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Literature: 1984
A moment of eternity.
"If you want a picture of the future, imagine a boot stamping on a human face – forever."

This is the book. One of the most horrifying and depressing codifiers for the Dystopian genre, ever.

After reading Yevgeny Zamyatin's dystopian thriller We, George Orwell wrote Nineteen Eighty-Four as a Pragmatic Adaptation of the novel for non-Russian audiences. Finished in 1948 and published the next year, it became one of the most iconic stories in the English language, and introduced the phrases “Big Brother Is Watching You”, “thoughtcrime”, “Thought Police”, "Newspeak" and “doublethink” into the English lexicon (but not “doublespeak”).

In spite of it suffering from a bad case of Twenty Minutes into the Future as the title alone testifies, Nineteen Eighty-Four remains one of the best and most horrific dystopian works ever.

The BBC adapted the book for television in 1954 with a script by Nigel Kneale and Peter Cushing as Winston Smith. It resulted in probably the earliest large-scale eruption of protests about "taste and decency" involving a British TV programme. Questions were asked in the House of Commons when it was alleged that one viewer had actually died of shock while watching.

Two film versions were made, in 1956 and (appropriately) 1984. The brilliant and depressing 1984 version of Nineteen Eighty-Four, starring John Hurt as Winston and Richard Burton in his final role as O'Brien, is far more true to the original novel, but is often compared unfavorably to Terry Gilliam's surreal dystopian movie Brazil (which came out one year later, in 1985), which takes a much more subversive and blackly humorous view of Orwell’s themes. According to IMDb, Tim Burton is working on another adaptation of this movie.

Also, this book is frequently compared to Brave New World as a way of showing the perspectives of the dystopia-esque society. Note that Nineteen Eighty-Four shows that what we fear controls us, while Brave New World shows that what we love controls us.

Compare also with Jennifer Government, another Dystopian novel in which it’s not the state or a single party, but corporations who control everything. Contrast Fahrenheit 451, where dystopia came about from the people while the government was less involved.

Interestingly, sales of the novel tend to skyrocket following political scandals involving wiretapping or mass surveillance.

All spoilers below are unmarked. Reader beware.


NOTE: Do not identify this book as being anti-communist or anti-fascist anywhere on this wiki. It's anti-totalitarianism. Orwell was personally a socialist, but thought that both extremes were bad and would inevitably lead to the same thing. The original political leaning of the Party is deliberately vague, and their sole concern is retaining power - no more, no less, as stated In-Universe by O'Brien near the end.


This novel provides examples of:

