Nikki Reed (Rosalie Hale): So, Kristen, there must be something really special about you for Robert to take such a liking to you and risk the lives of his entire family. Tell us about yourself.There are three things that can be referred to as an Audience Surrogate:
Kristen Stewart (Bella Swan): Me? Oh, no. I'm just a hollow placeholder for all of the teenage girls in the audience to project their personalities onto. I have none of my own whatsoever.
Kristen Stewart (Bella Swan): Me? Oh, no. I'm just a hollow placeholder for all of the teenage girls in the audience to project their personalities onto. I have none of my own whatsoever.
- The viewpoint character; See Point of View.
- A character who asks questions the audience would ask and says things the audience would say.
- A character who the audience (or the children in the audience) doesn't just sympathize with, but are supposed to actively see themselves as — by desire, by default, or by author inference.
open/close all folders
Anime & Manga
- Ryuk, in Death Note, is the character who's in it for the same reason as the audience is: Gambit Pileups are fun to watch.
- Aizawa also counts as this later in the series, by virtue of not being a super-genius but still being smart enough to suspect Light of being Kira.
- Kirie serves this purpose in Uzumaki: asking the necessary questions as well as witnessing all the strange goings on in her cursed town; and her love interest, Suichi, plays the role of Author Avatar, providing many of the answers that would have been difficult to provide otherwise.
- Saten Ruiko from A Certain Scientific Railgun is pretty much the only unambiguously normal person of the main cast.
- In the fist half of Fist of the North Star, Bat and Lin both seem to exist mainly to have someone for Kenshiro to provide exposition during a sudden plot development.
- Kyon, the only Ordinary High-School Student in Haruhi Suzumiya. This is probably also the second reason why he is the most frequently shipped character in the fandom.
- Na´ve Newcomer Rakka serves as the audience surrogate in Haibane Renmei, as the other characters explain how the world of the show works and what the Haibane are to the audience through her.
- Armor in the X-Men anime.
- Kazuo from Kengan Ashura is an underachieving salesman, he sees himself immersed as a fighter manager in a secret society where powerful Businessmen organize fighting matches to settle their market disputes, Kazuo is constantly thinking about the ludicrousness of all but still admiring such a different world from his usual pathetic life, and the ridiculously strong fighters who are the very opposites of his weak self.
- Medaka Box: Zenkichi Hitoyoshi is quite literally, the Normal of the main cast. He's often left to comment on the absurdity of the cast, but isn't without his own quirks and moments of badassery.
- Yu-Gi-Oh! has the main character Yugi Mutou. Jonouchi also had his moments that qualify for this trope.
- One of the Fullmetal Alchemist OVAs used this, "filmed" in the first person from the perspective of an unnamed probationer alchemist who interacts with Fuhrer King Bradley and Roy Mustang before a giant alchemist vs. homonculus battle.
- Benio of Engaged to the Unidentified, beneath her straight-A student mask, has a Sister-sister Incest fantasy with a side dish of lolicon tendencies. This is from a seinen yonkoma manga, which means a large number of the readership are otaku, who stereotypically have these kinds of fantasies.
- In Shirokuma Cafe one episode has a character named Mr. Necktie who (despite the series takes place in a world where humans and animals live as equals) is completely surprised by the talking, walking animals and constantly questions their lifestyles, and the world in comparison to ours, as if he literally crossed through the fourth wall.
- Tsukasa fills this role in Plastic Memories. He has no idea what his job entails, and is only vaguely familiar with his corporation's work with androids. He is quickly filled in that his job is to collect Giftia who are nearing the end of their service life, though some people are reluctant and in some cases hostile to giving them back.
- In Guardian Fairy Michel, Kim often learns lessons that the people watching the show are supposed to learn. She's also introduced to the fairies and what they do.
- China in Gundam Build Fighters. She's not initially a fan of the Gundam franchise, and thus provides the writers with numerous excuses to have other characters hurl exposition at her.
