in his life. One of his best friends from this time is later introduced as a corrupt Yevonite, and while he is killed, Auron is visibly angered by this. When the three are told by Yunalesca that the Final Aeon requires the sacrifice of both the summoner and one of his guardians, Auron relents, but fails to convince Braska and Jecht. It then turns out that this is all a lie, as the Final Aeon that kills Sin becomes Sin. Enraged, Auron attempts to avenge his fallen friends, and Yunalesca mortally wounds him. But Auron, being aDeterminator, instead reforms as an unsent, and in a heartbreaking display of resolve, kick-starts a good majority of the game's plot by crossing over to Dream Zanarkand and watching over Tidus, hoping to guide the next generation to finally end this terrible spiral of destruction. Auron's unexpected Not So Stoic moment, where he lashes out in an emotional frenzy at Zanarkand's projection of a younger him trying to get Braska and Jecht to not go through with the Final Summoning just shows how profoundly this event affected him, and his attempts toultimately atone for it.
Final Fantasy XIII: Lightning. Lightweight Woobie. She's a vulnerable woman beneath all that soldier training. Younger sister Serah involuntarily becomes the enemy she's sworn to kill. Feels guilty at not having spent more time with said sister.
Dissidia: Final Fantasy: The Warrior of Light, the protagonist from the original Final Fantasy is turned into a calm woobie, even when facing overwhelming odds. He never falters or stops trying to do the right thing, this leads many of the other heroes to think he has no doubts (which is incorrect). He does let his woobieness show when he and the other heroes are on their way to fight Chaos, and the Warrior opens up about feeling more and more uneasy the others are regaining their memories while he is not. That of course is only the tip of the iceberg, turns out he can't remember a past because he was born during the cycles of war between Cosmos and Chaos. Having been created by Cid in a previous cycle of the conflict and abandoned by his father to fend for himself in a warzone.
Yuan: So, Kratos. How does it feel to have your own son reject you like that?
Max Payne only wanted to live the American Dream and instead turned into a merciless Vigilante Man who carries an absurd amount of emotional baggage with him. Sadly, by the flashback events of the third game, he's washed down any prayer of finding happiness again down in a swill of whiskey and painkillers. He moves to Brazil, where has an unending supply of material comforts, but is still completely down on himself and feels out of place on top of it all. He figures he can live out his life there and, while he'll never be mentally stable again, will be able to get by until whatever kills him.
Michael "Iceman" Casey in the first Wing Commander installment. He rarely opens up to any other pilot aboard Tiger's Claw, and will only talk about things relevant to his job - to kill and get revenge on the Kilrathi enemies that destroyed his homeworld, Vega VII, and left him a deep, permanent scar in the heart. Cold, efficient, and calculating, some pilots even worry that he has a freon for blood.
Susan of El Goonish Shive seems to fit quite well. She rarely shows any emotion or talks about her problems despite the fact that both she and her mother have been rather messed up after her parents went through a nasty divorce because her dad was cheating. On top of that, Susan discovered the cheating by walking in on her dad at a rather young age.And if that wasn't bad enoughshe had to kill a very human-like monster at the age of 14.
Aradia Megido from Homestuck, who is far more traumatized than her demeanor indicates. Starting with being dead, which is only the beginning of her tribulations.
Also, Dave, Rose, and Davesprite, who are all variations on The Stoic and have all gone through more hardship than any thirteen-year-old ever should have to. It's most obvious when Mom and Bro die and Rose and Dave try as hard as they can to keep it together.
Samurai Jack is the epitome of Stoic. And with all the trials and near-victories he endures, who doesn't wanna buy the guy a beer? One episode even deals with him controlling the very justified emotional turmoil he experiences on a regular basis.
Deadpan Snarker Noah from Total Drama World Tour definitely qualifies, he gets severely injured in almost every episode he appears in, has a HUGE family in which he's the youngest kid, is generally ignored and made fun of, and yet never complains about it.
Ferb comes off this way any time you get the feeling he's sad.
Optimus Prime in Transformers Prime doesn't show a lot of emotion and he has had a lot of bad stuff happen to him.
Aqualad from Young Justice, big time. The "love of his life" (who was dating his best friend) dies. And then, just a little while later, he finds out that Black Manta is his father. He pretends to go over to the other side in a deal with Nightwing. His friends despise him as a traitor, he has to make morally dubious choices to maintain his cover, and could potentially Become The Mask. And just when things couldn't get any worse, he gets Mind Raped into a coma and his psyche is shattered. The only despair he shows during this is when his mind is so destroyed he's psychologically incapable of controlling his emotions.