  • Adjusting Your Glasses: O'Brien constantly does this. The narrator remarks about the "curious, disarming friendliness that he always managed to put into the gesture".
  • Adult Fear: Ultra-pervasive surveillance and the death penalty for so much as expressing the slightest bit of rebellion? Very much real in today's world.
  • Affably Evil: O'Brien is the most nightmarish version of this trope imaginable. It could veer towards Faux Affably Evil, but he genuinely wants his victim to obey the party and the ideals of Double Think, as he believes they are the truth.
  • After the End: Takes place after a nuclear war. The Party has permanently stalled all human progress, and even history itself:
    Who controls the past controls the future; who controls the present controls the past.
  • Airstrip One: Trope Namer.
  • The Alcoholic: Winston in the end. That is to say, he's even worse by the end. He seemed to drink a lot even before the Ministry of Love got hold of him.
  • Ambiguous Situation: Because of the nature of the world and the Party's iron grip on all information, anything and everything that Winston doesn't personally witness is open to interpretation.
  • Anti-Hero: Winston himself; he's suspicious, bitter, cowardly and, initially at least, demonstrates few outward desires besides basic gratification. But given that he's the product of a society that instils those qualities in its citizenry on purpose, the mere fact that he contemplates rising above them makes him a hero, of sorts.
  • Apathetic Citizens: The Proles.
  • Arc Words:
    • "Big Brother is watching you", and on a different level:
      WAR IS PEACE
      FREEDOM IS SLAVERY
      IGNORANCE IS STRENGTH
    • "DOWN WITH BIG BROTHER"
    • "Two plus two equals five"
    • ""Oranges and lemons", say the bells of St. Clemens"
    • "Who controls the past controls the future; who controls the present controls the past."
    • "If there is hope, it must lie in the Proles"
  • Assimilation Plot: The Party claims to be doing this.
    "You know the Party slogan 'Freedom is Slavery." Has it ever occurred to you that it is reversible? Slavery is freedom. Alone -free- the human being is always defeated. It must be so, because every human being is doomed to die, which is the greatest of all failures. But if he can make complete, utter submission, if he can escape from his identity, if he can merge himself in the Party so that he is the Party, then he is all-powerful and immortal.
  • Author Tract: Orwell was never the slightest bit shy in admitting that he wrote primarily in defense of democratic socialism and against totalitarianism.
  • The Bad Guy Wins: The whole point of this book is that moral and/or ethical standards are irrelevant to Realpolitik, and thus the good guys never will remake the world in their image. Ever.
  • Bald of Evil: After Room 101, both Julia and Winston are bald, toothless, and soulless.
  • Barefoot Poverty: Winston estimates half the population of Oceania goes barefoot, even though 57 million boots had supposedly been produced in the last quarter.
  • Beauty Equals Goodness: Subverted. Everyone in Oceania is hard looking and rough around the edges. Winston is not even in his forties yet and he's already out of shape and seemingly decrepit. Julia is only in her twenties, and yet Winston says that her lips are probably the only part of her he could genuinely call pretty. They fall in love, anyway. Meanwhile, Winston describes at length O'Brien's friendly, disarming demeanor and mannerisms, along with his 'prize fighter figure.' But this is probably because O'Brien is a member of the inner party, and therefore lives a relatively easier lifestyle then just about everyone else.
  • Believing Their Own Lies: A key component of doublethink is to "tell deliberate lies while genuinely believing in them".
  • Beware the Nice Ones: It never crosses Winston's mind that Charrington, the quiet, friendly little man he and Julia rent their room from is actually a member of the Thought Police.
  • Big Beautiful Women: Winston finds the prole woman who sings the "Love Song" outside his apartment to be beautiful in her own way.
    Julia: She's a meter across the hips, easily.
    Winston: That is her style of beauty.
  • Big Brother Is Employing You: Winston works for the Party.
  • Big Brother Is Watching: The Trope Namer. The party has surveillance measures in every home and prosecutes everybody who shows the slightest of suspicious behavior.
  • Big Bad: O'Brien, who is the most significant villain seen in the story, and responsible for both Winston's and Julia's ultimate capture and Winston's conversion to IngSoc.
  • Bigger Bad: Big Brother is never seen in person, and it's ambiguous whether he even exists as an individual or is just an icon of the Party.
  • Black and Grey Morality: Winston and Julia say that they are prepared to commit atrocities in order to topple Ingsoc, which does commit atrocities because it is utterly evil.
  • Blatant Lies: The whole purpose of the Ministry of Truth and the scary thing is no one questions them.
  • "Blind Idiot" Translation: The original Finnish translation, but it was later remedied by a much better and accurate one.
  • Bread and Circuses: The Proles, because "Proles and animals are free". The Ministry of Truth has a section that produces crappy entertainment for them: newspapers that only contain crime, sports and horoscopes, sensationalistic novels, films "oozing with sex", sentimental songs made by machines, and porn. They can also do as they bloody well please, and Big Brother doesn't give a crap if they have orgies, until one of them proves intelligent enough to organize revolutions and thus gets marked down by the Thought Police.
  • Break the Cutie: O'Brien explains that this is the pure, final reason why they allow hopeful wide eyed idealists to exist.
  • Call Back: At the end, the newsreader comments that the Oceanian war maneuver to bring the whole of Africa under its control "may bring the war within measurable distance of its end"- exactly the same thing said about another maneuver in the beginning. Whether this is meant to imply that the news report is just pure propaganda, or an actual coincidence, is up for debate.
  • Came Back Wrong: Crossed with Irony. The Party did a good deal to erase various things both good and ill (capitalism, nationalism, liberty and even peace) supposedly for the purpose of bringing about true proletarian power...only to re-purpose and regurgitate them all (including the "War is Peace" idea) for upholding the Party's power.
  • Can't Stop The Signal: Averted — there was no signal. There has never been a signal.
  • Card-Carrying Villain/For the Evulz/Despotism Justifies the Means/Dystopia Justifies the Means: In discussions with Winston during his "re-education", O'Brien drops all pretense that the Party is out for anything other than pure, unrestrained Power. See the page quote for a sampler.
  • Chekhov's Gun: Winston's freakout when a rat shows up in the hiding place.
  • The Chessmaster: O'Brien.
  • Clock Discrepancy: The book plays with this idea. The main character looks at the clock which reads 8:00. He thinks it's still 8 pm, but instead it was actually 8 am.
  • Cold-Blooded Torture: The Ministry of Love specializes in this.
  • Conditioned to Accept Horror: Everyone.
  • Conversation Cut: Julia and Winston call this "talking in installments". They will sometimes abruptly cut off their conversations mid-sentence if they think someone could hear them, and continue talking as if nothing had happened the next time they crossed paths.
  • Control Freak: The party as a whole, thoughtcrime in general is the crime of not being controlled by the party.
  • Conveniently Interrupted Document: Winston is reading Goldstein's book, and is just about to learn why the Party is so brutal and totalitarian - upon which he stops because Julia's fallen asleep, preventing both him and the reader from learning the reason (until later).