- In Nisekoi background characters from protagonists' class will appear from time to time just to say things that male audience may as well want to say. Like expressing envy over Raku's harem or noticing how ridiculous at times is the fact that every single girl around him (except maybe Ruri) comes to like him romantically.
- Main character Homura Hinooka from the Type-Moon light novel series Fire Girl. It's through her that we get to witness her adventures and the grandeur and mechanics of the mysterious planet Imaginary Earth and why UNPIEP, aka the organization the Exploration Club is under, in-charge of exploring said planet, came to be in the first place. While having an audience surrogate in the Nasuverse isn't a new thing thanks to the lore and complicated systems there, what makes her stand out from most other Type-Moon protagonists with her position is that she's the most relatable and comparatively normal one from among all of them.
- Chris Thorndyke of Sonic X was intended to be this sort of character, but tended to just come off as the Creator's Pet and Spotlight-Stealing Squad.
- Robin was introduced to the comic in order to appeal to the young audience who bought it. Even among the various Robins, Tim Drake (Robin III) is often cited as the easiest to relate to and identify with as he wasn't an orphan, acrobat, or street rat although he became the first one in Identity Crisis. Just a regular kid who knew Batman needed a Robin.
- This is also a big part of the reason why Stephanie Brown is so popular, especially among female readers. Like Tim, she's not an acrobat, an orphan, or a street rat, but unlike Tim, she's also not a super genius or particularly rich. She's not as poor as Jason Todd, but she comes from a working class background, and her skills are largely limited to what a teenager could actually do, making her a lot easier to identify with.
- Presumably, Jimmy Olsen existed for the same reason: to be Superman's normal, youthful buddy.
- The Transformers: Last Stand of the Wreckers introduces Ironfist, a hugely sympathetic Ascended Fanboy who has been chronicling the adventures of his heroes, the Wreckers. This image◊ (created by the author himself) makes it pretty explicit.
TF Wiki caption, on a picture of Ironfist fanboying: Oh dear lord, he's us!
- Super-Boy Prime is an interesting example. He's from Earth-Prime, which is portrayed as the "real" Earth, our Earth. He was a Kryptonian and the only super-powered person in a world without them, and everything he did in the Multiverse could be read in the comics. He is what happens when you give a bullied kid superpowers and take his world away from him, make him kill so much, then put him back in his world, a world where now, everyone hates him. And to think, he used to be a sweet little kid that read Superman comic books, dreaming that he could be like him....
- Probably the most well known audience surrogate in comics is also one of the most popular characters, which is largely cited to be because of how much he qualifies: Peter Parker, The Amazing Spider-Man. His status as this is part of the reason he was created and why he sold so well.
- Kamala Khan is in many ways a modern version of Peter Parker. She's obsessed with The Avengers and superheroes in general, and partakes in a number of common nerd activities like reading Shoujo manga and writing fanfiction.
- Rick Jones, sidekick to the Incredible Hulk, is an audience surrogate originally created for young baby boomers. He's an ordinary, well meaning teenager, but one who has more of an authority problem than previous teen comics characters.
- General: Any reader-insert fanfiction, meaning the main character isn't often given a name and is addressed as "You" in the narrative, and "Your Name" in the dialogue. Amusingly, some of the reader-inserts have more personality than non-reader inserts.
- A Crown of Stars: Shinji and Asuka are this during their stay in Avalon, showing what it would be like visiting an alternate dimension ruled by a family of nice, benevolent gods, and where magic and sci-fi technology are a daily reality.
- Superwomen of Eva 2: Lone Heir of Krypton: This is one of main roles of Shinji, showing the reader what it would be like living with a super-heroine -Asuka, a. k. a., Supergirl- who you are in love with, witnessing her heroic deeds but also enduring all complications and trouble such a relationship entails (her being in danger constantly, her enemies breaking into your apartment or kidnapping you, being her confidant and support...)
- In Toy Hammer, this role is passed between Michael, Alice and Vincent.
- The Private Diary of Elizabeth Quatermain: Elizabeth Quatermain was pretty much designed for this purpose, allowing the reader to get an idea of what it would be like to be an ordinary person among the The League of Extraordinary Gentlemen.