  • Crapsack Only by Comparison: Discussed; Goldstein's book within a book notes that it's much easier to oppress someone and get away with it when they have no metric of comparison and don't know they're being oppressed.
  • Crapsack World: Living in the world of 1984 is a Fate Worse than Death even worse than living in a Cosmic Horror Story. At least in a Cosmic Horror Story you lived just like a Prole with privacy and freedom because the gods don't care about your thought-crimes (unless, of course, your curious mind actively seek them out with punishments galore).
  • Dangerously Genre Savvy: The Party seems to have tied up every loose end that might bring about its downfall.
  • Despair Event Horizon: The entire world, although Winston doesn't realize this until Room 101.
  • Diesel Punk: The tech level of Oceania at least is permanently stuck here.
  • Disappeared Dad / Missing Mom: Both of Winston's parents disappeared; his mother when he was around 11, his father much earlier. He has many memories about his mother, but remembers little about his father. He knows nothing of their fate; they might have been executed or sent to a forced labor camp.
  • Disproportionate Retribution: The hell Winston Smith is put through is astonishing, considering that his rebellious acts — keeping a diary, having an affair and enjoying it — are so trivial and furtive that he would pose no threat to the Party at all if he were only left alone. Very likely he would not agitate, or publish samizdat tracts, or even whisper thoughtcrime to his acquaintances. He would just go on and on, writing lies for the Ministry of Truth and meeting up with Julia and wondering wistfully if there is a Brotherhood, until his natural death. But for the Party, mere obedience is not enough.
  • Downer Ending:
    • For the protagonists, at least; besides the aforementioned appendix, there just may be a single spot of hope left for the world as indicated subtly by the fact that the proletarian woman's symbolic recurring love song outlasts the popularity of the Hate Song. The Party might fall after all, eventually.
    • And also within the 'Oranges and Lemons' motif. When O'Brien continues Winston's recitation of the rhyme a couple of lines beyond Winston's recollection of it, he exclaims 'You knew the last line!', and O'Brien agrees. But the rhyme as normally told continues a little more ("I'm sure I don't know, said the great bell of Bow", — that is, interestingly, Bow Bells, the Cockney Londoner's central point.) suggesting that the Inner Party is not as omniscient as it believes.
    • The Michael Radford movie ended with a subtler bleak ending, forgoing the bullet to the brain ending, and instead has Winston looking at the image of Big Brother, then thinking, "I love you! I love you!"
    • The Brotherhood is this. Although O'Brien implies that it's a myth, it must be borne in mind that O'Brien is lying - the party is not known for its truthfulness. Also possible is a resistance movement that the party does not control (although O'Brien rejects this notion as impractical).
    • Perhaps the most down part of the ending of all is the fact that Winston's re-education is so successful that he actually mistakes it for a happy ending.
  • Droit du Seigneur: A rare modern example, in which one element of The Party's propaganda is the claim that before Ingsoc there had existed a law "by which every capitalist had the right to sleep with any woman working in one of his factories".
  • Dude, Not Funny!: In-universe. Winston sees horrible Newsreel footage of refugees being murdered, including a woman with a small child. The audience at the picture theatre laugh. A prole woman loudly objects to this, and is taken out of the theatre by the police.
  • Dystopia: Trope Codifier.
  • Dystopia Is Hard: Nothing is efficient in Oceania except the Thought Police.
  • Dystopia Justifies the Means: Or so Winston's tormentor claims in the Ministry of Love.
  • Electric Torture: And pretty much every other kind of torture you can think of.
  • The Empire: Oceania controls the entirety of North and South America, Australia, and parts of the other continents as well. At least, that's what's claimed. Perhaps Airstrip One is all there is to Oceania, perhaps it dominates the whole world and bombs its own citizens to keep up the appearance of war. It's kept ambiguous.
  • Empty Shell: The Ministry of Love mass manufactures these out of dissenters.
    "You will be hollow. We shall squeeze you empty and then we shall fill you with ourselves."
  • Enfant Terrible:
    • Parson's kids, the son in particular. They're little hellions whom Winston believes will kill their own mother one way or another within a couple of years. And that's before they turn their father—who is staunchly loyal to the party, at least in his conscious thoughts—over to the Thought Police.
    • There is an evil version of the Boy Scouts, who get specialized training to teach them to be fanatically loyal. And the only activity they do is stalk people who they think are suspicious and turn them over to the authorities, often regardless of whether they actually did anything or not.
  • Equal-Opportunity Evil: Goldstein's book tells that the Party accepts Jews, blacks and Indios in their ranks, if only to avoid people feeling oppressed by specific other races/cultures/nationalities within Oceania.
  • Everybody Smokes
  • The Everyman: Winston Smith. See Meaningful Name.
  • Evil Will Fail: This book is an infamous aversion of this trope: the evil Big Brother governments of the world have things so completely under control and so tightly locked into their plans, that the book ends with the "resistance" depicted as a myth and the protagonist of the story successfully brainwashed into obedience.
  • The Evils of Free Will: This seems to be one of the few things that the Party actually believes in, besides their utterly cynical For the Evulz motivation. Remember, "Freedom is slavery" and "Proles and animals are free."
  • Expanded States of America: Of the "Transcontinental American Empire" subtype, as apparently the USA absorbed Britain and the British Commonwealth along with the rest of the Americas to form Oceania.
  • False Flag Operation: It is heavily implied that Oceania, Eurasia and Eastasia are basically ruled by the same ideology, and are bombing each other/themselves to create a Pretext for War and totalitarianism, and that the Party is using the Brotherhood to bait dissidents for capture.
  • False Friend:
    • O'Brien, as revealed in the third act.
    • Also Charrington.
  • Fanservice: In the film. Julia is quite clearly naked in some scenes. It's then inverted into Fan Disservice when the Thought Police enter the room while she's still naked, beat her up and drag her away to be tortured.
  • Fascist, but Inefficient: Played with. The only efficient organizations in Oceania are the Thought Police and the Ministry of Love. Every other aspect of society is left neglected and crumbling because of the Inner Party's apathy of anything other than exerting its power over its citizens and their belief that a prosperous society would overthrow the ruling oligarchy.
  • Fat Bastard: Subverted with Parsons, who despite his blind following of the Party seems to be pretty affable.
  • Fate Worse than Death: It is the Trope Namer for a subtrope, after all. The Proles are an exception.
  • Faux Affably Evil: O'Brien talks to Winston in a calm, sometimes cordial tone throughout his torture in the Ministry of Love.
  • Female Misogynist: Julia says that she hates women.
  • Fictional Political Party: 'The Party'. Simply 'The Party' since they've long since gotten rid of the competition, forming a totalitarian regime.
  • Fictionary: The Newspeak dictionary.
  • Flowers of Romance: Winston picks a bunch of bluebells for Julia when they meet in the countryside for the first time.
  • Fluffy the Terrible: Big Brother.
  • Foe Yay:
    • Invoked. The purpose of the Two Minutes' Hate is to channel the citizens' sexual impulses into their hatred for the state's enemies.