- In the 1983: Doomsday Stories, this role is largely taken up by Canon Immigrant Muggles from 1983: Doomsday in contrast to the Nations.
- In ''Saturday, Bob asks for lurid details about Harry's sex life, much to his embarrassment. Since the fic is a pornographic one, the author presumably saw the irony.
...like [Bob] saw my life as a soap opera of some kind with occasional sexy parts.
- Sudden Contact: Tychus Findlay. He had been sentenced to cryogenic imprisonment during the Confederacy era until waking up in the post-Great War era where the Confederacy had fallen and humanity is interacting with aliens regularly.
Films — Animation
- To some extent, Prince Ashitaka in Princess Mononoke.
- Kenji from the movie Summer Wars has no real personality outside of being an Ordinary High-School Student audience surrogate.
- Most of the princes and princesses in the Disney Animated Canon.
- Yeardley Smith is this for the viewer in the commentary for The Simpsons Movie. She asks questions about shooting techniques and the like that other commentators refer to. She very often does the same in DVD commentaries of the regular series.
- The SpongeBob Movie: Sponge Out of Water:
- The seagulls when they question Burger Beard's narration of the movie.
- Other characters like Squidward and Plankton have minor instances of this. At one point Squidward is shocked that they can just tear off their apocalypse attire and the clothing they always wear is right underneath it. In another scene, Patrick is destroying his own house, when SpongeBob asks him what he's doing, he says "Vandalizing stuff." Plankton then asks "Isn't that your house?"
Films — Live-Action
- Luke Skywalker in the original Star Wars.
- Director Bruce Robinson used this trope so literally that the second half of his title duo in Withnail & I doesn't even get a name. Paul McGann's character (credited as "...& I" in the credits, but revealed to be named "Marwood" in the script) is never named in the course of the film, allowing the audience to more easily identify with his misfortunes.
- J.K. Simmons as the unnamed CIA director in Burn After Reading.
- Lambert was meant to represent the voice and thoughts of the viewing audience in the original Alien. "Get out of there, Dallas! NOW!"
- Joe Black in Meet Joe Black, particularly at the beginning (when he serves as the exploratory vehicle within Bill Paxton's estate), and the end, when he tears up watching the party-farewells and acts as the receptacle for Bill's summative reflections - essentially parroting the anticipated reaction of the audience watching the end of the movie.
- The Rocky Horror Picture Show: Brad and Janet.
- New BPRD recruit John Myers serves as this in the first Hellboy.
- Jake Sully in Avatar, who starts as an average Joe Everyman and ends as an Escapist Character.
- Cindel Towani, the little girl in the Ewok TV movies.
- Agent Phil Coulson from the Marvel Cinematic Universe has ended up being this trope by default. Originally created in Iron Man 1 for the purpose of saying SHIELD's full name and being told it was too long, he caused such an impression with his little time on air that he scored a role on the following movies of the MCU and became a Canon Immigrant to the comics, probably because of his characteristics that allow him to represent the aging comic book fan, and at the same time do awesome things like hanging out with his favourite superheroes despite having no superpowers himself and fire a laser gun at the Big Bad. He even gets to acts a little like an Ascended Fanboy in The Avengers without losing his charm.
- The boy in the Lone Ranger costume who is listening to an aged Tonto tell the story.
- Kat Dennings stated in this interview that the character of Darcy in Thor: The Dark World qualifies.
- Lily Sloane in Star Trek: First Contact for the non-Trekkies.
- In the film version of Hair, Claude was turned into a relatable, conservative audience surrogate, as opposed to his radical, obnoxious stage-version counterpart.
- Max Rockatansky has served this role ever since Mad Max 2: The Road Warrior. He usually says very little and, while he does have his own character arc in each film, none of them are his stories. He mostly wanders onto other peoples' situations, allowing him to act as the eyes for the audience to see and experience different parts and stories of the post-apocalyptic Wasteland.
- The four hobbits (Merry and Pippin in particular) in The Lord of the Rings.
- Bilbo in The Hobbit.
- In his introduction to The Book of Lost Tales, Christopher Tolkien supposes that the reason The Silmarillion was less popular than The Lord of the Rings is that it lacked one. In fact, the original draft of The Silmarillion (the Lost Tales) actually did have one — a Man named Ælfwine of England to whom the tales of the First Age were narrated by the Elves.
- Bella of Twilight has a very inconspicuous personality, her actions are often hard to interpret, her characterization is only implied and the story is told in the first person so the audience can project themselves onto her very easily by disregarding some elements of said characterization when they contradict their views. Stephenie Meyer has even said on her website that she deliberately avoided describing Bella's physical features so that it would be easier for the readers to picture her as themselves.
- Firestorm in LessThanThree Comics' Brat Pack. Even though he should be the opposite, what with his family upbringing and all. Sometimes Mr Perfect will take this role.
- Italo Calvino's If on a winter's night a traveler, written almost entirely in the second person, is centered around two readers: one as a stand-in for male readers, another for female.
- Harry Potter. Especially in the earlier books when he's just discovering the wizarding world. Even in the later books, after several years of spending time at Hogwarts and learning about magic he doesn't develop extra knowledge about the wizarding world or magic relying on others to give him, and the reader, the occassional Info Dump. Being The Boy Who Lived does not always agree with his deepest wish to settle down with a family and lead a normal (for a wizard) life.
- The Hitchhiker's Guide to the Galaxy: Arthur Dent.
- Never Where: Richard Mayhew.
- To some extent, Taran, the hero of the Chronicles of Prydain. The author never gives him a physical description, or an age, and his backstory isn't revealed until the final chapter of the final book. Although he is, ultimately, the true hero of the series, he's also something of an Everyman, making it easy for young readers to connect to him.
- Light And Dark The Awakening Of The Mageknight: Daniel Fife makes his target audience clear by stating in the narration that Danny is an Ordinary High-School Student and starting the book on the first day of school when the plot doesn't truly start until the following summer. Until then he's occupied with bullies and crushes.
- Ibn Fadlan in Easters of the Dead. It's noteworthy as Michael Crichton explicitly noted he required a cultural outsider for audience surrogacy purposes in his retelling of Beowulf. He also subverts it by putting footnotes in to outright explain the differences in both historical context and religious differences Ibn experiences in contrast to the target audience.
- Charlie Bucket in Charlie and the Chocolate Factory, is an ordinary, if virtuous and poor, kid, who — like everyone else in and out of story — is curious about what's in the mysterious titular factory, and it's through his perspective that the audience is introduced to all of the other major characters as he and his family follow news of the Golden Ticket contest. And then he finds the last ticket and gets a chance to visit it...
- In Midnight's Children, Padma might be a type 2. Like the audience, she is hearing the Narrator's life story for the first time. Some of her wry and impassioned commentary is bound to resonate with at least some readers (especially her urging Saleem to hurry up).
- The author of Wings of Fire confirmed that choosing Clay as the protagonist of the first book was perfect for this reason. Clay has a poor memory for scrolls and details, meaning that he's always hearing information about the Wings of Fire world for the first time that he remembers clearly.
- The Big Bang Theory:
- Penny fills this role for non-geeky fans. Whenever one of the guys makes an obscure reference to something in geek culture, Penny's always there to sarcastically ask what the heck they're talking about, when many viewers were wondering the exact same thing.
- For everyone else, it's Leonard, a generic geek without his friends' more overt flaws (Howard's lechery, Raj's gynophobia, and Sheldon's Jerkassery).
- Bones: Agent Booth responds to Bones and the other squints just like any non-anthropologist in the audience would, making them explain the more complicated concepts in laymen's terms and sometimes lampshading their Sesquipedalian Loquaciousness:
Dr. Hodgins: It's seventy percent amorphous silicon dioxide.
Booth: What's that?
Dr. Hodgins: It's a common domestic container.
Booth: Oh, like a jar. Why can't we just say "a jar"?