    • There's also a disturbing subtext of this between Winston and O'Brien.
  • Foregone Conclusion: Winston fatalistically accepts towards the beginning of the novel that the very fact he has bought a journal and dared to think for himself will eventually doom him. Turns out he's right, as the Thought Police were on to him even before the novel even began. He also ends up dooming Julia along with him (assuming the Thought Police had not already been on to her too.)
  • Foreshadowing:
    • Julia, albeit unintentionally. "I bet that picture's got bugs behind it."
    • Under the spreading chestnut tree, I sold you and you sold me...
    • O'Brien telling Winston and Julia about how they will be captured, tortured, etc. after joining The Brotherhood.
    • In the Ministry of Love, Winston sees one of his fellow prisoners get called to go to Room 101. As he frantically resists the guards, he tries to convince them to punish someone else instead of him, thereby prefiguring what Winston ends up doing.
  • Forever War: Causes a totalitarian Hell.
  • Four Eyes, Zero Soul: O'Brien.
  • Freud Was Right: Invoked. Julia theorizes that the Party keeps people in a state of warlike hysteria and power hunger though subjecting them to sexual deprivation. She even calls it "sex gone sour."
  • Genius Bruiser: O'Brien.
  • Genre Blind: Winston, in some respects. His first impressions of Julia and O'Brien is that they are members of the Thought Police and the Brotherhood respectively. He couldn't be further from the truth.
  • Genre Savvy: On the other hand, Winston has a keen political mind. For instance, his assertion that "If there is hope, it must lie in the Proles" is very astute, considering just how much Proles outweigh the Inner Party in number.
  • A God Am I: Collectivist variation. In Ingsoc's ideology, the Party is completely omnipotent, omniscient, and omnipresent, existing at every point in space and time. O'Brien boasts that they, as the Party, are a collective Reality Warper that can distort and rewrite the past and even material reality itself, and everybody are forced to believe the absurdity lest they be tortured into believing it. 2+2=5 if the Party wants it. In George Orwell's own words:
    A totalitarian state is in effect a theocracy, and its ruling caste, in order to keep its position, has to be thought of as infallible.
  • Good Bad Girl: Julia.
  • Good Cop/Bad Cop: O'Brien takes on both roles in his interrogation of Winston. In one moment he will be applying torture and relentlessly beat into Winston's skull the despair-inducing state of the world, in the next act grandfatherly, kind and even pleading towards him. This is probably part of the whole brainwashing process - by crushing all the prisoner's hope for the future of the world, he'll make submission to and assimilation by the Party seem sweet and comforting by comparison. (It also shows just how steeped in doublethink you'd have to be in order to be an Inner Party member — many of O'Brien's statements blatantly contradict one another.)
  • The Good Guys Always Win: Completely inverted; not only do the bad guys win, it's heavily implied that they will always do so. See The Bad Guy Wins.
  • Grand Inquisitor Scene: Pretty much the entirety of Part III is about O'Brien telling Winston about how the Party controls the populace, and where it is going in the future. Winston had also read part of Goldstein's book covering the same topics.
  • Great Off Screen War: There is supposedly a vast war raging between the three superstates, but it has no actual bearing on the novel's plot. It could just be made up to make the party's rule seem legitimate.
  • Hannibal Lecture: Part III is essentially a grand Hannibal Lecture to Winston on the part of O'Brien.
  • Happiness Is Mandatory: And you love Big Brother and we have always been at war with Easta— er, Eurasia.
  • Happiness in Slavery
  • Heel Face Mole: O'Brien.
  • Hope Spot:
    • The entire second part has Winston wondering if his intellectual rebellion can be extended or shared by others to overthrow the regime. He believes it seems possible with a resistance group outside Party control. Not coincidentally, this is the part of the book where he is having a love affair with Julia.
    • The appendix, discussing Newspeak, also qualifies, as its past-tense phrasing implies that the regime had fallen by the time it was written.
  • Huge Holographic Head: The face of Big Brother is displayed on huge screens to comfort the citizens after the Two Minutes' Hate is over.
  • Industrialized Evil: While the party has very specifically created tortures for dissidents, the entire apparatus is one huge example of human degradation for its own sake.
  • Infodump: Goldstein's book.
  • Innocent Inaccurate: Anyone who swallows the Party line without question.
    • Parsons expresses nothing but admiration for his daughter when she denounces him to the Thought Police for whispering, "Down with Big Brother" in his sleep. It doesn't even occur to him that his daughter probably made the whole thing up and he actually said nothing of the kind.
    • Winston doesn't even question that O'Brien and the Thought Police have had him under surveilance for years, and were aware of his treason at every stage. Actually, there's no textual evidence that anyone in the Party was paying special attention to him before he started renting the room over the shop.
  • Internal Reformist: Julia, who works for the Party to survive but does things considered illegal when she is not being monitored. Winston tries to be this, but fails.
  • Internal Retcon:
    • Winston's job is to receive reports of new articles that do not match the current party line, and to fix the mistakes or to write a new article as a replacement of the Unperson. He also notices the same being applied to announcements on telescreens, where some rations are cut back but still shown to be greater than last year.
    • At one point during a rally, the Party, having always been at war with Eurasia, suddenly has always been at war with Eastasia. As in mid-speech (the speaker is handed a note with the change). And — as Winston notes with horror — his audience instantly goes along with it, because Big Brother is watching them and Big Brother is always right. The rally in question took tons of preparation, which involved creating banners damning Eurasia, among other propaganda. Once Eastasia has been named as the enemy, the crowd becomes aghast that their banners now falsely name Eurasia and believe Goldstein's heretical group is to blame for them being wrong.
  • I Reject Your Reality: On a society-wide scale.
  • Ironic Echo: "We shall meet again in the place where there is no darkness." It's a brightly-lit prison cell.
  • Ironic Nickname:
    • The Ministry of Truth (the past is rewritten), The Ministry of Peace (in charge of the armed forces), The Ministry of Plenty (rationing to maintain Perpetual Poverty) and worst of all (on a personal basis) The Ministry of Love (torture and brainwashing).
    • Big Brother himself. The friendly, protective family member stereotype is so completely subsumed by the bullying one that, due to the novel's term being a pervasive Ascended Meme in its own right, the term on its own has no meaning: you can't tell whether someone's using it affectionately or making a reference to 1984 without context. Further perverted, as noted by Winston, in that the Party is deliberately breaking down family bonds, as can be seen with his neighbour being handed to the Thought Police by his children.
  • Ironic Nursery Tune:
    • "Here comes a candle to light you to bed, here comes a chopper to chop off your head!"
    • "Under the spreading chestnut tree/I sold you and you sold me."
  • Jail Bake: Winston, after being imprisoned, thinks that the Brotherhood might send him a razor blade hidden in his food, not to escape but to kill himself with. It doesn't happen.
  • Just the First Citizen: Big Brother, according to the Party's faux-egalitarian ideology. It's unclear whether he exists at all, but if he did, he would be near-omnipotent.