- Code Lyoko: Evolution: Laura Gauthier is this for viewers who didn't see the first series. She's (potentially) a new member of the Lyoko Warriors who is unfamiliar with the world or XANA.
- Disney Channel does this quite a bit:
- Girl Meets World has Zay, Lucas's friend from Texas when he became the new kid in Season 2. Zay takes this role for the viewers who are unfamiliar with the show's first season and the cast's antics, because he's new to them. On top of that, he also helps viewers gain a better depth of what Riley and Maya go through, especially in serious episodes.
- Likewise, Liv and Maddie introduces Josh Wilcox in Season 3, as he is a Na´ve Newcomer. As the setting and dynamics have been more or less established by that point, he, like viewers attempts to understand the antics and plots that go on in the show. Whenever he appears, he is closest to the main plot and experiences it first hand. His second appearance is A Day in the Limelight for him, as if it were an attempt to introduce the audience to the show itself.
- Doctor Who: The companions pretty much exist for this role, when they aren't The Watson.
- A particularly extreme case of this is in the first two TARDIS teams, which had four characters deliberately representing a different demographic of the 'family' audience. There is a teenage girl (Susan or Vicki) representing the older child audience, mature adult male and female characters who work with children (Ian and Barbara) representing the Dads and Mums, and a grandfather-figure with eccentric Man Child qualities (the Doctor) who is a surrogate for the grandparents as well as for the younger child audience.
- Clara takes the concept of companionship and the audience surrogate companion to extremes that become fantastical, representing the concept of the audience itself rather than just being a relatable character. She was born on November 23rd and constantly observed the Doctor throughout his life, even in his other bodies. She always dies at the age of 26, which was the age the Classic series was when it was finally cancelled. She's from Blackpool, which was where the Doctor Who museum used to be and the place where the Sixth Doctor was going to take Peri at the Cliffhanger after the Classic show's first cancellation. She serves an extremely important role in the 50th Anniversary special based around her interactions with past and future Doctors. The Doctor describes her once as 'the not-me one, the ask-me-questions one'.
- ER: John Carter was apparently this, as his character was introduced as a 3rd-year medical student, new to the hospital, unlike the other, who were rapidly established as having worked at there for the past 1-5 years with considerable backstory.
- Lost: Did this a couple times to acknowledge fans' desire for answers. In season 1, Hurley gets frustrated at one point with all the mysterious happenings on the Island, saying that he wants answers. Then, in the epilogue, "The New Man in Charge", Ben comes to visit the guys at the DHARMA packing plant. As he turns to go, one of them says "Wait! You can't just leave without giving us any answers!" which is exactly what the viewers were all thinking at that point.
- Mad Men: When Peggy Olson arrives for her first day of work in the pilot, not only is she our surrogate for the advertising agency, but for 1960 America. Through Peggy, we get a cultural tour of a world where a rotary phone and an electric typewriter are "complicated technology," and taking one's lunch break to get fitted for birth control is a job requirement.
- Mister Rogers' Neighborhood: When Fred Rogers is alone with the camera, he's a parental character. But when he's with a friend, they become the parental figure and Mr. Rogers becomes a child on behalf of the audience.
- The Office (US): Jim's mugging for the camera often reflects how the audience perceives the ridiculous events on screen.
- Revolution: Charlie Matheson is supposed to be a character that you could project your personality onto. The bad news is that a number of critics completely missed the point and hate the character for being bland, whiny, rude, weak, and confrontational. The good news is that she has gotten better by the first season finale.
- Supernatural: In one episode towards the end of Season 7, it is Anviliciously clear that the showrunners really want us to see guest star Charlie as a Type 3, as they have her spend a huge chunk of time making sci-fi references, wondering what Hermione would do in a given situation, and talking about Comic Con (the fact that they cast Felicia Day in the role helps hammer in the point). It feels as if the entire opening sequence with Charlie is basically the writers saying "See, SPN fans? She's just like you! Root for her, dammit!" However, some in the audience felt like the show was trying way too hard to get the audience to like her. And the fact that she was an Anvilicious and strident mouthpiece for the writers' political viewpoints (and the fact that she takes illegal actions on behalf of the writers' viewpoints) meant that it was virtually guaranteed that there would be a chunk of the audience that would see her as annoying rather than as the sympathetic, plucky heroine the writers wanted the audience to see her as.