  • Karma Houdini: See The Bad Guy Wins. The Party, O'Brien, and Big Brother all go off scot free due to the way the system is set up. Unless you believe the Newspeak Appendix implies the Party's fall...
  • Kicked Upstairs: After getting arrested, tortured and brainwashed unorthodox Party members are allowed to hang around for several years, and are allowed to spend as much time drinking in the controversial Chestnut Tree Cafe as they can while given jobs which sound important but are really sinecures.
  • Kids Are Cruel:
    • Winston, in his youth. During a flashback he remembers how he was driving his family (mother and little sister) out of house and home and was generally a greedy brat. Julia says she shares this perception of his younger self, and says the same seems to apply to all children
    • The children of Oceania are brought up to mistrust and spy on their own parents. Family values and loyalty are discouraged in favor of sadistically ratting out the other members of one's family.
    • Parsons' kids attack Winston with a catapult, accusing him of being a traitor and a thought criminal, and say they want to shoot him, vaporize him or send him to the salt mines. According to their mother, they're acting out because they can't go to a hanging. They end up turning in their father because they heard him say "down with Big Brother" in his sleep.
  • Knight Templar: Subverted. The party claims that they have the people's best interests at heart, but in reality, they pursue power for its own sake.
  • La Résistance: The Brotherhood, which may or may not actually exist, led by Emmanuel Goldstein, the supposed author of "the book" who also may or may not actually exist.
  • Language Equals Thought: The entire purpose of Newspeak is to reconfigure the way people think by controlling the language in which they express their thoughts; the intended logical conclusion of this is that thoughtcrime will eventually be impossible, because there will no longer be any words in which to express it.
  • Lie Back and Think of England:
    • Party women are encouraged to do this when they have sex. "Goodthinkful" women are taught to call it "our duty to the Party". Men aren't really encouraged to enjoy it either. The Party wants sex to be seen as a dirty but necessary act, like vomiting or getting an enema.
    • At one point, O'Brien claims the Party plans to abolish the orgasm ("Our neurologists are at work upon it now"), making sex a purely reproductive act devoid of pleasure for anyone.
  • Lies, Damned Lies, and Statistics: One of Winston's tasks at the Ministry of Truth is to make up statistics, in order to make The Party look good. In one instance, he "corrects" an article that stated 145 million boots would be produced, to say that 57 million would be made. He has been told that 67 million were "actually" produced. Winston thinks it is very likely none at all have been made, as approximately half the population of Oceania goes barefoot.
  • Light Is Not Good: "The place where there is no darkness" is not a place you ever want to end up. Ever.
  • Loners Are Freaks: The Party is trying to stamp out "ownlife."
  • Love at First Sight: Averted, Winston hates Julia on sight, because she appears to represent everything he hates.
  • Manic Pixie Dream Girl: Julia, sort of. In keeping with the trope, she is an untamed, free-spirited Love Interest who helps to bring the male character out of himself and overcome the drudgery of his daily life. Subverted by the end of the novel, in which she has become just as broken and defeated as Winston.
  • Manipulative Bastard: O'Brien and the rest of the Inner Party.
  • Meaningful Name: Winston Smith, from "Winston Churchill" and "Smith", The Everyman. Julia from Romeo and Juliet. Emmanuel Goldstein from "Bronstein" (Trotsky's given surname) and anarchist Emma Goldman, who was prominent in Orwell's time.
  • The Metric System Is Here to Stay: Some focus is given to everybody having to use the metric system. Orwell was against the complete scrapping of Imperial units, though he supported the use of the metric system in scientific work.
  • Mind Rape: The Party is subjecting the entire Oceanian population to a form of Mind Rape, with the goal of making them mindless and obedient like cattle. Also, the last third of the novel may be the the most disturbing and prolonged Mind Rape ever put to paper.
  • Mind Screw: Doublethink is essentially a deliberately invoked instance of this, as it involves the willful belief in the truth of mutually contradicting statements.
  • Moment of Weakness: Winston breaking down and screaming Julia's name near the end causes O'Brien to realize that he has not completely broken yet, and send him to Room 101.
  • Moral Sociopathy: Probably the best way to describe the Party's guiding philosophy and the presumed mindset of the most stalwart Inner Party members. The pursuit of power for its own sake is viewed as the highest good of humanity, and the surest path to power is to unite and subsume one's own will within the will of the Party as a whole.
  • More Than Mind Control: The Party wants to destroy even the capability of independent thought. They want you to really love Big Brother, and in the end, Winston does.
  • Most Writers Are Writers: Winston is a writer, and his job is his greatest pleasure in life.
  • Mutually Assured Destruction: While it's not made totally clear in the novel proper, according to Word of God MAD is apparently a large part of the reason why Oceania is so messed up, being based on Orwell's rather pessimistic idea of what world peace, or at least a nuclear-enforced one, would actually be like, as laid out in his seminal essay You and the Atomic Bomb. Because Oceania, Eurasia and Eastasia can't go to war without completely annihilating all three of them at once, their leaders have nobody to take out their sadistic tendencies on but their own people.
  • My Girl Is a Slut: Winston to Julia.
    "The more men you've had, the more I love you."
  • Neologism: Invented terms like "Big Brother," "Thought Police," and "doublethink" and popularized "unperson." Just look at all the tropes this book has named...
  • New Speak: Trope Namer.
  • Necessarily Evil: If O'Brien is correct, the Brotherhood has no choice but to commit the most heinous of acts to defeat The Party.
  • No Celebrities Were Harmed: Aside from Big Brother being a clear expy of Josef Stalin, Emmanuel Goldstein is pretty clearly based on Lev Trotsky. He even has a Jewish surname.
  • No Name Given: Julia's last name and O'Brien's first name are not revealed.
  • Noodle Incident: Exactly how did the Party come into power?
    • Winston, at one point, muses that he doesn't really remember hearing of Big Brother before the 1960's. References are made to a war including a nuclear exchange having taken place in the 1950's during his childhood, leading to the breakdown of government and society and a period of chaos lasting for an indeterminate time (possibly including civil war; Winston remembers the streets being roamed by gangs of youths in different-colored shirts) before the Party finally solidified its control.
  • No Sex Allowed: All intercourse within the Outer Party is strictly regulated only for the development of children. There's a lecture in a part of the book talking about artificial insemination and trying to remove the orgasm to prevent any pleasure being derived from sex. For Julia, all these have a mere purpose of increasing frustration which can be channeled into war hysteria and orgiastic rallies.
  • Not So Different: The rival countries. Oceania may be bad, but the implication is that the two other superstates, Eurasia and Eastasia, are almost exactly identical to it. The three states are always at war with each other, with nobody ever winning. If you live in one of the areas the three states are always fighting over, you are a slave in both body and mind to whoever has power over the area at the current time.