- In Cranford, Miss Mary Smith comes from Manchester, but the town is close to her heart and her sanctuary. She is a strong and fun female character, she is helpful to Dr Harrison and the Misses Jenkyns, she ships two ideal mates and her friends Sophy and Dr. Harrison, she investigates the incident with Valentine cards, and then as an guardian angel, she solves most problems by writing letters to appropriate places.
- Donna in The West Wing acts as this, often asking the commonsense questions the other characters don't think of. (Also see Women Are Wiser.)
- In The Insect Play, the Tramp (known as the Vagrant in some translations) is the only human character present for most of the play. He mostly serves to draw analogies between human societies and insect societies.
- "Interviewer," in Autistic License. In some variations, he spends the entire time on stage! Kudos to any actors with that level of stamina. Unless the variation is just him sitting the entire time, which only hammers the point home.
- Dr. Lyman Hall in 1776. As the newly-arrived delegate from Georgia, he has to meet the Congress, which is a handy way to introduce the audience to the various state delegations—and be a little taken aback by them. The Founding Fathers were a lot of bickering real people rather than wise marble statues. (Hall also serves as Chekhov's Gunman, but that's another story.)
- Magma in the first X-Men Legends game, who is a mutant saved and taken in by the X-Men. We go through her first days in training all the way to becoming the newest member of the team, though the first few missions don't even have her as a playable character.
- Ethan Mars in Heavy Rain. There are four main characters in the story, but it's clear right from the beginning that Ethan's the one the player is supposed to empathize with the most.
- Phil from the Riddle School series is confirmed to be this via Word of God.
- Metal Gear:
- Raiden is pretty much this in Metal Gear Solid 2: Sons of Liberty. Like the player he has experience from the previous game based on "virtual reality" and the game is not subtle at all in later parts when Raiden is told to "Turn the game console off." It is also worth noting that Raiden has dogtags written by the player in the game's beginning and he throws them away in the end, having decided to find his own identity.
- In Metal Gear Solid V: The Phantom Pain, the player writes in information such as name and birth date, and also gets to design a new face, which is all presented as part of Big Boss's plan to hide his identity, with the facial customization being for a planned plastic surgery. As it turns out, Venom Snake is not actually Big Boss, but a body double instead, with the player-designed identity (and by extension the player themselves) being Venom's original self; in contrast to Raiden in MGS2, Venom continues to play the role of Big Boss even after regaining his original memories in the true ending. The implication is that the player is just as responsible for Big Boss's legend as the man himself; adding to this, it's also revealed that the player-customized identity did end up being temporarily assumed by the real Big Boss.
- Martin Walker from Spec Ops: The Line is played for every negative connotation this trope provides. He treats the events of the story the way your average modern military shooter player would: As a power fantasy and a chance to feel like a hero. In the process, he does a number of horrible things, and every single one of them is your fault.
- James Vega of Mass Effect 3 performs this role for people new to the trilogy. He is literally the only crewman (or significant character for that matter) that Shepard hasn't met in either of the first two games.
- Final Fantasy X One of Tidus's major roles in the plot is so people who've lived within the society of Spira all their lives have to explain it to somebody.
- Yu-Gi-Oh! Reshef of Destruction has your character, who gets to hang out with Yugi and Joey and save the world.
- Undertale has two, but they're not who you might think.
- The first one is Flowey. For a substantial portion of any run, he projects on Frisk, believing them to be his friend the Fallen Child when they've never actually met; in the True Pacifist run, as Asriel, he plans to reset the entire timeline so he can keep having fun with his "friends;" and in the Genocide run, he talks about how his own genocidal actions were motivated, in part, by the repetitiveness of helping everyone and the realization that they were all scripted actors. All of this is set up to directly parallel the player's own motivations and actions, especially if they took the anticipated path of doing a True Pacifist run and resetting for the Genocide run.
- The second one is the Fallen Child who, as an embodiment of completionism and powergaming during the Genocide run, acts similarly to the player. Through the Fallen Child's actions, the player is shown just who they've been acting like: a crazed killer whom the lesser monsters fear and the more powerful ones die fighting heroically. As a bonus, if you decide to go against the Fallen Child, essentially who you were, at the last moment, you will be greeted by the same familiar determination, just on the other end of the stick.
- Touhou: In Strange Creators of Outer World, series creator ZUN explicitly refers to Deuteragonist Marisa Kirisame as "the player/reader stand-in character" since her presence allows him to explain things that he couldn't/wouldn't if Reimu Hakurei were the sole protagonist. He credits this to her straightforward nature, saying it makes her easy to understand but at the same time occasionally makes her "un-Touhou-like".
- Raimi Matthews of Broken Saints fame fits this pretty well, especially for American audiences (even though he's actually Canadian-American...)
- Rookie from Batty Battalion is the only character who seems like he is from the real world, not the crazy video gamey respawing one Batty Battalion is set in.
- Jaune Arc from RWBY is what most real life people would be in a World of Action Girls given that he is the most "normal" of all the main characters. Namely, he serves primarily as the guy who prompts exposition since, like the audience, he's new to the setting's world of combat.
- A very popular Llamas with Hats theory is that Paul is supposed to be this.
- Amity Vii of Miamaska. Seen clearing up plot holes here and here! She clears up pronunciation problems for the audience as well.
- Sarah Jones from Manly Guys Doing Manly Things, though she turns out to have a surprisingly useful collection of abandoned hobbies.
- Scully takes on this role in Monster of the Week, asking questions and getting throughly frustrated with absurd premises or Fridge Logic-induced Plot Holes. She's also Author Avatar, despite there being one already (author herself).
- Natalie from The Senkari is just a normal High School student who gets caught up in the adventures.
- The unnamed heroine (dubbed BB by the comic's fans) in The Bully's Bully.
- Dorkly.com has a literal expample in If the Audience Were a Character on Game of Thrones. Heavily overlaps Meta Guy.
- Caliborn and Calliope are these in Homestuck, with one acting as a Hate Dumb He-Man Woman Hater and the other acting as Shipper on Deck Ms. Exposition.
- The Glass Scientists has Jasper, an overeager Mad Scientist-turned-werewolf through whom we meet Dr Jekyll and the Society.
- The unnamed "protagonist" of PHD is the default representative of a typical grad student and is not given any distinctive characterization.
- Prequel has a literal version. The comic features suggestions from the audience in each of its updates. For side-stories (which are written in advance), stand-ins are used, with nicknames such as adventuregamer, FakelyMcSuggestor, ColorfulHorse6, ItalianArgonian, Horrible_Roleplayer_ or ObviousCommandgiver.
- Sophie in KateModern, a minor character who is a fan of Kate's videos. On her Bebo profile, she would often break the Fourth Wall to directly communicate with "other" fans.
- Hanami in Tasakeru.
- Tobiah, the teenage narrator of The Graystone Saga, is just an ordinary kid who accidentally gets swept up in the quest of the story's actual protagonist. Not much has been revealed about him, enabling the reader to more easily project themselves into his role.
- "Make Them Look and Sound Like the Audience, Against All Logic" is #4 of Cracked's 6 Tricks Movies Use to Make Sure You Root for the Right Guy.
- Noob starts with the player behind Gaea buying the game in which the story is set and starting playing to find out only one guild will take low-level players. The role quickly shifts to Sparadrap, who has been playing longer but has so little understanding of it and such lousy memory the he ends up being the one to which everything needs to be explained. Gaea becomes one of the expositors due to being MMORPG-savvy despite being new to Horizon.