    It is heavily implied that an unspoken gentleman's agreement exists between the three states that they will never make a serious effort to destroy the others - this is the reason no state ever uses mass conscription or WMDs - because the war is part of the Evil Plan for the three of them to keep the standard of living down and mobilize the hatred of the population. Goldstein's book even mentions that Oceania could probably conquer all of Europe up to the Polish frontier, or that Eastasia could likely seize Australia, but that neither state does so for fear of upsetting the Balance of Power. In accordance with this, the fighting - if any is even happening - is confined to a territory roughly encompassing most of Africa (apart from the portion controlled by Oceania), the Middle East, the Indian Subcontinent and Southeast Asia; the open oceans; and the polar caps.

    In fact, the actual state of the world is so poorly known that (a) the idea that Oceania dominates the entire world, and the existence of the other states is simply a fiction to justify a war with which to keep people's expectations of a better life crushed, and (b) the idea that Oceania is little more than a Banana Republic consisting of only Airstrip One, and is applying propaganda to make its position on the world stage sound grander than it really is, are both equally valid interpretations of what might really be going on. The "Three states making only token attacks on each other" is just one other possibility which may or may not be the truth.

    Of course, we don't actually know anything of the other two powers, or indeed how finely balanced the Balance of Power actually is. A real-life example of how this could play out is Taiwan being claimed by China.
  • Oh Crap: Winston and Julia's reaction to the fact that there was a telescreen in their hiding place the whole time.
  • Only Sane Man
    Winston: Sanity is not statistical.
    • O'Brien later convinces Winston that he is more like the "Only Insane Man". The scary part about this is that it's technically true; because social norms define sanity and insanity and most people believe the Party, in Oceania, knowing the truth makes you insane.
  • Painful Rhyme: invoked One of Winston's co-workers is responsible for re-writing famous poetry to make sure it aligns with Party propaganda. Winston notes it is generally gibberish.
  • Peace & Love, Incorporated: Minitrue, Miniluv, and Minipax.
  • Persecuted Intellectuals: Those who are too openly intelligent are quietly eliminated, both from the Party ranks and the proletariat. This happens to Winston's friend Syme - even though he's a vociferous supporter of the regime, he "sees too clearly and speaks too plainly", and simply disappears one day.
  • The Philosopher King: Subverted. The philosophy embraced by the ruling party is one of utter and complete self-interest.
  • Pimped-Out Dress: Julia attempts to invoke this trope. In the Michael Radford adaption, the dress is ill-fitting and not very flattering, as presumably this was the best she could get.
  • Pointless Civic Project: Oceania constantly builds things like monuments, both to inspire mindless nationalism, and to soak up excess resources and keep living standards so low that the people are too worn down to resist. Also inverted: it's heavily implied that the war is merely a way to justify how little the government spends on its population. Throw a few token rockets at them and tell them you're dropping thousands more on the enemy, and they won't complain about bread shortages.
  • Pragmatic Adaptation: The 1984 movie is extremely faithful to the book, but the shift in medium means that Orwell's detailed narration on the history of Ingsoc is lost. Since the movie obviously cannot devote itself to lengthy info breaks like the novel does, it spends more time cultivating atmosphere and showing just how miserable life is in Airstrip One. Also, because all of Winston's thought processes (save for his diary entries) are lost, he ends up as more of an Audience Surrogate - the fact that he's magnificently played by John Hurt (who even looks like George Orwell) is an added bonus.

    The ending is also subtly different, changing the meaning but not the outcome. Winston writes "2 + 2 =" (as opposed to "2 + 2 = 5," which was Orwell's intent; "2 + 2 =" was a typo in many editions), and thinks "I love you!" (after Julia leaves, but while staring at Big Brother, so it could go either way; whereas the book directly states that he loves Big Brother). "2 + 2 =" is arguably more powerful, since O'Brien says in both versions that the answer to 2 + 2 is whatever he decides it is, and could be 3, 6, or all at once. With regard to Winston thinking "I love you!", if he had simply said "I love Big Brother" (translating the famous closing line from third person to first person), it would have sounded a lot more awkward.
  • Public Execution: A few happen in Oceania, with enemy nations' spies and prisoners of war.
  • Rage Within The Machine: Winston is a party functionary who doesn't really believe in the party, and seeks to rebel.
  • Room 101: The Trope Namer, where Winston and Julia are faced with their worst fears and made to betray each other.
  • Repressive But Efficient: Played with. Big Brother is not so good about things like ensuring a decent quality of life for all the little brothers and sisters in his care, but he's AMAZING when it comes to things like keeping the monitoring system up and running, identifying and rooting out possible dissidents, and just generally averting Evil Will Fail.
  • Scary Shiny Glasses: Winston's duckspeaking colleague.
  • Schizo Tech: The Party has a machine that writes trashy novels (to keep the proles happy) but farms are still worked by using horse plows. Justified in that working the farms keeps the proles busy and poor and writing trashy novels the old fashioned way would potentially lead to dangerous thoughts in the writers.
  • Screens Are Cameras: The telescreens.
  • Secret Police: The Thought Police.
  • Sex Is Evil: The Party wants to suppress the sex drive and channel it into war hysteria. O’Brien says that their neurologists are working on the abolition of the orgasm in Party members. One of The Party's prominent youth movements is the Junior Anti-Sex League, who want all reproduction done by artificial insemination. Sexual enjoyment is looked down as only for proles and animals.
  • Shadow Dictator: Big Brother.
  • Silly Love Songs: The Party mass-produces them for the proles with a machine known as "versificator". Winston hears a prole woman singing one of these; while the song is "dreadful rubbish", she sings it with so much feeling that it almost becomes beautiful.
  • Sinister Surveillance: Surveillance cameras, hidden microphones and two-way "telescreens" exist in every home and in every street, spying on citizens, monitoring their every move and showering them with propaganda slogans. The Proles are lucky in that they have no telescreens, and only members of the Inner Party are able to (temporarily) turn their telescreens off.
  • Society Marches On: As was often the way with mid-century science fiction writers, Orwell didn't guess there was a feminist revolution around the corner. There are, for example, no women in positions of power, and the dreary sexual mores of the world of 1984 clearly pre-date the invention of The Pill. It is rather jarring to reflect when watching the Michael Radford film that in Real Life, a woman had been Prime Minister for five years.
  • Soft-Spoken Sadist: O'Brien, especially as played by Richard Burton in the 1984 film adaptation. He never raises his voice above a shout during the breaking of Winston.
  • So Happy Together: Winston and Julia in Part Two.
  • Space-Filling Empire: The whole world has been split into three superpowers: Oceania (North and South America, Great Britain, South Africa and Australia), Eurasia (the Soviet Union, mainland Europe and North Africa), and Eastasia (China and surrounding Asian nations, down to India and the Pacific Islands).
  • Spiritual Successor:
    • 1984 is heavily influenced by Zamyatin's We, from where it seems to draw many of its dystopian elements. Orwell began writing 1984 eight months after he read the now lesser known We.
    • To Sinclair Lewis' It Can't Happen Here, published fifteen years before Nineteen Eighty Four. Both novels depict a formerly democratic western nation that succumbed to totalitarianism. The protagonists of both novels chafe under totalitarian rule and rebel through the written word. Both men find solace in secret romantic relationships with women who are both their soulmates and co-conspirators; Winston falls in love with Julia while Doremus has a secret affair with Lorinda. Finally, both protagonists find themselves incarcerated and tortured for their rebellion against the state.
    • The books is also a successor of sorts, to two non-fiction essays by Orwell, Politics and the English Language and You and the Atomic Bomb, building on the ideas set forth in both of them.
  • Staged Populist Uprising: The "resistance's" book claims that all revolutions are just the middle class using the lower class as a tool to supplant the upper class. IngSoc is designed to prevent this with the meritocratic Inner Party selection process and intense surveillance of the Outer and Inner Parties.
  • Stockholm Syndrome: The Party imposes this on its members, including Winston, in the end.
  • Strange Syntax Speaker: Newspeak, though it isn't used often in the novel.
  • Straw Hypocrite - The principle of "doublethink". Every party member must believe that Ingsoc will win the war even if they know there is no war because their lives depend on it.
  • Strawman Political:
    • The entire point of the book. Big Brother is the Strawman Totalitarian. He's also a Strawman Communist or a Strawman Fascist or Strawman Theocrat depending on what aspects of IngSoc you focus more on.
    • There’s a sort of Lampshade Hanging on this when O’Brien explains that, unlike previous totalitarian regimes in history, the Party is knowingly out for power for itself without any delusions of Utopia Justifies the Means.
  • Straw Nihilist: The antagonists. The few sincere beliefs they have - when not subjected to double thinking - consist of the notion that reality is meaningless outside their heads, and they only live for power for power's sake and its sadistic exertion over others, and that well intentioned extremists (and everyone else, for that matter) are deluded power-seekers.
  • Super Fun Happy Thing of Doom: Played very un-comedically with the Ministries. The Ministry of Plenty’s business is to maintain shortages; the Ministry of Truth concerns itself with censorship and propaganda; the Ministry of Peace maintains perpetual war; and the Ministry of Love is… housed in a windowless building with swaths of barbed wire all around it, and is a secret prison with torture chambers.
  • Tempting Fate: The two protagonists really set themselves up for disappointment.
    Winston: If they can stop me from loving you, that would be the real betrayal.
    Julia: That's the one thing they can't do.
  • To the Pain: O’Brien’s explanation in the Ministry of Love of exactly what is going to happen to Winston is pretty discomforting.
  • Too Good for This Sinful Earth: Infant mortality is up to over one in six.
  • Torture Technician: O’Brien, in Act Three.
  • The Treachery of Images: A relevant part of O'Brien's conversation with Winston revolves around whether the Party could, pragmatically speaking, change reality itself, with the torturer arguing that he could "float like a soap bubble" if he wanted to. After all, if Winston perceives (forcibly) such a thing, and it is on record, in what sense is it untrue?
  • Truth in Television:
    • The Democratic People's Republic of Korea seems to have taken many, many cues from Orwell. In a bad way. Christopher Hitchens, after his visit to North Korea, described it by saying “it was as if someone had taken 1984 and said 'Can you make it as much like this as possible?'”
    • Even going so far as to build a giant pyramid building. And by law, North Korean libraries may not stock books older than fifteen years – the books must be re-edited and reprinted. Wonder where they got that idea…
    • During the Stalinist era in the USSR, children had to paste new pages into their history books as the official view changed. If any classmates were taken away and "vaporized", the kids had to scratch out their faces in all the yearbooks.