- Discussed in Mr. Plinkett's review of Star Wars: Attack of the Clones, where he argues that a major weakness of the prequel trilogy is that it forgot to put a character in this role (unlike the originals). Between the stern-faced Obi-Wan and the emotionally volatile Anakin, it's never quite made clear just who the audience is meant to identify with, and the fact that the main characters are all either experienced politicians or veteran Jedi means that we always see the Clone Wars from the perspective of professionals who understand the situation far better than we do.
- Ahsoka in Star Wars: The Clone Wars: a child, not having learned yet all she needs in order to survive in the universe, suddenly thrust into a life of excitement and adventure (and, more importantly, authority [at least, in her own mind] over more experienced adults). Isn't that what lots of kids fantasize about?
- Orko on He-Man and the Masters of the Universe (1983) was clearly supposed to represent the target demographic viewer.
- My Little Pony: Friendship Is Magic
- Twilight Sparkle, the main protagonist, especially in the beginning when she's the one arriving at the new place and getting to know the people.
- At least in hindsight, the first two-part story has her go through an analogy to the viewer surprised to like the show (similar to the Rainbow Dash example below), where she goes from "What am I doing here, this is stupid, it's not my kind of thing" to "These ponies are awesome."
- Spike seems to be a surrogate for the male Periphery Demographic, being The One Guy and all. Apparently, a lot of the guys watching an ostensible girls' show with a varied cast of formidable and well-liked female protagonists still want to identify with The One Guy because he's the guy.
- Rainbow Dash in "Read It and Weep". She passes off reading a popular book series as uncool, until she picks up a copy and discovers that she likes it, and then tries to hide the fact from her friends. Several older fans compared this to how they first got into the show.
- The Cutie Mark Crusaders represent the children who aren't sure what they're good at and what they want to do with their lives.
- Twilight Sparkle, the main protagonist, especially in the beginning when she's the one arriving at the new place and getting to know the people.
- Beast Boy acts as this sometimes in Teen Titans. As the youngest, and the least smart, he sometimes has the science-y stuff explained to him by his more educated teammates (e.g. the Chromaton Detonator in Apprentice: Part One, Xenothium in X).
- Kid Flash in Young Justice. He is the only member of the team with a remotely normal childhood, as well as the only one who lives in an a two-parent household and attends public school. Rocket takes on this role later in the series, where other character summarize the events of past episodes for her.
- Word of God is that The Falcon is this in Avengers Assemble. He eventually grows out of it, and Ms. Marvel seems to be taking over this role in Season 3.
- The Simpsons
Marge: Don't you remember when Maggie shot Mr. Burns?
- Lisa, Yeardley Smith's character, often fills this role on the series (whenever Comic Book Guy isn't around):
Homer: I thought Smithers did it.
Lisa: (under her breath) That would have made a lot more sense.
- Frank Grimes in the infamous eighth-season episode "Homer's Enemy". The character's sole purpose was to represent a realistic person from our universe — accustomed to toil, pressures and hardship with little, if anything, to show for it — transplanted into a universe that caters to and rewards the lazy and stupid, and how it would understandably drive him/her absolutely insane. Granted, his childhood was pretty exaggerated and far from being realistic so perhaps more of a cariacture of a real person.
- Gus in Recess can be considered one, as he is the newest kid at school and seems the most confused about the ways the school is set up, causing the other kids to explain them to him- and the audience.
- Huey Freeman in The Boondocks passively observes the antics and idiosyncrasies of the other characters, sometimes as the Only Sane Man.
- Fry in the first season of Futurama, although he started to move away from this role once he became more accustomed to life in the 31st century.
- South Park has Stan and Kyle, which would make sense since they were supposedly based off of the show's creators Trey Parker and Matt Stone respectively.
- Jubilee is this in the beginning of X-Men. It's through her eyes that we're introduced to the REAL main characters and the mutant world at large.
- Steven himself is this in Steven Universe. The audience never knows about or sees something he doesn't. When there are shifts in POV, it's usually a story being told to Steven. The only time in the entire series where there's an actual POV shift (i.e. the audience follows another character and Steven isn't aware of what is happening with this character) is most of Garnet's fight against Jasper in "Jail Break".