      Big Brother is Stalin. Never say to a survivor of Stalin's regime that 1984 is an exaggeration of those times; children much like Winston's next door neighbors existed in droves, enjoyable sex was discouraged, and most importantly, thoughtcrime in its purest form existed — it just wasn't called thoughtcrime.
    • The most terrifying part of all of this is that it is all plausible. There are no far-fetched sci-fi elements in it, and they had 30ish years in the book – long enough to raise a generation who've never known anything else. Orwell lifted most of Big Brother's tactics from Stalin and Hitler and provided a reason (war) for otherwise rational men and women to accept the same tactics from their own government. It also happened a lot of times in the past, in the form of how theocracies proclaimed themselves as infallible by an omnipotent god. Though this also provides some hope, as North Koreans flee to China all the time, and when the Soviet Union collapsed people lined up to leave, and they were a generation that knew nothing else.
  • Twenty Minutes into the Future: Although apparently this was a case of Executive Meddling, Supposedly Orwell wanted to set the book in 1948, but was told he couldn’t, so he just switched the last two digits around to arrive at the new date/title. The fact that Winston himself isn’t sure what year it is is remarked on several times.
  • 2 + Torture = 5: Though George Orwell used it before in essays, this is the book it's most remembered from.
  • Two-Way Tapping: When Winston and Julia have a quiet conversation after one of their illicit encounters in Charrington's flat, Winston muses about a Prole woman they're observing outside, "Hers is the future, we are the dead", and Julia echoes "we are the dead". A voice from the direction of a painting on the wall immediately responds "you are the dead", revealing that there was a telescreen hidden underneath and that they'd been caught in their forbidden activities and discourse. Moments later the Thought Police arrive in helicopters and arrest them.
  • Unnamed Parent: Winston's mother.
  • Unperson: Trope Codifier; Josef Stalin used the term long before this book was written.
  • Unreliable Expositor: Do Eurasia and Eastasia actually exist, or are they made up by the Party, which actually controls the whole world? Alternatively, does Oceania even exist, and does the Party actually control less than it says does? The whole point is that the information given out by the Party is unreliable, and seeing how the only information the reader receives comes from the Party, nobody knows for sure any details about “the world” of 1984. The Party may not control any territory outside the British Isles. It may not even control the whole of the UK. Seeing as Winston never leaves London, we'll never know.
  • The Unreveal:
    • Whether or not a resistance movement actually exists is left completely ambiguous.
    • As is whether Big Brother is a real person or not.
  • Utopia Justifies the Means:
    • Inverted. Winston believes that despite the horrible atrocities the Party has done, its mission is this, but what the Party actually wants is only power.
    • Winston and Julia agree to do whatever the Brotherhood requires them to topple the Party, including distributing addictive drugs, giving others sexually transmitted diseases or even throwing sulfuric acid in a child’s face.
  • We Will Use WikiWords In The Future: One of the main purposes of Newspeak; condensing words makes it easier to utter them automatically without much thought, and to make communicating against the party impossible.
  • Wham Line:
    • Winston receives a note from Julia, which he fears contains something ominous, like an order to kill himself. It actually says, “I love you.”
    • “You are the dead.”
    • “It’s behind the picture.” A telescreen, that is.
    • O'Brien, coming to Winston in the Ministry of Love, says in response to Winston's belief that they "got" him as part of the resistance, says “They got me a long time ago.”
    • “You do not exist.”
    • “Do it to Julia!”
    • The book ends with a rather chilling one: “He loved Big Brother.”
  • Why Did It Have to Be Snakes?: Winston is terrified of rats which is used against him in the most horrible way possible in Room 101.
  • Wicked Cultured: O’Brien.
  • Wide-Eyed Idealist: Poor Winston. Apparently even falling in love is considered wide-eyed idealism in and of itself.
  • Wine Is Classy: Not only do the members of the Inner Party (the political elite of the totalitarian state) get assigned much better dwellings, clothes, food, coffee, chocolate and tobacco than the members of the Outer Party (i.e. the mere White Collar Worker bureaucrats), but also while the members of the Outer Party drink gin (and the blue-collar proles drink beer!), the members of the Inner Party drink... wine, what else?
  • With Us or Against Us: Why "War is Peace" literally works.
  • Working Class People Are Morons: The proles are completely useless and indeed, according to Goldstein’s book, the poor lower classes always have been. To be fair, though, the Party refuses to educate the proles well and deliberately keeps them ignorant. The Book explicitly says the Party finds the brightest proles and eliminates them. In contrast, the brightest, most ambitious Outer Party members are allowed to rise into the Inner Party, and hence become harmless. Despite his left-wing views, Orwell was often criticised for his negative views of the English working-class, in particular the idea that they would just naturally degrade into ignorance and filth. Chalk it up to that Eton College education... However, the fact that Winston sees them as the best hope for the future says something.
  • Wrench Wench: Julia, who is a mechanic that works on the automatic writing machines that churn out prolefeed.
  • Wretched Hive: The prole neighbourhoods, in sharp contrast to the mechanistically controlled Party neighbourhoods. An interpretation is that the Wretched Hive is way better than the mechanical And I Must Scream of the Party because in said Hive you kept your freedoms and humanity.
  • Xanatos Gambit: Goldstein’s Brotherhood seems to be set up by the Party itself in order to identify possible dissidents; either people reject Goldstein and are loyal Party members, or they try to join Goldstein, alerting the Party to their treason. This also has precedent in real life, as the Cheka, forerunner of the KGB, did the same thing in the ’20s when the party was cementing its power over everyday life. Mao Zedong tried the same thing with the Hundred Flowers Campaign.
    • The same goes for Mr Charrington's shop. Presumably, its sole purpose is to lure dissidents into a deceptively safe space so the Party can spy on them more easily.
  • You Are Worth Hell: This is Winston’s attitude about Julia until it’s subverted by what happens to him in Room 101.
  • You Cannot Kill an Idea: Double subverted: The Party can and does kill an idea. While it does its best to stamp out dissent in individuals, it keeps the means, motive, and opportunity for dissent alive deliberately to justify its own existence. Doublethink in action.
  • You Dirty Rat: Winston Smith's worst phobia. It is used by O'Brien to completely break him.
  • You Keep Using That Word:
    • Orwell preferred to use precise language when talking politics and didn’t really like the (over)use of metaphors because they lost all their meaning and became just another way that thought was restricted. It's doubtful that he'd like the way his name gets thrown around by people today. See also: Politics and the English Language.
    • For any proposed change in government policy, the opposing side will call it “Big Brother” or Orwellian (the latter of which often happens in cases in which a term such as "freedom" is used disingenuously), especially if it has anything to do with collecting information or regulating industry. An explanation is unlikely, a citation of the book even less so.
  • Zeerust:
    • Averted, as Big Brother oppresses all research not directly related to weapons technology, so technology has stagnated at about 1950's level.
    • Inter-office communication is sent on paper in glass tubes (no computers).
    • The Ministry of Truth uses 'novel-writing machines' to keep churning out low-grade literature to keep the proles busy. You can tell who works in the Fiction Department by the oil-stains on their overalls.
    • When Julia and Winston meet in the woods, they know that they’re safe from listening devices because the trees are too small to hide a microphone. By the actual year 1984, microphones were sufficiently miniaturized that they could be hidden even in small trees.
    • Played with in an interesting fashion in the Michael Radford film, which of course was made in the real 1984. Winston's office equipment looks exactly as described in the novel, however there is a modern helicopter used in one scene.

We shall meet again in the place where there is no darkness.
NightSchool Study MediaNoli Me Tangere
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George OrwellNew SpeakAirstrip One
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alternative title(s): Nineteen Eighty Four; Ptitlehjs85wn 4
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